Eusebeia? More like a colossal waste of time! This so-called mystical and Lovecraftian short film from the École Méliès is nothing but a pretentious display of what happens when artistic vision collides with utter incompetence. A group of individuals trudging through a desert under the influence of a giant called Sommêh sounds intriguing, sure, but the execution is laughable at best. Sov, the weak link, collapses and gets lost—just like the film's purpose and coherence. If this is the future of cinema, we should all be worried! Where's the originality? Where's the storytelling? It's about time we demand better from emerging filmmakers! #Eusebeia #ShortFilm #C

KeenTools just dropped the latest update, KeenTools 2025.2, for Blender and Nuke, because who wouldn’t want their plugins to be just a touch more intuitive while tracking heads? I mean, it’s not like we had enough fun trying to reconstruct reality already. Now, with support for Blender 4.5 and Nuke 16.0, it’s like they’re rolling out the red carpet for all the aspiring filmmakers who want to turn their “artistic visions” into slightly less chaotic digital messes. Can’t wait to see how this revolutionizes our ability to track our own confusion! #KeenTools #Blender #Nuke #VideoEditing #DigitalArt

Amazon's cringey "War of the Worlds" is a pathetic reflection of the current state of filmmaking, and frankly, it makes me terrified for the future of movies. How can a giant like Amazon release such a disgraceful adaptation without any shame? This isn't just a bad movie; it's an insult to the legacy of H.G. Wells and to every viewer's intelligence. The lack of originality and the blatant disregard for quality are alarming signs that the industry is heading towards an abyss. If this is the best we can expect from streaming giants, then we're doomed. It's time to demand better and stop settling for this garbage. #Amazon #WarOfTheWorlds #MovieCritique #Filmmaking #FutureOfCinema

Amazon a sorti *War Of The Worlds*, et franchement, c'est l'un des pires films jamais réalisés. L'intrigue est un véritable trou noir, un vrai désastre. On se demande comment un tel projet a pu voir le jour sans que quelqu'un ne s'en rende compte. Les scènes sont ennuyeuses et l'histoire n'a aucun sens. Je ne sais pas pourquoi on s'attendait à quelque chose de bon. À éviter, si vous cherchez un bon divertissement. #WarOfTheWorlds #Amazon #FilmMauvais #CritiqueCinema #Ennui

If you ever wondered what a sci-fi movie could look like when it tries to be everything and ends up being nothing, just watch the new *War of the Worlds* by Amazon. There’s this one scene that encapsulates the essence of cinematic disaster: it’s like they hired a group of high schoolers to write the script while binging on energy drinks. Who knew that intergalactic warfare could be so... underwhelming? It’s as if the aliens themselves are embarrassed to be part of this mess. Honestly, it’s a miracle that the film could even make it to streaming without a cosmic-level intervention. Let’s raise our glasses to the joys of viewing this flop as a cautionary tale for future filmmakers — or as

It's infuriating that some people still cling to the myth that Christopher Nolan doesn’t use CGI or visual effects! This persistent urban legend is not just misleading; it undermines the incredible work done by talented artists at DNEG over the past 20 years. While Nolan's films are visually stunning, the truth is that he skillfully combines practical effects with digital enhancements. Let’s stop pretending that he’s some kind of purist—it's time to acknowledge the brilliant fusion of creativity and technology that shapes his cinematic masterpieces. This delusion only serves to dilute the real craftsmanship and innovation behind the scenes. Wake up and recognize the reality of modern filmmaking! #ChristopherNolan #DNEG #FilmIndustry #VisualEffects #CinematicTruth

Jurassic World: Rebirth? Really? It’s infuriating to see how this franchise continues to churn out mediocre content, relying on flashy VFX instead of a coherent storyline. The lush, danger-filled world they’re showcasing is nothing more than a glorified CGI playground! Where’s the creativity? Where’s the originality? This installment is just another cash grab, feeding off our nostalgia while serving us recycled plot lines and forgettable characters. It’s time for filmmakers to stop hiding behind technology and start delivering real substance. If they can’t do better, maybe it’s time to put this tired franchise to rest! #JurassicWorld #VFXShow #MovieCritique #DinosaurFranchise #FilmIndustry

The so-called "immersive storytelling" promised by the new Blackmagic URSA Cine Immersive camera is nothing but a marketing ploy! With all the hype about creating video content for the Apple Vision Pro, we’re expected to believe that this camera is a game changer? Let’s be real: the industry is drowning in overpriced gadgets that prioritize profit over quality. How many more features does a camera really need before it delivers something substantive? It's infuriating to see filmmakers distracted by shiny tech instead of focusing on the art of storytelling! Enough with the gimmicks—let’s demand real innovation, not just another tool that will end up collecting dust! #BlackmagicURSA #CineCamera #ImmersiveStorytelling #AppleVision

The art style of "Agatha Christie: Death on the Nile" is being hailed as some kind of extravagant treasure from the '70s, but let's be real—this is nothing more than a desperate attempt to cash in on nostalgia! It's infuriating to see filmmakers recycling outdated aesthetics instead of focusing on innovative storytelling. The so-called "fresh perspective" is just a flimsy facade that fails to mask the lack of originality. Why are we glorifying this mediocre revival when we should demand creativity and substance? Stop hiding behind pretty visuals and start delivering what truly matters: gripping narratives that honor the brilliance of Agatha Christie. It's time to raise the bar! #NostalgiaCritique #ArtStyleFail #AgathaChristie

Boris FX just dropped SynthEyes 2025.5, and it’s like they’re trying to solve the world’s biggest mystery: how to auto-track shots without any human intervention. Apparently, AI has become our new best friend in the editing room, helping us do what we’ve been doing since the dawn of cinema—except now we can sit back and let the machines do the heavy lifting. Who knew that the real challenge was just getting the right software to make sure we don’t have to lift a finger? Just wait till you see those “tricky shots” auto-tracked like they’re on a rollercoaster ride. #BorisFX #SynthEyes #3DTracking #AIMotionEstimation #Filmm