Burls are usually a sign of distress within the tree, a deformation characterized by its knobbly appearance and beautiful undulating grain, radiating from the injured area. A touching example of the human urge to celebrate difference, many wood enthusiasts prize burls for their uniqueness. Each one is a world of knowledge on how our leafy comrades heal and think, new science being approved every day to substantiate networks of communication beneath us. London-based Don Heston Studio presents new furniture in this same vein the Monkel Cabinet, the Oni Desk, the Fernie Side Table, and the Untitled Lamp which incorporate whimsy and restraint in tandem to produce an approachable, fun collection.The Monkel Cabinet features the distinctive amorphous texture, bubbling and bulging out of itself, within reason. Surrounding this energetic plane is a generous frame, highlighting the space filled as much as the space in between. This frame sits on highly polished, squat legs, tying the width and solidity of the body with the base elegantly. Each piece is adorned with a DHS OG Nugget, a dot of rough-hewn sparkle contrasting with the rolling waves of the cabinet face a bit of bling for the front. To round out the design, the piece is finished in a rich Penny Chocolate brown hue that highlights the wood grain and raised facade.The Oni Desk also features a DHS OG Nugget front and center, with a knobbly drawer that stands out from the super smooth, linear form that the rest of the desk embodies. The legs are fully rounded so just the very tips of the desk grace the floor. The legs also stand slightly outside the barrier of the traditional tabletop, landing symmetrically above the exact point of the corner. This detail is masterfully completed, adding to the quality of the piece, which is made of an African hardwood and finished just like the Monkel Cabinet.The solid oak Fernie Side Table takes on an almost baseball bat precision, turned in a jaunty manner full of large fillets and acute angles. One solid piece, the natural grain is on full display here, taking the geometry of the table and allowing the light to make it shine, highlighting multiple angles and therefore achieving maximum diffusion.The Untitled Lamp celebrates the intimate nature of growth, winding the light up the core of the tree to eventually arrive at a rounded, mid-century shade. The base and shade are the same deep Penny Chocolate brown, and the stem features gorgeous burls all up. Traveling around the lamp, one enjoys shifts of color and luminescence, beams of light highlighting unique growth patterns distinct to this one-of-a-kind piece.Jay Heston is a multidisciplinary designer, and founder of Don Heston Studio, working primarily in jewelry, furniture, and bespoke installations for clients across the globe. A deep reverence for the natural world is reflected in his work, celebrating the organic irregularity of the materials he engages with. Considered, refined, and evocative, he takes specific features from the outside world usually filed and sanded down, and instead creates a pedestal for these distinctive forms.To learn more about the new collection or Don Heston Studio, visit donheston.com.Photography courtesy of Don Heston Studio.

Perched on the edge of Seattles lush St. Marks Greenbelt and a short walk from the vibrant Capitol Hill neighborhood, a 1979 condo designed by renowned architect Gordon Walker recently underwent a transformative remodel by SHED Architecture & Design. Walker, co-founder of Olson Walker (now Olson Kundig), left an indelible legacy in the Pacific Northwest, and this project aimed to honor his original vision while adapting the space for contemporary living.The condos owner was initially drawn to the propertys serene views of the densely forested Greenbelt and its close proximity to Volunteer Park, an ideal setting for daily walks with his two Akitas, Chela and Bosco. While the architectural framework of the 1,675-square-foot space remained strong, the interiors needed updates to better suit modern needs. The remodel sought to preserve Walkers original design principles prioritizing a connection to nature and contextual harmony while incorporating influences from the owners global travels, particularly to Australia, Korea, and Japan.SHEDs approach blended respect for Walkers architectural sensibilities with the owners desire for a space that balances openness and privacy. Key goals included creating an inviting and functional kitchen for a professionally trained chef, enhancing natural light, and crafting luxurious yet serene bedroom suites.As a professionally trained chef, the owner envisioned a kitchen that was both highly functional and visually striking. SHED transformed the space into a culinary haven with rift-sawn white oak cabinetry crafted by Henrybuilt. The new layout allows for multiple cooks to work comfortably while maintaining a clean, minimalist aesthetic that encourages social interaction and ease of movement.Natural light floods the living room through expansive floor-to-ceiling windows that frame the Greenbelt views, creating a seamless indoor-outdoor connection. A refined material palette enhances the space, with a modernized fireplace clad in blackened steel and set atop a quartzite hearth. Quartzite remnants were repurposed to craft a custom coffee table and side table, adding continuity and sustainability to the design. The open-plan layout effortlessly connects the living room to the dining area, kitchen, and outdoor patio, where a custom concrete fire pit anchors a wood bench an inviting space for gatherings and quiet reflection alike.The condos unassuming exterior maintains its quiet presence amid Capitol Hills bustling environment, but stepping inside reveals a striking transformation. The double-height entryway now features a sage-green front door, a sculptural chandelier, and a reimagined stairway enclosed with a white powder-coated steel guardrail. The formerly open-tread staircase was enclosed, not only providing additional closet storage but also carving out a cozy nook for the dogs.The upper level was reconfigured to accommodate two private bedroom suites one primary and one for guests each designed to evoke a sense of calm and sophistication. Grasscloth accent walls, white oak paneling, and custom casework create warm and inviting spaces. The bathrooms, compact yet luxurious, feature milestone plaster walls, Japanese-inspired tile, and a steam room, offering a spa-like experience. Thoughtfully integrated storage enhances functionality without compromising aesthetics. A private patio adjacent to the suites provides a peaceful outdoor retreat and a subtle visual connection to the street below.Throughout the condo, SHED introduced new glazing, electric shades, and improved insulation to address the challenges of temperature control, transforming previously stuffy interiors into a comfortable, climate-controlled sanctuary. The remodel successfully balances reverence for Walkers original design with the demands of modern living, resulting in a timeless yet contemporary home that reflects both the heritage of the Pacific Northwest and the unique experiences of its owner.Before photos:For more information on SHED Architecture & Design, visit shedbuilt.com.Photography by Rafael Soldi.

In the heart of Austins Travis Heights neighborhood, the afternoon sun streams through the vast north-facing glass addition of the Travis Heights Historic Home by architect Michael Hsu Office of Architecture. Light casts geometric shadows across limestone floors embedded with ancient fossils 145-million-year-old remnants of giant clams that once inhabited this land, now preserved alongside 19th-century horseshoes and indigenous arrowheads. This juxtaposition forms the conceptual foundation of this renovation project, highlighting how time and place can be interpreted.James Gibson Swisher, Texas Ranger and signatory of the Texas Declaration of Independence, built the brick home in 1851 using materials fashioned from a kiln he constructed along the Colorado River. Today, it stands as the second oldest brick residence in Texas, its original foundation now serving as the first floor a testament to the resourcefulness of frontier craftspeople working with local resources and traditional techniques.The current owner, driven by a deep appreciation for Austins architectural heritage, approached the renovation with reverence. They wanted to be sure the addition would not mimic or be confused with the rare original structure, and instead, it should be true to its time. This philosophy manifests in the contemporary glass structure that frames downtown views and creates an intimate connection with the surrounding landscape.The landscape design extends onto a rare 1.25-acre urban plot. Native gardens, a prairie roof meadow atop the cabana, and thoughtfully integrated recreational spaces create a sustainable backdrop that spotlights Texas natural surroundings while providing contemporary amenities.When craftsmen discovered charred wood remnants from a 1920s attic fire, rather than discarding these damaged elements, they repurposed them as ceiling material for the ground floor spa bathroom transforming damage into design. As such, the interiors create a dialogue between different eras. The preserved historic sections embrace a lounge-like atmosphere with rich textures and ambient illumination, while the modern addition offers bright, airy spaces ideal for gathering. A grand spiral staircase connects these four distinct levels.Visit Michael Hsu Office of Architectures website for more information.Photography by Chase Daniel.

Apples AirPods Max are undoubtedly the pinnacle of Apples headphone lineup, delivering exceptional sound quality. However, their battery life isnt exactly stellar especially if youre not in the habit of slipping them into their Smart Case after every use, which helps preserve battery life by putting them in an ultra-low power mode. Fortunately, Paris-based design brand Bionic has introduced a minimalist solution that takes the hassle out of keeping your AirPods Max charged and ready to go the Bionic Magnetic Charging Stand.The Bionic charging stand isnt just a resting place for your AirPods Max its a dual-purpose dock that ensures your headphones remain charged without any extra effort. Simply placing the headphones on the stand initiates charging, making it easy to ensure theyre always powered up when you need them.What sets this charging stand apart is its intuitive design. Unlike traditional docks where you might expect to fiddle with aligning a Lightning or USB-C connector to fit into the ear cup, Bionic has streamlined the process. The stand comes with a small magnetic adapter that remains plugged into your AirPods Max. When you place the headphones onto the stand, the adapter automatically aligns with the magnets in the dock, initiating the charging process seamlessly. This smart design means less wear and tear on your connectors and a more effortless charging routine. The stand is compatible with both Lightning and USB-C versions of the AirPods Max, ensuring broad usability regardless of your model.Crafted in three sleek finishes Silver, Space Grey, and Midnight the Bionic Charging Stand feels as premium as the headphones it supports. While its unclear what the weighted body is made from, it exudes a modern, minimalist aesthetic that complements any desk or bedside table. The dock is also designed with a soft rubber buffer where the headphones rest, preventing any potential scratches or damage to your AirPods Max.While the Bionic Charging Stand color options dont cover the full range of AirPods Max colors, they provide enough variety to find a match that suits your personal taste and setup.The Bionic Magnetic Charging Stand is globally available in Silver, Space Grey, and Midnight for 175, or approximately US $189, directly at bioniclabs.org.Photography courtesy of Bionic.

While comfort and aesthetics are largely subjective, the concept of California Cool immediately calls to mind a particular interior landscape: furniture and casework dominated by neutral tones, layers of natural materials that lean into raw tactility, and upholstery articulated in hearty textiles. Its a sense of tranquil space hemmed in by beachside vistas. In an effort to capture the elusive charm of the golden coast, famed interior designer Brigette Romanek teams up with Crate & Barrel for their first-ever Brigette Romanek for Crate & Barrel collaboration. Together, they unveil a playful collection of eclectic home furnishings designed to create a moment of respite through laidback luxury no matter your locale.So whats in a name? Malibu, Montecito, and the Hollywood Hills for Romanek, its about the power of suggestion and the cozy, warm feelings that the very thought of California can conjure more so than recreating a particular place. The designer leverages texture, color, and geometric form to create sensational experiences in the way she imagines each piece forging emotional connections with contemporary customers.This collection has references that are a lot more abstract. Its not looking back on anything vintage or the previous works of any designers, shares Sebastian Brauer, SVP of Product Design at Crate & Barrel. The pieces really came from Brigettes head, the way that she lives, and her passion for modern art theyre incredibly, incredibly unique.The lifestyle brand fully embraces Romaneks whimsy and utilizes her feminine touch to showcase unexpected twists that are unlike other modern furnishings that may be too industrial or too precious for some. With Crate, it was a case of, lets go. They really supported my kooky ideas some that I came up with at three or four in the morning mixed with my eclectic taste, curiosity, and love for so many things, says Romanek.In addition to creative synergy, the production, which includes hand-manufacturing, benefited from a continued dialogue with global makers who contributed to realizing Romaneks vision.These artisans have grown up with us over those 60 years, and thats kind of our special recipe, Brauer adds. All the designs came from Brigettes mind and then from our designers mockups before these pieces were made by hand in workshops with great artisans that were open to wrapping a dresser in leather or inlaying tile with bleached wood. Theres a lot of savoir-faire.Comprising 54 unique pieces, the range is robust enough to satisfy a variety of needs and contextual settings.Imagine transforming a small parlor into an intimate reading room. The Malibu Sofa uses its tubular seat back and arm structure to hug readers looking to get lost in their imagination. When its time to return to reality, the Hollywood Hills Rectangular Coffee Table features a divet perfect for cradling open books. Other accessories like the Laurel Canyon End Table and Pearl Rattan Table Lamp provide rich material accents without appearing over coordinated.Bedrooms become sanctuaries with the Montecito Extended Headboard, which features integrated lighting accentuated by bronze accents for a mixture of utility and luxury. Its monumentality commands attention as an anchoring object in any space while also serving as a beautiful backdrop to the Venice Leather and Oak Wood Nightstands or complement to the dresser of same name.Products like the Wills Upholstered Swivel Dining Chair or Bess Leather and Metal Swivel Counter Stool perform well in places that may benefit from softening. The streamlined details and curvaceous silhouettes create a delightful contrast when incorporated with traditional interior architecture or against more rigid physical elements.The goal was to make these pieces fit in any environment and to make them really what I like to call an exhale moment. That color palette and materiality speak to that mission, Romanek shares. And I wanted things to have a lot of functionality to them and not just be pretty. I had a blast. All I can say is I had a blast.Designer Brigette RomanekBrigette Romanek for Crate & Barrels exclusive collaboration is available for shopping in-store and online at crate&barrel.com.Photography courtesy of Crate & Barrel.

With an abandoned concrete block Kmart building in EMIT Technologies real estate portfolio, CEO Casey Osborn envisioned a modern headquarters for the metal fabrication company in Sheridan, Wyoming. CLB Architects was tapped to transform the former big-box structure into a nearly 120,000-square-foot campus.The new headquarters consolidates the operations of four existing fabrication facilities and adds office space plus a host of amenities accessible to staff and the general public. Rather than designing disparate spaces to support an office community, we integrated all of the sectors of business into one structure, says Eric Logan, partner at CLB Architects.A laser-perforated scrim, custom-made by the EMIT group, envelops the old and new architecture, a nod to the the materials and methods found within. Courtyards are places of respite that allow users to easily connect with nature.On the front of the edifice, the suspended facade lifts upward to welcome employees and visitors into an expansive lobby. This entrance not only sets the tone for the entire experience, it is also emblematic of EMITs no collar workforce where all are equal. Staff members enter and exit through one door, and a range of areas, from flex spaces to the library, encourage collaboration and the exchange of ideas among individuals at every level.The hub also includes sections where industrial and administrative staff can connect during the workday. A basketball court, coffee station, auditorium, and even a barbershop are some of the available amenities. Many of these offerings are also utilized by locals and employees families. It is a year-round center for both work and recreation, ideal when temperatures drop during the winter months.The machine floor is accessible from the office headquarters through a shared lobby, where there is an interplay between the interior finishes. Raw, industrial materials are paired with a blend of matte and textured surfaces for contrast that echoes the landscape of the Rocky Mountain West. Several of the furnishings and details were specially produced in-house, including workstations, chairs, ceiling panels, and screens made from birch plywood and powder-coated black steel.A standout piece, FILTER (seen below on the left), is located at a city park adjacent to the headquarters. This sculpture was created by the CLB and EMIT teams for the NYCxDESIGN Festival in 2022. Displayed in Times Square during the yearly event in Manhattan, the artwork highlights craftsmanship and invites viewers to appreciate it in a new way, just like the headquarters does. Its gratifying to see the community come together and engage here, and to celebrate the process of making, Logan adds.For more information on CLB Architects, visit clbarchitects.com.Photography by Nic Lehoux.

MAIII Collective, which recently debuted their first collection at the Stockholm Furniture Fair, offers a cohesive and layered take on Central and Eastern European identity. Context is crucial. When you share the story behind an object, it adds another layer of meaning, the collective explains. They present this collection of furniture and functional objects as a window, a chance to engage with histories different from our own unique stories and heritage, details from the past only locals would know. They all come together in Fragments, exemplifying the work the collective plans in the future.Comprising eight Hungarian designers, MAIII Collective emerged after meeting in a product design class at the Moholy-Nagy University of Art and Design, Budapest. Their goal revolves around collaboration, born out of late night conversations and a desire to communicate heritage through design. As a fresh collective, we are still finding our way, learning how to balance our many ideas and experiences because (luckily) we are not few, they share.The members Rebeka Csiby-Gindele, Viktria Dawson V., Eszter Hanko, Balzs Kisgyrgy, Flra Lukovics, Blanka Tmri, Roberta Wende, and Zsfia Zala bring their unique Hungarian background to this process, highlighting areas of culture otherwise largely undiscussed. They believe that objects carry weight far beyond their size, inspiring and connecting others through a universal language.A cabinet with angular modules, Relikvia is a showcase not dissimilar to the one the Roberta Wendesfamily had, but with a modern touch. Separate blocks of space leave exact room for cherished objects, no more, no less. This requires sensitivity and forethought in choosing which pieces inhabit their new homes.Inspired by a birdhouse created by the designers grandfather fashioned out of a gas mask can, Odo, created by Balzs Kisgyrgy, features a solid wood top and a small opening, with a small perch for sunning outside. The overhang from the top is just enough to cover the perch, protecting both the birds and memories inside.The Estebd Serving Tray, designed by Zsfi Zala, is inspired by the warmth of dinner in the home. Presentation is important yet not essential when it comes to food, making it that much more special when it is thoughtfully done. Trays can be taken out and piled with nourishment, while the matching cups add thoughtfulness to the table.zska, designed by Rebeka Csiby-Gindele, is a sustainable response to the inflatable donut, a completely wooden floatie for bobbing on top of the water. For the designers parents and grandparents, these were a nostalgic part of glittering sunlit summers in the water. Falling out of fashion for their plastic counterparts, this project directly challenges that norm, offering far more in terms of durability and craftsmanship.Blanka Timri designed Suszter as a reimagined cobblers chair, inspired by her grandfathers workshop that held endless amounts of scrap leather. The leathers were left over from the familys shoemaking company, which now come together to form the stools patchwork seat. Each leather remnant is used as it was found, helping to preserve all of the stories that each piece holds.An important Christmas tradition, honey, walnuts, and garlic are traditionally eaten to ensure a prosperous and happy new year. These three objects, Trio by Viktria Dawson V., include a honey dipper, walnut smasher, and garlic slicer, that are not only aesthetically pleasing, but can be used throughout the year as well as helpful household companions.Designed by Flra Lukovics, these ceramic vessels create traval, a love letter to the care a grandmother puts into packing up a bit of dinner to take home. These ceramic vessels, with separate compartments for different foods, successfully elevates that process.The intentionality of hiding and showing comes into play strongly with Eszter Hankos Rejlik Chair, inspired by the designers grandparents struggles under communism. The chair contains a secret drawer encased within the thin wooden seat, literally preserving memories in furniture for future generations to discover.MAIII CollectiveTo learn more about Fragments by MAIII Collective, visit maiiicollective.com.Photography by Aranka Csige.

UNIMATIC and Massena LAB have built a reputation for creating limited-edition timepieces that blend innovative design with rich storytelling. Their latest collaboration, however, might just be the coolest one yet. The UNIMATIC x Massena LAB U1-SPG NASA Artemis Limited Edition watch is a tribute to NASAs Artemis program, showcasing a vibrant deep orange dial contrasted against a sleek black case a combination thats as bold as the mission it honors.The color scheme of the U1-SPG draws direct inspiration from the NASA Artemis program, a groundbreaking space exploration initiative aimed at returning humans to the Moon. Launched in 2017, the Artemis program had its first successful uncrewed flight, Artemis I, in 2022, paving the way for future crewed missions. The next milestone, Artemis II, is set to be the first crewed flight of the campaign, with a scheduled launch date in 2026. The rockets used in the Artemis program, most notably the Space Launch System (SLS), feature a striking burnt-orange hue on the core stage a color resulting from the spray-on foam insulation that protects the rocket from extreme temperatures during launch. While the rockets traditionally pair this orange with white, UNIMATIC and Massena LAB have chosen to swap that with a deep black Cerakote case, giving the watch a bold and futuristic edge.The U1-SPGs case is crafted from Cerakote, a high-performance ceramic-based coating often used in the aerospace and automotive industries due to its exceptional resistance to corrosion, abrasion, and impact. This treatment not only ensures that the watch can withstand the rigors of daily wear but also lends it a refined matte finish that complements the vibrant orange dial. Measuring 41.5mm in diameter and 13.2mm in thickness, the case is equipped with a 120-click unidirectional bezel, further reinforcing its functional design.The face of the U1-SPG continues the NASA narrative with meticulous attention to detail. The dial features the iconic NASA worm logo in white, adding an unmistakable nod to the space agencys storied history. As a GMT watch, it includes an additional 24-hour hand, allowing the wearer to track multiple time zones an essential feature for astronauts and space enthusiasts alike. Surrounding the dial are 24-hour markers, adding to the watchs utility and enhancing its space-inspired aesthetic.To ensure maximum legibility and durability, the U1-SPG is fitted with a sapphire crystal thats treated with an anti-reflective coating on the interior, reducing glare and making it easier to read in bright conditions.Turn the watch over, and youll discover another nod to the Artemis program. The case back features the official NASA Artemis logo, commemorating the missions ambitious goals of establishing a sustainable human presence on the Moon and paving the way for future missions to Mars. Each watch is also individually numbered, emphasizing its exclusivity with only 99 pieces available worldwide.Beneath the surface, the U1-SPG is powered by the Seiko NH34A automatic movement a reliable and robust mechanism that features 24 jewels, a frequency of 21,600 vibrations per hour (vph), and a 42-hour power reserve. Known for its durability and precision, the NH34A ensures that the watch remains as functional as it is stylish, making it a true collectors item.With its connection to NASAs next era of space exploration, its no surprise that the UNIMATIC x Massena LAB U1-SPG NASA Artemis Limited Edition sold out almost immediately after its release. Priced at $1,295, the watch quickly captured the attention of both horology enthusiasts and space exploration fans. However, if youre still hoping to secure one, Massena LAB has a waitlist available on their website.For more information on the UNIMATIC x Massena LAB U1-SPG NASA Artemis watch, visit massenalab.com or unimaticwatches.com.Photography courtesy of Massena LAB and UNIMATIC.

If we ever find ourselves in need of a comforting beverage, there should be nothing that stands in the way. No more a bitter tea drinker or an overextracted coffee fan, BALMUDA offers a beautiful and functional response to the woes of beverage making, eliminating all pain points with a modern finish. Modeled to resemble a traditional tea vessel, take your morning routine to the next level with the MoonKettle.The MoonKettle offers precise temperature adjustment, with a range of 122 to 212 degrees. This allows for home baristas to dial in on their favorite drinks, learning to hone their skills to create even more fantastic beverages. A precise, accurately pouring spout is a gamechanger when it comes to making coffee and tea at home. With matcha, it helps ensure there are no finicky clumps at the bottom. With a pour-over, the ground beans can be saturated equally, minimizing overextration and bitterness. The rate of water also is key, some kettles intentionally restricting the flow of water for more even distribution and therefore balanced taste.The electric kettle holds one liter of water and features a strong seal to minimize the leakage of steam, while allowing for easy opening and closing with one hand as needed. LED lighting resembles flickering flames as if over a fire, while alerting the user to its boiling status. MoonKettle is outfitted with various sound options, including a Kyoto-inspired piano, a xylophone inspired by Japanese gardens, and a Chinese night market-inspired string instrument.In addition to black, the MoonKettle comes in white, creating a sense of peace and calm very much associated with the tea brewing process. This light, crisp white accentuates the carefully wrought curves of the MoonKettle, inspired by generations of tea culture that came before it.Gen Terao founded BALMUDA in Tokyo in 2003, releasing the x-base in the hopes of creating the most beautiful products on the market. Realizing that goal pretty thoroughly throughout the years, extensive research is conducted to make sure each product performs well, looks even better, and really lasts. This ideal has stayed with them throughout the decades, offering a range of thoughtful accessories that nestle in comfortably with existing accessories. Terao remarks, I believe that artistic value, which cannot be quantified, is what enriches life. BALMUDA creates ideas based on this belief.To learn more about the MoonKettle from BALMUDA, please visit balmuda.com.Photography courtesy of BALMUDA.

On the third floor of a building in the heart of Paris 9th arrondissement, the compact 344-square-foot BERGRE Paris IX apartment has undergone a remarkable transformation, thanks to the work of Emilie Magdelaine Interiors. Drawing inspiration from the elegance and comfort of a high-end hotel suite, the designer has reimagined the space, balancing sophistication with practicality while ensuring that every inch is thoughtfully utilized.The vision behind the renovation was to create a refined, yet welcoming environment where furniture, artwork, and decorative objects take center stage. Despite the apartments limited size, every detail was carefully considered to avoid visual clutter while maintaining a sense of warmth and style. The result is a space that feels polished but never ostentatious, where simplicity enhances the beauty of the curated elements within.A neutral color palette forms the foundation of this transformation, allowing the furnishings and decor to infuse the space with personality and vibrancy. The walls are painted in Farrow & Balls Strong White, a cool shade with subtle gray undertones, providing a crisp backdrop. Meanwhile, the headboard features Elephant Breath, a warm gray hue that echoes the texture and tone of the fluted bathroom tiles, seamlessly linking the bedroom and bathroom aesthetics.A delicate balance of straight lines and gentle curves defines the design language of the apartment. The clean lines of the baseboards and the sofa contrast beautifully with the rounded forms of the fluted headboard, the textured bathroom tiles, and the curved legs of the coffee table. This interplay of geometry adds visual interest while maintaining a cohesive atmosphere.The thoughtful use of materials further enhances this balance. Brushed stainless steel accents seen in light switches, door handles, curtain rods, and lighting fixtures lend a modern edge, while timeless Carrara marble, featured on the coffee table, kitchen countertop, and bathroom tiles, brings a sense of classic luxury. These materials create continuity throughout the apartment, tying together different areas with a sense of understated elegance.To optimize the compact layout, strategic decisions were made to utilize space efficiently. The kitchen, now positioned near the entrance, features custom cabinetry with IKEA pedestals and &SHUFL fronts in a raw finish black for the base units and light gray for the upper cabinets. Despite its small footprint, the kitchen is fully equipped with a sink, two burners, an oven, and a fridge, making it both functional and stylish.The bedroom was relocated to the former kitchen area, with a custom-designed headboard extending to ceiling height, offering both visual impact and additional storage. A trunk bed by Tediber provides hidden storage, maximizing space without compromising comfort. The bathroom was reconfigured to include a space-saving roller shutter door and a central partition that separates the toilet and shower, maintaining functionality while enhancing privacy. A transparent, reflective glass door ensures that natural light filters into the space, creating an airy feel even in the most compact areas.Lighting plays a pivotal role in enhancing the perception of space and adding warmth. In the living area, two mirrors were positioned above the shelves to reflect daylight without directing the viewers eye toward their own reflection, subtly enlarging and brightening the room. In the bedroom, a mirrored upper section of the headboard amplifies the light, while an artwork by Thomas Devaux, featuring dichroic glass, introduces dynamic reflections that generate their own glow, adding an ethereal dimension to the space.To see more from Emilie Magdelaine, visit emiliemagdelaine.fr.Photography by Florian Wattier, courtesy of Emilie Magdelaine.

Were welcoming a burst of bold, geometric energy to your screens for Aprils Designer Desktop, courtesy of UK-based designer and artist, Leigh Bagley. Known for his vibrant, mid-century-inspired aesthetic, Bagley brings a fresh and playful take on pattern and form, infusing his compositions with joy, rhythm, and a modern sensibility. A graduate of the Royal College of Art and founder of his studio, The Graphic Pattern Studio, Bagley creates art that feels retro yet contemporary, abstract yet approachable.For this months Desktop, Bagley shares a design from his new poster print series, which are an extension of his latest Calendar wallpaper collection inspired by the work of Jean-Pierre Vitrac. Echoing Vitracs signature use of playful shapes and sweeping curves, the wallpaper collection is structured around a square tile format with 8 individual shapes mirroring the lunar cycle. This chromatic series has inspired Bagley to create a range of affordable open edition prints where architectural forms and repeating shapes are layered over neutral backgrounds perfect for a screen refresh. For those wanting a more immersive experience, Bagleys Calendar series is available through Robin Sprong.Download the wallpapers for free with the links below for all your tech devices today!DESKTOP:102476812801024168010501900120025601440MOBILE:iPhone XS iPhone XS Max iPad ProCheck out some of Leigh Bagleys other work:Learn more about Leigh Bagley here and give him a follow here.View and download past Designer Desktopshere.

Every so often, a designer emerges whose work feels destined for the history books. In 2025, that name is Tim Vranken. The Belgian furniture designer has spent years perfecting his craft, creating pieces that balance raw materiality with sculptural elegance. His recent solo exhibition, Moving Fragments, at Objects With Narratives serves as a culmination of his past five years of exploration, showcasing earlier works alongside six new pieces. Soon heading to be on display at Salone Del Mobile 2025, Moving Fragments offers an intimate look at Vrankens evolving dialogue with materials, where fragility and solidity, as well as tradition and innovation, exist in constant tension.Establishing a distinct design identity is no easy feat, as it takes years of honing ones craft to achieve, but Vranken has done just that. His work is defined by geometric compositions and stepped elements, creating a visual language that feels both minimalist and deeply expressive. His designs radiate a serene, architectural quality grand in form, restrained in detail, and void of any superfluous ornamentation. Vranken allows the raw beauty of the materials to take center stage, imbuing just enough of his signature touch to highlight their natural depth and character.From furniture to sculpture, a few standout pieces showcase the breadth and depth of Vrankens craftsmanship:In his newest Fira collection, Vranken pairs burned ash wood with terrazzo made using North Sea shells, creating an immaculate dining table reminiscent of his Traaf bench, which also rests on a stone base.Crafted from American walnut and burl wood, the Fira Bar Cabinet features four-panel doors made from pictorial root veneer, highlighting an intricate interplay of pattern and texture.Vrankens sculptural approach extends beyond furniture with Herm, an illustrious aluminum sculpture that contrasts polished and brushed surfaces, offering a study in light, reflection, and texture.The Arcus collection introduces Vrankens first daybed, carrying forward the collections signature repetition of blocky legs, reinforcing its architectural presence.Moving Fragments is not to be missed its a rare opportunity to witness Vrankens masterful command of materials and form in an intimate setting. You can catch them at Salone del Mobile from April 7-13, 2025, further solidifying Vrankens place as a designer to watch in 2025.To learn more about Tim Vranken, visit timvranken.com and objectswithnarratives.com.Photography by Tijs Vervecken.

When it comes to turning the ordinary into the extraordinary, Alessi has long led the way. With its 2025 collection, the Italian design brand continues its legacy of transforming everyday objects into design icons poised for a place in design history. The new pieces feature bold silhouettes, fresh colorways, and expansions of existing lines all functional objects that could just as easily live on a gallery pedestal as they could on a kitchen counter.Starting your morning tea or coffee has never been easier or chicer thanks to the new Pliss Electric Kettle. An expansion of the Pliss series by Michele De Lucchi, the new kettle offers precise temperature control and now comes in a soft, subdued blue, in addition to the original white, black, and green. The same new hue is also available for the Pliss Toaster, creating a matching set that brings subtle elegance to any countertop.Its hard to believe that Enzo Mari designed the Arran Tray in 1961 (reissued in 1997), and Giulio Confalonieri envisioned the Maya Basket back 1977, as they feel as though they were designed today. With their geometric forms and knife-sharp lines, these utilitarian objects have long felt worthy of museum display. Now, they get a fresh new look in iridescent green and purple finishes, alongside the original polished stainless steel. Depending on the light and surrounding reflections, the finish shifts in tone turning static pieces into dynamic, expressive works of art.Exuding warmth and nodding to ancient architecture, the Yucatan and Oaxaca salt and pepper grinders, also by Michele De Lucchi, celebrate artisanal craftsmanship and creative freedom. I reduced my project to the essentials of a column with a rotating head and then preferred to have fun at the lathe, De Lucchi shares. Small patterns formed that made me think of Aztec poles. This is how Yucatan and Oaxaca were born two small wooden totems that find their place in the kitchen.The Anna Stick and Alessandro Stick (launching soon) revive a whimsical design from the archives of Alessandro Mendini, adding charm and character to a set of chopsticks and a coordinating stand. The chopsticks are topped with the faces of two of Mendinis iconic characters, while the fish-shaped stand is a nod to his Mendinigraph. As Mendini once described it, the intention was to create families of objects that are poetic and sympathetic, refined and allegorical, but also simple, solid and user-friendly.And finally, an object that needs no introduction: the La Cupola espresso coffee maker by Aldo Rossi now gets an update for modern use its compatible with induction hobs. The handle and knob are available in black or the originals iconic blue. La Cupola has always stood out for its architectural form, directly inspired by Rossis own interpretation: For me, the coffee maker is a type of construction: it is a dome supported by a cylinder with certain mouldings, more or less functional and decorative but it is a precise architecture.To learn more about Alessis 2025 collection, visit alessi.com.Photography by Beppe Radogna.

Nestled in the heart of Manhattan Beach, California, Zen House by Minarc fuses modern design with a tranquil, nature-inspired ambiance. Created for software developers and their family, this residence accommodates both daily living and visiting loved ones, all while emphasizing an active and outdoor lifestyle. The property consists of a sleek two-story main residence and a well-integrated Accessory Dwelling Unit (ADU) guest suite.Zen House draws heavily from the familys travels, particularly their fondness for Bali, Indonesia. Guests are welcomed by an inviting outdoor courtyard featuring a koi fish pond and a calming water feature, which serves as a natural buffer to minimize street noise. The soothing sounds of flowing water and the visual serenity of the pond create a meditative environment. Complementing this serene entry, olive trees evoke cherished memories from family vacations in Greece and Italy, reinforcing the homes connection to nature and travel.A key element of the design is the fluidity between indoor and outdoor spaces. Large sliding doors and expansive windows maximize natural light and facilitate cross-ventilation, ensuring that the home remains airy and bright throughout the day. An open roof deck, strategically placed above part of the first floor, provides a versatile outdoor area with sweeping views of the pool and surrounding landscape. Additionally, a basketball court adjacent to the pool links the ADU to the main home, establishing a dynamic recreational space for the family and their visitors.The interior of Zen House reflects a carefully curated blend of natural materials and a restrained color palette. Wood, concrete, and fire elements come together to create a warm, peaceful atmosphere that encourages relaxation. The subdued hues allow the raw beauty of these materials to take center stage. The homeowners played an active role in the design process, with the husband handcrafting all the cabinets throughout the home. Using sustainable Valchromat MDF, finished with natural wood veneers or high-pressure laminates, the custom cabinetry adds a personal and environmentally conscious touch to the living spaces.The residence balances openness and privacy by incorporating modest yet functional private spaces. Bedrooms and five accompanying bathrooms provide ample room for both family members and guests, ensuring comfort without compromising the homes minimalist aesthetic. Thoughtful space planning allows for easy transitions between communal and private areas, enhancing the overall livability of the home.Minarcs dedication to sustainability is evident throughout the project. The home utilizes Kebony modified lumber for cladding, decking, and fencing, chosen for its durability and minimal environmental impact. Prefabricated mnmMOD panels were employed during construction, offering superior insulation and reducing waste through precise assembly. This approach not only enhances energy efficiency but also helps maintain consistent indoor temperatures, minimizing the need for traditional heating and cooling systems. The integration of radiant floor heating powered by heat pumps and high-efficiency appliances further reduces the homes carbon footprint, contributing to a sustainable and comfortable living environment.To learn more about Minarc, visit minarc.com.Photography by Art Gray, courtesy of Minarc.

The Coliseum Chair by Alvaro Uribe blends contemporary design and ancient principles, playing on our sense of optics to create larger than life proportions, reminiscent of a grander, bygone era. Initially designed to explore the capabilities of rotational molding, which is typically utilized in more industrial applications, here we see this process elevated to the showroom. The cutouts of the chair add dimension and depth, strength and security exhibited proudly from every angle. Created for Italian design brand Slide, this chair balances ergonomic principles with measured elegance for a modern finish to any interior or exterior.Rotational molding offers minimal material use as an advantage, the team at Alvaro Uribe initially imagining the form as a solid object. A rounded square base gives way to an expanding extrusion of a chair, strong columns of material creating arches through which the seat can be seen. These channels create strength within the shape, reducing weight and optimizing for production efficiency. The seat is carved definitively into the form in a way that feels encompassing in its solidity, yet the back is low enough to offer support yet not feel claustrophobic. A clever balance between strength and style, the Coliseum Chair is rated for outdoor use and available in a multitude of colors, adding a splash of vibrance to a garden, patio, deck, or interior space.These shapes have ignited the mind for centuries, pulling on design traditions made to celebrate the gods (and shun the emperors). A trick of focal length, the top of the chair will seem larger than it actually is, similar to the columns we see circling the Colosseum in Rome. Finally completed in 80 AD by filling in Emperor Neros lake, and seating as much as 50,000 visitors, this UNESCO World Heritage Site was home to gladiatorial contests, public executions, and other entertainment popular at the time.Alvaro Uribe is a New York-based designer focused on inspiring curiosity, magic, and delight. He sees design as a universal language one that unites us and can be used to fulfill multiple needs. He calls this concept emotional function. a principle where the product extends beyond its original use to become a beloved object, one that continually brings joy. Intentionally much harder to balance, this works on multiple levels as humans to create objects with intentionality, durability, and care. When using something brings on a smile, the designer has done their job right.To learn more about the Coliseum Chair, visit slidedesign.it or alvarouribedesign.com.Photography courtesy of Alvaro Uribe and Slide.

Projectors can be a great alternative to traditional TVs, especially when you want to watch in various locations around your home, but they can also be bulky and cumbersome. LG, however, has launched two new projectors designed to be a little more versatile and easy to manage, either by acting as multiple devices in one or by being more compact.Easily the coolest new projector from LG is called the 3-in1 PF600U, and in addition to being a projector, its a Bluetooth speaker and LED mood light combined into one device. Thats right, you could see the PF600U and not even know that its actually a projector when its being used as a mood lamp.This device works by making use of the different surfaces around its edges. The main unit is a circular module, which sits atop a floor stand, kind of a like a portable fan. On the front, you can find the speaker along with controls that can be used when you want to listen to music. Its actually a stereo speaker with passive radiators for richer audio quality, so it should sound pretty good. The mood lights are located on the back, and when its placed near a wall, itll illuminate the wall in one of nine colors and five brightness levels.When you want to use the device as a projector, youll rotate this module with the speaker portion facing up, allowing the projector lens on the edge of the device to face whatever surface you want to project onto. The projector offers a 1,920 x 1,080 resolution along with 300 ANSI lumens of brightness. Not only that, but it has LGs webOS software built into it, making it easy to stream content from your favorite streaming services. Thankfully, it also has a HDMI input so you can play content from an external device.If you want a projector to use on a regular basis, it might be worth considering the CineBeam S. The CineBeam S is still a lifestyle projector, but it offers a higher quality image in its compact build. Its an ultra short-throw projector, which means that it can be placed right next to the surface that it will be projected on, eliminating the need for awkward placements or mounting on the ceiling.Its image quality is a little better than the PF600U. It has a 3,840 x 2,160 (4K) resolution, and a brightness of up to 500 ANSI lumens. It also has speakers built into it, so you dont necessarily have to use it with external speakers, though most users will want to. It has webOS, making it easy to stream content.Currently, pricing isnt available for the LG PF600U or the CineBeam S, but hopefully, well learn more about it in the near future.For more information, visit lg.com.

Virtual Reality (VR) and Augmented Reality (AR), collectively known together as Mixed Reality (XR), are rapidly advancing as companies focus on miniaturizing AR technology and enhancing VR capabilities. While fully immersive virtual collaboration may be the future, todays priority is to develop, learn, and collaborate on XR technology in the physical world. This vision is at the heart of the new XR Lab, designed by WindsorPatania Architects.The new XR Lab space is located at West Suffolk College in the United Kingdom, and was recently awarded the Inspiring Learning Space Award at the 2024 Education Estates Awards. The lab is an impressive high-tech space featuring a Collaboration Theatre, a Green Room, and a Conference Room. But this Green Room isnt the typical waiting area used in theaters or backstage of a concert venue its a fully immersive environment with green ceilings, walls, and floors, designed to make it easier to isolate real-world objects by removing the background, similar to green screen effects used in film production.Though it might seem that interior design wouldnt be a priority in a space dedicated to virtual experiences, the architecture is striking. The XR Lab repurposes an old workshop hangar and incorporates acoustic insulation to enhance XR immersion. Inside, high-end cameras and microphones are strategically placed to create a more natural and seamless XR experience. Beyond serving as a cutting-edge learning environment, the lab is also positioned as a business hub for the surrounding region, particularly focused on the development of XR projectors. The XR Lab is truly an inspired learning space, where ambitious architecture embodies the function of the building, says Giovanni Patania, co-director of WindsonPatania. We are very proud to have been part of this exciting and game-changing educational initiative.The design of the labs other spaces leans into a futuristic, modern aesthetic. This is emphasized by the 3D triangular mesh adorning the buildings exterior, symbolizing the advanced 3D technology being explored and developed within.We had different sources of inspiration for this project, which combined helped us deliver the wow factor our client wanted, Patania says. We reimagined the likes of the Tesla factories in the United States and the boxy Tesla Cybertruck, and even the minimalistic, monochrome interiors from the Men in Black films.Ultimately, the space will hopefully facilitate the development of new and exciting XR tech and software.You can learn more about it at windsorpatania.com. Photography courtesy of WindsorPatania Architects.

Virtual Reality (VR) and Augmented Reality (AR), collectively known together as Mixed Reality (XR), are rapidly advancing as companies focus on miniaturizing AR technology and enhancing VR capabilities. While fully immersive virtual collaboration may be the future, todays priority is to develop, learn, and collaborate on XR technology in the physical world. This vision is at the heart of the new XR Lab, designed by WindsorPatania Architects.The new XR Lab space is located at West Suffolk College in the United Kingdom, and was recently awarded the Inspiring Learning Space Award at the 2024 Education Estates Awards. The lab is an impressive high-tech space featuring a Collaboration Theatre, a Green Room, and a Conference Room. But this Green Room isnt the typical waiting area used in theaters or backstage of a concert venue its a fully immersive environment with green ceilings, walls, and floors, designed to make it easier to isolate real-world objects by removing the background, similar to green screen effects used in film production.Though it might seem that interior design wouldnt be a priority in a space dedicated to virtual experiences, the architecture is striking. The XR Lab repurposes an old workshop hangar and incorporates acoustic insulation to enhance XR immersion. Inside, high-end cameras and microphones are strategically placed to create a more natural and seamless XR experience. Beyond serving as a cutting-edge learning environment, the lab is also positioned as a business hub for the surrounding region, particularly focused on the development of XR projectors. The XR Lab is truly an inspired learning space, where ambitious architecture embodies the function of the building, says Giovanni Patania, co-director of WindsonPatania. We are very proud to have been part of this exciting and game-changing educational initiative.The design of the labs other spaces leans into a futuristic, modern aesthetic. This is emphasized by the 3D triangular mesh adorning the buildings exterior, symbolizing the advanced 3D technology being explored and developed within.We had different sources of inspiration for this project, which combined helped us deliver the wow factor our client wanted, Patania says. We reimagined the likes of the Tesla factories in the United States and the boxy Tesla Cybertruck, and even the minimalistic, monochrome interiors from the Men in Black films.Ultimately, the space will hopefully facilitate the development of new and exciting XR tech and software.You can learn more about it at windsorpatania.com. Photography courtesy of WindsorPatania Architects.

When Lise Vester was completing her design school application, it marked a turning point in her life. Exploring an open-ended theme of family, she visited a hospice center. It was there that Vester experienced the concept of healing architecture, and also realized that she could merge her intuitive instincts with her passion to create something meaningful. Learning how design influences comfort in a space felt profound, and continues to inspire my work today, she says.A native of Denmark, Vester studied furniture design and business as an undergraduate. She had the support of her family, and met two key individuals, a gallerist and a lighting company design manager. The pair soon became informal mentors who were always there to offer advice and listen. Their support and encouragement helped to build Vesters confidence as she set out on her path.Lise VesterVester eventually headed to the Royal College of Art in London, where she earned a masters degree, then accepted jobs as a freelance designer for a range of companies, including Louis Poulsen. In 2022 she founded her eponymous studio based in Copenhagen.When Vester experiments with glass and light, her philosophy of form follows feelings is at the forefront. Her pieces are often playful and sculptural, with elements that spark curiosity and invite engagement. Whether her objects are for everyday use or artistic installations, Vester aims to craft experiences on both sensory and emotional levels.Even with plenty of projects on tap today, Vester has a romantic vision of her later years. She would love to spend hours crafting rings, necklaces, and other baubles in a cozy workshop. Jewelry fascinates me the stories it carries about identity, memories, and connections, she adds. I see jewelry as another way to tell stories through design.Today, Lise Vester joins us for Friday Five!Photo: Lise Vester1. Your Brain on Art book by Susan Magsamen and Ivy RossThis book resonates with my interest in Neuroaesthetics and our mind-brain-body relation. It dives into how art and design affect our brains and emotions, which is a constant theme in my work. Just like physical exercise lowers cortisol levels in our bodies, neuroscience can help inform us, how art affects our mental and physical health too. It also reminds me of Googles Making Sense of Color installation at Milan Design Week 2024, and their 2019 collaboration with Muuto, where they explored how differently designed spaces can evoke emotional responses.Photo: Lise Vester2. Bottled Pondering by Aepenton, exhibited at Design Museum DenmarkThe message of this art piece is to prioritize our mental and relational well-being as much as our physical health. The medication bottle is a universal language of something that heals us, and the installation serves as a tool, helping us start a conversation and to break down stigma and taboo about mental health.Ai Weiweis The Human Comedy (2022), installed at the Basillica San Giorgio Maggiore \\\ Photo: Courtesy Francesco Allegretto3. Ai Weiweis Murano Glass Chandelier, The Human ComedyI am fascinated by glass for its fluidity, strength, and how it transforms light. Visiting Murano in 2023 sparked my dream of collaborating with Venetian glassblowers on a modern chandelier. Ai Weiweis piece, the largest Murano glass chandelier ever made, reimagines the romantic floral tradition into a haunting reflection on death. Its both stunning and unsettling, showcasing exceptional craftsmanship while challenging our relationship with mortality.Photo: Courtesy of Ben Richards4. Neon Signs in Japan / Bruce Naumans One Hundred Live and DieJapans neon signs are full of creativity and character, and are so much fun. They have the ability to transform ordinary streets into immersive experiences. Paired with Bruce Naumans iconic neon work, One Hundred Live and Die, these signs ignite my interest in the storytelling potential of light and signage something that would be interesting to explore further.Elevated Copenhagen Bench (Kbenhavner Bnken) by TV2, a campaign from a Danish TV channel TV2 \\\ Photo: Courtesy of Sren Solkr for TV25. Elevated Copenhagen Bench (Kbenhavner Bnken)In 2022, Danish TV channel TV2 made 15 altered versions of the iconic Copenhagen benches. The benches were elevated by 85 cm to symbolize rising sea levels A simple but effective way of making climate change feel tangible it literally forces you to look up and imagine the impact on our cities.Works by Lise Vester:Photo: Peter Vinther, at the Cabinetmakers Autumn Exhibition 2024Lighthouse 2024The chandelier Lighthouse is made in collaboration with Louis Poulsenfor the Cabinetmakers Autumn Exhibition 2024.The chandelier reinterprets the lighthouses light by combining the groundbreaking invention of the Fresnel lens with modern lens technology in an experimental piece. The lighthouse symbolizes hope, inspiration, and encouragement a marker that guides us safely through lifes challenges. The modern Fresnel lenses create a magical, playful light that sparks curiosity and reflection. As a symbolic beacon, the light provides guidance and wondrous experiences for those who encounter it on their journey.Photo: Luka Hesselberg for Design Museum DenmarkNeon Chandelier Idea Generator 2022The neon chandelier Idea Generator is made in collaboration with Louis Poulsen for the Cabinetmakers Autumn Exhibition 2024.The Chandelier is inspired by the incandescent bulb, symbolizing a bright idea, and pays homage to the creative ideas that are the fuel for innovation and production among designers. With the Idea Generator, Lise Vester challenges the typical neon sign aesthetic by creating a three-dimensional artwork, which, with its large scale, shape, and pleasant glow, becomes a sort of spatial experience of the blue and atmospheric light.Photo: Cecilie Jegsen at Stevns KlintReflections 2023Reflections is an experimental collection of mirrors crafted with mouth-blown free hand sculpted glass and silvering techniques. Collaborating with skilled glassblowers, this project reimagines concave and convex mirror design, elevating the experience through fine artistic craftsmanship. It aims to create fresh perspectives and reflective spaces, igniting self-awareness and expanding our perception of the world and the spaces we live in.Through playful exploration of light and form, Reflections uncovers the transformative and introspective powers held within reflections, stimulating new experiences and contemplative moments in our daily lives.Photo: Cecilie Jegsen at ObservatorietDream View Sphere 2021The Dream View Sphere offers a new way of seeing things and makes room for reflection. Stop and notice the beauty of the ordinary everyday life, and our ability to change perspective. The sphere is made in mouth blown glass, and is placed near the window where it projects and objectifies the view of the sky only by the use of daylight. Dream View Sphere is acquired by Designmuseum Danmark, and is exhibited at The Future is Present 2022-2024.Photo: Cecilie Jegsen at ObservatorietDream View Chair 2021The bench is made for people to look up and wonder. The brushed steel reflects the sky and the curvature offers us lean back in a restful position while inviting us to glaze and connect with the sky and our dreamworlds. The bench allows us to look at the clouds and stars in the company of each-other and the chair allows self introspection.

When it comes to family, their safety is a non-negotiable and that includes our four-legged companions. Whether its a short drive to the dog park or a cross-country road trip, pets deserve the same level of protection as the rest of the family. From the makers of Nuna, a trusted leader and household name for infant and child car seats, Tavo introduces the Crispin Pet Travel Crate, a crash-tested, thoughtfully designed pet carrier that ensures your furry passengers travel in comfort, style, and security.More than just a travel crate, Crispin has been meticulously engineered for safety, comfort, and convenience. Its tall profile and ventilated mesh panels create an airy, spacious environment, ensuring pets feel secure without feeling confined. Two machine washable mattress pads one designed for plush comfort and the other for added durability offer a practical solution for easy cleaning, so you can always have a fresh backup on hand. Prioritizing the same safety standards found in Nunas baby car seats, Crispin is free from flame-retardant chemicals; instead, it uses naturally flame-resistant fabrics. Subtle details, like vegan leather accents, add a refined touch of style.Most importantly, Crispin has been impact-tested to ensure the ultimate level of protection. The carrier securely anchors into the vehicle with lower connectors at the base and tethers at the top, preventing movement during transit. Energy-absorbing Tailor tech memory foam cushions against impact in the event of a crash and offers Side Impact Protection (SIP) through the guards that secure easily onto the carrier frame for an added layer of security. Beyond crash protection, Crispin keeps pets safely contained, preventing them from roaming inside the vehicle a key factor in reducing driver distractions that can lead to accidents.Once youve reached your destination, Crispin easily collapses for space-saving storage. A dedicated lower compartment neatly tucks away the push-on anchor connector, keeping these important safety parts safe and close by. A matching carry bag and dust cover ensure the carrier stays clean and ready for your next adventure.Available in Onyx and Merle colorways, as well as three sizes (Small, Medium, and Large), Crispin brings a peace of mind for pet parents who never want to take a chance when it comes to their furry companions safety. Designed for both everyday commutes and long road trips, this impact-tested travel crate ensures pets stay secure, comfortable, and protected on every journey.To add the Crispin Pet Travel Crate to your next trip, visit tavopets.com.

Psychedelic patterns, plush carpets, and syncopated beats are among the pop-culture elements plucked from the 1970s that continue to captivate global audiences with the same nostalgia-packed power that crackling vinyl has over a new generation finding its groove. But 70s design in the Land Down Under saw a modernism largely inspired by coastal living, creature comforts, and a flowering of colorful, artistic expression a little less rigid than some of their western counterparts.Family-owned furniture brand King Living has produced some of Australias most memorable home furnishings, namely, the Award Sofa, which celebrated the companys most significant seating launch in the late 1970s. Its oversized proportions, cuddle-worthy curves, and unique modularity have inspired the next of kin 1977 Sofa.At King Living, we are continuously advancing and evolving, shares David King, founder of King Living. But when we first launched the inaugural sofa, we could have never imagined that so many years on, it would still have the same design relevance it did nearly 50 years ago.Thoughtful planning and masterful execution are among the attributes that help designers generate rich sensory experiences for end users, and subsequently, the emotional connections that imbue good design with decades-long staying power. This iteration of King Livings iconic piece is fashioned from varying densities of CFC-free high-resilience foams and fibers to achieve support across graduated layers in an undulating, sculptural landscape of comfort anticipating even the most fidgety couch surfers. Whats more, the sofas seemingly inflated, curvaceous silhouette possesses a slightly neotenic quality and playful dimension specific to Australian decor.A sturdy, recyclable steel frame and suspension system within its cushioning work in conjunction with the brands Postureflex Seating System to bolster ergonomics, usability, and product longevity. Customers will experience even more fitness for purpose in the sofas structure, which features a proprietary, patented, uniquely customizable connection system. Modules can be combined and rearranged as life demands, adapting configurations to evolving needs and spatial requirements.Personalization extends to the aesthetic touches. Individual modules will be available in two exclusive fabric collections developed specifically for the 1977 Sofa. The tailored covers can be easily removed a concept introduced by King Living in 1978 allowing for a variety of conveniences atypical of upholstered furniture: convenient machine washing when textiles are soiled; site-specific replacements to minimize waste when in disrepair; and swappable looks as seasons or interior design preferences change.With an accessible starting price of $2,000 AUD roughly $1,200 USD for a three-module package, the 1977 Sofa is poised to impress youthful shoppers looking for affordable, quality furniture just as much as long-time design enthusiasts who are willing to invest. The sustainability-minded will also appreciate King Livings continued commitment to eco-conscious business practices, which include logistics with zero polyurethane packing materials and efficient shipping methods to minimize their carbon footprint.The 1977 is a testament to our history-making design, King adds. Through our long-lasting, deep relationships with our customers and our extensive understanding of the changing landscape, the 1977 is a showcase of our commitment to innovation and our strength in Australian design.To explore more from the family-owned brand, visit kingliving.com.Photography courtesy of King Living.

When it comes to the ever-illustrious raft of heritage Danish design brands theres perhaps no company more agile than Vipp. Established in the late 1930s, the boutique manufacturer named after the Danish word for tilt gained renown for its trash bins with a hyper-efficient pedal function and durable metal shell. Like the many innovative concepts Vipp has released in the decades since modular kitchen outfits also embody the tenant of timelessness the manufacturer has championed a necessity-driven innovation mindset.This ethos has allowed the company to break out of a typecast definition and lend its expertise to disparate typologies: precision-engineered office furniture among them. Part of this inherent dynamism and diversification turning a bin into a brand has been the development and programing of bookable guesthouses in distinct urban and rural settings; not merely as contextualized domestic showrooms but as holistic experiences demonstrating the family-run manufacturers philosophy: craftsmanship, longevity, and versatility.Joining a roster of nine already well-visited locales all repleted with the brands comprehensive gamut of products: furniture, lighting, accessories, and of course, kitchens is the new Vipp Todos Santos Guesthouse, located in Todo Santos, Mexico. Incorporating 3,800 square feet of space, the five bedroom property unfolds as a clever interplay of indoor and outdoor rooms making the most of the tropical, desertscape surroundings on the Baja California Peninsula coast.Todos Santos has a unique blend of topographies, history, and influences, says Pablo Prez Palacio, the celebrated Mexico City-based co-founder of Prez Palacios Arquitectos Asociados (PPAA) tasked with the especially site-responsive design of the complex: a main house and two interconnected annexes achieved in a decidedly tropical modernist style but with more than just a touch of vernacularity.We wanted to respect these traditions while creating our own architectural language and a building that merges seamlessly with the surrounding landscape, says Prez Palacio. Vipp has been a perfect partner in this project, where you can see an ongoing dialogue between Mexican and Danish design sensibilities throughout its spaces.The seemingly meandering but carefully laid-out abode nestles into the grade of the site and coalesces around the central courtyard, covered patio positioned as an elevated plinth framing sweeping views of unspoiled nature in its midst.According to PPAA, the Vipp Todos Santos guesthouse is a dynamic interplay of strategically placed volumes and stepped exterior stairways. Programmed on three levels, the home begins with two intimate ensuite bedrooms on the ground level, two additional ones in a wing of the first floor, a full principal suite, and a minimal amount of indoor entertainment spaces the kitchen complete with Vipp products as much of that situates in semi-outdoor environments like the canopied and open terraces. The dining rooms outdoor table seamlessly extends from the kitchen counter. The matrix of flat roofs emerge with a circular celestial oasis pool and additional lounges.The almost mono-material application of rammed-earth is not only indicative of local building practices but also sustainable. The ancient tradition of erecting these especially thick walls is a pre-air condition cooling strategy, that along with breezeways and non-monolithic massing provides natural cooling. They also keep the interiors warm on the cool nights, common through the year here. Though adherent to the tried and true refreshed approach, the overall architecture still includes large apertures framing panoramic ocean views.Developed in close collaboration between PPAA, Vipps third-generation co-owner Sofie Christensen Egelund, and Copenhagen-based interior designer Julie Cloos Mlsgaard, the interior is a serene amalgam of natural tones and cleverly contrasting textures: locally sourced craft works like woven textiles and ceramics. The open-concept living area is outfitted with Vipps recently released anodized aluminum V3 Kitchen and other complementary items.The opening of our first guesthouse in North America is an incredible milestone for Vipp, Christensen Egelund says. Over the years, we have grown from a small company with just one design, the bin my grandfather created in 1939, to develop a global following for our furniture and kitchens, all made with the same integrity and longevity as our very first product. Our diverse portfolio of guest houses has allowed us to bring our passion for design to life through wide ranging architecture and interiors. I have admired Pablos work for some time and we are thrilled to have him as our latest collaborator in this exciting project. Our shared love of buildings that frame nature and architecture that is responsive to its environment has resulted in one of our most special guest houses to date.What: Vipp Todos Santos GuesthouseWhere: Todos Santos, MexicoHow much: $2,500 per night for up to 12 adultsDesign draw: An interplay of stepped, site-responsive volumes integrated into the grade of the tropical desert locale with rammed earth walls giving way to ocean view apertures and a clever introduction of Vipp products; the perfect setting for an indoor/outdoor vacation.Book it: Vipp Todos Santos GuesthouseGo virtually on vacation withmore design destinations right here.Photography by Anders Hviid.

A stone bench radiates a gentle warmth not from the sun, but from within. It is subtle details such as this at The Spa at the Inns of Aurora Resort & Spa that reveal thoughtful integration of comfort and materiality, which define this award-winning wellness space. The 15,000-square-foot facility, located in Aurora, New York, represents a significant evolution in American spa design, one that merges ancient Ayurvedic principles with contemporary architectural principles. Designed by Hart Howerton, The Spa is the first and only spa in the United States to achieve WELL Certification at the Gold level from the International WELL Building Institute.The spas design team goes onto say, We wanted to create an environment where the architecture itself participates in the healing process. This philosophy manifests in a seamless transition between indoor and outdoor experiences from treatment rooms enhanced with warming fireplaces to lavender fields that become natural settings for outdoor massages. The result is a built environment that integrates with its lush surroundings, drawing the restorative qualities of the Finger Lakes landscape into the wellness experience.Circulation paths guide visitors through a carefully organized sequence of spaces that gradually unfold, creating moments of discovery rather than revealing everything at once. Private treatment rooms with fireplaces provide intimate enclosures of warmth, while common areas open dramatically to frame the landscape.Throughout the spa, natural elements speak to the regions agricultural heritage and contemporary wellness practices. Local stone appears in both structural and therapeutic applications, while wood elements frame views of Cayuga Lake, connecting visitors to the unique geography surrounding the property. Six hydrotherapy pools vary both in temperature and unique visual perspectives.This Ayurvedic philosophy extends beyond the buildings design through the expertise of Laura Coburn, the spas Director of Serenity. Architecture creates the container, but true healing requires individual attention, Coburn explains. Equally significant is the spas commitment to inclusive design, with gender-neutral spaces that challenge traditional spa typologies.For more information, visit innsofaurora.com.Photography courtesy of Inns of Aurora Resort & Spa.

While companies like Nothing are pushing the boundaries of phone design with transparent aesthetics and eye-catching LEDs, Chinese tech giant Xiaomi is taking a different, more nostalgic approach. Enter the Xiaomi 15 Ultra, the companys latest flagship smartphone thats turning heads with a design inspired by classic Leica cameras. This unique aesthetic choice goes beyond skin deep, highlighting Xiaomis continued collaboration with Leica to bring professional-grade photography to mobile devices.It comes in a sleek Silver Chrome color option, as well as Black and White, that looks similar to the iconic Leica M-series cameras. The Leica influence on the Xiaomi 15 Ultra is more than just cosmetic the camera system itself is what truly stands out. Xiaomis ongoing partnership with Leica has led to a sophisticated imaging system that aims to rival even the most advanced smartphones on the market.Xiaomi isnt just relying on looks to sell the 15 Ultra. The real magic happens beneath the surface. The phone packs a 200-megapixel Samsung ISOCELL sensor a sensor typically used for main cameras but placed behind telephoto glass. This results in beautifully detailed shots, particularly in telephoto, macro, and portrait modes. The sensors size and resolution allow for superior light capture, producing vibrant, well-exposed shots even in challenging conditions.The phone packs a versatile quad-camera system, including a main 50-megapixel wide angle camera with an ultra-large aperture for low light; an ultra-wide 50-megapixel lens for expansive landscape shots; a periscope-style telephoto lens that leverages the 200-megapixel sensor for zoomed-in shots; and a macro mode for close-up photography.Beyond hardware, Xiaomi has equipped the 15 Ultra with software enhancements that elevate the photography experience. Users can expect Leica Authentic and Leica Vibrant modes, offering two distinct processing styles to match different creative preferences; AI scene recognition that automatically adjusts settings based on the environment; and Pro mode for manual control, giving photographers the ability to fine-tune ISO, shutter speed, white balance, and more.The Xiaomi 15 Ultra doesnt just feel like a professional camera its built like one too. The device features a ceramic or vegan leather back, giving it a premium feel and improved grip. The camera bump is pronounced but purposeful, housing the advanced camera system while adding to the Leica-inspired aesthetic.Also available is an optional Photography Kit, which adds a camera-like grip that plugs into the USB-C port, and features a two-stage shutter button, making the phone feel much more like a traditional camera.The Xiaomi 15 Ultra is available in many global markets right now, starting at 1,499. Despite its global availability, sadly, it wont be available in the United States.For more information on the Xiaomi 15 Ultra, visit mi.com.Photography courtesy of Xiaomi.

Most everyday objects go largely unnoticed switch plates, coat hooks, salt shakers. Functional and familiar, theyve often remained unchanged for decades, serving their purpose without much thought. But every so often, a design comes along that challenges convention. CIRCUIT, a fruit bowl designed by Swiss designer Renaud Defrancesco, does just that, reimagining both materiality and function. Inspired by marble runs, it transforms a simple storage vessel into a dynamic display of freshness.Available in two shapes (O and S) and crafted from cork, oak, and maple wood, CIRCUIT rethinks the traditional fruit bowl, where produce is often piled together, accelerating ripening. Instead, it allows each piece of fruit to rest individually, improving air circulation and prolonging freshness. More than just a neatly organized and visually striking display, this thoughtful design helps reduce food waste by preventing over-ripening and spoilage. This inventive approach is central to Defrancescos work he thrives on reimagining everyday objects, as seen in TWIST, a playful take on the classic pencil sharpener, and his boot design with a built-in pocket for shears, seamlessly blending function with unexpected detail.Handcrafted in protected workshops in Switzerland, CIRCUIT also reflects Defrancescos commitment to supporting local craftsmanship and ethical production, merging utility with artistry that elevates the everyday. Whether cradling fruit on a kitchen counter or holding essentials like keys and sunglasses on an entryway table, CIRCUIT brings elegance to even the most ordinary moments.To learn more about CIRCUIT and bring it into your own home, visit renauddefrancesco.ch.

Most traditional investment firm offices hardly exude a sense of warmth, but rather have a staid, buttoned-up aesthetic. A refurbished commercial space, designed by dMFK Architects, now fosters connection and community in a welcoming environment.Located in Londons Mayfair neighborhood, the 6,500-square-foot headquarters is set within a heritage building. The base-build renovation, while high quality, had diluted some of the historic character. The architects were tasked with creating a range of distinct, separate areas that still encourage collaboration among all staff members. We wanted to maintain the separation for the employees who work quite autonomously, but to also facilitate regular interaction between everyone, says Joshua Scott, director at dMFK Architects.The original split-level space has been subdivided into a range of smaller offices, working pods, and intimate meeting rooms. These areas flow into larger open-plan sections, which creates a circuit of connectivity. The arrangement supports any number of styles of work for the 50-person team. Staff members can come together in small groups for conversation or to brainstorm. They can also choose from quieter spots, ideal when privacy is needed.Rich materials are layered to bring added depth to interiors, yet are still in harmony with the existing elements. It was a deliberate choice to mix and match finishes and textures, just like you would find in a home, notes Dagmar Heiman, associate at dMFK Architects. It lends a softness to the overall space, which is in contrast to the streamlined but almost clinical office settings that we often see today.Light and dark stained woods, for example, are paired with natural stone or ceramic slabs. Ash flooring alongside oak joinery provides subtle variation. A neutral palette complements the clients curated collection of artwork on display throughout the office. From sculptures to paintings with bold brushstrokes, the pieces add pops of vibrant color. They enliven every corner, offering moments of surprise as individuals move from one floor to another.Furnishings, specifically selected or custom designed, contribute to the lived-in feel, and are made to fit rooms of varying sizes. A bespoke dining table rests at the heart of the hub, a central spot for employees to gather for shared meals or events. Even a sit-stand desk gets a sophisticated update in wood, developed in tandem with the client to reflect the elevated surroundings rather than detract from them.The architects envision a headquarters that will evolve as the needs of the staff and leadership change. Theres an authenticity and a tactility here thats meant to last, and like a patina, we hope it will get better with age, Scott adds.For more information on dMFK Architects, visit dmfk.co.uk.Photography by Ed Reeve.

A classic gadget brand is making a comeback. Pebble smartwatch founder Eric Migicovsky has announced the launch of a new brand, called Core Devices, which will launch the Core Time 2 and Core Duo 2 later this year. If youre a Pebble fan, this is what youve been waiting for both of these device are Pebble watches in everything but name.Pebble preceded the modern smartwatch, offering a new vision for the future of the humble watch. Over time, Pebble fell out of favor with newer and more capable devices like the Apple Watch, and the brand was eventually sold to Fitbit which itself was eventually sold to Google.But earlier this year, Google announced that it would open-source the Pebble operating system, essentially meaning that anyone could use it, for free, for their products. That includes Eric Migicovsky and Core Devices, which may not own the Pebble name, but seemingly has the rights to release watches that look like Pebble successors, and full rights to use the software that shipped with them.So what about the devices themselves? Both of them continue Pebbles design legacy, which these days means that they look kind of retro. That potentially makes them perfect for launching now specifically, given how in vogue retro tech is.Core 2 DuoThe first of the new watches is the Core 2 Duo, which is set to ship in July and will cost $149. According to Migicovsky, its essentially a Pebble 2 watch, but made by his new company. It has the same black and white e-ink display and more or less the same design as the original Pebble 2 watch.There are some upgrades to the actual tech inside the device, though. It will have an impressive 30-day battery life, thanks largely to more power-efficient Bluetooth chips. It also has a speaker built into it, unlike the original device.Core Time 2The second watch, called the Core Time 2, is a refreshed Pebble Time 2. It will ship in December and will be a little more expensive than the Core 2 Duo, priced at $225. The big upgrade to this device is a touch display, which will make it easier to access certain information, though Migicovsky noted in a report from The Verge that he doesnt necessarily intend to make the device a whole multi-touch surface like some smartwatches. It also has things like a heart rate monitor, step tracking, and sleep tracking.Its likely that these two watches are simply a starting point for Core Devices, and while they play on nostalgia, it remains to be seen exactly where the company will go for any future products. I wouldnt be surprised to see things like more fitness tracking sensors added down the road, though I certainly expect the company to remain true to its design philosophy.Both of the new Core Devices watches are available for pre-order here.

After spending several months as an artist-in-residence at the RALPH PUCCI sculpture studio in New York City, architect Lee F. Mindel has expanded his Veritas collection for the RALPH PUCCI brand. Recently on view at Galerie56, the six new pieces build on the possibilities of PUCCIs proprietary Plasterglass material through evocative forms that give nod to global destinations and elevated craftsmanship. Veritas means truth and honor in Latin, elevating the stories of the artisans that created the collection through a lens of perceived effortlessness, despite the materials unique challenges.The Pont Royal Sofa embodies the spirit of Parisian refinement and beauty. Elevating details to features, this take on seating is welcoming, elegant, and cohesive, blending well with the other elements in the room. We can see the Santorini Coffee Table evoking images of waterways and arches of bridges reflected in murky depths. The use of light blue, both in the walls and in the rug, helps freshen every piece in the room, giving a clean and tidy effect despite the handmade nature of the pieces. The Rialto Bench shares similar design language with the Santorini Coffee Table, utilizing the same mold in the sculpture studio to form its arched structure.The Santorini Console is a great example of the casting technique utilized in the collection, building upon the artisans knowledge of Plasterglass and the inherent limitations of the material. We were thinking about these forms and what they represented, and then by moving them around, resculpting, shaping, and carving, we realized that we wanted nothing to be literal, and we wanted nothing to be copied from something else, but to be their own fresh version of something, shares Mindel.The Circle Game Chandelier also debuts, featuring a dynamic, ringed shape that mimics the circular form of the Double Take Mirrors.Hand-built forms take center stage, creating a dialogue between modern design and public perception of craft. Mindel adds: The creative experience is a collaborative one we learn from the craftsmen about who Pucci really is, and how we could perhaps together go somewhere that each of us couldnt go on our own. Another thing that concerned us was a consciousness about waste, and economy of material. The hardest thing I think in design is to make things seem inevitable, that things look effortless to do in the end, that you cant imagine them any other way. These things usually take the most effort.Lee F. Mindel is an architect and designer who worked with RALPH PUCCIs Master Sculptor to better understand the capabilities of Plasterglass, which can be molded, pigmented, and waxed to create different effects. Veritas, meaning truth, is an homage to his alma mater, Harvard, and signifies how Mindel treats the practice of architecture. As architects, our work is in pursuit of rigor and honesty, with the intent to transcend the ordinary, in search of the extraordinary, Mindel says.To learn more about the Veritas collection by Lee F. Mindel for RALPH PUCCI, visit ralphpucci.com or galerie56.com.Photography by Antoine Bootz.

It seems like wavy and curved trendsare still holding strong in 2025. Even if youve seen this motif multiple times before, youve never seen it quite like this. Designed by David Derksen for Petite Friture, Spline is an indoor and outdoor LED string light that takes the undulating form to new heights.A contemporary take on the classic string lights that illuminate al fresco dinners around the world, Spline draws inspiration by the lines of ship ropes sometimes taut, other times fluid like the waves beneath them. Derksen, who also helped create new Dutch lighting brand Atelier Artiforte, designed Spline to offer both structure and flexibility, seamlessly integrating LED technology with a fastening system that mimics the natural undulation of rolling waves.Its geometric curves, informed by both organic movement and mathematical precision, enhance its modular nature, allowing users to shape the lights form to suit their space. Each Spline is fastened to a two-toned cord, available in brown/orange or beige/blue, using adjustable clips that allow users to modify the height and number of waves. The 2.5-meter-long rope further influences the curvature of the light, allowing it to be draped, hung, or wrapped around a pole or tree for dynamic installations.Emitting 4,000 lumens with 360-degree light coverage, Spline shines as brightly as you need it to. The translucent LED silicon strips, housed within a distinctive honeycomb-like structure with six internal light cells, ensure even illumination from every angle. A touch-sensitive, hand-dimmable switch allows for effortless brightness adjustment, whether youre casting a soft glow for intimate gatherings or illuminating a brighter space for lively celebrations.Its safe to say that the wavy trend isnt going away, and with Spline, it reaches new levels of versatility and innovation. Offering a fresh take on the nostalgic string lights with an emphasis on customizability, Spline allows users to experiment with shape, height, curvature, and brightness, creating a lighting installation thats custom every time.To learn more about the Spline pendant lamp by David Derksen for Petite Friture, visit petitefriture.com.Photography courtesy of Petite Friture.

Lofts have long been an integral part of New York Citys architectural identity, evolving from industrial spaces into some of the most sought-after residences in the city. Originally built as warehouses and manufacturing hubs in the late 19th and early 20th centuries, these expansive spaces featured soaring ceilings, exposed brick walls, and large windows designed to flood interiors with natural light. By the mid-20th century, as industry moved out of Manhattan, artists and creatives began reclaiming these buildings, transforming them into raw, flexible living and working spaces. Today, lofts represent a seamless blend of historic character and contemporary design, offering an ideal canvas for innovative transformations. One such transformation has recently been brought to life by BOND, the design studio led by Noam Dvir and Daniel Rauchwerger. Tasked with reinvigorating the 1,000-square-foot Tribeca Loft in a landmarked New York City building, the duo set out to honor the lofts industrial heritage while infusing it with a modern, luminous aesthetic.Like many historic lofts, this particular space had remained largely untouched since the 1980s, requiring a complete overhaul to meet the demands of contemporary living. While many loft renovations risk stripping away the very elements that define their charm, BONDs approach was one of careful preservation and enhancement. The team undertook an extensive renovation, replacing outdated wiring, removing dropped ceiling panels, and integrating a central air conditioning system an essential upgrade for comfort without compromising the integrity of the space.A key aspect of the redesign was opening up sightlines to create a sense of fluidity and connection. The introduction of a glass partition between the bedroom and the living area allows natural light to permeate the entire loft while maintaining a sense of separation. This technique, often used in contemporary loft conversions, enhances the airy, expansive feel that makes these spaces so desirable.One of the defining characteristics of New York City loft living is the emphasis on communal spaces areas where people can gather, work, and engage. Understanding this, BOND placed a strong focus on the kitchen as the heart of the home. A striking 15-foot-long island, designed with waterfall edges and a unique cut-in detail, serves as both a functional workspace and a centerpiece. Lined with walnut Tractor stools from BassamFellows, the island encourages social interaction, echoing the lofts history as a place for creativity and connection.The beauty of a historic loft lies in its ability to evolve over time while maintaining its original character. In keeping with this philosophy, BOND curated a space that is at once minimal and warm, using carefully chosen design elements to create balance. The bathrooms introduce subtle yet playful pops of color, adding an unexpected contrast to the otherwise neutral palette. Shades of gold and brown echo the natural light that filters in the west-facing windows in the main living space. Sculptural furniture pieces, such as a statement metal coffee table, further elevate the aesthetic while maintaining a sense of fluidity.The loft also serves as a backdrop for the owners personal art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into everyday living reflects the legacy of the citys early artist-inhabited lofts that once doubled as both homes and creative studios.For more information on BOND, visit bond-ny-com.Photography by Chris Mottalini.