Despite its appearance as just another arcady sandbox game, Deliver At All Costs is shockingly story-minded. So much so, that its constant focus on narrative might deter those just looking for some dumb fun. And after seeing the narrative through to the end, I wouldn’t blame them, given how hard the game tries to be a grand tapestry of storytelling excellence. The adventure is structured into three acts, each with a unique town to explore and complete missions in. One act even features a time skip accompanied by a moment of no return. So even if you just want to ignore story and focus on acing deliveries and causing mayhem in the streets, you still have to go through some cutscenes and narrative progression to unlock the next towns and side missions.   "The majority of the side content in Deliver At All Costs isn’t very enticing." Not that the side missions are worth doing anyway. The majority of side content in Deliver At All Costs isn’t very enticing. The rewards aren’t worth it and the fetch quest design doesn’t warrant the effort. I’d only recommend going out of your way for the side content if you’re already keen on exploring the various maps. The treasure chests and small boxes hidden throughout the game give cash that is used on materials for vehicle upgrades; however, a majority of upgrades can be purchased from the main story mission rewards anyway. I expected to have fun with the vehicle upgrades, but ended up sorely disappointed in their limited application. This is because upgrades cannot be used outside of curated story missions; bummer. Not that the crane attachment or extreme hauling capacity upgrade aren’t fun to play with; they are rather fun, but exclusively used for their particular missions. Again, if you’re expected a zany vehicular sandbox with a lot of options and unlockables, Deliver At All Costs isn’t that. The reason I keep associating the game with sandbox playability is due to its map design. It has an old-school 2D Grand Theft Auto style of isometric driving. In between story missions, you’re given the leisure to roam around town freely. All of your driving and running around is done through a top-down isometric camera angle that gives the environments a nice diorama look to them, and what’s more, you can move the camera between two different angles in case it’s difficult to see something. "Speaking of scenery, there’s a surprising amount of activity going on while you’re driving around delivering stuff." All the unique shops and landmarks of this diorama give off a classic vibe well. Oh, and the soundtrack fits the setting wonderfully. Lounge jazz and instrumental surfer rock accompany your deliveries, and it rarely gets repetitive. Tying it into GTA even more is the radio, with infrequent broadcasts that add flavor lore to the setting. Each town has multiple districts, each with their own theme, which helps vary up the scenery just that much more. Speaking of scenery, there’s a surprising amount of activity going on while you’re driving around delivering stuff. NPCs go about their business, birds glide across the sky, and plenty of vehicle traffic accompany the streets. In fact, there’s often a tad too much activity. Streets are so packed with cars and people that collisions are unavoidable. "NPCs roam the streets and become aggressive when threatened." I like how populated the game is, but it’s tuned a bit too high, getting in the way of enjoyability a lot of the time. Perhaps, it would have been better balanced to up the street traffic the further you get into the game, especially since the towns progress from rural to metropolitan through the course of the narrative. At the very least, there’s an attractive mini-map with well designed labels and indicators. Navigation is aided with helpful arrows showing the way to a mission destination too. But you aren’t merely delivering parcels to a destination in a given time limit; there’s a variety of ways the game mixes up its missions. Part of the game’s initial draw is its physics-based driving, which manifests in hilarious ways. One of the first missions tasks you with delivering a truck full of rotted watermelons. The first step is to bring them to a sanitizer, then you paint them so they look presentable, all while avoiding traffic and trying not to knock them over as they roll around in the back of the truck. It’s one of the enjoyable missions in the game, and one that demonstrates the physics gameplay best. I like how the missions get progressively more wacky and clever as you progress too. You even become a UFO hunter during one late-game job. It’s just too bad the very high traffic and wonky controls hamper the overall experience. "I like how the missions get progressively more wacky and clever as you progress." The driving controls are rather simple. Just aim in the direction you want to drive and hold the accelerate button. It’s the high sensitivity of the acceleration and the hard braking and turning that contribute to a somewhat frustrating experience. The high traffic just further compounds the controls to make for a somewhat clunky driving experience. Vehicles don’t differ in how they drive either, though you really only have the one truck for a large majority of the game anyway, so it doesn’t really make a difference. And the cars aren’t great to look at either. Heck, nothing looks particularly nice in the game, especially the characters. Facial animations are frankly bad and the bland art style doesn’t make up for the graphical shortcomings. What’s worse is there’s still some pretty substantial load times in-between regions, which hurts the flow of the open-world. But the element that gets hurt from graphics the most is the mixed story. It’s hard to take the drama seriously when its presented so poorly. There’s an attempt at cinematic camera angles during cutscenes, but textures are featureless and close-ups of people’s faces are serious PS1 quality stuff. Thankfully, a handful of characters are quite likable despite what their low poly models suggest. Winston’s delivery mates have surprising depth and a good amount of backstory. And Winston himself is a fully fledged personality and someone you can imagine working with. "Winston’s delivery mates have surprising depth and a good amount of backstory." Characters like Norman are instantly likeable while Winston’s arch-nemesis and hardline boss, Donovon, is perfectly punchable. I’m also impressed with a majority of the dialogue writing. Characters speak with a down-to-earth tone and level of informality that makes them realistic, even if they look like untextured Unity assets. Going back to where I started the review, the game goes surprisingly hard on the story axis, but it doesn’t fully land for me. The wacky yet earnest tone is great, but the execution of the plot doesn’t wrap up in a satisfying way. Winston’s mysterious past and the true motives of the delivery company’s executives had so much potential for an intriguing narrative thread. But alas, the finale just kinda falls flat without the payoff that the game was teasing. "The game goes surprisingly hard on the story front, but it didn’t fully land for me." As a whole, Delivery At All Costs delivers a zany and fun, though frustrating, isometric delivery experience with a story that tries a bit too hard. I can easily see this game being a cult classic, but for a majority of gamers, it won’t deliver a truly stunning experience. If you’re looking for a game with a wacky and inventive premise that experiments a bit, and don’t mind gameplay and graphics from three generations ago, give Deliver At All Costs a try and it might just deliver. This game was reviewed on the PlayStation 5.

A California-based company called Magrathea just turned on a new electrolyzer that can make magnesium metal from seawater. The technology has the potential to produce the material, which is used in vehicles and defense applications, with net-zero greenhouse-gas emissions. Magnesium is an incredibly light metal, and it’s used for parts in cars and planes, as well as in aluminum alloys like those in vehicles. The metal is also used in defense and industrial applications, including the production processes for steel and titanium. Today, China dominates production of magnesium, and the most common method generates a lot of the emissions that cause climate change. If Magrathea can scale up its process, it could help provide an alternative source of the metal and clean up industries that rely on it, including automotive manufacturing. The star of Magrathea’s process is an electrolyzer, a device that uses electricity to split a material into its constituent elements. Using an electrolyzer in magnesium production isn’t new, but Magrathea’s approach represents an update. “We really modernized it and brought it into the 21st century,” says Alex Grant, Magrathea’s cofounder and CEO. The whole process starts with salty water. There are small amounts of magnesium in seawater, as well as in salt lakes and groundwater. (In seawater, the concentration is about 1,300 parts per million, so magnesium makes up about 0.1% of seawater by weight.) If you take that seawater or brine and clean it up, concentrate it, and dry it out, you get a solid magnesium chloride salt. Magrathea takes that salt (which it currently buys from Cargill) and puts it into the electrolyzer. The device reaches temperatures of about 700 °C (almost 1,300 °F) and runs electricity through the molten salt to split the magnesium from the chlorine, forming magnesium metal. Typically, running an electrolyzer in this process would require a steady source of electricity. The temperature is generally kept just high enough to maintain the salt in a molten state. Allowing it to cool down too much would allow it to solidify, messing up the process and potentially damaging the equipment. Heating it up more than necessary would just waste energy.  Magrathea’s approach builds in flexibility. Basically, the company runs its electrolyzer about 100 °C higher than is necessary to keep the molten salt a liquid. It then uses the extra heat in inventive ways, including to dry out the magnesium salt that eventually goes into the reactor. This preparation can be done intermittently, so the company can take in electricity when it’s cheaper or when more renewables are available, cutting costs and emissions. In addition, the process will make a co-product, called magnesium oxide, that can be used to trap carbon dioxide from the atmosphere, helping to cancel out the remaining carbon pollution. The result could be a production process with net-zero emissions, according to an independent life cycle assessment completed in January. While it likely won’t reach this bar at first, the potential is there for a much more climate-friendly process than what’s used in the industry today, Grant says. Breaking into magnesium production won’t be simple, says Simon Jowitt, director of the Nevada Bureau of Mines and of the Center for Research in Economic Geology at the University of Nevada, Reno. China produces roughly 95% of the global supply as of 2024, according to data from the US Geological Survey. This dominant position means companies there can flood the market with cheap metal, making it difficult for others to compete. “The economics of all this is uncertain,” Jowitt says. The US has some trade protections in place, including an anti-dumping duty, but newer players with alternative processes can still face obstacles. US Magnesium, a company based in Utah, was the only company making magnesium in the US in recent years, but it shut down production in 2022 after equipment failures and a history of environmental concerns.  Magrathea plans to start building a demonstration plant in Utah in late 2025 or early 2026, which will have a capacity of roughly 1,000 tons per year and should be running in 2027. In February the company announced that it signed an agreement with a major automaker, though it declined to share its name on the record. The automaker pre-purchased material from the demonstration plant and will incorporate it into existing products. After the demonstration plant is running, the next step would be to build a commercial plant with a larger capacity of around 50,000 tons annually.

$45For some people, note-taking is serious, serious business. That’s why your dad’s great ideas, errant thoughts, to-do lists, and appointments deserve a worthy notebook. Traveler’s leather-bound travel journals are great for jotting down all of the above, especially since they come in a slew of sizes.$45 at Traveler’s Company (various sizes)$69Whether your dad is a fan of the Indiana Jones flicks or he digs MachineGames’ excellent Wolfenstein titles, there’s plenty to like in The Great Circle. The first-person exploration game lets you crack the whip, punch Nazis, and traverse the globe to retrieve precious relics. It’s good fun.Anker Laptop Power Bank$110$13519% off$110There are plenty of portable batteries out there, but few are as versatile and powerful as Anker’s 25,000mAh Laptop Power Bank. The handy pack features two built-in, retractable USB-C cables — one of which serves as a lanyard — allowing you to quickly charge most devices on the go.Backbone Pro$170$170The best mobile controller is the Backbone Pro. It retains the same overall design and feel as the company’s cheaper model, only with some comfort-boosting improvements. It also features a built-in battery and Bluetooth support, so your dad can use it for gaming on his TV, computer, VR headset, or handheld PC.$170 at Best Buy$170 at BackboneAncel AD410 OBD2 Scanner Professional Diagnostic Scanner$40$5020% off$40The more ways you know how to diagnose a possible issue with your car, the less time you’ll spend at the mechanic (sorry, mechanics). Ancel’s diagnostic scanner plugs into the OBD2 port found in most US cars dating back to ’96, letting you see exactly why certain lights on your dash keep popping up.$40 at Amazon (with Prime)$50 at AncelSony WH-1000XM6$448$4500% off$448The latest iteration of Sony’s best-in-class noise-canceling headphones has finally arrived. The newfangled XM6 make subtle improvements to every facet, from sound quality to comfort to ANC, while wisely bringing back the foldable design last seen on the last-gen XM4.Hoto SnapBloq System$216$30028% off$216Hoto’s modus operandi is to make svelte, handsome tools, with the SnapBloq being its sleekest yet. Buying all three sets — which, as the name implies, snap together to form a block — nets you a precision screwdriver, drill pen, and rotary tool, all of which are rechargeable. Dad may already own enough tools, but we bet they don’t look nearly as good as these do.$216 at Amazon$240 at HotoSatechi Vegan-Leather Magnetic Wallet Stand$28$4030% off$28Satechi’s MagSafe-ready wallet addresses two specific needs that may make it a must-have for some dads: it’s crafted from vegan leather, and it doubles as a kickstand. That means the durable wallet provides a hands-free way to watch videos or hop on a call, whether you place it in portrait or landscape mode. AirPods 4$119$1298% off$119Most of Apple’s high-end earbud tech can be found in the AirPods 4, which cost significantly less than the latest Pro model. They’re relatively small, offer great sound, and even support USB-C charging, making them a great pick if you can do without active noise cancellation.James$18$2836% off$18Percival Everett’s first work of fiction earned him the Pulitzer this year — and it’s no surprise. The bold 2024 tale serves as a reworking of Huck Finn as told by the enslaved man who travels with him down the Mississippi, and although it’s dead serious at times due to the subject matter, it’s also inventive, poetic, and surprisingly funny.Xiaomi Sound Pocket$27$3010% off$27Xiaomi doesn’t have as much of a presence in the US as it does globally, but thankfully, the classy Sound Pocket is readily available. The compact Bluetooth speaker supports hands-free calling with its built-in microphone, and its IP67 rating means it can even handle some water — so long as you don’t submerge it for too long.$27 at Amazon (with on-page coupon)$30 at Walmart (with on-page coupon)$35While writing Cat’s Cradle, Kurt Vonnegut needed to pay the bills, so he tried his hand at making board games. His creation, a tactical war-themed tabletop game called GHQ (General Headquarters), never saw the light of day — that is, until recently. Needless to say, the two-player game is a great title for Vonnegut fans and scholars alike.$35 at Barnes & Noble$35 at Kurt Vonnegut’s GHQ Museum and Library$550The Forerunner 570 has no business looking as good as it does for a running watch. Garmin’s new wearable features a bright OLED display, a slick translucent band, and several new features, including skin temperature sensors and a built-in speaker / mic. The only real question is what size to get for dear ol’ dad: 42mm or 47mm?$70Magic: The Gathering isn’t as difficult to get into as you might think, and the Final Fantasy-themed expansion might be the perfect place to start. The upcoming collection has sent the internet into a proverbial spiral, with many products selling out as a result of a very dedicated fan base. Lucky for dad, the entry-level starter kit is still readily available.Nitecore BB21 electric blower$65$707% off$65All of dad’s precious tech is prone to dust and other debris, which can impact usability if left unchecked. Fortunately, with Nitecore’s rechargeable air blower as a companion, he can easily rid his mechanical keyboards and other tough-to-reach crannies of unwanted grime, ensuring all of his gadgets are in tip-top shape.$31Bon Iver’s Justin Vernon has come a long way from the fabled Wisconsin cabin where he supposedly holed up to record his debut. Sable, Fable, his latest LP, is a welcome kaleidoscope of sounds and feelings, from familiar strummers and beat-heavy ballads to the kind of sultry, R&B-flecked tracks that would make Prince swoon.$450Telepathic Instruments’ retrofuturist keyboard is a vibes machine, one designed for people who want to easily produce cool sounds. It only houses a few piano keys, but it has dedicated major, minor, and other inputs that let you get creative without necessarily having to know how to play.$450 at Telepathic InstrumentsChef’n S’mores Roaster$50$7432% off$50You can effortlessly replicate the magic of making s’mores while camping with Chef’n’s small, safe machine. The contained flame on the tidy indoor / outdoor roaster is built to toast marshmallows, while its ceramic dome can melt chocolate onto graham crackers. All you’ll need to supply is a fuel can, plus all the s’mores ingredients you can muster.Panasonic 4K Blu-ray player (DP-UB420-K)$245$2502% off$245Like all of us, your dad deserves to watch movies at the best possible resolution, which is where a 4K Blu-ray player comes in. Panasonic makes some of the best models you can buy, and when paired with the right TV, 4K Blu-rays look and sound better than even the most high-res streaming apps. Plus, it’s still fun to collect discs.$125If your dad’s shaving gadget repertoire is outdated, try treating him to a fantastic — and customizable — beard trimmer. Panasonic’s washable, wide-tipped model comes with 19 adjustable settings and can cut hair, too, just in case dad wants to keep a short ’do or touch up his sideburns.$125 at Amazon$125 at PanasonicOntel Battery Daddy storage system$15$2025% off$15Most modern gadgets are rechargeable via USB-C, but many households still rely on traditional batteries for all sorts of things. Your dad is sure to be impressed with your moxie when you gift him this deluxe battery organizer, which has dedicated compartments for coin cell batteries, large D-cell batteries, and all of the smaller sizes in between.Baseus Free2Pull Retractable USB-C Cable 100W$10$2255% off$10Most people don’t want to wrangle cables… and who can blame them? Not us, which is why several folks at The Verge own Baseus’ handy, retractable USB-C option. The Free2Pull comes in two sizes, each of which conveniently pulls the excess cable into a small puck that’s far tidier and easier to manage than a loose cord.$200Most Lego creations occupy some desk or table space, which can be annoying if you’re trying to tidy up. However, every item from Lego’s Vincent van Gogh collection, which consists of several brick-ified paintings from the artist’s late-1800s heyday, can be assembled and then mounted to your wall.$220A massage gun is a gift that keeps on giving. When muscles and tendons are tight or sore, the Theragun Mini serves as a quick and easy remedy, allowing dad to get on with his day with less discomfort. The third-gen model is just a little smaller, making what was already an ultra-portable device even more compact.Birdfy Feeder 1$120$22045% off$120Looking at birds is cool, and we’re all better off spending more time doing it. And while birdwatching typically requires patience and a decent pair of binoculars, you could summon birds with Birdfy’s entry-level smart feeder, which features a 1080p camera and an app that lets you view birds up close as they munch on seeds.Xreal One smart glasses$499$499The Xreal One aren’t the most affordable augmented-reality glasses available, but they are some of the best for displaying movies and games on the go. You can connect them via USB-C to your smartphone, tablet, or handheld gaming PC, making the 84-gram spectacles the ultimate upgrade for both plane flights and your commute.$499 at Amazon$499 at XrealTime Timer MOD (Home Edition)$20$2520% off$20A basic timer may seem like a thoughtless gift, but there are many tasks we procrastinate on every day that could be more easily managed if we dedicated a little bit of time to them. A visual Pomodoro timer, such as the colorful MOD (Home Edition), is key to helping break tasks into manageable chunks or take them on all at once.Nintendo Switch 2$449$449The Switch 2 could make for a stellar gift for any dad — that is, if you can manage to preorder one ahead of the console’s arrival on June 5th. Nintendo’s latest hybrid console packs a larger 7.9-inch 1080p display, magnetic Joy-Con controllers, and a host of other minor but welcome improvements that build upon what was already a winning formula.

Sometimes you want to play alone, whether your game of choice is a relaxing solitaire session or an engrossing, cinematic campaign. We get that. Still, some of the best gaming-related experiences come from moments shared with other people. After all, an excellent multiplayer mode makes a video game endlessly replayable and enables good times with local friends or strangers across the country—as long as the servers stay up. Our list of the best multiplayer games casts a wide net that includes console and PC games, competitive and cooperative titles, casual board games and serious esports fare, and, of course, battle royales, shooters, and fighters. If you're interested in playing a game with at least one other person, you'll find something that catches your eye here. These are the best multiplayer video games that you and your friends should play right now. Apex Legends From the ashes of Titanfall rose the best battle royale game. Respawn’s Apex Legends combines unbelievably fluid movement with impeccable gunplay and innovative team communication features. Each character’s unique abilities open strategic options on the expansive battlefield. Among Us Among Us (for iOS) 4.0 Excellent Among Us is more of a social experiment than a game. You and your friends play as crewmates attempting to repair a spaceship, but some players are deadly impostors who are picking off others. Constant lying and manipulation turn even the friendliest relationships into pure paranoia.  Clubhouse Games Clubhouse Games: 51 Worldwide Classics (for Nintendo Switch) 4.0 Excellent This compilation contains more than 50 classic games that have stood the test of time, including bowling, backgammon, and billiards. You can have fun with friends or family, but beware getting so heated that you'll never want to speak with them again. Online play ensures the good (and frustrating) times aren't limited to your immediate vicinity. Counter-Strike 2 Counter-Strike: Global Offensive 4.0 Excellent Counter-Strike is a founding father of multiplayer online shooters, and Counter-Strike 2 continues the legacy. In this long-awaited update to Counter-Strike: Global Offensive, you’ll find a massive community always ready to hop into Terrorist versus Counter-Terrorist tactical team action. Plus, it’s free! Death Stranding Death Stranding: Director's Cut (for PlayStation 5) 4.0 Excellent Hideo Kojima’s freaky odyssey about time rain and babies in jars is also one of the most fascinating and unconventional multiplayer games in recent memory. As you traverse the harsh wasteland, you can leave behind useful items, such as ladders and reports, that other players can use in their sessions. Destiny 2 Destiny 2 (for PlayStation 4) Destiny 2 is the looter-shooter that gives other looter-shooters envy. You gather the shiniest guns, the sickest armor, and show off your gear in front of fellow Guardians. Party-up and shoot your way through alien enemies and strongholds with Bungie’s perfect first-person shooter controls. The first taste is free, and regular, new content releases give you many reasons to keep gunning. Destiny 2 (for PlayStation 4) review Diablo IV 4.0 Excellent No action-RPG out-Diablos Diablo IV, a title that expands the familiar loot-grinding mechanics with massive, demon-filled zones. In terms of character builds, Diablo IV review Dota 2 Dota 2 (for PC) 4.5 Excellent What began as a mere mod has since become one of the most popular esports in the world. Dota 2 sets the standard for the MOBA genre, that strange hybrid between real-time strategy and team sports. New heroes give players constantly changing choices to consider. If you put in the effort to get really good at this game, the sky's the limit.  Fatal Fury: City of the Wolves Fatal Fury: City of the Wolves (for PC) 4.0 Excellent The King of Fighters series is great, but Fatal Fury: City of the Wolves resurrects the SNK fighter that started it all. Familiar faces like Terry Bogard and Mai Shiranui battle real-life guest characters like DJ Salavatore Gannaci and soccer star Cristiano Ronaldo in this excellent take on fundamental, 2D fisticuffs. Rich mechanics add depth to both offensive and defensive play, while comic book-inspired graphics give brawls a distinct visual identity. Crossplay multiplayer shines with rollback netcode. Fatal Fury: City of the Wolves (for PC) review Fortnite Fortnite (for PC) 3.5 Good Do you really need someone else to tell you about Fortnite? Originally a free battle royale mode for a failed multiplayer game, Fortnite became an absolute phenomenon. Every day, millions of children leap from the in-game battle bus to shoot each other and build elaborate structures, while dressed as their favorite brands. You can also hang out and watch concerts or (for some reason) documentaries on social issues.   Forza Horizon 5 Forza Horizon 5 (for PC) 4.5 Excellent Forza Horizon 5 appeals equally to serious automobile racing enthusiasts and anyone who just wants to drive aimlessly through beautifully rendered Mexican landscapes. Although largely similar to past entries, the new EventLab lets you create clever, custom courses to enjoy with friends. Halo Infinite Halo Infinite (for PC) 4.5 Excellent Halo single-handedly saved the Xbox, and proved that multiplayer shooters could thrive on home consoles. Halo Infinite doesn’t just reinvent the single-player campaign, it continues Halo’s history of excellent multiplayer modes, from capture the flag to random weapon fiestas. Plus, you can play for free, so finish the fight. Halo Infinite (for PC) review Jackbox Party Pack The Jackbox Party Pack 8 (for PC) The annual Jackbox Party Pack games consistently deliver the most hilarious social multiplayer experiences you’ll ever play. Design wacky t-shirts, come up with witty quips, and try to figure out which friend is faking it. Anyone can play, as long as they have a phone. With unique streaming features, even your audience can join the party. League of Legends League of Legends (for PC) 4.5 Excellent Free from any previous mod baggage, League of Legends is arguably the more accessible game when it comes to the MOBA heavy hitters. Still, it takes skill to master every champion and lead your team to victory. The League of Legends universe is expanding into other game genres and Netflix shows, so now’s the time to get caught up.  League of Legends (for PC) review It Takes Two In many ways, marriage is the ultimate multiplayer game. It Takes Two is a cooperative adventure that tasks two people with controlling a couple as they complete wacky challenges to repair their strained relationship. You’ll never know true love until you and your partner escape a giant cuckoo clock together. The King of Fighters XV The King of Fighters XV (for PC) 4.0 Excellent For finely tuned 2D fighting, look no further than The King of Fighters XV. Building off intriguing ideas introduced in previous entries, KOF XV gives you a massive character roster and an expressive, creative fighting system. Tournament features, multiplayer party modes, and rollback netcode make this one of the series' best entries. Mario Kart 8 Deluxe Mario Kart 8 Deluxe (for Nintendo Switch) 4.5 Excellent Mario Kart 8 Deluxe is absolutely everything you could want from Nintendo’s hugely popular kart racing series. It features gorgeous visuals, inventive tracks, and a revamped battle mode. In fact, Nintendo is still selling new courses, years after the game's 2017 debut. Mario Kart 8 Deluxe is so spectacular not even the blue shell can stop it.  Minecraft Minecraft (for PC) 4.5 Excellent Minecraft gives young people an unparalleled sense of freedom as they explore and build worlds, brick by brick. In fact, multiple builders can join the same game world for cooperative mining and crafting. Take it a step further by setting up your own Minecraft server, so you and friends can construct a private paradise.  Monster Hunter Rise Monster Hunter Rise (for Nintendo Switch) 4.5 Excellent Monster Hunter Rise finally makes hardened haters see the glory of Capcom’s monster-slaying series. You can craft new weapons and armors by defeating a monster menagerie inspired by Japanese mythology or swing through the air with new wirebug techniques. No beasts will stand in your way as you go beast hunting with friends. Mortal Kombat 1 Mortal Kombat 1 (For PC) 4.5 Excellent With Mortal Kombat 1, the famously bloody fighting game finally breaks free of its infamously stiff gameplay mechanics. Finishing foes has never been more fun thanks to high-flying air combos and custom tag-team Kameo fighter attacks. This reboot is as entertaining to play with friends as it is to watch with horrified onlookers. Mortal Kombat 1 (For PC) review Rocket League Rocket League (for PC) 4.5 Excellent “Cars playing soccer” is such a beautiful premise for an arcade sports game, and Rocket League perfectly pulls it off. Sure, you can just put the pedal to the metal and bash into the ball, hoping it goes into the goal. But the high-flying physics system creates enough depth for sensational tests of skill. The free-to-play season structure means you’ll always have a reason to return.  Rocket League (for PC) review Splatoon 3 Splatoon 3 (for Nintendo Switch) 4.0 Excellent Only Nintendo could take the well-worn shooter genre and turn it into a game about punky squid kids squirting ink at each other. By making battles more about covering turf than blasting opponents, Splatoon 3 is a friendlier and more accessible shooter. However, you’ll need to stay on your toes with so many unique weapons and traversal options. Splatoon 3 (for Nintendo Switch) review StarCraft II StarCraft II: Legacy of the Void (for PC) 5.0 Outstanding StarCraft II is the best strategy game since chess. Whether you play as Terran, Zerg, or Protoss armies, you have access to perfectly balanced units for overcoming any opponent during real-time clashes. The StarCraft II trilogy even introduces free, cooperate multiplayer modes, so veterans can introduce newcomers to the fight. Street Fighter 6 Street Fighter 6 (for PC) 5.0 Outstanding Street Fighter 6 is worthy of its iconic name. With its bold new style (graffiti in motion!), expansive new modes (worldwide online Battle Hub!), exciting new roster (Kimberly!), and competitive new gameplay systems (Drive Gauge!), Street Fighter battles are more hype than ever. It's a multiplayer gaming masterpiece. Street Fighter 6 (for PC) review Streets of Rage 4 Streets of Rage 4 (for PC) 4.0 Excellent Streets of Rage 4 breathes new life into the aging beat ‘em up genre thanks to complex combat and stunning illustrated graphics. If smacking goons in solo fashion gets boring, team up with a friend for chaotic co-op action. You can even unlock retro versions of classic characters. Super Smash Bros. Ultimate Super Smash Bros. Ultimate (for Nintendo Switch) 4.5 Excellent Super Smash Bros. Ultimate combines countless characters, stages, modes, and music tracks to create the most incredible video game crossover of all time. It’s also a phenomenal platform-fighting game, speeding up the addictive combat and rebalancing advanced techniques. No matter how seriously you take it, no video game can scratch that satisfying multiplayer itch like Super Smash Bros.  Tekken 8 Tekken 8 (for PC) Tekken 8 is the latest and greatest entry in the venerable 3D fighting game franchise. Prove your worth at the King of Iron Fist Tournament by nimbly sidestepping, laying down painful combos, and activating new Heat Smash attacks. For the true Tekken multiplayer experience, fight your dad and throw him down a volcano. Tetris Effect: Connected Tetris Effect: Connected (for Xbox Series S) 4.5 Excellent Tetris Effect: Connected makes the perfect puzzle game even better. Alongside traditional competitive Tetris multiplayer modes, Effect lets you team up for cooperative “Connected” journeys where you and your partners clear lines on the same massive board. Combine that with trance-inducing audiovisual stimuli, and you’ll never look at blocks the same way again. 

to a T – what a strange thing to happen (Annapurna Interactive) Having your arms stuck in a permeant T-pose leads to a wonderfully surreal narrative adventure, in this new indie treat from Katamari creator Keita Takahashi. Keita Takahashi seems to be a very nice man. We met him back in 2018, and liked him immensely, but we’re genuinely surprise he’s still working in the games industry. He rose to fame with the first two Katamari Damacy games but after leaving Bandai Namco his assertion that he wanted to leave gaming behind and design playgrounds for children seemed like a much more obvious career path, for someone that absolutely doesn’t want to be stuck making sequels or generic action games. That’s certainly not been his fate and while titles like Noby Noby Boy and Wattam were wonderfully weird and inventive they weren’t the breakout hits that his bank balance probably needed. His latest refusal to toe the line probably isn’t destined to make him a billionaire either, but we’re sure that was never the point of to a T. Instead, this is just a relentlessly sweet and charming game about the evils of bullying and the benefits of being nice to people. It’s frequently surreal and ridiculous, but also capable of being serious, and somewhat dark, when it feels the need. Which given all the signing giraffes is quite some accomplishment. The game casts you as a young schoolkid whose arms are permanently stuck in a T-pose, with both stretched out 90° from his torso. If you’re waiting for an explanation as to why then we’re afraid we can’t tell you, because your character (who you can customise and name as you see fit, along with his dog) doesn’t know either. You find out eventually and the answer is… nothing you would expect. This has all been going on for a while before the game starts, as you’re by now well used to sidling through doors and getting your dog to help you dress. You’re also regularly bullied at school, which makes it obvious that being stuck like this is just a metaphor for any difference or peculiarity in real-life. Although the specific situations in to a T are fantastical, including the fact that the Japanese village you live in is also populated by anthropomorphic animals (most notably a cadre of food-obsessed giraffes), its take on bullying is surprisingly nuanced and well written. There’re also some fun songs that are repeated just enough to become unavoidable earworms. The problem is that as well meaning as all this is, there’s no core gameplay element to make it a compelling video game. You can wander around talking to people, and a lot of what they say can be interesting and/or charmingly silly, but that’s all you’re doing. The game describes itself as a ‘narrative adventure’ and that’s very accurate, but what results is the sort of barely interactive experience that makes a Telltale game seem like Doom by comparison. There are some short little mini-games, like cleaning your teeth and eating breakfast, but the only goal beyond just triggering story sequences is collecting coins that you can spend on new outfits. This is gamified quite a bit when you realise your arms give you the ability to glide short distances, but it’s still very basic stuff. One chapter also lets you play as your dog, trying to solve an array of simple puzzles and engaging in very basic platforming, but while this is more interactive than the normal chapters it’s still not really much fun in its own right. More Trending Everything is all very charming – the cartoonish visuals are reminiscent of a slightly more realistic looking Wattam – but none of it really amounts to very much. The overall message is about getting on with people no matter their differences, but while that doesn’t necessarily come across as trite it’s also not really the sort of thing you need a £15 video game, with zero replayability, to tell you about. It also doesn’t help that the game can be quite frustrating to play through, making it hard to know what you’re supposed to do next, or where you’re meant to be going. The lack of camera controls means it’s hard to act on that information even if you do know what destination you’re aiming for, either because the screen is too zoomed in, something’s blocking your view, or you keep getting confused because the perspective changes. As with Wattam, we don’t feel entirely comfortable criticising the game for its failings. We’ll take a game trying to do something new and interesting over a workmanlike sequel any day of the week – whether it succeeds or not – but there’s so little to the experience it’s hard to imagine this fitting anyone to a T. to a T review summary In Short: Charming, silly, and occasionally profound but Keita Takahashi’s latest lacks the gameplay hook of Katamari Damacy, even if it is surprisingly well written. Pros: Wonderfully and unashamedly bizarre, from the premise on down. A great script, that touches on some dark subjects, and charming visuals and music. Cons: There’s very little gameplay involved and what there is, is either very simple or awkward to control. Barely five hours long, with no replayability. Score: 6/10 Formats: PlayStation 5 (reviewed), Xbox Series X/S, and PCPrice: £15.49Publisher: Annapurna InteractiveDeveloper: uvulaRelease Date: 28th May 2025Age Rating: 7 Who knew giraffes were so good at making sandwiches (Annapurna Interactive) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

On Wednesday, EA both shuttered its studio Cliffhanger Games and cancelled the Black Panther game it was developing. Since it was originally announced in 2023, we hadn’t heard much about the game, other than that it would have been an open world adventure starring the titular hero. Now, a new report from Bloomberg has shed some light on what exactly Cliffhanger was working on, and I’m both sad and angered all over again. The entire report is worth reading, and the section that really catches my eye is about how the Black Panther game would have adapted the Nemesis System. Cliffhanger was started by ex-developers from Monolith Productions, the minds behind Middle-earth: Shadow of Mordor and its sequel Shadow of War, and reportedly the Cliffhanger team was attempting to create a new system that expanded on what the Nemesis System from those games could do.  Monolith’s Nemesis System involved procedurally generated enemies who had unique traits (mostly grudges directed toward the protagonist Talion) and who would eventually return for a rematch. Some would flee from battle only to come back stronger later in the game. Others perhaps defeated Talion and were shocked to later see he was battling them again. Enemies would even get promoted among the ranks of Uruks, making it feel like your foes weren’t just nameless fodder to be slaughtered. It was a thoroughly inventive enemy system, and an expanded version of it sounds like it would have been a wild ride in Cliffhanger’s Black Panther game. According to the Bloomberg story, the game would have featured “various playable heroes” vying for the title of Black Panther, like T’Challa, his sister Shuri, and everyone’s favorite scene-stealer from the 2018 film, Killmonger. They would all be opposing an alien invasion from Skrulls, shape-shifting aliens featured in MCU films like Captain Marvel and comic event series like Secret Invasion. Skrulls sound like such a perfect fit for the Nemesis System; as Bloomberg reported, Skrull enemies could even pose as your allies, throwing a whole new layer of intrigue and immersion into the Nemesis System, already one of the more original ideas seen in contemporary video games. I can only imagine how exciting it’d be for one of your allies to suddenly attack you, revealing themself as a Skrull leader you thought you bested for good earlier in the game. And now because EA doesn’t seem to know what it’s doing, we won’t be getting Cliffhanger’s revamped Nemesis System. And, even worse, the talented developers behind this system are left looking for work and wondering what’s next for them.

On Wednesday, EA both shuttered its studio Cliffhanger Games and cancelled the Black Panther game it was developing. Since it was originally announced in 2023, we hadn’t heard much about the game, other than that it would have been an open world adventure starring the titular hero. Now, a new report from Bloomberg has shed some light on what exactly Cliffhanger was working on, and I’m both sad and angered all over again.The entire report is worth reading, and the section that really catches my eye is about how the Black Panther game would have adapted the Nemesis System. Cliffhanger was started by ex-developers from Monolith Productions, the minds behind Middle-earth: Shadow of Mordor and its sequel Shadow of War, and reportedly the Cliffhanger team was attempting to create a new system that expanded on what the Nemesis System from those games could do. Monolith’s Nemesis System involved procedurally generated enemies who had unique traits (mostly grudges directed toward the protagonist Talion) and who would eventually return for a rematch. Some would flee from battle only to come back stronger later in the game. Others perhaps defeated Talion and were shocked to later see he was battling them again. Enemies would even get promoted among the ranks of Uruks, making it feel like your foes weren’t just nameless fodder to be slaughtered.It was a thoroughly inventive enemy system, and an expanded version of it sounds like it would have been a wild ride in Cliffhanger’s Black Panther game. According to the Bloomberg story, the game would have featured “various playable heroes” vying for the title of Black Panther, like T’Challa, his sister Shuri, and everyone’s favorite scene-stealer from the 2018 film, Killmonger. They would all be opposing an alien invasion from Skrulls, shape-shifting aliens featured in MCU films like Captain Marvel and comic event series like Secret Invasion.Skrulls sound like such a perfect fit for the Nemesis System; as Bloomberg reported, Skrull enemies could even pose as your allies, throwing a whole new layer of intrigue and immersion into the Nemesis System, already one of the more original ideas seen in contemporary video games. I can only imagine how exciting it’d be for one of your allies to suddenly attack you, revealing themself as a Skrull leader you thought you bested for good earlier in the game.And now because EA doesn’t seem to know what it’s doing, we won’t be getting Cliffhanger’s revamped Nemesis System. And, even worse, the talented developers behind this system are left looking for work and wondering what’s next for them.See More:

The In-Side Collection of outdoor furniture by Thomas Heatherwick resembles an impossible shell, formed to protect a creature not from this world. The shapes warp naturally around themselves, for a surprising finish at the end: a burst of bright multicolored spots made of recycled plastic, growing in great numbers across the surface. A beautiful example of rotational molding, this collection produced for Magis brings innovative technology and imaginative design together in harmony. Following several months of testing the rotational moulding technique using a blend of two types of recycled polyethylene, Magis observed that while the exterior of the material seemed fairly standard, slicing it open exposed an unexpected, unevenly speckled interior. “The idea behind this new collection is to use waste materials and reveal their inner beauty in an unexpected way,” says Heatherwick. The thought and experimentation that went into the In-Side Collection is exemplary of Heatherwick’s style – rigorous research goes into materiality, production methods, and detailing. This collection features rippled molding on the outside, a clever use of the capabilities of rotational molding. Coupled with the colored flecks on the interior, the material is a blend of post-consumer and post-industrial recycled polyethylene, part of extensive research into the impact recycling can have on our collective waste streams. Discarded bottles can now become luxury furniture through imagination and work. Flecks gain traction on the inside of the chair, adding pops of confetti-like color in contrast to the soft, muted exterior color palette of Sage, White, and Terracotta. The collection features an armchair, sofa, and low table, all rated for outdoor use. Organic form reigns supreme, not staking any claim on the natural environment but instead blending in, adding interest and elegance to any landscape. Thomas Heatherwick is a British designer focused on the human experience. He explores architecture, urban planning, product design and interiors projects, centering the axis of his studio around originality, inventiveness, and identity. Since 1994 when his studio was established, he has challenged convention, sustainability, and a strong sense of materiality at the forefront of his work. As our world becomes more globalized, his ideals of democratic design and cleverness of craft remain evocative of another time, while his aesthetic decisions stay cutting-edge. Since 1976, Magis has been pushing the boundaries of design, striving to incorporate the values of respect, honesty, and loyalty to their work. Based in the Veneto, a region of Italy known for it’s high-quality craftsmanship and level of finish within design, they strive to employ Italian craftspeople from as close to the locale as possible. This ensures that they can maintain close relationships with suppliers, and produce as much local commerce as they can. In their Code of Ethics, rare for a furniture brand, they detail their commitment to their employees, customers, and suppliers in that order, establishing where their commitments lie overall – to their people, ensuring Magis products will be made well by respected artisans for decades to come. To learn more about the In-Side Collection by Thomas Heatherwick for Magis, head to magisdesign.com. Photography courtesy of Magis.

On Designing National Pavilions: Power and Identity at Universal ExhibitionsSave this picture!Czech Pavilion Expo 2025 Osaka / Apropos Architects Image © boysplayniceWhat can a pavilion’s architecture reveal about its country? At major World Expos, national pavilions are designed to answer this question, transforming into spaces laden with symbolism. Though temporary, these structures are rich in meaning, functioning as architectural expressions of political identity. Their forms and materials encapsulate national ambitions. Expo Osaka 2025, the latest chapter in this ongoing narrative, showcases how nations increasingly use built space to construct global images of themselves—sustainable, technological, culturally distinct, and geopolitically relevant. Save this picture!Over the decades, these pavilions have evolved into meticulously curated narratives where architecture, politics, and culture intersect to shape national identity. At Osaka 2025, this symbolic and diplomatic function becomes even more pronounced. Pavilions communicate not only who a nation is, but who it aspires to be. The environmental agenda, for example, has become a compelling vector of soft power. Japan’s pavilion exemplifies this shift, employing local wood, parametric design, and natural ventilation not just for function, but as metaphors of circularity and harmony with nature.Save this picture!Meanwhile, countries like Saudi Arabia and the United Arab Emirates are embracing immersive technologies—augmented reality, responsive facades, and AI—to reframe their narratives. No longer defined solely by oil economies, they seek to position themselves as innovation-driven futurescapes. In this context, national identity is staged like a multisensory installation. Materials, sounds, aromas, lighting, and spatial choreography become tools for storytelling—none of them neutral, all of them charged with intent. Related Article Are World's Fairs a Thing of the Past? The Role that Architecture Played on One of History's Biggest Stages Architecture as a Political StatementPavilions transcend cultural or technological display to become instruments of political messaging. Architectural choices convey nuanced—or at times overt—signals about values, ambitions, and worldviews. Denmark’s Expo 2020 Dubai pavilion, with open ramps and fluid circulation, subtly suggests democratic transparency and inclusion, while Russia’s monumental spiral structure evokes nationalism and technological command. Here, architecture becomes a codified discourse: every curve, void, and surface reads like a political sign.Save this picture!This language continues at Osaka 2025. Israel’s pavilion, inspired by the ecological resilience of deserts, presents a narrative of innovation and perseverance amid adversity—an architectural response to both climate challenges and regional geopolitics. Bahrain’s contribution, by Lina Ghotmeh Architecture, focuses on the adaptability of maritime cultures. South Korea’s high-tech, futuristic pavilion reinforces its position as a rising digital powerhouse.In some instances, however, absence speaks just as loudly. In previous editions, countries like North Korea and Syria have boycotted the Expo as a form of political protest. These silent gestures are part of the same strategic vocabulary, where presence, form, and even withdrawal shape the geopolitical stage set by architecture.Save this picture!Sustainability on DisplayAmid the global climate crisis, national pavilions have also become key arenas for environmental diplomacy. Sustainability—once a peripheral concern—is now central to the architectural narrative of Expos. It’s no longer only about meeting green standards, but about crafting a spatial language that embodies ecological responsibility. This shift also challenges the very notion of ephemerality: where temporariness once defined these structures, reuse, intelligent disassembly, and material reintegration now drive their conception.This ecological turn is particularly evident at Expo Osaka 2025. With the theme “Designing Future Society for Our Lives,” the event encourages models of regenerative, cooperative, and resilient living. Sweden’s and Germany’s pavilions are designed for a second life, to be repurposed as schools or community centers. The U.S. pavilion, designed by Trahan Architects, incorporates steel, fabric, and HVAC components repurposed from Tokyo 2020 Olympics structures—materials slated for further reuse across Japan. In this framework, the Expo becomes a laboratory of environmental geopolitics, where sustainability itself is a form of soft power.Save this picture!Technological Spectacle as a National StrategyIn contemporary Universal Exhibitions, technology is no longer displayed as an end in itself but has become a narrative and experiential medium. Immersive installations, sensory interfaces, and AI-driven storytelling transform pavilions into interactive ecosystems, where visitors are both spectators and agents. This shift signals a significant change: it is no longer just about showcasing innovation, but about embedding technology into the dramaturgy of space. Architecture, in this context, ceases to be a static backdrop and merges with experience design, dissolving the boundaries between the built and the digital. Moreover, the way each country orchestrates these elements reveals its ability to envision desirable futures—and to position itself as a protagonist in the global technological transformation.Save this picture!At Expo Osaka 2025, this race for technological affirmation takes clear shape in pavilions such as that of the United Arab Emirates, which offers an interactive journey through environments responsive to human presence, narrative artificial intelligence, and real-time sensors that react to visitors’ actions—demonstrating a sophisticated technical mastery with implications across multiple spheres. In a similar vein, the Uzbekistan Pavilion stands out with an exhibition focused on empowerment, highlighting the country’s openness to innovation and its commitment to preparing for the future.Yet this immersion presents a growing tension: how to balance technological spectacle with architectural integrity. In some cases, architecture risks being overshadowed by its digital overlay, losing spatial coherence. The most compelling pavilions are those that fuse form, function, and innovation into a seamless whole, where technology becomes not an add-on, but an intrinsic architectural language.Save this picture!Intercultural Collaborations: The True LegacyWhile Universal Exhibitions are organized around national representation, they have also emerged as vital platforms for cultural exchange. Increasingly, national pavilions are designed by multicultural teams, resulting in more nuanced, inclusive, and inventive expressions of identity, not as a fixed essence, but as something fluid and co-constructed.Save this picture!At Osaka 2025, this collaborative ethos is exemplified by pavilions such as Switzerland’s, designed by an international team, and Indonesia’s, which brings together local architects and foreign consultants. These collaborations offer more than design efficiency—they signal gestures of quiet diplomacy. In a climate of resurgent nationalism, such exchanges underscore that innovation thrives through openness and dialogue. Each pavilion becomes a space of mutual learning, expanding the very meaning of global belonging.Save this picture!Ultimately, the lasting value of Expos may not lie in reinforcing national brands, but in fostering encounters—shared spaces where ideas, technologies, and cultures converge to respond to urgent global challenges. As architect Manuel Herz, designer of the Swiss Pavilion, puts it: “In a moment of global tension, every possibility for us to physically meet in a shared space and celebrate something that can still be described as a cosmopolitan spirit needs to be valued and utilized.” Amid so many crises, pavilions remind us that architecture is more than shelter or style—it is a vessel for connection, a space for learning, and a rehearsal for futures we must build together.We invite you to check out ArchDaily's comprehensive coverage of the Expo Osaka 2025. Image gallerySee allShow less About this authorCamilla GhisleniAuthor••• Cite: Ghisleni, Camilla. "On Designing National Pavilions: Power and Identity at Universal Exhibitions" [Projetando Pavilhões Nacionais: Poder e Identidade nas Exposições Universais] 30 May 2025. ArchDaily. (Trans. Simões, Diogo) Accessed . <https://www.archdaily.com/1030539/on-designing-national-pavilions-power-and-identity-at-universal-exhibitions&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

The Canada Council for the Arts is recognizing the potential of emerging architects and the contribution of practicing architects by awarding the following four prizes. The Canada Council contributes to the creative and diverse arts and literary scene, and supports their presence across Canada and around the world. The winners include the following: Prix de Rome in Architecture — Professional The Prix de Rome in Architecture – Professional is awarded to a young practitioner of architecture or an architectural firm that has completed their first built works and has demonstrated exceptional artistic potential. With this prize, the recipient may travel abroad to develop their skills and their creative practice, and to strengthen their position in the international architecture world. D’Arcy Jones ArchitectsPhoto: Shane Hauser This year’s winner is D’Arcy Jones Architects. D’Arcy Jones is the principal of D’Arcy Jones Architects (DJA), a Vancouver practice recognized for design excellence. DJA’s responses to contemporary conditions have earned awards and publications nationally and internationally. Their work focuses on arts, residential and commercial projects. Previous practice honours include an Architectural Institute of British Columbia Emerging Firm Award, a Royal Architectural Institute of Canada Emerging Architectural Practice Award and the Ronald J. Thom Award for Early Design Achievement from the Canada Council for the Arts. Ronald J. Thom Award for Early Design Achievement The Ronald J. Thom Award for Early Design Achievement is given to a practitioner of architecture or an architectural firm. The successful candidate must be in the early stages of a career or practice and must demonstrate both outstanding creative talent and exceptional potential in architectural design. Odami. Photo: Arash Moallemi The latest winner, Odami, is an award-winning architecture and design studio that aims to “converge the pragmatic and the expressive, the subtle and the striking, the familiar and the unexpected.” Led by Arancha González Bernardo, a Spanish architect and Michael Fohring, a Canadian designer, the practice represents a merging of design values and histories, a process deepened by the contemporary multiculturalism of the city in which Odami lives and works. In embracing difference and purposely working between modes, perspectives and dichotomies, they’re in search of a fertile meeting ground—a space of conference and connection that gives rise to inventive outcomes.     Prix de Rome in Architecture — Emerging Practitioners Daniel Wong. Photo: Kabir Olatinwo The Prix de Rome in Architecture – Emerging Practitioners is awarded to a recent graduate from a Canadian architectural school who demonstrates exceptional potential in architectural design. With this prize, the recipient may visit architectural buildings and carry out an internship at an international architectural firm. The latest winner, Daniel Wong, is currently an intern architect at AAmp Studio, in Toronto. He holds a Bachelor of Architectural Science from the British Columbia Institute of Technology (BCIT) and a Master of Architecture from the University of Toronto. During his studies, he received several awards including the Barry W. Sampson Scholarship and the John and Myrna Daniels Foundation Opportunity Award. He also received the Kuwabara-Jackman Architecture Thesis Gold Medal for his research on architectural maintenance as a sustainable alternative for the built environment.   J.B.C. Watkins Award: Architecture Fabio Lima. Photo: Yixin Cao The J.B.C. Watkins Fellowship: Architecture is offered to an individual who has completed a bachelor’s or master’s degree in architecture in Canada and who will pursue postgraduate studies in another country, ideally Denmark, Norway, Sweden or Iceland. The latest winner, Fabio Lima is a graduate student and research fellow at Pratt Institute, in New York City, USA. His work explores the social archaeology of queer spaces by mobilizing the tools of historic preservation. Lima studied architecture at the Université de Montréal, in Quebec, and his work has been supported by the Royal Architectural Institute of Canada and the Royal Canadian Academy of Arts.           The post Canada Council announces Prix de Rome and J.B.C. Watkins Award winners appeared first on Canadian Architect.