Water is a precious resource, making up over 60% of the overall body mass of humans, and a sustaining source for most life. With the ability to cut rock, melt salt, and boil, it is the signature substance of Earth, our little blue dot. As it is a finite resource as well, and becoming more scarce, small ways to save those lifegiving drops are necessary and welcome. Enter the RAINDROP by Junwoo Lim, a planter + umbrella stand that captures the remnant drops left over from a wet umbrella to water a plant below. With graceful form, just as appropriate in a gallery as a home, let the RAINDROP save your floors and feed your plants, all at once.Designer Junwoo Lim is on a mission to help people participate in sustainability, no matter their personal feelings on the subject. People who care about these issues will sometimes use reusable water bottles, or reducing single use plastics requires that you are aware of the problem and how to take steps to solve it. With RAINDROP, everyone who uses an umbrella participates, passively but just as effectively. This presents a creative way to go about solving for sustainability, and promoting everyone to participate in actions good for the earth, not just those that happen to be aware.Utilizing the Unexpected Red theory, where a pop of red can really elevate a space, this matte red finish provides refreshing contrast to the greenery growing inside, as well as form language on top that almost looks like the blooming of a tree itself.RAINDROP would fit perfectly in a public space or community center, possibly starting conversations about sustainability with those that might not be informed. The plants and humans both benefit from these types of discussions, studies showing that the way we speak around plants effects their overall health and well-being. Happy to be thought of, and happy to be watered, the RAINDROP makes it easy to be kind to our leafy friends.For more information on RAINDROP by Junwoo Lim, please email the designer at studio.limjunu@gmail.com. For more updates, visit Lim on Instagram here.

When architect and painter Leo Marmol was a student, he was an awkward and shy boy. His sixth-grade teacher, Mr. Laurie, had him give presentations to the class until he was more comfortable. His instructor not only helped young Leo gain self-confidence, he also sparked his love for learning beyond the standard curriculum.The Salk Institute, by Louis Kahn, made a lasting impression on Marmol. As he learned about the architect in college, he was drawn to more than his structures. Kahn in particular resonated deeply with me not just for his buildings but for his philosophical musings on architecture, Marmol says. Kahns idea of moving from silence to light spoke to me in a profound way.Leo Marmol \\\ Photo: Jesse GreenIn 1989, Marmol and Ron Radziner founded their eponymous practice, Marmol Radziner. The firm is noted for its holistic approach to every element of design-build, from construction to furniture. But even with a full roster of projects on tap, Marmol still finds time to indulge in other pursuits. He enjoys saltwater fly fishing, which allows him to connect with nature. He visits museums when he travels, where hell often find a spark of unexpected inspiration.Marmol not only admires fine artists, he is one himself. He started painting as a way to help manage the pressures he faced while in architecture school. Painting allowed Marmol to unwind and express himself, free of restrictions. Yet he never imagined that a creative outlet would someday become a key facet of his life.Marmol often experiments with oil paint and cold wax, and he has exhibited his work in galleries throughout California and other locales. Painting began as something playful and personal, he notes. It was only after I had my first solo show that I began to see painting as more than a hobby. That experience was transformative, and the opportunity to showcase my work to a broader audience made me realize that this was no longer just a private endeavor.Today, Leo Marmol joins us for Friday Five!1. The Myth of Sisyphus by Albert CamusOne of my favorite works is Albert Camus The Myth of Sisyphus. In this essay, Camus reimagines the Greek myth of Sisyphus, who is condemned to eternally push a boulder up a hill, only for it to roll back down each time. Camus suggests that despite the endless repetition and futility of Sisyphus task, we must imagine Sisyphus happy finding meaning and joy in the struggle itself. I first encountered this text in an existential philosophy course at Cal Poly. The idea of embracing the process, knowing the outcome will never fully satisfy, resonates with the creative journey as an artist and architect. Each time I approach a new painting, I feel like Sisyphus pushing that boulder up the hill, knowing it will fall, yet finding fulfillment in the act of creation itself. For me, the boulder acts as a metaphor for the love of a new creative endeavor, the belief we have while creating that this will somehow be worthwhile, only for the work to never reach the top. We have no choice but to delight in the process not the outcome.Photo: Courtesy of Leo Marmol2. Robert Motherwell paintingSeeing Robert Motherwells work in person during a recent visit to the Modern Art Museum of Fort Worth was a deeply moving experience. Motherwell has long been a hero to me. Standing before pieces like Elegy to the Spanish Republic, I was struck by the power of his bold composition, where thick black ovals and vertical bands are both confrontational and gentle. Theres a visceral quality to Motherwells work, a rawness that transcends the canvas and speaks to the struggles and themes of his time.There was a major retrospective on view, Robert Motherwell: Pure Painting, which beautifully captured the evolution of his art. From the earlier abstracted figurative works to his later, more explosive explorations, each piece offered insights into his journey. I found myself reflecting on the balance of control and spontaneity and, moreover, the physical power of painting brilliantly illustrated by Motherwells practice, which articulates the philosophical weight of a simple stroke or form.Photo: Courtesy of Leo Marmol3. Salt Water Fly Fishing in CatalinaSaltwater fly fishing is another one of my favorite escapes. I love the rhythm of casting into the clear waters, feeling the pull of the current, and the anticipation of that first strike. Theres something meditative about itbeing surrounded by the beauty of the ocean, all while focusing on the cast. The challenge of fly fishing in saltwater, with its unpredictable conditions, keeps it exciting. My teenage son and I spent a couple of weeks last summer fly-fishing in Montana. It was a perfect way to end the summer season before he returned to school and me to work. Its a chance to disconnect, get lost in nature, and experience the power of the water.Photo: Jaime Kowal, courtesy of Sparrows Lodge4. Sparrows LodgeThe Sparrows Lodge is a mid-century gem I hold especially dear to my heart. Located in Palm Springs, the Sparrows Lodge has enjoyed many incarnations, epitomizing the adaptive reuse of the most lasting Modernist structures. Originally built as Castles Red Barn in 1952 by MGM actor Don Castle, it was one of the original glamorous getaways for the Hollywood Elite. Restored in 2013, the lodge retains its original charm while embracing a rustic simplicity exposed beams, pebble-inlaid floors, and reclaimed horse troughs as bathtubs creating a serene yet tactile experience.What draws me to the desert, and to Sparrows Lodge in particular, is the tension between the harshness of the desert environment and the myth of Modern luxury that has been cultivated in Palm Springs. In the desert, the extremes of heat and light choreograph moments of intense vitality that feel both chaotic and calming. The desert is beautiful and strange, deadly yet teeming with life. Sparrows Lodge makes space to ponder this duality a place where simplicity invites reflection, offering the rare luxury of slowing down and reconnecting with the rhythms of nature within an oasis of classic 1950s modern design.Photo: Courtesy of Kimbell Art Museum5. Kimbell Art MuseumStanding inside the Kimbell Art Museum during a recent visit was a profound experience. Designed by Louis Kahn, the architects use of natural light, filtered through skylights and reflectors, transformed the space into something sacred. The interplay of concrete, travertine, and oak created a Modern yet timeless atmosphere, with the Roman-inspired vaults evoking a sense of quiet grandeur. It was incredible to see how the architecture itself became part of the art, shaping my experience with its simplicity and elegance. The way light constantly shifts throughout the day felt like stepping into one of Kahns reflections on space and silence.Works by Leo Marmol and Marmol Radziner:The Desert House by Marmol Radziner \\\ Photo: Benny Chan, courtesy of Marmol RadzinerScottsdale House by Marmol Radziner \\\ Photo: Bill Timmerman, courtesy of Marmol RadzinerScottsdale House by Marmol Radziner \\\ Photo: Bill Timmerman, courtesy of Marmol RadzinerPoint Dume House by Marmol Radziner \\\ Photo: Manolo Langis, courtesy of Marmol RadzinerPoint Dume House by Marmol Radziner \\\ Photo: Manolo Langis, courtesy of Marmol RadzinerGarcia House by Marmol Radziner \\\ Photo: Richard Powers, courtesy of Marmol RadzinerGarcia House by Marmol Radziner \\\ Photo: Benny Chan, courtesy of Marmol RadzinerLeonardo E. Marmol, Winds Caress, 2022, Oil and cold wax on board, 30 x 40Leonardo E. Marmol, Eulogy for Yesterdays Dawn, 2022, Oil and cold wax on board, 30 x 40Leonardo E. Marmol, Pastoral Views in the Borrego I, 2022, Oil and cold wax on board, 40 x 30Leonardo E. Marmol, Pastoral Views in the Borrego II, 2022, Oil and cold wax on board, 40 x 30Leonardo E. Marmol, Poets Call It Sleep I, 2022. Oil and cold wax on board, 40 x 30Leonardo E. Marmol, Poets Call It Sleep II, 2022. Oil and cold wax on board, 40 x 30

Even as winters grip lingers and many of us await springs warmth, vibrant signs of life are emerging at the Milwaukee Art Museum (MAM). Over in Windover Hall, DRIFTs latest installation, Meadow, transforms the atrium of the iconic Santiago Calatrava-designed Quadracci Pavilion into a kinetic garden that defies the season. The studio, founded by Dutch artists Lonneke Gordon and Ralph Nauta, is renowned for its innovative fusion of art and technology. Meadow is a continuation of their exploration, drawing inspiration from both North American wildflowers and the museums organic architecture. This ever-changing, immersive dance of light and motion celebrates the intersection of art and nature amid the winter chill.Meadow is the second iteration of the MAMs seasonal Winter Series, which started in 2024 in an effort to bring a spot of joy during the shortest days of the year. In creating Meadow, DRIFT drew on years of research to develop a choreography of kinetic blooms crafted from aluminum, stainless steel, robotic components, and vibrant fabric shades. Each flower is meticulously programmed to open and close in a rhythmic dance that mimics the delicate workings of nature. Unlike other similar installations by DRIFT, Meadow is site-specific in its number of flowers, choreography, and colors, which are inspired by North American wildflowers.View this post on InstagramA post shared by Milwaukee Art Museum (@milwaukeeart)The installations experience will also evolve each day with the changing canvas outside. As the lakefront landscape transforms with the seasons, each visit offers a new dialogue between nature and art. The Burke Brise Soleil Windhover Halls moveable sunscreen also flaps its wings every day at noon, altering the natural light and casting dynamic shadows across Meadow. This interplay of shifting vistas and light patterns deepens the immersive quality of the installation, ensuring that no two visits are ever the same.Now through April 13, 2025, Meadow invites visitors to rediscover the beauty of transformation. The installation will leave all who enter Windhover Hall mesmerized when they experience the magic that blooms when design, nature, and technology converge.Meadow is on view at the Milwaukee Art Museum until April 13, 2025 and open to all with free admission. To learn more, visit mam.org.Photography by Front Room Studios, courtesy of the Milwaukee Art Museum.

As keyboards have become a ubiquitous part of life, forever changing the way we work and communicate, Susan Kare has shaped that visual language. As a prolific graphic designer, she has designed the landscape of user interface design much more than can be quantitatively measured. Starting at Apple in 1983, she is the creator of many recognizable icons, including the Happy Mac, the bomb, and the floppy disk save icon, now synonymous with the action of saving, much like Google is to search. Esc Keys from Asprey Studio features 32 of these icons in both gilded keycap and limited-edition jewelry form, bringing a love of pixelated nostalgia to the board and body.Designer of the Geneva, Monaco, Chicago, and New York typefaces, she has had a hand in most computing interfaces and fonts we can recognize today. Susan is an influential and pioneering artist who works with reduced palettes and resolutions to convey, in an immediately understandable way, complex and often inexpressible tasks, shares Alastair Walker, Chief Creative Officer of Asprey Studio.Available as pendants or keycaps, all rendered in either silver or gold vermeil, each icon recalls a different era of computing, one seemingly of expansiveness and possibility. As tech companies steadily monopolize more and more aspects of daily life, we wonder, could we establish a new wave of nostalgic technology, and foster a more sustainable relationship to consumption with smaller and more intentional collections?There is hidden meaning to each of the designs in the collection, bitmaps telling a story of different interests people might like beyond the keyboard. Both a celebration of precious metals and a nod to computing history, the 32 keycap options heighten an otherwise utilitarian object into something one of a kind.Asprey Studio is a digital and contemporary art gallery, focusing on the dialogue between our lives off and online. A new venture for Asprey London, who has set a standard of excellence for over 200 years, Asprey Studio focuses on a zero waste process with made to order products, dramatically reducing excess throughout several steps of the process. This way they can offer a premium product in every sense, produced thoughtfully and made to last, much like the icons that dot the Esc Keys collection.Susan KareTo learn more about the Esc Keys collection, visit aspreystudio.com.Photography and graphics courtesy of Susan Kare and Asprey Studio.

Situated in the heart of Minsk, Belarus, Apartment Ann proves how compact living spaces can be transformed into a stylish and highly functional homes. Designed by Natasha Kukresh, an interior architect based in Brittany, France, this 533-square-foot studio apartment masterfully balances aesthetics and practicality while ensuring a sense of openness and comfort.Faced with the challenge of limited square footage, Kukresh approached the project with a strategic mindset, prioritizing efficiency without compromising style. To optimize the available space, the traditional dining table was replaced with a sleek kitchen peninsula, providing both a dining and prep area. Recognizing that the apartment is not intended for work, a dedicated workspace was intentionally left out, allowing for a more fluid and uncluttered layout.The studio layout incorporates a bedroom area that is subtly defined by a sliding glass partition. This choice maintains a visual connection between spaces while offering a degree of privacy. In contrast, the bathroom and an expansive walk-in closet are fully enclosed. The closet, an essential feature for the fashion-forward client, is designed to be spacious and organized, reflecting a passion for aesthetics and personal style.Beyond its practical aspects, the apartment features a carefully curated design language that is both expressive and refined. Vibrant hues and a rich mix of textures infuse the space with personality while maintaining an overarching sense of harmony. Kukresh skillfully counterbalances the bold elements with a clean and structured layout, preventing the interior from feeling overwhelmed by decorative details.One of the key transformations involved addressing the apartments original non-orthogonal structure. Thoughtful adjustments were made to refine the spatial configuration while preserving as much usable area as possible. Another important consideration was lighting, given the apartments west-facing orientation. To counteract the variability of natural light, a warm-toned ceiling in a striking yellow hue was introduced, complemented by a well-planned artificial lighting system. This approach ensures a consistently inviting and luminous atmosphere, regardless of the time of day.Modern fluted tiles in a copper shade are juxtaposed with a more traditional marble backsplash and countertop in the kitchen area. Smoky gray cabinets tie the compact space together while complementing the remainder of the apartments contrasting elements.Apartment Ann showcases how small-scale living can be both luxurious and practical when guided by a thoughtful design philosophy. Kukreshs approach embraces individuality while maintaining a seamless flow, resulting in a home that is as visually compelling as it is comfortable.For more information, follow Natasha Kukresh on Instagram here.Photography courtesy of Sergey Pilipovich.

Westminster Residence reinvents the traditional gabled form that populates Torontos High Park neighborhood by transforming it into something both respectful of context and boldly contemporary. Designed by Batay-Csorba Architects, the architects made a conscious decision to celebrate rather than conceal the underside of the roof. The steeply pitched terracotta roof hovers above a dark brick volume, creating a presence both familiar and unsettling.As described by the architects: The simple project form is a composition of three dark monolithic figures, a low dark brick-clad volume, a heavy triangular stone-clad roof, and tall rectilinear dormers. The heavy roof hovers asymmetrically on top of the first floor, cantilevering the covered carport and side patio and producing an unsettling dynamic between the simple volumes. Similar in size and materiality, the dormers take on diametrically opposite stances in the project, with one grounding the west faade as it meets the ground, and the east dormer inexplicably cantilevered and hovering above the carport.Dark stained walnut and heavy unfilled travertine reinforce the weight of the space, while white oak floors and soft lime-washed walls offer counterbalancing lightness. This material tension mirrors the formal tension between the asymmetrically balanced volumes a heavy triangular stone roof that appears to float above the brick base, and dormers that simultaneously ground and hover. The architects also carefully considered how these materials would age. The natural patina that will develop on the rough terracotta shingles, hand-pressed brick, and raw galvanized steel will gradually harmonize with the spreading landscape.The side yards acid-etched concrete patio is detailed to appear as if hovering above the sloping landscape. The acid-etching process gives the concrete a subtle texture that catches light differently throughout the day. A thin metal line creates a precise boundary that manages water runoff while visually separating the patio from the buildings foundation.For more information on Batay-Csorba Architects, visit batay-csorba.com.Photography by Doublespace Photography.

Nothing has been experimenting more with phone design than perhaps any other company, at least when it comes to traditional slide phones. The London-based tech brand just unveiled its latest and greatest devices in the form of the new Nothing Phone (3a) and Nothing Phone (3a) Pro. Thankfully, the new phones are as unique as ever though the Pro model is perhaps the most interesting.Like previous generation Nothing devices, the phones have their signature transparent look, which gives them a futuristic vibe. The Nothing Phone (3a) Pro is the first in Nothings lineup to offer a large circular camera module on the back, which is surrounded by Nothings Glyph Interface made up of three LED lights that can indicate notifications, phone status, and more.Nothing isnt radically changing design for this generation, but it doesnt necessarily have to, considering how well its built up its brand over the past few years. Theres definitely room for more experimentation when it comes to smartphone design, and its nice to see someone being a little more bold.Theres another unique feature on the two devices. Both have Nothings new Essential Key on the side, which is an AI button that lets users quickly capture a screenshot or a voice note. This information is then sent to the essential space on the device, where its organized and processed. AI can then pull useful information out from that data, including things like dates, locations, and so on. You can then easily search through it without having to endlessly scroll.The phones arent all about design, though. Theyre actually very impressive phones in their price range. Thats largely due to the triple-camera array on the back of both of them, which is very uncommon for phones in the $350-$500 price bracket. Both devices have a telephoto camera, which can zoom at 2x on the standard Nothing Phone (3a) and 3x on the Phone (3a) Pro. That zoom is doubled through sensor cropping technology that allows the devices to capture 2x or 4x photos, respectively, without any loss in detail.Both devices have a crisp display with a 120Hz refresh rate for smooth animations and a high level of brightness to make them easy to see outside. They have solid processing power, and they have Nothings well-regarded Android skin, which gives everything a kind of retro-minimalistic pixel design.Both the Nothing Phone (3a) and Phone (3a) Pro are now up for order, with the Nothing Phone (3a) priced at $379 and the (3a) Pro at $459. They can be purchased from us.nothing.tech.Photography courtesy of Nothing.

1. Anrealages 2025/26 Screen-Changing RunwayMy fashion mantra for 2025: If it doesnt slowly illuminate line by line, pixel by pixel, from the bottom up I dont want it! All jokes aside, Anrealages 2025/26 Autumn/Winter collection, Screen, had me completely mesmerized. Each painstakingly handcrafted garment features 10,000 multicolored LEDs stitched onto black canvas panels, shifting patterns with each step the models took. The effect is a hypnotic fusion of digital art and haute couture. While Im still debating where Id wear such a masterpiece (Date night? Grocery run?), I love how the collection pushes the boundaries of fashion and technology. In a world ruled by screens, how do we feel about them taking over our wardrobe too?2. A Pop-Up Lamp by RisetteIf only switching up home decor was as easy as flipping a page. Turns out, Risette has made that dream a reality with the Pop-Up Lamp (version 1 and 2). Inspired by nostalgic pop-up books and childhood crafts, this paper lamp unfolds like a story turn the page to reveal a new scene, a fresh glow, a different mood. Designed for the coziest corners, its an ever-changing light source thats as delightful to use as it is to look at. Its currently sold out but will be available very soon sign up for in-stock notifications!3. Pint-Sized Furniture for Fun-Loving Kids: BauenAs a parent, I get extra excited when a new kids furniture brand pops up especially one that rethinks how play furniture looks and feels. Enter Bauen, the latest name to join the club. After 18 months and 200 prototypes, theyve launched The Set, a modern chair-and-table duo designed with soft, rounded edges (no sharp corners!) and effortless assembly. Its a design-forward take on kids furniture, borrowing from the aesthetics of high-end grown-up pieces while keeping things playful and practical.4. Building Confidence Through Routine with CharmspringSpeaking of game-changing kids brands, Im also into Charmspring, the latest brainchild by Steph Korey Goodwin, co-founder of Away. Founded on the belief that routines build confidence, resilience, and independence, Charmspring rethinks how kids navigate their day with Springboard, a beautifully designed, modern routine board featuring activity tiles. From brushing teeth to soccer practice, kids get a visual schedule that gives them a sense of ownership over their day. Charmspring recently just launched custom tiles, so I could add gymnastics, swim class, and Girl Scouts to our own board. Structure can sometimes feel rigid, but all parents know its necessary. With Charmspring, it also gets to be fun!5. Brand to Know + Immediately Follow: HolcombWhen it comes to kitchen tools, I have a simple rule: no fluff, just function. Thats exactly why Im obsessed with Holcomb, a brand that nails the balance between utility and timeless beauty. No frills, no gimmicks. Just sturdy, well-crafted objects that look as good on an open shelf as they do in use. While Id gladly take everything they offer, the elegant Oil Can and architectural Perch Mortar & Pestle are my personal standouts. Thoughtful design meets everyday necessity whats not to love?

Fresha, developer of scheduling software for beauty salons and spas, wanted its newest hub to reflect the dynamism of their team, and the innovation that occurs within. With a bold approach to color and materials, SAAN Architekci designed the new office in Warsaw, Poland.Located in Central Tower, a high-rise commercial building in the capital city, the architects wanted to bring vibrancy to the 5,920-square-foot, open-plan space. After flipping through the companys brand lookbook, Freshas signature violet tint caught the teams attention, and from then on they were determined to emphasize a range of bright hues. We saw these colors and knew they would add energy, so we decided to use them in the office, says Iga Sawicka, co-founder of SAAN Architekci and project lead.Clean lines and vivid accents are complemented by a soft loft aesthetic, featuring exposed ceilings and painted ductwork. Zones dedicated to individual work are awash in neutrals, wood, and green accents to foster focus. The lime green communication sector includes ergonomic furniture and phone booths.Transparent glass partitions amplify the tones in a prismatic effect. These dividers also maintain a sense of spaciousness while ensuring just enough separation between each department. Neon signs spelling out motivational phrases add a fun touch.Conference rooms and creative workspaces, highlighted in an intense orange, offer ample space for business discussions or brainstorming sessions. A lounge area, dubbed the playroom, has a panoramic view of the city, the perfect place for staff members to recharge. Plush upholstered seating and ottomans are ultra comfortable, ideal for socializing or relaxing during the day.At the heart of the space is the kitchen, which encourages employees to gather for meals or events. A large wooden island sits in the center, and a lamp-planter fixture hangs overhead, filled with live greenery. Plants placed in every corner of the office provide a much needed connection to nature and a lived-in, residential look.Freshas workplace is now anything but traditional, enhanced by the full-tilt color that is central to the uplifting environment. We moved away from a monochromatic palette, and by experimenting, we were able to design an office that is of the moment but not trendy. Its timeless, Sawicka notes.For more information on SAAN Architekci, visit saanarchitekci.pl.Photography by Tom Kurek.

Turntables are having a moment. Vinyl continues to see a massive resurgence, and with it, turntables have begun to diversify, both in form and function. One of the most striking new designs comes from Paris-based design studio Waiting For Ideas. Their latest creation, the PP-1, is a radical reimagining of the traditional turntable, combining extreme minimalism with innovative technology.The PP-1 is a turntable like no other. Carved from a single block of aluminum, its monolithic design eliminates the conventional tonearm and extraneous controls. The result is a striking, almost barren block of metal, free from the dials, buttons, and switches, except for two, typically associated with vinyl players. This streamlined approach enhances both the aesthetic appeal and the user experience, reducing the act of playing a record to its most essential gestures.Instead of a traditional tonearm, the PP-1 features a built-in needle that reads the vinyl directly from its body. To play a record, users simply place it upside down on the player. The turntable automatically detects the size of the record and adjusts accordingly, ensuring optimal playback without requiring manual calibration. This intuitive design blends digital convenience with the tactile satisfaction of analog music.Despite its minimalist exterior, the PP-1 does include essential controls. A discreet button allows users to adjust the speed between 33 and 45 RPM, while a multipurpose button controls playback and volume. Output options include a 3.5mm mini-jack and a USB-C connector, offering compatibility with modern audio setups.One of the PP-1s most unique features is its ability to function in both horizontal and vertical orientations. The turntable securely holds the record in place, enabling users to mount it upright for a striking display. This flexibility not only enhances the aesthetic appeal but also introduces a new way to interact with vinyl records.To complement the PP-1s groundbreaking design, Waiting for Ideas has also developed a bespoke speaker system. These speakers, designed as twin monolithic blocks wrapped in fabric, seamlessly integrate with the turntable. They can be stacked to create a sleek, tower-like structure or placed side by side for optimal sound diffusion. The result is a fully immersive listening experience that emphasizes the depth and texture of analog audio.In an era dominated by digital streaming, the PP-1 reinvents the ritual of music listening. By stripping away unnecessary elements, it encourages a deeper engagement with sound, allowing listeners to experience the weight, texture, and even the silence of their records in a new way. It transforms music consumption into a tactile, contemplative act an experience rather than mere background noise.Waiting for Ideas is a Paris-based design studio founded in 2021 by Jean-Baptiste Anotin. Specializing in the intersection of art and design, the studio crafts visually arresting and thought-provoking objects, installations, and spaces. Their work spans collaborations with renowned brands like Kith, Lacoste, Reebok, and Shinzo, as well as projects for Frances Mobilier National. By blurring the boundaries between art and industrial design, Waiting for Ideas continues to challenge conventional aesthetics and redefine the way we interact with everyday objects.The PP-1 is made to order and is available for 5,800 with worldwide delivery scheduled for June 2025. To learn more or to order, visit waiting-for-ideas.com.Photography by Mathilde Hiley, courtesy of Waiting For Ideas.

To celebrate the New Yorkers 100th anniversary, Swedish design brand PRINTWORKS is proud to present a chess set like no other the limited edition CHESS NYC The New Yorker x Printworks. A playful take on the game with illustrations conceived by regular contributor Christoph Niemann, pawns become taxis, the queen becomes the Statue of Liberty, and the knights become pigeons. A graphic set that would fit in a minimalist living room just as well as a maximalist study, this chess set lets visitors in on the game, while giving natives signs of home.Since 1998, Christoph Niemann has been a regular contributor to The New Yorker, bringing a sense of wit and style to over forty covers and countless comics, including the first augmented-reality cover titled On The Go. A staple in his work, a brilliant marigold color, is handpicked to reflect the lines on the subway and yellow cabs iconic to the city. From a multitude of sketches and finished products, down to the buttons on his website, this color elegantly intertwines the boldness of his work with the intensity of the city.Striking silhouettes one and all, the black and white game pieces reflect landmarks and staples that inhabit NYC, giving it character and charm. The pawns are taxis, following the sea of yellow through the bustle of the city, yet quite aptly only allowed to move one square per turn, much like a real cab. The knights are pigeons, flocking about, knights paths similar to the sometimes jaunty movements of urban bird flight.Rooks are abstractions of the Brooklyn Bridge, leaving just enough of the iconic facade to communicate identity. Bishops are the Chrysler Building, one of the most recognizable NYC facades, towering over the cabs to complete their diagonal movements. The queen is the Statue of Liberty, our watchful lady presiding over her court with grace and aplomb. Lastly, the king is, of course, the classic New Yorker dandy, with his hat and the cheekiest hint of an ascot. Always a fan of removing all but the most essential elements, this is just one of the qualities that give Niemann such a strong hold on design culture.Printworks is a Swedish brand founded in 2017, offering smart and stylish pieces designed to bring the family together. Offering a range of photo albums, board games, portable lamps, and other home decor items, they offer a beautiful and functional products with strong narrative, considering environmental impact and product lifecycle in the process. Consistently removing waste from their production process, their packaging is just as much a part of the product as the piece itself. This consideration results in high-quality, solid construction, items finding a lasting place in peoples homes.To learn more or to purchase the CHESS NYC The New Yorker x PRINTWORKS chess set for $120, visit printworksmarket.us.Photography courtesy of PRINTWORKS.

Its that time of the year when we start to romanticize the small but meaningful ways well embrace the changing seasons. With spring just around the corner, our thoughts turn to lingering alfresco dinners, warm evening conversations, and the glow of soft light extending the night just a little longer. With Louis Poulsens newest design, the VL 45 Radiohus Portable Lamp, well be able to illuminate our outdoor moments with warmth and ease, carrying the glow well beyond sunset.Inspired by Vilhelm Lauritzens original VL 45 Radiohus Pendant, this new portable design pays homage to a design legacy that dates back to the 1930s. Lauritzen, one of Denmarks most influential architects, originally created the VL 45 for Copenhagens broadcasting building Radiohuset, a landmark of functionalist design that now houses the Royal Danish Academy of Music. The pendants signature mouth-blown glass shade and brass details embodied his belief in light as a fundamental architectural element, both beautiful and purposeful. Now, Louis Poulsen has reinterpreted this classic design in a versatile, rechargeable format that seamlessly moves from indoor to outdoor settings.The VL 45 Radiohus Portable stays true to the original with its multi-layered mouth-blown glass, which diffuses a soft, glare-free 360-degree illumination, and lacquered brass accents that will maintain their pristine finish over time. At 6.8-inches tall, this compact yet elegant lamp is designed for effortless portability. The touch-timing system allows for easy brightness adjustments, while the premium leather strap makes it easy to carry and can be replaced if needed. A single charge provides approximately five hours of light at full brightness. Available in three colorways (Opal White, Pale Rose, and Pale Yellow), it seamlessly adapts to any settings, whether indoors or out.To add the VL 45 Radiohus Portable Lamp by Louis Poulsen to your outdoor oasis, visit louispoulsen.com.Photography courtesy of Louis Poulsen.

Water holds memory, with modern representations steeped in human traditions surrounding the element. Purification, reflection, and even jubilation. The Kyiv, Ukraine, flagship showroom for fashion retailer One by One is mindfully crafted to tap into this phenomenon recalling the child-like spirit of joy and whimsy, which flows through a collective consciousness sharing the same fondness for a summers day poolside. Completed by world renowned architecture and interior design studio Between the Walls (BTW), this space unites a community burdened by war and uncertainty. Whats more, the aquatic theme not only influences the spatial concept but also the clients marketing and branding strategy.I asked myself, what do I truly miss in life right now? The answer was lightness, air, and the feeling of being by the water. This project was a personal reception of the opposing emotions Ive been feeling due to the ongoing war in Ukraine, says the lead designer and BTW co-founder Victoria Karieva. Through the concept of the interactive pool and playful design elements, we wanted to offer an escape a place where people could experience joy, ease, and a sense of distraction, even if just for a short while.Guests are fully immersed in the evocative interior architecture upon entry. The roughly 2,100-square-foot space comprises a main showroom floor with large niches for display and an adjoining dressing room lined with private changing booths. This more intimate area is akin to high fashions traditional salon typology where shopping and styling potential purchases is also an elevated social ritual.Leaning into this, the design blends beautiful displays with various interactive moments peppered throughout the store to create Instagrammable vignettes something crucial for visibility and subsequently business in the digital age. Each fitting room is expertly staged to offer a sleek, modern aesthetic, with more white tiles, round metallic stools, and perfectly placed mirrors. Customers are invited to share their visits online, which expands the showrooms reach and audience.The entire floor plan is flooded with soft, ambient light emanating from thoughtfully placed panels to avoid harsh glares. Anchoring the main area is a small ball pit a recreational-style pool filled with cerulean orbs where people can splash for a photo opportunity against white tiles with red grout that provide the perfect backdrop. Another photo-worthy fixture is the cluster of custom 3D-printed pendants hanging just above it. And special niches punctuated within the walls are awash in the same expressive hue first introduced by the spheres.The modern, minimalist surroundings feel expansive as the scale of tiles shifts to something larger while striated wall treatments help draw the eyes upward. Many of the furnishings even echo the grid established by grout lines. White surfaces elsewhere provide a clean backdrop for the curated clothing displays, which also feature stainless steel rods that resemble the chrome handlebars often found in public pools. The varying heights, textures, and orientations of visual elements create a unique sense of undulation across the room. All the furniture was custom-designed by the BTW team and fabricated locally, with every piece customized to go with the flow.Here, the Ukrainian spirit boasts its ability to adapt and thrive amid adversity. This project reflects a mutual commitment, by businesses and creatives alike, to innovation and excellence in spite of the most difficult circumstances.The clients reactions were positive, adds Karieva. A lets keep moving forward attitude.Co-founders Victoria Karieva and Andrii AnisimovTo see the firms award-winning portfolio, visit betweenthewalls.com.ua.Photography by Dmytro Dychek + Pavlo Lutov.

Julian Opies distinct artistic language is recognizable across the world whether in massive pubic sculpture, digital animations, or paint, his human figures always surprise with how much individuality is conveyed in such reduced forms. His newest work, on view now at Lisson Gallery in New York plays with scale, movement, and three different materials while also debuting a new series of work that is his first to depict children.Exhibition view of Julian Opie at Lisson, Gallery New York, 13 February 19 April 2025 Julian Opie, Courtesy Lisson GalleryThe center of the room hosts four massive aluminum sculptures, each approximately 10 feet tall. The works, all painted in high-gloss auto paint, are part of his Busan Walker Series that captures walkers along the seafront in Busan, Korea. Red Phone and Yellow Phone are stand-outs that capture phone-facing pedestrians as they walk without breaking stride.Exhibition view of Julian Opie at Lisson, Gallery New York, 13 February 19 April 2025 Julian Opie, Courtesy Lisson GalleryJulian Opie, Yellow phone, 2023 Julian Opie, Courtesy Lisson GalleryMuch of the joy comes from the juxtaposition of art and real people. I took a selfie with the goal of demonstrating the unexpected large scale of all the works here (below), and as I was checking the image on my phone, I realized that my own phone-viewing silhouette matched those of the sculptures prompting a smile from another visitor who just entered the gallery. Its a reminder (and a recommendation) that this exhibition and all of Opies work gets better when shared with strangers. The work is about people, both within the work and surrounding it.Julian Opie, Reception B. (Junior Kindergarten B), 2024, with author.My favorite works are Opies first depictions of children, here reaching 13 feet tall on the wall. Created from hand-painted resin that resembles stone, each of the three large works depicts a different age/grade level: Kindergarten (pictured above), First Grade (with the green background), and Third Grade (brown background). It may take a minute to spot the age difference between each work since each group is scaled to the same height inviting you to compare clothing, stride, and proportion from one work to the next.Step closer and the work visually breaks into pure abstraction. The black outlines are deeply recessed, causing you to lose the image and see only depth and material.Julian Opie, Reception B. (Junior Kindergarten B), 2024 (detail)Exhibition view of Julian Opie at Lisson, Gallery New York, 13 February 19 April 2025 Julian Opie, Courtesy Lisson GalleryThe Lisson Gallery in New York may have my favorite lighting of any gallery, with two long rows of narrow skylights that provide daylight in spite of the High Line Park directly overhead. In a previous exhibition, the skylights were used to create a real rainbow, and here that very specific angle and quality of light gives each of these reliefs a sense that youre viewing them in a cave or ancient temple.Julian Opie, Year 4 A. (Third Grade A), 2024. Julian Opie, Courtesy Lisson GalleryJulian Opie Year 4 A. (Third Grade A), 2024 (detail)Julian Opie Year 4 A. (Third Grade A), 2024 (detail)The opposite walls features three large LED screens, each about 6 feet across, that display infinite animations of the same three groups of children. Here they walk in the same direction and never leave the frame, as if each is on an invisible treadmill.The bright LEDs pixels give the works an extremely crisp presentation in person. And though theres a great video of the exhibition (below) produced by the gallery, the digital works too must be seen in person. It can be a hypnotic experience to watch the unique walking styles and different step speeds in combination, falling in and out of sync to create a strange poly-rhythm that can hold you to the work for several minutes.Exhibition view of Julian Opie at Lisson, Gallery New York, 13 February 19 April 2025 Julian Opie, Courtesy Lisson GalleryJulian Opie Reception. (Junior Kindergarten), 2024 Julian Opie, Courtesy Lisson GalleryJulian Opies work is an invitation to see the world and your fellow pedestrians with a fresh eye to be amazed within the gallery itself and then notice new rhythms of the city forever when you exit.And if youre in Los Angeles or Baltimore, keep your eye out for surprising digital public works on various screens throughout the cities, running concurrently with the exhibition in New York! Learn more here.What: Julian OpieWhere: Lisson Gallery, 504 W 24th St, New York, NYWhen: February 13 April 19, 2025All artwork & installation images Julian Opie, courtesy Lisson Gallery.Detail images (and selfie) by David Behringer.

We always love to see an easter egg in product design, and Samuel Wilkinson doesnt disappoint with his newest lighting solution a chandelier produced in collaboration with Danish brand Astep. Sorpresa utilizes a specific mechanism that, once released from its paper sheath, expands from just a couple inches to just over 43 inches at its finished size. Delicate limbs splay outwards on the top and bottom of the shade, the user watching the light take shape before their eyes. I wanted to create a piece that would intrigue. As its name suggests, the essence of the lamp is surprise. We looked at various collapsible objects for inspiration and found a traditional shaker wool winder. It was the low-tech expandable timber construction that I admired most, the simple movement and expression, says designer Samuel Wilkinson.A mostly opaque mesh shade hides the ghost of the sanded oak structure inside, criss-crossing arms keeping the shade tight. The showing but not telling is strong, allowing the user to bask in the setup rather than adding any frustration to the mix. Utilizing recycled and recyclable materials, each component of the Sorpresa chandelier is designed to come apart easily at the end of its life cycle to promote circular design. Interactive, delicate, and thoughtful, this mechanism holds promise for many other products in the future.With many shaded lighting solutions, well expect either a slightly cumbersome installation process or an unsightly shape, detracting from the scene rather than adding to it. All of these pain points are minimized if not completely eliminated with the lightweight Sorpresa system, allowing you to spend more time enjoying the glow.The intention was to give Sorpresa a strong yet subtle personality when both on and off. When off, the light source nearly disappears within the lamp but still revealing the distinctive frame, when on, the light source is presented like a floating orb in center of the volume with limited shadowing from the frame, Wilkinson says.Samuel Wilkinson is a London-based designer who creates work that balances form and function in a crisp, meaningful way. Sustainability is always at the forefront of his studios work, spanning multiple industries and creating cherished products along the way. You might be familiar with his work already, be it the LATIS Series, the Zymbel candelabra, or the TUBA Chair.As much about sustainability as usability as a certified B-corporation, Astep believes that enduring design is about designing it well in the first place. Alessandro Sarfatti evokes the words of his father, Gino Sarfatti: We must work in all directions, and in each one find a small amount of innovation my father used to say this, and he was right; because as long as we move forward, towards something thats more meaningful, more respectful and more relevant each step is as valuable as the other, deserving the same consideration and respect. This tells all about the ethos of the company, deriving great satisfaction by working closely with designers to produce whats new, with the distinction to keep said pieces timeless.To learn more about the Sorpresa Collection, visit astep.design.Photography courtesy of Samuel Wilkinson and Astep.

Arguably one of the most influential and recognizable designs of all time, Arne Jacobsens Series 7 Chair features an iconic profile thats one of innovation, style, and comfort. Nine layers of pressure molded birch veneer give the Series 7 its signature strength, durability, and flexibility that allows so many pieces to circulate today, even after decades of use. Fritz Hansen launched the chair in 1955 and to mark it 70th anniversary, the Danish brand just released a limited edition 7:14 AM color palette featuring five new colors as part of the Ever the Sevener campaign. With Ever the Sevener we are celebrating seven decades of the Series 7 Chair as well as getting people to see it in a different light says Els Van Hoorebeeck, Creative Director of Fritz Hansen. The name was inspired by the what people affectionally call the chair at home the Sevener.The new 7:14 AM color palette, aptly named for the Danish light that emerges in the dawn of a new day, is ethereal and uplifting. With the slightest touch of a pearlescent glow, the colorways evoke a dewy autumn morning, ground still cool from the nights chill. The subtle shades, which include Beige, Blue, Green, Pink, and Violet, are paired with a gold-toned iridescent base that gently reflects a rainbow effect. Topped with a transparent finish, the steel structure still shines through the golden tint.Everyone talks about sustainability, but this is the real thing, a chair thats been around for 70 years and will be around for another 70 years, says Van Hoorebeeck. Thankfully, more brands are following Fritz Hansens lead, taking note that consumers really do want things to work well, and last for as long as possible. In an era of hyper-consumption, less is more. Working to establish standards for sustainability is essential as we look towards our collective future.Since 1872, Fritz Hansen has set an incredible standard for sustainability, innovation, and style. Fritzs inventive son, Christian, started experimenting with steambending techniques in the 1930s that would revolutionize the furniture industry, perfecting these processes and putting Fritz Hansen on the map globally. Collaborating with designers like Hans J. Wegner, Verner Panton, and Poul Kjaerholm throughout the decades has given them unique insight, learning from the past while simultaneously defining the future.Arne Jacobsen was a prolific designer, shaping the scape of design in many more ways than can be understood. Growing up in Copenhagen at the turn of the century, instead of drawing on the Victorian wallpaper, he instead chose to paint it completely white. An unusual decision for a child at the time, he brought this intensity to every facet of his life. A notoriously difficult person to work with, he was incredibly detail oriented and demanding, sometimes requiring his staff to stay at work around the clock. Yet, he threw himself just as wholeheartedly into painting, tending to saplings, or creating Christmas cards for friends. Uncompromising and warm, he existed in two seemingly conflicting spaces hardened modernist designer and nature-loving family man.To learn more about the Ever the Sevener celebrations and the Series 7 7:14 AM chairs, which are available only in 2025, visit fritzhansen.com.Photography courtesy of Fritz Hansen.

In the heart of Tel Avivs lively Levontin neighborhood, an innovative interior design project is redefining the way we perceive compact urban living. A collaboration of acclaimed architecture studio Baranowitz + Kronenberg, the 506-square-foot Urban Refuge apartment, nestled within an Art Deco landmark, blends modern functionality with a deep-rooted connection to nature.Designed to double as both a residence and a workspace, the Urban Refuge apartments aesthetic revolves around the use of Douglas Fir wood, creating an immersive sanctuary away from the citys dynamic energy. The continuous application of this organic material throughout the interiors fosters a warm and serene ambiance, reinforcing a sense of refuge for its inhabitant. The delicate grain and natural luminosity of the wood provide a backdrop that soothes yet stimulates creativity, making it an ideal setting for long working hours without feeling confined.At its core, the design follows an L-shaped layout, ensuring a natural flow between spaces while maintaining a unified identity. Each section unfolds organically, revealing subtle elements of surprise without disrupting the overall cohesion. This approach emphasizes the studios dedication to pushing the boundaries of residential design, proving that even within a compact footprint, innovation and comfort can coexist effortlessly.One highlight of the project is its ability to amplify the potential of a small living space through strategic design choices. Clever storage solutions and multipurpose furniture enhance the functionality of each area, ensuring that every corner serves a purpose. The apartments lighting, both natural and artificial, is thoughtfully integrated to complement the warmth of the wood, further reinforcing the sense of harmony within the space.The biophilic elements of the design, from the choice of materials to the connection between interior and exterior, create an atmosphere that feels expansive despite its modest dimensions. Large windows invite ample daylight, establishing a visual dialogue between the apartment and the bustling city outside while maintaining a tranquil retreat within. This interplay between urban energy and natural serenity is a hallmark of Baranowitz + Kronenbergs work, reflecting their ability to craft environments that are as practical as they are poetic.Beyond aesthetics and function, this project also speaks to a broader movement in contemporary architecture one that prioritizes sustainability, well-being, and a reconnection with nature in urban settings. By embracing a single material approach and focusing on longevity in design, the apartment represents a model for future residential projects that seek to balance modernity with timeless warmth.For more information on the Urban Refuge apartment or Baranowitz + Kronenberg, visit baranowitzkronenberg.com.Photography by Amit Geron, courtesy of v2com.

Leading commercial furniture designer and manufacturer Keilhauer is once again shaping the future of workplace design this time with not one, but two exciting new launches: the Hout seating collection and the Pact Flex system. Designed to meet the evolving needs of modern spaces, both offerings prioritize sustainability, functionality, and timeless design. With over 40 years of expertise, Keilhauer is renowned for creating innovative, high-quality pieces that transform the workplace experience. Whether its the striking wooden silhouette of the Hout chair or the made-to-measure flexibility of Pact Flex seating system, Keilhauer continues to push the boundaries of workplace furniture.The Hout collection, designed by Stockholm-based studio Afteroom, offers a fresh take on workplace seating. Inspired by the classic A-frame structures found in architecture, Hout balances the clean lines of its triangular wooden base with a softly curved seat and back. The armrests, crafted from single pieces of molded plywood, tie in with the rounded forms of the seat and the warmth of the wood base. Hout is available in two styles: a lounge chair with an upright back and attached seat and back cushions for added comfort, and as a side chair with a fully upholstered, slightly firmer seat body ideal for desks and conference rooms. Reflecting Keilhauers commitment to sustainability, Hout meets the highest industry standards, including BIFMA LEVEL 3, Certified Carbon Neutral, Greenhealth Approved, and Indoor Air Quality certified at the Indoor Advantage Gold TM level.Expanding on its popular Pact sofa designed by EOOS, Keilhauer is also introducing Pact Flex, a seating system designed to make customization both convenient and seamless. With adjustable lengths ranging from 25 to 60 inches, Pact Flex offers made-to-measure solutions down to the inch without extending lead times. This versatile system can be configured as a straight bench, L-shaped, or U-shaped arrangement, making it ideal as a sofa, booth seating, or benches. Pact Flex is a flexible and stylish choice for any commercial or contract space, carving out much needed comfortable seating in hallways, breakout spaces, and lunchrooms. Designers can choose from three base options to match their aesthetic vision: modern slim legs, a to-the-floor solid oak frame, or cushions-only for use with a custom base. Like the Hout collection, Pact Flex meets the same rigorous sustainability standards.With the launch of Hout and Pact Flex, Keilhauer continues to set the standard for innovative and sustainable workplace design. Keilhauer proves once again that exceptional design can meet the evolving needs of todays workplaces without compromising on quality or environmental responsibility.To learn more about the Hout chair and Pact Flex seating system, visit keilhauer.com.Photography courtesy of Keilhauer.

The new Apple MacBook Air is getting a touch of color. The 2025 model introduces a new Sky Blue finish, replacing the previous Space Gray option. While the change is subtle so much so that at first glance, it might be mistaken for Silver a closer look reveals a delicate blue hue that adds a fresh yet understated twist to the laptops design.For those who loved Space Gray, this shift might be disappointing, but many fans of darker finishes likely gravitate toward Midnight anyway. The introduction of Sky Blue hints at Apples willingness to experiment with color, perhaps paving the way for even bolder choices in the future similar to the vibrant iMac lineup.Beyond the new color, the MacBook Air remains largely unchanged and thats a good thing. It retains its ultra-slim, lightweight design and is available in 13-inch and 15-inch variants. The laptops premium aluminum chassis continues to offer a balance of durability and elegance, with two Thunderbolt 4 ports and a MagSafe 3 charging port on the edges.Internally, the MacBook Air gets a significant upgrade with Apples latest M4 chip. Without diving too deep into the development of chipsets, the M4 delivers better efficiency and performance, making it more than capable for everyday tasks like web browsing, writing, and basic image editing. However, professionals handling more demanding workloads such as high-resolution video editing or 3D rendering may still prefer the MacBook Pro.Apple has also reinforced its commitment to sustainability. The 2025 ultra-slim MacBook Air is built using 55% recycled materials, including a 100% recycled aluminum chassis. Additionally, the rare earth elements and cobalt in the battery are fully recycled, and for the first time in any Mac, the lithium content is over 95% recycled.Even better than all of this? In a world of economic uncertainty, Apple islowering the price of the MacBook Air. While the previous M3 model started at $1,099, the M4 MacBook Air starts at $999, offering better performance for less.The 2025 MacBook Air is available now in four colors Sky Blue, Silver, Starlight, and Midnight via apple.com.Photography courtesy of Apple.

Artistic creativity, to some degree, has historically been linked to affliction by way of the starving artist or tortured poet trope think an anguished van Gogh, an erratic Beethoven, or the volatile Caravaggio where the final expression represents release, relief, and sacrifice. Though struggle is not technically a precursor to creative practice, catharsis through making remains the professions favorite remedy in response to it. But not all are so morose. Modern artists, like Brooklyn-based ceramicist Devin Wilde, more often frame creation as a line of inquiry, an homage to history, or an act of self love.Vessel No. II in Copper PatinaI find working with clay to be therapeutic; good for the soul, Wilde shares from a modest corner studio, where smoke rises from smoldering incense in a sunlit dance to Etta James. Its inherently imperfect, also kind and forgiving. It helps me work through perfectionist tendencies that are unkind to myself more than other mediums Ive explored, he continues. Its simply how I want to spend my day.Vessel No. VII in Aged BronzeNow a fully fledged entity, Wildes creative career has meandered from architectural study at Stanford University through entrepreneurship in digital and user experience design before fully returning to tangible studio practice with wood and clay. His rsum boasts residencies at the Penland School of Craft and Anderson Ranch Arts Center where he worked in the latter, more malleable medium. Those practical experiences inspired the 2023 founding of his formal ceramics studio in Red Hook, not far from the rich New York neighborhoods that now inspire some of his monumental, meaning-laden pieces.Vessel No. III in Aged BrassFluting and scroll-like forms supporting classical friezes. Linework, chevrons, and shapes found in Art Deco facades. Gothic churches with reinforced structures and volumetric proportions. Wildes imagination travels through time plucking elements from different architectural periods only to temper them later according to postmodern tenets. But dont let the perception of ornamentation or whimsy fool you. The placement of functional and decorative features on each object within the broader collection are of consequence.Vessel No. II in Aged BronzeSimple silhouettes conical, cylindrical, and spherical containers are first hand-built using a mixture of clay with an aggregate called grog. This helps support structure, articulate texture, preserve linework, promote even drying, and reduce shrinkage during the firing process. Rather than incised, production of the exterior adornments follows the form making and are attached once everything is leather-hard, a stage where clay is still workable but will hold its form.Vessel No. V in IvoryI know Ive got it just right when a piece is done and drying and the surface quality is this truly boring monochromatic grey and the form still excites me, Wilde adds.Vessel No. IV in ChromeHis signature gesture comprises exaggerated ribbing in high relief often accentuated by circular discs, coiled feet, or full round ball finials at their terminus much like serifs on letterforms that create a habitual groove as one reads the surface. Trimmings are placed in a balanced and symmetrical arrangement to be dramatically augmented by light-catching metal oxide glazes in patinated copper, aged bronze, or rust-covered iron, which confers importance and elevates the objects status to venerable.Vessel No. VIII in IvoryAll the forms that Im coming up with are intended to exist with a duality of ancient and modern aesthetics, and the glazes that Im using are meant to reinforce that. Theyre meant to evoke an ancient quality to my work, like a metal artifact that was just pulled out from the sea, Wilde says.Vessel No. VI in BronzeArtist Devin WildeTo see this and other selected works from the artist, visit devinwilde.com. To shop his works, visit lawsonfenning.com.Photography provided by Devin Wilde.

A native of Denmark, Stine Find Osther embraced artistic pursuits at an early age. She explored a range of media, from painting to sculpture, even before her formal design education began. Drawn to color and tactility, Osther focused on the path ahead. I have always known my way forward and creativity has always been the driver, she says. That I ended up studying textile design was a bit of a coincidence, but I havent looked back since.Osther earned her masters degree in 2005, and just two years later she was working on the product development team at global textile brand Kvadrat. Now the vice president of design, she is responsible for the overall creative direction of the business, which includes all of the companys brands.Stine Find Osther \\\ Photo: Casper SejersenIn her role, Osther collaborates with a diverse group of external designers, from rising stars to internationally renowned names. These individuals all bring in expertise from different fields, and Osther serves not only as a guide, but also as a translator. She makes sure to balance Kvadrats DNA with various influences to offer collections that meld past and present.Art uplifts Osther, particularly the canvases by fellow Dane, Erik A. Frandsen. She went to the artists 2002 exhibit, In the Shadow of Light, eight times, fascinated by his deft use of tints. The show set the tone for her professional endeavors, as she realized that someone could truly specialize in color.Even though Osther is surrounded by fabrics, the building blocks of language are another source of inspiration for her. Alone, in pairs, sentences, or longer paragraphs, words are imperative in my creative process, she notes. I typically record ideas with words accompanied by a visual component combining the two for creative mind mapping.Today, Stine Find Osther joins us for Friday Five!Photo: Erik A. Frandsen / Hans Alf Gallery1. Five Car Studs, 2021 by Erik A. FrandsenWhen I saw the Erik A. Frandsen exhibition mentioned above, I have dreamed about a home with one of his paintings. I feel extremely fortunate to now own one of his pieces as it bridges a longtime inspiration with the present of my life today. I love that Im able to share this with my family and to bring it with me into the future.2. Alphabet Poetry by Inger ChristensenInger Christensen is one of Denmarks most well-known poets and was one of Europes leading contemporary experimentalists of her generation, winning multiple awards. My visual brain explodes when I read or listen to her Alphabet collection, and I continue to return to it for inspiration.Photo: Stine Find Osther3. Lucky CloverThis ties back to my untapped talent of finding lucky clovers. They are a constant in my life grounding me and providing me with inspiration.Photos: Stine Find Osther4. The view from my homeI continue to be in awe of and inspired by the change of light and color compositions from the view in my living room. The view is different every day, yet familiar, and beautiful in its own way all year around.5. Music Eight Arms to Hold You by Jacob BellensMusic is as important to me as colors. This piece holds a special place in my heart, and I walked down the aisle to this song performed live by Jacob Bellens himself, when my husband and I were (re)married. We plan on getting re-married again and again as these moments are fueling our memories forever with joy.Works by Stine Find Osther and Kvadrat:Take My Breath Away by Danh Vo produced with Kvadrat, 2018. Installation View, SMK \\\ Photo: Nick Ash, courtesy of the artist and SMK CopenhagenSerpentine Inspiration by Giulio Ridolfo for Kvadrat \\\ Photo: Casper SejersenSerpentine Inspiration by Giulio Ridolfo for Kvadrat \\\ Photo: Casper SejersenSwan Chair upholstered in Kvadrats Serpentine \\\ Photo: Courtesy of Fritz HansenKvadrats Steelcut Collection \\\ Photo: Casper SejersenKvadrats Steelcut Collection \\\ Photo: Casper SejersenTechnicolour Rugs by Peter Saville for Kvadrat \\\ Photo: Casper SejersenSisu by Nanna Ditzel and Danh Vo for Kvadrat \\\ Photo: Nick Ash

Designers Younghoon Lee and Banseok Seo both belong to a generation without the collective memory of televisions before they became the thin, large, and hi-definition panels standard today. Gen Z is also notably a demographic with a sizable percentage living in households with roommates or at home with family due to rising costs. These realities are the driving forces behind the concept design of the LG FLOW, a format-shifting 42-inch television with an easel-style stand accessorized with a pair of pop-out surround speakers conceived as a movable platform.When converted into vertical mode the FLOW is intended to be enjoyed as a digital art canvas, a use case further emphasized by the sets easel stand.Designed in partnership with the Korea Design Membership and LG Electronics, the same industry + academic cooperative that aided in the design of the LG Witty, the LG FLOW is not remarkably different from that concept nor existing vertical format transforming sets like the Samsung Aero and TCL Smart Screen. Each of those televisions are designed to flip between horizontal and vertical orientation, allowing for flexible placement and easy storage.Where the LG FLOW concept distinguishes itself from other televisions existing or conceptual is with the addition of a pair of wireless speakers designed to detach from the rear of the set. Deployed from two flush slots, and engineered to work alongside an up-firing array and front-firing soundbar attached to the television, the two book-sized speakers allow FLOW viewers the ability to add a layer of spatial sound without the hassle of running cables or snaking power cords.When fully calibrated and connected with a smartphone, the speakers are designed to auto-detect the user and optimize spatial audio output toward the viewer/listener for an immersive experience.The FLOWs easel style legs can be folded to allow the set to be leaned against the wall when converted into vertical mode, allowing for more flexible placement (or storage).The LG FLOW is yet another example of how televisions continue to evolve to reflect user habits, where time-shifting viewing on smartphones and tablets have chipped away at dedicated television viewing. Its debatable whether a vertical-orientation television really serves the viewing habits of Gen Z in any meaningful way, but with a space-saving mode and paired with wireless speakers, the LG FLOW undoubtedly thinks out of the 16:9 ratio box.

While the universe holds vast secrets and unknowns, one thing we do know is its ability to inspire endless imagination particularly the dreamy notion of what it might feel like to sit on a cloud. Miniforms channels this child-like wonder into its Nebula collection, creating pieces that embody the soft, weightless allure of the skies. With the new introductions of the Nebulona Armchair and Nebulone Sofa, the collection brings cosmic-inspired comfort down to earth, offering designs that are undeniably alluring, beckoning you over to take a seat.In addition to the soft, generous curves that evoke the identity of a cloud, the Nebula collection has one distinct feature: the teardrop-shaped arms that define each of the seating styles. Even the Pouf mirrors the scale of these arms, maintaining a cohesive design language of the collection. The Nebulona Armchair takes this signature detail and pairs it with a softly curved seat and backrest, creating an inviting sculptural form that is both modern and timeless. Its sleek lines and enveloping design makes it undeniably alluring, whether placed in intimate corners or open-plan environments.The Nebulone Sofa is the latest piece added to the collection, offering an expanded take on Nebulas signature feature. With its elongated seat and extended teardrop armrests, the Nebulone combines a sleek silhouette with unparalleled comfort. Measuring 240cm in length, its generously sized for stretching out or relaxing with company. The sofa is crafted exclusively in high-density polyurethane foam, reinforced for softness and support to provide superior comfort. Customizable in over 30 fabric options and even available in outdoor-friendly materials, the Nebulone adapts effortlessly to a range of spaces, from poolside retreats to cozy living rooms.While its scientifically impossible to sit on a cloud, the Nebulona Armchair and Nebulone Sofa offer the next best thing. Miniforms Nebula collection transforms spaces with its imaginative, cloud-inspired design, and with these new pieces, it brings a fresh sense of comfort wrapped in modern elegance.To learn more about the Nebula collection by Miniforms, visit miniforms.com.

Southern Californias Orange County carries certain connotations but these stereotypes oft-overshadow Laguna Beachs history as a bastion of counter-culture activity. Since at least the days of prohibition, the compact coastal city has been a haven for surfers, craftspeople, and other creatives.Looking to channel this nonconformist essence in the $15 million gut-renovation of what was once the legendary Inn Laguna Beach and now Casa Loma Beach Hotel, Marc & Rose Hospitality tapped renowned interior design firm Electric Bowery and leading branding agency LAND to deftly carry out a comprehensive and site-responsive refresh.We sought out not only partners, but like-minded friends who share our artistic passions and pursuits, says John Grossman, President of Marc & Rose Hospitality. The story of Casa Loma is revealed in the details the intentional design choices capture a spirit of retreat both familiar and imaginative, thoughtfully curated with our favorite things by our favorite people.With a sentimental touch, the overarching design scheme is framed around the narrative of a life well lived; a protagonist that has traveled far and wide, only to settle down in this setting for a while.We aimed to create a naturally-inspired destination that celebrates Lagunas environment and embodies a creative ethos, says Lucia Bartholomew, Electric Bowery co-principal. Our vision of fostering a sense of purpose and well-being is reflected at Casa Loma through the marriage of the local bohemian attitude with the natural energy of the sea.The intervention centers on the idea of facilitating ocean-side reflection and fostering easy exchange between guests. This was largely achieved through the soothing and familiar introduction of towering relief sculptures taking on dramatic shadows at different times of day; screen-printed artworks; woven throws; and other custom elements evoking a folkloric quality.LAND was enlisted to make the entire hotel one large immersive art experience from the lobby mural to the hand-painted canvas tapestries in select guest rooms, Grossman adds. Every aspect of the hotel, including the handcrafted wooden furniture and its vintage lobby sound system, feels organic to the space and its surroundings, but precise in its placement and design.Most of the formal vocabulary throughout Casa Loma evokes the Pacifics undulating waves and naturally carved coastlines. Rendered in sandy neutrals, clay tones, and seaside greens, many of the introduced architectural elements, furnishings, finishes, and accessories also nod to the culture of craft in the area. Curved archways throughout give way to intimate nooks that facilitate retreat and are outfitted with a tightly-curated selection of ceramic sculptures and found artworks, and various titles.Guests begin their experiences in the social hub lobby bar and lounge, replete with a sculpted mural of a sun-worshiping goddess evoking the natural beauty of the ocean and beach visible through floor-to-ceiling windows. The curvilinear main desk is enveloped in fired clay tiles while plaster wrapped built-in banquettes are lit by luminaires custom designed by Electric Bowery.This gentle yet holistic treatment carries through to the destinations food and beverage offering; a series of restaurants, bars, and services that truly evoke the mystique of a beach club from a bygone era. Theres reference to both Mexico and the Mediterranean across the board and within the thoroughly imagined cocktail menu. While tapas are served at Cecilias, organic fruits, artisanal cured meats, healthy vegetables, and whole grains are also available poolside. Just below the hotel, Main Beach one of the most beloved stretches along Californias extensive seaboard is furnished with New York design studio MAX IDs Sloth Beach Chairs. Additional venue Pacific Terrace plays host to custom woven lounge chairs and raw-edge stools.The 70 guest rooms 38 with private balconies or patios overlooking the water take the notion of quiet retreat to the next level. The shapes and tones of the setting also make their way into these intimate spaces. Sinuosity defines custom bed frames, built-in desks, sofas, and case goods. Organicism delineates vanity fixtures by SkLO and a series of custom fixtures developed by Kassandra Thatcher. Textiles upholstering bespoke armchairs and covering the beds render in muted-tone traditional ticking striped patterns. Playful checkered benches and whimsical, eye-catching throw blankets tie everything together.What: Casa Loma Beach HotelWhere: Laguna Beach, CaliforniaHow much: Rooms starting at $499Design draws: A reimagined seaside inn with relaxed public spaces, a pool, beach, and intimate guest rooms adorned in custom furnishings and finishes evoking both the areas counterculture history and the soothing organicism of the oceanfront setting.Book it: Casa Loma Beach HotelGo virtually on vacation withmore design destinations right here.Photography by Chris Mottalini.

In a Tokyo high-rise, storage becomes architecture. The 2,000-square-foot Akasaka Morandi I apartment, a collaboration between APOLLO Architects & Associates and Molteni designer Nicola Gallizia, transforms what typically recedes into background cabinetry and storage systems into the defining structural element of the space. Storage modules are arguably the essence of the Molteni brand, and here they become something more profound the core of the architectural experience itself.What makes this intervention particularly successful is how the storage system functions simultaneously as exhibition space, room divider, and circulation guide. When guests enter the family room, they encounter what the designers describe as theatrical visual presentation. The cabinetry becoming both gallery wall and spatial delineator. The careful materiality reinforces this duality natural oak doors create a warm canvas for display, while dark oak ceiling panels establish a powerful contrast that frames the entire composition.The sequence of movement alongside these modules creates a narrative progression from public to private, directing the guests journey through the space. This choreography of movement resonates with traditional Japanese architectural elements particularly the delicate transitions created by shoji screens and paper dividers. The storage wall thus becomes a cultural bridge, revealing unexpected commonalities between Italian design sensibilities and Japanese spatial concepts.Material choices further accentuate these sensibilities. Brass accents highlight art pieces and lighting fixtures against the restrained wood palette, while wet areas feature silver travertine and Ceppo stone-patterned ceramic tiles. These materials bring a distinctly Italian sense of controlled luxury to the space without overwhelming its essential tranquility. Where previous generations may have disguised storage as architecture, this approach embraces its functionality while simultaneously elevating it.Photography by Masao Nishikawa.

Sigma may be best-known for its affordable lenses compared to first-party alternatives, but the company is making waves for its take on modern camera design. Recently, it unveiled the new Sigma BF, a camera thats essentially built for minimalism.So what does that mean? Basically, it removes as many of the exterior dials and controls as possible, while retaining an ultra-premium build quality and ensuring high-end features. But theres a little more to it than that.The body of the Sigma BF is milled from a single block of aluminum, available in either silver or black. That aluminum block is interrupted by only a few design elements dotted around the camera, and that includes stripping away controls you would normally expect to see from a high-end camera. In fact, youll only get four buttons and a dial to control your photography. Those controls, however, are built to be a little more upscale than other cameras theyre pressure sensitive and have haptics for feedback during controls. The BF is the first mirrorless camera to incorporate haptics into its controls.All of the shooting-related settings will be visible on the display when you capture a photo, and youll be able to easily operate things like aperture, ISO, and color mode.Sigma has arguably taken minimalism to the extreme here, though thats kind of the point. So much has been stripped away that theres actually no SD card slot built into it. Instead, users will leverage the 230GB of internal storage, which can store up to 4,300 RAW images, 14,000 JPEGS, or 2.5 hours of video at the highest settings. Youll be able to transfer images and video through the built-in USB-C port.The camera is, of course, built to capture high-quality photos. Its a mirrorless camera with a 24-megapixel full-frame sensor, and has a dual autofocus system. When it comes to video capture, the camera supports a 6K resolution (at 29.97fps, or 1080p at 119.88fps) and L-Log recording. The camera has an L-Mount lens mount.The Sigma BF might not appeal to professionals who want constant access to as many controls as possible, but it certainly helps push camera design forward in interesting ways. Itll be available for $1,999, however that pricing doesnt include a lens. It will ship in April 2025.For more information on the Sigma BF camera, visit sigmaphoto.com.Photography courtesy of Sigma.

Luxury saunas are no longer reserved for five-star hotels you can now enjoy the experience right in your own backyard. Out of the Valleys new Tyto sauna brings home the restorative magic of Nordic sauna culture, offering immediate access to relaxation and wellness. Measuring just 2.5 feet by 8.5 feet, this compact, beautifully crafted retreat fits effortlessly into smaller outdoor spaces, delivering big on design, comfort, and therapeutic benefits. With Tyto, escaping the demands of daily life has never been easier or closer.While saunas are deeply rooted in Nordic culture, serving as spaces for both relaxation and social connection, their popularity has transcended borders. In the United Kingdom where Out of the Valley is based, the allure of sauna living has grown rapidly. It is now rapidly becoming a normal part of our everyday wellness routine, shares Chris Selman, co-founder of Out of the Valley. The brands bespoke saunas seamlessly complement a variety of landscapes, from charming gardens in Notting Hill to the shores of a remote Scottish loch. With Tyto, Out of the Valley is making this timeless tradition even more accessible for those limited on backyard space. We have created a sauna small enough to be tucked into the corner of any urban garden, so fans of heat therapy can be just steps away from this immersive and therapeutic healing experience, Selman explains.Each Tyto is made to order and handcrafted in the brands Devon workshop, ensuring the highest level craftsmanship. The sauna boasts a brushed and oiled black larch exterior, reminiscent of alpine cabins, and an interior of smooth aspen wood for a calming atmosphere. A striking edge-to-edge panoramic window offers expansive views while maintaining a sense of connection to the outdoors, with optional privacy glass available for added seclusion. The sauna houses a floor-mounted heater available in wood-burning or electric options surrounded by rocks for practicing loyly, the Finnish tradition of pouring water onto the hot rocks to create steam and increase humidity. Thoughtful features like adjustable LED lighting, an outdoor deck, and hooks for robes and towels add convenience and comfort. Optional add-ons, such as an outdoor shower, plunge pool, bench seating, extended deck, sauna heater Wi-Fi, and log storage, allow users to tailor their Tyto to their personal wellness needs.These days, the stresses of daily life are mounting, and its become more important than ever to prioritize wellness. An outdoor sauna is a place where you can escape the pressures of modern living through a soothing heat ritual, either on your own or with friends, Selman notes. With the Tytos harmonious blend of contemporary design, traditional craftsmanship, and thoughtful details, its the perfect elegant addition to any backyard oasis.To learn more about the Tyto or any of Out of the Valleys sauna offerings, visit outofthevalley.co.uk.Photography courtesy of Out of the Valley.

A new co-working space in Paris celebrates Modernist style, with two levels featuring a series of offices and lounge areas to support members. Designer Jordan Weisberg filled the interiors of the early 19th-century building with artistic touches, a nod to its location in Montmartre, a haven for creatives.Weisberg looked to a variety of sources for inspiration, from architecture to television and film, to capture the mid-century modern style that he favors. I love the 1950s, he says. Theres an American Functionalist, Mad Men aesthetic, and of course Mies van der Rohe too.A large circular opening is a key element, and a starting point for Weisberg, who wanted to counterbalance the strict rectilinear lines of the overall design. The portal serves as a surprising focal point, one that brings in a sense of fluidity and lightness, which changes depending on the viewers vantage point.There is an emphasis on seamless movement from the first to second floor, each configured to provide dynamic environments that encourage interaction between users, whether they are completing daily tasks or socializing.On the first level, a common area includes a range of options. Standard tables and task chairs are found in the main zones, ideal for quieter heads-down work. A kitchen is on the second floor, complete with a dinette set where clients can gather for lunch or a coffee break. In keeping with the modernist theme, almost all of the furniture was sourced from vintage collections. Classic sofas and accessories placed throughout are stylish but still comfortable.The color palette is simple yet elegant. Off-white tones act as a canvas which allows the deep burgundy ceiling to have added pop. Black and garnet ceramic tiles add sheen, complemented with blue and yellow tones.Materials are mixed effortlessly, providing just enough variety. Wood is paired with stainless steel and leather. Marble covers tabletops, with shades and veining that create a distinct patchwork of patterns. Each area is bathed in natural light, amplified by an interplay of textures. Baseboards and door frames with glossy finishes contrast with the matte acoustic treatment overhead.Each of the unique details are combined to capture the energy that matches the buzz of activity within. I love the dialogue between all of the materials, Weisberg adds. Its all balanced to make the space more dynamic.To see more work by Jordan Weisberg, visit jwarchi.com.Photography by Yvan Moreau.

Quantum computing could well be the future but while were still a long way off from having quantum computers in our homes, were likely much closer to them being actually useful in data centers. Those machines may be hidden from public view, but theres no reason they cant be design-forward and to that end, design firm Whipsaw has partnered with quantum computing company IonQ to build scalable and modular machines that can seamlessly fit into data centers.The result of the collaboration is the Forte Enterprise Quantum Computer, which is aimed at setting a visual language for the quantum computers of the future. It combines form and function, while making quantum computing a little more approachable.For the uninitiated, quantum computers flip the concept of computing in general on its head. Traditional computers process information in bits, which can be either a 0 or a 1. Quantum computers use tiny particles called qubits, which can exist as both a 0 or a 1 at the same time, essentially allowing quantum computers to process information much faster.The tech is still early in development, and its entirely possible that well never have quantum computers in homes, given the fact that qubits need to exist in extreme conditions, like near-absolute-zero temperatures. But, they could be hugely beneficial for scientific study, AI processing, and more. Quantum computers are already being used, but mostly in research settings, and theyre not really powerful enough yet to help out with the large-scale calculations that researchers hope theyll one day perform.The IonQ Forte Enterprise Quantum Computer is specifically built for scale, allowing customers to connect units together. It has flush handles, and is designed in a way that lets users arrange units in rows perfect for data centers.The unit is undeniably modern, offering a large, silver enclosure with etched multi-layer doors that Whipsaw says is designed to symbolize the qubits journey across its waveform.This design transforms an abstract technological concept into a tangible and approachable identity, defining what quantum computing should look like in the modern era, shares Whipsaw.Well have to see how long it takes for quantum computing to be commonplace in data centers, but hopefully when that happens, theyll look as great as the IonQ Forte Enterprise Quantum Computer. For now, these new units are being used at IonQs data centers in Washington, D.C. and Seattle.For more information, visit whipsaw.com.Photography courtesy of Whipsaw.

Stockholm-basedBeckmansCollege of Design presents Workform, a design collaboration between final-year Product Design students and three Swedish furniture companies, Edsbyn, SAVO and Svensson & Linnr. Throughout the year, students collaborate with professional companies to produce a piece of furniture, navigating real-world experiences like production timelines and manufacturing concerns. All based along a theme, this year it was sitting inclusive, flexible, active, resting, and pausing. Pulse, Hub, JUUNI, and Heed all debuted at Stockholm Design Week, adding invaluable insight from the next generation of designers.Pulse Design by Anna Nyman, Axel Peters, and Matarena Sjberg in collaboration with Svensson & LinnrThe Pulse chair offers three seat heights, allowing for children, adults, and older folks to sit in public with ease. Usually left out of the conversation of public design, kids and the elderly deserve consideration as well. This is an opportunity to promote conversation and community between groups that might not traditionally interact. As public art is steadily unprioritized, Pulse responds like a lifeline, a heartbeat breathing life into spaces previously unconsidered.Hub Design by Alva Jonasdotter, Love Persson, and Sara Lagerin in collaboration with EdsbynHub provides a warm, home-like feeling, in any space they happen to live. Utilizing the same base in two heights, this system employs multiple different cushion designs, adding to the multifunctional options for any interior. Easily adaptable, Hub creates a cohesive feeling, transitioning from office to home with ease.JUUNI Design by August Bllgren, Emelie Svensson, and Ellen Nilsson in collaboration with SAVOJUUNI allows us to perch, with a slight incline and footrest perfect for those half-resting, half-active moments. In two smart colorways, a pop of rusty orange delineates the relatively elegant legs, in keeping with its refined, minimal profile. Activating the core by nature of the seat, this chair reminds us to stay focused, perfect for a school or office.Heed Design by Siri Lvn, Karin Forsberg, and Victoria Johansson in collaboration with SAVOHeed is a piece of furniture that offers both active and passive seating positions, working between ergonomic considerations and energy levels both elegant and functional. Designed to encourage breaks throughout the day, the chair works for workplace or home office situations.With a special focus on producing with local materials and working with students on all aspects of the design process, Workform helps create lasting relationships and experiences that will prepare students for life after graduation. Industry experience is invaluable in how you can help in multiple aspects of the design process, ensuring easier employment opportunities in the future. As sectors diversify, certain aspects of traditional design education must respond in turn, offering a more comprehensive view of the future of furniture.To learn more about the Workform exhibition, visit beckmans.se.Photography by Emilian Jenrich.