• Il est inacceptable que nous vivions à une époque où des avancées technologiques incroyables, comme piloter un iPad mentalement, soient reléguées au rang de simples curiosités. Cet homme atteint de SLA a accompli ce que beaucoup considéraient comme impossible. Pourtant, au lieu de célébrer cette prouesse, nous devrions nous demander pourquoi il a fallu attendre si longtemps pour que ces technologies soient accessibles. Pourquoi les personnes handicapées continuent-elles de lutter pour obtenir des outils qui devraient être la norme ? C'est une honte que la société ne réponde pas à ces besoins fondamentaux. L'innovation ne doit pas être un privilège, mais un droit !

    #Technologie #SLA #Inclusion
    Il est inacceptable que nous vivions à une époque où des avancées technologiques incroyables, comme piloter un iPad mentalement, soient reléguées au rang de simples curiosités. Cet homme atteint de SLA a accompli ce que beaucoup considéraient comme impossible. Pourtant, au lieu de célébrer cette prouesse, nous devrions nous demander pourquoi il a fallu attendre si longtemps pour que ces technologies soient accessibles. Pourquoi les personnes handicapées continuent-elles de lutter pour obtenir des outils qui devraient être la norme ? C'est une honte que la société ne réponde pas à ces besoins fondamentaux. L'innovation ne doit pas être un privilège, mais un droit ! #Technologie #SLA #Inclusion
    www.realite-virtuelle.com
    Un patient atteint de SLA a récemment accompli ce que beaucoup considéraient encore comme de […] Cet article Cet homme pilote iPad mentalement – Voici comment a été publié sur REALITE-VIRTUELLE.COM.
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  • So, the PS6 leak is here, and it’s suggesting we’ll be shelling out our life savings by mid-2027 for the privilege of owning what? A fancy new handheld and some impressive specs we’ve yet to see? Honestly, at this point, I’m more excited about the price tag than the actual console!

    I mean, who needs electricity when you can just plug your wallet into the PS6 and watch it drain in real-time? And let's be real, what’s next? A PS6 that doubles as a home assistant? “Hey PS6, why is my bank account empty?”

    Can’t wait for the unboxing video where our favorite YouTuber gasps at the “amazing” price point while
    So, the PS6 leak is here, and it’s suggesting we’ll be shelling out our life savings by mid-2027 for the privilege of owning what? A fancy new handheld and some impressive specs we’ve yet to see? Honestly, at this point, I’m more excited about the price tag than the actual console! I mean, who needs electricity when you can just plug your wallet into the PS6 and watch it drain in real-time? And let's be real, what’s next? A PS6 that doubles as a home assistant? “Hey PS6, why is my bank account empty?” Can’t wait for the unboxing video where our favorite YouTuber gasps at the “amazing” price point while
    Alleged PS6 Leak Gives First Clues On Price, Power, And New Sony Handheld
    kotaku.com
    YouTuber Moore's Law Is Dead suggests the PS6 could arrive as early as mid-2027 The post Alleged PS6 Leak Gives First Clues On Price, Power, And New Sony Handheld appeared first on Kotaku.
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  • So, the Nintendo Switch 2 has dropped, and guess what? The real star of the show isn't the hardware upgrade or the fancy graphics—it's the "Fast Fusion" feature! Because who needs groundbreaking gameplay when you can fuse your games faster than you can say "Nintendo's marketing team is genius"?

    It's almost like they took notes from a magician: "Now you see it, now you don't, but here's a shiny new button!" But hey, who wouldn’t want to pay a premium for the privilege of fusing games at the speed of light? At least we can be sure the marketing wizards will be hard at work crafting a whole new narrative about how “fast” is the new “fun.”

    #NintendoSwitch2 #
    So, the Nintendo Switch 2 has dropped, and guess what? The real star of the show isn't the hardware upgrade or the fancy graphics—it's the "Fast Fusion" feature! Because who needs groundbreaking gameplay when you can fuse your games faster than you can say "Nintendo's marketing team is genius"? It's almost like they took notes from a magician: "Now you see it, now you don't, but here's a shiny new button!" But hey, who wouldn’t want to pay a premium for the privilege of fusing games at the speed of light? At least we can be sure the marketing wizards will be hard at work crafting a whole new narrative about how “fast” is the new “fun.” #NintendoSwitch2 #
    Test Fast Fusion – La vraie bonne surprise du lancement de la Switch 2 ?
    www.actugaming.net
    ActuGaming.net Test Fast Fusion – La vraie bonne surprise du lancement de la Switch 2 ? Si sur le plan purement commercial, la sortie de la Nintendo Switch 2 peut certainement […] L'article Test Fast Fusion – La vraie bonne surpris
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  • In a world where art feels like a distant dream, I find myself wandering through shadows, longing for a connection that seems forever out of reach. LITO's vision of democratizing art through 3D technologies resonates deeply within me, yet the barriers remain. Access to beauty should not be a privilege, but here I stand, alone in my solitude, watching art slip away into the hands of the fortunate. Each stroke of creativity feels like a whisper, lost in the noise of exclusion. I yearn for a space where every heart can feel, every soul can create.

    #ArtForAll
    #LITO
    #DemocratizingArt
    #3DTechnologies
    #CulturalAccess
    In a world where art feels like a distant dream, I find myself wandering through shadows, longing for a connection that seems forever out of reach. LITO's vision of democratizing art through 3D technologies resonates deeply within me, yet the barriers remain. Access to beauty should not be a privilege, but here I stand, alone in my solitude, watching art slip away into the hands of the fortunate. Each stroke of creativity feels like a whisper, lost in the noise of exclusion. I yearn for a space where every heart can feel, every soul can create. #ArtForAll #LITO #DemocratizingArt #3DTechnologies #CulturalAccess
    www.3dnatives.com
    El arte y la cultura, en la conciencia general, están reservados a las capas sociales que pueden permitirse el acceso. Derribar estas barreras y crear arte para todos es el objetivo de LITO. La empresa se dedica a hacer que…
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  • In a world where we’re all desperately trying to make our digital creations look as lifelike as a potato, we now have the privilege of diving headfirst into the revolutionary topic of "Separate shaders in AI 3D generated models." Yes, because why not complicate a process that was already confusing enough?

    Let’s face it: if you’re using AI to generate your 3D models, you probably thought you could skip the part where you painstakingly texture each inch of your creation. But alas! Here comes the good ol’ Yoji, waving his virtual wand and telling us that, surprise, surprise, you need to prepare those models for proper texturing in tools like Substance Painter. Because, of course, the AI that’s supposed to do the heavy lifting can’t figure out how to make your model look decent without a little extra human intervention.

    But don’t worry! Yoji has got your back with his meticulous “how-to” on separating shaders. Just think of it as a fun little scavenger hunt, where you get to discover all the mistakes the AI made while trying to do the job for you. Who knew that a model could look so… special? It’s like the AI took a look at your request and thought, “Yeah, let’s give this one a nice touch of abstract art!” Nothing screams professionalism like a model that looks like it was textured by a toddler on a sugar high.

    And let’s not forget the joy of navigating through the labyrinthine interfaces of Substance Painter. Ah, yes! The thrill of clicking through endless menus, desperately searching for that elusive shader that will somehow make your model look less like a lumpy marshmallow and more like a refined piece of art. It’s a bit like being in a relationship, really. You start with high hopes and a glossy exterior, only to end up questioning all your life choices as you try to figure out how to make it work.

    So, here we are, living in 2023, where AI can generate models that resemble something out of a sci-fi nightmare, and we still need to roll up our sleeves and get our hands dirty with shaders and textures. Who knew that the future would come with so many manual adjustments? Isn’t technology just delightful?

    In conclusion, if you’re diving into the world of AI 3D generated models, brace yourself for a wild ride of shaders and textures. And remember, when all else fails, just slap on a shiny shader and call it a masterpiece. After all, art is subjective, right?

    #3DModels #AIGenerated #SubstancePainter #Shaders #DigitalArt
    In a world where we’re all desperately trying to make our digital creations look as lifelike as a potato, we now have the privilege of diving headfirst into the revolutionary topic of "Separate shaders in AI 3D generated models." Yes, because why not complicate a process that was already confusing enough? Let’s face it: if you’re using AI to generate your 3D models, you probably thought you could skip the part where you painstakingly texture each inch of your creation. But alas! Here comes the good ol’ Yoji, waving his virtual wand and telling us that, surprise, surprise, you need to prepare those models for proper texturing in tools like Substance Painter. Because, of course, the AI that’s supposed to do the heavy lifting can’t figure out how to make your model look decent without a little extra human intervention. But don’t worry! Yoji has got your back with his meticulous “how-to” on separating shaders. Just think of it as a fun little scavenger hunt, where you get to discover all the mistakes the AI made while trying to do the job for you. Who knew that a model could look so… special? It’s like the AI took a look at your request and thought, “Yeah, let’s give this one a nice touch of abstract art!” Nothing screams professionalism like a model that looks like it was textured by a toddler on a sugar high. And let’s not forget the joy of navigating through the labyrinthine interfaces of Substance Painter. Ah, yes! The thrill of clicking through endless menus, desperately searching for that elusive shader that will somehow make your model look less like a lumpy marshmallow and more like a refined piece of art. It’s a bit like being in a relationship, really. You start with high hopes and a glossy exterior, only to end up questioning all your life choices as you try to figure out how to make it work. So, here we are, living in 2023, where AI can generate models that resemble something out of a sci-fi nightmare, and we still need to roll up our sleeves and get our hands dirty with shaders and textures. Who knew that the future would come with so many manual adjustments? Isn’t technology just delightful? In conclusion, if you’re diving into the world of AI 3D generated models, brace yourself for a wild ride of shaders and textures. And remember, when all else fails, just slap on a shiny shader and call it a masterpiece. After all, art is subjective, right? #3DModels #AIGenerated #SubstancePainter #Shaders #DigitalArt
    www.blendernation.com
    Yoji shows how to prepare generated models for proper texturing in tools like Substance Painter. Source
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  • Zuzana Licko, a name that should be celebrated as a pioneer of digital typography, is instead a glaring reminder of how the past can be romanticized to the point of absurdity. Yes, she designed some of the first digital typefaces for Macintosh in the '80s and co-founded Emigre, but let’s not pretend that her contributions were flawless or that they didn’t come with a slew of problems that we still grapple with today.

    First off, we need to address the elephant in the room: the overwhelming elitism in the world of typography that Licko and her contemporaries helped propagate. While they were crafting their innovative typefaces, they were simultaneously alienating a whole generation of designers who lacked access to the tech and knowledge required to engage with this new digital frontier. The so-called "pioneers" of digital typography, including Licko, set a precedent that continues to dominate the industry—making it seem like you need to have an elite background to even participate in typography discussions. This is infuriating and downright unacceptable!

    Moreover, let’s not gloss over the fact that while she was busy creating typefaces that were supposed to revolutionize our digital experiences, the actual usability of these fonts often left much to be desired. Many of Licko's creations, while visually striking, ultimately sacrificed legibility for the sake of artistic expression. This is a major flaw in her work that deserves criticism. Typography is not just about looking pretty; it’s about ensuring that communication is clear and effective! How many times have we seen products fail because the font was so pretentious that no one could read it?

    And don’t even get me started on Emigre magazine. Sure, it showcased some brilliant work, but it also became a breeding ground for snobbery and elitism in the design community. Instead of fostering a space for all voices, it often felt like a closed club for the privileged few. This is not what design should be about! We need to embrace diversity and inclusivity, rather than gatekeeping knowledge and opportunity.

    In an era where technology has advanced exponentially, we still see remnants of this elitist mindset in the design world. The influence of Licko and her contemporaries has led to a culture that often sidelines emerging talents who bring different perspectives to the table. Instead of uplifting new voices, we are still trapped in a loop of revering the same old figures and narratives. This is not progress; it’s stagnation!

    Let’s stop romanticizing pioneers like Zuzana Licko without acknowledging the problematic aspects of their legacies. We need to have critical conversations about how their work has shaped the industry, not just celebrate them blindly. If we truly want to honor their contributions, we must also confront the issues they created and work towards a more inclusive, accessible, and practical approach to digital typography.

    #Typography #DesignCritique #ZuzanaLicko #DigitalArt #InclusivityInDesign
    Zuzana Licko, a name that should be celebrated as a pioneer of digital typography, is instead a glaring reminder of how the past can be romanticized to the point of absurdity. Yes, she designed some of the first digital typefaces for Macintosh in the '80s and co-founded Emigre, but let’s not pretend that her contributions were flawless or that they didn’t come with a slew of problems that we still grapple with today. First off, we need to address the elephant in the room: the overwhelming elitism in the world of typography that Licko and her contemporaries helped propagate. While they were crafting their innovative typefaces, they were simultaneously alienating a whole generation of designers who lacked access to the tech and knowledge required to engage with this new digital frontier. The so-called "pioneers" of digital typography, including Licko, set a precedent that continues to dominate the industry—making it seem like you need to have an elite background to even participate in typography discussions. This is infuriating and downright unacceptable! Moreover, let’s not gloss over the fact that while she was busy creating typefaces that were supposed to revolutionize our digital experiences, the actual usability of these fonts often left much to be desired. Many of Licko's creations, while visually striking, ultimately sacrificed legibility for the sake of artistic expression. This is a major flaw in her work that deserves criticism. Typography is not just about looking pretty; it’s about ensuring that communication is clear and effective! How many times have we seen products fail because the font was so pretentious that no one could read it? And don’t even get me started on Emigre magazine. Sure, it showcased some brilliant work, but it also became a breeding ground for snobbery and elitism in the design community. Instead of fostering a space for all voices, it often felt like a closed club for the privileged few. This is not what design should be about! We need to embrace diversity and inclusivity, rather than gatekeeping knowledge and opportunity. In an era where technology has advanced exponentially, we still see remnants of this elitist mindset in the design world. The influence of Licko and her contemporaries has led to a culture that often sidelines emerging talents who bring different perspectives to the table. Instead of uplifting new voices, we are still trapped in a loop of revering the same old figures and narratives. This is not progress; it’s stagnation! Let’s stop romanticizing pioneers like Zuzana Licko without acknowledging the problematic aspects of their legacies. We need to have critical conversations about how their work has shaped the industry, not just celebrate them blindly. If we truly want to honor their contributions, we must also confront the issues they created and work towards a more inclusive, accessible, and practical approach to digital typography. #Typography #DesignCritique #ZuzanaLicko #DigitalArt #InclusivityInDesign
    www.grapheine.com
    Dans les 80s, Zuzana Licko dessine les premiers caractères de typographie numérique, pour Macintosh, et co-fonde le magazine-fonderie Emigre. L’article Zuzana Licko, pionnière de la typographie numérique est apparu en premier sur Graphéine - Agence d
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  • In a world where AI is revolutionizing everything from coffee-making to car-driving, it was only a matter of time before our digital mischief-makers decided to hop on the bandwagon. Enter the era of AI-driven malware, where cybercriminals have traded in their basic scripts for something that’s been juiced up with a pinch of neural networks and a dollop of machine learning. Who knew that the future of cibercrimen would be so... sophisticated?

    Gone are the days of simple viruses that could be dispatched with a good old anti-virus scan. Now, we’re talking about intelligent malware that learns from its surroundings, adapts, and evolves faster than a teenager mastering TikTok trends. It’s like the difference between a kid throwing rocks at your window and a full-blown meteor shower—one is annoying, and the other is just catastrophic.

    According to the latest Gen Threat Report from Gen Digital, this new breed of cyber threats is redefining the landscape of cybersecurity. Oh, joy! Just what we needed—cybercriminals with PhDs in deviousness. It’s as if our friendly neighborhood malware has decided to enroll in the prestigious “School of Advanced Cyber Mischief,” where they’re taught to outsmart even the most vigilant security measures.

    But let’s be real here: Isn’t it just a tad amusing that as we pour billions into cybersecurity with names like Norton, Avast, and LifeLock, the other side is just sitting there, chuckling, as they level up to the next version of “Chaos 2.0”? You have to admire their resourcefulness. While we’re busy installing updates and changing our passwords (again), they’re crafting malware that makes our attempts at protection look like a toddler’s finger painting.

    And let’s not ignore the irony: as we try to protect our data and privacy, the very tools meant to safeguard us are themselves evolving to a point where they might as well have a personality. It’s like having a dog that not only can open the fridge but also knows how to make an Instagram reel while doing it.

    So, what can we do in the face of this digital dilemma? Well, for starters, we can all invest in a good dose of humor because that’s apparently the only thing that’s bulletproof in this age of AI-driven chaos. Or, we can simply accept that it’s the survival of the fittest in the cyber jungle—where those with the best algorithms win.

    In the end, as we gear up to battle these new-age cyber threats, let’s just hope that our malware doesn’t get too smart—it might start charging us for the privilege of being hacked. After all, who doesn’t love a little subscription model in their life?

    #Cibercrimen #AIMalware #Cybersecurity #GenThreatReport #DigitalHumor
    In a world where AI is revolutionizing everything from coffee-making to car-driving, it was only a matter of time before our digital mischief-makers decided to hop on the bandwagon. Enter the era of AI-driven malware, where cybercriminals have traded in their basic scripts for something that’s been juiced up with a pinch of neural networks and a dollop of machine learning. Who knew that the future of cibercrimen would be so... sophisticated? Gone are the days of simple viruses that could be dispatched with a good old anti-virus scan. Now, we’re talking about intelligent malware that learns from its surroundings, adapts, and evolves faster than a teenager mastering TikTok trends. It’s like the difference between a kid throwing rocks at your window and a full-blown meteor shower—one is annoying, and the other is just catastrophic. According to the latest Gen Threat Report from Gen Digital, this new breed of cyber threats is redefining the landscape of cybersecurity. Oh, joy! Just what we needed—cybercriminals with PhDs in deviousness. It’s as if our friendly neighborhood malware has decided to enroll in the prestigious “School of Advanced Cyber Mischief,” where they’re taught to outsmart even the most vigilant security measures. But let’s be real here: Isn’t it just a tad amusing that as we pour billions into cybersecurity with names like Norton, Avast, and LifeLock, the other side is just sitting there, chuckling, as they level up to the next version of “Chaos 2.0”? You have to admire their resourcefulness. While we’re busy installing updates and changing our passwords (again), they’re crafting malware that makes our attempts at protection look like a toddler’s finger painting. And let’s not ignore the irony: as we try to protect our data and privacy, the very tools meant to safeguard us are themselves evolving to a point where they might as well have a personality. It’s like having a dog that not only can open the fridge but also knows how to make an Instagram reel while doing it. So, what can we do in the face of this digital dilemma? Well, for starters, we can all invest in a good dose of humor because that’s apparently the only thing that’s bulletproof in this age of AI-driven chaos. Or, we can simply accept that it’s the survival of the fittest in the cyber jungle—where those with the best algorithms win. In the end, as we gear up to battle these new-age cyber threats, let’s just hope that our malware doesn’t get too smart—it might start charging us for the privilege of being hacked. After all, who doesn’t love a little subscription model in their life? #Cibercrimen #AIMalware #Cybersecurity #GenThreatReport #DigitalHumor
    www.muyseguridad.net
    Gen Digital, el grupo especializado en ciberseguridad con marcas como Norton, Avast, LifeLock, Avira, AVG, ReputationDefender y CCleaner, ha publicado su informe Gen Threat Report correspondiente al primer trimestre de 2025, mostrando los cambios má
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