Most modern Assassin's Creed games are known for their lengthy main story campaigns and the abundance of side content that they tend to cram in. With this in mind, readers shouldn't be too surprised to learn that Assassin's Creed Shadows is another long game, with plenty of content for potential players to sink their teeth into.

Hey game devs!My name is Noah and I am wrapping up my B.S. in Game Programming and Development at Southern New Hampshire University. The curriculum has introduced me to a lot of useful things I may not have if I went the bootcamp/tutorial route. My question to you all is: How challenging is it to find entry level jobs in the industry?I don't have explicit restrictions on working in indie development or at a larger studio, but I just want an idea of how

By TREVOR HOGGImages courtesy of Blue Bolt and Focus Features.If there was a contemporary director who could feel right at home being transported back to the silent era, it would be Robert Egger with his hauntingly and beautiful visuals captured on 35mm film by his go-to cinematographer Jarin Blaschke. Brought into the inner circle to enhance the imagery with CG is Angela Barson and BlueBolt, which shifted from the Vikings of The Northman to vampires in Nosferatu. The goal was to digitally match the dark gothic aesthetic when producing 253 shots encompassing 90 of 132 minutes of screentime that feature a city, castle, canal, monastery, stormy seas, blood and gore, and plenty of rats! Adding to the complexity were shots lasting up to three minutes and consisting of 800 frames that needed to be stitched together.Everyone has been talking about the beautiful production design, the incredible cinematography, the amazing locations and the thousands of real rats; there has been little-to-no mention of the CG. I find it the ultimate compliment. If the visual effects work doesnt standout and everything is thought to be real, then weve done our job well.Angela Barson, Production VFX SupervisorShadows are a visual motif that emphasizes the vampiric threat and presence.Robert Eggers and DOP Jarin Blaschke storyboarded the entire movie, which helped with planning, states Barson, Production VFX Supervisor on Nosferatu. There was a huge number of visuals for the look and mood of the film plus concept art and drawings from the art department for all sets and locations. The visuals were extensive. BlueBolt provided some previs for a few of the bigger CG shots to help design the shots and inform everyone of what we needed to shoot to create the final result. BlueBolt was the main vendor while Atomic Arts handled some complex clean-up shots, and quick fixes were done by an in-house compositor. The eerie atmosphere of Nosferatu came from the blend of production design and Jarins cinematography. We shot with old Dagor and Baltar lenses, which had a specific vintage look. Scotopic filters were used for the night work, so there was almost no red in the plates, unless there was fire. The night work, interior and exterior, was hard moonlight, and sky replacements were needed on the exterior shots to give a lighter sky rather than the pitch black captured on camera. For all the full CG shots where we had no plate photography to match to, Jarin was involved in the lighting setup and made several visits to BlueBolt to help direct these shots.Atmospherics such as dust and smoke were important to be able to integrate digital set extensions into practical plates.The sky needed to be clear yet ominous, with striking backlit clouds. To bring the city to life, or rather to underscore its eerie stillness, we added subtle atmosphere, chimney smoke rising from a few houses, debris scattered across the streets, and empty boats drifting in the canals. The streets themselves were completely devoid of people, amplifying the unease. As this was night-time, we also matched Jarins technique of using a Stoptic filter to remove red light, which added to the shots haunting monochromatic feel. All these elements combined to create a balance of historic realism and an unsettling, otherworldly mood.David Scott, VFX Supervisor, BlueBoltExtensive research and scouting were conducted by Production Designer Craig Lathrop with the central environment being the city of Wisburg. The visual effects team later went back to photograph and LiDAR scan all the suitable buildings in Germany and the castle in Romania so BlueBolt could create a library of CG buildings, Barson remarks. BlueBolt created a full CG city, which included recreating the practical backlot builds. We placed virtual cameras at all the main story locations so we could make sure the layout would work for all key views. The visual relationship between the Manor House, the Hutters House, the canal and Wisburgs main street needed to work across the movie. Inspiration for the fictional German city came from Lbeck, Stade and Gdas. These cities informed the layout of the winding streets, the architecture and the estuary, grounding Wisburg in a tangible, historical reality, states David Scott, VFX Supervisor with BlueBolt. We were fortunate to work with some fantastic concept art from Craig, whose work really captured the unsettling and atmospheric tone that Robert Eggers envisioned for the city. His designs helped set the look and feel of Wisburg, balancing the eeriness with a sense of authenticity.To add life to the city, BlueBolt created empty boats drifting in the canals.Interior scenes took place in locations or set builds and required a minimal amount of digital work. The exterior streets of Wisburg was a large backlot build, which required extending upwards and into the distance, Barson notes. The Transylvanian village was a large set build on location. We used locations for the cemetery, forests, shoreline and several others. We tried to avoid using greenscreens whenever possible, and sometimes when wed like to use them, it wasnt possible. Often, they werent viable due to the amount of camera travel in the shots. An iconic shot is the hand shadow traveling over the city. Jarin envisioned the scene as moonlit, with hard, dramatic shadows cast across the city, Scott states. The sky needed to be clear yet ominous, with striking backlit clouds. To bring the city to life, or rather to underscore its eerie stillness, we added subtle atmosphere, chimney smoke rising from a few houses, debris scattered across the streets, and empty boats drifting in the canals. The streets themselves were completely devoid of people, amplifying the unease. As this was night-time, we also matched Jarins technique of using a Stoptic filter to remove red light, which added to the shots haunting monochromatic feel. All these elements combined to create a balance of historic realism and an unsettling, otherworldly mood.BlueBolt created a full CG city, which included recreating the practical backlot builds.A Gothic-Renaissance castle in Hunedoara, Romania was the basis for the dwelling of Count Orlok. We scouted Corvin Castle early on with the idea of filming there, but it was being renovated and becoming too pristine, Barson states. All of it would have needed to be changed by the art department and visual effects, so in the end the interiors were all built as practical sets on the stages, the courtyards were locations and the exteriors were fully CG. We scanned and photographed Corvin Castle to use as a base, then aged and weathered it to give the desired level of decay. The surrounding environment, including the river at its base, was fully CG. When we created the fully CG castle shots, Jarin was integral in the framing and lighting of the shots. The lenses had been profiled so we could recreate the look precisely. The shots of the small boat traveling up the canal in Wisburg was also a fully CG environment. The boat and people were shot on the backlot with reflective boards on the ground to capture reflections for the CG water. The buildings on either side of the canal used buildings from our general Wisburg city assets. The monastery was based on a real one that we werent able to visit; it was created fully in CG with no reference photography. The manor house exterior was also fully CG. We photographed other buildings in the style we wanted to use for textures.Wisburg gets overtaken by a massive rodent infestation. The rats were a mix of live action and CG, Barson reveals. We had one to two thousand real rats on set, some of which were trained. We tried wherever possible to have real rats in the shot and, ideally, closest to the camera so that the most clearly seen rats were real. This approach worked a lot of the time, but sometimes it was easier to remove all the real rats and replace them with CG, rather than trying to interweave CG with the real ones which would have meant a lot of roto work. Technical precision had to be balanced with creative storytelling. We used Golaem to handle the large swarms of rats, Scott explains. To ensure their movements felt chaotic yet natural, we created around 60 different animation cycles, covering a variety of behaviors and speeds to provide plenty of variation within the swarm. Once we had the overall look and feel working, we went in and fine-tuned individual rats within the crowd. This allowed us to adjust their placement, swap out animations or remove specific rats to refine the composition of the shot. By combining these procedural tools with manual adjustments, we were able to craft swarms that felt alive, unpredictable and convincingly integrated into the unsettling world of the film.Skies played an important role in establishing the proper tone for shots.Not everything happens on land. Creating the stormy seas for Nosferatu was a complex challenge, both technically and artistically, Scott notes. In total for the voyage, we had three fully CG shots and one that needed to be integrated with live-action footage. The biggest challenge in the CG shots was achieving a stormy ocean that felt vast and believable. To do this, we had to layer in a high level of detail of violent waves, mist blowing off the crests and gusting rain to capture the chaotic energy of the storm. Each element had to work together to create depth and realism. For the live-action shot, integration was particularly tricky. We had to carefully match the lighting and the intensity of the rain already present in the plate to ensure a seamless blend between the CG water and the practical elements. Balancing all these factors was key to making the ocean feel like a living, relentless force within the world of the film. All of the shots were backlit with the moon either in frame or just out of view at the top. This lighting setup allowed us to create dramatic skies filled with richly textured, backlit clouds that added depth and atmosphere to each scene, Scott remarks. The skies played a significant role in storytelling as the voyage progressed. Initially, they reflected a sense of uneasy calm, with pastel hues of sunrise framing the Empusas departure. However, as the plague began to take hold of the ship and Orlok claimed his victims, the skies grew darker and more ominous.The eerie atmosphere of Nosferatu came from the blend of production design and Jarins cinematography. We shot with old Dagor and Baltar lenses, which had a specific vintage look. Scotopic filters were used for the night work, so there was almost no red in the plates, unless there was fire. The night work, interior and exterior, was hard moonlight, and sky replacements were needed on the exterior shots to give a lighter sky rather than the pitch black captured on camera.Angela Barson, Production VFX SupervisorThe bridge was a digital creation.The most difficult rat scene takes place in the chapel. The actors had to wade through a swarm of rats, using their flaming torches to keep them at bay, Barson remarks. We created some practical molded rat mats and had a load of model rats that we used to cover the floor. The actors had to pick their way round the mats and model rats, giving them something to react to and they also provided a very good lighting reference. It also meant if you saw through a gap in the CG rats, youd be looking at the rat mats rather than bare flooring. Lighting the swarms of CG rats to match the moving firelight was especially challenging and took many painstaking rounds of lighting and compositing to make it seamless. Orloks hand shadow traveling over Wisburg was also complex to execute. It was one of the few shots in the film that used a more obviously non-practical camera move, Barson notes. The entire Wisburg town and its surrounding environment is seen in this shot. The shot consists of 958 frames. The shot gives the audience plenty of time to take in every element, meaning we couldnt cut corners, Scott states. Everything had to hold up to scrutiny. It also had to blend seamlessly with the real lighting and never feel CG. Achieving that level of realism while maintaining the eerie, unsettling atmosphere was a huge challenge, but, ultimately, it was one of the most rewarding aspects of the project.A ship is digitally added to make the frame subtly more interesting.For the sea shots backlighting was favored.Bluescreen was also utilized to get the proper scope for shots.Inspiration for the fictional German city of Wisburg came from Lbeck, Stade and Gdas.As the vampire threat becomes more prevalent, the skies take on a threatening appearance.The shadow hand effect lasts for 958 frames and was one of most complex shots to execute.Swarms of rats consisted of practical and digital rodents.There was no holding back on the blood and gore.Visual effects played a supporting role. Everyone has been talking about the beautiful production design, the incredible cinematography, the amazing locations and the thousands of real rats; there has been little-to-no mention of the CG, Barson states. I find it the ultimate compliment. If the visual effects work doesnt standout and everything is thought to be real, then weve done our job well. BlueBolt is proud to be part of the Nosferatu. Every aspect of the visual effects was a true team effort, and everyone involved did an amazing job, Scott notes. From the large-scale CG environments to the intricate atmospheric details, every shot was crafted with such care and precision. It was an honor to be part of bringing Robert Eggers vision to life. The hard work did not go entirely unnoticed. I have nothing but praise for my collaboration with BlueBolt, Eggers remarks. Their trademarks are photorealism, naturalism and subtlety, not maximalism. Their attention to detail is impeccable as well as the drive to never finish until the work is as close to perfection as possible. Above all, BlueBolts commitment is to telling great stories. I look forward to working with them again on the next one.

Warbonds in Helldivers 2 are becoming progressively more unhinged, adding equipment like flying grenades, portable Hellbombs, and even shovels to the already outlandish armory. However, on March 20, the Helldivers 2 arsenal gets even wilder with the introduction of the Western-themed Borderline Justice Warbond.As with previous Warbonds, Borderline Justice will include a new player title and emote along with a pair of new capes, banners, and armor sets. Players will also get access to some new weapons and equipment, including a lever-action Marksman Rifle, the R-6 Deadeye, and a laser-based revolver, the LAS-58 Talon. A different iteration of the Jetpack is also featured, which allows you to hover in place to rain hell on enemies that love to get up close and personal.Finally, well also get access to a time-delayed demolition charge with the TED-63 Dynamite. The promotional material also highlights a Sample Extractor utility, but there is currently little information on how that will impact gameplay.Each new Warbond costs roughly $10 worth of Super Credits (the premium currency of Helldivers 2) to access. This currency can also be earned at a steady trickle by playing the game, and Arrowhead will be adding a handful of items to the in-game cosmetic store which will be accessible to everyone.

Roughly a decade after the original games release, Monolith Soft and Nintendo are releasing Xenoblade Chronicles X: Definitive Edition on the Nintendo Switch.If you purchase the digital copy from the Nintendo eShop, the preload is available now, so you can download the game ahead of launch and start playing as soon as its available. As with all Nintendo games,you can play as soon as Thursday, March 20, begins in your region. (However, there is a small exception for some of those living in North America.) Below, see what time Xenoblade Chronicles X: Definitive Edition releases in several timezones.What time does Xenoblade Chronicles X: Definitive Edition release?Xenoblade Chronicles X: Definitive Edition will be available on Thursday, March 20, at the following times from the Switch eShop:9 p.m. PDTon March 19 for the West Coast of North America12:01 a.m. EDTon March 20 for the East Coast of North America12:01 a.m. GMTon March 20 for the U.K.12:01 a.m. CETon March 20 for west mainland Europe12:01 a.m. JSTon March 20 for JapanYou can playXenoblade Chronicles X: Definitive Edition atmidnight local time, but there is an exception for North America. There, the game will go live when it hits midnight on the East Coast, so those living in certain parts of the continent can sneak in an hour or two before midnight.You can also purchase the game from an eShop region where its already available (like Japan) and can start playing when it becomes midnight in the timezone. However, you must be willing to log into that specific regional account each time you want to play. Otherwise, you can just wait until its available where you are.The above release times only apply to those who purchase the game digitally via the Nintendo eShop. If you buy a physical copy of the game, you will need to wait until you get your hands on the actual cartridge to play. Xenoblade Chronicles X: Definitive Edition preload sizeAccording to the official game site, Xenoblade Chronicles X: Definitive Edition will require 13.5 GB of storage space on your Nintendo Switch.Make sure you have at least that amount of data freed up on your console storage before you download the game. If you cant clear up enough data, you might want to consider buying a microSD to upgrade your consoles storage since the 13.5 GB doesnt include any post-release patches or updates that might come to the game.

Water holds memory, with modern representations steeped in human traditions surrounding the element. Purification, reflection, and even jubilation. The Kyiv, Ukraine, flagship showroom for fashion retailer One by One is mindfully crafted to tap into this phenomenon recalling the child-like spirit of joy and whimsy, which flows through a collective consciousness sharing the same fondness for a summers day poolside. Completed by world renowned architecture and interior design studio Between the Walls (BTW), this space unites a community burdened by war and uncertainty. Whats more, the aquatic theme not only influences the spatial concept but also the clients marketing and branding strategy.I asked myself, what do I truly miss in life right now? The answer was lightness, air, and the feeling of being by the water. This project was a personal reception of the opposing emotions Ive been feeling due to the ongoing war in Ukraine, says the lead designer and BTW co-founder Victoria Karieva. Through the concept of the interactive pool and playful design elements, we wanted to offer an escape a place where people could experience joy, ease, and a sense of distraction, even if just for a short while.Guests are fully immersed in the evocative interior architecture upon entry. The roughly 2,100-square-foot space comprises a main showroom floor with large niches for display and an adjoining dressing room lined with private changing booths. This more intimate area is akin to high fashions traditional salon typology where shopping and styling potential purchases is also an elevated social ritual.Leaning into this, the design blends beautiful displays with various interactive moments peppered throughout the store to create Instagrammable vignettes something crucial for visibility and subsequently business in the digital age. Each fitting room is expertly staged to offer a sleek, modern aesthetic, with more white tiles, round metallic stools, and perfectly placed mirrors. Customers are invited to share their visits online, which expands the showrooms reach and audience.The entire floor plan is flooded with soft, ambient light emanating from thoughtfully placed panels to avoid harsh glares. Anchoring the main area is a small ball pit a recreational-style pool filled with cerulean orbs where people can splash for a photo opportunity against white tiles with red grout that provide the perfect backdrop. Another photo-worthy fixture is the cluster of custom 3D-printed pendants hanging just above it. And special niches punctuated within the walls are awash in the same expressive hue first introduced by the spheres.The modern, minimalist surroundings feel expansive as the scale of tiles shifts to something larger while striated wall treatments help draw the eyes upward. Many of the furnishings even echo the grid established by grout lines. White surfaces elsewhere provide a clean backdrop for the curated clothing displays, which also feature stainless steel rods that resemble the chrome handlebars often found in public pools. The varying heights, textures, and orientations of visual elements create a unique sense of undulation across the room. All the furniture was custom-designed by the BTW team and fabricated locally, with every piece customized to go with the flow.Here, the Ukrainian spirit boasts its ability to adapt and thrive amid adversity. This project reflects a mutual commitment, by businesses and creatives alike, to innovation and excellence in spite of the most difficult circumstances.The clients reactions were positive, adds Karieva. A lets keep moving forward attitude.Co-founders Victoria Karieva and Andrii AnisimovTo see the firms award-winning portfolio, visit betweenthewalls.com.ua.Photography by Dmytro Dychek + Pavlo Lutov.

Its that time of the year when we start to romanticize the small but meaningful ways well embrace the changing seasons. With spring just around the corner, our thoughts turn to lingering alfresco dinners, warm evening conversations, and the glow of soft light extending the night just a little longer. With Louis Poulsens newest design, the VL 45 Radiohus Portable Lamp, well be able to illuminate our outdoor moments with warmth and ease, carrying the glow well beyond sunset.Inspired by Vilhelm Lauritzens original VL 45 Radiohus Pendant, this new portable design pays homage to a design legacy that dates back to the 1930s. Lauritzen, one of Denmarks most influential architects, originally created the VL 45 for Copenhagens broadcasting building Radiohuset, a landmark of functionalist design that now houses the Royal Danish Academy of Music. The pendants signature mouth-blown glass shade and brass details embodied his belief in light as a fundamental architectural element, both beautiful and purposeful. Now, Louis Poulsen has reinterpreted this classic design in a versatile, rechargeable format that seamlessly moves from indoor to outdoor settings.The VL 45 Radiohus Portable stays true to the original with its multi-layered mouth-blown glass, which diffuses a soft, glare-free 360-degree illumination, and lacquered brass accents that will maintain their pristine finish over time. At 6.8-inches tall, this compact yet elegant lamp is designed for effortless portability. The touch-timing system allows for easy brightness adjustments, while the premium leather strap makes it easy to carry and can be replaced if needed. A single charge provides approximately five hours of light at full brightness. Available in three colorways (Opal White, Pale Rose, and Pale Yellow), it seamlessly adapts to any settings, whether indoors or out.To add the VL 45 Radiohus Portable Lamp by Louis Poulsen to your outdoor oasis, visit louispoulsen.com.Photography courtesy of Louis Poulsen.

Hulu's lineup of original content is lighter in April than in previous months but includes the sixth and final season of The Handmaid's Tale (April 8), the dystopian drama based originally on Margaret Atwood's novel but that has long since evolved into a world of its own. According to the Hulu synopsis, June (Elisabeth Moss), Luke, and Moira make up the resistance to bring down Gilead. A sequel series, The Testaments, also based on an Atwood novel of the same name, is in development for release after The Handmaid's Tale ends. Hulu has a new original reality competition show launching in April to take on Peacock's hit series The Traitors. On Got to Get Out (April 11), 20 contestants are racing against time to steal $1 million from each other and escape without getting caught. The show is hosted by Simi Liu and includes reality stars like Spencer Pratt, Cynthia Bailey, and Val Chmerkovskiy. April also brings season two of Hulu original series No Man's Land (April 16) about the Syrian war and a new standup special from Jessica Kirson (I'm the Man, April 25). Heres everything else coming to (and leaving) Hulu in April.Whats coming to Hulu in April 2025Arriving April 1Arrival (2016)Arrival En Espanol (2016)The Best Exotic Marigold Hotel (2012)Black Swan (2010)Boys on the Side (1995)Concussion (2015)Concussion En Espanol (2015)Copycat (1995)Enough Said (2013)The Equalizer (2014)The Equalizer En Espanol (2014)Gifted (2017)The Good Thief (2003)Gone Girl (2014)Gulliver's Travels (2010)The History of the World Part I (1981)I Heart Huckabees (2004)Interstellar (2014)Interstellar En Espanol (2014)Jumanji (1995)Jumanji En Espanol (1995)Jurassic Park (1993)Jurassic Park III (2001)The Karate Kid (1984)The Karate Kid En Espanol (1984)The Karate Kid Part II (1986)The Karate Kid: Part II En Espanol (1986)The Karate Kid Part III (1989)The Karate Kid Part III En Espanol (1989)Little Man (2006)Little Man En Espanol (2006)The Lost World: Jurassic Park (1997)Made in America (1993)Me, Myself and Irene (2000)Mrs. Doubtfire (1993)OddityRed Sparrow (2018)The Revenant (2015)Runaway Jury (2003)Sexy Beast (2001)Shark Tale (2004)The Spy Who Dumped Me (2018)Superbad (2007)Superbad En Espanol (2007)Tombstone (1993)True Story (2015)21 Jump Street (2012)22 Jump Street (2014)Wall Street (1987)Wall Street: Money Never Sleeps (2010)War of the Worlds (2005) Widows (2018)Wild (2014)The Wolf of Wall Street (2013)The Wolf Of Wall Street En Espanol (2013)Year One (2009)You Will Meet A Tall Dark Stranger (2010)Arriving April 2Beyblade X: Complete Season 1BArriving April 3Oklahoma City Bombing: One Day in America: Complete Limited SeriesArriving April 4FX's Dying for Sex: Complete Limited SeriesFire Force: Season 3 Premiere (Subbed) Classified (2024)The Darjeeling Limited (2007)Fantastic Mr. Fox (2009)The Life Aquatic With Steve Zissou (2004)The Royal Tenenbaums (2001)Rushmore (1999)Arriving April 5American Monster: Complete Season 3Bering Sea Gold: Complete Season 3Diners, Drive-Ins, and Dives: Complete Seasons 1-2I Love A Mama's Boy: Complete Season 2The World According to Allee Willis (2024)Arriving April 6Witch Watch: Series Premiere (Subbed & Dubbed) Arriving April 8The Handmaid's Tale: Sixth & Final Season PremiereSmall Things Like These (2024)Arriving April 9Angels & Demons (2009)The Da Vinci Code (2006)Arriving April 10Court Cam: Complete Season 7Houses of Horror: Secrets of College Greek Life: Complete Season 1Ca$h (2010)Hesher (2010)Niko: Beyond the Northern Lights (2024)Red Dog (2011)So Undercover (2012)Spun (2002)Arriving April 11Got to Get Out: Series PremiereGarfield (2004)Garfield: A Tail Of Two Kitties (2006)Magpie (2024)Arriving April 12Fixer Upper: Complete Season 5MythBusters: Complete Season 5The Family Chantel: Complete Season 4Arriving April 15Lake George (2024)Arriving April 16No Man's Land: Complete Season 2Synduality Noir: Complete Season 1 (Dubbed)The Curious Case of Natalia Grace: Complete Season 3Arriving April 17The Stolen Girl: Series PremiereBible Secrets Revealed: Complete Season 1Gangland Chronicles: Complete Season 1Leah Remini: Scientology and the Aftermath: Complete Seasons 1 and 2Martin Short: Complete Season 1The Girl Who Wasn't Dead (2024) Arriving April 18The Order (2024)Arriving April 19Breaking Amish: Complete Season 4Disappeared: Complete Season 6Gypsy Sisters: Complete Season 3Moonshiners: Complete Season 13Arriving April 21Secrets of the Penguins: Complete Limited SeriesNo Hard Feelings (2023)No Hard Feelings En Espanol (2023)Arriving April 22In a Violent Nature (2024) Arriving April 24Airline Wars: Complete Season 1Customer Wars: Complete Season 4Tell Me How I Died: Complete Season 1Tiny House World: Complete Season 1Husband, Father, Killer: The Alyssa Pladl StoryArriving April 25Jessica Kirson: I'm the Man: Special PremiereAzrael (2024)Arriving April 26Chopped: Complete Season 60Four Weddings: Complete Season 9House Hunters Renovation: Complete Season 16Jessica Chambers: An ID Murder Mystery: Complete Season 1Arriving April 29Ernest Cole: Lost and Found (2024) Whats leaving Hulu in April 2025Leaving April 6Agnes (2021)Leaving April 13She Will (2021)Leaving April 16Toni Morrison: The Pieces I Am (2019)Leaving April 20Totally Under Control (2020)Leaving April 24The Good Neighbor (2022)Leaving April 27Resurrection (2022)Leaving April 30After Everything (2018)Code Name Banshee (2022)Stars Fell Again (2023)

Disney+ has sophomore seasons of two significant series coming in April. The second installment of Lucasfilm's Emmy-nominated thriller Andorthe prequel to Rogue One and set five years priortells the origin story of Rebel spy Cassian Andor and the formation of the Rebel Alliance. Diego Luna reprises his role from the film and the first season of the series. A three-episode premiere is set for 6 p.m. PT on April 22, with additional episodes dropping weekly on Tuesdays until mid-May. Also on the April schedule is season two of Doctor Who. Ncuti Gatwa stars as the Doctor, who is on a quest to get Belinda Chandra (played by Varadu Sethu) back to Earth. Millie Gibson stars as Ruby Sunday, with a guest appearance from Alan Cumming. After the premiere on Saturday, April 12, new episodes will be released weekly. Other content premiering in April includes season two of Light & Magic (April 18), a three-part docuseries about Lucasfilm's visual effects company Industrial Light & Magic, and Disney+ Original documentary film Pets (April 11) from director Bryce Dallas Howard. Disney+ will also be wrapping up weekly episodes of Marvel Televisions Daredevil: Born Again (Tuesdays through April 15) and releasing the final two installments of the six-part NatGeo docuseries David Blaine Do Not Attempt (April 7), which premiered last month. Here's everything coming to Disney+ in April. Disney Plus series with new episodes weekly in April 2025Andor (Season 2)Disney+ Original, new episodes on Tuesdays beginning April 22Marvel Televisions Daredevil: Born Againnew episodes on Tuesdays through April 15Doctor Who (Season 2)new episodes on Saturdays beginning April 12Disney+ will also be streaming SC+, a SportsCenter show exclusive to the platform, every weekday at 6 a.m. PT and on weekend mornings. Each stream will be available for 24 hours. Movies and complete series/seasons coming to Disney Plus in April 2025Arriving April 1Lost Treasures of Rome (S2, 6 episodes)National Parks: USA (S1, 5 episodes)RoboGobo (S1, 24 episodes)Arriving April 3Oklahoma City Bombing: One Day in America (S1, 3 episodes)Arriving April 7David Blaine Do Not AttemptNot Just a GoofArriving April 9Marvels Spidey and His Amazing Friends (S3, 4 episodes)Arriving April 11The Abyss 4KPetsArriving April 12Titanic: The Digital ResurrectionTo Catch a Smuggler (S8, 8 episodes)Arriving April 16Big City Greens (S4, 7 episodes)SuperKitties (S2, 3 episodes)Arriving April 18Light & Magic (Season 2)Arriving April 21Secret of the Penguins (S1, 3 episodes)Arriving April 22ABC News Live Special: Last Lands (S1, 4 episodes)Sea Lions of the GalapagosGuardians of the GalapagosArriving April 25Megastructures: Real Madrid Super StadiumArriving April 30Chibi Tiny Tales: Shorts (S5, 7 episodes)Mickey Mouse Funhouse (S3, 5 episodes)Hulu + ESPN content coming to Disney+ in April 2025As in previous months, Disney+ subscribers will also have access to select content from Hulu and ESPN in March, including live streams of PGA Tour and NWSL events, the NCAA Women's Gymnastics Championships, and select NHL games. Here are a few of the other titles coming to Disney+:ClippedTell Me LiesInterior ChinatownIt's Always Sunny in PhiladelphiaWhite CollarReasonable DoubtPreyCrazy HeartsSay AnythingThe Night HouseCollege GamedayPardon the InterruptionThe Mina Kimes Show featuring LennyVince's PlacesP.K.'s PlacesE60 Once Upon a Time in AnaheimNo Easy Victories: The 1994 New York Rangers

The Core 2 Duo and Core Time 2 are limited-edition Pebble OS smartwatches with insane battery life.