Movie & Games TrailersLilo & StitchBy Vincent Frei - 25/11/2024 Lilo & Stitch is backthis time, in breathtaking live action! Join Lilo, a spirited Hawaiian girl, and Stitch, a chaotic alien fugitive, on a wild journey filled with laughter, love, and family!The VFX are made by:ILM (VFX Supervisors: Will Reichelt, Bruno Baron)MPCLuma PicturesCrafty ApesThe Production VFX Supervisor is Craig Hammack.Director: Dean Fleischer CampRelease Date: May 23, 2025 (USA) Vincent Frei The Art of VFX 2024

Cranfield University spin-out WAAM3D has unveiled its new large-format RoboWAAM XP system at Formnext 2024.Equipped with Cranfield Universitys patented Cold-Wire Gas Metal Arc (CWGMA) process, this novel system achieves deposition rates of up to 15kg/hr, meeting the precision demands of high-performance materials. Designed for large-scale manufacturing, RoboWAAM XP supports alloys including iron, aluminum, nickel, and copper.Dr. Jialuo Ding, CTO of WAAM3D highlighted that the new system, offers users higher productivity, whilst maintaining precision and control. It is a testament to the partnership between WAAM3D and Cranfield University and our teams commitment to innovation and excellence in the field of additive manufacturing.WAAM3D CEO Filomeno Martina showcasing large scale part created using RoboWAAM XP. Photo via 3D Printing Industry.Validated through industrial testingDevelopment efforts since 2018 have included two years of rigorous industrial testing with WAAM3Ds trusted partners from sectors including the likes of energy, marine, mining, and space. These trials demonstrated the systems ability to meet complex manufacturing requirements across sectors.Key specifications highlight the systems industrial-grade capabilities. RoboWAAM XP achieves robotic motion repeatability of 0.05 mm and offers dimensions of 5.8 x 5.2 x 4.3 meters, with robust monitoring tools tracking current, voltage, and melt pool dynamics through a vision system.Optional features enhance functionality further, including a fume management system for improved workplace safety, pyrometry for consistent thermal control, and laser interferometry for real-time adjustments to layer height and error correction.Offering a spacious build envelope of 2 x 2 x 2 meters and a payload capacity of 2.1 tonnes, RoboWAAM XP addresses the need for large-scale spare parts with rapid turnaround times.Eight-axis motion capabilities, combining a six-axis robotic arm with a two-axis part rotator, enable the production of complex geometries without compromising payload versatility. Enhanced by welding technologies from Fronius, including MIG, MAG, and CMT processes, the system is positioned to deliver significant value in demanding industrial environments.Cranfield Universitys CWGMA process serves as a cornerstone of RoboWAAM XP, boosting process efficiency by achieving high deposition rates with consistent energy input. Production speeds are significantly improved while maintaining stringent quality standards.Integration with WAAM3Ds proprietary software tools, WAAMPlanner and WAAMCtrl, ensures streamlined workflows. WAAMPlanner facilitates tool path planning and parameter allocation, while WAAMCtrl enables real-time process monitoring, data logging, and visualization, providing users with a cohesive operational experience.With these advanced features, RoboWAAM XP will help broaden WAAM3Ds solutions for industries prioritizing precision and scale in additive manufacturing.Technical specifications and pricingCustomers seeking further details on RoboWAAM XPs features or pricing can contact WAAM3D directly.Machine size5.8m (width) x 5.2m (depth) x 4.3m (height)Print envelope2m x 2m x 2m (configuration dependent)Control systemSiemens PLCAxes6 (robotic arm) + 2 (servopositioner)WAAM variantsCWGMA, MIG, MAG, CMTRepeatability 0.05 mmRobotic architectureKukaMaterialsAlloys of iron, aluminium, nickel, copper, and othersPower source and wire feedersFronius, Abicor BinzelRotational table (default)500 kg payloadRotational table (optional)2,100 kg payload in continuous rotationOther optional equipmentFume management system, pyrometry pack, ShapeTech for layer height measurement and correction.Catch up on all the news fromFormnext 2024.Voting is now open for the2024 3D Printing Industry Awards.Want to share insights on key industry trends and the future of 3D printing? Register now to be included in the2025 3D Printing Industry Executive Survey.What 3D printing trends do the industry leaders anticipate this year?What does the Future of 3D printing hold for the next 10 years?To stay up to date with the latest 3D printing news, dont forget to subscribe to the 3D Printing Industry newsletter or follow us on Twitter, or like our page on Facebook.While youre here, why not subscribe to our Youtube channel? Featuring discussion, debriefs, video shorts, and webinar replays.Featured image shows WAAM3D CEO Filomeno Martina showcasing large scale part created using RoboWAAM XP. Photo via 3D Printing Industry.

1000 Kelvin, a company specializing in AI-driven additive manufacturing solutions, introduced AMAIZE 2.0, an advanced AI-automated build preparation workflow for metal 3D printing, at Formnext 2024. Presented at Hall 11.1, D39, AMAIZE 2.0 represents a significant enhancement in the metal laser powder bed fusion (LPBF) process, aiming to improve reliability, efficiency, and scalability for manufacturers across various sectors.AMAIZE 2.0 expands the functionalities of 1000 Kelvins AI co-pilot beyond simple toolpath automation. The latest version integrates a range of automation tools designed to address persistent challenges in additive manufacturing. The Printability Checker automatically validates and optimizes designs, reducing redesign cycles by 40%. The Cost Estimator provides accurate upfront cost estimations, increasing quotation accuracy by 30%. Additionally, Automated Support Structures utilize physics-based build preparation to decrease material costs by up to 20%, enabling successful print preparations without specialized expertise. Exposure Strategy Optimization fine-tunes printing parameters using AI, lowering failure rates by 50%. These features collectively enhance Overall Equipment Effectiveness (OEE) and boost yield by applying AI-driven insights throughout the printing workflow.Resolve printability challenges at the design level with AMAIZE 2.0s AI-driven analysis. Image via 1000 Kelvin.Dr. Omar Fergani, PhD, Co-founder and CEO of 1000 Kelvin, commented, Our mission is to make additive manufacturing simpler, more accurate, and more predictable. With AMAIZE 2.0, our customers can achieve consistent, first-time-right results with greater confidence and speed. Were unlocking the true value of the 3D printing industry.The implementation of AMAIZE 2.0 has already yielded positive results for 1000 Kelvins clients in key industries. Companies such as EMERSON, HENNgineered, FKM, A*Star, and Ultimetal have reported notable improvements in both operational efficiency and the quality of their 3D printed outputs. These advancements demonstrate the practical benefits of integrating comprehensive AI-driven tools into existing metal 3D printing workflows, enabling manufacturers to meet the increasing demands for precision and scalability.AMAIZE 2.0 platform showcases build preparation insights with a macro-scale temperature map. Photo via 1000 Kelvin.AI in Additive ManufacturingThe introduction of AMAIZE 2.0 reflects a broader trend of integrating artificial intelligence into additive manufacturing. Authentise, a software firm focused on data-driven workflow solutions, recently launched ThreadsDoc and ThreadsAPI. ThreadsDoc automates the creation of technical documents by consolidating data from engineering projects, significantly reducing the time required for detailed report generation. Boeing, a key collaborator, has experienced a reduction of up to 150 hours per project in generating Technical Data Packages.Similarly, Dyndrite, a developer of 3D printing software, unveiled the SMART Python script designed to automate compliance with ASTM/ISO standards in additive manufacturing. This script works with Dyndrites LPBF Pro software to create 3D printing layouts that meet industry requirements, achieving up to 99% labor savings and minimizing human errors. Tasks that previously took over a week can now be completed in minutes.Dyndrite SMART Script in LPBF Pro software. Image via Dyndrite.Your voice matters in the 2024 3D Printing Industry Awards. Vote Now!What will the future of 3D printing look like?Which recent trends are driving the 3D printing industry, as highlighted by experts?Subscribe to the 3D Printing Industry newsletter to stay updated with the latest news and insights.Stay connected with the latest in 3D printing by following us on Twitter and Facebook, and dont forget to subscribe to the 3D Printing Industry YouTube channel for more exclusive content.Featured image shows the AMAIZE 2.0 platform. Image via 1000 Kelvin.

Hi all! Ive been lurking around the forum for a while and seeing some amazing stuff, but now Ive finally plucked up the courage to start my own sketchbook and post my progress as I grow my skills and understanding of real-time VFX. I have a degree in games art and design, but only in my final year did I decide Real-time VFX would be my niche so my skills are still beginner. Im currently learning through VFX Apprentice courses for the next year to see how far I get. Cant wait to grow with you guys!After a lot of tutorials, Im stepping out of my own (a bit) to test what Ive learned. So, Ive started a block-in version of the magical trails from Darin Aranda substance designer course on VFXA. Its not been as straight forward as I thought, but Im happy with todays progress.All of the movement is in the rotate around point module. to distribute the two particles evenly, I changed the rotation phase to return normalized Exec Index (thanks to CGHow for that) and unchecked normalized index included. Set rotation rate to above 1 to get them going.To get the orbs to fly in a up and down a bit, I went into the rotate around point module, made the x-axis into a vector and animated the z-axis with a sine-wave. I tried a lot of different things and this was the most straight forward in the end.However, there are a few things Id like some insight on. Firstly, the sine wave works, but when the system restarts its loop, the wave kind of restarts, as in theres a jitter when it restarts. In the level its fine but Im wondering if there is a simpler more seamless way to get them to move up and down.Second, I see this at the start of the system:Which makes me think the orbs spawn in the middle and quickly move out and the trail follows. It doesnt look very clean, so again Im wondering if theres a better way. Can I delay the trail spawning in by a bit so that this doesnt happen?Feedback welcome!

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A new exhibition at the Canadian Centre for Architecture (CCA) in Montreal showcases photography, travel diaries, and sketches from the archives of Arthur Erickson, one of Canadas most renowned 20th century architects. Being There: Photography in Arthur Ericksons Early Travel Diaries was curated by David Covo, associate professor at McGill Universitys School of Architecture, and runs until March 16, 2025. Throughout his life, Erickson was a prolific traveler, a passion that was first ignited shortly after his undergraduate education at McGill University. Having been awarded a prestigious travel scholarship, the young architect visited the Middle East, North Africa, and Europe from 1950 to 1952, documenting canonical architectural sites along the way. His intention for the voyage: to catalogue the emergence of classical architecture.Later in his career, Erickson received a travel grant from the Canada Council for the Arts that allowed him to visit Japan, China, Cambodia, and Bali in 1961. According to a press release from the CCA, materials from this trip are central to the show, particularly a documented correspondence between Erickson and his mentor Gordon Weber.On a McGill travel scholarship, Erickson traversed the Mediterranean, tracing the emergence of classical architecture. (Arthur Erickson/ Emily Erickson McCullum and Christopher Erickson)Ericksons attention to architectural detail during his travels came to inform his own work back in British Columbia. Vernacular forms from across the globe appeared in his early residential work, a sign of the architects penchant for site-specific contextual design. To illustrate this attention to detail, the show pairs many of the photographs with site descriptions written by Erickson. For example, discussing the Kinkaku-Ji temple in Kyoto, Japan, Erickson wrote, what the origin of the lifting corner of the roof isI do not knowbut it is surprising to see how clearly it corresponds to the lift at the end of a pine branch, and how closely it harmonizes with the forest because of this.Ericksons photograph of the Kinkaku-Ji temple in Japan foregrounds surrounding pine trees, demonstrating how the roofs lifted corners reference nature. (Arthur Erickson/ Emily Erickson McCullum and Christopher Erickson)In other notes, the architects insights are more philosophical. In Bali in 1961 he wrote, I think that ones impression of beauty comes not from any single thing, such as the topography of the island or the physical grace of the people, but from the total interdependence of every aspect of culture.The opening of the CCAs exhibition corresponds with a recently premiered documentary about the architect, Arthur Erickson: Beauty Between the Lines, which screened at this years Architecture and Design Film Festival (ADFF). Ericksons renowned Museum of Anthropology at the University of British Columbia also recently reopened following a major renovation.

Major changes are underway at Newark Liberty International Airport (EWR) as part of the EWR Vision Plan. Last month, the Port Authority of New York & New Jersey (PANYNJ) shared renderings by Arup and SOM of a new Terminal B. This came one year after Grimshaw Architects finished modernizing Terminal A. This month, PANYNJ shared new plans to build a 2.5-mile-long elevated rail structure, dotted by three new stations, that will replace the existing AirTrain Newark masstransitsystem that shuttles passengers between terminals. PANYNJ has selected Los AngelesbasedTutor Perini CorporationandO&G Industries, a local contractor, to design the line and its accompanying stations. Dattner Architects, Stantec, and Doppelmayr are also on the project team.SOMs vision for a new Terminal B calls for an undulating roof structure. (Courtesy PANYNJ)The three new terminal stations will have state-of-the-art people mover technology. (Courtesy PANYNJ)The new rail line by Dattner Architects will replace an existing one from 1996 that, according to PANYNJ, has become outdated and unable to accommodate growing air travel demand. The three new stops will service EWRs three terminals: A, B, and C.While its existing AirTrain system dates back to 1996, the airport itself first opened in 1928. Its terminals were built out in the 1970s. Aside from the gleaming new Terminal A finished in 2023, Terminals B and C havent had significant upgrades in about 50 years. The updated air train will feature state-of-the-art people mover technology. Murals of Tri-State region icons like Queen Latifah and Frank Sinatra are shown adorning the walls of stations.The new rail line will connect with a new Terminal B designed by Arup and SOM. (Courtesy PANYNJ)Newark Liberty International Airport had a record 49 million passengers in 2023, so the need to revamp its terminals and transit infrastructure is real, PANYNJ officials said.This plan aims to elevate the airport to world-renowned status, prioritizing the passenger experience, airport operations, and greater access and opportunities for the state, New Jersey State Senate Majority Leader M. Teresa Rui said in a statement.Redesigning Newark Liberty International Airport centers on improving the passenger experience. (Courtesy PANYNJ)By improving train accessibility for underserved neighborhoods and integrating local businesses into terminal upgrades, we are committed to ensuring that these enhancements are equitable and reflect the vibrant culture of our community, Rui continued. Looking ahead, PANYNJ noted that it has finished 80 percent of the procurement process necessary to build the new train system. Construction could start as early as next year.Passenger service is expected to be available on the new line by 2030.

The last building constructed on the former Andover Newton Theological School in Newton, Massachusetts, was Wilson Chapel, located at the edge of the campus. The building is a modern interpretation of the traditional New England meetinghouse, and was completed in 2007 from plans by Context Architecture. The limestone building is punctuated by a grid of square punched windows and raised panels with the primary facade dominated by a glass tower, resembling the more traditional steeple. To me, the building does an excellent job at respecting the basic forms of a New England chapel, while utilizing contemporary materials and design elements to distinguish it as a 21st century structure.

All images courtesy of Yu Maeda, shared with permissionFantastical Totems Emerge from Clay in Yu Maedas Vibrant SculpturesNovember 25, 2024ArtKate MothesI enjoy the freedom of shaping clay directly with my hands creating forms that express spontaneity, says Yu Maeda. Based near Tokyo, the artist began experimenting with ceramics after a career focused on painting when he started transforming animals and imaginary beings into vibrant, lighthearted sculptures.Maeda is influenced by the bold lines and graphic iconography of pop art, blending abstract forms and traditional Japanese imagery into eclectic works. Skulls, birds, and other creatures suggest a sacred or spiritual dimension.The artists totem-like pieces merge ideas relating to ecosystems, natures cycles, and geometry, including timeless motifs like botanicals, insects, and the sun. As if recently unearthed with their bright pigments intact, his sculptures nod to ancient cultures, our reverence for nature, and our dependence on other animals and the environment to not only survive but thrive.Discover more work, including the artists paintings, on Instagram.Photo by Yuya SaitoPhoto by Yuya SaitoNext article

Jeremy Miranda, Lights in the Murk No. 3. All images courtesy of Sebastian FosterSebastian Foster Announces 20 Artists for Its Fall Print SetNovember 25, 2024SponsorSebastian FosterSebastian Fosteris thrilled to present its 2024 Fall Print Set, marking the 12th anniversary of the collection since launching in 2012. The new release features 20 worksby well-established illustrators, printmakers, and painters from around the world.The prints in this set have all been published as relatively small editions, hand-signed, and numbered by the artists. Encompassing an eclectic array of mediums and themes, the collection showcases work from artists previously featured on Colossal, includingJeremy Mirandas dreamy oil paintings,Diana Sudykas delicately rendered illustrations, and Grant Haffners trippy landscapes in bold color palettes.Based in Austin but operating solely online, Sebastian Foster focuses on original works and prints, publishing more than 1,000 editions since opening in the late 2000s. Whether youre looking for the next piece to add to your collection or for meaningful holiday gifts, head to the gallerys site to shop theFall Print Set today.Nick Runge, Sky DiveDiana Sudyka, Winter RavensMia Bergeron, FossilJay Ryan, Opportunity EngineGrant Haffner, Napeague BendMichelle Morin, Wild RosesSusan Logoreci, Central ParkGraham Franciose, A Dream of Failing WestChris Firger, After Sunrise, Franconia RidgeKenny Harris, Moka with StripesSusan Abbott, Golden HourPrevious articleNext article