Resident Evil 9, Stranger Than Heaven, and more of the key reveals from Summer Game Fest 2025 10 highlights from Geoff Keighley's annual livestream Feature by Samuel Roberts Editorial Director Published on June 7, 2025 Geoff Keighley's annual Summer Game Fest showcase had a few big moments, including a major showing from Capcom, some sharp-looking indie games from well-known developers, and a creative tie-in between Hitman and James Bond by IO Interactive. Find a selection of 10 key SGF 2025 highlights below, including all-new reveals and several worthwhile updates on already-announced games. End of Abyss Created by Section 9 Interactive, a Malmö-based studio of developers who worked on the Little Nightmares games, and published by Epic Games itself, this was the horror highlight of SGF. In End of Abyss, a combat technician explores a facility that's riddled with fleshy monsters, in what looks a little like a twin-stick survival horror shooter. New pathways will emerge in the game as players become stronger, suggesting something of a Metroidvania structure. This one doesn't have a specific release date yet beyond 2026, but it's coming to Xbox, PlayStation, and PC. Lego Voyagers This two-player Lego game from the developers of Lego Builders Journey left an impression with a simple but perfect pitch: what if you played as a single Lego brick, and the entire game was built around that notion? Anyone still craving high-value co-op experiences for couch play after finishing this year's wonderful Split Fiction should keep this beautiful-looking game on their radar. It's coming to PC and consoles, including the original Nintendo Switch, and will be playable either locally or online (with only one purchase necessary for the latter). Mina the Hollower To see this content please enable targeting cookies. Mina the Hollower, the long-awaited new game from Shovel Knight developer Yacht Club Games, got a release date of October 31, 2025 during SGF. This trailer will set off fireworks for anyone familiar with its inspirations: Link's Awakening and the other Game Boy Color Zelda games, for example, as well as the side-scrolling adventures of the Castlevania series. Marvel's Deadpool VR Rather a lot of licensed games made the cut in this Summer Games Fest (who could've predicted that this year's livestream would offer viewers a real-time strategy game tie-in to Game of Thrones, a TV show that ended on a contentious note in 2019?). Meta's big reveal at SGF was Deadpool VR, another superhero-themed exclusive coming to Quest 3, following last year's killer app Batman: Arkham Shadow. This game stars Neil Patrick Harris as Marvel's Merc with a Mouth, and comes from 'Splosion Man developer Twisted Pixel. As ever, Deadpool's delivered-via-sledgehammer meta humour is something of an acquired taste, yet the recent history of pop culture would suggest it's never been more popular. Deadpool VR's first-person combat and storytelling look authentic to the character, which is either a dream come true or a living nightmare, depending on who you ask. It launches exclusively on Quest 3 and 3S in late 2025. Ill and Mundfish's push into publishing Mundfish, the latest developer to move into publishing, had a big presence in this year's SGF livestream. That included a colourful-if-muddled trailer for Atomic Heart 2, a follow-up to its 2023 hit FPS. But perhaps more interesting was the horror-themed FPS Ill, the debut game from studio Team Clout. What could be more frightening than being chased by dozens of decaying bald men, and occasionally, some fetid-looking evil giant babies? This game will launch on PC, Xbox, PlayStation, but it doesn't have a release date yet. Scott Pilgrim EX Considering the Scott Pilgrim graphic novels ended 15 years ago, the longevity of a story about a down-on-his-luck 20-something fighting all his new partner's exes in sequence continues to amaze. This spiritual sequel to 2010's acclaimed Ubisoft tie-in Scott Pilgrim Vs The World: The Game sees Scott and six of his pals teaming up to fight three different warring gangs who have taken over Toronto. Developer Tribute Games (creators of the brilliant Teenage Mutant Ninja Turtles: Shredder's Revenge) comprises staff who worked on that prior Ubisoft title. Pleasingly for fans, too, series creator Bryan Lee O'Malley is behind the story on this project. With four-player co-op part of the mix, Scott Pilgrim EX launches in 2026. Casino Royale's Le Chiffre comes to Hitman: World of Assassination With IO Interactive's James Bond game First Light not arriving until 2026, this reveal was a real treat for fans of 007, and a fun stopgap. Actor Mads Mikkelsen joined IO's Hakan Abrak on-stage in announcing that his Casino Royale villain Le Chiffre has been added to Hitman: World of Assassination's Paris level as a limited-time Elusive Target. Players have until July 6 to take him out. Blighted Guacamelee studio Drinkbox is behind this visually stylish action RPG, which looks like it'll scratch the itch of anyone who got deep into Hades but wants something with a fresh twist (or co-op) to play. The setting is described as a 'psychedelic western nightmare' by the developers, and a 'blighted' mechanic alters the difficulty of the game dynamically depending on how afflicted the player is. It's coming soon to Steam. Stranger Than Heaven First unveiled last year as Project Century, this deeper look at the next project by Like A Dragon developer RGG Studio showed off the game's 1943 (seemingly) period Japanese setting, as well as its combat and other gameplay elements like moral choices (of the Xbox 360 era 'spare/kill' variety). Considering the last trailer was set in 1915, it would appear to suggest the game takes place across multiple decades. It's exciting to see this studio trying something a little different, even if some of the parts are superficially similar. Resident Evil Requiem The reveal of the ninth mainline Resident Evil game closed the livestream with a bang. Requiem is slightly hard to grasp from this first trailer, perhaps by design: the protagonist is an agent called Grace Ashcroft, and we see several glimpses of the ruins of Raccoon City amid the horrors in this teaser. No doubt Capcom will gradually put the pieces together in the run-up to its February 27, 2026 release date on PC, Xbox, and PlayStation. It firmly looks like a stylistic follow-up to the first-person hits Resident Evil 7 and Village. On-stage, it was promised the game will feature "high-stakes cinematic action" as well as survival horror.

Where others have become obsessed with speed and trends, Sergio Membrillas has built a career on slowing down and staying true to his craft. Over 13 years as a professional illustrator, he's evolved a distinct style – bold, graphic, and quietly playful – that feels both timeless and entirely his own. But this evolution, as he's quick to point out, wasn't something he forced. "I believe evolution is essential for every artist," Sergio reflects. "Change is not something I resist; it's something I enjoy and welcome as part of the creative journey." His work, initially influenced by a love of Mid-Century graphic design, has gradually absorbed references as diverse as Etruscan art, Mesopotamian motifs, and early 20th-century traditional tattoos. It's a portfolio built on curiosity, not conformity. Despite his stylistic clarity, Sergio's process remains refreshingly analogue at its core. He still begins each project with pencil and paper, leaning into the tactility of drawing by hand. "I've always valued having a physical relationship with art," he says. "There's something essential about feeling the wood of the pencil, manually erasing mistakes, rather than simply double-tapping a screen." His philosophy of working slowly, attentively, and with purpose shows in the balanced compositions and confident use of negative space that has become his signature. Sergio credits his background in graphic design for this instinctive sense of structure. "There has always been a strong graphic sensibility within me," he says, noting that the discipline of design continues to inform his illustration practice, particularly in editorial and poster work where clarity and storytelling must co-exist. Yet, like many creative careers, his path into illustration wasn't plotted from the start. Initially, Sergio imagined illustration would complement his design projects, not become the main event. "At first, I thought I would incorporate my illustrations into my graphic design projects – but in the end, it turned out to be the other way around." A commission for EasyJet's in-flight magazine marked a pivotal moment that reframed illustration from a hobby to a profession. "It made me realize that being an illustrator is a real profession, just like any other." Fast-forward to today, and Sergio's client list reads like a who's who of publishing and design, from The New Yorker to Pentagram. While the calibre of collaborators has changed, what matters most remains the same: trust. "When a client trusts your work and approaches projects with an open mind, collaboration flourishes," he says. It's in these open, trusting relationships that Sergio finds the space to experiment and further develop his ideas. Unsurprisingly, editorial work holds a special place for him. "Editorial projects offer wider creative margins, allowing for greater flexibility and innovation," he explains. Compared to the tighter confines of advertising, editorial illustration offers the opportunity to tell nuanced stories, and Sergio is clear that he views every assignment, regardless of format, as a collaborative effort. If one thing is clear, though, it's that he's not that he's afraid to say no when needed. Maintaining a strong personal voice is non-negotiable. "I always strive to stay true to myself and ensure that every project I undertake reflects a clear personal signature," he says. For Sergio, authenticity isn't just a matter of artistic pride; it's what differentiates an illustrator in a saturated, increasingly automated industry. Valencia is home for Sergio, a city he credits with much of his creative energy. "Oh, Valencia! It's a beautiful city that inspires me and brings me joy," he says, describing it as a European cousin to Los Angeles with its sun-soaked streets and vibrant cultural scene. The blend of tradition and modernity fuels his practice, offering constant inspiration without the sensory overload that often accompanies larger creative hubs. Given the pressure many creatives feel to keep pace with shifting trends, Sergio's approach feels almost radical. "I'm not particularly interested in trends," he says. "What truly matters to me is the feeling of having done something meaningful and fulfilling by the end of the day." Instead of chasing what's fashionable, he draws inspiration from a surprisingly eclectic bookshelf, mixing everything from Wim Crouwel's graphic design classics to studies on Scandinavian tattoos and Alec Soth's photography. It's a reminder that fresh ideas rarely come from looking where everyone else is looking. In the era of AI and content overload, the role of the illustrator is changing, but Sergio remains optimistic. While machine learning might churn out images at record speed, it can't replicate the nuance and emotional intelligence that underpin great illustration. "Illustrators can tell stories, evoke emotions, and create meaningful connections that machines simply cannot replicate," he says. "Our role is shifting, but the value of authentic, thoughtful illustration remains indispensable." That insistence on authenticity carries through to the advice he offers younger illustrators navigating a commercial landscape. "Create work that makes you happy when you go to sleep at night," Sergio advises. "It's important to find projects that align with your values and passions so your artistic voice remains authentic." It's an ethos that has carried him through more than a decade of creative highs and industry shifts. Perhaps it's the real secret behind the clarity of his practice, which he has built not on chasing trends or algorithms but on careful craft, deliberate evolution, and the simple, enduring joy of a well-made pencil and a blank piece of paper.

Just a day after its release, FromSoftware announced a crucial patch for Elden Ring Nightreign players who prefer to solo queue. The game's developer posted on X that Patch 1.02 will be released next week, delivering some bug fixes and "improvements for solo expeditions." More specifically, FromSoftware will add the effect of “Automatic Revival Upon Defeat” that allows a self-revival once per night boss battle for solo expeditions. Players will also get more runes, which should provide a more balanced gaming experience when venturing alone. This news of this patch follows several criticisms of the game being poorly optimized when playing solo, versus in a party of three as it was designed for. FromSoftware's titles have a reputation for being difficult, but early reviews pointed out that Nightreign offers poor scaling with certain mechanics, abilities and boss fights that cater towards a full party. Despite the millions of copies sold on the first day, Nightreign holds a "mixed" Steam user review rating thanks to the solo queue issues, along with a lack of communication tools, cross-platform play and less replayability than other Souls titles. For FromSoftware, Elden Ring Nightreign represents a stylistic shift into the roguelike genre based on its best-selling predecessor and it might still be working out some of the kinks. The game's director, Junya Ishizaki, told IGN in an interview that jumping into an expedition as a duo was “overlooked during development” but is something that the developer is looking at and considering for post-launch support. Some players are also having issues with matchmaking itself, where FromSoftware recommends restarting the process to get into an expedition. As for rebalancing for solo play, FromSoftware said that more details about this upcoming patch will come next week.This article originally appeared on Engadget at https://www.engadget.com/gaming/elden-ring-nightreigns-next-patch-will-make-gameplay-easier-for-solo-players-183644323.html?src=rss

The kitchenette is minimalist but it manages to include all the essentials. Two primary colors dominate: the yellow found in the kitchen tiles with their zigzag pattern and the blue of the cabinets. And a lemon yellow spineAnd then, like lemons dotting the branches of trees, there are many details in bright yellow. They are like elements of punctuation, never overwhelming the space but introducing moments of light. Prominent among them is the custom-designed “stripe” that runs like a line drawn around the bedroom. Shelves, clothes hooks, mirror frames, and other elements, also in yellow, branch off of it. Holding the space together like a common thread in yellow, it serves as both a functional and a narrative element.Above the bed, the skylight adds an almost poetic touch while also playing its functional role of introducing soft and natural light into the room. “I was interested in having everything speak the same language while having the home still feel light with its stylistic themes always remaining unobtrusive,” the architect explains. “Even the bathroom follows this logic. The ceramics using custom Pantone colors and glazed iron elements were all made by local artisans.”In the bedroom, yellow accents abound most notably in the custom-made iron stripe that runs along the walls. This stripe serves as a support for shelves, a mirror, and other elements and it attaches to the side of the bed. A courtyard with a Mediterranean flavorThe home continues outdoors into a 550-square-foot courtyard where the branches of lemon trees weave together to create a natural pergola. Here, a given homeowner can have lunch, read, or sunbathe on a deck chair while forgetting about the city, which is only steps away. The outdoor furniture was also custom designed. Vietri ceramics from Arcea, like those found inside, pepper the walls of the kitchen and bathroom. Each surface is a small story, a mosaic of color and functionality.

Alex Garland is set to adapt Elden Ring, and the director has the perfect stylistic inspiration rooted in his most unconventional horror film. Garland first gained notoriety as a writer, penning scripts for 28 Days Later and Dredd. He even worked in the video game world, as co-writer of the underrated gem Enslaved: Odyssey to the West and the reboot game DMC: Devil May Cry. Garland later ventured into directing after rumors circulated that he "ghost-directed" Dredd when problems arose with credited director Pete Travis. He made waves with his official directorial debut, Ex Machina, continuing to helm films like Annihilation, Civil War, and Warfare.

War is hell, but for the movies, it’s something more complicated. Some directors see war as a stylistic challenge, while others view it as an opportunity to drive home the trauma of the men and women on the ground. Netflix has a selection of war films spanning costume drama, science fiction, and recent history, all valuable in reflecting on the human drama of combat. We also have guides to the best new movies to stream, the best movies on Netflix, the best movies on Hulu, the best movies on Amazon Prime Video, the best movies on Max, and the best movies on Disney+. Recommended Videos The King (2019) Pl A David Michôd-directed adaptation of several of Shakespeare’s history plays, The King was arguably the first big-budget film anchored solely by Timothée Chalamet, whose two Oscar nominations followed shortly thereafter. Chalamet, in his gruff-young-striver mode, plays the young King Henry V during his invasion of France as part of the Hundred Years’ War. The sword-clanging action is pleasurable, solid, and steely in places and realistically anti-climactic in others. Joel Edgerton, also a co-screenwriter, is Henry’s fictional drinking buddy Falstaff; most entertaining, though, is Robert Pattinson as Louis, the Dauphin of France, with an outrageous accent and a Lord Fauntleroy simper that make him a perfect foil to Chalamet. Stream The King on Netflix. Black Hawk Down (2001) Co If you prefer your war films jaw-rattling and glamor-less, Ridley Scott’s brutal verité will be right up your alley. In October 1993, the United States led a UN peacekeeping operation in Mogadishu to capture the leader of a Somali terrorist group. A Black Hawk helicopter carrying a contingent of American Special Forces was shot down over the insurgency-torn city. The men aboard were forced to fight their way out, and Hollywood came calling about eight years later. Black Hawk Down is suffused with eardrum-shattering gunfire and almost relentlessly unwilling to depict soldiery as anything but horrifying. A mile-long cast list led by Josh Hartnett heaves with sweat and anxiety. Stream Black Hawk Down on Netflix. Charlie Wilson’s War (2007) Re Aaron Sorkin’s script for this Mike Nichols film, about the United States’ arming of the mujahideen during the Soviet invasion of Afghanistan, is Sorkinesque to its bones, down to the obligatory Gilbert and Sullivan reference. (Philip Seymour Hoffman’s sclerotic CIA agent, roaring out his qualifications, finishes with “And I’m never ever sick at sea!”) That’s why it’s so curious that the story has the air of being unfinished, leaping from the meddling of one wily Congressman Charlie Wilson (Tom Hanks) to its consequence — the attacks of 9/11, carried out by the very men the US had trained — without deigning to trace the line between points A and B. Still, the film, Nichols’ last, is delightful, an absurd exploration of the backroom kibitzing that populates battlefields. Stream Charlie Wilson’s War on Netflix. Dune: Part Two (2024) Le Director Denis Villeneuve has made plenty of films about violent conflict —2010’s Incendies (2010) is about the Lebanese Civil War, and 2015’s Sicario is about a CIA strike against a drug cartel. An artistically minded Villeneuve is drawn to the elegant warfare of science fiction. His two-film adaptation of Frank Herbert’s novel Dune tells the orange-saturated, visually stunning tale of an interplanetary war that is both technologically unsophisticated — our heroes fight with blades and crossbows — and high-tech. (The threat of nuclear warfare hovers.) The action sequences in Dune: Part Two drift rather than rush and sweep rather than shudder. It’s war as a visual exercise, like a battle plan plotted on an otherworldly map. Stream Dune: Part Two on Netflix. Starship Troopers (1997) Sony Pictures A more literal transposition of America’s imperialistic desert wars onto science fiction can be found in Paul Verhoeven’s gloriously dumb adaptation of Robert A. Heinlein’s crypto-fascistic 1959 novel. Verhoeven wanted to make a satire — a film about an expansionist human species defeating an insectoid alien species called the Arachnids. The goal was to question the militaristic undertones of twentieth-century sci-fi by seeming to espouse them. In Verhoeven’s words, the film’s characters are “fascists who aren’t aware of their fascism.” This metafictional component of the story doesn’t entirely work because the movie lays on the stupidity too thick to be entirely satirical. However, Starship Troopers is a rare film that seems to profit from its shallowness. It was made for a popcorn era that seems to have faded, with Verhoeven’s trademark borderline-softcore love scenes and a cast (Casper Van Dien, Denise Richards, Neil Patrick Harris) of surpassingly dopey gorgeousness. (Verhoeven says he cast the film to recall the preferred subjects of Leni Riefenstahl, the Nazi documentarian.) Stream Starship Troopers on Netflix.