Squid Game season oneabout a desperate man who risks everything by joining a mysterious competition where your two options are win (big) or die (horribly)was certainly not too interested in themes of harmony. But according toEmmy-winning director, writer, and producer Hwang Dong-hyuk, season two will lean even harder into the idea of people taking sides. Speaking to the Hollywood Reporter, Hwang explained hes well aware that Squid Game season two will be arriving not long after an election sowed even more division among some of the shows biggest fans (Americans, obviously), though he thinks its message is truly a global one. In Korea these days, were seeing much worse conflict between the elderly and the younger generation. And you see demarcation everywhere. Theres no room for debate, only hostility. So I was inspired by the direction the entire world is taking, he told the trade. He continued. I was inspired by the sheer fact that everywhere you turn, people are drawing lines, whether its by generation, class, religion, ethnicity or race. I wanted to tell a story about how the different choices we make create conflicts among us and to open up a conversation about whether there is a way to move toward a direction where we can overcome these divisions.The interview also digs into what inspired the thrust of season two: the idea that Player 456 (Lee Jung-Jaes Gi-hun) would return for another round after emerging victorious against all odds in season one. (Heres the official synopsis: Three years after winning Squid Game, Player 456 gave up going to the states and comes back with a new resolution in his mind. Gi-hun once again dives into the mysterious survival game, starting another life-or-death game with new participants gathered to win the prize of 456 billion won.) Hwang explained he took a cue from another dystopian tale: I was thinking about Gi-huns unfinished quest, and about the Matrix where Neo is given the option of the blue or red pill. He could have just lived happily on, but he chooses to take the pill where he becomes aware of the Matrix and struggles to get away from it.The THR profile is definitely worth a full read to learn more about Hwang, his background, and what he thought about the big-ticket reality shows that spawned from Squid Game, a series that explicitly cautions against greed. The piece also offers a reminder that theres a lot more going on in Squid Game than satire and slaughter. I would love for it to give you food for thought, to help you ask questions, Hwang said of his creation. This series holds in it every emotion I think Ive ever felt in terms of the way I view human beings and the world, all the elements of tragedy and comedy throughout life. Its all in there.Along with Lee Jung-jae, the cast includes Lee Byung-hun, Wi Ha-jun, and Gong Yoo, all back from season oneas well as new faces Yim Si-wan, Kang Ha-neul, Park Gyu-young, Lee Jin-uk, Park Sung-hoon, Yang Dong-geun, Kang Ae-sim, Lee David, Choi Seung-hyun, Roh Jae-won, Jo Yu-ri, and Won Ji-an. Squid Game season two premieres December 26 on Netflix. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, whats next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

Star Wars has had a lot of moments where it has been changed forever. The debut of a new major movie addition to the Skywalker Saga always did that. The rebooting of continuity at large ahead of those movies did that, too. AsStar Wars has grown and expanded across books, comics, films, TV shows, and games over those years, each new addition has a chance to fundamentally impact everything we know about what Star Wars is at that point. But there is perhaps no momentStar Wars changed forever more potent in the modern history that on this day five years ago, November 12, 2019: the day the first live-action Star Wars TV show,The Mandalorian, began. The Mandalorian didnt just changeStar Wars for a lot of the reasons we might recognize it for these five years later. At the time, everyone knew the debut of that diminutive, big-eared green creature at the end of the episode was going to be huge, but no one could predict the thrall the Child, aka Baby Yoda, also aka Grogu, eventually, would come to have on mainstream pop cultureas a fully armed and operational merchandising behemoth. It didnt just prove that Star Wars live-action material could work on the small screen, kickstarting a whole streaming age for the galaxy far, far away. Revisiting the very first episode of the series these five, wild years later, one thing thats abundantly clear thatThe Mandalorian thrived on when it debuted is perhaps now the very thing it struggles with most: the sheer potential of the newness it was putting on screen. Lucasfilm Star Wars is about the wanderlust of discovery as much as it is the Empire vs. the Rebellion, or Jedi, Sith, and the Forceit has endured and been iterated upon for generations now because part of the creative strength of the world George Lucas built was that people saw the potential for so many different ideas and kinds of stories that could exist in its sandbox. And that first episode, simply titled The Mandalorian, and much of season one itself, keenly speaks to the inherent excitement of that potential.As subdued as a story as it is for the most part, The Mandalorians debut episode is an almost-ceaseless mystery. Even before we reach the reveal of Mandos bounty target in the Child, it allows the audience the chance to constantly be asking questions of it. Who is this masked bounty hunter that were following? What became of the Mandalorian people, that they now resort to hiding in coverts away from the prying eyes of the galaxy? What are these remnant Imperials we encounter through our heros dealingsand are we really meant to trust a hero willing to work with the Empire in the first place? Is Star Wars even allowed to have this kind of flawed, human perspective in a protagonist anymore? The Mandalorian didnt just ask these questions, it downright luxuriated in them. Its slow establishment of a world that brushed on the familiar of whatStar Wars was and looked likethe imagery of Mandalorian helmets and Stormtrooper armor, the familiar rugged frontier worlds of dive bar cantinas and run-down technologywhile still affording the space to genuinely feel like nothing wed really gotten out of the series on-screen up to that point. The Mandalorian wasnt just new, it wasinterested in that newness, in presenting something that was not just additive toStar Wars grand tapestry, but also asking questions of that wider world that opened it up to even further potentiality.As we sat on the precipice of the sequel trilogys conclusion in The Rise of Skywalker a month afterThe Mandalorians debut, culminating a new saga that had precariously balancedand bitterly consumed in a now-forever culture war overthe push and pull of newness and stoking the flames of nostalgia, The Mandalorian felt like a big-swinging glimpse into the future of whatStar Wars could be after the conclusion of the Skywalker Saga, where the familiar gave way to asking big, fresh questions about this well-trod world, from the lens of a character completely disconnected from the movers and shakers of the galaxy. Lucasfilm It took a while for that to no longer to be the case, butThe Mandalorian eventually got there. Arguably the signs were there the instance Moff Gideon ignited the Darksaber at the very climax of season one, signs that only got bigger and louder as season two came along and trickled in familiar faces like Bo-Katan Kryze and Ahsoka Tano before rolling out the dangerously big guns in its Luke Skywalker-starring finale. By the time we reached season three, and the show was already bearing the weight of supporting a spinoff in The Book of Boba Fett (which itself briefly just became a string ofMandalorian episodes),The Mandalorian had changed just as much in itself as it had changedStar Wars. No longer was this a story of asking many questions, of the potential additive allure oftheStar Wars world, but a story of asking one: what action figure can we pull out of the toybox next?So many of its reveals were less about adding newness to that world, and more about drawing lines and connecting dots, as it elevated its central pairing in Din Djarin and Grogu to the same circles of Star Wars stardom as figures like Boba Fett and Luke Skywalker, from a lone bounty hunter wandering the fringes of the galaxy to a key figure of Mandalorian society in its resurgence, from a morally dubious lurker in the shadows to an unabashed and unequivocal hero figure, an official ally of the New Republic with all the edges smoothed off and trapped in amber. Even Mandos shipa new design, clunky and bulky and reflective of a man making his way across the universe in the only home he had, got blown up and replaced with a starfighter that put a pin in his past life as a lone mercenary and presented us a shiny new hero ship. And of course, it was a design we already knew from somewhere else. Lucasfilm The Mandalorians double-edged success as it has continued this transformation over the past five years reflectsStar Wars own uncertain stagnancy in the here and now, as Lucasfilm still struggles to chart what exactly it wants this saga to be, and where itll go next, after the tepid reaction toThe Rise of Skywalker. The familiar has been mined, over and over again, and while there are still sparks of potential in the TV empire thatThe Mandalorian laid the ground for, were five years into a period of soul searching defined by the nostalgia the show and the franchise at large continues to put on a pillar and a litany of announced and rumored projects that have yet to materialize in any tangible way. One of the few that has? More Mandalorian in the form ofThe Mandalorian & Grogunow a major motion picture designed to usher in Star Wars return to the silver screen, no longer something new and fresh and exciting, but wrapped in the familiar and reliable blanket of its major connections to Star Wars nostalgia.Five years on, its safe to say thatThe Mandalorian really did changeStar Wars forever. Whether it was for better or worse remains a question worth asking. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, whats next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

Plot 62 / TAEP/AAPSave this picture! Mohammad Taqi AshkananiRetailShuwaikh Industrial, KuwaitArchitects: TAEP/AAPAreaArea of this architecture projectArea:11923 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Mohammad Taqi AshkananiManufacturersBrands with products used in this architecture project Manufacturers: EGGER, Hansgrohe, Technal, Rako, Bobrick, CAME, EGE, Hafele, Hormann, JIALIFU, Roca, TERRAZZO LTDMore SpecsLess SpecsSave this picture!Text description provided by the architects. Plot 62 is a commercial project located within Shuwaikh Industrial Area, in the chamfered corner plot of 21st Street with 26th Street. This building of simple rectangular shapes, neutral tones, and raw materials, fills the existing urban volumetric gap.Save this picture!Save this picture!Save this picture!It is composed of three levels above the ground and one underground, vertically connected through four main access cores, exterior stairs, and other partial connections, including car elevators. It is organized around an open flexible central courtyard, suitable for several different types of use, where to is directed all the human flux. The building features three dynamic street-facing facades, primarily glazed and adorned with branding and store advertisements, where the main and secondary pedestrian entrances are located, along with access to the car parking area.Save this picture!Save this picture!Save this picture!The vast program is logically structured on the four layers that can host, from top to bottom, several office spaces, as well as stores or workshops and warehouses, along with an indoor parking area on the lower level. All activities revolve around the central square, which is a focal point in this structure, designed to be the core of the project dynamics and a new important nucleus of the city's fabric. The technical roof, as well as several compartments throughout the entire building, comply with the complex infrastructural specifications and functional demands of an urban edification of this scale, fulfilling the needs of those who use it.Save this picture!Project gallerySee allShow lessProject locationAddress:Shuwaikh Industrial, KuwaitLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeTAEP/AAPOfficeMaterialConcreteMaterials and TagsPublished on November 13, 2024Cite: "Plot 62 / TAEP/AAP" 12 Nov 2024. ArchDaily. Accessed . <https://www.archdaily.com/1023280/plot-62-taep-aap&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Catedral House / Laboratorio de ArquitecturaSave this picture! Ariadna PoloHousesSantiago de Quertaro, MexicoArchitects: Laboratorio de ArquitecturaAreaArea of this architecture projectArea:8686 ftYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Ariadna PoloManufacturersBrands with products used in this architecture project Manufacturers: ANKUI, Cemex, Gersa, HOMEA, IAVA, Rockabloks Lead Architects: Juan Carlos Kelly, Paulina Moreno More SpecsLess SpecsSave this picture!Text description provided by the architects. Casa Catedral is a project that prioritizes the honesty of materiality, using specially crafted blocks and concrete without additional cladding to achieve both economic efficiency and a dignified aging process. The layout of the residence follows a linear axis, consisting of four main volumes and a connector. These volumes, delimited by load-bearing walls and lattices, effectively separate public and private areas, ensuring a balanced scale and maintaining the privacy of each space. In addition, a careful south-east orientation guarantees panoramic views from every corner of the house and promotes a seamless connection with the surrounding canyon landscape.Save this picture!Save this picture!Save this picture!The connector volume serves as a central hub, housing the main entrance and staircase in a double-height space that warmly welcomes visitors and integrates different parts of the program in a fluid manner. This space stands out as a focal point, using materials such as tinted glass supported by tensioners to reflect the lush vegetation, creating a harmonious continuity with the natural environment.Save this picture!The larger primary volume on the ground floor includes common spaces such as the lowered living room and dining area, offering a dynamic user experience. This area is linked to the terrace and kitchen, creating an open layout that blends effortlessly with the garden and offers expansive views. Upstairs, the master bedroom and walk-in closet occupy this volume, culminating in a green area that enhances privacy. Meanwhile, the remaining three volumes are divided horizontally by greenery, providing privacy and eliminating the need for common walls. On the ground floor, these volumes house a study, guest rooms, and a gym, while the upper level houses secondary bedrooms connected by a double-height corridor that ends in a lattice. This design creates the illusion of floating ceilings and allows for abundant natural light.Save this picture!Save this picture!Save this picture!In addition to controlling scale and providing privacy, the strategic placement of structural block walls and grilles addresses solar mitigation and privacy concerns. This design approach not only enhances indoor quality of life, but also minimizes reliance on alternative ventilation systems, resulting in significant energy savings.Save this picture!Save this picture!The interior facade of the house opens to the garden, fostering a seamless connection with nature, while the street-facing facade uses discreet openings and slits to ensure adequate natural light without compromising privacy.Save this picture!Save this picture!In summary, our proposal seamlessly blends economic efficiency with structural and material integrity, resulting in a sustainable and efficient architectural solution where the interplay of block, concrete and wood achieves a harmonious balance between form and function.Save this picture!Project gallerySee allShow lessAbout this officeMaterialsMaterials and TagsPublished on November 12, 2024Cite: "Catedral House / Laboratorio de Arquitectura" [Casa Catedral / Laboratorio de Arquitectura] 12 Nov 2024. ArchDaily. Accessed . <https://www.archdaily.com/1023289/catedral-house-laboratorio-de-arquitectura&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

AI Search Threatens Digital Economy, Warns ResearcherBy John P. Mello Jr.November 12, 2024 5:00 AM PT ADVERTISEMENTYour Salesforce Data, Your ResponsibilityLearn best practices to effortlessly protect your Salesforce Data with Rubrik. Find Out How Search engines using artificial intelligence could harmfully disrupt the digital economy, warns a researcher at Harvards Berkman Klein Center.[I]f AI search becomes our primary portal to the web, it threatens to disrupt an already precarious digital economy, Benjamin Brooks wrote in a recent article in the MIT Technology Review.Today, the production of content online depends on a fragile set of incentives tied to virtual foot traffic: ads, subscriptions, donations, sales, or brand exposure, he explained. By shielding the web behind an all-knowing chatbot, AI search could deprive creators of the visits and eyeballs they need to survive.Brooks urged the AI industry to address the content compensation problem before others do it. The AI industry should use this narrow window of opportunity to build a smarter content marketplace before governments fall back on interventions that are ineffective, benefit only a select few, or hamper the free flow of ideas across the web, he wrote.We need to bear in mind that these new systems, these new business models, are just taking off, he added in an interview with TechNewsWorld, but however we respond to these challenges, its important we do so in a thoughtful, measured and targeted way. Thats why industry should take the lead here.Government is now more confident regulating content and regulating bargaining than it ever was before, he said. The AI search industry should be mindful of that. With that additional pressure over the coming years, the industry should get ahead and build a smarter solution before government turns to blunter solutions.AI Search Impact UnclearSo far, the impact of AI search on the wallets of content creators is still foggy. Its not yet clear, but there is a strong argument to be made that there will be reduced traffic to many publishers, said Greg Sterling, co-founder of Near Media, a news, commentary, and analysis website.The evidence is mixed, he told TechNewsWorld. During the Google SGE period, there was evidence that organic links were being pushed down the page and therefore [were] less visible. Introduced in December 2023, Googles Search Generative Experience provides overviews of search topics using AI.However, he continued, there was little research on actual click behavior. Google claims that links within AI results get more engagement. We need to do more research on this issue.Chris Ferris, senior vice president of digital strategy at Pierpont Communications, a public relations agency in Houston, added that AI search will exacerbate the problem that already exists with traditional search. Most web pages dont get any traffic from organic search, he told TechNewsWorld.He cited research published by Search Engine Land predicting that organic traffic will fall between 18% and 64% because of AI search. Mark N. Vena, president and principal analyst at SmartTech Research in Las Vegas, noted there is growing evidence that AI-driven search, such as generative AI summaries in search engines, has caused a decline in click-through rates to content providers websites, as users increasingly consume information directly from AI responses.News outlets and niche content creators have reported reduced traffic from traditional search sources when AI systems generate comprehensive answers, he told TechNewsWorld. While detailed impact studies are ongoing, this trend indicates potential risks to publishers ad revenue and visibility.Without doubt, AI-driven search tools risk reducing traffic to content providers sites, potentially undermining ad revenues and subscriber models, he added.Without users clicking through to original sources, content creators may struggle to monetize their work, threatening the sustainability of quality journalism and niche content. Balancing AI-driven convenience with adequate attribution and redirection to content providers will be essential to preserve a healthy digital content ecosystem.Eyeball Apocalypse OverblownDev Nag, CEO and founder of QueryPal, an enterprise chatbot based in San Francisco, asserted that the narrative that AI search will destroy content creation by stealing eyeballs fundamentally misunderstands how content ecosystems have evolved.Think about how we transitioned from paid newspapers and centralized TV/movie studios to ad-supported online content, he told TechNewsWorld. Each shift brought predictions of doom, yet we ended up with far more content and from more content creators than ever.AI is poised to dramatically expand content reach through better discovery, translation, and personalization. Rather than destroying the content economy, AI search is likely to create a more efficient marketplace where quality content finds its intended audience more effectively.He contended that the evidence so far doesnt support the eyeball apocalypse narrative.While AI search is changing how people discover content, were seeing content creators adapt by producing more focused, high-quality material that AI systems can better understand and distribute, he said. The real transformation isnt about losing eyeballs. Its about shifting from a mass-market advertising model to more sophisticated monetization approaches.Nag predicted two primary models emerging: content licensing, where creators get paid for allowing AI systems to learn from and reference their work, even if its available openly otherwise, such as the recent Google-Reddit agreement, and a value-share system, where AI platforms distribute revenue based on how often they reference and synthesize a creators content. Thats currently possible with RAG-based systems that are able to provide explicit references like Perplexity and could be adapted to systems which are directly trained through sophisticated attribution tracking, he explained.Search engines could do as TikTok and YouTube do and share their revenue to build up creators feeding their services, added Rob Enderle, president and principal analyst at the Enderle Group, an advisory services firm in Bend, Ore.However, as AI advances, he told TechNewsWorld, it may need less and less human creators, which will be problematic to this future outcome.Ross Rubin, the principal analyst at Reticle Research, a consumer technology advisory firm in New York City, pointed out that AI search is the culmination of something seen over the course of decades.Back in the day, long before AI, there was Ask Jeeves, he told TechNewsWorld. It didnt execute on the idea very well, but the idea was, rather than get a whole bunch of links, you got an answer. In many cases, thats what the person searching wants. Its a better experience to be given information up front and not have to piece it together or track it down from multiple information sources.Downside of Big Content DealsIn his article, Brooks was critical of AI companies cutting deals with big media companies to avoid litigation or government intervention. This policy of selective appeasement is untenable, he wrote. It neglects the vast majority of creators online, who cannot readily opt out of AI search and who do not have the bargaining power of a legacy publisher.It takes the urgency out of reform by mollifying the loudest critics, he continued. It legitimizes a few AI firms through confidential and intricate commercial deals, making it difficult for new entrants to obtain equal terms or equal indemnity and potentially entrenching a new wave of search monopolists.In the long term, it could create perverse incentives for AI firms to favor low-cost and low-quality sources over high-quality but more expensive news or content, fostering a culture of uncritical information consumption in the process, he added.At this point in the development of AI search, Sterling said its still too early to tell how the game will play out. We have many assumptions and fears but need to test them and produce real data so that were not operating from a place of pure conjecture, he observed.John P. Mello Jr. has been an ECT News Network reporter since 2003. His areas of focus include cybersecurity, IT issues, privacy, e-commerce, social media, artificial intelligence, big data and consumer electronics. He has written and edited for numerous publications, including the Boston Business Journal, the Boston Phoenix, Megapixel.Net and Government Security News. Email John.Leave a CommentClick here to cancel reply. Please sign in to post or reply to a comment. New users create a free account.Related StoriesMore by John P. Mello Jr.view allMore in Search Tech

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Get all Revit Courses: https://balkanarchitect.com/?utm_source=youtube&amp ;amp;utm_medium=86YT24My Revit project files: https://www.patreon.com/balkanarchitect?utm_source=youtube&amp ;amp;utm_medium=86YT24Get my Personal Revit Template + Family Pack: https://balkanarchitect.com/p/balkan-architect-architecture-template-metric ____________________________________In this video, we'll guide you through the latest updates in Revit 2025.3. Learn how to update to the new version, explore the new Add-ins Manager for easier plugin management, and check out the new duplicate button for layers in walls, floors, roofs, ceilings, and toposolids. Well also cover the "Recenter Room" feature, the addition of in-canvas spell check (just right-click to correct typos), and the improved PDF export status with a progress window. These updates will help streamline your workflow and enhance your Revit experience!____________________________________Subscribe for more!Please Like this Tutorial!Follow me on social media:Instagram: https://www.instagram.com/balkanarchitect/ Facebook: https://www.facebook.com/Balkan-Architect-278024016289562/?modal=admin_todo_tour Twitter: https://twitter.com/ArchitectBalkan Timestamps: 00:00 Introduction00:41 Add-in manager02:45 Duplicate layers04:09 Room centering05:31 in-canvas Spellcheck06:18 Background progress window07:22 Outro86YT24

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