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Nicholas Stoller has had a hand in making some of the funniest and most successful comedies of the 21st century.Hes the director of popular hits likeForgetting Sarah Marshall andNeighbors; as a writer, hes also contributed to moviesranging fromThe MuppetstoCaptain UnderpantstoSex Tape.In the last decade, though,Stollersworked more and more frequently in television, creating or co-creatingshows likePlatonicon Apple TV+ andGoosebumps on Disney+. Since 2017, hes only directed one film, the Billy Eichner romantic comedyBros.To a casual observer, it seems like the TV world isbecoming more receptive to funding sharp, character-based comedies than movies are. When I put that question to Stoller, he didnt necessarily disagree.I mean, were finishing the second season ofPlatonicright now. My wife [Francesca Delbanco] and I do that together, Stoller told me during a Zoom chat earlier this week. And I remember, Seth [Rogen, series star, and also the star of Stollers filmsNeighborsandNeighbors 2] during the first season was likeYou know, a number of years ago, a slightly more high concept version of this could have been a movie. But it just isnt the business model right now, for whatever reason. So that stuff has gravitated to TV.Stollers latestprojectbrings himback to the world of film but not to movie theaters. The very funnyYoure Cordially Invitedstars Will Ferrell and Reese Witherspoon as two Type-A personalities who discover that theyve each booked a loved ones wedding at the samebeautiful but tiny venue on the same date. Chaos and big laughs ensue.The film isavailable right now onAmazons Prime Video. The degree to which I laughed at the film watching it at home made me reflect on how much I miss seeing movies likeYoure Cordially Invitedin theaters.After a brief chat about the years Oscar movies (we agreed on The BrutalistandChallengers, two movies that would then come up again during our discussion about screenwriting) Stoller and I got into his latest project andhow hetailored his scriptto his talented stars, and an update on the state of movie comedies in 2025.AmazonAmazonloading...READ MORE: 10 Movie Comedies That Are Surprisingly DeepeIm guessing a lot of peoples first question is about why you wanted to make this movie or where the ideacame from, but I am more interested to know specifically what shocking, traumatic incident happened at a wedding that you witnessed or perhaps accidentally inflicted that made you want to make this movie?You know its funny. None of that is autobiographical at all. Its really the two characters, the core emotional experience the two characters are going through, that I have connections with. LikeI have three daughters; Wills character has a daughter. Hes very sad that shes growing up. Like, that kind of thing I can certainly identify with.And Reese, her complex relationship with her family; shes really close to her sister. I have a brother and theres elements there I related to. But the two weddings being double booked is really just a way to explore the emotional experiences these characters are going through.When I try to think of funny wedding stories, I really come up short. I dont really have much in the way of crazy wedding stories. I wish I did. Everything that happens in the movie I made up.Im curious if you have any sort of guiding principles for crafting comedies. I was looking back at your movies over the weekend. Theyre all very different stories, but structurally I see similarities. There are very few heroes and villains. I see a lot of rivals; stories where I like both people who are kind of butting heads. Im wondering if theres something you particularly like about making movies with that structure?Yeah, I think a good comedy or not even a comedy, a good story is about rivals. We were just talking aboutThe Brutalist; that is a rivalry story between Adrien Brody and Guy Pearce. It creates a lot of conflict, which is what you need for dramas or comedies.Challengers is another one we were just talking about. Thats a great rivalry. I think that rivalry allows you to explore a lot of emotional experiences and also tell a story filled with tension that makes the viewer want to keep watching it. So I think thats where that comes from.But thats very astute. Idontbelieve in villains. I dont think villains are interesting. Or rather, the best villains are really human and relatable and you understand where theyre coming from. So particularly with comedies and the kinds of movies I make, early on I figured out ... I remember in the early 2000s there would be, like, Bradley Coopers character inWedding Crashers, who was just a jerk. There was nothing redeeming about him. And Ive never met anyone like that. Even the jerkiest people, I always end up having a quiet conversation with them and it turns out theyre literally just really shy and dont want to talk to anyone.People laugh at whats relatable and honest. When thats what youre laughing at, whats relatable and honest, youre relating to it. For all those reasons, I dont really tend to have heroes. Its much funnier to watch Jason Segel have a nervous breakdown than it is to have a heroic guy get the girl or whatever.Absolutely.Did you write this withWill and Reese in mind?Yeah, I had the idea of a double-booked destination wedding years ago, but I had nothing else. I knew it was a commercial idea so I kind of kept it on the back shelf. Then a few years ago I thought, Oh it would be fun to make a movie for Will and Reese. And not just fun, I was dying to do a movie for the two of them, Im obsessed with both of them. And I thought Oh that idea is big enough to support the two of them. And I built it out and then pitched them the idea, and they both said yes and then I developed it for them.Youvedirected a lot of good comedic leading men through the years. When youre conceiving this role for Will obviously Im a huge Will Ferrell fan are you thinking about things that he does uniquely well that you want to have him doing in your movie? Is there a lane where if you put him there, you know hes going to score?Because Will looks like an everyman a bit, he then has this loose cannon quality. But youalso know it all will be fine. He seems like kind of a loose cannon where anything could happen, but its also gonna be okay. I also think that with comedy people and this is true of Reese too that if the two characters can yell at each other and its funny, then its fine. If the two characters yell at each other and its like your parents are having a fight and you want to go in the other room, then its not fine. So thats a big part of it too. And Reese is really good at yelling; shes so funny doing that.And, yeah, Will has that loose cannon quality thats amazing.Then the thing I hadnt seen him do is I think this is a bit more of an emotional role than he normally would do. Hes made some of the best comedies of all time, likeTalladega NightsandAnchorman. But I wouldnt say they had very emotional scenes. And I know I wanted there to be these emotional scenes with him and Geraldine. And he really knocked that out of the park. He has that scene at the end where he apologizes to his daughter, and it is so sweet and sad and also so funny, where hes talking about missing having sex with his wife.[laughs]Its so shocking, and so funny, but also Im always on the verge of tears when that scene happens.AmazonAmazonloading...Thats avery funny scene. And not to be an old person going Back in my day! but ... back in my day I feel like that scene and this movie as a whole would have killed in a theater. And purely as an observer of the industry and a fan of movie comedies, I feel like Im seeing so few comedies in theaters.As a guy whos in the trenches making these things, why do you think we get fewer movie comedies from the bigger studios?There was just a comedy that came out that Issa Ray produced[One of Them Days] that just did well in theaters. I think comedies will always and can always work in a theater. Its just that the bullseye for what needs to work in a theater has gotten smaller and smaller. And so the studios, understandably, are not willing to risk it as much as they used to.This movie is a great theatrical experience, and no one will have that experience. It is going to be an experience everyone has at home, which kind of sucks but its also a great experience to watch with a bunch of people at home, which is nice.But yeah, it is a bummer to me because I do love watching comedies in a big theater. Its fun. Its fun to bond by laughing at this big thing. But I just think its because now movies either need to be an event, like a visual effects event like a Marvel kind of movie, to get people to come to theaters at least this is the thinking with studios or it needs to be a cultural event likeBarbie or something like that, where itsone of the biggest brands on Earth being turned into a movie. Thats the risk that studios are willing to bear. Otherwise, its just easier to put them on these services.Also, the business models are different. A lot of studios wanted to make this movie, but Amazon made the most compelling offer. And they were awesome, but their business model is not a theatrical business model. And so we knew that going in. They couldnt have been better, cooler, more collaborative partners on the movie. And at the end of the day, I was like You know what? Movies spend 95 percent of their life on streaming or DVD. Theyre not in theaters. So thats kind of where I landed after all of that.Its certainly better that it exists than it doesnt exist.Exactly.But you hit upon it when you say, its great to see a funny movie with a lot of people in a room. I know youve been working more in TV lately is that because that world is just more receptive to making comedies than the film world?I think so. And honestly, I think TV has a little bitcannibalized [movie comedy]. OnPlatonic we do hard comedy, we do set pieces, we do all the stuff that I would do in a movie, but were doing it for Apple TV. And so if someone could turn it on at home, its easier to do that than it is to go to the movie theater.AmazonAmazonloading...I do thinkYoure Cordially Invited wouldve worked in a theater. But again, its not what it was set up to be. So from the beginning I was like Lets see what this experience is like.There is one nice thing about it: It removes any pressure about box office. When a movie comes out, youre just thinking about box office. And then no one remembers what happened except for you. Thats the funny thing. Everyones like OhSarah Marshall was this giant hit. Itwasnt.It did well. I mean, now that would be the biggest hit of all time. At the time, it did fine. Itwaslooked on as the younger sibling ofSuperbad, or whatever. But people dont remember it that way. So removing that box office stigma or experience is only good. [laughs]Before we have to go, you mentioned being the father of three daughters who are getting older. Ive got two daughters, and I am really starting to feel those feelings you were talking about and that you put into Wills character in the movie. Any advice for a dad who is just getting into thattime youre talking about?How old are your daughters?Theyre seven and nine.You just have accept the change. Life is change. A lot of this movie is about how lifechanges and me not being able to deal with it. At the end [ofYoure Cordially Invited] when you see the montage of Geraldine growing up, every time I start to cry. And those are all Geraldines photos and stuff. Every time I watch that Im like Why did I do this to myself?? [laughs]Youre Cordially Invitedis now streamingon Prime Video.Get our free mobile app25 Terrible Movies So Bad They Became IconicThese movies arent just so bad theyre good theyre so bad theyve become classics.