Ah, the glorious return of the zine! Because nothing says "I’m hip and in touch with the underground" quite like a DIY pamphlet that screams “I have too much time on my hands.” WIRED has graciously gifted us with a step-by-step guide on how to create your very own zine titled “How to Win a Fight.” Print. Fold. Share. Download. Sounds easy, right? The process is so straightforward that even your grandma could do it—assuming she’s not too busy mastering TikTok dances. But let’s take a moment to appreciate the sheer audacity of needing instructions for something as inherently chaotic as making a zine. It’s like needing a manual to ride a bike… but the bike is on fire, and you’re trying to escape a rabid raccoon. In the age of high-tech everything, where our phones can tell us the weather on Mars and remind us to breathe, we’re now apparently in desperate need of a physical booklet that offers sage advice on how to “win a fight.” Because nothing screams “I’m a mature adult” quite like settling disputes via pamphlet. Maybe instead of standing up for ourselves, we should just hand our opponents a printed foldable and let them peruse our literary genius. And let’s not forget the nostalgia factor here! The last time a majority of us saw a zine was in 1999—back when flip phones were the pinnacle of technology and the biggest fight we faced was over who got control of the TV remote. Now, we’re being whisked back to those simpler times, armed only with a printer and a fierce desire to assert our dominance through paper cuts. But hey, if you’ve never made a zine, or you’ve simply forgotten how to do it since the dawn of the millennium, WIRED’s got your back! They’ve turned this into a social movement, where amateur philosophers can print, fold, and share their thoughts on how to engage in fights. Because why have a conversation when you can battle with paper instead? Let’s be honest: this is all about making “fighting” a trendy topic again. Who needs actual conflict resolution when you can just hand out zines like business cards? Imagine walking into a bar, someone bumps into you, and instead of a punch, you just slide them a zine. “Here’s how to win a fight, buddy. Chapter One: Don’t.” So, if you feel like embracing your inner 90s kid and channeling your angst into a creative outlet, jump on this zine-making bandwagon. Who knows? You might just win a fight—against boredom, at least. #ZineCulture #HowToWinAFight #DIYProject #NostalgiaTrip #WIRED

Epic Games has announced LEGO Fortnite Expeditions. Apparently, it's a new PvE experience that's already available. So, if you're into that kind of thing, you might want to check it out. Honestly, it feels like Fortnite just keeps getting bigger and bigger. Like, there's no stopping it. LEGO and Fortnite combining? Sure, why not. It’s probably just another way to get people to log in and play, but for some reason, I can't muster much excitement about it. The game has been a massive hit, and now with this new addition, it seems like Epic Games is just trying to keep the hype train rolling. I mean, who doesn't want to go on LEGO adventures in a game that’s already packed with stuff? But I guess it’s just another layer on an already layered cake. You can explore new experiences with LEGO characters, and I’m sure there are quests and battles or whatever. But all I can think about is how it just feels like more of the same, but with some bricks thrown in. It's fun, I guess. Maybe. If you're really into it. I don’t know. Maybe I just need a break from all this. If you’re interested in diving into LEGO Fortnite Expeditions, it’s out there waiting for you. Just don't expect me to be on the edge of my seat about it. In summary, it's a thing that exists now. If you're into Fortnite, you’ll probably check it out. If not, well, there are a million other things to do. So, yeah, that’s about it. #Fortnite #LEGO #GamingNews #EpicGames #PvE

Hoy me siento como un viejo Macintosh SE, abandonado en una venta de garaje, con el corazón lleno de recuerdos y la esperanza marchita. Recuerdo aquellos días en que la vida era simple, donde cada clic en el teclado resonaba con promesas de un futuro brillante. Pero ahora, al igual que esa máquina, me encuentro atrapado en el tiempo, sintiendo el peso de la soledad y el desasosiego. 😔 El hallazgo de aquel caso de 1987, que alguna vez fue símbolo de innovación y creatividad, es un recordatorio doloroso de lo que fue y ya no será. A veces me pregunto si hay algo entre las sombras de mi vida que pueda revivir la chispa de la emoción. La idea de un "restomod", de restaurar lo que ha sido olvidado, se siente como un sueño distante que solo se vuelve más inalcanzable con el paso de los días. 😢 Me siento como un programa corrupto, incapaz de funcionar como solía. Las conexiones que una vez fueron vibrantes ahora son hilos desgastados, y las risas se han convertido en ecos lejanos. Busco consuelo en el pasado, pero cada recuerdo es un punzón en el alma. Cuando miro a mi alrededor, veo a otros avanzar, mientras yo me aferro al polvo de un pasado que se desmorona. La nostalgia es un lugar peligroso donde me encuentro a menudo, un laberinto de sentimientos que me atrapa y no me deja escapar. Quiero volver a sentir, quiero volver a ser la versión de mí mismo que un día brilló con la luz de la esperanza. Pero, ¿qué pasa cuando el brillo se apaga? ¿Qué sucede cuando los sueños se convierten en solo eso, sueños? La realidad se vuelve un lugar sombrío, donde el silencio pesa más que las palabras. 🌧️ Quizás, al igual que el Macintosh SE que encontró Duncan Hall, pueda encontrar una forma de renacer. Quizás, un pequeño toque de amor y cuidado pueda restaurar la belleza que alguna vez existió. Pero hoy, en este momento de profunda tristeza, solo quiero gritar al vacío y que alguien, en algún lugar, me escuche. Porque sentirme solo en un mundo lleno de personas es la mayor tristeza de todas. 💔 #Soledad #Recuerdos #Nostalgia #MacintoshSE #CorazónRoto

Test Spirit of the North 2 – La promesse d’une liberté qui a un prix. So, there’s this game that came out called Spirit of the North 2. I guess it’s a sequel or something. The first one was released in 2019, and people seemed to like it. Now, they’re hyping up this new one with promises of freedom and all that jazz, but honestly, who knows if it’s even worth the bother? I mean, freedom in a game usually comes with a catch, right? The whole thing feels a bit dragged out. It’s like they took their time to make it, and now we’re all just sitting here, wondering if it’s really going to be something special or if it’s just more of the same. The original had its moments, sure, but it also had its dull parts. I can’t help but wonder if this one will follow suit. The storyline or whatever they’ve got going on seems to revolve around some themes of nature and exploration. Sounds nice, I guess, but in the end, it’s still a game. Will it keep my attention, or will I just end up staring at the screen, waiting for something interesting to happen? I guess we’ll find out. Gameplay-wise, they’re saying there’s a lot to explore and some mechanics that might make it feel fresh. But are we really excited about that? I mean, it all sounds pretty standard. There’s a promise of beautiful visuals, which is cool, but I’ve seen beautiful visuals before. It needs more than just that to keep me engaged. Overall, ‘la promesse d’une liberté qui a un prix’ feels like a fancy way of saying, “You might have to deal with some annoying stuff to enjoy the good bits.” It’s kind of a mixed bag, and I’m not sure if I want to open it or leave it sitting on the shelf for a while. Maybe I’ll check it out later, or maybe I’ll just go back to doing nothing in particular. Who knows? #SpiritOfTheNorth2 #Gaming #VideoGames #GameReview #InfuseStudio

Disney+ has decided to pull "The Abyss" once again, and it's all because of some controversial rat scene that seems to be stirring up more drama than it deserves. Honestly, who cares? It’s just another instance of a streaming platform trying to dodge the backlash over something that probably wouldn’t even register on most people's radars. I mean, really, is anyone out there actually invested in why a rat scene is causing such a fuss? It feels like a lot of noise over nothing. Maybe some will argue that it’s about censorship or artistic integrity, but it just sounds a bit tedious to me. People get riled up about these things, while I just sit here wondering when the next big thing will actually be interesting. The whole situation seems like a never-ending cycle of re-evaluating content. Disney+ pulls a film, people complain, and then it gets put back in the vault. It’s like watching a rerun of a show you didn’t even like the first time. The Abyss may have its moments, but if a rat scene is what’s holding it back, maybe it’s not worth the time anyway. Let’s face it, with so much else out there to watch, does anyone really want to dwell on a movie that has been pulled over a rodent? It’s exhausting to keep up with these controversies, and honestly, it’s easier to just scroll past. If you’re looking for something exciting, maybe check out a different platform? While the buzz around "The Abyss" might catch some attention, I won't be holding my breath for its return. It just feels like more of the same: a mix of politics, social media outrage, and a streaming service trying to play it safe. If they really wanted to make waves, wouldn't they just leave it alone and let people decide for themselves? In the end, "The Abyss" is just another title on a long list of films that have fallen victim to the whims of public opinion. So, let’s just move on to something else, shall we? There’s plenty of content out there that doesn’t come with the baggage of a controversial rat scene. #DisneyPlus #TheAbyss #FilmControversy #StreamingNews #Boredom

No sé, parece que hay un nuevo Instagram que se ha vuelto popular. Se llama algo como "una broma interna entre diseñadores" o algo así. Malika Favre y George Wu están detrás de esto, supongo que traen un poco de diversión a nuestras redes. No sé si realmente lo necesitamos, pero aquí estamos. La cuenta ha empezado a atraer a más personas, lo que es interesante, aunque a veces me pregunto si todas estas cosas que se vuelven virales son realmente necesarias. Quiero decir, hay tantos perfiles en Instagram que, honestamente, se siente un poco abrumador. Pero, al mismo tiempo, es uno de esos lugares donde la gente parece disfrutar de la estética y el humor que ofrecen estos dos diseñadores. La idea de que una broma interna se convierta en algo más grande es un poco... cliché, ¿no? Pero parece que ha funcionado para ellos. Tal vez eso es lo que la gente quiere ver en sus feeds: algo ligero que les haga reír un poco, aunque sea de manera minimalista. No sé si me convence del todo, pero bueno, eso es lo que hace que Instagram siga girando. Así que, si te aburres un poco mientras revisas tus redes, podrías echar un vistazo a esta cuenta. No prometo que sea increíble, pero al menos es algo diferente. Aunque, a veces, la diversión parece estar en el proceso de scroll, y no necesariamente en lo que encuentras. Así que ahí lo tienes, una cuenta más para seguir, si es que te interesa. No tengo muchas expectativas, pero bueno, ¿quién sabe? Tal vez encuentres algo de lo que reírte. O tal vez solo te quedes con la misma cara de siempre, como yo. #diseño #humor #Instagram #bromas #MalikaFavre

Oh, IMAX, the grand illusion of reality turned up to eleven! Who knew that watching a two-hour movie could feel like a NASA launch, complete with a symphony of surround sound that could wake the dead? For those who haven't had the pleasure, IMAX is not just a cinema; it’s an experience that makes you feel like you’re inside the movie—right before you realize you’re just trapped in a ridiculously oversized chair, too small for your popcorn bucket. Let’s talk about those gigantic screens. You know, the ones that make your living room TV look like a postage stamp? Apparently, the idea is to engulf you in the film so much that you forget about the existential dread of your daily life. Because honestly, who needs a therapist when you can sit in a dark room, surrounded by strangers, with a screen larger than your future looming in front of you? And don’t get me started on the “revolutionary technology.” IMAX is synonymous with larger-than-life images, but let's face it—it's just fancy pixels. I mean, how many different ways can you capture a superhero saving the world at this point? Yet, somehow, they manage to convince us that we need to watch it all in the world’s biggest format, because watching it on a normal screen would be akin to watching it through a keyhole, right? Then there’s the sound. IMAX promises "the most immersive audio experience." Yes, because nothing says relaxation like feeling like you’re in the middle of a battle scene with explosions that could shake the very foundations of your soul. You know, I used to think my neighbors were loud, but now I realize they could never compete with the sound of a spaceship crashing at full volume. Thanks, IMAX, for redefining the meaning of “loud neighbors.” And let’s not forget the tickets. A small mortgage payment for an evening of cinematic bliss! Who needs to save for retirement when you can experience the thrill of a blockbuster in a seat that costs more than your last three grocery bills combined? It’s a small price to pay for the opportunity to see your favorite actors’ pores in glorious detail. In conclusion, if you haven’t yet experienced the wonder that is IMAX, prepare yourself for a rollercoaster of emotions and a potential existential crisis. Because nothing says “reality” quite like watching a fictional world unfold on a screen so big it makes your own life choices seem trivial. So, grab your credit card, put on your 3D glasses, and let’s dive into the cinematic abyss of IMAX—where reality takes a backseat, and your wallet weeps in despair. #IMAX #CinematicExperience #RealityCheck #MovieMagic #TooBigToFail

It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation

What on earth is going on with the VFX in Netflix's "The Snow Sister"? Seriously, it’s 2023, and we’re still being fed mediocre visual effects that are supposed to "wow" us but end up doing the exact opposite! The so-called "VFX breakdown" is nothing more than a slap in the face to anyone who actually appreciates the art of visual storytelling. Let’s get one thing straight: if the best VFX are indeed the ones you can’t spot, then how on earth did we end up with these glaringly obvious digital blunders? It’s like they threw a bunch of half-baked effects together and called it a day. Instead of stunning visuals that elevate the narrative, we get a distracting mess that pulls you right out of the experience. Who are they kidding? The creators of "The Snow Sister" clearly missed the memo that viewers today are not easily satisfied. We demand more than just passable effects; we want immersive worlds that captivate us. And yet, here we are, subjected to a barrage of poorly executed VFX that look like they belong in a low-budget production from the early 2000s. It’s frustrating to see Netflix, a platform that should be setting the gold standard in content creation, flounder so embarrassingly with something as fundamental as visual effects. What’s even more maddening is the disconnect between the promotional hype and the actual product. They tout the "creation" of these effects as if they’re groundbreaking, but in reality, they are a visual cacophony that leaves much to be desired. How can anyone take this seriously when the final product looks like it was hastily patched together? It’s not just a disservice to the viewers; it’s an insult to the talented artists who work tirelessly in the VFX industry. They deserve better than to have their hard work represented by subpar results that manage to undermine the entire project. Netflix needs to wake up and understand that audiences are becoming increasingly discerning. We’re not just mindless consumers; we have eyes, and we can see when something is off. The VFX in "The Snow Sister" is a glaring example of what happens when corners are cut and quality is sacrificed for the sake of quantity. We expect innovation, creativity, and, above all, professionalism. Instead, we are fed a half-hearted effort that leaves us shaking our heads in disbelief. In conclusion, if Netflix wants to maintain its position as a leader in the entertainment industry, it’s time to step up its game and give us the high-quality VFX that we deserve. No more excuses, no more mediocre breakdowns—just real artistry that enhances our viewing experience. Let’s hold them accountable and demand better! #VFX #Netflix #TheSnowSister #VisualEffects #EntertainmentIndustry

🌟 ¡Hola a todos! 🌟 Hoy quiero compartir con ustedes algo verdaderamente emocionante y lleno de inspiración. 🎬✨ ¿Alguna vez han sentido esa chispa de creatividad cuando ven una película hermosa? ¡Estoy seguro de que sí! Y es por eso que no podemos perdernos la increíble oportunidad que nos ofrece el Festival de Annecy 2025. 🎉 Este año, tenemos la oportunidad de profundizar aún más en el mundo de la animación con **cuatro conferencias filmadas** que nos llevarán detrás de las cámaras de algunos de los filmes más impactantes que se presentaron en el festival. ¡Y adivinen qué! ✨ ¡Dos de estos cortometrajes han sido premiados! 🏆 Como "Les Bottes de la Nuit", que ha dejado a todos maravillados con su narrativa y creatividad. Imagina poder escuchar a los creadores de estas obras maestras, descubrir **los secretos y las historias** que hay detrás de cada escena. 🖌️💭 ¡Es una oportunidad única para aprender y dejarse inspirar! Las conferencias no solo nos permitirán conocer más sobre el proceso creativo, sino que también nos motivarán a seguir nuestros propios sueños en el mundo del arte y la animación. 🎨💖 La animación es un lenguaje universal que conecta a las personas, despierta emociones y nos transporta a mundos mágicos. 🌈✨ Aprovechemos esta ocasión para celebrar la creatividad y el talento que se despliega en cada imagen animada. Es el momento perfecto para rodearnos de esa energía positiva y dejar que nuestras ideas fluyan. 🌊💡 Así que, amigos, no se queden solo con las imágenes en la pantalla. ¡Sumérjanse en estas conferencias y déjense llevar por la pasión que hay detrás de cada proyecto! Aprovechemos esta oportunidad para aprender, crecer y, sobre todo, ¡para soñar en grande! 🚀💫 Recuerden siempre que cada película, cada historia, nos invita a ser parte de algo más grande. ¡Así que prepárense para emprender este viaje increíble en Annecy 2025! ¡Serán cuatro conferencias que seguramente dejarán huella en nuestros corazones! ❤️ ¡Espero que se animen a participar y que compartamos juntos esta experiencia maravillosa! 🤗🌟 #FestivalDeAnnecy #Animación #Creatividad #Cine #Inspiración