If we ever find ourselves in need of a comforting beverage, there should be nothing that stands in the way. No more a bitter tea drinker or an overextracted coffee fan, BALMUDA offers a beautiful and functional response to the woes of beverage making, eliminating all pain points with a modern finish. Modeled to resemble a traditional tea vessel, take your morning routine to the next level with the MoonKettle.The MoonKettle offers precise temperature adjustment, with a range of 122 to 212 degrees. This allows for home baristas to dial in on their favorite drinks, learning to hone their skills to create even more fantastic beverages. A precise, accurately pouring spout is a gamechanger when it comes to making coffee and tea at home. With matcha, it helps ensure there are no finicky clumps at the bottom. With a pour-over, the ground beans can be saturated equally, minimizing overextration and bitterness. The rate of water also is key, some kettles intentionally restricting the flow of water for more even distribution and therefore balanced taste.The electric kettle holds one liter of water and features a strong seal to minimize the leakage of steam, while allowing for easy opening and closing with one hand as needed. LED lighting resembles flickering flames as if over a fire, while alerting the user to its boiling status. MoonKettle is outfitted with various sound options, including a Kyoto-inspired piano, a xylophone inspired by Japanese gardens, and a Chinese night market-inspired string instrument.In addition to black, the MoonKettle comes in white, creating a sense of peace and calm very much associated with the tea brewing process. This light, crisp white accentuates the carefully wrought curves of the MoonKettle, inspired by generations of tea culture that came before it.Gen Terao founded BALMUDA in Tokyo in 2003, releasing the x-base in the hopes of creating the most beautiful products on the market. Realizing that goal pretty thoroughly throughout the years, extensive research is conducted to make sure each product performs well, looks even better, and really lasts. This ideal has stayed with them throughout the decades, offering a range of thoughtful accessories that nestle in comfortably with existing accessories. Terao remarks, I believe that artistic value, which cannot be quantified, is what enriches life. BALMUDA creates ideas based on this belief.To learn more about the MoonKettle from BALMUDA, please visit balmuda.com.Photography courtesy of BALMUDA.

On the third floor of a building in the heart of Paris 9th arrondissement, the compact 344-square-foot BERGRE Paris IX apartment has undergone a remarkable transformation, thanks to the work of Emilie Magdelaine Interiors. Drawing inspiration from the elegance and comfort of a high-end hotel suite, the designer has reimagined the space, balancing sophistication with practicality while ensuring that every inch is thoughtfully utilized.The vision behind the renovation was to create a refined, yet welcoming environment where furniture, artwork, and decorative objects take center stage. Despite the apartments limited size, every detail was carefully considered to avoid visual clutter while maintaining a sense of warmth and style. The result is a space that feels polished but never ostentatious, where simplicity enhances the beauty of the curated elements within.A neutral color palette forms the foundation of this transformation, allowing the furnishings and decor to infuse the space with personality and vibrancy. The walls are painted in Farrow & Balls Strong White, a cool shade with subtle gray undertones, providing a crisp backdrop. Meanwhile, the headboard features Elephant Breath, a warm gray hue that echoes the texture and tone of the fluted bathroom tiles, seamlessly linking the bedroom and bathroom aesthetics.A delicate balance of straight lines and gentle curves defines the design language of the apartment. The clean lines of the baseboards and the sofa contrast beautifully with the rounded forms of the fluted headboard, the textured bathroom tiles, and the curved legs of the coffee table. This interplay of geometry adds visual interest while maintaining a cohesive atmosphere.The thoughtful use of materials further enhances this balance. Brushed stainless steel accents seen in light switches, door handles, curtain rods, and lighting fixtures lend a modern edge, while timeless Carrara marble, featured on the coffee table, kitchen countertop, and bathroom tiles, brings a sense of classic luxury. These materials create continuity throughout the apartment, tying together different areas with a sense of understated elegance.To optimize the compact layout, strategic decisions were made to utilize space efficiently. The kitchen, now positioned near the entrance, features custom cabinetry with IKEA pedestals and &SHUFL fronts in a raw finish black for the base units and light gray for the upper cabinets. Despite its small footprint, the kitchen is fully equipped with a sink, two burners, an oven, and a fridge, making it both functional and stylish.The bedroom was relocated to the former kitchen area, with a custom-designed headboard extending to ceiling height, offering both visual impact and additional storage. A trunk bed by Tediber provides hidden storage, maximizing space without compromising comfort. The bathroom was reconfigured to include a space-saving roller shutter door and a central partition that separates the toilet and shower, maintaining functionality while enhancing privacy. A transparent, reflective glass door ensures that natural light filters into the space, creating an airy feel even in the most compact areas.Lighting plays a pivotal role in enhancing the perception of space and adding warmth. In the living area, two mirrors were positioned above the shelves to reflect daylight without directing the viewers eye toward their own reflection, subtly enlarging and brightening the room. In the bedroom, a mirrored upper section of the headboard amplifies the light, while an artwork by Thomas Devaux, featuring dichroic glass, introduces dynamic reflections that generate their own glow, adding an ethereal dimension to the space.To see more from Emilie Magdelaine, visit emiliemagdelaine.fr.Photography by Florian Wattier, courtesy of Emilie Magdelaine.

Were welcoming a burst of bold, geometric energy to your screens for Aprils Designer Desktop, courtesy of UK-based designer and artist, Leigh Bagley. Known for his vibrant, mid-century-inspired aesthetic, Bagley brings a fresh and playful take on pattern and form, infusing his compositions with joy, rhythm, and a modern sensibility. A graduate of the Royal College of Art and founder of his studio, The Graphic Pattern Studio, Bagley creates art that feels retro yet contemporary, abstract yet approachable.For this months Desktop, Bagley shares a design from his new poster print series, which are an extension of his latest Calendar wallpaper collection inspired by the work of Jean-Pierre Vitrac. Echoing Vitracs signature use of playful shapes and sweeping curves, the wallpaper collection is structured around a square tile format with 8 individual shapes mirroring the lunar cycle. This chromatic series has inspired Bagley to create a range of affordable open edition prints where architectural forms and repeating shapes are layered over neutral backgrounds perfect for a screen refresh. For those wanting a more immersive experience, Bagleys Calendar series is available through Robin Sprong.Download the wallpapers for free with the links below for all your tech devices today!DESKTOP:102476812801024168010501900120025601440MOBILE:iPhone XS iPhone XS Max iPad ProCheck out some of Leigh Bagleys other work:Learn more about Leigh Bagley here and give him a follow here.View and download past Designer Desktopshere.

Every so often, a designer emerges whose work feels destined for the history books. In 2025, that name is Tim Vranken. The Belgian furniture designer has spent years perfecting his craft, creating pieces that balance raw materiality with sculptural elegance. His recent solo exhibition, Moving Fragments, at Objects With Narratives serves as a culmination of his past five years of exploration, showcasing earlier works alongside six new pieces. Soon heading to be on display at Salone Del Mobile 2025, Moving Fragments offers an intimate look at Vrankens evolving dialogue with materials, where fragility and solidity, as well as tradition and innovation, exist in constant tension.Establishing a distinct design identity is no easy feat, as it takes years of honing ones craft to achieve, but Vranken has done just that. His work is defined by geometric compositions and stepped elements, creating a visual language that feels both minimalist and deeply expressive. His designs radiate a serene, architectural quality grand in form, restrained in detail, and void of any superfluous ornamentation. Vranken allows the raw beauty of the materials to take center stage, imbuing just enough of his signature touch to highlight their natural depth and character.From furniture to sculpture, a few standout pieces showcase the breadth and depth of Vrankens craftsmanship:In his newest Fira collection, Vranken pairs burned ash wood with terrazzo made using North Sea shells, creating an immaculate dining table reminiscent of his Traaf bench, which also rests on a stone base.Crafted from American walnut and burl wood, the Fira Bar Cabinet features four-panel doors made from pictorial root veneer, highlighting an intricate interplay of pattern and texture.Vrankens sculptural approach extends beyond furniture with Herm, an illustrious aluminum sculpture that contrasts polished and brushed surfaces, offering a study in light, reflection, and texture.The Arcus collection introduces Vrankens first daybed, carrying forward the collections signature repetition of blocky legs, reinforcing its architectural presence.Moving Fragments is not to be missed its a rare opportunity to witness Vrankens masterful command of materials and form in an intimate setting. You can catch them at Salone del Mobile from April 7-13, 2025, further solidifying Vrankens place as a designer to watch in 2025.To learn more about Tim Vranken, visit timvranken.com and objectswithnarratives.com.Photography by Tijs Vervecken.

When it comes to turning the ordinary into the extraordinary, Alessi has long led the way. With its 2025 collection, the Italian design brand continues its legacy of transforming everyday objects into design icons poised for a place in design history. The new pieces feature bold silhouettes, fresh colorways, and expansions of existing lines all functional objects that could just as easily live on a gallery pedestal as they could on a kitchen counter.Starting your morning tea or coffee has never been easier or chicer thanks to the new Pliss Electric Kettle. An expansion of the Pliss series by Michele De Lucchi, the new kettle offers precise temperature control and now comes in a soft, subdued blue, in addition to the original white, black, and green. The same new hue is also available for the Pliss Toaster, creating a matching set that brings subtle elegance to any countertop.Its hard to believe that Enzo Mari designed the Arran Tray in 1961 (reissued in 1997), and Giulio Confalonieri envisioned the Maya Basket back 1977, as they feel as though they were designed today. With their geometric forms and knife-sharp lines, these utilitarian objects have long felt worthy of museum display. Now, they get a fresh new look in iridescent green and purple finishes, alongside the original polished stainless steel. Depending on the light and surrounding reflections, the finish shifts in tone turning static pieces into dynamic, expressive works of art.Exuding warmth and nodding to ancient architecture, the Yucatan and Oaxaca salt and pepper grinders, also by Michele De Lucchi, celebrate artisanal craftsmanship and creative freedom. I reduced my project to the essentials of a column with a rotating head and then preferred to have fun at the lathe, De Lucchi shares. Small patterns formed that made me think of Aztec poles. This is how Yucatan and Oaxaca were born two small wooden totems that find their place in the kitchen.The Anna Stick and Alessandro Stick (launching soon) revive a whimsical design from the archives of Alessandro Mendini, adding charm and character to a set of chopsticks and a coordinating stand. The chopsticks are topped with the faces of two of Mendinis iconic characters, while the fish-shaped stand is a nod to his Mendinigraph. As Mendini once described it, the intention was to create families of objects that are poetic and sympathetic, refined and allegorical, but also simple, solid and user-friendly.And finally, an object that needs no introduction: the La Cupola espresso coffee maker by Aldo Rossi now gets an update for modern use its compatible with induction hobs. The handle and knob are available in black or the originals iconic blue. La Cupola has always stood out for its architectural form, directly inspired by Rossis own interpretation: For me, the coffee maker is a type of construction: it is a dome supported by a cylinder with certain mouldings, more or less functional and decorative but it is a precise architecture.To learn more about Alessis 2025 collection, visit alessi.com.Photography by Beppe Radogna.

Nestled in the heart of Manhattan Beach, California, Zen House by Minarc fuses modern design with a tranquil, nature-inspired ambiance. Created for software developers and their family, this residence accommodates both daily living and visiting loved ones, all while emphasizing an active and outdoor lifestyle. The property consists of a sleek two-story main residence and a well-integrated Accessory Dwelling Unit (ADU) guest suite.Zen House draws heavily from the familys travels, particularly their fondness for Bali, Indonesia. Guests are welcomed by an inviting outdoor courtyard featuring a koi fish pond and a calming water feature, which serves as a natural buffer to minimize street noise. The soothing sounds of flowing water and the visual serenity of the pond create a meditative environment. Complementing this serene entry, olive trees evoke cherished memories from family vacations in Greece and Italy, reinforcing the homes connection to nature and travel.A key element of the design is the fluidity between indoor and outdoor spaces. Large sliding doors and expansive windows maximize natural light and facilitate cross-ventilation, ensuring that the home remains airy and bright throughout the day. An open roof deck, strategically placed above part of the first floor, provides a versatile outdoor area with sweeping views of the pool and surrounding landscape. Additionally, a basketball court adjacent to the pool links the ADU to the main home, establishing a dynamic recreational space for the family and their visitors.The interior of Zen House reflects a carefully curated blend of natural materials and a restrained color palette. Wood, concrete, and fire elements come together to create a warm, peaceful atmosphere that encourages relaxation. The subdued hues allow the raw beauty of these materials to take center stage. The homeowners played an active role in the design process, with the husband handcrafting all the cabinets throughout the home. Using sustainable Valchromat MDF, finished with natural wood veneers or high-pressure laminates, the custom cabinetry adds a personal and environmentally conscious touch to the living spaces.The residence balances openness and privacy by incorporating modest yet functional private spaces. Bedrooms and five accompanying bathrooms provide ample room for both family members and guests, ensuring comfort without compromising the homes minimalist aesthetic. Thoughtful space planning allows for easy transitions between communal and private areas, enhancing the overall livability of the home.Minarcs dedication to sustainability is evident throughout the project. The home utilizes Kebony modified lumber for cladding, decking, and fencing, chosen for its durability and minimal environmental impact. Prefabricated mnmMOD panels were employed during construction, offering superior insulation and reducing waste through precise assembly. This approach not only enhances energy efficiency but also helps maintain consistent indoor temperatures, minimizing the need for traditional heating and cooling systems. The integration of radiant floor heating powered by heat pumps and high-efficiency appliances further reduces the homes carbon footprint, contributing to a sustainable and comfortable living environment.To learn more about Minarc, visit minarc.com.Photography by Art Gray, courtesy of Minarc.

The Coliseum Chair by Alvaro Uribe blends contemporary design and ancient principles, playing on our sense of optics to create larger than life proportions, reminiscent of a grander, bygone era. Initially designed to explore the capabilities of rotational molding, which is typically utilized in more industrial applications, here we see this process elevated to the showroom. The cutouts of the chair add dimension and depth, strength and security exhibited proudly from every angle. Created for Italian design brand Slide, this chair balances ergonomic principles with measured elegance for a modern finish to any interior or exterior.Rotational molding offers minimal material use as an advantage, the team at Alvaro Uribe initially imagining the form as a solid object. A rounded square base gives way to an expanding extrusion of a chair, strong columns of material creating arches through which the seat can be seen. These channels create strength within the shape, reducing weight and optimizing for production efficiency. The seat is carved definitively into the form in a way that feels encompassing in its solidity, yet the back is low enough to offer support yet not feel claustrophobic. A clever balance between strength and style, the Coliseum Chair is rated for outdoor use and available in a multitude of colors, adding a splash of vibrance to a garden, patio, deck, or interior space.These shapes have ignited the mind for centuries, pulling on design traditions made to celebrate the gods (and shun the emperors). A trick of focal length, the top of the chair will seem larger than it actually is, similar to the columns we see circling the Colosseum in Rome. Finally completed in 80 AD by filling in Emperor Neros lake, and seating as much as 50,000 visitors, this UNESCO World Heritage Site was home to gladiatorial contests, public executions, and other entertainment popular at the time.Alvaro Uribe is a New York-based designer focused on inspiring curiosity, magic, and delight. He sees design as a universal language one that unites us and can be used to fulfill multiple needs. He calls this concept emotional function. a principle where the product extends beyond its original use to become a beloved object, one that continually brings joy. Intentionally much harder to balance, this works on multiple levels as humans to create objects with intentionality, durability, and care. When using something brings on a smile, the designer has done their job right.To learn more about the Coliseum Chair, visit slidedesign.it or alvarouribedesign.com.Photography courtesy of Alvaro Uribe and Slide.

Projectors can be a great alternative to traditional TVs, especially when you want to watch in various locations around your home, but they can also be bulky and cumbersome. LG, however, has launched two new projectors designed to be a little more versatile and easy to manage, either by acting as multiple devices in one or by being more compact.Easily the coolest new projector from LG is called the 3-in1 PF600U, and in addition to being a projector, its a Bluetooth speaker and LED mood light combined into one device. Thats right, you could see the PF600U and not even know that its actually a projector when its being used as a mood lamp.This device works by making use of the different surfaces around its edges. The main unit is a circular module, which sits atop a floor stand, kind of a like a portable fan. On the front, you can find the speaker along with controls that can be used when you want to listen to music. Its actually a stereo speaker with passive radiators for richer audio quality, so it should sound pretty good. The mood lights are located on the back, and when its placed near a wall, itll illuminate the wall in one of nine colors and five brightness levels.When you want to use the device as a projector, youll rotate this module with the speaker portion facing up, allowing the projector lens on the edge of the device to face whatever surface you want to project onto. The projector offers a 1,920 x 1,080 resolution along with 300 ANSI lumens of brightness. Not only that, but it has LGs webOS software built into it, making it easy to stream content from your favorite streaming services. Thankfully, it also has a HDMI input so you can play content from an external device.If you want a projector to use on a regular basis, it might be worth considering the CineBeam S. The CineBeam S is still a lifestyle projector, but it offers a higher quality image in its compact build. Its an ultra short-throw projector, which means that it can be placed right next to the surface that it will be projected on, eliminating the need for awkward placements or mounting on the ceiling.Its image quality is a little better than the PF600U. It has a 3,840 x 2,160 (4K) resolution, and a brightness of up to 500 ANSI lumens. It also has speakers built into it, so you dont necessarily have to use it with external speakers, though most users will want to. It has webOS, making it easy to stream content.Currently, pricing isnt available for the LG PF600U or the CineBeam S, but hopefully, well learn more about it in the near future.For more information, visit lg.com.

Virtual Reality (VR) and Augmented Reality (AR), collectively known together as Mixed Reality (XR), are rapidly advancing as companies focus on miniaturizing AR technology and enhancing VR capabilities. While fully immersive virtual collaboration may be the future, todays priority is to develop, learn, and collaborate on XR technology in the physical world. This vision is at the heart of the new XR Lab, designed by WindsorPatania Architects.The new XR Lab space is located at West Suffolk College in the United Kingdom, and was recently awarded the Inspiring Learning Space Award at the 2024 Education Estates Awards. The lab is an impressive high-tech space featuring a Collaboration Theatre, a Green Room, and a Conference Room. But this Green Room isnt the typical waiting area used in theaters or backstage of a concert venue its a fully immersive environment with green ceilings, walls, and floors, designed to make it easier to isolate real-world objects by removing the background, similar to green screen effects used in film production.Though it might seem that interior design wouldnt be a priority in a space dedicated to virtual experiences, the architecture is striking. The XR Lab repurposes an old workshop hangar and incorporates acoustic insulation to enhance XR immersion. Inside, high-end cameras and microphones are strategically placed to create a more natural and seamless XR experience. Beyond serving as a cutting-edge learning environment, the lab is also positioned as a business hub for the surrounding region, particularly focused on the development of XR projectors. The XR Lab is truly an inspired learning space, where ambitious architecture embodies the function of the building, says Giovanni Patania, co-director of WindsonPatania. We are very proud to have been part of this exciting and game-changing educational initiative.The design of the labs other spaces leans into a futuristic, modern aesthetic. This is emphasized by the 3D triangular mesh adorning the buildings exterior, symbolizing the advanced 3D technology being explored and developed within.We had different sources of inspiration for this project, which combined helped us deliver the wow factor our client wanted, Patania says. We reimagined the likes of the Tesla factories in the United States and the boxy Tesla Cybertruck, and even the minimalistic, monochrome interiors from the Men in Black films.Ultimately, the space will hopefully facilitate the development of new and exciting XR tech and software.You can learn more about it at windsorpatania.com. Photography courtesy of WindsorPatania Architects.

Virtual Reality (VR) and Augmented Reality (AR), collectively known together as Mixed Reality (XR), are rapidly advancing as companies focus on miniaturizing AR technology and enhancing VR capabilities. While fully immersive virtual collaboration may be the future, todays priority is to develop, learn, and collaborate on XR technology in the physical world. This vision is at the heart of the new XR Lab, designed by WindsorPatania Architects.The new XR Lab space is located at West Suffolk College in the United Kingdom, and was recently awarded the Inspiring Learning Space Award at the 2024 Education Estates Awards. The lab is an impressive high-tech space featuring a Collaboration Theatre, a Green Room, and a Conference Room. But this Green Room isnt the typical waiting area used in theaters or backstage of a concert venue its a fully immersive environment with green ceilings, walls, and floors, designed to make it easier to isolate real-world objects by removing the background, similar to green screen effects used in film production.Though it might seem that interior design wouldnt be a priority in a space dedicated to virtual experiences, the architecture is striking. The XR Lab repurposes an old workshop hangar and incorporates acoustic insulation to enhance XR immersion. Inside, high-end cameras and microphones are strategically placed to create a more natural and seamless XR experience. Beyond serving as a cutting-edge learning environment, the lab is also positioned as a business hub for the surrounding region, particularly focused on the development of XR projectors. The XR Lab is truly an inspired learning space, where ambitious architecture embodies the function of the building, says Giovanni Patania, co-director of WindsonPatania. We are very proud to have been part of this exciting and game-changing educational initiative.The design of the labs other spaces leans into a futuristic, modern aesthetic. This is emphasized by the 3D triangular mesh adorning the buildings exterior, symbolizing the advanced 3D technology being explored and developed within.We had different sources of inspiration for this project, which combined helped us deliver the wow factor our client wanted, Patania says. We reimagined the likes of the Tesla factories in the United States and the boxy Tesla Cybertruck, and even the minimalistic, monochrome interiors from the Men in Black films.Ultimately, the space will hopefully facilitate the development of new and exciting XR tech and software.You can learn more about it at windsorpatania.com. Photography courtesy of WindsorPatania Architects.

When Lise Vester was completing her design school application, it marked a turning point in her life. Exploring an open-ended theme of family, she visited a hospice center. It was there that Vester experienced the concept of healing architecture, and also realized that she could merge her intuitive instincts with her passion to create something meaningful. Learning how design influences comfort in a space felt profound, and continues to inspire my work today, she says.A native of Denmark, Vester studied furniture design and business as an undergraduate. She had the support of her family, and met two key individuals, a gallerist and a lighting company design manager. The pair soon became informal mentors who were always there to offer advice and listen. Their support and encouragement helped to build Vesters confidence as she set out on her path.Lise VesterVester eventually headed to the Royal College of Art in London, where she earned a masters degree, then accepted jobs as a freelance designer for a range of companies, including Louis Poulsen. In 2022 she founded her eponymous studio based in Copenhagen.When Vester experiments with glass and light, her philosophy of form follows feelings is at the forefront. Her pieces are often playful and sculptural, with elements that spark curiosity and invite engagement. Whether her objects are for everyday use or artistic installations, Vester aims to craft experiences on both sensory and emotional levels.Even with plenty of projects on tap today, Vester has a romantic vision of her later years. She would love to spend hours crafting rings, necklaces, and other baubles in a cozy workshop. Jewelry fascinates me the stories it carries about identity, memories, and connections, she adds. I see jewelry as another way to tell stories through design.Today, Lise Vester joins us for Friday Five!Photo: Lise Vester1. Your Brain on Art book by Susan Magsamen and Ivy RossThis book resonates with my interest in Neuroaesthetics and our mind-brain-body relation. It dives into how art and design affect our brains and emotions, which is a constant theme in my work. Just like physical exercise lowers cortisol levels in our bodies, neuroscience can help inform us, how art affects our mental and physical health too. It also reminds me of Googles Making Sense of Color installation at Milan Design Week 2024, and their 2019 collaboration with Muuto, where they explored how differently designed spaces can evoke emotional responses.Photo: Lise Vester2. Bottled Pondering by Aepenton, exhibited at Design Museum DenmarkThe message of this art piece is to prioritize our mental and relational well-being as much as our physical health. The medication bottle is a universal language of something that heals us, and the installation serves as a tool, helping us start a conversation and to break down stigma and taboo about mental health.Ai Weiweis The Human Comedy (2022), installed at the Basillica San Giorgio Maggiore \\\ Photo: Courtesy Francesco Allegretto3. Ai Weiweis Murano Glass Chandelier, The Human ComedyI am fascinated by glass for its fluidity, strength, and how it transforms light. Visiting Murano in 2023 sparked my dream of collaborating with Venetian glassblowers on a modern chandelier. Ai Weiweis piece, the largest Murano glass chandelier ever made, reimagines the romantic floral tradition into a haunting reflection on death. Its both stunning and unsettling, showcasing exceptional craftsmanship while challenging our relationship with mortality.Photo: Courtesy of Ben Richards4. Neon Signs in Japan / Bruce Naumans One Hundred Live and DieJapans neon signs are full of creativity and character, and are so much fun. They have the ability to transform ordinary streets into immersive experiences. Paired with Bruce Naumans iconic neon work, One Hundred Live and Die, these signs ignite my interest in the storytelling potential of light and signage something that would be interesting to explore further.Elevated Copenhagen Bench (Kbenhavner Bnken) by TV2, a campaign from a Danish TV channel TV2 \\\ Photo: Courtesy of Sren Solkr for TV25. Elevated Copenhagen Bench (Kbenhavner Bnken)In 2022, Danish TV channel TV2 made 15 altered versions of the iconic Copenhagen benches. The benches were elevated by 85 cm to symbolize rising sea levels A simple but effective way of making climate change feel tangible it literally forces you to look up and imagine the impact on our cities.Works by Lise Vester:Photo: Peter Vinther, at the Cabinetmakers Autumn Exhibition 2024Lighthouse 2024The chandelier Lighthouse is made in collaboration with Louis Poulsenfor the Cabinetmakers Autumn Exhibition 2024.The chandelier reinterprets the lighthouses light by combining the groundbreaking invention of the Fresnel lens with modern lens technology in an experimental piece. The lighthouse symbolizes hope, inspiration, and encouragement a marker that guides us safely through lifes challenges. The modern Fresnel lenses create a magical, playful light that sparks curiosity and reflection. As a symbolic beacon, the light provides guidance and wondrous experiences for those who encounter it on their journey.Photo: Luka Hesselberg for Design Museum DenmarkNeon Chandelier Idea Generator 2022The neon chandelier Idea Generator is made in collaboration with Louis Poulsen for the Cabinetmakers Autumn Exhibition 2024.The Chandelier is inspired by the incandescent bulb, symbolizing a bright idea, and pays homage to the creative ideas that are the fuel for innovation and production among designers. With the Idea Generator, Lise Vester challenges the typical neon sign aesthetic by creating a three-dimensional artwork, which, with its large scale, shape, and pleasant glow, becomes a sort of spatial experience of the blue and atmospheric light.Photo: Cecilie Jegsen at Stevns KlintReflections 2023Reflections is an experimental collection of mirrors crafted with mouth-blown free hand sculpted glass and silvering techniques. Collaborating with skilled glassblowers, this project reimagines concave and convex mirror design, elevating the experience through fine artistic craftsmanship. It aims to create fresh perspectives and reflective spaces, igniting self-awareness and expanding our perception of the world and the spaces we live in.Through playful exploration of light and form, Reflections uncovers the transformative and introspective powers held within reflections, stimulating new experiences and contemplative moments in our daily lives.Photo: Cecilie Jegsen at ObservatorietDream View Sphere 2021The Dream View Sphere offers a new way of seeing things and makes room for reflection. Stop and notice the beauty of the ordinary everyday life, and our ability to change perspective. The sphere is made in mouth blown glass, and is placed near the window where it projects and objectifies the view of the sky only by the use of daylight. Dream View Sphere is acquired by Designmuseum Danmark, and is exhibited at The Future is Present 2022-2024.Photo: Cecilie Jegsen at ObservatorietDream View Chair 2021The bench is made for people to look up and wonder. The brushed steel reflects the sky and the curvature offers us lean back in a restful position while inviting us to glaze and connect with the sky and our dreamworlds. The bench allows us to look at the clouds and stars in the company of each-other and the chair allows self introspection.

When it comes to family, their safety is a non-negotiable and that includes our four-legged companions. Whether its a short drive to the dog park or a cross-country road trip, pets deserve the same level of protection as the rest of the family. From the makers of Nuna, a trusted leader and household name for infant and child car seats, Tavo introduces the Crispin Pet Travel Crate, a crash-tested, thoughtfully designed pet carrier that ensures your furry passengers travel in comfort, style, and security.More than just a travel crate, Crispin has been meticulously engineered for safety, comfort, and convenience. Its tall profile and ventilated mesh panels create an airy, spacious environment, ensuring pets feel secure without feeling confined. Two machine washable mattress pads one designed for plush comfort and the other for added durability offer a practical solution for easy cleaning, so you can always have a fresh backup on hand. Prioritizing the same safety standards found in Nunas baby car seats, Crispin is free from flame-retardant chemicals; instead, it uses naturally flame-resistant fabrics. Subtle details, like vegan leather accents, add a refined touch of style.Most importantly, Crispin has been impact-tested to ensure the ultimate level of protection. The carrier securely anchors into the vehicle with lower connectors at the base and tethers at the top, preventing movement during transit. Energy-absorbing Tailor tech memory foam cushions against impact in the event of a crash and offers Side Impact Protection (SIP) through the guards that secure easily onto the carrier frame for an added layer of security. Beyond crash protection, Crispin keeps pets safely contained, preventing them from roaming inside the vehicle a key factor in reducing driver distractions that can lead to accidents.Once youve reached your destination, Crispin easily collapses for space-saving storage. A dedicated lower compartment neatly tucks away the push-on anchor connector, keeping these important safety parts safe and close by. A matching carry bag and dust cover ensure the carrier stays clean and ready for your next adventure.Available in Onyx and Merle colorways, as well as three sizes (Small, Medium, and Large), Crispin brings a peace of mind for pet parents who never want to take a chance when it comes to their furry companions safety. Designed for both everyday commutes and long road trips, this impact-tested travel crate ensures pets stay secure, comfortable, and protected on every journey.To add the Crispin Pet Travel Crate to your next trip, visit tavopets.com.

Psychedelic patterns, plush carpets, and syncopated beats are among the pop-culture elements plucked from the 1970s that continue to captivate global audiences with the same nostalgia-packed power that crackling vinyl has over a new generation finding its groove. But 70s design in the Land Down Under saw a modernism largely inspired by coastal living, creature comforts, and a flowering of colorful, artistic expression a little less rigid than some of their western counterparts.Family-owned furniture brand King Living has produced some of Australias most memorable home furnishings, namely, the Award Sofa, which celebrated the companys most significant seating launch in the late 1970s. Its oversized proportions, cuddle-worthy curves, and unique modularity have inspired the next of kin 1977 Sofa.At King Living, we are continuously advancing and evolving, shares David King, founder of King Living. But when we first launched the inaugural sofa, we could have never imagined that so many years on, it would still have the same design relevance it did nearly 50 years ago.Thoughtful planning and masterful execution are among the attributes that help designers generate rich sensory experiences for end users, and subsequently, the emotional connections that imbue good design with decades-long staying power. This iteration of King Livings iconic piece is fashioned from varying densities of CFC-free high-resilience foams and fibers to achieve support across graduated layers in an undulating, sculptural landscape of comfort anticipating even the most fidgety couch surfers. Whats more, the sofas seemingly inflated, curvaceous silhouette possesses a slightly neotenic quality and playful dimension specific to Australian decor.A sturdy, recyclable steel frame and suspension system within its cushioning work in conjunction with the brands Postureflex Seating System to bolster ergonomics, usability, and product longevity. Customers will experience even more fitness for purpose in the sofas structure, which features a proprietary, patented, uniquely customizable connection system. Modules can be combined and rearranged as life demands, adapting configurations to evolving needs and spatial requirements.Personalization extends to the aesthetic touches. Individual modules will be available in two exclusive fabric collections developed specifically for the 1977 Sofa. The tailored covers can be easily removed a concept introduced by King Living in 1978 allowing for a variety of conveniences atypical of upholstered furniture: convenient machine washing when textiles are soiled; site-specific replacements to minimize waste when in disrepair; and swappable looks as seasons or interior design preferences change.With an accessible starting price of $2,000 AUD roughly $1,200 USD for a three-module package, the 1977 Sofa is poised to impress youthful shoppers looking for affordable, quality furniture just as much as long-time design enthusiasts who are willing to invest. The sustainability-minded will also appreciate King Livings continued commitment to eco-conscious business practices, which include logistics with zero polyurethane packing materials and efficient shipping methods to minimize their carbon footprint.The 1977 is a testament to our history-making design, King adds. Through our long-lasting, deep relationships with our customers and our extensive understanding of the changing landscape, the 1977 is a showcase of our commitment to innovation and our strength in Australian design.To explore more from the family-owned brand, visit kingliving.com.Photography courtesy of King Living.

When it comes to the ever-illustrious raft of heritage Danish design brands theres perhaps no company more agile than Vipp. Established in the late 1930s, the boutique manufacturer named after the Danish word for tilt gained renown for its trash bins with a hyper-efficient pedal function and durable metal shell. Like the many innovative concepts Vipp has released in the decades since modular kitchen outfits also embody the tenant of timelessness the manufacturer has championed a necessity-driven innovation mindset.This ethos has allowed the company to break out of a typecast definition and lend its expertise to disparate typologies: precision-engineered office furniture among them. Part of this inherent dynamism and diversification turning a bin into a brand has been the development and programing of bookable guesthouses in distinct urban and rural settings; not merely as contextualized domestic showrooms but as holistic experiences demonstrating the family-run manufacturers philosophy: craftsmanship, longevity, and versatility.Joining a roster of nine already well-visited locales all repleted with the brands comprehensive gamut of products: furniture, lighting, accessories, and of course, kitchens is the new Vipp Todos Santos Guesthouse, located in Todo Santos, Mexico. Incorporating 3,800 square feet of space, the five bedroom property unfolds as a clever interplay of indoor and outdoor rooms making the most of the tropical, desertscape surroundings on the Baja California Peninsula coast.Todos Santos has a unique blend of topographies, history, and influences, says Pablo Prez Palacio, the celebrated Mexico City-based co-founder of Prez Palacios Arquitectos Asociados (PPAA) tasked with the especially site-responsive design of the complex: a main house and two interconnected annexes achieved in a decidedly tropical modernist style but with more than just a touch of vernacularity.We wanted to respect these traditions while creating our own architectural language and a building that merges seamlessly with the surrounding landscape, says Prez Palacio. Vipp has been a perfect partner in this project, where you can see an ongoing dialogue between Mexican and Danish design sensibilities throughout its spaces.The seemingly meandering but carefully laid-out abode nestles into the grade of the site and coalesces around the central courtyard, covered patio positioned as an elevated plinth framing sweeping views of unspoiled nature in its midst.According to PPAA, the Vipp Todos Santos guesthouse is a dynamic interplay of strategically placed volumes and stepped exterior stairways. Programmed on three levels, the home begins with two intimate ensuite bedrooms on the ground level, two additional ones in a wing of the first floor, a full principal suite, and a minimal amount of indoor entertainment spaces the kitchen complete with Vipp products as much of that situates in semi-outdoor environments like the canopied and open terraces. The dining rooms outdoor table seamlessly extends from the kitchen counter. The matrix of flat roofs emerge with a circular celestial oasis pool and additional lounges.The almost mono-material application of rammed-earth is not only indicative of local building practices but also sustainable. The ancient tradition of erecting these especially thick walls is a pre-air condition cooling strategy, that along with breezeways and non-monolithic massing provides natural cooling. They also keep the interiors warm on the cool nights, common through the year here. Though adherent to the tried and true refreshed approach, the overall architecture still includes large apertures framing panoramic ocean views.Developed in close collaboration between PPAA, Vipps third-generation co-owner Sofie Christensen Egelund, and Copenhagen-based interior designer Julie Cloos Mlsgaard, the interior is a serene amalgam of natural tones and cleverly contrasting textures: locally sourced craft works like woven textiles and ceramics. The open-concept living area is outfitted with Vipps recently released anodized aluminum V3 Kitchen and other complementary items.The opening of our first guesthouse in North America is an incredible milestone for Vipp, Christensen Egelund says. Over the years, we have grown from a small company with just one design, the bin my grandfather created in 1939, to develop a global following for our furniture and kitchens, all made with the same integrity and longevity as our very first product. Our diverse portfolio of guest houses has allowed us to bring our passion for design to life through wide ranging architecture and interiors. I have admired Pablos work for some time and we are thrilled to have him as our latest collaborator in this exciting project. Our shared love of buildings that frame nature and architecture that is responsive to its environment has resulted in one of our most special guest houses to date.What: Vipp Todos Santos GuesthouseWhere: Todos Santos, MexicoHow much: $2,500 per night for up to 12 adultsDesign draw: An interplay of stepped, site-responsive volumes integrated into the grade of the tropical desert locale with rammed earth walls giving way to ocean view apertures and a clever introduction of Vipp products; the perfect setting for an indoor/outdoor vacation.Book it: Vipp Todos Santos GuesthouseGo virtually on vacation withmore design destinations right here.Photography by Anders Hviid.

A stone bench radiates a gentle warmth not from the sun, but from within. It is subtle details such as this at The Spa at the Inns of Aurora Resort & Spa that reveal thoughtful integration of comfort and materiality, which define this award-winning wellness space. The 15,000-square-foot facility, located in Aurora, New York, represents a significant evolution in American spa design, one that merges ancient Ayurvedic principles with contemporary architectural principles. Designed by Hart Howerton, The Spa is the first and only spa in the United States to achieve WELL Certification at the Gold level from the International WELL Building Institute.The spas design team goes onto say, We wanted to create an environment where the architecture itself participates in the healing process. This philosophy manifests in a seamless transition between indoor and outdoor experiences from treatment rooms enhanced with warming fireplaces to lavender fields that become natural settings for outdoor massages. The result is a built environment that integrates with its lush surroundings, drawing the restorative qualities of the Finger Lakes landscape into the wellness experience.Circulation paths guide visitors through a carefully organized sequence of spaces that gradually unfold, creating moments of discovery rather than revealing everything at once. Private treatment rooms with fireplaces provide intimate enclosures of warmth, while common areas open dramatically to frame the landscape.Throughout the spa, natural elements speak to the regions agricultural heritage and contemporary wellness practices. Local stone appears in both structural and therapeutic applications, while wood elements frame views of Cayuga Lake, connecting visitors to the unique geography surrounding the property. Six hydrotherapy pools vary both in temperature and unique visual perspectives.This Ayurvedic philosophy extends beyond the buildings design through the expertise of Laura Coburn, the spas Director of Serenity. Architecture creates the container, but true healing requires individual attention, Coburn explains. Equally significant is the spas commitment to inclusive design, with gender-neutral spaces that challenge traditional spa typologies.For more information, visit innsofaurora.com.Photography courtesy of Inns of Aurora Resort & Spa.

While companies like Nothing are pushing the boundaries of phone design with transparent aesthetics and eye-catching LEDs, Chinese tech giant Xiaomi is taking a different, more nostalgic approach. Enter the Xiaomi 15 Ultra, the companys latest flagship smartphone thats turning heads with a design inspired by classic Leica cameras. This unique aesthetic choice goes beyond skin deep, highlighting Xiaomis continued collaboration with Leica to bring professional-grade photography to mobile devices.It comes in a sleek Silver Chrome color option, as well as Black and White, that looks similar to the iconic Leica M-series cameras. The Leica influence on the Xiaomi 15 Ultra is more than just cosmetic the camera system itself is what truly stands out. Xiaomis ongoing partnership with Leica has led to a sophisticated imaging system that aims to rival even the most advanced smartphones on the market.Xiaomi isnt just relying on looks to sell the 15 Ultra. The real magic happens beneath the surface. The phone packs a 200-megapixel Samsung ISOCELL sensor a sensor typically used for main cameras but placed behind telephoto glass. This results in beautifully detailed shots, particularly in telephoto, macro, and portrait modes. The sensors size and resolution allow for superior light capture, producing vibrant, well-exposed shots even in challenging conditions.The phone packs a versatile quad-camera system, including a main 50-megapixel wide angle camera with an ultra-large aperture for low light; an ultra-wide 50-megapixel lens for expansive landscape shots; a periscope-style telephoto lens that leverages the 200-megapixel sensor for zoomed-in shots; and a macro mode for close-up photography.Beyond hardware, Xiaomi has equipped the 15 Ultra with software enhancements that elevate the photography experience. Users can expect Leica Authentic and Leica Vibrant modes, offering two distinct processing styles to match different creative preferences; AI scene recognition that automatically adjusts settings based on the environment; and Pro mode for manual control, giving photographers the ability to fine-tune ISO, shutter speed, white balance, and more.The Xiaomi 15 Ultra doesnt just feel like a professional camera its built like one too. The device features a ceramic or vegan leather back, giving it a premium feel and improved grip. The camera bump is pronounced but purposeful, housing the advanced camera system while adding to the Leica-inspired aesthetic.Also available is an optional Photography Kit, which adds a camera-like grip that plugs into the USB-C port, and features a two-stage shutter button, making the phone feel much more like a traditional camera.The Xiaomi 15 Ultra is available in many global markets right now, starting at 1,499. Despite its global availability, sadly, it wont be available in the United States.For more information on the Xiaomi 15 Ultra, visit mi.com.Photography courtesy of Xiaomi.

Most everyday objects go largely unnoticed switch plates, coat hooks, salt shakers. Functional and familiar, theyve often remained unchanged for decades, serving their purpose without much thought. But every so often, a design comes along that challenges convention. CIRCUIT, a fruit bowl designed by Swiss designer Renaud Defrancesco, does just that, reimagining both materiality and function. Inspired by marble runs, it transforms a simple storage vessel into a dynamic display of freshness.Available in two shapes (O and S) and crafted from cork, oak, and maple wood, CIRCUIT rethinks the traditional fruit bowl, where produce is often piled together, accelerating ripening. Instead, it allows each piece of fruit to rest individually, improving air circulation and prolonging freshness. More than just a neatly organized and visually striking display, this thoughtful design helps reduce food waste by preventing over-ripening and spoilage. This inventive approach is central to Defrancescos work he thrives on reimagining everyday objects, as seen in TWIST, a playful take on the classic pencil sharpener, and his boot design with a built-in pocket for shears, seamlessly blending function with unexpected detail.Handcrafted in protected workshops in Switzerland, CIRCUIT also reflects Defrancescos commitment to supporting local craftsmanship and ethical production, merging utility with artistry that elevates the everyday. Whether cradling fruit on a kitchen counter or holding essentials like keys and sunglasses on an entryway table, CIRCUIT brings elegance to even the most ordinary moments.To learn more about CIRCUIT and bring it into your own home, visit renauddefrancesco.ch.

Most traditional investment firm offices hardly exude a sense of warmth, but rather have a staid, buttoned-up aesthetic. A refurbished commercial space, designed by dMFK Architects, now fosters connection and community in a welcoming environment.Located in Londons Mayfair neighborhood, the 6,500-square-foot headquarters is set within a heritage building. The base-build renovation, while high quality, had diluted some of the historic character. The architects were tasked with creating a range of distinct, separate areas that still encourage collaboration among all staff members. We wanted to maintain the separation for the employees who work quite autonomously, but to also facilitate regular interaction between everyone, says Joshua Scott, director at dMFK Architects.The original split-level space has been subdivided into a range of smaller offices, working pods, and intimate meeting rooms. These areas flow into larger open-plan sections, which creates a circuit of connectivity. The arrangement supports any number of styles of work for the 50-person team. Staff members can come together in small groups for conversation or to brainstorm. They can also choose from quieter spots, ideal when privacy is needed.Rich materials are layered to bring added depth to interiors, yet are still in harmony with the existing elements. It was a deliberate choice to mix and match finishes and textures, just like you would find in a home, notes Dagmar Heiman, associate at dMFK Architects. It lends a softness to the overall space, which is in contrast to the streamlined but almost clinical office settings that we often see today.Light and dark stained woods, for example, are paired with natural stone or ceramic slabs. Ash flooring alongside oak joinery provides subtle variation. A neutral palette complements the clients curated collection of artwork on display throughout the office. From sculptures to paintings with bold brushstrokes, the pieces add pops of vibrant color. They enliven every corner, offering moments of surprise as individuals move from one floor to another.Furnishings, specifically selected or custom designed, contribute to the lived-in feel, and are made to fit rooms of varying sizes. A bespoke dining table rests at the heart of the hub, a central spot for employees to gather for shared meals or events. Even a sit-stand desk gets a sophisticated update in wood, developed in tandem with the client to reflect the elevated surroundings rather than detract from them.The architects envision a headquarters that will evolve as the needs of the staff and leadership change. Theres an authenticity and a tactility here thats meant to last, and like a patina, we hope it will get better with age, Scott adds.For more information on dMFK Architects, visit dmfk.co.uk.Photography by Ed Reeve.

A classic gadget brand is making a comeback. Pebble smartwatch founder Eric Migicovsky has announced the launch of a new brand, called Core Devices, which will launch the Core Time 2 and Core Duo 2 later this year. If youre a Pebble fan, this is what youve been waiting for both of these device are Pebble watches in everything but name.Pebble preceded the modern smartwatch, offering a new vision for the future of the humble watch. Over time, Pebble fell out of favor with newer and more capable devices like the Apple Watch, and the brand was eventually sold to Fitbit which itself was eventually sold to Google.But earlier this year, Google announced that it would open-source the Pebble operating system, essentially meaning that anyone could use it, for free, for their products. That includes Eric Migicovsky and Core Devices, which may not own the Pebble name, but seemingly has the rights to release watches that look like Pebble successors, and full rights to use the software that shipped with them.So what about the devices themselves? Both of them continue Pebbles design legacy, which these days means that they look kind of retro. That potentially makes them perfect for launching now specifically, given how in vogue retro tech is.Core 2 DuoThe first of the new watches is the Core 2 Duo, which is set to ship in July and will cost $149. According to Migicovsky, its essentially a Pebble 2 watch, but made by his new company. It has the same black and white e-ink display and more or less the same design as the original Pebble 2 watch.There are some upgrades to the actual tech inside the device, though. It will have an impressive 30-day battery life, thanks largely to more power-efficient Bluetooth chips. It also has a speaker built into it, unlike the original device.Core Time 2The second watch, called the Core Time 2, is a refreshed Pebble Time 2. It will ship in December and will be a little more expensive than the Core 2 Duo, priced at $225. The big upgrade to this device is a touch display, which will make it easier to access certain information, though Migicovsky noted in a report from The Verge that he doesnt necessarily intend to make the device a whole multi-touch surface like some smartwatches. It also has things like a heart rate monitor, step tracking, and sleep tracking.Its likely that these two watches are simply a starting point for Core Devices, and while they play on nostalgia, it remains to be seen exactly where the company will go for any future products. I wouldnt be surprised to see things like more fitness tracking sensors added down the road, though I certainly expect the company to remain true to its design philosophy.Both of the new Core Devices watches are available for pre-order here.

After spending several months as an artist-in-residence at the RALPH PUCCI sculpture studio in New York City, architect Lee F. Mindel has expanded his Veritas collection for the RALPH PUCCI brand. Recently on view at Galerie56, the six new pieces build on the possibilities of PUCCIs proprietary Plasterglass material through evocative forms that give nod to global destinations and elevated craftsmanship. Veritas means truth and honor in Latin, elevating the stories of the artisans that created the collection through a lens of perceived effortlessness, despite the materials unique challenges.The Pont Royal Sofa embodies the spirit of Parisian refinement and beauty. Elevating details to features, this take on seating is welcoming, elegant, and cohesive, blending well with the other elements in the room. We can see the Santorini Coffee Table evoking images of waterways and arches of bridges reflected in murky depths. The use of light blue, both in the walls and in the rug, helps freshen every piece in the room, giving a clean and tidy effect despite the handmade nature of the pieces. The Rialto Bench shares similar design language with the Santorini Coffee Table, utilizing the same mold in the sculpture studio to form its arched structure.The Santorini Console is a great example of the casting technique utilized in the collection, building upon the artisans knowledge of Plasterglass and the inherent limitations of the material. We were thinking about these forms and what they represented, and then by moving them around, resculpting, shaping, and carving, we realized that we wanted nothing to be literal, and we wanted nothing to be copied from something else, but to be their own fresh version of something, shares Mindel.The Circle Game Chandelier also debuts, featuring a dynamic, ringed shape that mimics the circular form of the Double Take Mirrors.Hand-built forms take center stage, creating a dialogue between modern design and public perception of craft. Mindel adds: The creative experience is a collaborative one we learn from the craftsmen about who Pucci really is, and how we could perhaps together go somewhere that each of us couldnt go on our own. Another thing that concerned us was a consciousness about waste, and economy of material. The hardest thing I think in design is to make things seem inevitable, that things look effortless to do in the end, that you cant imagine them any other way. These things usually take the most effort.Lee F. Mindel is an architect and designer who worked with RALPH PUCCIs Master Sculptor to better understand the capabilities of Plasterglass, which can be molded, pigmented, and waxed to create different effects. Veritas, meaning truth, is an homage to his alma mater, Harvard, and signifies how Mindel treats the practice of architecture. As architects, our work is in pursuit of rigor and honesty, with the intent to transcend the ordinary, in search of the extraordinary, Mindel says.To learn more about the Veritas collection by Lee F. Mindel for RALPH PUCCI, visit ralphpucci.com or galerie56.com.Photography by Antoine Bootz.

It seems like wavy and curved trendsare still holding strong in 2025. Even if youve seen this motif multiple times before, youve never seen it quite like this. Designed by David Derksen for Petite Friture, Spline is an indoor and outdoor LED string light that takes the undulating form to new heights.A contemporary take on the classic string lights that illuminate al fresco dinners around the world, Spline draws inspiration by the lines of ship ropes sometimes taut, other times fluid like the waves beneath them. Derksen, who also helped create new Dutch lighting brand Atelier Artiforte, designed Spline to offer both structure and flexibility, seamlessly integrating LED technology with a fastening system that mimics the natural undulation of rolling waves.Its geometric curves, informed by both organic movement and mathematical precision, enhance its modular nature, allowing users to shape the lights form to suit their space. Each Spline is fastened to a two-toned cord, available in brown/orange or beige/blue, using adjustable clips that allow users to modify the height and number of waves. The 2.5-meter-long rope further influences the curvature of the light, allowing it to be draped, hung, or wrapped around a pole or tree for dynamic installations.Emitting 4,000 lumens with 360-degree light coverage, Spline shines as brightly as you need it to. The translucent LED silicon strips, housed within a distinctive honeycomb-like structure with six internal light cells, ensure even illumination from every angle. A touch-sensitive, hand-dimmable switch allows for effortless brightness adjustment, whether youre casting a soft glow for intimate gatherings or illuminating a brighter space for lively celebrations.Its safe to say that the wavy trend isnt going away, and with Spline, it reaches new levels of versatility and innovation. Offering a fresh take on the nostalgic string lights with an emphasis on customizability, Spline allows users to experiment with shape, height, curvature, and brightness, creating a lighting installation thats custom every time.To learn more about the Spline pendant lamp by David Derksen for Petite Friture, visit petitefriture.com.Photography courtesy of Petite Friture.

Lofts have long been an integral part of New York Citys architectural identity, evolving from industrial spaces into some of the most sought-after residences in the city. Originally built as warehouses and manufacturing hubs in the late 19th and early 20th centuries, these expansive spaces featured soaring ceilings, exposed brick walls, and large windows designed to flood interiors with natural light. By the mid-20th century, as industry moved out of Manhattan, artists and creatives began reclaiming these buildings, transforming them into raw, flexible living and working spaces. Today, lofts represent a seamless blend of historic character and contemporary design, offering an ideal canvas for innovative transformations. One such transformation has recently been brought to life by BOND, the design studio led by Noam Dvir and Daniel Rauchwerger. Tasked with reinvigorating the 1,000-square-foot Tribeca Loft in a landmarked New York City building, the duo set out to honor the lofts industrial heritage while infusing it with a modern, luminous aesthetic.Like many historic lofts, this particular space had remained largely untouched since the 1980s, requiring a complete overhaul to meet the demands of contemporary living. While many loft renovations risk stripping away the very elements that define their charm, BONDs approach was one of careful preservation and enhancement. The team undertook an extensive renovation, replacing outdated wiring, removing dropped ceiling panels, and integrating a central air conditioning system an essential upgrade for comfort without compromising the integrity of the space.A key aspect of the redesign was opening up sightlines to create a sense of fluidity and connection. The introduction of a glass partition between the bedroom and the living area allows natural light to permeate the entire loft while maintaining a sense of separation. This technique, often used in contemporary loft conversions, enhances the airy, expansive feel that makes these spaces so desirable.One of the defining characteristics of New York City loft living is the emphasis on communal spaces areas where people can gather, work, and engage. Understanding this, BOND placed a strong focus on the kitchen as the heart of the home. A striking 15-foot-long island, designed with waterfall edges and a unique cut-in detail, serves as both a functional workspace and a centerpiece. Lined with walnut Tractor stools from BassamFellows, the island encourages social interaction, echoing the lofts history as a place for creativity and connection.The beauty of a historic loft lies in its ability to evolve over time while maintaining its original character. In keeping with this philosophy, BOND curated a space that is at once minimal and warm, using carefully chosen design elements to create balance. The bathrooms introduce subtle yet playful pops of color, adding an unexpected contrast to the otherwise neutral palette. Shades of gold and brown echo the natural light that filters in the west-facing windows in the main living space. Sculptural furniture pieces, such as a statement metal coffee table, further elevate the aesthetic while maintaining a sense of fluidity.The loft also serves as a backdrop for the owners personal art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into everyday living reflects the legacy of the citys early artist-inhabited lofts that once doubled as both homes and creative studios.For more information on BOND, visit bond-ny-com.Photography by Chris Mottalini.

When it comes to cookbooks, most readers typically fall into two categories: those who immerse themselves in every recipe, like in the Julie and Julia memoir, and those who seek information and inspiration without the intention of cooking. Sachiyo Haradas The Complete Illustrated Guide to Japanese Cooking caters to both and all those in between. With 100 classic recipes, it offers visual, step-by-step instructions that break down Japanese cooking techniques and ingredients, making it accessible to cooks of all skill levels.I first encountered the French version of this book and was delighted to hear the English version finally debuted this March. For visual learners, Haradas detailed photographic explanations instill confidence to take on this sophisticated cuisine where shapes, textures, flavors, and colors all have meaning and purpose. For those captivated by the aesthetics of Japanese food, Haradas book is a treasure trove, guiding the reader not only in cooking but in appreciating the artistry involved in each plate.Sachiyo Harada was born in Hokkaido, Japan, and graduated from the Ferrandi School of Culinary Arts in Paris. She currently resides in both Paris and Tokyo working as a food stylist, cookbook author and columnist for the Gourmet section of Madame Figaro Japan.In an era where many turn to YouTube for cooking tutorials, Haradas cookbook provides a similar level of visual guidance without the WiFi. The photography and illustrations show the final look of each dish at every stage, immersing readers in the cooking process. In one of her previous books, Cuisine on Screen, she pairs iconic dishes from Japanese cult films with recipes inspired by those movies, blending culture, food, and storytelling. A super fun treat for lovers of Japanese cinema and cuisine.The Complete Illustrated Guide to Japanese Cooking is organized with easy-to-follow infographics and a clean layout. The book conveys essential details with simple to follow instructions in a visually appealing way, making the cooking process feel intuitive. The step-by-step photos and annotated illustrations make complex recipes approachable, offering clarity on techniques and presentation. Harada eliminates the guesswork, making the book suitable for both beginners and experienced cooks.Anko nabeThough many are familiar with Japanese cuisine, some may not feel confident enough to try cooking it at home. Haradas book encourages readers to embrace Japanese aesthetic principles, emphasizing the importance of presentation. The artistry in preparing and presenting each dish turns cooking into an experience focused on both beauty and taste.The book is divided into three sections: Essentials, Recipes, and an Illustrated Glossary:1. Essentials: Covers key techniques like preparing octopus, cutting fish, and indispensable methods for preparing ingredients.2. Recipes: Includes 100 recipes, from donburi and okonomiyaki to agebitashi and matcha roll cake. Each is broken into simple steps with clear photos.3. Illustrated Glossary: Uses clean infographics to explain essential Japanese ingredients and provide guidance on where to find them and how to use them in cooking.The Complete Illustrated Guide to Japanese Cooking is an invaluable resource for anyone interested in adding Japanese culinary traditions into their repertoire.DonburiExpand your culinary library and support your local cookbook store by picking up a copy. Two of my favorite spots are Now Serving in Los Angeles or Kitchen Arts and Letters in NYC.You can follow Sachiyo Harada on Instagram here or purchase The Complete Illustrated Guide to Japanese Cooking here.Photography courtesy of Sachiyo Harada and Hardie Grant Books.This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Have you ever been sitting down, just having hit that comfortable spot, and you get that dreaded notification low battery. Paris-based architect and designer India Mahdaviand 22 System, a brand of integrated electrical outlets co-founded by Boccis Omer Abel, respond to this first-world yet legitimate problem. Introducing Smiley, a playful and joyous addition to any interior, that will add a spark of power to a dynamic space. Outfitted with top of the line outlets and components, the Smiley Chair combines material innovations and clever design to create a beautiful and functional response to maintaining comfort within the modern age.Photo: Thierry DepagneAt the heart of the collaboration resides a custom outlet and component suite in a brilliant canary yellow. This hue, contrasting yet also coalescing with the blush pink of the seat, signifies joy and the dawn of a new age. The Oliver Chair, a cheerfully upholstered yet sturdy-looking seat designed by Mahdavi, takes Cubist and Postmodern influences and translates them into a solid canvas for the electrical components to rest. Integrated technology like this has become more ubiquitous with modern life, yet we doubt most of it looks this good.Photo: Thierry DepagneSmiley is about celebrating the small details that bring joy to our daily lives, shares the designer. By reimagining the electrical outlet as a design element, we invite people to see the beauty in the functional and the familiar. Strewn across the face of the chair, outlets offer a functional and humorous take on traditional placement, choosing instead to let the outlets grow across the form, uninhibited and undeniably yellow.Photo: Tom DagnasUnveiled earlier this month at Paris Matter and Shape fair, where the space was outfitted with working outlets too, dotting the walls like some type of interactive polka dot wallpaper. This adds to the immersive quality of the space, the walls reflecting the same blush pink of the chairs upholstery. Mahdavi creates a powerful network of conversation, showing the interconnectedness and also chaos of globalized communications.Photo: Tom DagnasPhoto: Tom DagnasPhoto: Tom DagnasPhoto: Tom DagnasThe outlet is transformed into a beauty mark, with integrated freckles that take on a happy, joyful feeling. Playfully colored, with the soft pink in the background, one can immediately see the upending of norms on display at Matter and Shape. Omer Arbel, co-founder of Bocci and 22 System, said: This collaboration with India Mahdavi exemplifies our commitment to partnering with like-minded creatives to bring new perspectives to the work of our studio.Photo: Tom DagnasTo learn more about the Smiley chair by India Mahdavi and 22 System, visit, bocci.com.Photography courtesy of India Mahdavi and 22 System.

Walking is shown to strengthen the heart, improve mood, and boost our immune systems. Enjoy those benefits with the PELOTISSIMA collection from SUNNEI and Camper, running in four modern colorways that leave room for more than just adventure. Featuring a double plush sole that is geared for a comfortable experience while walking, the chic colorblock design and support in all the right places create the perfect conditions to step into spring.A reinterpretation of Pelotas Nu, a style from the Camper archive, the SUNNEI x Camper PELOTISSIMA collection features a double-studded XL Extralight EVA outsole, an 85% recycled content upper, and an Ortholite Recycled Footbed. SUNNEI and Camper are committed to sustainable processes, choosing materials for their quality, recycled content, and durability. Camper is so confident in the timelessness of their shoes, they have recently launched the ReCamper program, which reclaims old shoes in need of repairs, refurbishes them, and offers them a new life. Not only does this foster confidence within the brand, but this is true circular design, considering every shoe will continue on well past their traditional use.The PELOTISSIMA collection comes in four modern colorways Red & Pink, Yellow & Azure, Black & Grey, and Grey & Beige some more muted and some emblazoned with considered, bright hues. Each one comes with a double-thick sole, extra comfort for long walks and hikes. The perfect companion for a walking practice or just daily life, this fun shoe offers style and substance, with sustainability infused.Camper is celebrating their 50th year with a bang, pulling on their roots of Antonio Fluxa, a cobbler in Mallorca in 1877 who saw the need for high quality shoes to today, irreverent and dynamic, pushing the boundaries of footwear to include humor, wit, and fun. Never beholden to convention, they help us imagine new realities within the industry, setting higher standards.SUNNEI is an Italian lifestyle brand, constantly thinking outside the box of streetwear with unconventional fit and solid basics. Their eyewear is especially prominent right now, leaning into bolder, more exaggerated forms. We see this innovation on display with the PELOTISSIMA collection, and look forward to what they have in store next.To learn more about the SUNNEI X Camper PELOTISSIMA Collection, visit camper.com.Photography courtesy of SUNNEI and Camper.

The Tegeta marketing department has unveiled its newly designed office in Tbilisi, Georgia, redefining the modern workspace with a focus on functionality, comfort, and sustainability. Designed to accommodate the evolving needs of its employees, the automotive brands office integrates contemporary, colorful aesthetics with ergonomic principles to foster a productive and inspiring work environment.Understanding that a workspace significantly impacts employee motivation and efficiency, Tegeta embarked on this transformation with thorough internal research. The design team, led by Teona Kokhodze and Liza Khazaradze, analyzed the working styles of team members to create a balanced space that supports both collaborative and independent tasks. Partnering with Steelcase, the designers implemented a hybrid workspace concept that offers both dynamic and static furniture solutions, allowing employees to personalize their workstations according to their needs.The office follows an open-plan layout, a globally recognized model adopted by leading companies like Google and Apple. While this approach promotes communication and teamwork, managing noise levels is often a challenge. To address this, Tegeta integrated sound-absorbing acoustic panels and strategically placed phone booths, ensuring that employees have access to quiet areas when needed. Additionally, colorful partitions define meeting zones without disrupting the openness of the space.Ergonomic design lies at the heart of this workspace transformation. Employees benefit from height-adjustable desks, allowing them to alternate between sitting and standing positions throughout the day. These customizable stations, combined with ergonomically designed mesh chairs featuring flexible back support, help maintain posture and minimize strain during long working hours.Further emphasizing adaptability, modular furniture with a LEGO-like configuration enables employees to reconfigure their spaces as needed. Mobile panels, desks, and whiteboards allow for quick and easy transitions between individual focus work and team brainstorming sessions.Sustainability was a key consideration throughout the design process. The office incorporates eco-friendly materials, energy-efficient lighting, and ample natural light to reduce energy consumption and create a refreshing ambiance. The integration of greenery throughout the space not only enhances aesthetics but also improves air quality and employee well-being.Distinctive design elements further personalize the space. One meeting area features Bauhaus-inspired decor with Wassily-style yellow leather seats, while another showcases a contrast of warm and cool tones, reflecting Kokhodzes artistic vision. To maintain an open and airy feel, exposed ceiling ducts were painted in a soft peach shade, transforming them into a design feature rather than a structural necessity.Lighting design was also meticulously planned, ensuring that natural light is maximized while artificial lighting is positioned to minimize glare and eye strain. Studies show that exposure to natural light boosts mood and productivity, making it a critical element in workplace design.Color plays a significant role in shaping the office atmosphere. Kokhodze, drawing from her background in painting and graphic design, developed a palette that reflects both functionality and creativity. Different zones are distinguished by color-coded furniture, with pink-peach and green-blue hues marking various desk types. Communal areas are adorned with green elements, while terracotta accents add warmth and vibrancy.As the needs of employees continue to evolve, Tegetas marketing office is a forward-thinking example of how workspaces can be both functional and inspiring, ensuring that employees remain motivated, comfortable, and productive in their daily tasks. This project not only enhances Tegetas work culture but also offers a model for other companies looking to rethink their office spaces in alignment with contemporary workplace trends.Tegeta Creative Director Teona KokhodzeFor more information on Tegeta, visit tegeta.ge.Photography by Louisa Chalatashvili.

Furnishing a space often means facing a familiar dilemma: youre never quite sure what furniture you need until youve truly lived in it. Even when you think youve got it figured out, evolving tastes and shifting needs call for flexibility. With the Shelving Unit 01 by Teethmark, you always have what you need and you can alter it when you dont. This modular shelving system, crafted from just seven components, can transform into over 100 configurations, ensuring that it grows and adapts to your current and future needs.Although Teethmark has only recently launched this past December, the brand, founded by Indonesian designer Carla Timotius, is poised to leave an indelible mark its very own teethmarks on what it means to create authentic design. In a market awash with counterfeits, Teethmark stands firmly against imitation, championing original, playful designs that celebrate creativity. Shelving Unit 01 exemplifies this ethos, a product born from months of development and creative ingenuity, designed to make high-quality, adaptable furniture accessible to all.Designed with both flexibility and durability in mind, Shelving Unit 01 marries form and function for modern living, where spaces are often compact and ever-evolving. The seven components are the result of months of development, fine-tuning sizes, hole placements, thicknesses, and shapes to ensure that each piece connects effortlessly with one another. Crafted from 5mm laser-cut cast acrylic and complemented by sleek stainless or steel hardware, the shelving system maintains a bold aesthetic that fits perfectly in eclectic and minimalist homes alike.A range of finishes, from clear and transparent to solid, opaque hues, allows the unit to be tailored to your personal taste. Emphasizing user-friendly assembly and repair, the system connects with simple bolts and fasteners, with individual components easily replaceable if needed. Accessories further expand its functionality: casters allow for easy mobility, glides protect floors while ensuring stability, and drawer runners add additional storage with optional drawers collectively converting the system into a dynamic solution for modern living.To learn more about the Shelving Unit 01 by Teethmark, visit teethmark.world.Photography courtesy of Teethmark.

Polaroid cameras have seen a significant resurgence in popularity over the past decade. Their nostalgic charm and instant-print capabilities offer a tangible, almost magical experience in an era dominated by digital screens. However, while the retro appeal of classic Polaroid cameras is undeniable, one cant help but wonder what if Polaroid cameras retained their instant printing feature but incorporated modern technology and a refreshed design? Enter the Polaroid Trance concept, a take on the instant camera by designer Samarth Saluja.The Polaroid Trance isnt just a reimagining of the classic instant camera; it is a full-fledged digital photography experience with enhanced functionality. Unlike traditional Polaroids, which rely solely on analog processes, this concept envisions a fully digital camera that allows users to adjust essential settings such as shutter speed, aperture, and ISO features typically reserved for professional digital cameras.One of the most intriguing aspects of the Trance concept is the me2 button. This innovative feature enables the photographer to become part of the captured moment. By pressing the button, the camera triggers a front-facing camera to take a selfie, ensuring they are included in the memory. The result? A unique, dual-perspective print that merges both photographer and subject into one cohesive moment.Another interesting addition is the Moments feature. This functionality captures footage just before and after a picture is taken, offering a more immersive and dynamic way to relive memories. This feature, commonly found in modern smartphones, is an exciting addition to an instant camera, bridging the gap between digital and physical photography in a novel way.Beyond its technical capabilities, the Polaroid Trance also stands out for its design. The camera features rounded edges, a departure from the traditional boxy Polaroid form factor, making it more ergonomic and visually appealing. The design is complemented by a two-tone gray body with vibrant orange accents, adding a playful yet modern touch to the device.Currently, the Polaroid Trance remains just a concept. There are no official plans for production, but the idea showcases the potential for instant cameras to evolve while maintaining their nostalgic essence. If Polaroid or another company were to bring a device like the Trance to market, it could revolutionize the instant photography landscape and offer a compelling alternative to smartphone photography.For more information on the Trance concept by Samarth Saluja, click here.Imagery courtesy of Samarth Saluja.

Water is a precious resource, making up over 60% of the overall body mass of humans, and a sustaining source for most life. With the ability to cut rock, melt salt, and boil, it is the signature substance of Earth, our little blue dot. As it is a finite resource as well, and becoming more scarce, small ways to save those lifegiving drops are necessary and welcome. Enter the RAINDROP by Junwoo Lim, a planter + umbrella stand that captures the remnant drops left over from a wet umbrella to water a plant below. With graceful form, just as appropriate in a gallery as a home, let the RAINDROP save your floors and feed your plants, all at once.Designer Junwoo Lim is on a mission to help people participate in sustainability, no matter their personal feelings on the subject. People who care about these issues will sometimes use reusable water bottles, or reducing single use plastics requires that you are aware of the problem and how to take steps to solve it. With RAINDROP, everyone who uses an umbrella participates, passively but just as effectively. This presents a creative way to go about solving for sustainability, and promoting everyone to participate in actions good for the earth, not just those that happen to be aware.Utilizing the Unexpected Red theory, where a pop of red can really elevate a space, this matte red finish provides refreshing contrast to the greenery growing inside, as well as form language on top that almost looks like the blooming of a tree itself.RAINDROP would fit perfectly in a public space or community center, possibly starting conversations about sustainability with those that might not be informed. The plants and humans both benefit from these types of discussions, studies showing that the way we speak around plants effects their overall health and well-being. Happy to be thought of, and happy to be watered, the RAINDROP makes it easy to be kind to our leafy friends.For more information on RAINDROP by Junwoo Lim, please email the designer at studio.limjunu@gmail.com. For more updates, visit Lim on Instagram here.

When architect and painter Leo Marmol was a student, he was an awkward and shy boy. His sixth-grade teacher, Mr. Laurie, had him give presentations to the class until he was more comfortable. His instructor not only helped young Leo gain self-confidence, he also sparked his love for learning beyond the standard curriculum.The Salk Institute, by Louis Kahn, made a lasting impression on Marmol. As he learned about the architect in college, he was drawn to more than his structures. Kahn in particular resonated deeply with me not just for his buildings but for his philosophical musings on architecture, Marmol says. Kahns idea of moving from silence to light spoke to me in a profound way.Leo Marmol \\\ Photo: Jesse GreenIn 1989, Marmol and Ron Radziner founded their eponymous practice, Marmol Radziner. The firm is noted for its holistic approach to every element of design-build, from construction to furniture. But even with a full roster of projects on tap, Marmol still finds time to indulge in other pursuits. He enjoys saltwater fly fishing, which allows him to connect with nature. He visits museums when he travels, where hell often find a spark of unexpected inspiration.Marmol not only admires fine artists, he is one himself. He started painting as a way to help manage the pressures he faced while in architecture school. Painting allowed Marmol to unwind and express himself, free of restrictions. Yet he never imagined that a creative outlet would someday become a key facet of his life.Marmol often experiments with oil paint and cold wax, and he has exhibited his work in galleries throughout California and other locales. Painting began as something playful and personal, he notes. It was only after I had my first solo show that I began to see painting as more than a hobby. That experience was transformative, and the opportunity to showcase my work to a broader audience made me realize that this was no longer just a private endeavor.Today, Leo Marmol joins us for Friday Five!1. The Myth of Sisyphus by Albert CamusOne of my favorite works is Albert Camus The Myth of Sisyphus. In this essay, Camus reimagines the Greek myth of Sisyphus, who is condemned to eternally push a boulder up a hill, only for it to roll back down each time. Camus suggests that despite the endless repetition and futility of Sisyphus task, we must imagine Sisyphus happy finding meaning and joy in the struggle itself. I first encountered this text in an existential philosophy course at Cal Poly. The idea of embracing the process, knowing the outcome will never fully satisfy, resonates with the creative journey as an artist and architect. Each time I approach a new painting, I feel like Sisyphus pushing that boulder up the hill, knowing it will fall, yet finding fulfillment in the act of creation itself. For me, the boulder acts as a metaphor for the love of a new creative endeavor, the belief we have while creating that this will somehow be worthwhile, only for the work to never reach the top. We have no choice but to delight in the process not the outcome.Photo: Courtesy of Leo Marmol2. Robert Motherwell paintingSeeing Robert Motherwells work in person during a recent visit to the Modern Art Museum of Fort Worth was a deeply moving experience. Motherwell has long been a hero to me. Standing before pieces like Elegy to the Spanish Republic, I was struck by the power of his bold composition, where thick black ovals and vertical bands are both confrontational and gentle. Theres a visceral quality to Motherwells work, a rawness that transcends the canvas and speaks to the struggles and themes of his time.There was a major retrospective on view, Robert Motherwell: Pure Painting, which beautifully captured the evolution of his art. From the earlier abstracted figurative works to his later, more explosive explorations, each piece offered insights into his journey. I found myself reflecting on the balance of control and spontaneity and, moreover, the physical power of painting brilliantly illustrated by Motherwells practice, which articulates the philosophical weight of a simple stroke or form.Photo: Courtesy of Leo Marmol3. Salt Water Fly Fishing in CatalinaSaltwater fly fishing is another one of my favorite escapes. I love the rhythm of casting into the clear waters, feeling the pull of the current, and the anticipation of that first strike. Theres something meditative about itbeing surrounded by the beauty of the ocean, all while focusing on the cast. The challenge of fly fishing in saltwater, with its unpredictable conditions, keeps it exciting. My teenage son and I spent a couple of weeks last summer fly-fishing in Montana. It was a perfect way to end the summer season before he returned to school and me to work. Its a chance to disconnect, get lost in nature, and experience the power of the water.Photo: Jaime Kowal, courtesy of Sparrows Lodge4. Sparrows LodgeThe Sparrows Lodge is a mid-century gem I hold especially dear to my heart. Located in Palm Springs, the Sparrows Lodge has enjoyed many incarnations, epitomizing the adaptive reuse of the most lasting Modernist structures. Originally built as Castles Red Barn in 1952 by MGM actor Don Castle, it was one of the original glamorous getaways for the Hollywood Elite. Restored in 2013, the lodge retains its original charm while embracing a rustic simplicity exposed beams, pebble-inlaid floors, and reclaimed horse troughs as bathtubs creating a serene yet tactile experience.What draws me to the desert, and to Sparrows Lodge in particular, is the tension between the harshness of the desert environment and the myth of Modern luxury that has been cultivated in Palm Springs. In the desert, the extremes of heat and light choreograph moments of intense vitality that feel both chaotic and calming. The desert is beautiful and strange, deadly yet teeming with life. Sparrows Lodge makes space to ponder this duality a place where simplicity invites reflection, offering the rare luxury of slowing down and reconnecting with the rhythms of nature within an oasis of classic 1950s modern design.Photo: Courtesy of Kimbell Art Museum5. Kimbell Art MuseumStanding inside the Kimbell Art Museum during a recent visit was a profound experience. Designed by Louis Kahn, the architects use of natural light, filtered through skylights and reflectors, transformed the space into something sacred. The interplay of concrete, travertine, and oak created a Modern yet timeless atmosphere, with the Roman-inspired vaults evoking a sense of quiet grandeur. It was incredible to see how the architecture itself became part of the art, shaping my experience with its simplicity and elegance. The way light constantly shifts throughout the day felt like stepping into one of Kahns reflections on space and silence.Works by Leo Marmol and Marmol Radziner:The Desert House by Marmol Radziner \\\ Photo: Benny Chan, courtesy of Marmol RadzinerScottsdale House by Marmol Radziner \\\ Photo: Bill Timmerman, courtesy of Marmol RadzinerScottsdale House by Marmol Radziner \\\ Photo: Bill Timmerman, courtesy of Marmol RadzinerPoint Dume House by Marmol Radziner \\\ Photo: Manolo Langis, courtesy of Marmol RadzinerPoint Dume House by Marmol Radziner \\\ Photo: Manolo Langis, courtesy of Marmol RadzinerGarcia House by Marmol Radziner \\\ Photo: Richard Powers, courtesy of Marmol RadzinerGarcia House by Marmol Radziner \\\ Photo: Benny Chan, courtesy of Marmol RadzinerLeonardo E. Marmol, Winds Caress, 2022, Oil and cold wax on board, 30 x 40Leonardo E. Marmol, Eulogy for Yesterdays Dawn, 2022, Oil and cold wax on board, 30 x 40Leonardo E. Marmol, Pastoral Views in the Borrego I, 2022, Oil and cold wax on board, 40 x 30Leonardo E. Marmol, Pastoral Views in the Borrego II, 2022, Oil and cold wax on board, 40 x 30Leonardo E. Marmol, Poets Call It Sleep I, 2022. Oil and cold wax on board, 40 x 30Leonardo E. Marmol, Poets Call It Sleep II, 2022. Oil and cold wax on board, 40 x 30