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2025-06-01 15:36:41 -

How NPR’s Tiny Desk became the biggest stage in music

Until last October, Argentinian musical duo Ca7riel & Paco Amoroso were more or less a regional act. Known for their experimental blend of Latin trap, pop, and rap, the pair had a fanbase, but still weren’t cracking more than 3,000 daily streams across services like Spotify, Apple Music, and YouTube. Within a week, they shot up 4,700%—hitting 222,000 daily streams—according to exclusive data firm Luminate, which powers the Billboard charts. Suddenly Ca7riel & Paco Amoroso were global pop stars.

What changed? On Oct. 4, the pair were featured in a Tiny Desk Concert, part of NPR’s 17-year-old video series featuring musicians performing stripped-down sets behind an office desk in the cramped Washington, D.C. headquarters of the public broadcaster.

In the concert video, the artists play five songs from their debut album Baño Maria, which came out last April. Paco’s raspy voice emerges from underneath a puffy blue trapper hat while Ca7riel sports an over-the-top pout and a vest made of stitched-together heart-shaped plush toys. The pair sing entirely in Spanish, backed by their Argentinian bandmatesand an American horn section. The duo’s performance quickly took off across the internet. Within five days, it had racked up more than 1.5 million views on YouTube, and hit 11 million in little more than a month. It also reverberated across social media: the NPR Music Instagram post garnering nearly 900,000 likes, and TikToks clips garnered hundreds of thousands of views.

In a year that featured Tiny Desk performances from buzzy stars like Chappell Roan and Sabrina Carpenter, as well as established acts like Chaka Khan and Nelly Furtado, Ca7riel & Paco Amoroso’s concert was the most-watched of 2024. It currently sits at 36 million views.

That virality translated to an influx of bookings for the duo, including a performance at Coachella in April, and upcoming slots at Glastonbury in June, FujiRock Japan in July, and Lollapalooza and Outside Lands in August. Ca7riel & Paco Amoroso’s global tour includes sold-out dates at Mexico’s 20,000-capacity Palacio de los Deportes and Chile’s 14,000-seat Movistar Areana—and was previewed by an appearance on The Tonight Show Starring Jimmy Fallon in April.

“Through Tiny Desk, we’ve noticed media approaching us, promoters being very interested in offering their spaces and festivals, and many media outlets opening doors to show us to the world,” says Jonathan Izquierdo, the band’s Spain-based tour manager who began working with the duo shortly after the Tiny Desk Concert debuted. “We’ve managed to sell out summer arena shows in record time and we’re constantly adding new concerts. Promoters are knocking on our doors to get the Tiny Desk effect.”

Bobby CarterTiny Desk, Big Influence

The Tiny Desk effect is something Bobby Carter, NPR Tiny Desk host and series producer, has seen firsthand. Carter has been at NPR for 25 years, including the past 11 on the Tiny Desk team. He took the reins when Bob Boilen, the longtime All Songs Considered host who launched Tiny Desk in 2008, retired in 2023.

The series—which now has more than 1,200 videos—began as an internet-first way for Boilen to showcase performances from musicians that were more intimate than what happens in bigger concert venues. The first installment, featuring folk artist Laura Gibson, went up on YouTube. Today, the concerts are posted on the NPR site with a writeup and credits, as well as YouTube, where NPR Music has 11 million followers. NPR Music also clips installments on Instagram, where it has 3 million followers.

In the early days, NPR staff reached out to touring bands to secure bookings. Acts coming through DC could often be cajoled into filming an installment before heading out to their venues for that night’s sound check. Now, musicians come to DC just for the chance to record in NPR’s offices.

“We don’t have to worry about tours anymore,” Carter says. “Labels and artists are willing to come in solely for a Tiny Desk performance. They understand the impact that a really good Tiny Desk concert can have on an artist’s career.”

Early on, the stripped-down nature of the Tiny Desk—artists can’t use any audio processing or voice modulation—lent itself to rock, folk, and indie acts. But a 2014 concert with T-Pain, in which the famously autotune-heavy singer unveiled an impressive set of pipes, showed how artists from a broader array of genres could shine behind the Tiny Desk.

“Everyone knows at this point that they’re going to have to do something different in our space,” Carter says. “It’s a bigger ask for hip-hop acts and electronic acts, but most artists now understand how important it can be if they nail it.”

Carter highlights rapper Doechii as an artist who overhauled her sound for her Tiny Desk concert in December. Doechii’s all-female backing band used trumpet, saxophone, guitar, and bass to transform songs from her mixtape Alligator Bites Never Heal for the live setting. “If you listen to the recorded version of her music, it’s nothing like what you saw in that Tiny Desk,” Carter says.

Clips of Doechii’s Tiny Desk virtuosity lit up social media, introducing the ‘swamp princess’ to new fans. The concert even inspired a viral parody, with writer-director-comedian Gus Heagary pretending to be an NPR staffer watching the performance.

Reimagining Old Favorites

It isn’t just emerging acts that totally revamp their sound for a Tiny Desk opportunity. Established artists like Usher, Justin Timberlake, and Cypress Hill have followed T-Pain’s lead and used NPR’s offices to showcase reimagined versions of some of their most popular songs. When Juvenile recorded his installment in June 2023, he was backed by horns and saxophones, a violin and cello, and John Batiste on melodica. The New Orleans rapper played an acoustic version of “Back That Azz Up” twice at the audience’s request—the first encore in the series’ history.

“I love what has happened with hip hop,” Carter says. He explains that artists now approach the concert with the mindset: ‘I have to really rethink what I’ve been doing for however long I’ve been doing it, and present it in a whole new way.”

Tiny Desk has also helped musicians like Juvenile, gospel artist Marvin Sapp, and percussionist Sheila E to reach new audiences while reminding listeners they’re still making music. “We’re helping artists to re-emerge,” Carter says, “tapping into legacy acts and evergreen artistsbreathe new life into their careers.”

In many ways, Tiny Desk now occupies a niche once filled by MTV Unplugged—but for the generation that has replaced cable with YouTube and streaming.

“Maybe 10, 15, 20 years ago, all of our favorite artists had this watershed moment in terms of a live performance,” Carter says. “Back in the day it was MTV Unplugged. SNL is still doing their thing. But when you think about the generation now that lives on YouTube, some of these Tiny Desk performances are going to be the milestone that people point to when it comes to live performances.”

Building a Diverse Audience

When Carter talks about Tiny Desk concerts reaching a new generation of listeners, it’s not conjecture. He notes that the NPR Music YouTube channel’s 11 million subscribers are “as young and diverse as it gets. It’s almost half people of colormuch younger than the audience that listens to NPR on air, which is an audience NPR has been trying to tap for a long time,” he says.

That diversity informs some of the special series that Tiny Desk produces. The Juvenile video was part of Carter’s second run of concerts recorded for Black Music Month, in June. Ca7riel & Paco Amoroso’s video was tied to El Tiny, a Latin-focused series that debuts during Latin Heritage Monthand is programmed by Tiny Desk producer and Alt.Latino host AnaMaria Sayer.

Ca7riel & Paco Amoroso’s tour manager, Izquierdo, has worked with artists featured in the series before. He says Tiny Desk is crucial for Latin American artists trying to break through. “I’ve realized that for U.S. radio, Latin music benefits from Tiny Desk,” he says.

The Tiny Desk audience’s broad demographics are also increasingly reflected in its broader programming. Bad Bunny’s April installment took his reggaeton-inspired songs from recent album Debi Tirar Mas Fotos to their acoustic roots, using an array of traditional Puerto Rican, Latin American, and Caribbean instruments, such as the cuatro puertorriqueño, tiple, güicharo, and bongos. “audience informs a whole lot of what we do,” Carter says. I get so many pointers from YouTube comments like ‘Have you heard of this artist?’ We’re watching all that stuff because it helps us stay sharp.”

Tiny Desk heard round the world

With a strong global audience, Tiny Desk has been expanding into Asia. In 2023, NPR struck a licensing deal with South Korean Telecom LG U+ and production company Something Special to produce Tiny Desk Korea for television. Last year, NPR inked a deal with the Japan Broadcasting Corporationto launch Tiny Desk Concerts Japan. “We’re really expanding in terms of global reach,” Carter says.

Here in the States, Carter and Sayer recently launched Tiny Desk Radio, a series that will revisit some of the series’ notable installments, sharing behind-the-scenes stories from their productions and playing the audio from the concerts “Our engineers put a lot of time and effort into making sure that we sound great,” Carter says. “I hear it a lot—people tell me they prefer an artist’s Tiny Desk over anything.”

That’s something Ca7riel & Paco Amoroso clearly have on their mind as they navigate the Tiny Desk effect and a new level of recognition. The duo released an EP in February, Papota, which features four new songs, plus the recorded versions of their pared-down Tiny Desk performances. They also released a short film that recreates their Tiny Desk performance—this time in a Buenos Aires diner.

One of the themes of the EP is the pair wrestling with the implications of their viral success. On the song Impostor, Ca7riel asks “¿Y ahora que vamos hacer?/El tiny desk me jodio”It’s an overstatement, but an acknowledgment that the path they’re now on ran directly through the NPR offices.
#how #nprs #tiny #desk #became

How NPR’s Tiny Desk became the biggest stage in music
Until last October, Argentinian musical duo Ca7riel & Paco Amoroso were more or less a regional act. Known for their experimental blend of Latin trap, pop, and rap, the pair had a fanbase, but still weren’t cracking more than 3,000 daily streams across services like Spotify, Apple Music, and YouTube. Within a week, they shot up 4,700%—hitting 222,000 daily streams—according to exclusive data firm Luminate, which powers the Billboard charts. Suddenly Ca7riel & Paco Amoroso were global pop stars. What changed? On Oct. 4, the pair were featured in a Tiny Desk Concert, part of NPR’s 17-year-old video series featuring musicians performing stripped-down sets behind an office desk in the cramped Washington, D.C. headquarters of the public broadcaster. In the concert video, the artists play five songs from their debut album Baño Maria, which came out last April. Paco’s raspy voice emerges from underneath a puffy blue trapper hat while Ca7riel sports an over-the-top pout and a vest made of stitched-together heart-shaped plush toys. The pair sing entirely in Spanish, backed by their Argentinian bandmatesand an American horn section. The duo’s performance quickly took off across the internet. Within five days, it had racked up more than 1.5 million views on YouTube, and hit 11 million in little more than a month. It also reverberated across social media: the NPR Music Instagram post garnering nearly 900,000 likes, and TikToks clips garnered hundreds of thousands of views. In a year that featured Tiny Desk performances from buzzy stars like Chappell Roan and Sabrina Carpenter, as well as established acts like Chaka Khan and Nelly Furtado, Ca7riel & Paco Amoroso’s concert was the most-watched of 2024. It currently sits at 36 million views. That virality translated to an influx of bookings for the duo, including a performance at Coachella in April, and upcoming slots at Glastonbury in June, FujiRock Japan in July, and Lollapalooza and Outside Lands in August. Ca7riel & Paco Amoroso’s global tour includes sold-out dates at Mexico’s 20,000-capacity Palacio de los Deportes and Chile’s 14,000-seat Movistar Areana—and was previewed by an appearance on The Tonight Show Starring Jimmy Fallon in April. “Through Tiny Desk, we’ve noticed media approaching us, promoters being very interested in offering their spaces and festivals, and many media outlets opening doors to show us to the world,” says Jonathan Izquierdo, the band’s Spain-based tour manager who began working with the duo shortly after the Tiny Desk Concert debuted. “We’ve managed to sell out summer arena shows in record time and we’re constantly adding new concerts. Promoters are knocking on our doors to get the Tiny Desk effect.” Bobby CarterTiny Desk, Big Influence The Tiny Desk effect is something Bobby Carter, NPR Tiny Desk host and series producer, has seen firsthand. Carter has been at NPR for 25 years, including the past 11 on the Tiny Desk team. He took the reins when Bob Boilen, the longtime All Songs Considered host who launched Tiny Desk in 2008, retired in 2023. The series—which now has more than 1,200 videos—began as an internet-first way for Boilen to showcase performances from musicians that were more intimate than what happens in bigger concert venues. The first installment, featuring folk artist Laura Gibson, went up on YouTube. Today, the concerts are posted on the NPR site with a writeup and credits, as well as YouTube, where NPR Music has 11 million followers. NPR Music also clips installments on Instagram, where it has 3 million followers. In the early days, NPR staff reached out to touring bands to secure bookings. Acts coming through DC could often be cajoled into filming an installment before heading out to their venues for that night’s sound check. Now, musicians come to DC just for the chance to record in NPR’s offices. “We don’t have to worry about tours anymore,” Carter says. “Labels and artists are willing to come in solely for a Tiny Desk performance. They understand the impact that a really good Tiny Desk concert can have on an artist’s career.” Early on, the stripped-down nature of the Tiny Desk—artists can’t use any audio processing or voice modulation—lent itself to rock, folk, and indie acts. But a 2014 concert with T-Pain, in which the famously autotune-heavy singer unveiled an impressive set of pipes, showed how artists from a broader array of genres could shine behind the Tiny Desk. “Everyone knows at this point that they’re going to have to do something different in our space,” Carter says. “It’s a bigger ask for hip-hop acts and electronic acts, but most artists now understand how important it can be if they nail it.” Carter highlights rapper Doechii as an artist who overhauled her sound for her Tiny Desk concert in December. Doechii’s all-female backing band used trumpet, saxophone, guitar, and bass to transform songs from her mixtape Alligator Bites Never Heal for the live setting. “If you listen to the recorded version of her music, it’s nothing like what you saw in that Tiny Desk,” Carter says. Clips of Doechii’s Tiny Desk virtuosity lit up social media, introducing the ‘swamp princess’ to new fans. The concert even inspired a viral parody, with writer-director-comedian Gus Heagary pretending to be an NPR staffer watching the performance.    Reimagining Old Favorites It isn’t just emerging acts that totally revamp their sound for a Tiny Desk opportunity. Established artists like Usher, Justin Timberlake, and Cypress Hill have followed T-Pain’s lead and used NPR’s offices to showcase reimagined versions of some of their most popular songs. When Juvenile recorded his installment in June 2023, he was backed by horns and saxophones, a violin and cello, and John Batiste on melodica. The New Orleans rapper played an acoustic version of “Back That Azz Up” twice at the audience’s request—the first encore in the series’ history. “I love what has happened with hip hop,” Carter says. He explains that artists now approach the concert with the mindset: ‘I have to really rethink what I’ve been doing for however long I’ve been doing it, and present it in a whole new way.” Tiny Desk has also helped musicians like Juvenile, gospel artist Marvin Sapp, and percussionist Sheila E to reach new audiences while reminding listeners they’re still making music. “We’re helping artists to re-emerge,” Carter says, “tapping into legacy acts and evergreen artistsbreathe new life into their careers.” In many ways, Tiny Desk now occupies a niche once filled by MTV Unplugged—but for the generation that has replaced cable with YouTube and streaming.   “Maybe 10, 15, 20 years ago, all of our favorite artists had this watershed moment in terms of a live performance,” Carter says. “Back in the day it was MTV Unplugged. SNL is still doing their thing. But when you think about the generation now that lives on YouTube, some of these Tiny Desk performances are going to be the milestone that people point to when it comes to live performances.” Building a Diverse Audience When Carter talks about Tiny Desk concerts reaching a new generation of listeners, it’s not conjecture. He notes that the NPR Music YouTube channel’s 11 million subscribers are “as young and diverse as it gets. It’s almost half people of colormuch younger than the audience that listens to NPR on air, which is an audience NPR has been trying to tap for a long time,” he says. That diversity informs some of the special series that Tiny Desk produces. The Juvenile video was part of Carter’s second run of concerts recorded for Black Music Month, in June. Ca7riel & Paco Amoroso’s video was tied to El Tiny, a Latin-focused series that debuts during Latin Heritage Monthand is programmed by Tiny Desk producer and Alt.Latino host AnaMaria Sayer. Ca7riel & Paco Amoroso’s tour manager, Izquierdo, has worked with artists featured in the series before. He says Tiny Desk is crucial for Latin American artists trying to break through. “I’ve realized that for U.S. radio, Latin music benefits from Tiny Desk,” he says. The Tiny Desk audience’s broad demographics are also increasingly reflected in its broader programming. Bad Bunny’s April installment took his reggaeton-inspired songs from recent album Debi Tirar Mas Fotos to their acoustic roots, using an array of traditional Puerto Rican, Latin American, and Caribbean instruments, such as the cuatro puertorriqueño, tiple, güicharo, and bongos. “audience informs a whole lot of what we do,” Carter says. I get so many pointers from YouTube comments like ‘Have you heard of this artist?’ We’re watching all that stuff because it helps us stay sharp.” Tiny Desk heard round the world With a strong global audience, Tiny Desk has been expanding into Asia. In 2023, NPR struck a licensing deal with South Korean Telecom LG U+ and production company Something Special to produce Tiny Desk Korea for television. Last year, NPR inked a deal with the Japan Broadcasting Corporationto launch Tiny Desk Concerts Japan. “We’re really expanding in terms of global reach,” Carter says. Here in the States, Carter and Sayer recently launched Tiny Desk Radio, a series that will revisit some of the series’ notable installments, sharing behind-the-scenes stories from their productions and playing the audio from the concerts “Our engineers put a lot of time and effort into making sure that we sound great,” Carter says. “I hear it a lot—people tell me they prefer an artist’s Tiny Desk over anything.” That’s something Ca7riel & Paco Amoroso clearly have on their mind as they navigate the Tiny Desk effect and a new level of recognition. The duo released an EP in February, Papota, which features four new songs, plus the recorded versions of their pared-down Tiny Desk performances. They also released a short film that recreates their Tiny Desk performance—this time in a Buenos Aires diner. One of the themes of the EP is the pair wrestling with the implications of their viral success. On the song Impostor, Ca7riel asks “¿Y ahora que vamos hacer?/El tiny desk me jodio”It’s an overstatement, but an acknowledgment that the path they’re now on ran directly through the NPR offices. #how #nprs #tiny #desk #became

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How NPR’s Tiny Desk became the biggest stage in music
Until last October, Argentinian musical duo Ca7riel & Paco Amoroso were more or less a regional act. Known for their experimental blend of Latin trap, pop, and rap, the pair had a fanbase, but still weren’t cracking more than 3,000 daily streams across services like Spotify, Apple Music, and YouTube. Within a week, they shot up 4,700%—hitting 222,000 daily streams—according to exclusive data firm Luminate, which powers the Billboard charts. Suddenly Ca7riel & Paco Amoroso were global pop stars. What changed? On Oct. 4, the pair were featured in a Tiny Desk Concert, part of NPR’s 17-year-old video series featuring musicians performing stripped-down sets behind an office desk in the cramped Washington, D.C. headquarters of the public broadcaster. In the concert video, the artists play five songs from their debut album Baño Maria, which came out last April. Paco’s raspy voice emerges from underneath a puffy blue trapper hat while Ca7riel sports an over-the-top pout and a vest made of stitched-together heart-shaped plush toys. The pair sing entirely in Spanish, backed by their Argentinian bandmates (sporting shirts screenprinted with their visas) and an American horn section. The duo’s performance quickly took off across the internet. Within five days, it had racked up more than 1.5 million views on YouTube, and hit 11 million in little more than a month. It also reverberated across social media: the NPR Music Instagram post garnering nearly 900,000 likes, and TikToks clips garnered hundreds of thousands of views. In a year that featured Tiny Desk performances from buzzy stars like Chappell Roan and Sabrina Carpenter, as well as established acts like Chaka Khan and Nelly Furtado, Ca7riel & Paco Amoroso’s concert was the most-watched of 2024. It currently sits at 36 million views. That virality translated to an influx of bookings for the duo, including a performance at Coachella in April, and upcoming slots at Glastonbury in June, FujiRock Japan in July, and Lollapalooza and Outside Lands in August. Ca7riel & Paco Amoroso’s global tour includes sold-out dates at Mexico’s 20,000-capacity Palacio de los Deportes and Chile’s 14,000-seat Movistar Areana—and was previewed by an appearance on The Tonight Show Starring Jimmy Fallon in April. “Through Tiny Desk, we’ve noticed media approaching us, promoters being very interested in offering their spaces and festivals, and many media outlets opening doors to show us to the world,” says Jonathan Izquierdo, the band’s Spain-based tour manager who began working with the duo shortly after the Tiny Desk Concert debuted. “We’ve managed to sell out summer arena shows in record time and we’re constantly adding new concerts. Promoters are knocking on our doors to get the Tiny Desk effect.” Bobby Carter [Photo: Fenn Paider/courtesy NPR] Tiny Desk, Big Influence The Tiny Desk effect is something Bobby Carter, NPR Tiny Desk host and series producer, has seen firsthand. Carter has been at NPR for 25 years, including the past 11 on the Tiny Desk team. He took the reins when Bob Boilen, the longtime All Songs Considered host who launched Tiny Desk in 2008, retired in 2023. The series—which now has more than 1,200 videos—began as an internet-first way for Boilen to showcase performances from musicians that were more intimate than what happens in bigger concert venues. The first installment, featuring folk artist Laura Gibson, went up on YouTube. Today, the concerts are posted on the NPR site with a writeup and credits, as well as YouTube, where NPR Music has 11 million followers. NPR Music also clips installments on Instagram, where it has 3 million followers. In the early days, NPR staff reached out to touring bands to secure bookings. Acts coming through DC could often be cajoled into filming an installment before heading out to their venues for that night’s sound check. Now, musicians come to DC just for the chance to record in NPR’s offices. “We don’t have to worry about tours anymore,” Carter says. “Labels and artists are willing to come in solely for a Tiny Desk performance. They understand the impact that a really good Tiny Desk concert can have on an artist’s career.” Early on, the stripped-down nature of the Tiny Desk—artists can’t use any audio processing or voice modulation—lent itself to rock, folk, and indie acts. But a 2014 concert with T-Pain, in which the famously autotune-heavy singer unveiled an impressive set of pipes, showed how artists from a broader array of genres could shine behind the Tiny Desk. “Everyone knows at this point that they’re going to have to do something different in our space,” Carter says. “It’s a bigger ask for hip-hop acts and electronic acts, but most artists now understand how important it can be if they nail it.” Carter highlights rapper Doechii as an artist who overhauled her sound for her Tiny Desk concert in December. Doechii’s all-female backing band used trumpet, saxophone, guitar, and bass to transform songs from her mixtape Alligator Bites Never Heal for the live setting. “If you listen to the recorded version of her music, it’s nothing like what you saw in that Tiny Desk,” Carter says. Clips of Doechii’s Tiny Desk virtuosity lit up social media, introducing the ‘swamp princess’ to new fans. The concert even inspired a viral parody, with writer-director-comedian Gus Heagary pretending to be an NPR staffer watching the performance.    Reimagining Old Favorites It isn’t just emerging acts that totally revamp their sound for a Tiny Desk opportunity. Established artists like Usher, Justin Timberlake, and Cypress Hill have followed T-Pain’s lead and used NPR’s offices to showcase reimagined versions of some of their most popular songs. When Juvenile recorded his installment in June 2023, he was backed by horns and saxophones, a violin and cello, and John Batiste on melodica. The New Orleans rapper played an acoustic version of “Back That Azz Up” twice at the audience’s request—the first encore in the series’ history. “I love what has happened with hip hop [on Tiny Desk],” Carter says. He explains that artists now approach the concert with the mindset: ‘I have to really rethink what I’ve been doing for however long I’ve been doing it, and present it in a whole new way.” Tiny Desk has also helped musicians like Juvenile, gospel artist Marvin Sapp, and percussionist Sheila E to reach new audiences while reminding listeners they’re still making music. “We’re helping artists to re-emerge,” Carter says, “tapping into legacy acts and evergreen artists [to help] breathe new life into their careers.” In many ways, Tiny Desk now occupies a niche once filled by MTV Unplugged—but for the generation that has replaced cable with YouTube and streaming.   “Maybe 10, 15, 20 years ago, all of our favorite artists had this watershed moment in terms of a live performance,” Carter says. “Back in the day it was MTV Unplugged. SNL is still doing their thing. But when you think about the generation now that lives on YouTube, some of these Tiny Desk performances are going to be the milestone that people point to when it comes to live performances.” Building a Diverse Audience When Carter talks about Tiny Desk concerts reaching a new generation of listeners, it’s not conjecture. He notes that the NPR Music YouTube channel’s 11 million subscribers are “as young and diverse as it gets. It’s almost half people of color [and] much younger than the audience that listens to NPR on air, which is an audience NPR has been trying to tap for a long time,” he says. That diversity informs some of the special series that Tiny Desk produces. The Juvenile video was part of Carter’s second run of concerts recorded for Black Music Month, in June. Ca7riel & Paco Amoroso’s video was tied to El Tiny, a Latin-focused series that debuts during Latin Heritage Month (from mid September to mid October) and is programmed by Tiny Desk producer and Alt.Latino host AnaMaria Sayer. Ca7riel & Paco Amoroso’s tour manager, Izquierdo, has worked with artists featured in the series before. He says Tiny Desk is crucial for Latin American artists trying to break through. “I’ve realized that for U.S. radio, Latin music benefits from Tiny Desk,” he says. The Tiny Desk audience’s broad demographics are also increasingly reflected in its broader programming. Bad Bunny’s April installment took his reggaeton-inspired songs from recent album Debi Tirar Mas Fotos to their acoustic roots, using an array of traditional Puerto Rican, Latin American, and Caribbean instruments, such as the cuatro puertorriqueño, tiple, güicharo, and bongos. “[Our] audience informs a whole lot of what we do,” Carter says. I get so many pointers from YouTube comments like ‘Have you heard of this artist?’ We’re watching all that stuff because it helps us stay sharp.” Tiny Desk heard round the world With a strong global audience, Tiny Desk has been expanding into Asia. In 2023, NPR struck a licensing deal with South Korean Telecom LG U+ and production company Something Special to produce Tiny Desk Korea for television. Last year, NPR inked a deal with the Japan Broadcasting Corporation (NHK) to launch Tiny Desk Concerts Japan. “We’re really expanding in terms of global reach,” Carter says. Here in the States, Carter and Sayer recently launched Tiny Desk Radio, a series that will revisit some of the series’ notable installments, sharing behind-the-scenes stories from their productions and playing the audio from the concerts “Our engineers put a lot of time and effort into making sure that we sound great,” Carter says. “I hear it a lot—people tell me they prefer an artist’s Tiny Desk over anything.” That’s something Ca7riel & Paco Amoroso clearly have on their mind as they navigate the Tiny Desk effect and a new level of recognition (their daily streams haven’t dipped below 50,000 a day since the beginning of the year). The duo released an EP in February, Papota, which features four new songs, plus the recorded versions of their pared-down Tiny Desk performances. They also released a short film that recreates their Tiny Desk performance—this time in a Buenos Aires diner. One of the themes of the EP is the pair wrestling with the implications of their viral success. On the song Impostor, Ca7riel asks “¿Y ahora que vamos hacer?/El tiny desk me jodio” (What do we do now? Tiny Desk fucked me up.) It’s an overstatement, but an acknowledgment that the path they’re now on ran directly through the NPR offices.

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2025-05-22 20:37:55 -

Link Tank: SNL Set Builder Retires and Sesame Street Heads to Netflix

An SNL Icon Retires
Fans of Saturday Night Live have long wondered: What happens behind the scenes of the sketch-comedy show? In 2024, we got a glimpse with Jason Reitman’s Saturday Night, which showcased just how stressful producing weekly live sketch comedy can be.
After 50 years of constructing Saturday Night Live’s sets for their various sketches, Stephen “Demo” DeMaria is retiring at age 87. And while DeMaria likely felt stressed out at times leading a team of carpenters for such a large-scale production on a time crunch, he says, “I didn’t have a bored day in my life. Never.”
“According to the report, DeMaria’s schedule at the start of each new fall season included starting his Thursdays at 1 a.m., receiving the week’s set design sketches by 2 a.m., and then splitting the work among five teams of approximately 50 total carpenters.”

at Entertainment Weekly

American Idol Crowns Its Latest Winner
One of the most intriguing aspects of the early 2000s era of reality TV was fan voting. I remember crowding around the TV with my mom and sisters, watching The Voice, and pulling out our phones every chance we could vote for our favorite contestants.
American Idol has stood the test of time, as it has been producing stars since 2002. Season 23 of American Idol declared its new champion, 27-year-old Jamal Roberts, on May 18. The physical education teacher from Mississippi has shined all season, landing him in the final three, alongside John Foster and Breanna Nix.
“The crooner, who excelled across all the genres, is the second Black male artist to win the competition after Ruben Studdard took the title during the show’s second season in 2003.”
at CNN

Sesame Street Gets a New Home

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Elmo’s home is now on Netflix. Following Warner Bros. Discovery’s decision not to renew Sesame Street on HBO Max, Netflix secured a deal with Sesame Workshop to keep the educational children’s show alive.
Notably, when the show was premiering on HBO Max, the streaming service was the only way to watch new episodes. In the wake of budget cuts to public broadcast, which resulted in countless layoffs and furloughs, Netflix is partnering up with PBS to release episodes to public broadcast the same day that they premiere on Netflix.
PBS, where Sesame Street aired originally, has provided accessible educational programming for children in low-income households for over 55 years. Sesame Workshop CEO, Sherri Westin, said in a statement that Netflix will showcase Sesame Street to a global audience, and thanks to this unique public-private deal, new episodes will be accessible in the U.S. for free through public TV.
“The deal with Netflix and PBS not only provides much needed financial stability for the non-profit, but also provides expanded access to the program for free, an extremely unusual arrangement for Netflix.”
at The Hollywood Reporter

Sebastián Lelio Makes Waves at the Cannes Film Festival
Lelio spoke with Deadline at the festival following the premiere of his newest project, The Wave— a movie musical that surrounds the Chilean feminist wave in 2018. 2018 marked a year of mass protests, strikes and civil unrest in Chile, mostly carried out by university and high school students in response to sexism and violence against women in educational institutions. This movie comes at a culturally significant time, as there has been an increase in student-led protests.
You might be thinking: Why is this a musical? After the mixed-to-negative response to Emilia Pérez, a movie musical that is also in Spanish, viewers may be weary to give this new movie musical a chance.
In his interview with Deadline, Lelio makes it clear that the use of music and performance in this movie are intentional. He described the musical element of the movie as “more of depiction of political cacophony.”
“Daniela López stars in the film – which debuted in Cannes Premiere – as a music student who joins the cause, haunted by an incident with her voice teacher’s assistant. She is joined in the cast by a raft of young Chilean acting talents including Paulina Cortés, Lola Bravo and Avril Aurora.”
at Deadline

Latest Kristen Stewart Project Gets a Streaming Release Date
Even if you love Kristen Stewart, you might not have appreciated her starring role as a weather buoy in the 2024 post-apocalyptic romance, Love Me. If you left the theater with mixed feelings in 2024, or just overall confusion, you’ll be happy to know that on June 16 the film will be available for streaming on Paramount+ with Showtime.
“The movie, which follows a buoy and a satellite who meet online long after human extinction, will be available on Paramount+ with Showtime via Bleecker Street’s continuous partnership with the service. During their journey together, Me/Dejaand Iam/Liamdiscover what life on earth was like for humans and in the process find out who they are, and what it means to love and live.”
at MovieWeb
#link #tank #snl #set #builder

Link Tank: SNL Set Builder Retires and Sesame Street Heads to Netflix
An SNL Icon Retires Fans of Saturday Night Live have long wondered: What happens behind the scenes of the sketch-comedy show? In 2024, we got a glimpse with Jason Reitman’s Saturday Night, which showcased just how stressful producing weekly live sketch comedy can be. After 50 years of constructing Saturday Night Live’s sets for their various sketches, Stephen “Demo” DeMaria is retiring at age 87. And while DeMaria likely felt stressed out at times leading a team of carpenters for such a large-scale production on a time crunch, he says, “I didn’t have a bored day in my life. Never.” “According to the report, DeMaria’s schedule at the start of each new fall season included starting his Thursdays at 1 a.m., receiving the week’s set design sketches by 2 a.m., and then splitting the work among five teams of approximately 50 total carpenters.” at Entertainment Weekly American Idol Crowns Its Latest Winner One of the most intriguing aspects of the early 2000s era of reality TV was fan voting. I remember crowding around the TV with my mom and sisters, watching The Voice, and pulling out our phones every chance we could vote for our favorite contestants. American Idol has stood the test of time, as it has been producing stars since 2002. Season 23 of American Idol declared its new champion, 27-year-old Jamal Roberts, on May 18. The physical education teacher from Mississippi has shined all season, landing him in the final three, alongside John Foster and Breanna Nix. “The crooner, who excelled across all the genres, is the second Black male artist to win the competition after Ruben Studdard took the title during the show’s second season in 2003.” at CNN Sesame Street Gets a New Home Join our mailing list Get the best of Den of Geek delivered right to your inbox! Elmo’s home is now on Netflix. Following Warner Bros. Discovery’s decision not to renew Sesame Street on HBO Max, Netflix secured a deal with Sesame Workshop to keep the educational children’s show alive. Notably, when the show was premiering on HBO Max, the streaming service was the only way to watch new episodes. In the wake of budget cuts to public broadcast, which resulted in countless layoffs and furloughs, Netflix is partnering up with PBS to release episodes to public broadcast the same day that they premiere on Netflix. PBS, where Sesame Street aired originally, has provided accessible educational programming for children in low-income households for over 55 years. Sesame Workshop CEO, Sherri Westin, said in a statement that Netflix will showcase Sesame Street to a global audience, and thanks to this unique public-private deal, new episodes will be accessible in the U.S. for free through public TV. “The deal with Netflix and PBS not only provides much needed financial stability for the non-profit, but also provides expanded access to the program for free, an extremely unusual arrangement for Netflix.” at The Hollywood Reporter Sebastián Lelio Makes Waves at the Cannes Film Festival Lelio spoke with Deadline at the festival following the premiere of his newest project, The Wave— a movie musical that surrounds the Chilean feminist wave in 2018. 2018 marked a year of mass protests, strikes and civil unrest in Chile, mostly carried out by university and high school students in response to sexism and violence against women in educational institutions. This movie comes at a culturally significant time, as there has been an increase in student-led protests. You might be thinking: Why is this a musical? After the mixed-to-negative response to Emilia Pérez, a movie musical that is also in Spanish, viewers may be weary to give this new movie musical a chance. In his interview with Deadline, Lelio makes it clear that the use of music and performance in this movie are intentional. He described the musical element of the movie as “more of depiction of political cacophony.” “Daniela López stars in the film – which debuted in Cannes Premiere – as a music student who joins the cause, haunted by an incident with her voice teacher’s assistant. She is joined in the cast by a raft of young Chilean acting talents including Paulina Cortés, Lola Bravo and Avril Aurora.” at Deadline Latest Kristen Stewart Project Gets a Streaming Release Date Even if you love Kristen Stewart, you might not have appreciated her starring role as a weather buoy in the 2024 post-apocalyptic romance, Love Me. If you left the theater with mixed feelings in 2024, or just overall confusion, you’ll be happy to know that on June 16 the film will be available for streaming on Paramount+ with Showtime. “The movie, which follows a buoy and a satellite who meet online long after human extinction, will be available on Paramount+ with Showtime via Bleecker Street’s continuous partnership with the service. During their journey together, Me/Dejaand Iam/Liamdiscover what life on earth was like for humans and in the process find out who they are, and what it means to love and live.” at MovieWeb #link #tank #snl #set #builder

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Link Tank: SNL Set Builder Retires and Sesame Street Heads to Netflix
An SNL Icon Retires Fans of Saturday Night Live have long wondered: What happens behind the scenes of the sketch-comedy show? In 2024, we got a glimpse with Jason Reitman’s Saturday Night, which showcased just how stressful producing weekly live sketch comedy can be. After 50 years of constructing Saturday Night Live’s sets for their various sketches, Stephen “Demo” DeMaria is retiring at age 87. And while DeMaria likely felt stressed out at times leading a team of carpenters for such a large-scale production on a time crunch, he says, “I didn’t have a bored day in my life. Never.” “According to the report, DeMaria’s schedule at the start of each new fall season included starting his Thursdays at 1 a.m., receiving the week’s set design sketches by 2 a.m., and then splitting the work among five teams of approximately 50 total carpenters.” Read more at Entertainment Weekly American Idol Crowns Its Latest Winner One of the most intriguing aspects of the early 2000s era of reality TV was fan voting. I remember crowding around the TV with my mom and sisters, watching The Voice, and pulling out our phones every chance we could vote for our favorite contestants. American Idol has stood the test of time, as it has been producing stars since 2002. Season 23 of American Idol declared its new champion, 27-year-old Jamal Roberts, on May 18. The physical education teacher from Mississippi has shined all season, landing him in the final three, alongside John Foster and Breanna Nix. “The crooner, who excelled across all the genres, is the second Black male artist to win the competition after Ruben Studdard took the title during the show’s second season in 2003.” Read more at CNN Sesame Street Gets a New Home Join our mailing list Get the best of Den of Geek delivered right to your inbox! Elmo’s home is now on Netflix. Following Warner Bros. Discovery’s decision not to renew Sesame Street on HBO Max, Netflix secured a deal with Sesame Workshop to keep the educational children’s show alive. Notably, when the show was premiering on HBO Max, the streaming service was the only way to watch new episodes. In the wake of budget cuts to public broadcast, which resulted in countless layoffs and furloughs, Netflix is partnering up with PBS to release episodes to public broadcast the same day that they premiere on Netflix. PBS, where Sesame Street aired originally, has provided accessible educational programming for children in low-income households for over 55 years. Sesame Workshop CEO, Sherri Westin, said in a statement that Netflix will showcase Sesame Street to a global audience, and thanks to this unique public-private deal, new episodes will be accessible in the U.S. for free through public TV. “The deal with Netflix and PBS not only provides much needed financial stability for the non-profit (it is slated to host its annual fundraiser next week), but also provides expanded access to the program for free, an extremely unusual arrangement for Netflix.” Read more at The Hollywood Reporter Sebastián Lelio Makes Waves at the Cannes Film Festival Lelio spoke with Deadline at the festival following the premiere of his newest project, The Wave (La Ola)— a movie musical that surrounds the Chilean feminist wave in 2018. 2018 marked a year of mass protests, strikes and civil unrest in Chile, mostly carried out by university and high school students in response to sexism and violence against women in educational institutions. This movie comes at a culturally significant time, as there has been an increase in student-led protests. You might be thinking: Why is this a musical? After the mixed-to-negative response to Emilia Pérez, a movie musical that is also in Spanish, viewers may be weary to give this new movie musical a chance. In his interview with Deadline, Lelio makes it clear that the use of music and performance in this movie are intentional. He described the musical element of the movie as “more of depiction of political cacophony.” “Daniela López stars in the film – which debuted in Cannes Premiere – as a music student who joins the cause, haunted by an incident with her voice teacher’s assistant. She is joined in the cast by a raft of young Chilean acting talents including Paulina Cortés, Lola Bravo and Avril Aurora.” Read more at Deadline Latest Kristen Stewart Project Gets a Streaming Release Date Even if you love Kristen Stewart, you might not have appreciated her starring role as a weather buoy in the 2024 post-apocalyptic romance, Love Me. If you left the theater with mixed feelings in 2024, or just overall confusion, you’ll be happy to know that on June 16 the film will be available for streaming on Paramount+ with Showtime. “The movie, which follows a buoy and a satellite who meet online long after human extinction (yes, you read that right), will be available on Paramount+ with Showtime via Bleecker Street’s continuous partnership with the service. During their journey together, Me/Deja (Stewart) and Iam/Liam (Yeun) discover what life on earth was like for humans and in the process find out who they are, and what it means to love and live (and, presumably, laugh).” Read more at MovieWeb

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Mashable paylaşılan bir bağlantı
2025-05-18 15:03:33 -

SNL Cold Open mocks Trumps Middle East trip

The final episode of Saturday Night Live's 50th season began with a cold open featuring, what else, a sketch about Donald Trump. Cast member James Austin Johnson fired up his spot-on impression to recap Trump's recent trip to the Middle East. And the sketch hit the points you might expect. Most notably, it touched on the million plane gifted by Qatar and Trump's seeming adoration of Saudi Crown Prince Mohammed bin Salman.The sketch is pretty funny and centers on how much Trump seemed to be enjoying himself during his trip away from the States. And we won't spoil the end, but it takes a turn you might not see coming before we get the "Live from New York..."

Tim Marcin
Associate Editor, Culture

Tim Marcin is an Associate Editor on the culture team at Mashable, where he mostly digs into the weird parts of the internet. You'll also see some coverage of memes, tech, sports, trends, and the occasional hot take. You can find him on Bluesky, Instagram, or eating Buffalo wings.
#snl #cold #open #mocks #trumps

SNL Cold Open mocks Trumps Middle East trip
The final episode of Saturday Night Live's 50th season began with a cold open featuring, what else, a sketch about Donald Trump. Cast member James Austin Johnson fired up his spot-on impression to recap Trump's recent trip to the Middle East. And the sketch hit the points you might expect. Most notably, it touched on the million plane gifted by Qatar and Trump's seeming adoration of Saudi Crown Prince Mohammed bin Salman.The sketch is pretty funny and centers on how much Trump seemed to be enjoying himself during his trip away from the States. And we won't spoil the end, but it takes a turn you might not see coming before we get the "Live from New York..." Tim Marcin Associate Editor, Culture Tim Marcin is an Associate Editor on the culture team at Mashable, where he mostly digs into the weird parts of the internet. You'll also see some coverage of memes, tech, sports, trends, and the occasional hot take. You can find him on Bluesky, Instagram, or eating Buffalo wings. #snl #cold #open #mocks #trumps

MASHABLE.COM

SNL Cold Open mocks Trumps Middle East trip
The final episode of Saturday Night Live's 50th season began with a cold open featuring, what else, a sketch about Donald Trump. Cast member James Austin Johnson fired up his spot-on impression to recap Trump's recent trip to the Middle East. And the sketch hit the points you might expect. Most notably, it touched on the $400 million plane gifted by Qatar and Trump's seeming adoration of Saudi Crown Prince Mohammed bin Salman.The sketch is pretty funny and centers on how much Trump seemed to be enjoying himself during his trip away from the States. And we won't spoil the end, but it takes a turn you might not see coming before we get the "Live from New York..." Tim Marcin Associate Editor, Culture Tim Marcin is an Associate Editor on the culture team at Mashable, where he mostly digs into the weird parts of the internet. You'll also see some coverage of memes, tech, sports, trends, and the occasional hot take. You can find him on Bluesky (sometimes), Instagram (infrequently), or eating Buffalo wings (as often as possible).

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Architectural Digest paylaşılan bir bağlantı
2025-05-16 13:22:40 -

Travis Kelce’s House in Kansas City: Here’s What You Need to Know About the Football Star’s Dwelling

His girlfriend Taylor Swift may own homes on both coasts, but Travis Kelce’s house is located a bit closer to his office, so to speak. The NFL star has played for the Kansas City Chiefs since 2013 and currently resides in a million mansion in Leawood, Kansas.The Cleveland, Ohio, native was first romantically linked to Swift in 2023, when he attended her concert at Arrowhead Stadium in Kansas City and spoke about her on New Heights, the podcast he hosts alongside his brother, fellow football star Jason Kelce. Swift subsequently attended a few of Travis’s football games, and by October of that year the pair were seen holding hands at an SNL party, confirming their romance. Kelce purchased his current home not long after this—and it feels safe to say that his newfound need for additional privacy may have been a factor in his decision to upgrade his digs.Not much is publicly known about where the tight end lived in the early days of his NFL career, but below, we unpack what we do know about Kelce’s real estate investments.Suburban starter homeIn 2019, Kelce paid for a 10,000-square-foot house in a Kansas City neighborhood known as Briarcliff West. The property was built in 1995 and has everything a suburban home should: three bedrooms, five bathrooms, a pool, wine cellar, theater room, and a backyard fit for entertaining. Though he’s since upgraded, it seems that Kelce still owns this pad.Private, wooded mansionTaylor Swift went onto the field to congratulate Travis Kelce after the Kansas City Chiefs won the Super Bowl this year.
Photo: Michael Owens/Getty ImagesKelce’s most recent property acquisition came right after he was publicly linked to Swift—and therefore needed a bit more privacy. The million mansion is located in the desirable suburb of Leawood, Kansas, which is about a 20 minute drive southwest of Arrowhead Stadium, where the Chiefs play. With 17,000-square-feet and nearly 3.5 acres to sprawl out, the grand estate is nothing short of spacious and secluded. The castle-like stone home was built in 1998 and has six bedrooms and six bathrooms, plus a six car garage, wine cellar, tennis and pickleball courts, a miniature golf course, and a pool that the listing referred to as “Beverly Hills–style,” according to Realtor. In October of 2024, the Daily Mail reported that Kelce was in the process of adding a 396-square-foot underground space to the home, which would house a golf simulator.
#travis #kelces #house #kansas #city

Travis Kelce’s House in Kansas City: Here’s What You Need to Know About the Football Star’s Dwelling
His girlfriend Taylor Swift may own homes on both coasts, but Travis Kelce’s house is located a bit closer to his office, so to speak. The NFL star has played for the Kansas City Chiefs since 2013 and currently resides in a million mansion in Leawood, Kansas.The Cleveland, Ohio, native was first romantically linked to Swift in 2023, when he attended her concert at Arrowhead Stadium in Kansas City and spoke about her on New Heights, the podcast he hosts alongside his brother, fellow football star Jason Kelce. Swift subsequently attended a few of Travis’s football games, and by October of that year the pair were seen holding hands at an SNL party, confirming their romance. Kelce purchased his current home not long after this—and it feels safe to say that his newfound need for additional privacy may have been a factor in his decision to upgrade his digs.Not much is publicly known about where the tight end lived in the early days of his NFL career, but below, we unpack what we do know about Kelce’s real estate investments.Suburban starter homeIn 2019, Kelce paid for a 10,000-square-foot house in a Kansas City neighborhood known as Briarcliff West. The property was built in 1995 and has everything a suburban home should: three bedrooms, five bathrooms, a pool, wine cellar, theater room, and a backyard fit for entertaining. Though he’s since upgraded, it seems that Kelce still owns this pad.Private, wooded mansionTaylor Swift went onto the field to congratulate Travis Kelce after the Kansas City Chiefs won the Super Bowl this year. Photo: Michael Owens/Getty ImagesKelce’s most recent property acquisition came right after he was publicly linked to Swift—and therefore needed a bit more privacy. The million mansion is located in the desirable suburb of Leawood, Kansas, which is about a 20 minute drive southwest of Arrowhead Stadium, where the Chiefs play. With 17,000-square-feet and nearly 3.5 acres to sprawl out, the grand estate is nothing short of spacious and secluded. The castle-like stone home was built in 1998 and has six bedrooms and six bathrooms, plus a six car garage, wine cellar, tennis and pickleball courts, a miniature golf course, and a pool that the listing referred to as “Beverly Hills–style,” according to Realtor. In October of 2024, the Daily Mail reported that Kelce was in the process of adding a 396-square-foot underground space to the home, which would house a golf simulator. #travis #kelces #house #kansas #city

WWW.ARCHITECTURALDIGEST.COM

Travis Kelce’s House in Kansas City: Here’s What You Need to Know About the Football Star’s Dwelling
His girlfriend Taylor Swift may own homes on both coasts, but Travis Kelce’s house is located a bit closer to his office, so to speak. The NFL star has played for the Kansas City Chiefs since 2013 and currently resides in a $6 million mansion in Leawood, Kansas.The Cleveland, Ohio, native was first romantically linked to Swift in 2023, when he attended her concert at Arrowhead Stadium in Kansas City and spoke about her on New Heights, the podcast he hosts alongside his brother, fellow football star Jason Kelce. Swift subsequently attended a few of Travis’s football games, and by October of that year the pair were seen holding hands at an SNL party, confirming their romance. Kelce purchased his current home not long after this—and it feels safe to say that his newfound need for additional privacy may have been a factor in his decision to upgrade his digs.Not much is publicly known about where the tight end lived in the early days of his NFL career, but below, we unpack what we do know about Kelce’s real estate investments.Suburban starter homeIn 2019, Kelce paid $995,000 for a 10,000-square-foot house in a Kansas City neighborhood known as Briarcliff West. The property was built in 1995 and has everything a suburban home should: three bedrooms, five bathrooms, a pool, wine cellar, theater room, and a backyard fit for entertaining. Though he’s since upgraded, it seems that Kelce still owns this pad.Private, wooded mansionTaylor Swift went onto the field to congratulate Travis Kelce after the Kansas City Chiefs won the Super Bowl this year. Photo: Michael Owens/Getty ImagesKelce’s most recent property acquisition came right after he was publicly linked to Swift—and therefore needed a bit more privacy. The $6 million mansion is located in the desirable suburb of Leawood, Kansas, which is about a 20 minute drive southwest of Arrowhead Stadium, where the Chiefs play. With 17,000-square-feet and nearly 3.5 acres to sprawl out, the grand estate is nothing short of spacious and secluded. The castle-like stone home was built in 1998 and has six bedrooms and six bathrooms, plus a six car garage, wine cellar, tennis and pickleball courts, a miniature golf course, and a pool that the listing referred to as “Beverly Hills–style,” according to Realtor. In October of 2024, the Daily Mail reported that Kelce was in the process of adding a 396-square-foot underground space to the home, which would house a golf simulator.

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