Positioning itself as an elevated alternative to standard vacation rental platforms such as Airbnb and VRBO, HIGHSTAY tenders a tightly curated collection of luxury apartments throughout Paris. Each is programmed with all of the hard and soft amenities one would expect from a 5-star hotel. Much of this approach centers on tapping the French capital’s impressive raft of interior architects to outfit these one- to three-bedroom flats. The challenge for them, however, is to not just simply create pristine yet unlivable statement pieces but rather, ensure these temporary dwellings are comfortable enough for a multigenerational family to take up residence. The same thinking informed HIGHSTAY’s recent expansion into the Mediterranean market. Among two revamped estates, Villa Coachella emerges as a, what appears to be modest, stone-clad farmhouse perched within the lush Chemin de Saint Anne hills of Saint Tropez. With close to 3000 square feet of space, the “country home” unfolds as a deft interplay of relaxed coastal living and refinement. Comprehensively reimagined by Paris-based interior architect and furniture designer Stéphan Parmentier, the destination reflects his proclivity for contemporary art and civil aviation. These reference points are introduced in a nuanced treatment; one that doesn’t overpower an especially site-responsive palette of earthy and off-white finishes best suited to frame the natural majesty of the surroundings. Woven textiles, mid-tone woods, off-white ceramic surfaces, and terrazzo inserts are carried across the property. Custom built-ins accompany carefully sourced furnishings and distinctive but not boisterous industrially inspired luminaires. The rustic atmosphere is tempered by touches of precision engineering. Black steel framed windows are dressed in green shutters. Arched articulations in both architectural detailing and furnishings are as much a reflection of contemporary intervention as they are of ancient innovation. A robust collection of contemporary art ties everything together. In the main exposed-beam living room, a puzzle-like coffee table sits below a large sculptural chandelier. The main fully-equipped kitchen is complemented by a state-of-art outdoor barbecue set-up. Villa Coachella comprises nine en suite bedrooms and expansive interior and exterior entertainment spaces that seamlessly blend together. In true South-of-France fashion, the oversized heated pool and alfresco dining areas give way to undulating vineyards. Beyond its design-led approach, HIGHSTAY also champions a robust suite of experiential services. In Paris, these include private cruises along the Seine, perfume master classes at Guerlain, and helicopter tours of Versailles. In Saint Tropez, there’s an onsite boccia court, fitness center replete with top-line Technogym equipment, and a full spa rivaling a 5-star resort. Also cohesively staged by Parmentier, the facility incorporates a hamman, sauna, jacuzzi, and cold plunge. The home cinema is adorned in a starlit ceiling and features a foosball table. Though able to accommodate up to 18 guests, Villa Coachella is large enough to facilitate quiet retreat. There’s enough amenity spaces and programming for guests to cut away for a bit. While children might splash around in the pool, their parents can partake in a guided meditation away from the noise. Private chefs are also on call. What: HIGHSTAY’s Villa Coachella Where: Saint Tropez, France How much: Price upon request Design draws: A sprawling, full-service residence along Saint Tropez’s hilly coastline deftly reimagined by renowned interior architect Stéphan Parmentier to both reflect the rustic setting and contemporary style. Book it: Villa Coachella Go virtually on vacation with more design destinations right here. Photography by Clément Gérard.

Twice a month we’re inviting one of the Design Milk team members to share five personal favorites – an opportunity for each of us to reveal the sort of designs we love and appreciate in our own lives from a more personal perspective. Social Media Consultant Maivy Tran returns this week for our Take 5 series. 1. Scent Surrections: Fragrances by Future Society If you’ve ever wondered what extinct flowers smelled like, you’re in luck because Future Society decided to find out – and then bottle them. Using real DNA from long-lost blooms and a wild mix of biotech and artistry, they’ve created six one-of-a-kind fragrances that smell unlike anything else. Each scent is a unique blend of nature’s forgotten beauty, capturing the essence of flowers that once graced the earth. It’s futuristic fragrance for the curious, the creative, and anyone looking for a scent that’s new and unusual! 2. Cram Smarter, Not Harder I recently went on a two-week trip with just a carry-on, and by mid-vacation, my luggage was absolute chaos. That’s when I found myself seriously wishing I had something like Cram’s packing cubes. Available in 3 sizes and fun colors, they’re perfect for keeping your things sorted and your stress levels low. Made from 100% recycled plastic and topped with breathable mesh, they fit perfectly into standard suitcases and make it easy to find what you need. Here’s to making packing feel less like a chore and more like the official start of your adventure! 3. Catch of the Day: Nômade’s Citrus Squeezer Warmer days are here, which means it’s officially alfresco season – and what’s a sunny outdoor spread without a splash of citrus? Part kitchen tool, part conversation starter, and definitely the life of the party, this fish-shaped citrus squeezer from Nômade is the kind of quirky charm I love. Whether you’re dressing a fresh salad, mixing up zesty cocktails, or adding a tangy twist to desserts, this sturdy stainless steel squeezer is sure to be the catch of your summer soirées. 4. Chiseled to Perfection with Eadem Lately I’ve been deep in my self-care era, and I found the perfect excuse to turn my three-step skincare into a full-on ritual. The Chisel from Eadem is a sleek 2-in-1 tool that’s basically a mini sculptor for your face, and it has been calling my name. With its precision-crafted edges, it promises to sculpt and define your facial contours, while the cooling jade roller tackles puffiness and boosts product absorption. Just the look of it is pure luxury, so I can only imagine how it would feel to use! Plus, if just a few minutes every morning and night means I’ll get a lift and a glow, then I’m in. 5. Smallserve Serving Big Style The most perfect bowl for the cat I don’t have – yet. (Although I’m seriously considering using it for my pup, because why not!) There’s something about the Smallserve by Smalls that’s so irresistible; it’s giving “ceramic minimalist chic” with a touch of “my pet eats better than I do.” Available in two colorways, it stands out without being tacky and is actually designed with pets in mind – gentle on whiskers, elevated for good posture, and ceramic to help keep breakouts at bay. It’s also dishwasher and microwave safe, which officially makes it cuter and lower maintenance than most of my own dinnerware.

Leica may be best known for its ultra high-end cameras, but now the iconic brand is setting its sights on enhancing smartphone photography. Its latest product, the Leica LUX Grip, is designed to bring a more tactile, professional shooting experience to the iPhone. Engineered specifically for smartphone photographers, the LUX Grip mimics the feel and control of a traditional camera. It features physical controls including a two-stage shutter release, a precision control dial, and two customizable buttons – all aimed at offering a more intuitive and deliberate shooting experience. If the name sounds familiar, that’s because the LUX Grip is meant to complement the Leica LUX app. Launched earlier this year, the app gives iPhone users access to Leica’s signature color science, manual shooting controls, and film-style effects inspired by the brand’s legendary lenses. The grip continues that premium experience, both in functionality and aesthetic – sleek, refined, and unmistakably Leica. While Apple has introduced more advanced manual controls to the iPhone, like the new pressure-sensitive Camera Control button, the experience hasn’t been perfect. The placement of the Camera Control feels like a compromise between horizontal and vertical shooting and can be awkward to use. It’s also relatively stiff, sometimes causing the phone to shift when capturing a shot. The LUX Grip aims to address these shortcomings. While the Luxe Grip doesn’t have the same touch controls as the Camera Control, its two-stage shutter button offers a smoother, more stable shooting experience, helping to reduce camera shake. Combined with the dial and customizable buttons, users gain quick, precise control over settings without needing to tap the screen. The LUX Grip connects via MagSafe and pairs with your iPhone over Bluetooth 5.0. While MagSafe is expected to arrive on Android phones through the Qi2 standard, adoption is still limited – and for now, the Leica LUX app remains iOS-only. One caveat: despite being MagSafe-compatible, the grip requires its own charging and doesn’t draw power from the iPhone. The upside? It won’t drain your phone’s battery during long shoots. The Leica Lux Grip comes at $329 and is available at leica.com. It also comes with a dedicated carry case, which is a nice touch. Photography courtesy of Leica.

A neighborhood coffee shop is usually considered serviceable, yet rarely stylish. So when Manon Delafoy was tapped to transform a former Thai restaurant into a new java spot, she had an entirely different concept. The designer, known for spaces that showcase clean lines and natural hues, envisioned a serene escape from the bustle of Paris. “I wanted to create a peaceful, quiet place in the city that was the opposite of a crowded, basic café,” says Delafoy. The studio was tasked with the renovation of the restaurant space located in the 8th arrondissement. The ultra compact eatery, just 322 square feet, was underwhelming. Decorated with outdated finishes and marked by an unclear graphic identity, a complete overhaul began to make the new OLYSSE an inviting location to have caffeine-infused beverages or baked goods. Delafoy wanted to achieve a sense of softness and subtle movement, so she emphasized all types of curves, bringing fluidity to the interior. Arches serve as welcoming portals that give the petite storefront a more expansive feel. Carefully selected materials range from matte to glossy for a delicate balance between modernity and craftsmanship. Traditional Zellige tiles with gold squares cover the backsplash and reflect the sun that filters in. Oak wood accents and flooring complement the neutral palette, adding warmth. Bespoke furnishings, like the banquette seating in the dining area, maximize functionality while optimizing all of the available floor space. At the heart of the coffee shop, the bar is more than a piece on top of which freshly baked pastries are displayed. The sculptural centerpiece is distinctive with its trio of polished concrete hues. The refined gradient effect is reminiscent of shifting sands, which instantly draws the eye and echoes the other wavy motifs in the establishment. Chamotte stoneware and plaster fixtures have a raw, organic appeal. The 20 marble tabletops and metal taps have an elevated look, but they are also easy to clean – a must-have in a high touchpoint environment. An array of work by local makers is showcased, with ceramic objects plus wall art by Dorothée Picard and Anje Fontaine. Small limited-edition oil paintings by Marine Echavidre feature geometrics in earthy brown, sienna, and moss. These geometrics adorn the walls, and their pops of earthy color blend with the rest of the palette. By pairing disparate elements, Delafoy’s design offers a setting that resonates with customers, one that they are sure to return to often. “The wood, natural tones, and organic shapes feel familiar,” she notes. “I wanted to provide a bit of that comfort but in a modern way.” For more work by Studio Manon Delafoy, visit studiomanondelafoy.com. Photography by Camille Payat.

To create or to make is to forge progress – to reject that is just poor taste. And in spite of market turbulence caused by global uncertainty, Milan Design Week 2025 continuously proves that good design thrives in spaces of inclusion. This year’s Salone Del Mobile boasted 302,548 international attendees who came to witness showcases by 2,103 exhibitors from 37 countries, not to mention the extensive cultural programming with its tendrils extending well into the city itself. The sprawling activation’s beguiling novelties represent so much more than just beautiful things. Every annual event brings a greater level of refinement to the trade and innovations that were years in the making. Brands invested in biophilia have seen their concepts blossom into sustainable solutions that will outlive superficial trends to “go green”. And modularity has moved away from its monolithic aesthetic to become synonymous with personalization. We hope that this roundup and subsequent coverage in the weeks ahead will provide a peek into something beyond your regularly scheduled programming. Continue ready to revisit some objects, observations, and oglings from our latest visit to Milan. Kinetic Furniture Has More Fun All home furnishings serve some sort of purpose – even art, whose function I would argue is to be beautiful. But I’m always delighted to see objects that can multitask or add an additional layer of utility, aesthetic or otherwise. The Volte Face Mirror by Toni Grilo for Riluc is exemplary of the Franco-Portuguese designer’s fascination with technical processes and material properties as much as it is the innovative brand’s proclivity for finely engineered objects. Volte is the third installment in a trifecta of mirrors that explore illusionary dynamics, stimulate tactile senses, and now actively engage users to alter the visual function by repositioning a hinged central facet. Grégoire De Lafforest’s Armchair Crecy for decorative arts studio Mercoeur marries furniture making with cabinetry and casework. Three sides of the seat are lined with a folding screen that conceals storage within the frame and can open to make micro space for objects like lighting or a side table. Users have the ability to animate it as they please to accommodate refreshed interiors and evolving tastes – making the armchair an anchorpoint wherever it resides. Biophilia that Beguiles Humans are not as far removed from nature as some might insist – truly only by clothing and shelter, our second and third skins. Sunlight still perks us up like plant life. Greenery makes us feel grounded. And the sight of ladybugs and butterflies continue to spark joy. So why not tap into that design DNA? Italian lighting powerhouse Lodes delivered two biophilic concepts as part of the broader launch for their Lodes OUTDOOR collection. Reed, designed in house by Lodes, and Kinno, designed by Patrick Norguet, borrow silhouettes from easily recognizable flora and fungi, respectively. Their isomorphism is tempered by highly refined construction that sloughs off any suggestion of novelty for final products in the vein of landscape architecture. Music festival and cultural phenomenon Tomorrowland has extended its reach into design with their newly formed Great Library Design Studio led by Belgian architect Dieter Vander Velpen – who spearheaded the launch of their home furnishings brand Morpho. Their Volita Dining Chair is just one in a series of lifestyle objects that learns from Art Nouveau’s sinewy curves that often reference plant and insect biology. Material Uses We’d Like to See More It wasn’t just blue, it wasn’t just turquoise, it wasn’t lapis, it was actually cerulean… Anyone who watched The Devil Wears Prada knows that the trickle down effect – unlike economics – is true of fashion. While it isn’t beyond our wildest imagination to see innovative material use in the luxury space, it would be lovely to see these refinements fully embraced by the masses. Aged brass, green marble, and sumptuous upholstery. Orior – a family-run, ultra-luxe furniture maker out of Ireland – adds another heirloom-quality piece to their portfolio while expanding upon the material application synonymous with the brand. The solid wood Beatha Cabinet boasts hair-on-hide doors in a deep chocolate brown that manages to catch the light in unsuspecting ways for an additional sense of glamour. Rottet Studio, in partnership with Turri, who celebrates their centennial this year, debuted several rooms worth of artisan-crafted home furnishings. The James Executive Desk, situated in the office vignette, features a slew of embellishments that add to the design experience without complicating the form. Its leather detailing moves from the curved front panels to the drawer interiors as well as the undermount leather-wrapped saddle pocket and hidden leather-wrapped storage compartment within the elongated writing surface. Legacy Brands Bet on Boldness Iconic companies become cultural institutions by building credibility as reliable trade partners for the global design community through consistent messaging and a clear identity. But everyone deserves a chance to cut loose. And with intention, daring to deviate from their norm can imbue a brand with staying power and resilience. Family-run fabric house Dedar presented Weaving Anni Albers, in collaboration with the Josef and Anni Albers Foundation, recontextualizing five iconic Albers prints with modern manufacturing. Under Way 1963, described as a meandering thread on composite weave, is captivating with its 2.5-dimensionality and a curious directionality. As a tapestry, it beckons onlookers to come along for a stroll paying homage to the original artist while looking forward to the future of textile artistry as a fine art. Artisan bed maker Treca – whose name is a derivative for the term ‘coil’ in French – has been crafting mattresses and bedroom furnishings with classic silhouettes since the early 1900s. But as of late, the brand has embraced contemporary sensibilities and folded elements of high fashion, including textiles shared with and leathership learned from some iconic houses, into the design and construction of a few of their latest customizable pieces. The most modern is the Headboard Poésie Prestige, outfitted in leather with options for electrification. Wall Systems + Closets Get Glam Semi-permanent walls, custom casework, and sprawling closet systems are the next frontier for exploration when it comes to interior architecture. Designers now have near-limitless options to specify when tailoring a project for personalization. What’s more, modularity has become far less monolithic and a lot more empathic of the individual. Trendy surface treatments may come and go, but feature walls are here to stay. Lago, maker of ultra-modern modular design solutions, has developed a variety of systems that satisfy one’s taste for contemporary interiors with scalable storage versatility. The N.O.W. series – available in Kitchen, Wall Unit, and Wardrobe – creates a sleek, continuous finish across a handleless surface comprising delightfully irregular patterns that, depending on the model, may vary smoked-bronze, white, and transparent glass panels for an elegant alternation between storage and show space. Those looking for something warmer with the added benefit of acoustic comfort may consider the Et Voilà Wardrobe, which uses a large, retractable textile to conceal a closet feature. Poltrona Frau presented DressCove, their new wardrobe and walk-in closet system designed by architect Dante Bonuccelli. The details are an exquisite mixture of aluminum, wood, Pelle Frau, and task lighting that make moments of undress a celebrated part of twilight. The upright wall structures are made extra light without doors, and the freestanding solution may be configured to store and display myriad accessories – and of course, lined with leather. Take a look back on even more Salone and Milan Design Week coverage here.

Industrial yet approachable, the A45 System from Parafernalia presents a different view of modular seating – elements working in tandem to create seating that can be added on to and taken away, as per the user’s needs. A shiny, minimally finished stainless steel creates an industrial, approachable look, while solid lines, proportion, and clever rotations form an interesting dialogue that continues cohesively throughout the collection. The A45 System collection includes the A45 Single Sofa, A45 Chair, A45 Sidetable, and the A45 Triple Chair in Shades of Blue. Logic, efficiency, and material integrity are expertly rendered here, square rods turned 45 degrees to stand on their corners. This not only adds strength to the joints for an incredibly strong chair or table, but creates interesting vertices as the spacers and frame interact, increasing the overall surface area where they join. Crisp olive green corduroy follows an elegant curvature around the seat of the A45 Single Sofa, creating a full look that adds to the luxuriousness of the piece, upholstery softly glinting in light. A generous seat cushion gives way to a relatively attentive lounge, just slightly tipped back for a stint of relaxation or a respite from travel. Rough brushed steel adds beautiful undulations of steel, silvery textures catching stray beams in different ways as one passes around the A45 Chair. The 45-degree angle works well here, as it is an ideal angle to attach a piece of sheet metal, forming the seat. The A45 Chair is scalable, infinite options in terms of color and quantity make this a visually simple yet conceptually elegant series. The A45 Triple Chair, which was the first variation Parafernalia made resulting in the launch of the A45 System, merges three seats together to form a bench. Commissioned for a show in Mexico City, the Shades of Blue edition adds a new dimension to the cantilevered design by featuring two different blues for a distinct look. Bold and unique, the design possibilities for the A45 System are endless, creating dynamic seating for seating areas and commercial spaces alike. The A45 Sidetable receives the same rough-hewn finish, striations from the grinding or buffing process intentionally left visible. This surface can also be customized with any type of color, a satin finish showing off the vertices of the square tubing. Sebastian Zorrilla and Genki Matsumura founded Paraphernalia in 2021, based between Monterrey and Mexico City. Paraphernalia, meaning ‘a set of objects or tools that facilitate a particular activity or ritual,’ denotes an assortment of specialized objects, highly specific to their intended use. The same is true within the brand’s ethos, intentionality and cultural context at the forefront of the design process. To learn more about the A45 System from Parafernalia, please visit parafernaliaa.com. Photography courtesy of Parafernalia.

In 2022, furniture brand Uma introduced the T4 collection – a modular seating system with generous curves and a silhouette inspired by lava lamps, London buses, and ’90s television sets. Designed by Holloway Li, the T4 quickly became a standout for its joyful nostalgia and fluid form. Since then, Uma has breathed new life into the series with three fresh colorways, a sculptural new side table, and a playful fashion collaboration with Parisian label CAHU. Most recently, the brand showcased its updated T4 collection at Milan Design Week 2025 within Capsule Plaza, a design-forward hybrid exhibition founded by Alessio Ascari and co-curated by architect Paul Cournet. Installed at a satellite venue in Piazza Risorgimento 8, Uma transformed the retail space into Capsule’s relaxed lounge area outfitted with T4 sofas in Pear Green, Cotton Candy Pink, and Licorice Black. The modular seating invited visitors to gather, lounge, and see the playful functionality of the collection in action – highlighting Uma’s aesthetic and approach to form, color, and adaptability.   Alongside the new hues, Uma unveiled the Phantom Side Table, a collaboration with multidisciplinary designer Burak Koçak, founder of the jewelry and homeware label Epicene. Crafted from semi-transparent epoxy resin and supported by CNC-cut aluminum legs, Phantom borrows from aerospace and automotive industries a technique called typology optimization, eliminating unnecessary mass while preserving strength. “Rooted in the logic of nature, forms developed for efficiency often strike beauty,” Koçak shares. “This pursuit of balance – where nothing is wasted yet nothing is missing – results in objects that feel both inevitable and intentional.” Available in soft, atmospheric finishes like Clear Mist, Amber Haze, and Pink Sky, Phantom plays with light and presence, accentuating what’s been removed as much as what remains. Prior to its Milan showcase, Uma made waves in Paris with a debut collaboration with fashion brand CAHU, reimagining the T4 sofa through a bold, fashion-forward lens. Wrapped in CAHU’s signature red PVC – a nod to founder Clémence Cahu’s childhood memories of inflatable castles and nightclub banquettes – the limited-edition one- and two-seaters bring the T4 outdoors with a glossy, waterproof finish. The result is a playful, pop-inflected twist on the sofa’s familiar silhouette, merging design nostalgia with contemporary attitude. In addition to the original red and tan CAHU x Uma edition, the collaboration has launched four new colorways to round out the 1- and 2-seater collection: Sour Cherry and Pink, Sour Cherry and Cherry, Racing Red and Red, and Liquorice Black and Black. With bold new colorways, cross-disciplinary collaborations, and a growing catalog of sculptural staples, Uma continues its mission to collaborate with renowned designers and push the boundaries of fabrication. To learn more about Uma’s T4 collection, visit umaobjects.com, or for more on the CAHU x Uma collaboration, visit cahuparis.com. Uma at Capsule Plaza photography by Felix Speller. Uma x Epicene photography by Olus Beklemez. CAHU x Uma photography by Olus Beklemez.

Tucked into a tree-lined area of East Hampton, New York, the Shift House is a new residential project by Palette Architecture that embodies a new paradigm in modern living, where design integrity meets the efficiencies of prefabricated construction. At just 1,600 square feet, this compact yet striking home is a compelling example of how modular building methods can coexist with high-end design and a deep connection to the natural world. In the wake of the COVID-19 pandemic, many New Yorkers found themselves reconsidering the environments they called home. The appeal of urban life – with its density, energy, and constant motion – gave way to a desire for peace, privacy, and proximity to nature. For one family of four, who already owned a townhouse in Brooklyn, the solution came in the form of a second home – one that would serve as a retreat, a workspace, and a space for togetherness in the calm of East Hampton’s wooded neighborhoods. This desire for a timely and affordable build led Palette Architecture to suggest an unconventional approach: modular prefabrication. With traditional construction plagued by material delays, workforce shortages, and rising costs, the firm saw an opportunity to sidestep these issues by turning to factory-fabricated modules. But this wasn’t simply a matter of expediency. The architects were determined to prove that modular design could be not just practical, but beautiful – and expressive of their clients’ values and lifestyles. Modular construction often carries a reputation for compromise: cramped layouts, uninspired aesthetics, and limited flexibility. Palette Architecture sought to break these assumptions from the start. The design of Shift House was driven by both the possibilities and the constraints of prefabrication. With transportation size restrictions dictating module dimensions, the team had to think creatively about spatial composition. The final configuration is deceptively simple: three main modules form the structural core of the home – housing bedrooms, bathrooms, and a generous open-plan living area. To add volume and light to the central gathering space, five prefabricated panels were designed to lift the ceiling height well beyond standard modular limits. This move not only enhanced the interior experience but also demonstrated how strategic interventions can elevate prefab architecture into something truly special. The modules were manufactured offsite with remarkable precision, arriving ready for rapid assembly. In fact, the entire structure was erected in a single day, complete with mechanical, electrical, and plumbing systems in place. Afterward, onsite crews completed the finishes, cladding, and select millwork – blending factory efficiency with handcrafted detail. The residence is thoughtfully sited at the edge of a grassy backyard, forming a gentle L-shape that embraces a private lawn. This layout creates a natural courtyard, framed on one side by the house itself and on the others by a minimalist swimming pool and carefully planted rows of trees. The resulting outdoor space feels protected and intimate – a quiet oasis removed from the outside world. The landscaping is intentionally dualistic: the rear yard is lush and inviting, while the front comprises drought-resistant plants and gravel, offering a low-maintenance, understated approach to curb appeal. Large windows dominate the living and dining areas, turning the interior into a frame for the outdoors. Whether cooking in the kitchen, relaxing with family, or waking up in one of the bedrooms, views of the verdant surroundings are always close at hand. The house departs from the sterility sometimes associated with modular construction. Instead, it’s warm, textural, and carefully curated. Custom millwork is used not only to add to the aesthetics but also to help visually tie the modular components together. Each room is given a distinct material identity – through cabinet finishes, wood tones, and subtle design cues – creating a sense of discovery and depth within a relatively modest footprint. The natural materials selected for the interiors further echo the surrounding landscape. Wood grains, organic textures, and earthy tones are paired with minimalist forms to create a modern yet inviting atmosphere. This balance between simplicity and character is a hallmark of Palette Architecture’s approach. For more information on Palette Architecture or Shift House, visit palettearch.com. Photography by Jody Kivort, courtesy of v2com.

Artu creates ergonomic yet aesthetic furniture, durability and thoughtful design at the forefront of their process. The Polish furniture brand recently tapped German designer Moritz Putzier to create a limited edition collection of his Taptap Chair for an exhibition held in Düsseldorf at the NEBN Gallery. This new version features the TapTap Chair emblazoned with a distinct and pleasing color scheme. Taking familiar pieces and combining them with evocative coloring, these artful pieces create an approachable and cohesive finish that embraces bold hues. The original Taptap Chair launched in 2023 in solid colors with wide tripod bases that allow for various positions of seating. “Taptap is a collection of visually striking yet practical furniture pieces designed by German designer Moritz Putzier. The concept revolves around creating a compact chair with a low backrest – versatile and functional without taking up too much space. The design is characterized by finely crafted details and a playful approach to geometric shapes and proportions, giving each piece a unique and unconventional character. The Taptap family includes a chair and a stool, both made of solid ash and lacquered in color,” shares the brand. Created exclusively for his latest exhibition, Putzier drew inspiration from the energy of Germany’s annual carnival, capturing the fun and festive spirit of the time-honored tradition. Each chair boasts a signature placement of colors, exemplifying a “similar yet different” approach that is visually stunning when placed together. Adorned with bold color combinations and dynamic contrasting panels, we are reminded of the transformative power of color, instantly communicating a sense of whimsy and joy. Moritz Putzier is a Cologne-based designer, founding his own award-winning studio in 2015, focusing on lighting and furniture, yet expanding into home accessories and interiors. With a strong command of the emotional components of design, Putzier understands that design represents a connecting link between people and their environment. Playful details meet technical refinement in his projects, sharing insight into his process as a lecturer at HBKsaar. Furniture brand Artu, based in Poland, deeply understands the importance of collaboration, employing an international team of engineers and designers to create objects for hotels, restaurants, and cafes. Their production is centered around hardwood and metal, deriving the highest quality materials for dependable products that withstand the most high-traffic environments. To learn more about Moritz Putzier’s limited-edition Taptap Chair, visit Artu at artu.works. Photography by Markus Luigs.

They may be small in size, but when it comes to making a statement, hardware proves that the tiniest details can have the biggest impact. Like jewelry for your home, knobs, pulls, and handles offer a subtle but powerful way to infuse personality, style, and even a little whimsy into your space – and the Profile collection is no exception. A new collaboration between Nest Studio and interior designer Laura Jenkins, this hardware gives cabinetry a bold, sculptural face lift. Founded by Jessica Davis, Nest Studio has been a go-to for bespoke hardware for more than a decade. Pulling from her background as a product and interior designer at her firm Atelier Davis, she understands just how transformative hardware can be. Her inspiration ranges from Bauhaus and Art Deco architecture to pre-Colombian pyramids – always grounded in solid construction and artisanal craftsmanship that stands the test of time. Rooted in Bauhaus-inspired design, the 10-piece Profile series strikes a balance between sharp geometry and elegant silhouettes. At its core is the Disc pull, a simple yet sculptural form that sets the tone for the rest of the collection’s expressive shapes. The coordinating Cameo pull adds a figurative twist, nodding to Jenkins’ love of Giacometti’s bronze sculptures and the whimsical, gestural drawings of Jean Cocteau. The Dangle Drop Pull brings a fresh tactile experience with its playful configuration, while the Triangle and Circle knobs offer a minimalist punch of geometry. Designed with versatility in mind, the collection invites customization through mix-and-match handle ends, allowing for various combinations to suit any style. The hardware is available in a range of finishes – including Blackened Bronze, Polished Brass Unlacquered, and Polished Nickel – with custom options available by request. Though hardware is often seen as purely utilitarian, the Profile collection reimagines it as a canvas for personal expression, merging form, function, and a sense of fun. To learn more about the Profile collection by Nest Studio x Laura Jenkins, visit neststudiocollection.com. Photography courtesy of Nest Studio and Laura Jenkins.

In a world that moves at an ever-increasing pace, it’s more important than ever to pause and consider our relationship with nature – the landscapes that ground us, inspire us, and often leave us in awe. From misty mountaintops to quiet desert dunes, these untouched places remind us of the beauty that exists beyond the built environment, around our homes and beyond it. It’s more important than ever to protect and preserve them. As we shape our daily lives, the objects we surround ourselves can serve as gentle reminders of this connection and the collective responsibility we share to tread lightly and honor the earth and all it holds. Los Angeles-based OWIU Goods, the home goods extension by design and build firm OWIU Design, embodies this philosophy in its MATTER Collection, translating the serenity of natural landscapes into handcrafted ceramics designed to elevate everyday rituals. Each piece, with its organic forms and earthy textures, invites mindfulness – whether in the quiet stillness of the morning while making a cup of matcha or in the simple act of setting the table. More than just housewares, this collection is a tactic reminder of our bond with nature, encouraging a slower, more intentional way of living. MATTER features a thoughtful, curated selection of ceramics: a hand-thrown matcha bowl for a perfectly frothy beverage, a whisk stand to preserve your matcha tools, an elegant cup for daily coffee or tea, a versatile 7-inch plate to accompany every meal, a donburi bowl for nourishing, well-proportioned dishes, candles that smell like the elements that inspire them, and a ceramic canister for dry goods or keepsakes. Made in small batches with locally sourced clay, each item is handcrafted in Los Angeles by a team of skilled artisans. The glazes that give each piece its distinctive, one-of-a-kind character are inspired by the different elements and landscapes found in nature – beaches, coastal landscapes, forests, meadows, deserts, white sands, and rose quartz. While we may not always find ourselves immersed in the untouched beauty of nature, we can still nurture our connection to it. With the MATTER Collection, that reflection becomes part of our daily lives. To shop the MATTER Collection by OWIU Goods, visit owiu-goods.com. Photography courtesy of OWIU Goods.

While rugs have their place, typically underfoot, who’s to say they can’t rise up to meet us in entirely new ways? That’s the thinking behind DUNE, a sculptural collaboration between German design studio BUDDE and Cologne-based Nando Studio. Debuting at Milan Design Week at Galleria Rossana Orlandi, DUNE reimagines the traditional rug as a fully functional chaise lounge, inviting users to recline and reflect on how design can redefine the boundaries of conventional typologies. Drawing from the flowing landscapes of nomadic desert cultures, DUNE pays homage to the rug’s cultural significance as a gathering space and resting place. “The pattern mimics the flowing dunes of a desert landscape, with a warm, shifting color palette that reflects the subtle changes in sunlight along the sand dunes,” shares designer Johannes Budde. The result is a visual rhythm that’s been immortalized in tufted merino wool – both tactile and expressive. At first glance, the surface of DUNE appears soft and sculptural. But beneath that inviting form lies a story of precision and adaptability. Gun-tufted by Nando Studio in Cologne, the rug is supported by a bent aluminum frame that can be easily attached or removed beneath either side. This gives users the freedom to enjoy DUNE as a traditional rug or transform it into a chaise lounge when the mood strikes. Whether used for lounging, gathering, or simply as a centerpiece, that kind of adaptability – innovative yet demure and inconspicuous – redefines what we can expect from a rug, inviting new rituals for rest and relaxation. L-R: Ferdinando Colosimo of Nando Studio and Meike Papenfuss + Johannes Budde of BUDDE DUNE is exclusively represented by Galleria Rossana Orlando – for more information, visit rossanaorlandi.com. Custom pieces are available upon request, allowing for personalization while preserving the piece’s nomadic, desert-inspired spirit. To learn more, visit budde.co. Photography by Saskia Kinast.

In the heart of Ermionida, Greece, a former machinery workshop has been given a vibrant new identity as a dynamic and contemporary living space. Apartment V, a project by Anastasia Naki of Naki Atelier, breathes new life into a once-industrial setting, integrating modern design elements while paying homage to its past. Spanning 807 square feet, the residence is strategically designed to optimize natural light. A wall of glass blocks surround the front entrance allowing light to enter the space while also prioritizing privacy. With only one external-facing facade, the architectural team prioritized its design to flood the interior with daylight, enhancing both ambiance and energy efficiency. The layout is thoughtfully structured, dividing the home into two primary zones. The private section, containing two bedrooms and a bathroom, is accessible via a corridor that extends from the kitchen. Meanwhile, the public area of the apartment is an expansive, open-plan living area that combines various functions without compromising comfort or aesthetic appeal. A defining feature of the renovation is a suspended steel loft – in a cherry red hue that is seen throughout the space – which serves multiple purposes. Hovering above the kitchen and dining space, this mezzanine area acts as an additional relaxation zone while simultaneously shaping the perception of height in the room. The elevated structure provides a sense of intimacy, counterbalancing the generous 14-foot-high ceilings. By incorporating this level, the design maintains an open connection between different parts of the apartment while ensuring a warm and inviting atmosphere. Leading up to the mezzanine and suspended from the back of the kitchen island, the floating staircase makes a 90-degree turn midway up and continues to the top with added treads that tie the red between the two floors. The material selection reflects both the industrial history of the space and a bold contemporary vision. A red steel framework anchors the design, echoing the building’s original function, while stainless steel custom-made furniture reinforces the industrial aesthetic. To balance these raw, robust elements, the interior features Tinos green marble, bold-hued tiles, thick textiles, and raw birch plywood – each adding texture and warmth to the space. For more information on Naki Atelier, click here. Photography by Thanos Palaskos / Bessawissa Studio.

Smart trackers are becoming increasingly common, but few of them look as cool and unique as Roam, which was designed by design firm Tangerine. The new tracker is designed to bring a little character to the smart tracker, while offering a more eco-friendly build in the process. Roam is also designed to be a little less bulky than other smart trackers. The device has an elastic strap that can easy be used to attach it to bags, keys, and other items – all without the need for additional accessories. Apart from the design, that’s perhaps one of the biggest design differences between the Roam and Apple’s AirTags. The tracker is available in six fun colors, including yellow, pink, green, blue, black, and white. You could buy one that stands out a little more, or you can select one that better matches the item you’re attaching it to. Lastly, the device is shockproof and water-resistant, so it should be able to survive anything you put it through. As mentioned, Roam was designed to be eco-friendly. The casing of the tracker was built with 100% recycled plastic, and the built-in strap eliminates the need for additional accessories that are built from wasteful materials. Thankfully, it’s not all about the design. Roam integrates with both Apple’s Find Me and Google’s Find My Device networks, plus it has a replaceable battery that can power the tracker for a year. On the back there is a QR code, which can be scanned by someone who finds your item, to allow them to return it to you. Lastly, the device has geo-recovery with what3words, for more precise tracking. It does not, however, have the same Precision Finding as an Apple AirTag, which relies on an Ultra Wideband chip. For many, that won’t be a huge deal – you’ll still get an updated general location from nearby iPhones. Once you’re near it, you might need to look around a little. Roam is available for pre-order. Visit roamsmarttracker.com for more information.

Elizabeth Rees comes from a tradition of printing, and knows that the right graphics can have a lasting impact. The family business specialized in large-format projects like billboards and advertisements found on buses. When Rees lived in Manhattan, she helped a friend who needed to update her office, and came up with a peel-and-stick wallpaper. Not only was it easy to use, it could also be changed to suit a range of interiors. Her wallpaper was the perfect product for design-obsessed clients who wanted to experiment with color and pattern without having to commit to an expensive renovation. Rees co-founded Chasing Paper with her brother Mike Rees in 2013. Today Rees and the company are based in her hometown of Milwaukee, Wisconsin, where she lives with her husband and two daughters. Chasing Paper now offers a complete line of solutions and products produced in collaboration with noted designers and influencers, from murals to tile decals. Elizabeth Rees of Chasing Paper \\\ Photo: Courtesy of Chasing Paper Surrounded by motifs and hues from every end of the spectrum, it’s no surprise that Rees is a visual learner. She hopes her own tale will be in print too, in the form of a book that bibliophiles will cherish. “I love to tell stories and find the right words to convey a certain feeling or moment in time,” she says. “It would be a dream to write a novel one day.” Rees has plenty of projects on tap, and her days include different facets of leadership. Never afraid to speak in front of an audience, Rees has discovered that she enjoys being a facilitator. She moderated two panels last year, and the role came naturally to her. It was also a fun break from her routine, and she’s looking forward to more opportunities to engage in this way. Balance isn’t always easy to achieve, but one habit ensures that Rees stays centered no matter what is happening. “I think getting outside or on the treadmill allows me to transition from work to home life,” she notes. “Walking helps me to clear my mind and reduce the stress I have been carrying in my body during the day.” Today, Elizabeth Rees joins us for Friday Five! Photo: Courtesy of Charmspring 1. Charmspring Springboard Outside of running a business, I’m also a mom of two! The Charmspring Springboard is one of my favorite ways to give my family a sense of routine and control in a fun, visual, and design-forward way. Photo: Kaboompics 2. A Stack of Books (Always!) There’s something about a stack of well-loved books that instantly makes a space feel lived-in and layered. Right now, I’m deep into The Creative Act by Rick Rubin – a must-read for anyone in the design world. I also love novels and just finished All the Colors of the Dark, which was so immersive and well written. Photo: Elizabeth Rees 3. The Brick Device I’m always looking for ways to be more present, and the Brick device is such a smart take on digital detoxing. It’s a minimalist block that restricts what you can access on your smartphone, allowing you to be in the moment without the distractions of social media and endless notifications. Whether I’m brainstorming new wallpaper designs or coloring with my daughters – this device has helped me get some healthy distance from the pull of being always connected to technology. Photo: Courtesy of Marimekko 4. Marimekko Green Green Tea Towels Marimekko has mastered the art of bold, graphic prints, and their Green Green Tea Towels pattern will never go out of style. I recently added a set to my kitchen, and they instantly make everyday moments feel more joyful. It’s a reminder that great design isn’t just for big statement pieces – small touches can be just as impactful. Photo: Courtesy of Chasing Paper 5. Vintage Wicker I’m always on the hunt for unique vintage finds, and lately, I can’t get enough of vintage wicker. It adds just the right amount of texture and warmth to a space, balancing out more modern pieces with a bit of character. Whether styled with a throw pillow or left bare for a sculptural moment, it brings effortless charm to any room. Works by Chasing Paper: This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

There’s no shortage of emerging contemporary artists and designers coming out of Mexico, and ÁUREA is proof of that. Presented by DIFANE, a multidisciplinary studio and gallery, the exhibition celebrates transformation and new beginnings. Featuring nearly 30 designers, artists, and creatives, it highlights the richness of Mexico’s design landscape and offers a fresh perspective on the fusion of traditional craftsmanship and modern design. Inspired by the light and energy of the early morning, ÁUREA marks a new chapter for the studio, which is dedicated to supporting both emerging and established Mexican creatives, with a larger and more versatile space. “From the beginning, DIFANE was founded with the vision of becoming a platform that celebrates and propels Mexican talent,” Andrea Gadsden, cofounder of DIFANE, shares with Design Milk. “We saw a need for greater visibility and support for designers who often lacked the infrastructure to showcase and sell their work both nationally and internationally. Our new space embodies this mission – it is a place where creativity can flourish, and where designers can focus on their craft while we take care of the logistics, sales, and promotion. More than a gallery, DIFANE is a community. ÁUREA is the dawn of a renewed vision: to keep building this collaborative ecosystem and provide a space where innovation, craftsmanship, and identity converge.” The ÁUREA exhibition features the work of designers Bibi Bibi Studio, Juan Alán González, Ricardo Rodríguez Elías, Edgar Orlaineta, Simón Hamui, Peca Studio, Lordag and Sondag, Colección Estudio, Xavier Lorand, Comité de Proyectos, Bandido Studio, Axoque Estudio, Ernesto Azcarate, Tributo Mx, Jazo Romero, Azotea, Ukma, Nuumbra Estudio, Andrés Gutierrez, Isabel Moncada, Ad Hoc, Taller Nacional, Ehecatl Moreno, Chuch Estudio, Rokam, and Encrudo, as well as artists Andrea Sotelo, Pilar de Ariño, and Pedro Magaña. ÁUREA explors the connection between nature, raw materials, and creative awakening through a curated selection of handcrafted furniture, lighting, and art objects. Each piece embodies the essence of contemporary Mexican design, which Gadsden defines by its ability to seamlessly blend tradition with innovation. “It draws deeply from our cultural roots, artisanal techniques, and connection to nature – while reinterpreting these elements through a contemporary lens,” she reflects. “The result is work that is both timeless and forward-thinking, rich in narrative and bold in execution.” Through its collaboration with Estudio Actual, which helped shape the exhibition, DIFANE expands its vision, creating a unified experience where contemporary art and design meet. The exhibition is just a taste of what’s to come from DIFANE. Looking ahead, the studio is preparing for the official opening of its showroom, what Gadsden deems “an exciting milestone that will become the heart of DIFANE moving forward. This space will allow us to present an ever-evolving selection of pieces and welcome new designers into our community. It will also serve as a hub for creative dialogue and collaboration, reinforcing our role as a connector within the Mexican design scene.” At the heart of it all, DIFANE will stay committing to amplifying Mexican talent – at home and abroad – through meaningful partnerships, creative storytelling, and exclusive launches. “At DIFANE, we’re deeply committed to shaping the future of Mexican design, and we’re just getting started.” “The Ono Chair by Ukma redefines the relationship between material and movement through its fluid, sculptural form. 3D-printed using recycled polymer, the chair represents a seamless fusion of innovation, sustainability, and ergonomic function. Founded from a desire to make high-quality, sculptural pieces accessible, Ukma began with a simple goal: to create artful objects that elevate everyday spaces without compromising on design or price.” “Part of the AURUM collection, the Aurum Sideboard by Peca Studio pays tribute to tradition, craftsmanship, and the inherent beauty of noble materials. Designed by Caterina Moretti and Karla Vázquez, the piece features sandblasted wood meticulously hand-gilded with 23-carat gold leaf, creating a radiant surface that evokes sunlight and warmth. This detailed process transforms each piece into a mystical object – where light, shadow, and materiality converge. Aurum is more than furniture; it’s an expression of reverence, designed to enchant and illuminate its surroundings.” “The Fuego Cabinet by Tributo is a poetic exploration of transformation through material. Crafted from black-stained ash, volcanic stone, and copper sheets, the piece evokes elemental power and refined craftsmanship. The textured copper – shaped by heat – reveals a tactile, undulating surface that captures the eye and invites touch. Fuego is a sculptural statement rooted in contrast and harmony.” “Inspired by pre-Hispanic architecture, the Tecale Console by Xavier Lorand blends historical reference with contemporary craftsmanship. Its solid travertine form evokes the monolithic beauty of ancient archaeological sites. Through close collaboration with expert marble artisans, Lorand developed a distinctive formal language rooted in timelessness and material integrity. The piece embodies a dialogue between tradition, permanence, and refined modern design.” “The Basse Table by Juan Alan González is a sculptural fusion of fiberglass and brass, where form and material collide in a poetic balance of elegance and tension. Guided by intuition, the piece explores aesthetic values that suggest a deeper moral dimension in design. Its shapes and textures shift in a phenomenological way, inviting both playfulness and solemnity. Through the careful morphing of distinct materials, González creates a sensorial experience that is unexpected yet refined – bold yet contemplative.” To learn more about the artists and creatives featured in the ÁUREA exhibition by DIFANE, visit difane.com and give them a follow at @difane.

Accessibility concerns are becoming more prevalent in the design world in recent years, with over 70 million Americans reporting having a disability in 2024. As a staggering amount of the nation continues to feel the effects of a woefully inadequate health system, comprehensive preventative care has become a luxury, available only to those that fit within the margins of societal constraints. Implements and treatments that provide relief, comfort, or social interaction are essential, contributing not only to the quality of life of the individual, but their family and caretakers as well. IKEA presents the 6-piece BÄSINGEN accessibility collection, providing consistent support throughout the home, promoting the idea that accessible design is best for us all. Shower Shelf, Shower Chair, and Towel Rail The BÄSINGEN collection features many differing purposes through the accessible design space, including a Shower Chair ($38.99), Toilet Roll Holder ($11.99), Shower Shelf ($11.99), Towel Rail ($19.99), Step Stool with Rail ($29.99), and a 2-Step Stool with Rail ($31.99). These products consider weight, proportion, and scale, for children’s use as well as adults, and come in a dark, anthracite color. Lightweight, unobtrusive, yet remarkably helpful, this collection fields a considerable amount of pain points in the kitchen and bathroom, and offers a fresh take on accessible design at IKEA’s affordable price point. According to the National Disability Institute, research has shown that those living with disabilities incure exorbitant out-of-pocket costs for care, requiring 28 percent more income (or an additional $17,690 a year for a household at the median income level) to maintain a similar quality of life to a household without a disability. Shower Shelf Shower Shelf Thoughtfully considered features include non-slip feet for stability, drainage holes to keep surfaces dry, and thicker diameters for easy grip. “BÄSINGEN is designed to help customers create a comfortable experience. The products were created to bring great functionality together with a beautiful design, as they have a minimalistic expression that is rooted in our Scandinavian design tradition. BÄSINGEN should blend in regardless of your style and shouldn’t be something you need to put away or hide,” shares Sarah Fager, designer of the new IKEA collection. Towel Rail Towel Rail Step Stool with Rail, Shower Shelf, and Towel Rail “BÄSINGEN series is inspired by and created for people in all life stages whose needs at home are changing. All products are designed to make everyday tasks in bathroom and kitchen environments easier. The clean, simple design in dark gray stands out in the surrounding environment when you need a helping hand. I hope these functional and durable products bring a feeling of self-worth and independence at home,” says Fager. Toilet Roll Holder Toilet Roll Holder 2-Step Stool with Rail and Step Stool with Rail 2-Step Stool with Rail 2-Step Stool with Rail IKEA has continued to push the boundaries of democratic design since the 1950s, boldly offering flat-packed furniture that didn’t need to be crated up and hauled to its final destination in one piece. The price point can’t be beat, and the collaborations between designers and departments are inspired, creating streamlined components that can be manufactured at a global scale. Ingvar Kamprad founded IKEA in 1943, offering affordability without compromising on quality that made the brand a household name. Step Stool with Rail To learn more about the BÄSINGEN series, please visit IKEA’s website at ikea.com. Photography courtesy of IKEA.

At 10,600 feet above sea level, where the air thins and the landscape commands reverence, stands Mountain House, an embodiment between human intervention and natural splendor. The Colorado mountain house was designed by Gabriel Yuri, founder of New Operations Workshop, for his parents as an addition to their vacation home. The charred exterior walls of this mountain retreat – treated with the ancient Japanese technique of Shou Sugi Ban – appear as if the surrounding wilderness itself has scorched them. “I was initially uncertain about taking on the project, thinking my parents might encourage a more conservative, traditional approach than what we usually embrace,” says Gabriel Yuri. “But after a few conversations, it became clear that they were willing to trust us in whatever approach we decided to take.” This material duality – the blackened protective shell and light interior – traces back through both Japanese and Scandinavian design traditions. Yet in this remote location, two hours west of Denver, these influences transform into something uniquely American. The designer insisted on preservation rather than demolition, allowing the original geometry to remain but instead reinterpreted, expanded, and opened to frame specific views of the Rocky Mountains. Southern glazing and strategically placed skylights harness passive solar energy, while modular, adaptable spaces accommodate family gatherings. Slate flagstone floors that extend seamlessly from indoors to outdoors dissolve those same boundaries, creating a space that connects with its surroundings. Yuri’s integration of built-in furniture using the same white oak as floors, walls, and ceilings creates a holistic environment where furniture becomes architecture and vice versa. Yuri continues by stating, “The short construction period due (essentially late May to early November) as well as the elevation and remoteness of the site were all challenges. These were overcome through surgical scheduling of the construction process and using as many local materials as possible.” Visit New Operations Workshop for more information. Styling by Logan Sommers. Photography by Bruce Damonte.

While the marriage of Japanese and Scandinavian design principles continues to allure us, we seldom see it materialize in a fashion-centric ideation like this. The HidaHida Chair, a collaboration between celebrated architect Kengo Kama and Swedish furniture brand Gärsnäs, reimagines this cross-cultural dialogue with a refined balance of craftsmanship, materiality, and form. More than a piece of furniture, HidaHida wears its influences quite literally. It’s draped upholstery, inspired by the Japanese word hida (which means to drape), cascades like a tailored garment, effortlessly blending structure and softness. The pronounced stitching and flowing fabric evoke the artistry of couture – not on the runway, but in the quiet elegance of everyday life. The journey to HidaHida began at home with a quiet admiration. Kuma, renowned for his contemporary architecture rooted in materiality and tradition, has long been drawn to the work of Åke Axelsson, Swedish interior architect, furniture maker, and joint owner of Gärsnäs. In Kuma’s own home, a Nomad table designed by Axelsson has stood for a decade, a testament to his appreciation for its lightness, ingenuity, and craftsmanship. “The lightness of Åke Axelsson’s furniture is what I most admire, but also there is a certain approach to living, a devotion to life itself,” shares Kuma. The inspiration from the table alone was enough for him to reach out to Gärsnäs, a family-owned company based in the village of Gärsnäs, Österlen, where Axelsson, alongside his daughter Anna Klockby and her husband Dag, has nurtured a legacy of fine woodworking. United by a deep respect for materials and artisanal techniques, Kuma and Gärsnäs embarked on a collaboration to merge Japanese and Scandinavian sensibilities into a singularly elegant expression. The HidaHida Chair is defined by its unique and precise draping and its comfortable embrace of the sitter. “With HidaHida, I wanted to capture the softness of the human body’s form,” says Kuma. “Often the backs of chairs are hard, but here the felt is light and comfortable. The chair embraces you. A hanging skirt at the back elevates the chair’s conviviality and associates it with elegance and fashion. That’s what I wanted to express with HidaHida.” At the core of the chair is a steam-bent wooden bow that unifies the entire design. This gently curved frame supports the seat, made from recycled felt and upholstered in fabric or leather. The material’s soft drape is reminiscent of a jacket casually slung over the back of a chair or the skirt of the user, just barely grazing the floor. This expressive detail brings an unexpected sense of movement to an otherwise static object and enhances the chair’s silhouette. Marrying traditional wood craftsmanship with upholstery techniques, HidaHida is an example of wine woodworking and a study in tactile comfort. Kengo Kuma To learn more about the HidaHida chair by Kengo Kuma for Gärsnäs, visit garsnas.se. Photography courtesy of Gärsnäs and Kengo Kuma.

Perched in the vibrant heart of Sliema, Malta, Grün Haus by studio NICHE. emerges as a serene home that deftly balances the demands of modern living with a commitment to timeless design. The project is a study in how architecture can evoke calm, invite connection, and adapt to the evolving needs of life. Balancing minimalism with bold furnishings and materials, the interior fosters a sense of sophisticated coziness that’s idea for a modern family. At its core, Grün Haus embodies a philosophy of quiet sophistication. Through a thoughtfully orchestrated palette of textures and tones, the space exudes a sense of tranquility and fluidity. A continuous sweep of custom-crafted oak joinery links rooms with subtle cohesion, wrapping bespoke cabinetry and kitchen elements in a unified architectural skin. Every junction is considered, every handle concealed, allowing the language of the materials to speak for themselves. Rather than prioritizing traditional compartmentalized layouts, the residence champions flexibility. Its modular approach to spatial design enables rooms to shift in purpose, responding intuitively to the needs of its occupants. Elements such as the dual-aspect breakfast bench and a two-sided sofa introduce layers of interaction, offering opportunities for both solitude and shared moments without sacrificing flow. Light plays a pivotal role in defining the home’s character. A sleek linear lighting system runs like a spine through the interior, not only guiding movement but also acting as a quiet cue that draws attention outward, toward sweeping vistas of Malta. Daylight is harnessed with deliberate intention – reflected off warm microcement floors and diffused through strategically placed surfaces – to cultivate a luminous ambiance throughout the day. Texture becomes both a functional and expressive tool. Vertical fluting on structural elements introduces depth and tactility, while sculptural seating doubles as expressive art, blurring the boundaries between utility and visual interest. In a space defined by restraint, these textural nuances work in conjunction to elevate the residence. Sustainability is deeply woven into the fabric of the design. Passive cooling strategies, coupled with cross-ventilation and an abundance of natural illumination, ensure minimal energy reliance. Material choices – ranging from resilient woods to low-impact finishes – reflect a commitment to longevity, while integrated greenery breathes vitality into the interiors, reinforcing a strong biophilic connection. Perhaps most striking is how the home frames and enhances its surroundings. A bold recessed feature in the ceiling acts as a compass, subtly drawing the gaze outward and anchoring the interiors within the broader landscape. This gesture, though quiet, encapsulates the ethos of the entire project: design that guides, connects, and elevates. For more information on studio NICHE., visit studioniche.online. Photography by Ramon Portelli, courtesy of BowerBird.

In today’s trillion-dollar events industry, fueled by some 20% growth post-COVID, simply bringing people together isn’t enough. Those facilitating our glorious return to in-person occasions know that effective trade shows, conferences, and activations must be reconsidered as meaningful moments part of a larger brand ecosystem – or risk outreach falling flat and feeling contrived. Marco Giberti, a leading expert in live event innovation, returns to join host Amanda Schneider, ThinkLab founder and president, for a discussion regarding this timely topic on the latest episode of Design Nerds Anonymous – a business-minded podcast for the architecture and design industry, delivering the most insights per minute wherever you get your podcasts. The duo discusses Giberti’s 2021 predictions, dissects the “phygital” brand experience, and delivers some salient points with a focus on actionable takeaways for organizers, sponsors, and attendees alike. Here are several lines of inquiry the experts explore during this episode: Why do people gather and what makes an event compelling? In-person experiences – and the subsequent, unique human interactions that occur as a result – have become invaluable through the advent of AI, integration of applications, and constant use of digital tools. Technology cannot replace organic connection with others whether it be for business or pleasure. “Face-to-face is not going away. You must prepare your marketing plan to make it as effective as possible,” Giberti says. “That’s where the magic happens. You build trust face-to-face.” But physical events may be enhanced by technology for an elevated brand experience, which doesn’t have to end with the close of a show. Successful endeavors focus on individual events as parts of a larger narrative rather than isolated moments. How can I create meaningful event experiences? With the proliferation of technology, the better events are bolstered by a strategic use of digital enhancements for various purposes: event discovery, audience targeting, real-time engagement tracking, and post-event analytics. “Expectations have changed, priorities have changed, and the events that will stay relevant are the ones that evolve,” Schneider insists. Regardless of computer literacy, the most adept marketers are figuring out what is beneficial for their brand and investing in the proper amount of technology regardless of industry hype. How can I hybridize virtual and in-person experiences strategically? Business owners and marketers, at any operational scale, now have access to a plethora of options that marry in-person events with technological advancements or conveniences. But to do so, one must think strategically about desired outcomes and the added value technology brings to every facet of an event: pre-planning like demographics, prospect interests; the on-site experience, real-time interactions, and location-based engagement; and the post-event follow up, lead tracking, and conversation analysis. AI technology can assist marketers and publicists in discovering relevant events for clients in need of more focused brand exposure. In congruence, that same technology is boosting organizer visibility by relevant brands. Phone sensors, QR codes, and custom electronic installations facilitate professional networking, real-time traffic analysis, and interactive displays that leave a lasting brand impression. CRM software and other marketing platforms can help brands manage leads and plan timely follow-ups for meaningful, personalized communications. How can I leverage quantitative feedback? To the dismay of many, there is no ‘one-size-fits-all’ solution. Rather, data should be treated like soil rich in nutrients, ready to be tilled and cultivated. Brands remain in a constant feedback loop with customers and clients testing new strategies, responding to the current cultural climate, and preparedness for change. Resilience requires adaptability and marketing investments that change over time. “There’s a new generation of event technology companies helping brands and business enterprises identify events using AI, participate in those events, and measure return on investment of those events,” Giberti adds. How can I integrate events into a year-long marketing strategy? Significant lifestyle changes like the pandemic are accelerators for change and the impetus for innovation. From consumer electronics to high-fashion houses to today’s most attuned musicians, the biggest tastemakers have found ways to host exclusive, in-person events while making the experience accessible to their global audience in a way unique to the individual brand. While those budgets remain mostly aspirational, the core tenet remains actionable: the strongest marketing strategy is one that marries physical ephemera and brand experiences with a portfolio of digital solutions for meaningful communication yearlong. To hear DNA Season 7, Episode 3 in full, or to subscribe for more, visit here. Art provided by ThinkLab.

Google has been experimenting with smartphone design for years now, most notably with the signature camera bar that has defined recent Pixel phones. But with the new mid-range Google Pixel 9a, the company is taking a refreshing turn – reviving a design element that many have missed: a near-flush rear camera. For the past several years, camera bumps have grown increasingly prominent across all smartphones. It’s understandable – larger sensors and improved optics demand more space. While companies like Apple have managed to refine these bulky modules into something stylish, it’s still a compromise in design. Thankfully, Google has managed to shrink the camera bump on the Pixel 9a to the point that it’s barely noticeable. It’s not completely flush – technically, it’s raised by a fraction of a millimeter – but it’s low-profile enough that the phone sits almost flat on a surface without wobbling during use. To be clear, the Pixel 9a’s camera doesn’t match the quality of its higher-end Pixel 9 siblings. But thanks to Google’s advanced image processing, it still delivers bright, detailed photos in most scenarios. It’s a reminder that great software can often make up for mid-tier hardware. So, does this mean we’ll see more near-flush cameras in future smartphones? That’s uncertain. The Pixel 9a lacks a telephoto lens, which has historically been absent from mid-range devices due to cost constraints. But newer competitors – like the Nothing Phone (3a) Pro – have begun including telephoto cameras even at similar price points. If that trend continues, and phones continue to add more complex camera systems, flush designs may remain the exception rather than the norm. Beyond the camera, the Pixel 9a offers a clean, premium aesthetic. It shares the solid build quality of the more expensive Pixel 9 and 9 Pro, with a minimalist rear design that’s interrupted only by a subtle Google logo. The matte frame gives it a high-end feel and offers a comfortable grip. Internally, the Pixel 9a is no slouch. It sports a bright, sharp display and runs on Google’s Tensor G4 chip, offering quick performance for most tasks. Battery life is strong, and it supports wireless charging – though it lacks magnetic wireless charging, which would’ve been a nice bonus. That said, competition is fierce in the sub-$500 segment. The Nothing Phone (3a) Pro stands out with its bold circular camera design and the inclusion of a telephoto lens, though it can’t quite match the Pixel 9a in overall performance or photo quality – except when zooming in. If you’re interested in the Google Pixel 9a for yourself, it’s available from the Google website and other retailers. Photography courtesy of Google.

At the ISSEY MIYAKE CUBE in Ginza, Tokyo, a stark white facade greets the viewer with pops of textured color peeking out from the interior as they face the Fold and Crease (Extended) exhibition by We Make Carpets. Rippling surfaces of slender wooden forms protrude in their tens of thousands, extending from soft planes in a miasma of color. ISSEY MIYAKE’s visionary influence continues to be felt on design globally, ranging from fashion to collaborations in architecture, product design, and interiors. Fold and Crease (Extended) adds to these historic projects, focused on the “playability” and “touchability” of the represented textures – much like the pleating synonymous with MIYAKE’s work. Appearing soft, the pliable membrane holds a bevy of undulating skewers in quick succession. The tops of the skewers are painted different colors, adding to the dappled quality of the exhibit. All receiving similar amounts of light, the forms contort around wooden frames, gravity and forethought defining where the pieces ultimately rest. Where the membrane ripples, a certain density is lost within the skewers, like fur off a startled cat’s back. The convex curves add more visual interest, colors from the tips of the skewers converging in a brilliant confluence of texture. Skewer Carpet 2 The original Fold and Crease exhibition debuted in 2024 at the Milan ISSEY MIYAKE store during Milan Design Week. Since then, We Make Carpets has expanded on the existing pieces, including the Skewer Carpet 2, which is made from 60,000 skewers painted in four colors. Adding to the previous concept, the Skewer Carpet 2 (extended) spans just over 13 feet long by  3.25 feet wide, and is built with a new form and color palette out of 40,000 bamboo skewers. Skewer Carpet 2 detail Skewer Carpet 2 (extended) Skewer Carpet 2 (extended) detail Skewer Carpet 2 (extended) detail Skewer Carpet 2 (extended) detail Skewer Carpet 3 For Skewer Carpet 3, We Make Carpets went vertical, a feat they’ve wanted to accomplish for quite some time. The standing, spiral-like column is almost three feet in diameter by just under seven feet tall, containing 40,000 skewers hand-painted in four hues. Skewer Carpet 3 detail Skewer Carpet 3 detail Rounding out the Fold and Crease (Extended) exhibition, Pin Carpets 7-10, which reside on custom-made stainless steel stands, comprises thousands of brass and steel pins in foam that’s been shaped and held in its wavy form by screws. Pin Carpets 7-10 We Make Carpets has been toeing the line between design and art since 2009, born out of a collaboration between founders and artists that share an appreciation for the provenance of materials. No exhibit is without context, the scale of the work being determined by the space it inhabits. The meticulous placement of everyday materials and the inherent labor that goes into creating projects such as theirs speak to how art is viewed in society, and whose hands created these rugs, ultimately made never to be used. We Make Carpets cheerfully incorporates this subversion into each sculpture, more about the meditative qualities of the work and the meaning within than the product itself. Pin Carpets 7-10 detail Issey Miyake was a prolific designer, redefining multiple industries in his over 50-year career. Architectural and definitive, his style of sculptural design renders the body as a disparate collection of objects, coated with a signature twist on fashion that has garnered critical acclaim across the globe. He is quoted as saying, “Design is not for philosophy – it’s for life.” To learn more about the We Make Carpets Fold and Crease (Extended) exhibition on view until April 27, 2025, visit isseymiyake.com. Woodwork by Tsugi. Photography courtesy of © ISSEY MIYAKE INC.

Turf has launched two new products designed specifically for ceilings, Pantheon and Step. The Chicago-based acoustic solutions provider, known for its distinctive options for walls, now expands its ceiling scapes portfolio with the two new offerings. The PET felt tiles can fill an overhead plane to create an integrated design that is supported using a standard T-Grid. “Step and Pantheon have different aesthetics, but they are both really meant to cover a large amount of square footage,” says Faraz Shah, brand director at Turf. These sound-absorbing forms transform any interior, while accommodating existing features for a seamless look. Pantheon coffered tiles come in six standard types. Each profile has a unique size or position of recess. When coordinated together, the varying pieces form a dynamic enhancement overhead. Rectangular recess tiles, for example, can be either centered or shifted. These particular options are ideal for use along the edge of an array, or to create a slimmer profile. Square styles are perfect for utilization as the corner to an array or to create a consistent field. Open versions of Pantheon leave the ceiling above visible, and can easily accommodate lighting, sprinklers, and other devices. Pantheon can be used to make an assortment of interesting patterns, from a star to an open checkerboard – or anything else a specifier can envision. With Step tiles, users are able to build an array of lifted, sloped, vaulted, or waving visual forms. They can also change depths from anywhere between two to 12 inches, in .5-inch increments. Seemingly simple, Step takes standard ceiling layouts to the next level with dimensionality and an updated twist on a classic element. “The chamfers on Step soften the edges a little bit and make it warmer,” notes Rob Krejci, director of product development at Turf. Designers can create a pop-up, vault, or corner wave layouts with Step, which can be tailored to a variety of settings. All of Turf’s 9mm palettes, Hues, Stone Textures, and Wood Textures can be applied to Step and Pantheon, for a total of 71 options to complement a range of environments. Both ceiling scapes have an anticipated NRC of .95, and they will be available this summer. For more information on Pantheon and Step, visit turf.design. Photography courtesy of Turf.

This Easter, think outside the basket and trade your foil-wrapped nostalgia for something more elevated. Today’s chocolate scene is as much about design and sustainability as it is about indulgence – and we’re here for it. Whether you’re hosting a springtime gathering or curating a gift basket dreams are made of, brands like Milla Chocolates, Ocelot, and Läderach offer a fresh, artistic take on seasonal treats. These are chocolates that deserve to be displayed. Forget waxy bunnies and sugar bombs packed with preservatives – here are some of the most delicious and design-savvy ways to indulge this Easter. Photo: Courtesy of Milla Chocolates Milla Chocolates Sculptural Simplicity Meets Bold, Boutique Flavor Based in: Los Angeles, California Best for: Design lovers, architecture enthusiasts, and those who believe chocolate should look as good as it tastes At Milla, form and flavor go hand in hand. Founded by award-winning chocolatier Christine Sarioz, this LA-based studio creates chocolates that look like they were pulled straight from a design museum. With a background in art and decorative design, Sarioz handcrafts each piece in small batches using organic ingredients and ethically sourced cacao – primarily from Peru and the Dominican Republic. Photo: Courtesy of Milla Chocolates Milla’s seasonal offerings are anything but ordinary: minimalist geometric bunnies, golden half-eggs, and faceted bonbons that blur the line between edible and art object. Creative Director Goktug Sarioz, Christine’s partner, brings a refined visual identity to the brand with matte black boxes, sleek forms, and a Bauhaus-meets-luxury aesthetic. Even the shop interior – co-designed by the pair – echoes Milla’s ethos of quiet luxury and precise elegance. Milla’s creations are visually striking and flavor-forward – each bite thoughtfully composed for depth and contrast. With accolades from the International Chocolate Salon, this is the kind of chocolate that turns Easter into an aesthetic event. What to try: Photo: Courtesy of Milla Chocolates Seated Faceted Bunny: Choose from Pistachio Praliné with kadayıf or Black Sesame Caramel, both layered in organic dark chocolate and packaged in MILLA’s signature matte box with a hand-tied bow. Golden Demi Eggs: Filled with flavor-forward combinations like raspberry ganache + hazelnut praliné or cardamom ganache + Turkish coffee almond praliné – dusted in edible gold for that perfect holiday shimmer. Photo: Courtesy of Milla Chocolates Geometric Golden Half Egg: A triple-layered indulgence of dark chocolate ganache, house-made almond marzipan, and almond praliné. Where to buy: millachocolates.com   Photo: Murray Orr for Ocelot Ocelot Art, Ethics, and Flavor – All Wrapped in a Bar Based in: Edinburgh, Scotland Best for: Art lovers, design purists, and sustainability-focused foodies Ocelot isn’t technically Easter-themed – but when the packaging looks this good, who cares? The brand’s vibrant wrappers are a feast for the eyes with their joyful, postmodern patterns and unexpected color pairings. Founded by husband-and-wife duo Matt and Ish Broadbent, Ocelot launched from their Edinburgh kitchen shortly after their wedding in 2013 (they even used their wedding money to start the business). Since then, they’ve built a cult-favorite brand rooted in social good, sustainability, and elevated taste. Ocelot partners with Original Beans, a regenerative cacao supplier that pays farmers twice the Fair Trade rate, supports indigenous reforestation programs, and has helped plant over 3 million trees in cacao-growing regions. Many of the cocoa growers are women, including the celebrated Femmes de Virunga, a female farming collective in the Democratic Republic of Congo. Ocelot’s bars are fully organic, wrapped in 100% compostable film and recyclable paper stock. They’re a mission-driven and striking addition to any springtime spread or gift basket. What to try: Photo: Murray Orr for Ocelot Femme Bar: A tribute to the women of Virunga, this organic dark milk bar is made from rare Amelonado beans and Swiss Alpine milk. It’s smooth, creamy, and just the right amount of floral. Photo: Murray Orr for Ocelot Blood Orange Dark Chocolate: Sophisticated and nostalgic – like a grown-up version of a British chocolate orange, finished with a hint of vanilla. Where to Buy: ocelotchocolate.com   Photo: Courtesy of Läderach Switzerland Läderach Swiss Heritage, Sculpted Sweetness Based in: Switzerland Best for: Texture lovers and fans of Swiss precision When it comes to mastering chocolate tradition with a modern twist, Läderach is in a class of its own. This family-run Swiss brand has been creating high-quality confections since 1962, but its current creative lead, Elias Läderach, took things global when he became the first and only Swiss chocolatier to earn the title of World Chocolate Master. At the heart of the brand is its signature FrischSchoggi – slabs of “fresh chocolate” layered with nuts, berries, nougat, or fruit in artistic, textural combinations. Think bark but better, in refined gift boxes that blend tradition with haute chocolate couture. Läderach’s confections are all about freshness, texture, and visual drama – ideal for anyone who appreciates the precision and charm of old-school European chocolate with a modern edge. Photo: Courtesy of Läderach Switzerland What to try: Photo: Courtesy of Läderach Switzerland FrischSchoggi Sticks: A sliding box with an egg-shaped cut-out window reveals assorted sticks of Almond Dark, Orange-Almond Dark, Raspberry-Blackberry White, Hazelnut Milk, and limited-edition spring flavors. Where to buy: laderach.com | Also available in boutiques worldwide   This Easter, skip the supermarket aisle and opt for chocolate that tells a deeper story. By supporting small-batch makers like Milla, Ocelot, and Läderach, you’re not only indulging in superior craftsmanship and design – you’re also saying no to the corporate, industrial chocolate brands that often compromise on quality, ethics, and flavor. These artisanal creations offer more than just a sugar rush; they bring intention, sustainability, and artistry to the table. Whether you’re gifting, grazing, or hunting, choose chocolates that look good, taste better, and do right by the planet and the people behind every bite.

Spanning two galleries in New York City, artist Kennedy Yanko presents her largest exhibition to date with 30 crushed metal and “paint skin” sculptures that pack a resonating gravitational punch. In Tribeca, “Epithets” at James Cohan Gallery is a gray-walled gritty exhibition, while “Retro Future” at Salon 94 on the Upper East Side occupies all three floors that crescendos into sunlit rooms and a bonus group exhibition curated by the artist. This double-venue experience offers great surprises for long-time fans and the perfect introduction for a newcomer. Kennedy Yanko: Trembling down, 2024 \\\ Photo: Dan Bradica Kennedy Yanko: Trembling down, 2024 (detail) \\\ Photo: Dan Bradica Kennedy Yanko’s work is a poetic dance between large chunks of old crushed metal that she rescues from scrapyards, combined with “paint skins” – a material she creates by applying thick layers of paint to her floor and peeling them to become malleable “paintings” without a canvas. Kennedy Yanko: Afterglow, 2025 \\\ Photo: Alexis Salas Kennedy Yanko: Afterglow, 2025 (detail) \\\ Photo: Alexs Salas Through Yanko’s vision and muscle, the brutally disfigured metal meets the “paint skins” to find a seductive confusion of material, weight, and age. Physically they hover between mass and air; emotionally they resonate with a kind of beautiful sadness and joyous hope. Kennedy Yanko: Trembling down, 2024 \\\ Photo: Dan Bradica Kennedy Yanko: Cowboy, gangster, politician, 2024 \\\ Photo: Dan Bradica Kennedy Yanko: Cowboy, gangster, politician, 2024 (detail) \\\ Photo: Dan Bradica Yanko is known for her brilliant use of color (see Design Milk’s review of her 2023 exhibition at Jeffrey Deitch that included near-glowing, jewel-like tones), often pulling color inspiration from the tiniest dots of oxidation or old paint specks in the objects she selects. And though you will find exceptional examples of colorful works at both exhibitions today, the surprise for me are the black works. Several monochromatic works in black hang at both locations, acting as a connection point between the spaces. Though not the largest works on view, their haunting gut-punch physicality is at an extreme, as if they are heavy shadows held between implosion and renewal. Kennedy Yanko: Victim nor hero 2025 \\\ Photo: Alexis Salas Kennedy Yanko: Victim nor hero 2025 (detail) \\\ Photo: Alexis Salas Each location contains unique gems. At James Cohan Gallery, the stand-outs are two “white works” which may be the best ethereal balance between gravitational mass and a spiritual weightlessness. Each feels fully worn and eternally new. Kennedy Yanko “Epithets” at James Cohan Gallery, New York \\\ Photo: Phoebe d’Heurle Kennedy Yanko: Psychically Milked, 2025 \\\ Photo: Dan Bradica Kennedy Yanko: Psychically Milked, 2025 (detail) \\\ Photo: Dan Bradica Salon 94 takes advantage of its natural light and three-story viewing space (a literal “uplifting” experience when you take the spiral stairs), presenting two massive suspended works among the many other sculptures. The 13-foot “Replenishing the provocative force” on the ground floor hangs only a few centimeters over a mirror-polished pedestal, while “Jetstream Dreams” (below) holds a beautiful room on the 2nd floor. Kennedy Yanko: Jetstream Dreams, 2025 \\\ Photo: Elisabeth Bernstein Kennedy Yanko: Jetstream Dreams, 2025 \\\ Photo: Elisabeth Bernstein I strongly recommend visiting both galleries – not just because each presents a unique view of Yanko’s current work, but also because the journey between the spaces adds something really special. It’s about a 20-minute trip by taxi or train (take the 6). Yanko’s work is surreal, unique, and unexpected, but it also opens your eyes to magical “real” moments on the sidewalk like no other exhibition on view now. For example, on my personal trip, I passed two constructions sites, a blue metal dumpster dented to its limit, and sat on the subway across from a woman with a black leather overcoat that matched the folds in the sculpture. This double venue is not an inconvenience, it’s an injection of complexity and life that will differ for every viewer, made possible through the particular qualities and aura of Yanko’s work. Kennedy Yanko “Retro Future” at Salon 94 Gallery, New York My personal advice is to see James Cohan Gallery first for the best crescendoing experience. Then at Salon 94, you will conclude on the 3rd floor where a bonus exhibition, curated by the artist, presents great work by Frank Stella, Leonardo Drew, John Chamberlain, and others, taking you deeper into the mind of what continues to inspire and influence the artist. Kennedy Yanko \\\ Photograph: Antoine “Noemad” Reid Find more images on the websites below and don’t miss the chance to visit in person for the next few weeks. Exhibition Information: Tribeca: Kennedy Yanko “Epithets” is on view at James Cohan Gallery in Tribeca, 48 Walker Street, New York, from April 5- May 10, 2025. Upper East Side: Kennedy Yanko “Retro Future” is on view at Salon 94 Gallery on the Upper East Side, 3 East 89th Street, New York, from April 5- May 17, 2025. All images of work at James Cohan Gallery: © Kennedy Yanko 2025. Courtesy the artist and James Cohan, New York. All images of work at Salon 94 courtesy Salon 94.

When it comes to tiles, are you in the camp that considers them as purely aesthetic or entirely functional? There’s no shortage of beautiful tiles out there – ceramic, marble, terrazzo, concrete – but beyond adding visual interest and protecting walls and surfaces, they usually aren’t considered all that utilitarian. That was before Paris-based studio Unknown, Untitled introduced UU Tiles, a collection where ceramic tiles can double as functional hooks and minimalist wall lamps, blending seamlessly into the tiling while also quietly standing out. Originally launched as a research project, UU Tiles evolved into a full-blown collection in collaboration with a historic Normandy tile manufacturer. It challenges preconceived notions about what tiles are – and what they can be. Rather than giving into the trend of mobility and flexibility, where design can be and are encouraged to be, swapped out as needed, Unknown, Untitled leans into the sustainability of permanence, using the fixed nature of tiling as an opportunity to build in function. The collection includes three components: plain tiles, ceramic hooks, and ceramic wall lamps, each of which shares the same tile-based attachment system. Because of their identical dimensions and tonal options, the functional tiles blend beautifully with the decorative ones, creating what the studio calls “a physical interface between the architecture and the living space. Whether you’re hanging up a coat or lighting up a hallway, the tile remains constant, a quiet but intentional design detail. Even as a standalone object, the hooks and lights are a delightful expression of color and form. The look is clean, minimal, and unexpectedly warm, with glossy surfaces that reflect both light and intention. Each options is available in a variety of colors. The idea of permanent storage and lighting might seem a tad intimidating. After all, swapping out tiles is a bit more labor-intensive than changing out a lamp or a hook, but this permanence can be a good thing. It invites a more thoughtful approach to design, one that values longevity and encourages us to consider the earth’s limited capacity to absorb our excess. In a world where so much ends up discarded, there’s something quietly radical about committing to something built to last. Both the lamps and hooks can be used as standalone pieces without the blank tiles surrounding them for a minimalist look. To learn more about UU Tiles by Unknown, Untitled, visit uutiles.com. Photography by Stanislas Wolff. Art Direction by Twice studio. Set Design by Nara World.

Forward-thinking design ideology from Gustave Eiffel’s era echoes in the modern sensibilities behind contemporary interior architecture found in urban French dwellings. But what throughline links structures like the famed tower with local architecture in a place such as Colmar, France? Borrowing a term coined by the late engineering scholar David Billington – structural art. Fine artists hailing from the area like Frédéric Auguste Bartholdi, who collaborated with Gustave Eiffel to create the equally famous Statue of Liberty, left the northeastern Alsace region with an indelible creative charge. An OZA Design project, the Milo Apartment, shares unique DNA with other works whose structural efficiency and material economy yield an expressive personal style. Paralleling Paris’s Haussmannian apartments (rational plans, geometric elements, streamlined adornments) and tangential to the opulent châteaus around its periphery, this residence blends French and German influences with historical references and the surrounding material vernacular sans period style. Özge Öztürk and Alexandre Simeray, the principal architects behind OZA, imbue their work with a sense of nostalgia without pandering to the past. “In our quest to honor Colmar’s artistic heritage, we collaborated closely with local artisans, ensuring that every detail of Milo Apartment reflects the city’s creative spirit. From custom metal fixtures to bespoke furnishings, each element was crafted with care, preserving the essence of Colmar’s artisanal tradition.” The residence occupies part of a former commercial building constructed in 1912 by local architect Georg Bloch. It is situated on Place des Martyrs de la Résistance and surrounded by colorful timber-framed houses, narrow streets, and lively balconies. It stands as a testament to the staying power of progressive design showcasing modern, brutalist properties that were far ahead of their time. An early example of reinforced concrete architecture, the structure boasted integrated electricity, a secured generator, an elevator with an operator, and iconic retail establishments on the ground floor. Businesses continue to fill that space through today. Leaning into the site’s daylit factory concept, the apartment home celebrates the residents’ desire for a more connected family lifestyle within the 2,700-square-foot floor plan, which becomes more expansive in sections that enjoy 12-foot ceilings. The public spaces comprise an entryway, kitchen, living, and dining area – all with dramatic sight lines that bear witness to elegant material play. The private spaces, which can be made more public through architectural devices, include a luxurious variety: the primary bedroom with spa-like ensuite and dressing room; two guest bedrooms that share a large full bathroom; a modest powder room; a generous utility area; and 860 square feet of storage space hidden above some of the secondary spaces. Aesthetics and layout composition follow Frank Lloyd Wright’s oft-represented adage “form and function are one.” The apartment is a captivating amalgam of sheer glass, matte metal, concrete, white brick, light linen curtains, and dark wood paneling that serve to please the eye, make space, and articulate programming in plan. “As we resolved the challenges we had and provided a serene space with a muted color palette that allows the exterior view to become an artwork in the project,” the duo adds. “We presented an extremely cosy and comfortable feeling inside as a result with the idea of ‘comfort via minimalism.’” The foyer’s deep paneling pulls guests in and pushes them out to the trio of spaces comprising the main great room – another nod to Wright’s work. Bespoke kitchen details and long countertop surfaces span the room to suggest places for family and friends to cook or casually commune. In gentle contrast, the dining area, which is framed by open shelving and a tubular metal structure, proposes a more formal space for long dinners and gatherings. Black mullions and corresponding kick plates fix tall glazed panels and doors to the floor. Each length is lined with floor-length, light, cotton-linen panels that can be drawn closed from inside the bedrooms at each resident’s discretion. And black stained wood is juxtaposed with white gypsum wall finishes as a direct reference to Colmar’s coal industry. Milo’s monochrome palette, technical execution, and artistic principles are underpinned by exemplary structural art. The designers continue: “Raw ironwork, locally sourced and assembled with meticulous craftsmanship, pays homage to Bartholdi’s artistic vision and the region’s storied iron industry. The use of brick, concrete, and dark timber further reinforces the industrial aesthetic, while subtle nods to the Statue of Liberty and the Eiffel Tower evoke a sense of timeless grandeur.” OZA Design To see other projects by the inimitable duo, visit ozadesign.com. Photography by Edvinas Bruzas.

While bezels are usually employed in design to provide a softer edge to a harsh corner, the examples we see in Kallista’s new Bezel collection, designed in partnership with Cristina Rubinetterie and the design team of Busetti Garuti Redaelli, offer strength in form and function. Adorned with stone and semiprecious details, this bathroom collection feels luxurious and refined. Created with a twice-sealed coating offering superior durability, the rounded square profile of these fixtures are as modern as they are timeless. A stunning collection, Kallista heightens a surface we interact with every day – water taps – to an elevated experience. Semiprecious stone details are perfectly fit to tap heads, adding a layer of fine detail to the mundane. Inspired by Art Deco silhouettes where adornment from stone was common, Bezel will remain versatile and relevant in design even one hundred years later. The Bezel collection includes Kallista’s first floor-mounted sink faucet as an option to pair with freestanding bathtubs to elevate your soaking experience. As with the rest of the Bezel fixtures, the single handle control is adorned with standard metallic finishes or a faceted stone, as if its a piece of jewelry for your bathroom. Kallista has also introduced the brand’s first stacked handle Thermostatic showering trim with two bezeled knobs for this collection, adding a special level of elegance to something we interact with daily. The Bezel fixtures are available in six finish options, including two new Vibrant finishes – blush brass and brushed brass – with stone handle upgrades in Nero Marquina, White Carrara, and serpentine green Guatemala Stone. The sky is the limit, adding the beauty of stone or other fine materials to the sink or shower. Ezio Cristina founded Cristina Rubinetterie in 1949, bringing a standard of quality and luxury to an up-and-coming market. Post-war economic expansion led to the appreciation of Italian design internationally, one of the first to adopt the thermostatic mixer in 1968. Throughout the decades, Cristina Rubinetterie has created an indelible image of timelessness and modernism, preserving classic silhouettes in innovative materials. Kallista continues a legacy of luxury bathroom and kitchen fixtures, superior style, and functionality at the core of their portfolio. For over forty years, their commitment to retaining the best materials and processes has helped them create a reputation for quality, only working with top-notch suppliers to keep their standards at a level we would expect from the brand, gracing fine interiors across the globe. To learn more about the Bezel collection by Kallista in partnership with Christina Rubinetterie, please kallista.com.

The theater has always been a place for spectacle, where light, movement, and storytelling come together in a performance to captivate an audience. In that spirit, Sipario, the last lighting design by creative studio Gupica for Fiam Italia, a leader in glass furnishings, takes center stage as a show-stopping act of its own. Presented at the latest Salone del Mobile, the lamp draws inspiration from theatrical curtains, translating their fluid movement into a sculptural form made of fused glass. While curtains are meant to set the stage for a show, Sipario is the main act currently taking residency at the Remo Brindisi museum house, a fitting place for the modern fixture. Completed in 1973, the Remo Brindisi house in Lido di Spina, Italy was designed by architect Nanda Vigo for his friend, Italian painter Remo Brindisi, as a place where art, architecture, and design could exist in harmony together. With its cylindrical core, mirrored expanses, and striking spiral staircase, the museum serves as both a private residence and a gallery housing historic works by Bruno Munari, Jean Dubuffet, and Andy Warhol. Perhaps no contemporary setting could better complement Sipario, a piece that embodies the same multidisciplinary ethos. “The Remo Brindisi house has always been a great source of inspiration for me, a place to think and observe how glass behaves in relation to light, architecture and artworks,” shares Gunilla Zamboni, founder of Gupica. “Nanda Vigo designed the museum working on the concept of perception through light and materials, creating a rarefied, infinite space and developing on the idea of the ‘chronotype,’ which was an important theme for her. Glass interacts with natural and artificial light in a very sensory way. This museum is the ideal scenario that inspired my design for Sipario.” Like the theater curtains that inspired it, Sipario brings a sense of movement, drama, and light to any space. The pendant lamp transforms the softness and rippling motion of fabric into sculptural waves of fused glassed, diffusing light in a way that feels both ethereal and architectural. Against the white grid tile backdrop of the museum’s walls, the curved glass panels create a striking interplay of transparency and shadow, echoing the spatial rhythm of Vigo’s design. The installation features Sipario lamps in varying sizes, strategically layered to create a dynamic, ever-shifting display that changes with the viewer’s perspective. Gunilla Zamboni of Gupica With its theatrical presence and sculptural elegance, Sipario not only illuminates the Remo Brindisi house museum but also reinforces its legacy as a site of artistic exploration and endless inspiration. Gunilla Zamboni of Gupica To learn more about the Sipario pendant lamp by Gupica for Fiam Italia, visit fiamitalia.it. Photography by Filippo Candotti and Simone Fico.