Amazon's animated video game anthology series Secret Level is dropping later this month, and despite no longer existing, that Concord episode is still coming. Read more

I wouldn't pay our idiotic classification board any mind.When they finally introduced the R18+ classification for games, they also changed the guidelines to be prohibitively strict with regards to anything that could even vaguely be construed as constituting "sexual violence", so much so, that when the PS Vita versions of the Atelier Arland games were reclassified for release, they jumped from modest PG ratings all the way to prohibitive R18+ ratings, despite no changes to the actual plot.And what's even more ridiculous is that the minority of the Board reportedly sought to ban the games for allegedly exceeding the parameters of the then-newly introduced R18+ classification. Morons.I was already concerned that, by the wording of the guidelines, that we were going to see an onslaught of games classified R18+ merely for "References to sexual violence" when they would have received far lower classifications under the old framework. Nobody asked for this. What the public wanted was an adult classification to prevent games from getting censored or being square-pegged into a more lenient MA15+ rating to work around the absence of an adult rating. That was all.Meanwhile, the guidelines for films haven't changed, so the same content that could slide with as little as a PG or M rating in a movie today, would default to an R18+ if not banned entirely if the same material featured in a video game with respect to what the Board seems to constitute "sexual violence" (and the guidelines are not specific about what that actually entails).Incidentally, just a few months ago, they've changed the guidelines again with regard to gambling, so that games that contain in-game chance-based purchases now default to an M rating (comparable to ESRB's T rating or PEGI's 12 rating), while simulated gambling now defaults to an R18+ classification.So basically...Actual gambling with real-world currency: All ages but advised for mature audiencesPretend gambling with no financial risk: Restricted to adultsIt should have damn well been the other way around!And despite contributing to their useless consultation, my concerns evidently fell on deaf ears.They could appeal the decision, but that would be too expensive a process for a niche game like this.

Includes a special Capcom vs. SNK comic.Although we don't have a release date for Capcom Fighting Collection 2 just yet, the good news is physical pre-orders are already live in the US.This includes physical editions for both the Switch and PlayStation 4. There'll also be a 48-page Capcom vs. SNK comic (which we guess is similar to the one in Marvel vs. Capcom) included in the box and available "while supplies last". Here's a teaser of this comic:Read the full article on nintendolife.com

The U.K.s antitrust regulatorhas greenlighted the longstanding planned merger between two of the countrys biggest telecommunication operators.Vodafone and Three constitute two of the U.K.s four infrastructure-owning mobile network operators (MNOs), alongside O2 and EE. As such, when the duo revealed plans to merge in a $19 billion transaction last June, it was always likely to attract scrutiny. The Competition and Markets Authority (CMA) kicked off its initial phase 1 probein January, before progressing thingsto a full in-depth investigation in June, after conducting a market analysis and collating industry feedback.Then in September, the CMA delivered its provisional findings, concluding that the merger could lead to higher prices for consumers, diminished services, and reduced investment in U.K. mobile networks. But it stopped short of blocking the deal, instead suggesting potential remedies to appease its concerns. And this leads us to today, with the CMA finally approving the deal with conditions. It said both companies must sign binding commitments to invest billions to launch a combined 5G network across the whole U.K. In the shorter term, the CMA also said that the new combined entity would have to cap certain mobile tariffs for three years, while mobile virtual network operators (MVNOs) would also continue to have pre-set contractual terms for the same period. These commitments will be overseen by the CMA and Ofcom, the U.K.s regulatory and competition authority for the telecommunications industry.Its crucial this merger doesnt harm competition, which is why weve spent time considering how it could impact the telecoms market, Stuart McIntosh, chair of the CMAs inquiry committee said in a statement. Having carefully considered the evidence, as well as the extensive feedback we have received, we believe the merger is likely to boost competition in the U.K. mobile sector and should be allowed to proceed but only if Vodafone and Three agree to implement our proposed measures.

U.K.-based legal tech startup Lawhive, which allows small, Main Street law firms to run their affairs through an AI-based SaaS platform, is on something of a tear. In April it raised an $11.9 million Seed round. Its now raised a $40million in Series A funding to expand in the US.The round was co-led by existing investor GV (Google Ventures) and TQ Ventures.Founded in 2019 by co-founders Pierre Proner (CEO), Jaime Van Oers (CTO), and Flinn Dolman, Lawhive automates a lot of the heavy lifting for consumer lawyers, speeding up their response times, allowing them to serve more customers, and, they claim, reducing costs for customers by up to 50%.They appear to be kicking at an open door. According to one report, 80% of US consumer legal needs are unmet. This equates to $1 trillion in value, annually.To date, most legal tech startups concentrate on Big Law firms. These include Harvey, Robin AI, and Spellbook. Most have avoided main street law firms, which have far smaller budgets and are harder to monetize. Proner told TechCrunch smaller firms have to manage higher costs amid a shrinking market, making them a ripe market.Proner added: Im sure well see competition emerge [in the US] but as of right now were first movers in this space.When asked what moved the needle GV, which has lately been more associated with DeepTech investments, he said: I think the fact that we combine a consumer brand with deep tech, and the deep tech aspect of what were building is our AI lawyer and the models, our proprietary models, that weve built to deploy that. The interest was in combining aspects of a consumer brand, building a global consumer brand, with R&D and a deep tech function, which is key to the progress that weve been able to make.Lawhive says its AI, named Lawrence, has passed part one of the Solicitors Qualifying Examination (SQE). Lawyers can also use the platform to work with their own clients or be matched with consumers and small businesses through the Lawhive marketplace.In a statement, Schuster Tanger, Co-Founder/Co-Managing Partner at TQ Ventures, added: The US legal market, arguably the largest in the world, is ripe for disruption. The pressing need for affordable legal access makes it the perfect environment for innovative tech solutions like Lawhives.Also participating in the round was Balderton Capital, Jigsaw, Episode 1, and Premier League footballers Harry Maguire and Reece James.

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Jackson, Wyoming, is known for at least a few things, among them its charming town square lined with mom-and-pop shops that light up the night sky with neon signs. Many of the storefronts in downtown Jackson have seasoned wood finishes, emblematic of the towns Old West style, a feature that architects at HGA recently found inspiration in. A short walk from Jackson Town Square, HGA and Prospect Studio, a local office, have finished a new museum. The space at 175 East Broadway Avenue tells the story of the larger geographic valley of Jackson Hole. Gallagher & Associates, a New York studio, was responsible for exhibition design.Jackson Hole History Museum has timber columns, wood siding, and an economical material palette, reducing its carbon footprint. Thick insulation, VRF mechanical systems, and triple-planed glass also help reduce energy consumption. All in all, the wood construction is meant to help tie the building into Jacksons cowboy roots, HGA said.The building has a front porch, much like the other buildings in downtown Jackson. (Albert Vecerka/ESTO)A small retail shop is located in the lobby. (Albert Vecerka/ESTO)Previously, Jackson Hole History Museum was called Jackson Hole Historical Society and Museum. This new building by HGA and Prospect Studio offers the institution a new purpose-built home that, moving forward, will foster important community gatherings and conversations. This collaboration required a delicate balance of design languages to honor the full history of Jackson Hole. We sought to distill this character within a modern museum design that reflects Jackson Holes present and future, Joan Soranno, design principal and project lead at HGA, said in a statement.The new 13,200-square-foot museum occupies a quarter-acre site. Its broken up into three structures that center a 3-story museumtwo of the main buildings stories go below ground. Two historic cabins are on site as well, augmenting the Old West experience.A small exhibition space lines East Broadway. (Albert Vecerka/ESTO)By the numbers, Jackson Hole History Museum contains 7,200 objects, 19,200 photographs, 8,200 records, and 460 oral histories. This ephemera is available to locals and visitors alike so they can form a meaningful connection to the region and those who have inhabited it for millennia, HGA said. The design team opted to bring drought-resistant native plantings to the site; this limits irrigation needs while low-flow fixtures further minimize water consumption. Water-impervious surfaces were minimized on the exterior vis--vis a wooden boardwalk public entry plaza to help channel stormwater runoff.Jackson Hole History Museum hosts community gatherings, and workshop for children. (Albert Vecerka/ESTO)A flexible space can accommodate a range of programming. (Albert Vecerka/ESTO)Furthermore, the new museum is sited near public transit options; this is meant to help reduce congestion in the downtown area, and further supplement the buildings ecological merits. During design, there was a recognition that there was an opportunity for History Jackson Hole to be an open and welcoming community hub, expanding upon how the museum formerly functioned, said David Wilson, HGA senior project designer.The building uses attractive and economical materials. (Albert Vecerka/ESTO)Wilson continued: Its a space where you want to spend time before and after viewing the exhibits, whether its an educationalprogram on the rooftop terrace or grabbing lunch from one of the neighboring cafes and having a picnic on the front plaza or back patio overlooking Cache Creek and the green space.Jackson Hole History Museum has a verdant green space in the rear, with two log cabins. (Albert Vecerka/ESTO)Morgan Jaouen,History Jackson Holes executive director, added: Jackson Hole is a community brought together, enriched and strengthened by compelling connections to the history of the region and the preservation of its resources,and now the newly designed history museumcampus furthers this vision by expanding itscapacity and reach.

In a sudden turn of events, Vancouver Art Gallery is halting the construction of its new building and cutting ties with Herzog & de Meuron, the architects behind it. Construction on the museum, to be located on the corner of Cambie and West Georgia Streets in downtown Vancouver, was already underway. The design by Herzog & de Meuron is far too expensive, the Vancouver Art Gallery said. The building designed by Herzog & de Meuron would cost $600 million to constructthis number is nearly double the original projected budget of $350 million from 2014. Moving forward, Vancouver Art Gallery will seek out a new architect to work with.For the past decade, we have had the benefit of collaborating with the esteemed Swiss architectural firm Herzog & de Meuron on plans for a new Gallery, noted Anthony Kiendl, CEO of Vancouver Art Gallery. However, in view of our reassessment, the Gallery Associations Board has made the difficult decision to part ways with Herzog & de Meuron.In response to the decision, Herzog & de Meuron told AN: We are disappointed that the Vancouver Art Gallery has decided to pause their building project and part ways with Herzog & de Meuron. Since starting the project in 2014, we have valued the collaboration and have enjoyed working closely with the diverse groups of people involved, always open to adapt to the evolving requirements of the city, community and leadership.Herzog & de Meuron have remained committed to this project throughout, strongly believing in the public value this building could bring to Vancouver. We wish the gallery and its supporters all the best in this new endeavor, the Swiss firm continued. We would like to take this opportunity to thank the Vancouver Art Gallery, our project partners, the Coast Salish Community, and especially our employees for the joyful and intense collaboration, their commitment and dedication.Stop OrderThe decision to cut bait with Herzog & de Meurons design came at the final hour. Shovels had broken ground on the project in March 2023. But construction was stopped last August when museum personnel saw an uptick in costs. The new building was supposed to open in 2028 but now, its unclear when that will happen, what the new building will look like, and who will design it.Anthony Kiendl cited post-pandemic inflation as a major factor in Vancouver Art Gallerys decision. The choice to cut ties with Herzog & de Meuron came after lengthy discussions between Kiendl, artists, supporters of the gallery, and stakeholders, CBC reported. Our goal is to create a building that embodies a diverse and inclusive artistic vision while ensuring financial sustainability within a fixed budget, Kiendl said in a statement. We recognize that inflation has put tremendous pressure on our plans, as it has done with many capital projects following the pandemic. It has become clear that we require a new way forward to meet both our artistic mission and vision and our practical needs.Over the coming months, Kiendl continued, we will schedule a series of opportunities at the Gallery to share more about the next phase of the project and discuss it with our [members] and communities.Howd We Get Here?A new building for Vancouver Art Gallery was first proposed in 2008. The provincial government of British Columbia pledged $100 million for the project. Herzog & de Meuron joined the design team in 2014, and the Vancouver office of Perkins&Will jumped in as the projects executive architect.The Swiss offices design ultimately went through a number of revisions. Initial renderings were released by Herzog & de Meuron in 2015, as reported by AN. The project cost at that time was $350 million. In 2019, Herzog & de Meuron issued a new batch of renderings. That design was equally expensive, listed at $350 million, but noticeably different from what Herzog & de Meuron ultimately proposed.Two years later, in 2021, Herzog & de Meuron unveiled yet another iteration: A 350,000-square-foot, 9-story building clad with a thin, copper facade that invoked Coast Salish weaving methods, an Indigenous weaving technique.In September 2023, a ground-awakening ceremony was held to inaugurate the building before construction started. Shovels then broke ground that March, but came to a stop in August, culminating in this weeks final decision to terminate Herzog & de Meurons design proposal.

A remote village of southern China has become this practices testing ground for blending traditional methodologies with digital toolsSuperposition was shortlisted for the AR Emerging awards 2024. Read about the full shortlist hereWhat are the parallels between Hong Kong Island and Ireland? Both are surrounded by water, former sites of British colonial rule and feel like villages, say Superposition co-founders Donn Holohan and Elspeth Lee. The pair have been working across these twogeographies for more than 10 years, abalancing act prompted by a teaching appointment at the University of Hong Kong. They first visited Peitian, in southern China, during a trip with students in 2015, and have since undergone aseries ofprojects in the village. Operating under sustained dialogue with the local community, each project combines digital technologies and vernacular craft techniques.Their first intervention is a bridge builtto reconnect farmlands that were isolated after access platforms were washed away during aflood. Superposition draws ontraditional joinery to articulate an interlocking timber bridge that stretches and slopes across astream. The covered bridge unfolds in aseries of elongated steps, allowing people topause and sit along its span. Holohan, acabinet maker by training, is adamant thatin order for craft to be preserved, itmust bepractised. In this project, 265 unique elements were digitally modelled andthen joined by hand, under the supervision of local carpenters. The process ensured the joints could betroubleshooted and tested prior to construction; the idea isthat digital tools can help reduce the high level of training and labour of traditional methodologies, to demonstrate their viability. Countering the often nostalgic viewof vernacular building techniques, thearchitects see the ancient village as apragmatic place, where people need andwant to modernise.Superstudios second gathering space inPeitian is a pavilion on anoutcrop in a passion fruitplantation. Thewoven shell undulates asymmetrically, with its openings designed not to obstruct views to the nearby ancestral tombs. Thestudio worked with the last remaining bamboo weaver of the village to rescale the application of his declining craft, usually reserved for small objects such as baskets and mats. Digital software was used to map the lengths of bamboo canes, which were then cut by a CNC machine. Thefinal form is evocative ofthe sun hats worn by rice farmers, and itshelters workers from the sweltering heat.Beyond advocating the preservation of regional trades, Holohan and Lee remain curious about what they could become. Nowhere is this more evident than in their ongoing living museum project, housed in the only two-storey building in Peitian. This disused rice store is becoming a workshop for local carpenters with no formalised place to sustain their practice. Superposition usedLight Detection and Ranging (LiDAR) mapping to scan and digitally model the existing building so that they could graft a tailored timber frame into it with precision, adapting to the earthen walls. Speaking to both the past and the future, the building will become a site of daily work, where traditional construction techniques can be discussed and evolved.

All images Victoria Rose Richards, shared with permissionAerial Embroideries by Victoria Rose Richards Teem with Harmonious DetailDecember 4, 2024CraftNatureJackie AndresLately, Victoria Rose Richards has taken a liking to spatial harmony. In the form of crop circles, classical gardens, and rice terrace steps, the South West England-based artist crafts striking views from above guided by geometric shapes.I find symmetry very comforting and calming it scratches an itch in my brain, Richards shares. While previous works were driven by meandering lines and random organic shapes, the artist adjusted her process for her most recent pieces. I had to use exact measurements with a ruler to draw it out which is quite alien for me in my work!, she says.Following a radial approach, Richards experimented with starting from the center of circular or ovoid embroidery hoops and working her way outward, playing with different shapes and paths. Each aerial landscape is then stitched with meticulous detail, from single lines of thread mimicking bridges to a gold cog inserted at the heart of a teeming garden to resemble a fountain.Richards is looking forward to creating more winter pieces as the cold weather settles in and is also working on a larger project still under wraps. Keep an eye on the artists Instagram for updates, and see her website for more.Previous articleNext article