• Aga Khan Award for Architecture 2025 announces 19 shortlisted projects from 15 countries

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    19 shortlisted projects for the 2025 Award cycle were revealed by the Aga Khan Award for Architecture. A portion of the million prize, one of the biggest in architecture, will be awarded to the winning proposals. Out of the 369 projects nominated for the 16th Award Cycle, an independent Master Jury chose the 19 shortlisted projects from 15 countries.The nine members of the Master Jury for the 16th Award cycle include Azra Akšamija, Noura Al-Sayeh Holtrop, Lucia Allais, David Basulto, Yvonne Farrell, Kabage Karanja, Yacouba Konaté, Hassan Radoine, and Mun Summ Wong.His Late Highness Prince Karim Aga Khan IV created the Aga Khan Award for Architecture in 1977 to recognize and promote architectural ideas that effectively meet the needs and goals of communities where Muslims are a major population. Nearly 10,000 construction projects have been documented since the award's inception 48 years ago, and 128 projects have been granted it. The AKAA's selection method places a strong emphasis on architecture that stimulates and responds to people's cultural ambitions in addition to meeting their physical, social, and economic demands.The Aga Khan Award for Architecture is governed by a Steering Committee chaired by His Highness the Aga Khan. The other members of the Steering Committee are Meisa Batayneh, Principal Architect, Founder, maisam architects and engineers, Amman, Jordan; Souleymane Bachir Diagne, Professor of Philosophy and Francophone Studies, Columbia University, New York, United States of America; Lesley Lokko, Founder & Director, African Futures Institute, Accra, Ghana; Gülru Necipoğlu, Director and Professor, Aga Khan Program for Islamic Architecture, Harvard University, Cambridge, United States of America; Hashim Sarkis, Founder & Principal, Hashim Sarkis Studios; Dean, School of Architecture and Planning, Massachusetts Institute of Technology, Cambridge, United States of America; and Sarah M. Whiting, Partner, WW Architecture; Dean and Josep Lluís Sert Professor of Architecture, Graduate School of Design, Harvard University, Cambridge, United States of America. Farrokh Derakhshani is the Director of the Award.Examples of outstanding architecture in the areas of modern design, social housing, community development and enhancement, historic preservation, reuse and area conservation, landscape design, and environmental enhancement are recognized by the Aga Khan Award for Architecture.Building plans that creatively utilize local resources and relevant technologies, as well as initiatives that could spur such initiatives abroad, are given special consideration. It should be mentioned that in addition to honoring architects, the Award also recognizes towns, builders, clients, master craftspeople, and engineers who have contributed significantly to the project.Projects had to be completed between January 1, 2018, and December 31, 2023, and they had to have been operational for a minimum of one year in order to be eligible for consideration in the 2025 Award cycle. The Award is not available for projects that His Highness the Aga Khan or any of the Aga Khan Development Networkinstitutions have commissioned.See the 19 shortlisted projects with their short project descriptions competing for the 2025 Award Cycle:Khudi Bari. Image © Aga Khan Trust for Culture / City SyntaxBangladeshKhudi Bari, in various locations, by Marina Tabassum ArchitectsMarina Tabassum Architects' Khudi Bari, which can be readily disassembled and reassembled to suit the needs of the users, is a replicable solution for displaced communities impacted by geographic and climatic changes.West Wusutu Village Community Centre. Image © Aga Khan Trust for Culture / Dou YujunChinaWest Wusutu Village Community Centre, Hohhot, Inner Mongolia, by Zhang PengjuIn addition to meeting the religious demands of the local Hui Muslims, Zhang Pengju's West Wusutu Village Community Centre in Hohhot, Inner Mongolia, offers social and cultural spaces for locals and artists. Constructed from recycled bricks, it features multipurpose indoor and outdoor areas that promote communal harmony.Revitalisation of Historic Esna. Image © Aga Khan Trust for Culture / Ahmed SalemEgyptRevitalisation of Historic Esna, by Takween Integrated Community DevelopmentBy using physical interventions, socioeconomic projects, and creative urban planning techniques, Takween Integrated Community Development's Revitalization of Historic Esna tackles the issues of cultural tourism in Upper Egypt and turns the once-forgotten area around the Temple of Khnum into a thriving historic city.The Arc at Green School. Image © Aga Khan Trust for Culture / Andreas Perbowo WidityawanIndonesiaThe Arc at Green School, in Bali, by IBUKU / Elora HardyAfter 15 years of bamboo experimenting at the Green School Bali, IBUKU/Elora Hardy created The Arc at Green School. The Arc is a brand-new community wellness facility built on the foundations of a temporary gym. High-precision engineering and regional handicraft are combined in this construction.Islamic Centre Nurul Yaqin Mosque. Image © Aga Khan Trust for Culture / Andreas Perbowo WidityawanIndonesiaIslamic Centre Nurul Yaqin Mosque, in Palu, Central Sulawesi, by Dave Orlando and Fandy GunawanDave Orlando and Fandy Gunawan built the Islamic Center Nurul Yaqin Mosque in Palu, Central Sulawesi, on the location of a previous mosque that was damaged by a 2018 tsunami. There is a place for worship and assembly at the new Islamic Center. Surrounded by a shallow reflecting pool that may be drained to make room for more guests, it is open to the countryside.Microlibrary Warak Kayu. Image © Aga Khan Trust for Culture / Andreas Perbowo WidityawanIndonesiaMicrolibraries in various cities, by SHAU / Daliana Suryawinata, Florian HeinzelmannFlorian Heinzelmann, the project's initiator, works with stakeholders at all levels to provide high-quality public spaces in a number of Indonesian parks and kampungs through microlibraries in different towns run by SHAU/Daliana Suryawinata. So far, six have been constructed, and by 2045, 100 are planned.Majara Residence. Image © Aga Khan Trust for Culture / Deed StudioIranMajara Complex and Community Redevelopment, in Hormuz Island by ZAV Architects / Mohamadreza GhodousiThe Majara Complex and Community Redevelopment on Hormuz Island, designed by ZAV Architects and Mohamadreza Ghodousi, is well-known for its vibrant domes that offer eco-friendly lodging for visitors visiting Hormuz's distinctive scenery. In addition to providing new amenities for the islanders who visit to socialize, pray, or utilize the library, it was constructed by highly trained local laborers.Jahad Metro Plaza. Image © Aga Khan Trust for Culture / Deed StudioIranJahad Metro Plaza in Tehran, by KA Architecture StudioKA Architecture Studio's Jahad Metro Plaza in Tehran was constructed to replace the dilapidated old buildings. It turned the location into a beloved pedestrian-friendly landmark. The arched vaults, which are covered in locally manufactured brick, vary in height to let air and light into the area they are protecting.Khan Jaljulia Restoration. Image © Aga Khan Trust for Culture / Mikaela BurstowIsraelKhan Jaljulia Restoration in Jaljulia by Elias KhuriElias Khuri's Khan Jaljulia Restoration is a cost-effective intervention set amidst the remnants of a 14th-century Khan in Jaljulia. By converting the abandoned historical location into a bustling public area for social gatherings, it helps the locals rediscover their cultural history.Campus Startup Lions. Image © Aga Khan Trust for Culture / Christopher Wilton-SteerKenyaCampus Startup Lions, in Turkana by Kéré ArchitectsKéré Architecture's Campus Startup Lions in Turkana is an educational and entrepreneurial center that offers a venue for community involvement, business incubation, and technology-driven education. The design incorporates solar energy, rainwater harvesting, and tall ventilation towers that resemble the nearby termite mounds, and it was constructed using local volcanic stone.Lalla Yeddouna Square. Image © Aga Khan Trust for Culture / Amine HouariMoroccoRevitalisation of Lalla Yeddouna Square in the medina of Fez, by Mossessian Architecture and Yassir Khalil StudioMossessian Architecture and Yassir Khalil Studio's revitalization of Lalla Yeddouna Square in the Fez medina aims to improve pedestrian circulation and reestablish a connection to the waterfront. For the benefit of locals, craftspeople, and tourists from around the globe, existing buildings were maintained and new areas created.Vision Pakistan. Image © Aga Khan Trust for Culture / Usman Saqib ZuberiPakistanVision Pakistan, in Islamabad by DB Studios / Mohammad Saifullah SiddiquiA tailoring training center run by Vision Pakistan, a nonprofit organization dedicated to empowering underprivileged adolescents, is located in Islamabad by DB Studios/Mohammad Saifullah Siddiqui. Situated in a crowded neighborhood, this multi-story building features flashy jaalis influenced by Arab and Pakistani crafts, echoing the city's 1960s design.Denso Hall Rahguzar Project. Image © Aga Khan Trust for Culture / Usman Saqib ZuberiPakistanDenso Hall Rahguzar Project, in Karachi by Heritage Foundation Pakistan / Yasmeen LariThe Heritage Foundation of Pakistan/Yasmeen Lari's Denso Hall Rahguzar Project in Karachi is a heritage-led eco-urban enclave that was built with low-carbon materials in response to the city's severe climate, which is prone to heat waves and floods. The freshly planted "forests" are irrigated by the handcrafted terracotta cobbles, which absorb rainfall and cool and purify the air.Wonder Cabinet. Image © Aga Khan Trust for Culture / Mikaela BurstowPalestineWonder Cabinet, in Bethlehem by AAU AnastasThe architects at AAU Anastas established Wonder Cabinet, a multifunctional, nonprofit exhibition and production venue in Bethlehem. The three-story concrete building was constructed with the help of regional contractors and artisans, and it is quickly emerging as a major center for learning, design, craft, and innovation.The Ned. Image © Aga Khan Trust for Culture / Cemal EmdenQatarThe Ned Hotel, in Doha by David Chipperfield ArchitectsThe Ministry of Interior was housed in the Ned Hotel in Doha, which was designed by David Chipperfield Architects. Its Middle Eastern brutalist building was meticulously transformed into a 90-room boutique hotel, thereby promoting architectural revitalization in the region.Shamalat Cultural Centre. Image © Aga Khan Trust for Culture / Hassan Al ShattiSaudi ArabiaShamalat Cultural Centre, in Riyadh, by Syn Architects / Sara Alissa, Nojoud AlsudairiOn the outskirts of Diriyah, the Shamalat Cultural Centre in Riyadh was created by Syn Architects/Sara Alissa, Nojoud Alsudairi. It was created from an old mud home that artist Maha Malluh had renovated. The center, which aims to incorporate historic places into daily life, provides a sensitive viewpoint on heritage conservation in the area by contrasting the old and the contemporary.Rehabilitation and Extension of Dakar Railway Station. Image © Aga Khan Trust for Culture / Sylvain CherkaouiSenegalRehabilitation and Extension of Dakar Railway Station, in Dakar by Ga2DIn order to accommodate the passengers of a new express train line, Ga2D extended and renovated Dakar train Station, which purposefully contrasts the old and modern buildings. The forecourt was once again open to pedestrian traffic after vehicular traffic was limited to the rear of the property.Rami Library. Image © Aga Khan Trust for Culture / Cemal EmdenTürkiyeRami Library, by Han Tümertekin Design & ConsultancyThe largest library in Istanbul is the Rami Library, designed by Han Tümertekin Design & Consultancy. It occupied the former Rami Barracks, a sizable, single-story building with enormous volumes that was constructed in the eighteenth century. In order to accommodate new library operations while maintaining the structure's original spatial features, a minimal intervention method was used.Morocco Pavilion Expo Dubai 2020. Image © Aga Khan Trust for Culture / Deed StudioUnited Arab EmiratesMorocco Pavilion Expo Dubai 2020, by Oualalou + ChoiOualalou + Choi's Morocco Pavilion Expo Dubai 2020 is intended to last beyond Expo 2020 and be transformed into a cultural center. The pavilion is a trailblazer in the development of large-scale rammed earth building techniques. Its use of passive cooling techniques, which minimize the need for mechanical air conditioning, earned it the gold LEED accreditation.At each project location, independent professionals such as architects, conservation specialists, planners, and structural engineers have conducted thorough evaluations of the nominated projects. This summer, the Master Jury convenes once more to analyze the on-site evaluations and choose the ultimate Award winners.The top image in the article: The Arc at Green School. Image © Aga Khan Trust for Culture / Andreas Perbowo Widityawan.> via Aga Khan Award for Architecture
    #aga #khan #award #architecture #announces
    Aga Khan Award for Architecture 2025 announces 19 shortlisted projects from 15 countries
    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "; 19 shortlisted projects for the 2025 Award cycle were revealed by the Aga Khan Award for Architecture. A portion of the million prize, one of the biggest in architecture, will be awarded to the winning proposals. Out of the 369 projects nominated for the 16th Award Cycle, an independent Master Jury chose the 19 shortlisted projects from 15 countries.The nine members of the Master Jury for the 16th Award cycle include Azra Akšamija, Noura Al-Sayeh Holtrop, Lucia Allais, David Basulto, Yvonne Farrell, Kabage Karanja, Yacouba Konaté, Hassan Radoine, and Mun Summ Wong.His Late Highness Prince Karim Aga Khan IV created the Aga Khan Award for Architecture in 1977 to recognize and promote architectural ideas that effectively meet the needs and goals of communities where Muslims are a major population. Nearly 10,000 construction projects have been documented since the award's inception 48 years ago, and 128 projects have been granted it. The AKAA's selection method places a strong emphasis on architecture that stimulates and responds to people's cultural ambitions in addition to meeting their physical, social, and economic demands.The Aga Khan Award for Architecture is governed by a Steering Committee chaired by His Highness the Aga Khan. The other members of the Steering Committee are Meisa Batayneh, Principal Architect, Founder, maisam architects and engineers, Amman, Jordan; Souleymane Bachir Diagne, Professor of Philosophy and Francophone Studies, Columbia University, New York, United States of America; Lesley Lokko, Founder & Director, African Futures Institute, Accra, Ghana; Gülru Necipoğlu, Director and Professor, Aga Khan Program for Islamic Architecture, Harvard University, Cambridge, United States of America; Hashim Sarkis, Founder & Principal, Hashim Sarkis Studios; Dean, School of Architecture and Planning, Massachusetts Institute of Technology, Cambridge, United States of America; and Sarah M. Whiting, Partner, WW Architecture; Dean and Josep Lluís Sert Professor of Architecture, Graduate School of Design, Harvard University, Cambridge, United States of America. Farrokh Derakhshani is the Director of the Award.Examples of outstanding architecture in the areas of modern design, social housing, community development and enhancement, historic preservation, reuse and area conservation, landscape design, and environmental enhancement are recognized by the Aga Khan Award for Architecture.Building plans that creatively utilize local resources and relevant technologies, as well as initiatives that could spur such initiatives abroad, are given special consideration. It should be mentioned that in addition to honoring architects, the Award also recognizes towns, builders, clients, master craftspeople, and engineers who have contributed significantly to the project.Projects had to be completed between January 1, 2018, and December 31, 2023, and they had to have been operational for a minimum of one year in order to be eligible for consideration in the 2025 Award cycle. The Award is not available for projects that His Highness the Aga Khan or any of the Aga Khan Development Networkinstitutions have commissioned.See the 19 shortlisted projects with their short project descriptions competing for the 2025 Award Cycle:Khudi Bari. Image © Aga Khan Trust for Culture / City SyntaxBangladeshKhudi Bari, in various locations, by Marina Tabassum ArchitectsMarina Tabassum Architects' Khudi Bari, which can be readily disassembled and reassembled to suit the needs of the users, is a replicable solution for displaced communities impacted by geographic and climatic changes.West Wusutu Village Community Centre. Image © Aga Khan Trust for Culture / Dou YujunChinaWest Wusutu Village Community Centre, Hohhot, Inner Mongolia, by Zhang PengjuIn addition to meeting the religious demands of the local Hui Muslims, Zhang Pengju's West Wusutu Village Community Centre in Hohhot, Inner Mongolia, offers social and cultural spaces for locals and artists. Constructed from recycled bricks, it features multipurpose indoor and outdoor areas that promote communal harmony.Revitalisation of Historic Esna. Image © Aga Khan Trust for Culture / Ahmed SalemEgyptRevitalisation of Historic Esna, by Takween Integrated Community DevelopmentBy using physical interventions, socioeconomic projects, and creative urban planning techniques, Takween Integrated Community Development's Revitalization of Historic Esna tackles the issues of cultural tourism in Upper Egypt and turns the once-forgotten area around the Temple of Khnum into a thriving historic city.The Arc at Green School. Image © Aga Khan Trust for Culture / Andreas Perbowo WidityawanIndonesiaThe Arc at Green School, in Bali, by IBUKU / Elora HardyAfter 15 years of bamboo experimenting at the Green School Bali, IBUKU/Elora Hardy created The Arc at Green School. The Arc is a brand-new community wellness facility built on the foundations of a temporary gym. High-precision engineering and regional handicraft are combined in this construction.Islamic Centre Nurul Yaqin Mosque. Image © Aga Khan Trust for Culture / Andreas Perbowo WidityawanIndonesiaIslamic Centre Nurul Yaqin Mosque, in Palu, Central Sulawesi, by Dave Orlando and Fandy GunawanDave Orlando and Fandy Gunawan built the Islamic Center Nurul Yaqin Mosque in Palu, Central Sulawesi, on the location of a previous mosque that was damaged by a 2018 tsunami. There is a place for worship and assembly at the new Islamic Center. Surrounded by a shallow reflecting pool that may be drained to make room for more guests, it is open to the countryside.Microlibrary Warak Kayu. Image © Aga Khan Trust for Culture / Andreas Perbowo WidityawanIndonesiaMicrolibraries in various cities, by SHAU / Daliana Suryawinata, Florian HeinzelmannFlorian Heinzelmann, the project's initiator, works with stakeholders at all levels to provide high-quality public spaces in a number of Indonesian parks and kampungs through microlibraries in different towns run by SHAU/Daliana Suryawinata. So far, six have been constructed, and by 2045, 100 are planned.Majara Residence. Image © Aga Khan Trust for Culture / Deed StudioIranMajara Complex and Community Redevelopment, in Hormuz Island by ZAV Architects / Mohamadreza GhodousiThe Majara Complex and Community Redevelopment on Hormuz Island, designed by ZAV Architects and Mohamadreza Ghodousi, is well-known for its vibrant domes that offer eco-friendly lodging for visitors visiting Hormuz's distinctive scenery. In addition to providing new amenities for the islanders who visit to socialize, pray, or utilize the library, it was constructed by highly trained local laborers.Jahad Metro Plaza. Image © Aga Khan Trust for Culture / Deed StudioIranJahad Metro Plaza in Tehran, by KA Architecture StudioKA Architecture Studio's Jahad Metro Plaza in Tehran was constructed to replace the dilapidated old buildings. It turned the location into a beloved pedestrian-friendly landmark. The arched vaults, which are covered in locally manufactured brick, vary in height to let air and light into the area they are protecting.Khan Jaljulia Restoration. Image © Aga Khan Trust for Culture / Mikaela BurstowIsraelKhan Jaljulia Restoration in Jaljulia by Elias KhuriElias Khuri's Khan Jaljulia Restoration is a cost-effective intervention set amidst the remnants of a 14th-century Khan in Jaljulia. By converting the abandoned historical location into a bustling public area for social gatherings, it helps the locals rediscover their cultural history.Campus Startup Lions. Image © Aga Khan Trust for Culture / Christopher Wilton-SteerKenyaCampus Startup Lions, in Turkana by Kéré ArchitectsKéré Architecture's Campus Startup Lions in Turkana is an educational and entrepreneurial center that offers a venue for community involvement, business incubation, and technology-driven education. The design incorporates solar energy, rainwater harvesting, and tall ventilation towers that resemble the nearby termite mounds, and it was constructed using local volcanic stone.Lalla Yeddouna Square. Image © Aga Khan Trust for Culture / Amine HouariMoroccoRevitalisation of Lalla Yeddouna Square in the medina of Fez, by Mossessian Architecture and Yassir Khalil StudioMossessian Architecture and Yassir Khalil Studio's revitalization of Lalla Yeddouna Square in the Fez medina aims to improve pedestrian circulation and reestablish a connection to the waterfront. For the benefit of locals, craftspeople, and tourists from around the globe, existing buildings were maintained and new areas created.Vision Pakistan. Image © Aga Khan Trust for Culture / Usman Saqib ZuberiPakistanVision Pakistan, in Islamabad by DB Studios / Mohammad Saifullah SiddiquiA tailoring training center run by Vision Pakistan, a nonprofit organization dedicated to empowering underprivileged adolescents, is located in Islamabad by DB Studios/Mohammad Saifullah Siddiqui. Situated in a crowded neighborhood, this multi-story building features flashy jaalis influenced by Arab and Pakistani crafts, echoing the city's 1960s design.Denso Hall Rahguzar Project. Image © Aga Khan Trust for Culture / Usman Saqib ZuberiPakistanDenso Hall Rahguzar Project, in Karachi by Heritage Foundation Pakistan / Yasmeen LariThe Heritage Foundation of Pakistan/Yasmeen Lari's Denso Hall Rahguzar Project in Karachi is a heritage-led eco-urban enclave that was built with low-carbon materials in response to the city's severe climate, which is prone to heat waves and floods. The freshly planted "forests" are irrigated by the handcrafted terracotta cobbles, which absorb rainfall and cool and purify the air.Wonder Cabinet. Image © Aga Khan Trust for Culture / Mikaela BurstowPalestineWonder Cabinet, in Bethlehem by AAU AnastasThe architects at AAU Anastas established Wonder Cabinet, a multifunctional, nonprofit exhibition and production venue in Bethlehem. The three-story concrete building was constructed with the help of regional contractors and artisans, and it is quickly emerging as a major center for learning, design, craft, and innovation.The Ned. Image © Aga Khan Trust for Culture / Cemal EmdenQatarThe Ned Hotel, in Doha by David Chipperfield ArchitectsThe Ministry of Interior was housed in the Ned Hotel in Doha, which was designed by David Chipperfield Architects. Its Middle Eastern brutalist building was meticulously transformed into a 90-room boutique hotel, thereby promoting architectural revitalization in the region.Shamalat Cultural Centre. Image © Aga Khan Trust for Culture / Hassan Al ShattiSaudi ArabiaShamalat Cultural Centre, in Riyadh, by Syn Architects / Sara Alissa, Nojoud AlsudairiOn the outskirts of Diriyah, the Shamalat Cultural Centre in Riyadh was created by Syn Architects/Sara Alissa, Nojoud Alsudairi. It was created from an old mud home that artist Maha Malluh had renovated. The center, which aims to incorporate historic places into daily life, provides a sensitive viewpoint on heritage conservation in the area by contrasting the old and the contemporary.Rehabilitation and Extension of Dakar Railway Station. Image © Aga Khan Trust for Culture / Sylvain CherkaouiSenegalRehabilitation and Extension of Dakar Railway Station, in Dakar by Ga2DIn order to accommodate the passengers of a new express train line, Ga2D extended and renovated Dakar train Station, which purposefully contrasts the old and modern buildings. The forecourt was once again open to pedestrian traffic after vehicular traffic was limited to the rear of the property.Rami Library. Image © Aga Khan Trust for Culture / Cemal EmdenTürkiyeRami Library, by Han Tümertekin Design & ConsultancyThe largest library in Istanbul is the Rami Library, designed by Han Tümertekin Design & Consultancy. It occupied the former Rami Barracks, a sizable, single-story building with enormous volumes that was constructed in the eighteenth century. In order to accommodate new library operations while maintaining the structure's original spatial features, a minimal intervention method was used.Morocco Pavilion Expo Dubai 2020. Image © Aga Khan Trust for Culture / Deed StudioUnited Arab EmiratesMorocco Pavilion Expo Dubai 2020, by Oualalou + ChoiOualalou + Choi's Morocco Pavilion Expo Dubai 2020 is intended to last beyond Expo 2020 and be transformed into a cultural center. The pavilion is a trailblazer in the development of large-scale rammed earth building techniques. Its use of passive cooling techniques, which minimize the need for mechanical air conditioning, earned it the gold LEED accreditation.At each project location, independent professionals such as architects, conservation specialists, planners, and structural engineers have conducted thorough evaluations of the nominated projects. This summer, the Master Jury convenes once more to analyze the on-site evaluations and choose the ultimate Award winners.The top image in the article: The Arc at Green School. Image © Aga Khan Trust for Culture / Andreas Perbowo Widityawan.> via Aga Khan Award for Architecture #aga #khan #award #architecture #announces
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    Aga Khan Award for Architecture 2025 announces 19 shortlisted projects from 15 countries
    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" 19 shortlisted projects for the 2025 Award cycle were revealed by the Aga Khan Award for Architecture (AKAA). A portion of the $1 million prize, one of the biggest in architecture, will be awarded to the winning proposals. Out of the 369 projects nominated for the 16th Award Cycle (2023-2025), an independent Master Jury chose the 19 shortlisted projects from 15 countries.The nine members of the Master Jury for the 16th Award cycle include Azra Akšamija, Noura Al-Sayeh Holtrop, Lucia Allais, David Basulto, Yvonne Farrell, Kabage Karanja, Yacouba Konaté, Hassan Radoine, and Mun Summ Wong.His Late Highness Prince Karim Aga Khan IV created the Aga Khan Award for Architecture in 1977 to recognize and promote architectural ideas that effectively meet the needs and goals of communities where Muslims are a major population. Nearly 10,000 construction projects have been documented since the award's inception 48 years ago, and 128 projects have been granted it. The AKAA's selection method places a strong emphasis on architecture that stimulates and responds to people's cultural ambitions in addition to meeting their physical, social, and economic demands.The Aga Khan Award for Architecture is governed by a Steering Committee chaired by His Highness the Aga Khan. The other members of the Steering Committee are Meisa Batayneh, Principal Architect, Founder, maisam architects and engineers, Amman, Jordan; Souleymane Bachir Diagne, Professor of Philosophy and Francophone Studies, Columbia University, New York, United States of America; Lesley Lokko, Founder & Director, African Futures Institute, Accra, Ghana; Gülru Necipoğlu, Director and Professor, Aga Khan Program for Islamic Architecture, Harvard University, Cambridge, United States of America; Hashim Sarkis, Founder & Principal, Hashim Sarkis Studios (HSS); Dean, School of Architecture and Planning, Massachusetts Institute of Technology, Cambridge, United States of America; and Sarah M. Whiting, Partner, WW Architecture; Dean and Josep Lluís Sert Professor of Architecture, Graduate School of Design, Harvard University, Cambridge, United States of America. Farrokh Derakhshani is the Director of the Award.Examples of outstanding architecture in the areas of modern design, social housing, community development and enhancement, historic preservation, reuse and area conservation, landscape design, and environmental enhancement are recognized by the Aga Khan Award for Architecture.Building plans that creatively utilize local resources and relevant technologies, as well as initiatives that could spur such initiatives abroad, are given special consideration. It should be mentioned that in addition to honoring architects, the Award also recognizes towns, builders, clients, master craftspeople, and engineers who have contributed significantly to the project.Projects had to be completed between January 1, 2018, and December 31, 2023, and they had to have been operational for a minimum of one year in order to be eligible for consideration in the 2025 Award cycle. The Award is not available for projects that His Highness the Aga Khan or any of the Aga Khan Development Network (AKDN) institutions have commissioned.See the 19 shortlisted projects with their short project descriptions competing for the 2025 Award Cycle:Khudi Bari. Image © Aga Khan Trust for Culture / City Syntax (F. M. Faruque Abdullah Shawon, H. M. Fozla Rabby Apurbo)BangladeshKhudi Bari, in various locations, by Marina Tabassum ArchitectsMarina Tabassum Architects' Khudi Bari, which can be readily disassembled and reassembled to suit the needs of the users, is a replicable solution for displaced communities impacted by geographic and climatic changes.West Wusutu Village Community Centre. Image © Aga Khan Trust for Culture / Dou Yujun (photographer)ChinaWest Wusutu Village Community Centre, Hohhot, Inner Mongolia, by Zhang PengjuIn addition to meeting the religious demands of the local Hui Muslims, Zhang Pengju's West Wusutu Village Community Centre in Hohhot, Inner Mongolia, offers social and cultural spaces for locals and artists. Constructed from recycled bricks, it features multipurpose indoor and outdoor areas that promote communal harmony.Revitalisation of Historic Esna. Image © Aga Khan Trust for Culture / Ahmed Salem (photographer)EgyptRevitalisation of Historic Esna, by Takween Integrated Community DevelopmentBy using physical interventions, socioeconomic projects, and creative urban planning techniques, Takween Integrated Community Development's Revitalization of Historic Esna tackles the issues of cultural tourism in Upper Egypt and turns the once-forgotten area around the Temple of Khnum into a thriving historic city.The Arc at Green School. Image © Aga Khan Trust for Culture / Andreas Perbowo Widityawan (photographer)IndonesiaThe Arc at Green School, in Bali, by IBUKU / Elora HardyAfter 15 years of bamboo experimenting at the Green School Bali, IBUKU/Elora Hardy created The Arc at Green School. The Arc is a brand-new community wellness facility built on the foundations of a temporary gym. High-precision engineering and regional handicraft are combined in this construction.Islamic Centre Nurul Yaqin Mosque. Image © Aga Khan Trust for Culture / Andreas Perbowo Widityawan (photographer)IndonesiaIslamic Centre Nurul Yaqin Mosque, in Palu, Central Sulawesi, by Dave Orlando and Fandy GunawanDave Orlando and Fandy Gunawan built the Islamic Center Nurul Yaqin Mosque in Palu, Central Sulawesi, on the location of a previous mosque that was damaged by a 2018 tsunami. There is a place for worship and assembly at the new Islamic Center. Surrounded by a shallow reflecting pool that may be drained to make room for more guests, it is open to the countryside.Microlibrary Warak Kayu. Image © Aga Khan Trust for Culture / Andreas Perbowo Widityawan (photographer)IndonesiaMicrolibraries in various cities, by SHAU / Daliana Suryawinata, Florian HeinzelmannFlorian Heinzelmann, the project's initiator, works with stakeholders at all levels to provide high-quality public spaces in a number of Indonesian parks and kampungs through microlibraries in different towns run by SHAU/Daliana Suryawinata. So far, six have been constructed, and by 2045, 100 are planned.Majara Residence. Image © Aga Khan Trust for Culture / Deed Studio (photographer)IranMajara Complex and Community Redevelopment, in Hormuz Island by ZAV Architects / Mohamadreza GhodousiThe Majara Complex and Community Redevelopment on Hormuz Island, designed by ZAV Architects and Mohamadreza Ghodousi, is well-known for its vibrant domes that offer eco-friendly lodging for visitors visiting Hormuz's distinctive scenery. In addition to providing new amenities for the islanders who visit to socialize, pray, or utilize the library, it was constructed by highly trained local laborers.Jahad Metro Plaza. Image © Aga Khan Trust for Culture / Deed Studio (photographer)IranJahad Metro Plaza in Tehran, by KA Architecture StudioKA Architecture Studio's Jahad Metro Plaza in Tehran was constructed to replace the dilapidated old buildings. It turned the location into a beloved pedestrian-friendly landmark. The arched vaults, which are covered in locally manufactured brick, vary in height to let air and light into the area they are protecting.Khan Jaljulia Restoration. Image © Aga Khan Trust for Culture / Mikaela Burstow (photographer)IsraelKhan Jaljulia Restoration in Jaljulia by Elias KhuriElias Khuri's Khan Jaljulia Restoration is a cost-effective intervention set amidst the remnants of a 14th-century Khan in Jaljulia. By converting the abandoned historical location into a bustling public area for social gatherings, it helps the locals rediscover their cultural history.Campus Startup Lions. Image © Aga Khan Trust for Culture / Christopher Wilton-Steer (photographer)KenyaCampus Startup Lions, in Turkana by Kéré ArchitectsKéré Architecture's Campus Startup Lions in Turkana is an educational and entrepreneurial center that offers a venue for community involvement, business incubation, and technology-driven education. The design incorporates solar energy, rainwater harvesting, and tall ventilation towers that resemble the nearby termite mounds, and it was constructed using local volcanic stone.Lalla Yeddouna Square. Image © Aga Khan Trust for Culture / Amine Houari (photographer)MoroccoRevitalisation of Lalla Yeddouna Square in the medina of Fez, by Mossessian Architecture and Yassir Khalil StudioMossessian Architecture and Yassir Khalil Studio's revitalization of Lalla Yeddouna Square in the Fez medina aims to improve pedestrian circulation and reestablish a connection to the waterfront. For the benefit of locals, craftspeople, and tourists from around the globe, existing buildings were maintained and new areas created.Vision Pakistan. Image © Aga Khan Trust for Culture / Usman Saqib Zuberi (photographer)PakistanVision Pakistan, in Islamabad by DB Studios / Mohammad Saifullah SiddiquiA tailoring training center run by Vision Pakistan, a nonprofit organization dedicated to empowering underprivileged adolescents, is located in Islamabad by DB Studios/Mohammad Saifullah Siddiqui. Situated in a crowded neighborhood, this multi-story building features flashy jaalis influenced by Arab and Pakistani crafts, echoing the city's 1960s design.Denso Hall Rahguzar Project. Image © Aga Khan Trust for Culture / Usman Saqib Zuberi (photographer)PakistanDenso Hall Rahguzar Project, in Karachi by Heritage Foundation Pakistan / Yasmeen LariThe Heritage Foundation of Pakistan/Yasmeen Lari's Denso Hall Rahguzar Project in Karachi is a heritage-led eco-urban enclave that was built with low-carbon materials in response to the city's severe climate, which is prone to heat waves and floods. The freshly planted "forests" are irrigated by the handcrafted terracotta cobbles, which absorb rainfall and cool and purify the air.Wonder Cabinet. Image © Aga Khan Trust for Culture / Mikaela Burstow (photographer)PalestineWonder Cabinet, in Bethlehem by AAU AnastasThe architects at AAU Anastas established Wonder Cabinet, a multifunctional, nonprofit exhibition and production venue in Bethlehem. The three-story concrete building was constructed with the help of regional contractors and artisans, and it is quickly emerging as a major center for learning, design, craft, and innovation.The Ned. Image © Aga Khan Trust for Culture / Cemal Emden (photographer)QatarThe Ned Hotel, in Doha by David Chipperfield ArchitectsThe Ministry of Interior was housed in the Ned Hotel in Doha, which was designed by David Chipperfield Architects. Its Middle Eastern brutalist building was meticulously transformed into a 90-room boutique hotel, thereby promoting architectural revitalization in the region.Shamalat Cultural Centre. Image © Aga Khan Trust for Culture / Hassan Al Shatti (photographer)Saudi ArabiaShamalat Cultural Centre, in Riyadh, by Syn Architects / Sara Alissa, Nojoud AlsudairiOn the outskirts of Diriyah, the Shamalat Cultural Centre in Riyadh was created by Syn Architects/Sara Alissa, Nojoud Alsudairi. It was created from an old mud home that artist Maha Malluh had renovated. The center, which aims to incorporate historic places into daily life, provides a sensitive viewpoint on heritage conservation in the area by contrasting the old and the contemporary.Rehabilitation and Extension of Dakar Railway Station. Image © Aga Khan Trust for Culture / Sylvain Cherkaoui (photographer)SenegalRehabilitation and Extension of Dakar Railway Station, in Dakar by Ga2DIn order to accommodate the passengers of a new express train line, Ga2D extended and renovated Dakar train Station, which purposefully contrasts the old and modern buildings. The forecourt was once again open to pedestrian traffic after vehicular traffic was limited to the rear of the property.Rami Library. Image © Aga Khan Trust for Culture / Cemal Emden (photographer)TürkiyeRami Library, by Han Tümertekin Design & ConsultancyThe largest library in Istanbul is the Rami Library, designed by Han Tümertekin Design & Consultancy. It occupied the former Rami Barracks, a sizable, single-story building with enormous volumes that was constructed in the eighteenth century. In order to accommodate new library operations while maintaining the structure's original spatial features, a minimal intervention method was used.Morocco Pavilion Expo Dubai 2020. Image © Aga Khan Trust for Culture / Deed Studio (photographer)United Arab EmiratesMorocco Pavilion Expo Dubai 2020, by Oualalou + ChoiOualalou + Choi's Morocco Pavilion Expo Dubai 2020 is intended to last beyond Expo 2020 and be transformed into a cultural center. The pavilion is a trailblazer in the development of large-scale rammed earth building techniques. Its use of passive cooling techniques, which minimize the need for mechanical air conditioning, earned it the gold LEED accreditation.At each project location, independent professionals such as architects, conservation specialists, planners, and structural engineers have conducted thorough evaluations of the nominated projects. This summer, the Master Jury convenes once more to analyze the on-site evaluations and choose the ultimate Award winners.The top image in the article: The Arc at Green School. Image © Aga Khan Trust for Culture / Andreas Perbowo Widityawan (photographer).> via Aga Khan Award for Architecture
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  • Learning to Lead in the Digital Age: The AI Readiness Reflection

    Insights

    Learning to Lead in the Digital Age: The AI Readiness Reflection

    As the race to integrate generative AI accelerates, organizations face a dual challenge: fostering tech-savviness across teams while developing next-generation leadership competencies. These are critical to ensuring that “everyone” in the organization is prepared for continuous adaptation and change.

    This AI Readiness Reflection is designed to help you assess where your leaders stand today and identify the optimal path to build the digital knowledge, mindset, skills, and leadership capabilities required to thrive in the future.

    Take the assessment now to discover how your current practices align with AI maturity—and gain actionable insights tailored to your organization’s readiness level.

    To download the full report, tell us a bit about yourself.

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    The post Learning to Lead in the Digital Age: The AI Readiness Reflection appeared first on Harvard Business Impact.
    #learning #lead #digital #age #readiness
    Learning to Lead in the Digital Age: The AI Readiness Reflection
    Insights Learning to Lead in the Digital Age: The AI Readiness Reflection As the race to integrate generative AI accelerates, organizations face a dual challenge: fostering tech-savviness across teams while developing next-generation leadership competencies. These are critical to ensuring that “everyone” in the organization is prepared for continuous adaptation and change. This AI Readiness Reflection is designed to help you assess where your leaders stand today and identify the optimal path to build the digital knowledge, mindset, skills, and leadership capabilities required to thrive in the future. Take the assessment now to discover how your current practices align with AI maturity—and gain actionable insights tailored to your organization’s readiness level. To download the full report, tell us a bit about yourself. First Name * Last Name * Job Title * Organization * Business Email * Country * — Please Select — United States United Kingdom Afghanistan Aland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Christmas Island CocosIslands Colombia Comoros Congo Congo, The Democratic Republic of Cook Islands Costa Rica Cote d’Ivoire Croatia Cuba Cyprus Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland IslandsFaroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Holy SeeHonduras Hong Kong Hungary Iceland India Indonesia Iran, Islamic Republic of Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Korea, Democratic People’s Republic Korea, Republic of Kuwait Kyrgyzstan Lao People’s Democratic Republic Latvia Lebanon Lesotho Liberia Libyan Arab Jamahiriya Liechtenstein Lithuania Luxembourg Macao Macedonia The Former Yugoslav Republic Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia, Federated States of Moldova, Republic of Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands Norway Oman Pakistan Palau Palestinian Territory,Occupied Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Puerto Rico Qatar Reunion Romania Russian Federation Rwanda Saint Helena Saint Kitts and Nevis Saint Lucia Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Serbia and Montenegro Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & Sandwich Islands Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syrian Arab Republic Taiwan Tajikistan Tanzania, United Republic of Thailand Timor-Leste Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu Uganda Ukraine United Arab Emirates United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Venezuela Viet Nam Virgin Islands, British Virgin Islands, U.S. Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe I’m interested in a follow-up discussion By checking this box, you agree to receive emails and communications from Harvard Business Impact. To opt-out, please visit our Privacy Policy. Digital Intelligence Share this resource Share on LinkedIn Share on Facebook Share on X Share on WhatsApp Email this Page Connect with us Change isn’t easy, but we can help. Together we’ll create informed and inspired leaders ready to shape the future of your business. Contact us Latest Insights Strategic Alignment Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units Harvard Business Publishing announced the launch of Harvard Business Impact, a new brand identity for… : Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units News Digital Intelligence Succeeding in the Digital Age: Why AI-First Leadership Is Essential While AI makes powerful operational efficiencies possible, it cannot yet replace the creativity, adaptability, and… : Succeeding in the Digital Age: Why AI-First Leadership Is Essential Perspectives Digital Intelligence 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation AI has become a defining force in reshaping industries and determining competitive advantage. To support… : 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation Infographic Talent Management Leadership Fitness Behavioral Assessment In our study, “Leadership Fitness: Developing the Capacity to See and Lead Differently Amid Complexity,”… : Leadership Fitness Behavioral Assessment Job Aid The post Learning to Lead in the Digital Age: The AI Readiness Reflection appeared first on Harvard Business Impact. #learning #lead #digital #age #readiness
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    Learning to Lead in the Digital Age: The AI Readiness Reflection
    Insights Learning to Lead in the Digital Age: The AI Readiness Reflection As the race to integrate generative AI accelerates, organizations face a dual challenge: fostering tech-savviness across teams while developing next-generation leadership competencies. These are critical to ensuring that “everyone” in the organization is prepared for continuous adaptation and change. This AI Readiness Reflection is designed to help you assess where your leaders stand today and identify the optimal path to build the digital knowledge, mindset, skills, and leadership capabilities required to thrive in the future. Take the assessment now to discover how your current practices align with AI maturity—and gain actionable insights tailored to your organization’s readiness level. To download the full report, tell us a bit about yourself. First Name * Last Name * Job Title * Organization * Business Email * Country * — Please Select — United States United Kingdom Afghanistan Aland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Congo, The Democratic Republic of Cook Islands Costa Rica Cote d’Ivoire Croatia Cuba Cyprus Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands (Malvinas) Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Holy See (Vatican City State) Honduras Hong Kong Hungary Iceland India Indonesia Iran, Islamic Republic of Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Korea, Democratic People’s Republic Korea, Republic of Kuwait Kyrgyzstan Lao People’s Democratic Republic Latvia Lebanon Lesotho Liberia Libyan Arab Jamahiriya Liechtenstein Lithuania Luxembourg Macao Macedonia The Former Yugoslav Republic Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia, Federated States of Moldova, Republic of Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands Norway Oman Pakistan Palau Palestinian Territory,Occupied Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Puerto Rico Qatar Reunion Romania Russian Federation Rwanda Saint Helena Saint Kitts and Nevis Saint Lucia Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Serbia and Montenegro Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & Sandwich Islands Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syrian Arab Republic Taiwan Tajikistan Tanzania, United Republic of Thailand Timor-Leste Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu Uganda Ukraine United Arab Emirates United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Venezuela Viet Nam Virgin Islands, British Virgin Islands, U.S. Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe I’m interested in a follow-up discussion By checking this box, you agree to receive emails and communications from Harvard Business Impact. To opt-out, please visit our Privacy Policy. Digital Intelligence Share this resource Share on LinkedIn Share on Facebook Share on X Share on WhatsApp Email this Page Connect with us Change isn’t easy, but we can help. Together we’ll create informed and inspired leaders ready to shape the future of your business. Contact us Latest Insights Strategic Alignment Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units Harvard Business Publishing announced the launch of Harvard Business Impact, a new brand identity for… Read more: Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units News Digital Intelligence Succeeding in the Digital Age: Why AI-First Leadership Is Essential While AI makes powerful operational efficiencies possible, it cannot yet replace the creativity, adaptability, and… Read more: Succeeding in the Digital Age: Why AI-First Leadership Is Essential Perspectives Digital Intelligence 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation AI has become a defining force in reshaping industries and determining competitive advantage. To support… Read more: 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation Infographic Talent Management Leadership Fitness Behavioral Assessment In our study, “Leadership Fitness: Developing the Capacity to See and Lead Differently Amid Complexity,”… Read more: Leadership Fitness Behavioral Assessment Job Aid The post Learning to Lead in the Digital Age: The AI Readiness Reflection appeared first on Harvard Business Impact.
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  • Marina Tabassum opens 2025 Serpentine Pavilion in Kensington Gardens

    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ";
    The 2025 Serpentine Pavilion has opened to the public today, on 6 June, in London's Kensington Gardens. Named A Capsule in Time, the pavilion, designed by Bangladeshi architect and educator Marina Tabassum and her firm, Marina Tabassum Architects, the design discusses the permanent and ephemeral aspects of the commission. The Serpentine Pavilion will be on view in London's Kensington Gardens from June 6th to October 26th, 2025.The pavilion, which runs along the park's north-south axis, has a center court that lines up with Serpentine South's bell tower and an elongated capsule-like shape. The building, which consists of four wooden sculptures with a translucent façade that diffuses and dapples light as it enters the room, was inspired by summer park visitors and arched garden canopies that filter warm daylight through verdant greenery. A kinetic component that allows one of the capsule forms to move, link, and change the Pavilion into a new area is essential to Tabassum's design.Drawing inspiration from the history and architectural heritage of South Asian Shamiyana tents or awnings, Tabassum's design emphasizes the sensory and spiritual possibilities of architecture through scale and the interaction of light and shadow. Made of cloth and held up by bamboo poles, these structures serve a similar dynamic purpose and are frequently set up for outdoor events and festivities. The potential to bring people together through dialogue, networking, live events, and public gatherings is welcomed by Tabassum's Pavilion's openness.In keeping with Dame Zaha Hadid's philosophy of pushing the limits of architecture, Tabassum's Pavilion will commemorate the 25th anniversary of this groundbreaking project.Like many of Tabassum's earlier projects, the Pavilion is built around a semi-mature Ginkgo tree, a climate-resilient tree species that dates back to the early Jurassic Period. It takes into account the threshold between inside and outside, the tactility of material, lightness and darkness, height and volume. The leaves of the Gingko tree will gradually change from green to a brilliant gold-yellow color during the summer and into the fall. The choice of a gingko was motivated by the species' demonstrated climate change resistance and its contribution to Kensington Gardens' varied treescape. After the Pavilion closes in October, the species—which is immune to many modern pests and diseases—will be transplanted in the park.Tabassum elaborates on her idea for the Pavilion to serve as a multipurpose area where guests can congregate and bond via dialogue and information exchange in an age of growing censorship. The books that Tabassum and her colleagues at MTA have put together honor the diversity of Bangladesh, Bengali literature, poetry, ecology, and culture. It is housed on shelves that are integrated into the building and references the Pavilion's afterlife, which is a library that is accessible to everyone and is no longer located on Serpentine's lawn.“The Serpentine Pavilion celebrates the London summer—a time to be outdoors, connecting with friends and family in Kensington Gardens. We want to celebrate the tradition of park-going. "On a sunny day, the play of filtered daylight through the translucent facade draws on the memory of being under a Shamiyana at a Bengali wedding. Built from bamboo and decorated cloth, Shamiyanas convene hundreds of guests on any occasion," said Marina Tabassum, Architect, Marina Tabassum Architects. The Serpentine Pavilion offers a unique platform under the summer sun to unite as people rich in diversity. How can we transcend our differences and connect as humans?.""The Serpentine Pavilion offers a place where people of diverse backgrounds, ages and cultures can come together under one roof and call for action, facilitating dialogues that expand our boundaries of tolerance and respect," Tabassum added."We are thrilled to be working with Marina and her team on this year's Pavilion. The project, with its tight timescales and unique engineering challenges, is always particularly rewarding for our team of engineers and project managers," said Jon Leach, Director of AECOM. "Celebrating our thirteenth year on the Pavilion, it is fantastic to work with the Serpentine and the entire team once again to bring this year's design to life," Leach added.In 2024, architect, researcher and educator Marina Tabassum was named as the world's most influential architects in the 2024 TIME100 Next List by TIME Magazine. In 20216, Tabassum was awarded the Aga Khan Award for Architecture with Bait Ur Rouf Mosque, Dhaka, Bangladesh.Founded in 2005 after Tabassum's ten-year partnership with URBANA, Marina Tabassum Architects has created environmentally, politically, and socially concerned architectural designs. MTA carries out research on environmental deterioration in Bangladesh, a country particularly susceptible to the effects of climate change, in addition to buildings situated in Dhaka, the surrounding areas, and other regions of the country.All images © Iwan Baan, courtesy of Serpentine.> via Serpentine Galleries 
    #marina #tabassum #opens #serpentine #pavilion
    Marina Tabassum opens 2025 Serpentine Pavilion in Kensington Gardens
    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "; The 2025 Serpentine Pavilion has opened to the public today, on 6 June, in London's Kensington Gardens. Named A Capsule in Time, the pavilion, designed by Bangladeshi architect and educator Marina Tabassum and her firm, Marina Tabassum Architects, the design discusses the permanent and ephemeral aspects of the commission. The Serpentine Pavilion will be on view in London's Kensington Gardens from June 6th to October 26th, 2025.The pavilion, which runs along the park's north-south axis, has a center court that lines up with Serpentine South's bell tower and an elongated capsule-like shape. The building, which consists of four wooden sculptures with a translucent façade that diffuses and dapples light as it enters the room, was inspired by summer park visitors and arched garden canopies that filter warm daylight through verdant greenery. A kinetic component that allows one of the capsule forms to move, link, and change the Pavilion into a new area is essential to Tabassum's design.Drawing inspiration from the history and architectural heritage of South Asian Shamiyana tents or awnings, Tabassum's design emphasizes the sensory and spiritual possibilities of architecture through scale and the interaction of light and shadow. Made of cloth and held up by bamboo poles, these structures serve a similar dynamic purpose and are frequently set up for outdoor events and festivities. The potential to bring people together through dialogue, networking, live events, and public gatherings is welcomed by Tabassum's Pavilion's openness.In keeping with Dame Zaha Hadid's philosophy of pushing the limits of architecture, Tabassum's Pavilion will commemorate the 25th anniversary of this groundbreaking project.Like many of Tabassum's earlier projects, the Pavilion is built around a semi-mature Ginkgo tree, a climate-resilient tree species that dates back to the early Jurassic Period. It takes into account the threshold between inside and outside, the tactility of material, lightness and darkness, height and volume. The leaves of the Gingko tree will gradually change from green to a brilliant gold-yellow color during the summer and into the fall. The choice of a gingko was motivated by the species' demonstrated climate change resistance and its contribution to Kensington Gardens' varied treescape. After the Pavilion closes in October, the species—which is immune to many modern pests and diseases—will be transplanted in the park.Tabassum elaborates on her idea for the Pavilion to serve as a multipurpose area where guests can congregate and bond via dialogue and information exchange in an age of growing censorship. The books that Tabassum and her colleagues at MTA have put together honor the diversity of Bangladesh, Bengali literature, poetry, ecology, and culture. It is housed on shelves that are integrated into the building and references the Pavilion's afterlife, which is a library that is accessible to everyone and is no longer located on Serpentine's lawn.“The Serpentine Pavilion celebrates the London summer—a time to be outdoors, connecting with friends and family in Kensington Gardens. We want to celebrate the tradition of park-going. "On a sunny day, the play of filtered daylight through the translucent facade draws on the memory of being under a Shamiyana at a Bengali wedding. Built from bamboo and decorated cloth, Shamiyanas convene hundreds of guests on any occasion," said Marina Tabassum, Architect, Marina Tabassum Architects. The Serpentine Pavilion offers a unique platform under the summer sun to unite as people rich in diversity. How can we transcend our differences and connect as humans?.""The Serpentine Pavilion offers a place where people of diverse backgrounds, ages and cultures can come together under one roof and call for action, facilitating dialogues that expand our boundaries of tolerance and respect," Tabassum added."We are thrilled to be working with Marina and her team on this year's Pavilion. The project, with its tight timescales and unique engineering challenges, is always particularly rewarding for our team of engineers and project managers," said Jon Leach, Director of AECOM. "Celebrating our thirteenth year on the Pavilion, it is fantastic to work with the Serpentine and the entire team once again to bring this year's design to life," Leach added.In 2024, architect, researcher and educator Marina Tabassum was named as the world's most influential architects in the 2024 TIME100 Next List by TIME Magazine. In 20216, Tabassum was awarded the Aga Khan Award for Architecture with Bait Ur Rouf Mosque, Dhaka, Bangladesh.Founded in 2005 after Tabassum's ten-year partnership with URBANA, Marina Tabassum Architects has created environmentally, politically, and socially concerned architectural designs. MTA carries out research on environmental deterioration in Bangladesh, a country particularly susceptible to the effects of climate change, in addition to buildings situated in Dhaka, the surrounding areas, and other regions of the country.All images © Iwan Baan, courtesy of Serpentine.> via Serpentine Galleries  #marina #tabassum #opens #serpentine #pavilion
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    Marina Tabassum opens 2025 Serpentine Pavilion in Kensington Gardens
    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" The 2025 Serpentine Pavilion has opened to the public today, on 6 June, in London's Kensington Gardens. Named A Capsule in Time, the pavilion, designed by Bangladeshi architect and educator Marina Tabassum and her firm, Marina Tabassum Architects (MTA), the design discusses the permanent and ephemeral aspects of the commission. The Serpentine Pavilion will be on view in London's Kensington Gardens from June 6th to October 26th, 2025.The pavilion, which runs along the park's north-south axis, has a center court that lines up with Serpentine South's bell tower and an elongated capsule-like shape. The building, which consists of four wooden sculptures with a translucent façade that diffuses and dapples light as it enters the room, was inspired by summer park visitors and arched garden canopies that filter warm daylight through verdant greenery. A kinetic component that allows one of the capsule forms to move, link, and change the Pavilion into a new area is essential to Tabassum's design.Drawing inspiration from the history and architectural heritage of South Asian Shamiyana tents or awnings, Tabassum's design emphasizes the sensory and spiritual possibilities of architecture through scale and the interaction of light and shadow. Made of cloth and held up by bamboo poles, these structures serve a similar dynamic purpose and are frequently set up for outdoor events and festivities. The potential to bring people together through dialogue, networking, live events, and public gatherings is welcomed by Tabassum's Pavilion's openness.In keeping with Dame Zaha Hadid's philosophy of pushing the limits of architecture, Tabassum's Pavilion will commemorate the 25th anniversary of this groundbreaking project.Like many of Tabassum's earlier projects, the Pavilion is built around a semi-mature Ginkgo tree, a climate-resilient tree species that dates back to the early Jurassic Period. It takes into account the threshold between inside and outside, the tactility of material, lightness and darkness, height and volume. The leaves of the Gingko tree will gradually change from green to a brilliant gold-yellow color during the summer and into the fall. The choice of a gingko was motivated by the species' demonstrated climate change resistance and its contribution to Kensington Gardens' varied treescape. After the Pavilion closes in October, the species—which is immune to many modern pests and diseases—will be transplanted in the park.Tabassum elaborates on her idea for the Pavilion to serve as a multipurpose area where guests can congregate and bond via dialogue and information exchange in an age of growing censorship. The books that Tabassum and her colleagues at MTA have put together honor the diversity of Bangladesh, Bengali literature, poetry, ecology, and culture. It is housed on shelves that are integrated into the building and references the Pavilion's afterlife, which is a library that is accessible to everyone and is no longer located on Serpentine's lawn.“The Serpentine Pavilion celebrates the London summer—a time to be outdoors, connecting with friends and family in Kensington Gardens. We want to celebrate the tradition of park-going. "On a sunny day, the play of filtered daylight through the translucent facade draws on the memory of being under a Shamiyana at a Bengali wedding. Built from bamboo and decorated cloth, Shamiyanas convene hundreds of guests on any occasion," said Marina Tabassum, Architect, Marina Tabassum Architects (MTA). The Serpentine Pavilion offers a unique platform under the summer sun to unite as people rich in diversity. How can we transcend our differences and connect as humans?.""The Serpentine Pavilion offers a place where people of diverse backgrounds, ages and cultures can come together under one roof and call for action, facilitating dialogues that expand our boundaries of tolerance and respect," Tabassum added."We are thrilled to be working with Marina and her team on this year's Pavilion. The project, with its tight timescales and unique engineering challenges, is always particularly rewarding for our team of engineers and project managers," said Jon Leach, Director of AECOM. "Celebrating our thirteenth year on the Pavilion, it is fantastic to work with the Serpentine and the entire team once again to bring this year's design to life," Leach added.In 2024, architect, researcher and educator Marina Tabassum was named as the world's most influential architects in the 2024 TIME100 Next List by TIME Magazine. In 20216, Tabassum was awarded the Aga Khan Award for Architecture with Bait Ur Rouf Mosque, Dhaka, Bangladesh.Founded in 2005 after Tabassum's ten-year partnership with URBANA, Marina Tabassum Architects has created environmentally, politically, and socially concerned architectural designs. MTA carries out research on environmental deterioration in Bangladesh, a country particularly susceptible to the effects of climate change, in addition to buildings situated in Dhaka, the surrounding areas, and other regions of the country.All images © Iwan Baan, courtesy of Serpentine.> via Serpentine Galleries 
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    Leadership Fitness Behavioral Assessment

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    Leadership Fitness Behavioral Assessment
    Insights Leadership Fitness Behavioral Assessment In our study, “Leadership Fitness: Developing the Capacity to See and Lead Differently Amid Complexity,” we identified four dimensions of leadership fitness that reframe how leaders see their environment as well as how they can lead differently through it. To help you evaluate your organization’s leadership maturity, we’ve created a tool to measure your leaders’ leadership fitness. Download the assessment today to uncover your score, and if desired, connect with one of our experts for personalized insights based on your results. To download the full report, tell us a bit about yourself. First Name * Last Name * Job Title * Organization * Business Email * Country * — Please Select — United States United Kingdom Afghanistan Aland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Christmas Island CocosIslands Colombia Comoros Congo Congo, The Democratic Republic of Cook Islands Costa Rica Cote d’Ivoire Croatia Cuba Cyprus Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland IslandsFaroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Holy SeeHonduras Hong Kong Hungary Iceland India Indonesia Iran, Islamic Republic of Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Korea, Democratic People’s Republic Korea, Republic of Kuwait Kyrgyzstan Lao People’s Democratic Republic Latvia Lebanon Lesotho Liberia Libyan Arab Jamahiriya Liechtenstein Lithuania Luxembourg Macao Macedonia The Former Yugoslav Republic Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia, Federated States of Moldova, Republic of Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands Norway Oman Pakistan Palau Palestinian Territory,Occupied Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Puerto Rico Qatar Reunion Romania Russian Federation Rwanda Saint Helena Saint Kitts and Nevis Saint Lucia Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Serbia and Montenegro Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & Sandwich Islands Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syrian Arab Republic Taiwan Tajikistan Tanzania, United Republic of Thailand Timor-Leste Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu Uganda Ukraine United Arab Emirates United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Venezuela Viet Nam Virgin Islands, British Virgin Islands, U.S. Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe I’m interested in a follow-up discussion By checking this box, you agree to receive emails and communications from Harvard Business Impact. To opt-out, please visit our Privacy Policy. Talent Management Share this resource Share on LinkedIn Share on Facebook Share on X Share on WhatsApp Email this Page Connect with us Change isn’t easy, but we can help. Together we’ll create informed and inspired leaders ready to shape the future of your business. Contact us Latest Insights Strategic Alignment Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units Harvard Business Publishing announced the launch of Harvard Business Impact, a new brand identity for… : Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units News Digital Intelligence Succeeding in the Digital Age: Why AI-First Leadership Is Essential While AI makes powerful operational efficiencies possible, it cannot yet replace the creativity, adaptability, and… : Succeeding in the Digital Age: Why AI-First Leadership Is Essential Perspectives Digital Intelligence 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation AI has become a defining force in reshaping industries and determining competitive advantage. To support… : 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation Infographic Talent Management Leadership Fitness Behavioral Assessment In our study, “Leadership Fitness: Developing the Capacity to See and Lead Differently Amid Complexity,”… : Leadership Fitness Behavioral Assessment Job Aid The post Leadership Fitness Behavioral Assessment appeared first on Harvard Business Impact. #leadership #fitness #behavioral #assessment
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    Leadership Fitness Behavioral Assessment
    Insights Leadership Fitness Behavioral Assessment In our study, “Leadership Fitness: Developing the Capacity to See and Lead Differently Amid Complexity,” we identified four dimensions of leadership fitness that reframe how leaders see their environment as well as how they can lead differently through it. To help you evaluate your organization’s leadership maturity, we’ve created a tool to measure your leaders’ leadership fitness. Download the assessment today to uncover your score, and if desired, connect with one of our experts for personalized insights based on your results. To download the full report, tell us a bit about yourself. First Name * Last Name * Job Title * Organization * Business Email * Country * — Please Select — United States United Kingdom Afghanistan Aland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Congo, The Democratic Republic of Cook Islands Costa Rica Cote d’Ivoire Croatia Cuba Cyprus Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands (Malvinas) Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Holy See (Vatican City State) Honduras Hong Kong Hungary Iceland India Indonesia Iran, Islamic Republic of Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Korea, Democratic People’s Republic Korea, Republic of Kuwait Kyrgyzstan Lao People’s Democratic Republic Latvia Lebanon Lesotho Liberia Libyan Arab Jamahiriya Liechtenstein Lithuania Luxembourg Macao Macedonia The Former Yugoslav Republic Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia, Federated States of Moldova, Republic of Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands Norway Oman Pakistan Palau Palestinian Territory,Occupied Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Puerto Rico Qatar Reunion Romania Russian Federation Rwanda Saint Helena Saint Kitts and Nevis Saint Lucia Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Serbia and Montenegro Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & Sandwich Islands Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syrian Arab Republic Taiwan Tajikistan Tanzania, United Republic of Thailand Timor-Leste Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu Uganda Ukraine United Arab Emirates United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Venezuela Viet Nam Virgin Islands, British Virgin Islands, U.S. Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe I’m interested in a follow-up discussion By checking this box, you agree to receive emails and communications from Harvard Business Impact. To opt-out, please visit our Privacy Policy. Talent Management Share this resource Share on LinkedIn Share on Facebook Share on X Share on WhatsApp Email this Page Connect with us Change isn’t easy, but we can help. Together we’ll create informed and inspired leaders ready to shape the future of your business. Contact us Latest Insights Strategic Alignment Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units Harvard Business Publishing announced the launch of Harvard Business Impact, a new brand identity for… Read more: Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units News Digital Intelligence Succeeding in the Digital Age: Why AI-First Leadership Is Essential While AI makes powerful operational efficiencies possible, it cannot yet replace the creativity, adaptability, and… Read more: Succeeding in the Digital Age: Why AI-First Leadership Is Essential Perspectives Digital Intelligence 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation AI has become a defining force in reshaping industries and determining competitive advantage. To support… Read more: 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation Infographic Talent Management Leadership Fitness Behavioral Assessment In our study, “Leadership Fitness: Developing the Capacity to See and Lead Differently Amid Complexity,”… Read more: Leadership Fitness Behavioral Assessment Job Aid The post Leadership Fitness Behavioral Assessment appeared first on Harvard Business Impact.
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    Succeeding in the Digital Age: Why AI-First Leadership Is Essential
    Insights Succeeding in the Digital Age: Why AI-First Leadership Is Essential While AI makes powerful operational efficiencies possible, it cannot yet replace the creativity, adaptability, and contextual understanding that humans bring to strategic decision making. Effective AI integration requires leaders who can act as bridges between organizational goals and AI capabilities and then inspire their teams to trust and adopt AI tools to help achieve those goals. To download the full report, tell us a bit about yourself. 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Contact us Latest Insights Strategic Alignment Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units Harvard Business Publishing announced the launch of Harvard Business Impact, a new brand identity for… : Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units News Digital Intelligence Succeeding in the Digital Age: Why AI-First Leadership Is Essential While AI makes powerful operational efficiencies possible, it cannot yet replace the creativity, adaptability, and… : Succeeding in the Digital Age: Why AI-First Leadership Is Essential Perspectives Digital Intelligence 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation AI has become a defining force in reshaping industries and determining competitive advantage. To support… : 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation Infographic Talent Management Leadership Fitness Behavioral Assessment In our study, “Leadership Fitness: Developing the Capacity to See and Lead Differently Amid Complexity,”… : Leadership Fitness Behavioral Assessment Job Aid The post Succeeding in the Digital Age: Why AI-First Leadership Is Essential appeared first on Harvard Business Impact. #succeeding #digital #age #why #aifirst
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    Succeeding in the Digital Age: Why AI-First Leadership Is Essential
    Insights Succeeding in the Digital Age: Why AI-First Leadership Is Essential While AI makes powerful operational efficiencies possible, it cannot yet replace the creativity, adaptability, and contextual understanding that humans bring to strategic decision making. Effective AI integration requires leaders who can act as bridges between organizational goals and AI capabilities and then inspire their teams to trust and adopt AI tools to help achieve those goals. To download the full report, tell us a bit about yourself. First Name * Last Name * Job Title * Organization * Business Email * Country * — Please Select — United States United Kingdom Afghanistan Aland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Congo, The Democratic Republic of Cook Islands Costa Rica Cote d’Ivoire Croatia Cuba Cyprus Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands (Malvinas) Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Holy See (Vatican City State) Honduras Hong Kong Hungary Iceland India Indonesia Iran, Islamic Republic of Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Korea, Democratic People’s Republic Korea, Republic of Kuwait Kyrgyzstan Lao People’s Democratic Republic Latvia Lebanon Lesotho Liberia Libyan Arab Jamahiriya Liechtenstein Lithuania Luxembourg Macao Macedonia The Former Yugoslav Republic Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia, Federated States of Moldova, Republic of Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands Norway Oman Pakistan Palau Palestinian Territory,Occupied Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Puerto Rico Qatar Reunion Romania Russian Federation Rwanda Saint Helena Saint Kitts and Nevis Saint Lucia Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Serbia and Montenegro Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & Sandwich Islands Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syrian Arab Republic Taiwan Tajikistan Tanzania, United Republic of Thailand Timor-Leste Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu Uganda Ukraine United Arab Emirates United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Venezuela Viet Nam Virgin Islands, British Virgin Islands, U.S. Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe By checking this box, you agree to receive emails and communications from Harvard Business Impact. 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Contact us Latest Insights Strategic Alignment Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units Harvard Business Publishing announced the launch of Harvard Business Impact, a new brand identity for… Read more: Harvard Business Publishing Unveils Harvard Business Impact as New Brand for Corporate Learning and Education Units News Digital Intelligence Succeeding in the Digital Age: Why AI-First Leadership Is Essential While AI makes powerful operational efficiencies possible, it cannot yet replace the creativity, adaptability, and… Read more: Succeeding in the Digital Age: Why AI-First Leadership Is Essential Perspectives Digital Intelligence 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation AI has become a defining force in reshaping industries and determining competitive advantage. To support… Read more: 4 Keys to AI-First Leadership: The New Imperative for Digital Transformation Infographic Talent Management Leadership Fitness Behavioral Assessment In our study, “Leadership Fitness: Developing the Capacity to See and Lead Differently Amid Complexity,”… Read more: Leadership Fitness Behavioral Assessment Job Aid The post Succeeding in the Digital Age: Why AI-First Leadership Is Essential appeared first on Harvard Business Impact.
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  • The Legal Accountability of AI-Generated Deepfakes in Election Misinformation

    How Deepfakes Are Created

    Generative AI models enable the creation of highly realistic fake media. Most deepfakes today are produced by training deep neural networks on real images, video or audio of a target person. The two predominant AI architectures are generative adversarial networksand autoencoders. A GAN consists of a generator network that produces synthetic images and a discriminator network that tries to distinguish fakes from real data. Through iterative training, the generator learns to produce outputs that increasingly fool the discriminator¹. Autoencoder-based tools similarly learn to encode a target face and then decode it onto a source video. In practice, deepfake creators use accessible software: open-source tools like DeepFaceLab and FaceSwap dominate video face-swapping². Voice-cloning toolscan mimic a person’s speech from minutes of audio. Commercial platforms like Synthesia allow text-to-video avatars, which have already been misused in disinformation campaigns³. Even mobile appslet users do basic face swaps in minutes⁴. In short, advances in GANs and related models make deepfakes cheaper and easier to generate than ever.

    Diagram of a generative adversarial network: A generator network creates fake images from random input and a discriminator network distinguishes fakes from real examples. Over time the generator improves until its outputs “fool” the discriminator⁵

    During creation, a deepfake algorithm is typically trained on a large dataset of real images or audio from the target. The more varied and high-quality the training data, the more realistic the deepfake. The output often then undergoes post-processingto enhance believability¹. Technical defenses focus on two fronts: detection and authentication. Detection uses AI models to spot inconsistenciesthat betray a synthetic origin⁵. Authentication embeds markers before dissemination – for example, invisible watermarks or cryptographically signed metadata indicating authenticity⁶. The EU AI Act will soon mandate that major AI content providers embed machine-readable “watermark” signals in synthetic media⁷. However, as GAO notes, detection is an arms race – even a marked deepfake can sometimes evade notice – and labels alone don’t stop false narratives from spreading⁸⁹.

    Deepfakes in Recent Elections: Examples

    Deepfakes and AI-generated imagery already have made headlines in election cycles around the world. In the 2024 U.S. primary season, a digitally-altered audio robocall mimicked President Biden’s voice urging Democrats not to vote in the New Hampshire primary. The callerwas later fined million by the FCC and indicted under existing telemarketing laws¹⁰¹¹.Also in 2024, former President Trump posted on social media a collage implying that pop singer Taylor Swift endorsed his campaign, using AI-generated images of Swift in “Swifties for Trump” shirts¹². The posts sparked media uproar, though analysts noted the same effect could have been achieved without AI¹². Similarly, Elon Musk’s X platform carried AI-generated clips, including a parody “Ad” depicting Vice-President Harris’s voice via an AI clone¹³.

    Beyond the U.S., deepfake-like content has appeared globally. In Indonesia’s 2024 presidential election, a video surfaced on social media in which a convincingly generated image of the late President Suharto appeared to endorse the candidate of the Golkar Party. Days later, the endorsed candidatewon the presidency¹⁴. In Bangladesh, a viral deepfake video superimposed the face of opposition leader Rumeen Farhana onto a bikini-clad body – an incendiary fabrication designed to discredit her in the conservative Muslim-majority society¹⁵. Moldova’s pro-Western President Maia Sandu has been repeatedly targeted by AI-driven disinformation; one deepfake video falsely showed her resigning and endorsing a Russian-friendly party, apparently to sow distrust in the electoral process¹⁶. Even in Taiwan, a TikTok clip circulated that synthetically portrayed a U.S. politician making foreign-policy statements – stoking confusion ahead of Taiwanese elections¹⁷. In Slovakia’s recent campaign, AI-generated audio mimicking the liberal party leader suggested he plotted vote-rigging and beer-price hikes – instantly spreading on social media just days before the election¹⁸. These examples show that deepfakes have touched diverse polities, often aiming to undermine candidates or confuse voters¹⁵¹⁸.

    Notably, many of the most viral “deepfakes” in 2024 were actually circulated as obvious memes or claims, rather than subtle deceptions. Experts observed that outright undetectable AI deepfakes were relatively rare; more common were AI-generated memes plainly shared by partisans, or cheaply doctored “cheapfakes” made with basic editing tools¹³¹⁹. For instance, social media was awash with memes of Kamala Harris in Soviet garb or of Black Americans holding Trump signs¹³, but these were typically used satirically, not meant to be secretly believed. Nonetheless, even unsophisticated fakes can sway opinion: a U.S. study found that false presidential adsdid change voter attitudes in swing states. In sum, deepfakes are a real and growing phenomenon in election campaigns²⁰²¹ worldwide – a trend taken seriously by voters and regulators alike.

    U.S. Legal Framework and Accountability

    In the U.S., deepfake creators and distributors of election misinformation face a patchwork of tools, but no single comprehensive federal “deepfake law.” Existing laws relevant to disinformation include statutes against impersonating government officials, electioneering, and targeted statutes like criminal electioneering communications. In some cases ordinary laws have been stretched: the NH robocall used the Telephone Consumer Protection Act and mail/telemarketing fraud provisions, resulting in the M fine and a criminal charge. Similarly, voice impostors can potentially violate laws against “false advertising” or “unlawful corporate communications.” However, these laws were enacted before AI, and litigators have warned they often do not fit neatly. For example, deceptive deepfake claims not tied to a specific victim do not easily fit into defamation or privacy torts. Voter intimidation lawsalso leave a gap for non-threatening falsehoods about voting logistics or endorsements.

    Recognizing these gaps, some courts and agencies are invoking other theories. The U.S. Department of Justice has recently charged individuals under broad fraud statutes, and state attorneys general have considered deepfake misinformation as interference with voting rights. Notably, the Federal Election Commissionis preparing to enforce new rules: in April 2024 it issued an advisory opinion limiting “non-candidate electioneering communications” that use falsified media, effectively requiring that political ads use only real images of the candidate. If finalized, that would make it unlawful for campaigns to pay for ads depicting a candidate saying things they never did. Similarly, the Federal Trade Commissionand Department of Justicehave signaled that purely commercial deepfakes could violate consumer protection or election laws.

    U.S. Legislation and Proposals

    Federal lawmakers have proposed new statutes. The DEEPFAKES Accountability Actwould, among other things, impose a disclosure requirement: political ads featuring a manipulated media likeness would need clear disclaimers identifying the content as synthetic. It also increases penalties for producing false election videos or audio intended to influence the vote. While not yet enacted, supporters argue it would provide a uniform rule for all federal and state campaigns. The Brennan Center supports transparency requirements over outright bans, suggesting laws should narrowly target deceptive deepfakes in paid ads or certain categorieswhile carving out parody and news coverage.

    At the state level, over 20 states have passed deepfake laws specifically for elections. For example, Florida and California forbid distributing falsified audio/visual media of candidates with intent to deceive voters. Some statesdefine “deepfake” in statutes and allow candidates to sue or revoke candidacies of violators. These measures have had mixed success: courts have struck down overly broad provisions that acted as prior restraints. Critically, these state laws raise First Amendment issues: political speech is highly protected, so any restriction must be tightly tailored. Already, Texas and Virginia statutes are under legal review, and Elon Musk’s company has sued under California’s lawas unconstitutional. In practice, most lawsuits have so far centered on defamation or intellectual property, rather than election-focused statutes.

    Policy Recommendations: Balancing Integrity and Speech

    Given the rapidly evolving technology, experts recommend a multi-pronged approach. Most stress transparency and disclosure as core principles. For example, the Brennan Center urges requiring any political communication that uses AI-synthesized images or voice to include a clear label. This could be a digital watermark or a visible disclaimer. Transparency has two advantages: it forces campaigns and platforms to “own” the use of AI, and it alerts audiences to treat the content with skepticism.

    Outright bans on all deepfakes would likely violate free speech, but targeted bans on specific harmsmay be defensible. Indeed, Florida already penalizes misuse of recordings in voter suppression. Another recommendation is limited liability: tying penalties to demonstrable intent to mislead, not to the mere act of content creation. Both U.S. federal proposals and EU law generally condition fines on the “appearance of fraud” or deception.

    Technical solutions can complement laws. Watermarking original mediacould deter the reuse of authentic images in doctored fakes. Open tools for deepfake detection – some supported by government research grants – should be deployed by fact-checkers and social platforms. Making detection datasets publicly availablehelps improve AI models to spot fakes. International cooperation is also urged: cross-border agreements on information-sharing could help trace and halt disinformation campaigns. The G7 and APEC have all recently committed to fighting election interference via AI, which may lead to joint norms or rapid response teams.

    Ultimately, many analysts believe the strongest “cure” is a well-informed public: education campaigns to teach voters to question sensational media, and a robust independent press to debunk falsehoods swiftly. While the law can penalize the worst offenders, awareness and resilience in the electorate are crucial buffers against influence operations. As Georgia Tech’s Sean Parker quipped in 2019, “the real question is not if deepfakes will influence elections, but who will be empowered by the first effective one.” Thus policies should aim to deter malicious use without unduly chilling innovation or satire.

    References:

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    The post The Legal Accountability of AI-Generated Deepfakes in Election Misinformation appeared first on MarkTechPost.
    #legal #accountability #aigenerated #deepfakes #election
    The Legal Accountability of AI-Generated Deepfakes in Election Misinformation
    How Deepfakes Are Created Generative AI models enable the creation of highly realistic fake media. Most deepfakes today are produced by training deep neural networks on real images, video or audio of a target person. The two predominant AI architectures are generative adversarial networksand autoencoders. A GAN consists of a generator network that produces synthetic images and a discriminator network that tries to distinguish fakes from real data. Through iterative training, the generator learns to produce outputs that increasingly fool the discriminator¹. Autoencoder-based tools similarly learn to encode a target face and then decode it onto a source video. In practice, deepfake creators use accessible software: open-source tools like DeepFaceLab and FaceSwap dominate video face-swapping². Voice-cloning toolscan mimic a person’s speech from minutes of audio. Commercial platforms like Synthesia allow text-to-video avatars, which have already been misused in disinformation campaigns³. Even mobile appslet users do basic face swaps in minutes⁴. In short, advances in GANs and related models make deepfakes cheaper and easier to generate than ever. Diagram of a generative adversarial network: A generator network creates fake images from random input and a discriminator network distinguishes fakes from real examples. Over time the generator improves until its outputs “fool” the discriminator⁵ During creation, a deepfake algorithm is typically trained on a large dataset of real images or audio from the target. The more varied and high-quality the training data, the more realistic the deepfake. The output often then undergoes post-processingto enhance believability¹. Technical defenses focus on two fronts: detection and authentication. Detection uses AI models to spot inconsistenciesthat betray a synthetic origin⁵. Authentication embeds markers before dissemination – for example, invisible watermarks or cryptographically signed metadata indicating authenticity⁶. The EU AI Act will soon mandate that major AI content providers embed machine-readable “watermark” signals in synthetic media⁷. However, as GAO notes, detection is an arms race – even a marked deepfake can sometimes evade notice – and labels alone don’t stop false narratives from spreading⁸⁹. Deepfakes in Recent Elections: Examples Deepfakes and AI-generated imagery already have made headlines in election cycles around the world. In the 2024 U.S. primary season, a digitally-altered audio robocall mimicked President Biden’s voice urging Democrats not to vote in the New Hampshire primary. The callerwas later fined million by the FCC and indicted under existing telemarketing laws¹⁰¹¹.Also in 2024, former President Trump posted on social media a collage implying that pop singer Taylor Swift endorsed his campaign, using AI-generated images of Swift in “Swifties for Trump” shirts¹². The posts sparked media uproar, though analysts noted the same effect could have been achieved without AI¹². Similarly, Elon Musk’s X platform carried AI-generated clips, including a parody “Ad” depicting Vice-President Harris’s voice via an AI clone¹³. Beyond the U.S., deepfake-like content has appeared globally. In Indonesia’s 2024 presidential election, a video surfaced on social media in which a convincingly generated image of the late President Suharto appeared to endorse the candidate of the Golkar Party. Days later, the endorsed candidatewon the presidency¹⁴. In Bangladesh, a viral deepfake video superimposed the face of opposition leader Rumeen Farhana onto a bikini-clad body – an incendiary fabrication designed to discredit her in the conservative Muslim-majority society¹⁵. Moldova’s pro-Western President Maia Sandu has been repeatedly targeted by AI-driven disinformation; one deepfake video falsely showed her resigning and endorsing a Russian-friendly party, apparently to sow distrust in the electoral process¹⁶. Even in Taiwan, a TikTok clip circulated that synthetically portrayed a U.S. politician making foreign-policy statements – stoking confusion ahead of Taiwanese elections¹⁷. In Slovakia’s recent campaign, AI-generated audio mimicking the liberal party leader suggested he plotted vote-rigging and beer-price hikes – instantly spreading on social media just days before the election¹⁸. These examples show that deepfakes have touched diverse polities, often aiming to undermine candidates or confuse voters¹⁵¹⁸. Notably, many of the most viral “deepfakes” in 2024 were actually circulated as obvious memes or claims, rather than subtle deceptions. Experts observed that outright undetectable AI deepfakes were relatively rare; more common were AI-generated memes plainly shared by partisans, or cheaply doctored “cheapfakes” made with basic editing tools¹³¹⁹. For instance, social media was awash with memes of Kamala Harris in Soviet garb or of Black Americans holding Trump signs¹³, but these were typically used satirically, not meant to be secretly believed. Nonetheless, even unsophisticated fakes can sway opinion: a U.S. study found that false presidential adsdid change voter attitudes in swing states. In sum, deepfakes are a real and growing phenomenon in election campaigns²⁰²¹ worldwide – a trend taken seriously by voters and regulators alike. U.S. Legal Framework and Accountability In the U.S., deepfake creators and distributors of election misinformation face a patchwork of tools, but no single comprehensive federal “deepfake law.” Existing laws relevant to disinformation include statutes against impersonating government officials, electioneering, and targeted statutes like criminal electioneering communications. In some cases ordinary laws have been stretched: the NH robocall used the Telephone Consumer Protection Act and mail/telemarketing fraud provisions, resulting in the M fine and a criminal charge. Similarly, voice impostors can potentially violate laws against “false advertising” or “unlawful corporate communications.” However, these laws were enacted before AI, and litigators have warned they often do not fit neatly. For example, deceptive deepfake claims not tied to a specific victim do not easily fit into defamation or privacy torts. Voter intimidation lawsalso leave a gap for non-threatening falsehoods about voting logistics or endorsements. Recognizing these gaps, some courts and agencies are invoking other theories. The U.S. Department of Justice has recently charged individuals under broad fraud statutes, and state attorneys general have considered deepfake misinformation as interference with voting rights. Notably, the Federal Election Commissionis preparing to enforce new rules: in April 2024 it issued an advisory opinion limiting “non-candidate electioneering communications” that use falsified media, effectively requiring that political ads use only real images of the candidate. If finalized, that would make it unlawful for campaigns to pay for ads depicting a candidate saying things they never did. Similarly, the Federal Trade Commissionand Department of Justicehave signaled that purely commercial deepfakes could violate consumer protection or election laws. U.S. Legislation and Proposals Federal lawmakers have proposed new statutes. The DEEPFAKES Accountability Actwould, among other things, impose a disclosure requirement: political ads featuring a manipulated media likeness would need clear disclaimers identifying the content as synthetic. It also increases penalties for producing false election videos or audio intended to influence the vote. While not yet enacted, supporters argue it would provide a uniform rule for all federal and state campaigns. The Brennan Center supports transparency requirements over outright bans, suggesting laws should narrowly target deceptive deepfakes in paid ads or certain categorieswhile carving out parody and news coverage. At the state level, over 20 states have passed deepfake laws specifically for elections. For example, Florida and California forbid distributing falsified audio/visual media of candidates with intent to deceive voters. Some statesdefine “deepfake” in statutes and allow candidates to sue or revoke candidacies of violators. These measures have had mixed success: courts have struck down overly broad provisions that acted as prior restraints. Critically, these state laws raise First Amendment issues: political speech is highly protected, so any restriction must be tightly tailored. Already, Texas and Virginia statutes are under legal review, and Elon Musk’s company has sued under California’s lawas unconstitutional. In practice, most lawsuits have so far centered on defamation or intellectual property, rather than election-focused statutes. Policy Recommendations: Balancing Integrity and Speech Given the rapidly evolving technology, experts recommend a multi-pronged approach. Most stress transparency and disclosure as core principles. For example, the Brennan Center urges requiring any political communication that uses AI-synthesized images or voice to include a clear label. This could be a digital watermark or a visible disclaimer. Transparency has two advantages: it forces campaigns and platforms to “own” the use of AI, and it alerts audiences to treat the content with skepticism. Outright bans on all deepfakes would likely violate free speech, but targeted bans on specific harmsmay be defensible. Indeed, Florida already penalizes misuse of recordings in voter suppression. Another recommendation is limited liability: tying penalties to demonstrable intent to mislead, not to the mere act of content creation. Both U.S. federal proposals and EU law generally condition fines on the “appearance of fraud” or deception. Technical solutions can complement laws. Watermarking original mediacould deter the reuse of authentic images in doctored fakes. Open tools for deepfake detection – some supported by government research grants – should be deployed by fact-checkers and social platforms. Making detection datasets publicly availablehelps improve AI models to spot fakes. International cooperation is also urged: cross-border agreements on information-sharing could help trace and halt disinformation campaigns. The G7 and APEC have all recently committed to fighting election interference via AI, which may lead to joint norms or rapid response teams. Ultimately, many analysts believe the strongest “cure” is a well-informed public: education campaigns to teach voters to question sensational media, and a robust independent press to debunk falsehoods swiftly. While the law can penalize the worst offenders, awareness and resilience in the electorate are crucial buffers against influence operations. As Georgia Tech’s Sean Parker quipped in 2019, “the real question is not if deepfakes will influence elections, but who will be empowered by the first effective one.” Thus policies should aim to deter malicious use without unduly chilling innovation or satire. References: /. /. . . . . . . . /. . . /. /. . The post The Legal Accountability of AI-Generated Deepfakes in Election Misinformation appeared first on MarkTechPost. #legal #accountability #aigenerated #deepfakes #election
    WWW.MARKTECHPOST.COM
    The Legal Accountability of AI-Generated Deepfakes in Election Misinformation
    How Deepfakes Are Created Generative AI models enable the creation of highly realistic fake media. Most deepfakes today are produced by training deep neural networks on real images, video or audio of a target person. The two predominant AI architectures are generative adversarial networks (GANs) and autoencoders. A GAN consists of a generator network that produces synthetic images and a discriminator network that tries to distinguish fakes from real data. Through iterative training, the generator learns to produce outputs that increasingly fool the discriminator¹. Autoencoder-based tools similarly learn to encode a target face and then decode it onto a source video. In practice, deepfake creators use accessible software: open-source tools like DeepFaceLab and FaceSwap dominate video face-swapping (one estimate suggests DeepFaceLab was used for over 95% of known deepfake videos)². Voice-cloning tools (often built on similar AI principles) can mimic a person’s speech from minutes of audio. Commercial platforms like Synthesia allow text-to-video avatars (turning typed scripts into lifelike “spokespeople”), which have already been misused in disinformation campaigns³. Even mobile apps (e.g. FaceApp, Zao) let users do basic face swaps in minutes⁴. In short, advances in GANs and related models make deepfakes cheaper and easier to generate than ever. Diagram of a generative adversarial network (GAN): A generator network creates fake images from random input and a discriminator network distinguishes fakes from real examples. Over time the generator improves until its outputs “fool” the discriminator⁵ During creation, a deepfake algorithm is typically trained on a large dataset of real images or audio from the target. The more varied and high-quality the training data, the more realistic the deepfake. The output often then undergoes post-processing (color adjustments, lip-syncing refinements) to enhance believability¹. Technical defenses focus on two fronts: detection and authentication. Detection uses AI models to spot inconsistencies (blinking irregularities, audio artifacts or metadata mismatches) that betray a synthetic origin⁵. Authentication embeds markers before dissemination – for example, invisible watermarks or cryptographically signed metadata indicating authenticity⁶. The EU AI Act will soon mandate that major AI content providers embed machine-readable “watermark” signals in synthetic media⁷. However, as GAO notes, detection is an arms race – even a marked deepfake can sometimes evade notice – and labels alone don’t stop false narratives from spreading⁸⁹. Deepfakes in Recent Elections: Examples Deepfakes and AI-generated imagery already have made headlines in election cycles around the world. In the 2024 U.S. primary season, a digitally-altered audio robocall mimicked President Biden’s voice urging Democrats not to vote in the New Hampshire primary. The caller (“Susan Anderson”) was later fined $6 million by the FCC and indicted under existing telemarketing laws¹⁰¹¹. (Importantly, FCC rules on robocalls applied regardless of AI: the perpetrator could have used a voice actor or recording instead.) Also in 2024, former President Trump posted on social media a collage implying that pop singer Taylor Swift endorsed his campaign, using AI-generated images of Swift in “Swifties for Trump” shirts¹². The posts sparked media uproar, though analysts noted the same effect could have been achieved without AI (e.g., by photoshopping text on real images)¹². Similarly, Elon Musk’s X platform carried AI-generated clips, including a parody “Ad” depicting Vice-President Harris’s voice via an AI clone¹³. Beyond the U.S., deepfake-like content has appeared globally. In Indonesia’s 2024 presidential election, a video surfaced on social media in which a convincingly generated image of the late President Suharto appeared to endorse the candidate of the Golkar Party. Days later, the endorsed candidate (who is Suharto’s son-in-law) won the presidency¹⁴. In Bangladesh, a viral deepfake video superimposed the face of opposition leader Rumeen Farhana onto a bikini-clad body – an incendiary fabrication designed to discredit her in the conservative Muslim-majority society¹⁵. Moldova’s pro-Western President Maia Sandu has been repeatedly targeted by AI-driven disinformation; one deepfake video falsely showed her resigning and endorsing a Russian-friendly party, apparently to sow distrust in the electoral process¹⁶. Even in Taiwan (amidst tensions with China), a TikTok clip circulated that synthetically portrayed a U.S. politician making foreign-policy statements – stoking confusion ahead of Taiwanese elections¹⁷. In Slovakia’s recent campaign, AI-generated audio mimicking the liberal party leader suggested he plotted vote-rigging and beer-price hikes – instantly spreading on social media just days before the election¹⁸. These examples show that deepfakes have touched diverse polities (from Bangladesh and Indonesia to Moldova, Slovakia, India and beyond), often aiming to undermine candidates or confuse voters¹⁵¹⁸. Notably, many of the most viral “deepfakes” in 2024 were actually circulated as obvious memes or claims, rather than subtle deceptions. Experts observed that outright undetectable AI deepfakes were relatively rare; more common were AI-generated memes plainly shared by partisans, or cheaply doctored “cheapfakes” made with basic editing tools¹³¹⁹. For instance, social media was awash with memes of Kamala Harris in Soviet garb or of Black Americans holding Trump signs¹³, but these were typically used satirically, not meant to be secretly believed. Nonetheless, even unsophisticated fakes can sway opinion: a U.S. study found that false presidential ads (not necessarily AI-made) did change voter attitudes in swing states. In sum, deepfakes are a real and growing phenomenon in election campaigns²⁰²¹ worldwide – a trend taken seriously by voters and regulators alike. U.S. Legal Framework and Accountability In the U.S., deepfake creators and distributors of election misinformation face a patchwork of tools, but no single comprehensive federal “deepfake law.” Existing laws relevant to disinformation include statutes against impersonating government officials, electioneering (such as the Bipartisan Campaign Reform Act, which requires disclaimers on political ads), and targeted statutes like criminal electioneering communications. In some cases ordinary laws have been stretched: the NH robocall used the Telephone Consumer Protection Act and mail/telemarketing fraud provisions, resulting in the $6M fine and a criminal charge. Similarly, voice impostors can potentially violate laws against “false advertising” or “unlawful corporate communications.” However, these laws were enacted before AI, and litigators have warned they often do not fit neatly. For example, deceptive deepfake claims not tied to a specific victim do not easily fit into defamation or privacy torts. Voter intimidation laws (prohibiting threats or coercion) also leave a gap for non-threatening falsehoods about voting logistics or endorsements. Recognizing these gaps, some courts and agencies are invoking other theories. The U.S. Department of Justice has recently charged individuals under broad fraud statutes (e.g. for a plot to impersonate an aide to swing votes in 2020), and state attorneys general have considered deepfake misinformation as interference with voting rights. Notably, the Federal Election Commission (FEC) is preparing to enforce new rules: in April 2024 it issued an advisory opinion limiting “non-candidate electioneering communications” that use falsified media, effectively requiring that political ads use only real images of the candidate. If finalized, that would make it unlawful for campaigns to pay for ads depicting a candidate saying things they never did. Similarly, the Federal Trade Commission (FTC) and Department of Justice (DOJ) have signaled that purely commercial deepfakes could violate consumer protection or election laws (for example, liability for mass false impersonation or for foreign-funded electioneering). U.S. Legislation and Proposals Federal lawmakers have proposed new statutes. The DEEPFAKES Accountability Act (H.R.5586 in the 118th Congress) would, among other things, impose a disclosure requirement: political ads featuring a manipulated media likeness would need clear disclaimers identifying the content as synthetic. It also increases penalties for producing false election videos or audio intended to influence the vote. While not yet enacted, supporters argue it would provide a uniform rule for all federal and state campaigns. The Brennan Center supports transparency requirements over outright bans, suggesting laws should narrowly target deceptive deepfakes in paid ads or certain categories (e.g. false claims about time/place/manner of voting) while carving out parody and news coverage. At the state level, over 20 states have passed deepfake laws specifically for elections. For example, Florida and California forbid distributing falsified audio/visual media of candidates with intent to deceive voters (though Florida’s law exempts parody). Some states (like Texas) define “deepfake” in statutes and allow candidates to sue or revoke candidacies of violators. These measures have had mixed success: courts have struck down overly broad provisions that acted as prior restraints (e.g. Minnesota’s 2023 law was challenged for threatening injunctions against anyone “reasonably believed” to violate it). Critically, these state laws raise First Amendment issues: political speech is highly protected, so any restriction must be tightly tailored. Already, Texas and Virginia statutes are under legal review, and Elon Musk’s company has sued under California’s law (which requires platforms to label or block deepfakes) as unconstitutional. In practice, most lawsuits have so far centered on defamation or intellectual property (for instance, a celebrity suing over a botched celebrity-deepfake video), rather than election-focused statutes. Policy Recommendations: Balancing Integrity and Speech Given the rapidly evolving technology, experts recommend a multi-pronged approach. Most stress transparency and disclosure as core principles. For example, the Brennan Center urges requiring any political communication that uses AI-synthesized images or voice to include a clear label. This could be a digital watermark or a visible disclaimer. Transparency has two advantages: it forces campaigns and platforms to “own” the use of AI, and it alerts audiences to treat the content with skepticism. Outright bans on all deepfakes would likely violate free speech, but targeted bans on specific harms (e.g. automated phone calls impersonating voters, or videos claiming false polling information) may be defensible. Indeed, Florida already penalizes misuse of recordings in voter suppression. Another recommendation is limited liability: tying penalties to demonstrable intent to mislead, not to the mere act of content creation. Both U.S. federal proposals and EU law generally condition fines on the “appearance of fraud” or deception. Technical solutions can complement laws. Watermarking original media (as encouraged by the EU AI Act) could deter the reuse of authentic images in doctored fakes. Open tools for deepfake detection – some supported by government research grants – should be deployed by fact-checkers and social platforms. Making detection datasets publicly available (e.g. the MIT OpenDATATEST) helps improve AI models to spot fakes. International cooperation is also urged: cross-border agreements on information-sharing could help trace and halt disinformation campaigns. The G7 and APEC have all recently committed to fighting election interference via AI, which may lead to joint norms or rapid response teams. Ultimately, many analysts believe the strongest “cure” is a well-informed public: education campaigns to teach voters to question sensational media, and a robust independent press to debunk falsehoods swiftly. While the law can penalize the worst offenders, awareness and resilience in the electorate are crucial buffers against influence operations. As Georgia Tech’s Sean Parker quipped in 2019, “the real question is not if deepfakes will influence elections, but who will be empowered by the first effective one.” Thus policies should aim to deter malicious use without unduly chilling innovation or satire. References: https://www.security.org/resources/deepfake-statistics/. https://www.wired.com/story/synthesia-ai-deepfakes-it-control-riparbelli/. https://www.gao.gov/products/gao-24-107292. https://technologyquotient.freshfields.com/post/102jb19/eu-ai-act-unpacked-8-new-rules-on-deepfakes. https://knightcolumbia.org/blog/we-looked-at-78-election-deepfakes-political-misinformation-is-not-an-ai-problem. https://www.npr.org/2024/12/21/nx-s1-5220301/deepfakes-memes-artificial-intelligence-elections. https://apnews.com/article/artificial-intelligence-elections-disinformation-chatgpt-bc283e7426402f0b4baa7df280a4c3fd. https://www.lawfaremedia.org/article/new-and-old-tools-to-tackle-deepfakes-and-election-lies-in-2024. https://www.brennancenter.org/our-work/research-reports/regulating-ai-deepfakes-and-synthetic-media-political-arena. https://firstamendment.mtsu.edu/article/political-deepfakes-and-elections/. https://www.ncsl.org/technology-and-communication/deceptive-audio-or-visual-media-deepfakes-2024-legislation. https://law.unh.edu/sites/default/files/media/2022/06/nagumotu_pp113-157.pdf. https://dfrlab.org/2024/10/02/brazil-election-ai-research/. https://dfrlab.org/2024/11/26/brazil-election-ai-deepfakes/. https://freedomhouse.org/article/eu-digital-services-act-win-transparency. The post The Legal Accountability of AI-Generated Deepfakes in Election Misinformation appeared first on MarkTechPost.
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  • These crypto detectives helped crack North Korea’s latest $1.5 billion blockchain heist

    Crypto criminals can’t hide

    The single largest cryptocurrency heist in history took place one day in late February, when hackers exploited system vulnerabilities in Bybit, a Dubai-based crypto exchange, siphoning off a whopping billion in digital assets within minutes.

    Bybit’s security team immediately launched an investigation that would eventually involve the FBI and several blockchain intelligence companies. Among those involved from the beginning were the experts at TRM Labs, a San Francisco-based company of around 300 that analyzes the blockchain networks which power cryptocurrency transactions to investigate—and prevent—fraud and financial crimes.

    “Literally from the first minutes, we were involved,”  says Ari Redbord, the company’s global head of policy, “working with Bybit and law enforcement partners like the FBI to track and trace funds.”

    The attack was soon attributed to a North Korean state-sponsored hacker organization commonly known as Lazarus Group. Lazarus has been blamed for a series of high-profile cybercrimes in recent years, including the 2014 hack on Sony Pictures Entertainment, the 2016 digital heist from the Bangladeshi central bank and, more recently, billions of dollars in digital currency thefts. TRM was among the first to attribute the Bybit attack after detecting an overlap between the blockchain resources used here and those used in Lazarus’s previous thefts. Since then, the company has harnessed its expertise in tracking crypto to keep law enforcement abreast of where the stolen funds are headed, following them from blockchain to blockchain and through clever concealment mechanisms. “We were very much built for an investigation like this,” Redbord says.

    Today, TRM’s investigators probe cryptocurrency thefts, ransomware attacks, and phishing scams. They help investigate other crimes that involve digital currencies, from child pornography to drug trafficking. The company’s free, public platform Chainabuse, launched in 2022, helps people report fraud, hacking, blackmail, and other crypto-related crimes. Clients in the cryptocurrency and finance industries harness the company’s software and data about blockchain transactions to identify funds associated with criminal activity and to flag suspicious transactions. Law enforcement agencies around the world enlist TRM’s tools—and sometimes even the company’s own investigators.

    Demand for such investigators is growing. TRM—which stands for Token Relationship Management—has raised about million in total funding to date, from notable backers that include the venture arms of PayPal, American Express, and Citi, as well as Goldman Sachs. The investment bank led TRM’s most recent, late-stage funding round, which closed in January for an undisclosed amount, according to the research firm PitchBook.

    Meanwhile, the crypto ecosystem is likely to experience positive growth throughout 2025, according to a recent analysis by PitchBook. So too will crypto crimes: Illicit operations took billion worth of crypto last year, according to Chainalysis, another blockchain security company—far more than the roughly billion in venture capital funding that flowed into the above-board crypto sector in the same span, and more even than crypto’s 2022 VC funding peak of billion.

    Roles like TRM’s will become more urgent if the government continues to abdicate its regulatory duties. Last month, the Trump administration shuttered a Justice Department unit that targeted crypto-related crimes. Yet crypto sits at the nexus of so many of the president’s domestic interests—fentanyl, counterterrorism, border security, and fraud. For TRM and rivals like Chainalysis and Elliptic, all of which have already won millions of dollars in federal contracts, the future is bright.

    From NFTs to crypto fraud

    One paradox of Bitcoin, Ethereum, and other cryptocurrency systems is that while they’re widely thought to provide anonymity, with users exchanging funds based not on real names and physical addresses, but on so-called digital addresses—unique and lengthy strings of alphanumeric characters that serve as a given account’s sole identifier—the records of those transactions are still public. A common ledger logs every payment, tying each transaction to those that came before, all the way back to the tokens’ minting.

    And once information becomes known about one transaction and the people or organizations behind the addresses involved, it becomes possible to trace those funds back and forth through time and from address to address. That allows clever observers to follow the money and deduce where funds came from, who other counterparties may be, and which transactions likely involved some of the same parties, like how investigators might piece together who used an anonymous burner phone based on the numbers they called.

    It’s a limitation to anonymity that Bitcoin’s pseudonymous creator Satoshi Nakamoto alluded to in the groundbreaking paper describing cryptocurrency’s underpinnings. And it’s one that computer scientist Sarah Meiklejohn and colleagues at the University of California San Diego showed to be a reality in a widely cited 2013 paper that demonstrated concretely how Bitcoins could be grouped by likely common owner—and how those owners could sometimes be identified from a database of known addresses. And that database, Meiklejohn and colleagues showed, could be assembled by a determined researcher simply doing ordinary business on the blockchain and recording the addresses used by the various vendors, exchanges, and other parties they transact with.

    While not the first company to run with Meiklejohn’s ideas on tracking the transfer of cryptocurrencies—rival Chainalysis, for one, launched in 2014—TRM offered the first-ever platform compatible with the Ethereum blockchain, widely used both for its own currency and assets like non-fungible tokens, or NFTs. At the time, “all of these blockchain intelligence companies had built their entire data architecture on the Bitcoin blockchain,” Redbord says, “because Bitcoin was entirely synonymous with cryptocurrency, and vice versa.”

    TRM began in 2018 as CEO Esteban Castaño and CTO Rahul Raina’s effort to capitalize on NFTs’ trendiness. After demoing an easy-to-use analytics tool they’d built to help understand NFT market movement to a friend with his own blockchain-based startup, Castaño and Raina decided to pivot. Their creation could be its own product with wide appeal—the same blockchains which track NFTs also manage cryptocurrencies—Castaño says that while “nobody had ever gotten excited about any of the other NFT applications we were building,” this was different. Describing their friend and his employees’ reactions, he says, “it was the first time they’d seen on-chain activity visualized in a way they could understand.”

    Talking to potential customers soon revealed a critical use case beyond basic customer analytics: understanding the flow of funds on the blockchain to avoid unwittingly participating in money laundering. A now-pivoted TRM publicly launched in 2019 with a tool it planned to sell to blockchain businesses looking to comply with anti-money-laundering regulations. But a more proactive use case soon arose that suggested even bigger opportunities.

    A friend reached out to say he’d fallen victim to a cryptocurrency hack and wanted to know if TRM could help find the missing money. With the company’s tool, “we could see in clear daylight where the money was,” Castaño says. “So we got in touch with the Secret Service, we got in touch with the FBI, and that was the initial pull into that market.”

    By the time TRM Labs emerged from Y Combinator, in 2019, fighting and preventing fraud and other crime had become its primary focus.

    ‘They’re threat hunters’

    Many TRM senior leaders and investigators honed their expertise over years in law enforcement, working at police agencies across the world. Redbord, the global policy head, served for more than a decade as a U.S. federal prosecutor and spent two years working on money laundering and national security at the Treasury Department before joining the company. Chris Janczewski, head of global investigations, previously served as a special agent at IRS Criminal Investigations, where he was instrumental in recovering cryptocurrency stolen in the infamous 2016 hack on the Bitfinex exchange; in the time between theft and recovery, the digital coins’ value had ballooned to billion, making it the largest federal government seizure in history. The laptop Janczewski used in the investigation is now in the Smithsonian’s permanent collection.

    “They’re threat hunters,” Redbord says of TRM’s investigators. “Our terror financing expert is out there communicating on password-protected Telegram channels with mujahideen, who will send him a crypto address. He’ll take that address and label it terror financing, and then we use AI and machine learning to build on that attribution.”

    With investigators around the globe, the company is able to track illicit funds around the clock. “Things like Bybit, you can’t have just one investigator doing that,” says TRM senior investigator Jonno Newman.

    Being based in Australia, in a time zone close to that of North Korea, made it easy for Newman to help out in the early days of the still-ongoing Bybit investigation. It also helped that he had previously led TRM’s investigation into an earlier hack attributed to North Korea, in 2023, where more than million in cryptocurrency was reported stolen from thousands of blockchain addresses on the digital coin storage tool Atomic Wallet.

    Then, Newman says, the hackers began obfuscating the stolen funds’ origins and ultimate destination, shuffling their plunder between different virtual addresses and cryptocurrencies. They relied on so-called mixers, which hold and combine coins from multiple sources before disbursing them to new addresses, and cross-chain bridges, which let users convert funds from one cryptocurrency to another. Hackers would later use a similar playbook in moving the Bybit funds.

    As a result of TRM’s automated fund tracker across bridges, a service it has offered since 2022—an industry first, CEO Castaño says—investigators were able to closely monitor where the Atomic Wallet funds headed, tipping off law enforcement as needed about opportunities to freeze or seize them. “It was early mornings and late nights trying to keep up with the laundering process.” says Newman of the investigation. The former head of South Australia Police’s cybercrime training and prevention unit and author of a recent children’s book about the crypto world, he says “it becomes this almost cat-and-mouse game about where they are going to go next.”

    TRM’s products at least make the game playable. “When you’re following the money, it used to be that you would reach a dead end when the money went to a different blockchain,” Castaño says. “But with TRM, tracing across blockchains is seamless.”

    Cautious optimism for blockchain security

    Not everyone believes TRM’s tech can fully deliver on its promise, at least from a legal perspective. J.W. Verret, an associate professor at George Mason University’s Antonin Scalia Law School who has testified as an expert witness in crypto-related matters, cautions that most testimony based on blockchain forensics tools should be viewed as potentially fallible, “They are useful for developing leads at the start of an investigation,” he says, but can be overly relied on like “the long history of junk forensic science—handwriting analysis, bitemark analysis, stuff that’s all kind of later proven to be unreliable.” For its part, Verret says, TRM Labs offers tools that are less prone than some of its competitors to false positives because the company is more careful about how it establishes associations between blockchain addresses and criminal activity.

    Meanwhile, last September, TRM announced the creation of the T3 Financial Crime Unit, a partnership with the organizations behind the Tron blockchain and Tether stablecoins to combat the use of those technologies for money laundering. By January, TRM said the partnership had helped freeze more than million in USDT—Tether’s stablecoin pegged in value to the U.S. dollar—found to be tied to criminal activity. That figure has since more than doubled, with the total now including nearly million linked to the massive Bybit heist.

    “In the seven months since launch, T3 has worked with law enforcement to freeze over million linked to illicit activity ranging from terror financing to money laundering to fraud,” Castaño says. “And when you think about how much crime is financially motivated, adding a million expense to criminals’ balance sheet is a huge win for deterring crime.”

    But even as TRM jockeys for pole position in a competitive industry, cybercriminals continue to develop new methods of stealing and hiding funds through complex blockchain machinations, often by taking advantage of crypto efficiency gains that make it easier to move more money faster. That will only continue as criminals deploy AI to automate scams and potentially even money laundering—and investigators use new AI and machine learning techniques, along with ever-growing blockchain datasets, to track them more efficiently and coordinate with law enforcement to stop them and seize their funds.

    And since blockchain ledgers last forever, crypto criminals are risking more than perhaps they realize, according to Castaño. “You’re betting not only that TRM and law enforcement won’t be able to identify your illicit activity today, but that we won’t be able to do it in the future,” he says. “Because the record is permanent.” And that’s the most powerful advantage investigators possess.
    #these #crypto #detectives #helped #crack
    These crypto detectives helped crack North Korea’s latest $1.5 billion blockchain heist
    Crypto criminals can’t hide The single largest cryptocurrency heist in history took place one day in late February, when hackers exploited system vulnerabilities in Bybit, a Dubai-based crypto exchange, siphoning off a whopping billion in digital assets within minutes. Bybit’s security team immediately launched an investigation that would eventually involve the FBI and several blockchain intelligence companies. Among those involved from the beginning were the experts at TRM Labs, a San Francisco-based company of around 300 that analyzes the blockchain networks which power cryptocurrency transactions to investigate—and prevent—fraud and financial crimes. “Literally from the first minutes, we were involved,”  says Ari Redbord, the company’s global head of policy, “working with Bybit and law enforcement partners like the FBI to track and trace funds.” The attack was soon attributed to a North Korean state-sponsored hacker organization commonly known as Lazarus Group. Lazarus has been blamed for a series of high-profile cybercrimes in recent years, including the 2014 hack on Sony Pictures Entertainment, the 2016 digital heist from the Bangladeshi central bank and, more recently, billions of dollars in digital currency thefts. TRM was among the first to attribute the Bybit attack after detecting an overlap between the blockchain resources used here and those used in Lazarus’s previous thefts. Since then, the company has harnessed its expertise in tracking crypto to keep law enforcement abreast of where the stolen funds are headed, following them from blockchain to blockchain and through clever concealment mechanisms. “We were very much built for an investigation like this,” Redbord says. Today, TRM’s investigators probe cryptocurrency thefts, ransomware attacks, and phishing scams. They help investigate other crimes that involve digital currencies, from child pornography to drug trafficking. The company’s free, public platform Chainabuse, launched in 2022, helps people report fraud, hacking, blackmail, and other crypto-related crimes. Clients in the cryptocurrency and finance industries harness the company’s software and data about blockchain transactions to identify funds associated with criminal activity and to flag suspicious transactions. Law enforcement agencies around the world enlist TRM’s tools—and sometimes even the company’s own investigators. Demand for such investigators is growing. TRM—which stands for Token Relationship Management—has raised about million in total funding to date, from notable backers that include the venture arms of PayPal, American Express, and Citi, as well as Goldman Sachs. The investment bank led TRM’s most recent, late-stage funding round, which closed in January for an undisclosed amount, according to the research firm PitchBook. Meanwhile, the crypto ecosystem is likely to experience positive growth throughout 2025, according to a recent analysis by PitchBook. So too will crypto crimes: Illicit operations took billion worth of crypto last year, according to Chainalysis, another blockchain security company—far more than the roughly billion in venture capital funding that flowed into the above-board crypto sector in the same span, and more even than crypto’s 2022 VC funding peak of billion. Roles like TRM’s will become more urgent if the government continues to abdicate its regulatory duties. Last month, the Trump administration shuttered a Justice Department unit that targeted crypto-related crimes. Yet crypto sits at the nexus of so many of the president’s domestic interests—fentanyl, counterterrorism, border security, and fraud. For TRM and rivals like Chainalysis and Elliptic, all of which have already won millions of dollars in federal contracts, the future is bright. From NFTs to crypto fraud One paradox of Bitcoin, Ethereum, and other cryptocurrency systems is that while they’re widely thought to provide anonymity, with users exchanging funds based not on real names and physical addresses, but on so-called digital addresses—unique and lengthy strings of alphanumeric characters that serve as a given account’s sole identifier—the records of those transactions are still public. A common ledger logs every payment, tying each transaction to those that came before, all the way back to the tokens’ minting. And once information becomes known about one transaction and the people or organizations behind the addresses involved, it becomes possible to trace those funds back and forth through time and from address to address. That allows clever observers to follow the money and deduce where funds came from, who other counterparties may be, and which transactions likely involved some of the same parties, like how investigators might piece together who used an anonymous burner phone based on the numbers they called. It’s a limitation to anonymity that Bitcoin’s pseudonymous creator Satoshi Nakamoto alluded to in the groundbreaking paper describing cryptocurrency’s underpinnings. And it’s one that computer scientist Sarah Meiklejohn and colleagues at the University of California San Diego showed to be a reality in a widely cited 2013 paper that demonstrated concretely how Bitcoins could be grouped by likely common owner—and how those owners could sometimes be identified from a database of known addresses. And that database, Meiklejohn and colleagues showed, could be assembled by a determined researcher simply doing ordinary business on the blockchain and recording the addresses used by the various vendors, exchanges, and other parties they transact with. While not the first company to run with Meiklejohn’s ideas on tracking the transfer of cryptocurrencies—rival Chainalysis, for one, launched in 2014—TRM offered the first-ever platform compatible with the Ethereum blockchain, widely used both for its own currency and assets like non-fungible tokens, or NFTs. At the time, “all of these blockchain intelligence companies had built their entire data architecture on the Bitcoin blockchain,” Redbord says, “because Bitcoin was entirely synonymous with cryptocurrency, and vice versa.” TRM began in 2018 as CEO Esteban Castaño and CTO Rahul Raina’s effort to capitalize on NFTs’ trendiness. After demoing an easy-to-use analytics tool they’d built to help understand NFT market movement to a friend with his own blockchain-based startup, Castaño and Raina decided to pivot. Their creation could be its own product with wide appeal—the same blockchains which track NFTs also manage cryptocurrencies—Castaño says that while “nobody had ever gotten excited about any of the other NFT applications we were building,” this was different. Describing their friend and his employees’ reactions, he says, “it was the first time they’d seen on-chain activity visualized in a way they could understand.” Talking to potential customers soon revealed a critical use case beyond basic customer analytics: understanding the flow of funds on the blockchain to avoid unwittingly participating in money laundering. A now-pivoted TRM publicly launched in 2019 with a tool it planned to sell to blockchain businesses looking to comply with anti-money-laundering regulations. But a more proactive use case soon arose that suggested even bigger opportunities. A friend reached out to say he’d fallen victim to a cryptocurrency hack and wanted to know if TRM could help find the missing money. With the company’s tool, “we could see in clear daylight where the money was,” Castaño says. “So we got in touch with the Secret Service, we got in touch with the FBI, and that was the initial pull into that market.” By the time TRM Labs emerged from Y Combinator, in 2019, fighting and preventing fraud and other crime had become its primary focus. ‘They’re threat hunters’ Many TRM senior leaders and investigators honed their expertise over years in law enforcement, working at police agencies across the world. Redbord, the global policy head, served for more than a decade as a U.S. federal prosecutor and spent two years working on money laundering and national security at the Treasury Department before joining the company. Chris Janczewski, head of global investigations, previously served as a special agent at IRS Criminal Investigations, where he was instrumental in recovering cryptocurrency stolen in the infamous 2016 hack on the Bitfinex exchange; in the time between theft and recovery, the digital coins’ value had ballooned to billion, making it the largest federal government seizure in history. The laptop Janczewski used in the investigation is now in the Smithsonian’s permanent collection. “They’re threat hunters,” Redbord says of TRM’s investigators. “Our terror financing expert is out there communicating on password-protected Telegram channels with mujahideen, who will send him a crypto address. He’ll take that address and label it terror financing, and then we use AI and machine learning to build on that attribution.” With investigators around the globe, the company is able to track illicit funds around the clock. “Things like Bybit, you can’t have just one investigator doing that,” says TRM senior investigator Jonno Newman. Being based in Australia, in a time zone close to that of North Korea, made it easy for Newman to help out in the early days of the still-ongoing Bybit investigation. It also helped that he had previously led TRM’s investigation into an earlier hack attributed to North Korea, in 2023, where more than million in cryptocurrency was reported stolen from thousands of blockchain addresses on the digital coin storage tool Atomic Wallet. Then, Newman says, the hackers began obfuscating the stolen funds’ origins and ultimate destination, shuffling their plunder between different virtual addresses and cryptocurrencies. They relied on so-called mixers, which hold and combine coins from multiple sources before disbursing them to new addresses, and cross-chain bridges, which let users convert funds from one cryptocurrency to another. Hackers would later use a similar playbook in moving the Bybit funds. As a result of TRM’s automated fund tracker across bridges, a service it has offered since 2022—an industry first, CEO Castaño says—investigators were able to closely monitor where the Atomic Wallet funds headed, tipping off law enforcement as needed about opportunities to freeze or seize them. “It was early mornings and late nights trying to keep up with the laundering process.” says Newman of the investigation. The former head of South Australia Police’s cybercrime training and prevention unit and author of a recent children’s book about the crypto world, he says “it becomes this almost cat-and-mouse game about where they are going to go next.” TRM’s products at least make the game playable. “When you’re following the money, it used to be that you would reach a dead end when the money went to a different blockchain,” Castaño says. “But with TRM, tracing across blockchains is seamless.” Cautious optimism for blockchain security Not everyone believes TRM’s tech can fully deliver on its promise, at least from a legal perspective. J.W. Verret, an associate professor at George Mason University’s Antonin Scalia Law School who has testified as an expert witness in crypto-related matters, cautions that most testimony based on blockchain forensics tools should be viewed as potentially fallible, “They are useful for developing leads at the start of an investigation,” he says, but can be overly relied on like “the long history of junk forensic science—handwriting analysis, bitemark analysis, stuff that’s all kind of later proven to be unreliable.” For its part, Verret says, TRM Labs offers tools that are less prone than some of its competitors to false positives because the company is more careful about how it establishes associations between blockchain addresses and criminal activity. Meanwhile, last September, TRM announced the creation of the T3 Financial Crime Unit, a partnership with the organizations behind the Tron blockchain and Tether stablecoins to combat the use of those technologies for money laundering. By January, TRM said the partnership had helped freeze more than million in USDT—Tether’s stablecoin pegged in value to the U.S. dollar—found to be tied to criminal activity. That figure has since more than doubled, with the total now including nearly million linked to the massive Bybit heist. “In the seven months since launch, T3 has worked with law enforcement to freeze over million linked to illicit activity ranging from terror financing to money laundering to fraud,” Castaño says. “And when you think about how much crime is financially motivated, adding a million expense to criminals’ balance sheet is a huge win for deterring crime.” But even as TRM jockeys for pole position in a competitive industry, cybercriminals continue to develop new methods of stealing and hiding funds through complex blockchain machinations, often by taking advantage of crypto efficiency gains that make it easier to move more money faster. That will only continue as criminals deploy AI to automate scams and potentially even money laundering—and investigators use new AI and machine learning techniques, along with ever-growing blockchain datasets, to track them more efficiently and coordinate with law enforcement to stop them and seize their funds. And since blockchain ledgers last forever, crypto criminals are risking more than perhaps they realize, according to Castaño. “You’re betting not only that TRM and law enforcement won’t be able to identify your illicit activity today, but that we won’t be able to do it in the future,” he says. “Because the record is permanent.” And that’s the most powerful advantage investigators possess. #these #crypto #detectives #helped #crack
    WWW.FASTCOMPANY.COM
    These crypto detectives helped crack North Korea’s latest $1.5 billion blockchain heist
    Crypto criminals can’t hide The single largest cryptocurrency heist in history took place one day in late February, when hackers exploited system vulnerabilities in Bybit, a Dubai-based crypto exchange, siphoning off a whopping $1.5 billion in digital assets within minutes. Bybit’s security team immediately launched an investigation that would eventually involve the FBI and several blockchain intelligence companies. Among those involved from the beginning were the experts at TRM Labs, a San Francisco-based company of around 300 that analyzes the blockchain networks which power cryptocurrency transactions to investigate—and prevent—fraud and financial crimes. “Literally from the first minutes, we were involved,”  says Ari Redbord, the company’s global head of policy, “working with Bybit and law enforcement partners like the FBI to track and trace funds.” The attack was soon attributed to a North Korean state-sponsored hacker organization commonly known as Lazarus Group. Lazarus has been blamed for a series of high-profile cybercrimes in recent years, including the 2014 hack on Sony Pictures Entertainment, the 2016 digital heist from the Bangladeshi central bank and, more recently, billions of dollars in digital currency thefts. TRM was among the first to attribute the Bybit attack after detecting an overlap between the blockchain resources used here and those used in Lazarus’s previous thefts. Since then, the company has harnessed its expertise in tracking crypto to keep law enforcement abreast of where the stolen funds are headed, following them from blockchain to blockchain and through clever concealment mechanisms. “We were very much built for an investigation like this,” Redbord says. Today, TRM’s investigators probe cryptocurrency thefts, ransomware attacks, and phishing scams. They help investigate other crimes that involve digital currencies, from child pornography to drug trafficking. The company’s free, public platform Chainabuse, launched in 2022, helps people report fraud, hacking, blackmail, and other crypto-related crimes. Clients in the cryptocurrency and finance industries harness the company’s software and data about blockchain transactions to identify funds associated with criminal activity and to flag suspicious transactions. Law enforcement agencies around the world enlist TRM’s tools—and sometimes even the company’s own investigators. Demand for such investigators is growing. TRM—which stands for Token Relationship Management—has raised about $150 million in total funding to date, from notable backers that include the venture arms of PayPal, American Express, and Citi, as well as Goldman Sachs. The investment bank led TRM’s most recent, late-stage funding round, which closed in January for an undisclosed amount, according to the research firm PitchBook. Meanwhile, the crypto ecosystem is likely to experience positive growth throughout 2025, according to a recent analysis by PitchBook. So too will crypto crimes: Illicit operations took $40 billion worth of crypto last year, according to Chainalysis, another blockchain security company—far more than the roughly $10 billion in venture capital funding that flowed into the above-board crypto sector in the same span, and more even than crypto’s 2022 VC funding peak of $29.8 billion. Roles like TRM’s will become more urgent if the government continues to abdicate its regulatory duties. Last month, the Trump administration shuttered a Justice Department unit that targeted crypto-related crimes. Yet crypto sits at the nexus of so many of the president’s domestic interests—fentanyl, counterterrorism, border security, and fraud. For TRM and rivals like Chainalysis and Elliptic, all of which have already won millions of dollars in federal contracts, the future is bright. From NFTs to crypto fraud One paradox of Bitcoin, Ethereum, and other cryptocurrency systems is that while they’re widely thought to provide anonymity, with users exchanging funds based not on real names and physical addresses, but on so-called digital addresses—unique and lengthy strings of alphanumeric characters that serve as a given account’s sole identifier—the records of those transactions are still public. A common ledger logs every payment, tying each transaction to those that came before, all the way back to the tokens’ minting. And once information becomes known about one transaction and the people or organizations behind the addresses involved, it becomes possible to trace those funds back and forth through time and from address to address. That allows clever observers to follow the money and deduce where funds came from, who other counterparties may be, and which transactions likely involved some of the same parties, like how investigators might piece together who used an anonymous burner phone based on the numbers they called. It’s a limitation to anonymity that Bitcoin’s pseudonymous creator Satoshi Nakamoto alluded to in the groundbreaking paper describing cryptocurrency’s underpinnings. And it’s one that computer scientist Sarah Meiklejohn and colleagues at the University of California San Diego showed to be a reality in a widely cited 2013 paper that demonstrated concretely how Bitcoins could be grouped by likely common owner—and how those owners could sometimes be identified from a database of known addresses. And that database, Meiklejohn and colleagues showed, could be assembled by a determined researcher simply doing ordinary business on the blockchain and recording the addresses used by the various vendors, exchanges, and other parties they transact with. While not the first company to run with Meiklejohn’s ideas on tracking the transfer of cryptocurrencies—rival Chainalysis, for one, launched in 2014—TRM offered the first-ever platform compatible with the Ethereum blockchain, widely used both for its own currency and assets like non-fungible tokens, or NFTs. At the time, “all of these blockchain intelligence companies had built their entire data architecture on the Bitcoin blockchain,” Redbord says, “because Bitcoin was entirely synonymous with cryptocurrency, and vice versa.” TRM began in 2018 as CEO Esteban Castaño and CTO Rahul Raina’s effort to capitalize on NFTs’ trendiness. After demoing an easy-to-use analytics tool they’d built to help understand NFT market movement to a friend with his own blockchain-based startup, Castaño and Raina decided to pivot. Their creation could be its own product with wide appeal—the same blockchains which track NFTs also manage cryptocurrencies—Castaño says that while “nobody had ever gotten excited about any of the other NFT applications we were building,” this was different. Describing their friend and his employees’ reactions, he says, “it was the first time they’d seen on-chain activity visualized in a way they could understand.” Talking to potential customers soon revealed a critical use case beyond basic customer analytics: understanding the flow of funds on the blockchain to avoid unwittingly participating in money laundering. A now-pivoted TRM publicly launched in 2019 with a tool it planned to sell to blockchain businesses looking to comply with anti-money-laundering regulations. But a more proactive use case soon arose that suggested even bigger opportunities. A friend reached out to say he’d fallen victim to a cryptocurrency hack and wanted to know if TRM could help find the missing money. With the company’s tool, “we could see in clear daylight where the money was,” Castaño says. “So we got in touch with the Secret Service, we got in touch with the FBI, and that was the initial pull into that market.” By the time TRM Labs emerged from Y Combinator, in 2019, fighting and preventing fraud and other crime had become its primary focus. ‘They’re threat hunters’ Many TRM senior leaders and investigators honed their expertise over years in law enforcement, working at police agencies across the world. Redbord, the global policy head, served for more than a decade as a U.S. federal prosecutor and spent two years working on money laundering and national security at the Treasury Department before joining the company. Chris Janczewski, head of global investigations, previously served as a special agent at IRS Criminal Investigations, where he was instrumental in recovering cryptocurrency stolen in the infamous 2016 hack on the Bitfinex exchange; in the time between theft and recovery, the digital coins’ value had ballooned to $3.6 billion, making it the largest federal government seizure in history. The laptop Janczewski used in the investigation is now in the Smithsonian’s permanent collection. “They’re threat hunters,” Redbord says of TRM’s investigators. “Our terror financing expert is out there communicating on password-protected Telegram channels with mujahideen, who will send him a crypto address. He’ll take that address and label it terror financing, and then we use AI and machine learning to build on that attribution.” With investigators around the globe, the company is able to track illicit funds around the clock. “Things like Bybit, you can’t have just one investigator doing that,” says TRM senior investigator Jonno Newman. Being based in Australia, in a time zone close to that of North Korea, made it easy for Newman to help out in the early days of the still-ongoing Bybit investigation. It also helped that he had previously led TRM’s investigation into an earlier hack attributed to North Korea, in 2023, where more than $100 million in cryptocurrency was reported stolen from thousands of blockchain addresses on the digital coin storage tool Atomic Wallet. Then, Newman says, the hackers began obfuscating the stolen funds’ origins and ultimate destination, shuffling their plunder between different virtual addresses and cryptocurrencies. They relied on so-called mixers, which hold and combine coins from multiple sources before disbursing them to new addresses, and cross-chain bridges, which let users convert funds from one cryptocurrency to another. Hackers would later use a similar playbook in moving the Bybit funds. As a result of TRM’s automated fund tracker across bridges, a service it has offered since 2022—an industry first, CEO Castaño says—investigators were able to closely monitor where the Atomic Wallet funds headed, tipping off law enforcement as needed about opportunities to freeze or seize them. “It was early mornings and late nights trying to keep up with the laundering process.” says Newman of the investigation. The former head of South Australia Police’s cybercrime training and prevention unit and author of a recent children’s book about the crypto world, he says “it becomes this almost cat-and-mouse game about where they are going to go next.” TRM’s products at least make the game playable. “When you’re following the money, it used to be that you would reach a dead end when the money went to a different blockchain,” Castaño says. “But with TRM, tracing across blockchains is seamless.” Cautious optimism for blockchain security Not everyone believes TRM’s tech can fully deliver on its promise, at least from a legal perspective. J.W. Verret, an associate professor at George Mason University’s Antonin Scalia Law School who has testified as an expert witness in crypto-related matters, cautions that most testimony based on blockchain forensics tools should be viewed as potentially fallible, “They are useful for developing leads at the start of an investigation,” he says, but can be overly relied on like “the long history of junk forensic science—handwriting analysis, bitemark analysis, stuff that’s all kind of later proven to be unreliable.” For its part, Verret says, TRM Labs offers tools that are less prone than some of its competitors to false positives because the company is more careful about how it establishes associations between blockchain addresses and criminal activity. Meanwhile, last September, TRM announced the creation of the T3 Financial Crime Unit, a partnership with the organizations behind the Tron blockchain and Tether stablecoins to combat the use of those technologies for money laundering. By January, TRM said the partnership had helped freeze more than $100 million in USDT—Tether’s stablecoin pegged in value to the U.S. dollar—found to be tied to criminal activity. That figure has since more than doubled, with the total now including nearly $9 million linked to the massive Bybit heist. “In the seven months since launch, T3 has worked with law enforcement to freeze over $200 million linked to illicit activity ranging from terror financing to money laundering to fraud,” Castaño says. “And when you think about how much crime is financially motivated, adding a $200 million expense to criminals’ balance sheet is a huge win for deterring crime.” But even as TRM jockeys for pole position in a competitive industry, cybercriminals continue to develop new methods of stealing and hiding funds through complex blockchain machinations, often by taking advantage of crypto efficiency gains that make it easier to move more money faster. That will only continue as criminals deploy AI to automate scams and potentially even money laundering—and investigators use new AI and machine learning techniques, along with ever-growing blockchain datasets, to track them more efficiently and coordinate with law enforcement to stop them and seize their funds. And since blockchain ledgers last forever, crypto criminals are risking more than perhaps they realize, according to Castaño. “You’re betting not only that TRM and law enforcement won’t be able to identify your illicit activity today, but that we won’t be able to do it in the future,” he says. “Because the record is permanent.” And that’s the most powerful advantage investigators possess.
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  • Essay from Bangladesh

    Click to enlarge

    Housing build-ups in Dhaka.

    Image: Jeremy Smith

    1 of 11

    Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque.

    Image: Jeremy Smith

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    Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque.

    Image: Jeremy Smith

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    Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque.

    Image: Jeremy Smith

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    Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque.

    Image: Jeremy Smith

    5 of 11

    Old Dhaka and 45,000 people per square kilometre.

    Image: Jeremy Smith

    6 of 11

    Buses collage life on the roads.

    Image: Jeremy Smith

    7 of 11

    Lattice-work roofing of the informal settlements, viewed from Salauddin Ahmed’s Atelier Robin Architects studio.

    Image: Jeremy Smith

    8 of 11

    The colour and vibrancy of Dhaka life.

    Image: Jeremy Smith

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    The colour and vibrancy of Dhaka life.

    Image: Jeremy Smith

    10 of 11

    The colour and vibrancy of Dhaka life.

    Image: Jeremy Smith

    11 of 11

    Architects Jeremy Smith and Murali Bhaskar go looking for water and hard-to-find buildings in what is already one of the world’s most populous mega-cities, Dhaka.

    Architecture here is rarely properly lost. Even now, as we navigate a way to higher-density living, we tend not to misplace buildings. There’s still the space to eye-spy our most wayward elevations. At worst, we might GPS a tricky driveway or pull out an Andrew Barrie map to pinpoint some retiring architecture. But what happens if you really diamond-up the density. At our country-wide 19-people-per-square-kilometre or even downtown Auckland’s sky-high 2500, you can see what’s coming and cities mostly plan out as planned. Teleport forward though to 45,000-people-per-square-kilometre and cities accelerate lives of their own. Here, anything and everything can be lost in the crowd, even buildings. So, on a 2024 invitation from the Bengal Institute for Architecture, Landscape and Settlements to share some Unfinished & Far Far Away adventures in “the toughest city in the world”,1 I pack some extra compassing in architect buddy Murali Bhaskar and go architectural orienteering in Dhaka.
    It’s hot hot; architecture can wait. We start by looking for water. This, after all, is the land of rivers. Following on from Aotearoa in 2017 being the first to give a specific river, Te Awa Tupua, legal rights, Bangladesh in 2019 became the first country to grant all of its some 700 rivers the same legal status that humans have.2 But the count varies. Protections readily miss smaller tributaries and, with all that water pouring out of the Himalayas and delta-ing into the Bay of Bengal, the land is accretional.

    The colour and vibrancy of Dhaka life. Image: 

    Jeremy Smith

    From the million or so starters in a newly independent 1971 Dhaka, today, it is the fourth-most-populated city in the world with somewhere near 25 million people. Whether for disaster relief, economics or just the bright lights, urbanisation draws more than 400,000 new residents annually to the city. Throw in some family time and, with Tokyo and Shanghai shrinking, Dhaka’s population is predicted to be an eyewatering 35 million by 2050. When every possible place looks inhabited, it’s not just water that can quickly go to ground.
    Kazi Khaleed Ashraf, who heads the Bengal Institute, has some learned thinkers in tow in trying to keep pace architecturally. Throw in societal and climatic concerns, and questions about how contextualisation might operate at such speed and the inquiry takes global precedence. Kenneth Frampton, Rounaq Jahan, Suha Özkan, Shamsul Wares and, formerly, BV Doshi, sit on the advisory panel and have drawn other such worldly thinkers as Juhani Pallasmaa, David Leatherbarrow and, even, Peter Stutchbury from down our way to come experience an urban existence “symptomatic of the gravest environmental challenges”.3 It’s serious stuff. Ashraf researches “hydraulic flow in which horizontal and vertical movements of water may direct architectural and landscape formations”.4 This ‘form follows water’ mantra isn’t just free planning Le Corbusier’s ‘form follows function’ with some Charles Correa’s ‘form follows climate’ to connect to life outside, it’s a watery warning to the navigations quickly necessitating within our collective future.
    Ashraf’s timely prompt that “Embankment is a barrier. How can we deconstruct it”5 can be seen in the way we increasingly plan the separation of wet and dry in our cities. Main streets like Queen Street and Cambridge Terrace already run down streams and our remaining water edges risk becoming increasingly marginalised by infrastructure rising with the water. But the steering is different at density and Dhaka’s rapid growth has meant letting go of the controls with which we still understand cities to flow. As Ashraf puts it, “Dhaka builds furiously”. While we dutifully plan buildings as if crawling a length or two at the aquatic centre, architecture in Dhaka must high-dive into a torrent. Its buildings must learn to surface and really start kicking. Anything trying to hold ground risks being swept away. Dhaka has become a river.
    As if to university-entrance the swimming lesson to densification, we’ve arrived only a few months after an Indian helicopter plucked Bangladesh’s president from a student-led flood of unrest amongst civil rights and corruption demonstrations. We might think of universities as offering time for trying things on but, sink or swim, the students here now run the country. With the parliament dissolved, there’s no chance of us seeing inside Louis Kahn’s 1982 National Assembly Building, which, like many of Dhaka’s institutional buildings, took on something of a freshening in the coup. Remembering our government’s pre-departure, bold-italic travel advisory, we head out to practise avoiding street demonstrations and are rewarded with a fenced-off view of Kahn’s epic, which brought global architectural discourse to post-independent Bangladesh. No such authoritative access issues back at the university, where, amongst the student political murals, we visit Muzharul Islam’s 1953–1956 Fine Arts Institute. Islam introduced modernism to the then East Pakistan6 and, in testament, the school still functions as a school, with its external verandah circulation and louvred ventilating classrooms.
    The rallying extends to getting around with cars sporting dodgem bumpers. Travelling 10 kilometres takes an hour, a million beeps and some financial socialising out the windows. Public transport may be working hard to keep pace with the kinetic city but it starts at the back of the grid, as the panelwork to the buses visibly collage. Getting to where we want to go takes some effort. An above-ground subway system has been started but not finished and the folk enticingly riding on top of trains typically aren’t off looking for architecture. There’s the three-wheeled rickshaw option, of course: formerly pedalled but, in recent months, souped-up with the allowance of car batteries to the back axle. Even so, manoeuvring further than nearby takes more than any rider is up for. So, as we head out for lunch with architect Marina Tabassum and then beep beep beep out further to her extraordinary Bait Ur Rouf Jame Mosque in Dhaka’s northern expansion, we learn that having everything close helps. Neighbourhoods remain important in megacities.

    Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: 

    Jeremy Smith

    The mosque deserves the full medley and gently uplifts as all great architecture does, be it for the community or off-the-street visitors like us. Marina Tabassum Architects is, of course, internationally renowned for its architectural stand against globalised buildings that are out of place and context, notably winning an Aga Khan Award for Architecture in 2016 and being selected to undertake the 2025 Serpentine Pavilion in London.
    With the site at 13 degrees to the axis of qibla in Mecca, Tabassum sits the mosque on a five-step plinth with a squared, ventilating brick jali and a circular ceilinged prayer space rotated off centre. In a lesson to building only what you need, the spaces between remain unroofed and the perimeter daylight illumination provides a diminished and equalling light to the prayer space. It needs no explanation: look up and there are constellations in the sky; look outwards and find community; look to the mihrab notching the outside wall and orientate to Mecca. Tabassum’s dive is splashless, for the mosque has self-navigated being enveloped by the city. The entry pond may have gone and the mihrab now reveals buildings rather than fields but the light still shines the way. Four hundred people take prayer several times a day within the inner circle, and the weekend Friday crowd spreads outwards to the borders and plinth.
    We are two days in at this point and our not-getting-lost-practice is going well. We meet architect Salauddin Ahmed whose Atelier Robin Architects studio and gallery in a former tannery building is so hidden away that it feels both lost and right at home. It’s surrounded by the latticing roofs of informal settlements and, remarkably, feels quiet and yet, genuinely, part of the city. No mean feat in a city, “living”, as Ahmed puts it, “as if this is the last day on earth”. Noise is life in Dhaka; Ahmed’s windows are open and the river is flowing. We talk the same language of architecture understanding existing context and needing to accommodate change in shorter and shorter time frames. Where I say “participate”, Ahmed terms “navigate” and without any sense of overseeing for there is just so much life in Dhaka. We mean the same thing and get there from very different landscapes. The next morning, we go where transport can’t.
    Old Dhaka’s alleyways require some extra eyes, so Ahmed calls in his friend, photographer Khademul Insan, who has lived this labyrinth. This is the densest part of Dhaka and there’s a lot in the air. “Wear this,” says Ahmed, passing a mask. “Otherwise, you’ll cough for four weeks.” It is deep. There’s so much WiFi that it strands like some kind of underworld sun-shading. Our service provider isn’t expecting this kind of roaming and we have no connection. If our collective Kiwi wayfinding skills might have fluked a way in, we certainly need leading out. As the lanes narrow, the industry broadens into some kind of Mad Max circular economy where everything of anything has value and the fires that keep these people afloat run continuously. Mercifully, it’s not raining or there’d be a different type of river afoot.
    Fifteen kilometres and all day later, we’ve walked to search for culturally significant mosques, houses, courtyards and schools. Some we locate; others, there’s just no finding. Maybe they are there, maybe they aren’t. Occasionally, there are scripts cautioning against graffiti or carving a name into the stonework at the risk of imprisonment, but there are few clues to any architectural history. In the pinch, buildings jostle to just about every possible place a building might go: on top, under, in front, behind. They infill courtyards, hang over laneways, squeeze into gaps, even penalising what’s left of a football field. Every seat is taken, literally. Whenever we find public space off the street, there are couples dating. There’s a lot of romance in 25 million.
    Eventually, we exit and finally see a river. I remember the swimming lessons are strictly metaphoric and look but don’t touch. You don’t need to get wet to learn how to swim. As Ahmed guides, and he speaks with Ashraf, Tabassum, Insan and experience to what we must remember in densifying our own cities. “I belong to one of the last generations that truly understand what it means to have neighbours.”7 Context counts no matter the size. Our rivers are not yet streams.
    REFERENCES
    1 Kazi Khaleed Ashraf, ‘Note from the Director General: Land, Water and Settlements’. bengal.institute/about Accessed 29.12.2024.
    2 Ashley Westerman, 2019, “Should rivers have same legal rights as humans? A growing number of voices say yes”, National Public Radio. npr.org/2019/08/03/740604142 3 August 2019.
    3 Kazi Khaleed Ashraf, ‘Note from the Director General: Land, Water and Settlements’. bengal.institute/about Accessed 29.12.2024.
    4 Kazi Khaleed Ashraf, ‘Wet Narratives: Architecture Must Recognise that the Future is Fluid’ in The Mother Tongue of Architecture: Selected writings of Kazi Khaleed Ashraf. ORO Editions and Bengal Institute for Architecture, Landscape and Settlements, China: p. 251.
    5 Ibid.
    6 Adnan Morshed, 2017, ‘Modernism as Postnationalist Politics: Muzharul Islam’s Faculty ofFine Arts’, Journal of the Society of Architectural Historians, 2017.
    7 Salauddin Ahmed, 2024, “Design must not be a superimposed idea, but a logical one”, The Daily Star, Dhaka, 25 December 2024.
    #essay #bangladesh
    Essay from Bangladesh
    Click to enlarge Housing build-ups in Dhaka. Image: Jeremy Smith 1 of 11 Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: Jeremy Smith 2 of 11 Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: Jeremy Smith 3 of 11 Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: Jeremy Smith 4 of 11 Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: Jeremy Smith 5 of 11 Old Dhaka and 45,000 people per square kilometre. Image: Jeremy Smith 6 of 11 Buses collage life on the roads. Image: Jeremy Smith 7 of 11 Lattice-work roofing of the informal settlements, viewed from Salauddin Ahmed’s Atelier Robin Architects studio. Image: Jeremy Smith 8 of 11 The colour and vibrancy of Dhaka life. Image: Jeremy Smith 9 of 11 The colour and vibrancy of Dhaka life. Image: Jeremy Smith 10 of 11 The colour and vibrancy of Dhaka life. Image: Jeremy Smith 11 of 11 Architects Jeremy Smith and Murali Bhaskar go looking for water and hard-to-find buildings in what is already one of the world’s most populous mega-cities, Dhaka. Architecture here is rarely properly lost. Even now, as we navigate a way to higher-density living, we tend not to misplace buildings. There’s still the space to eye-spy our most wayward elevations. At worst, we might GPS a tricky driveway or pull out an Andrew Barrie map to pinpoint some retiring architecture. But what happens if you really diamond-up the density. At our country-wide 19-people-per-square-kilometre or even downtown Auckland’s sky-high 2500, you can see what’s coming and cities mostly plan out as planned. Teleport forward though to 45,000-people-per-square-kilometre and cities accelerate lives of their own. Here, anything and everything can be lost in the crowd, even buildings. So, on a 2024 invitation from the Bengal Institute for Architecture, Landscape and Settlements to share some Unfinished & Far Far Away adventures in “the toughest city in the world”,1 I pack some extra compassing in architect buddy Murali Bhaskar and go architectural orienteering in Dhaka. It’s hot hot; architecture can wait. We start by looking for water. This, after all, is the land of rivers. Following on from Aotearoa in 2017 being the first to give a specific river, Te Awa Tupua, legal rights, Bangladesh in 2019 became the first country to grant all of its some 700 rivers the same legal status that humans have.2 But the count varies. Protections readily miss smaller tributaries and, with all that water pouring out of the Himalayas and delta-ing into the Bay of Bengal, the land is accretional. The colour and vibrancy of Dhaka life. Image:  Jeremy Smith From the million or so starters in a newly independent 1971 Dhaka, today, it is the fourth-most-populated city in the world with somewhere near 25 million people. Whether for disaster relief, economics or just the bright lights, urbanisation draws more than 400,000 new residents annually to the city. Throw in some family time and, with Tokyo and Shanghai shrinking, Dhaka’s population is predicted to be an eyewatering 35 million by 2050. When every possible place looks inhabited, it’s not just water that can quickly go to ground. Kazi Khaleed Ashraf, who heads the Bengal Institute, has some learned thinkers in tow in trying to keep pace architecturally. Throw in societal and climatic concerns, and questions about how contextualisation might operate at such speed and the inquiry takes global precedence. Kenneth Frampton, Rounaq Jahan, Suha Özkan, Shamsul Wares and, formerly, BV Doshi, sit on the advisory panel and have drawn other such worldly thinkers as Juhani Pallasmaa, David Leatherbarrow and, even, Peter Stutchbury from down our way to come experience an urban existence “symptomatic of the gravest environmental challenges”.3 It’s serious stuff. Ashraf researches “hydraulic flow in which horizontal and vertical movements of water may direct architectural and landscape formations”.4 This ‘form follows water’ mantra isn’t just free planning Le Corbusier’s ‘form follows function’ with some Charles Correa’s ‘form follows climate’ to connect to life outside, it’s a watery warning to the navigations quickly necessitating within our collective future. Ashraf’s timely prompt that “Embankment is a barrier. How can we deconstruct it”5 can be seen in the way we increasingly plan the separation of wet and dry in our cities. Main streets like Queen Street and Cambridge Terrace already run down streams and our remaining water edges risk becoming increasingly marginalised by infrastructure rising with the water. But the steering is different at density and Dhaka’s rapid growth has meant letting go of the controls with which we still understand cities to flow. As Ashraf puts it, “Dhaka builds furiously”. While we dutifully plan buildings as if crawling a length or two at the aquatic centre, architecture in Dhaka must high-dive into a torrent. Its buildings must learn to surface and really start kicking. Anything trying to hold ground risks being swept away. Dhaka has become a river. As if to university-entrance the swimming lesson to densification, we’ve arrived only a few months after an Indian helicopter plucked Bangladesh’s president from a student-led flood of unrest amongst civil rights and corruption demonstrations. We might think of universities as offering time for trying things on but, sink or swim, the students here now run the country. With the parliament dissolved, there’s no chance of us seeing inside Louis Kahn’s 1982 National Assembly Building, which, like many of Dhaka’s institutional buildings, took on something of a freshening in the coup. Remembering our government’s pre-departure, bold-italic travel advisory, we head out to practise avoiding street demonstrations and are rewarded with a fenced-off view of Kahn’s epic, which brought global architectural discourse to post-independent Bangladesh. No such authoritative access issues back at the university, where, amongst the student political murals, we visit Muzharul Islam’s 1953–1956 Fine Arts Institute. Islam introduced modernism to the then East Pakistan6 and, in testament, the school still functions as a school, with its external verandah circulation and louvred ventilating classrooms. The rallying extends to getting around with cars sporting dodgem bumpers. Travelling 10 kilometres takes an hour, a million beeps and some financial socialising out the windows. Public transport may be working hard to keep pace with the kinetic city but it starts at the back of the grid, as the panelwork to the buses visibly collage. Getting to where we want to go takes some effort. An above-ground subway system has been started but not finished and the folk enticingly riding on top of trains typically aren’t off looking for architecture. There’s the three-wheeled rickshaw option, of course: formerly pedalled but, in recent months, souped-up with the allowance of car batteries to the back axle. Even so, manoeuvring further than nearby takes more than any rider is up for. So, as we head out for lunch with architect Marina Tabassum and then beep beep beep out further to her extraordinary Bait Ur Rouf Jame Mosque in Dhaka’s northern expansion, we learn that having everything close helps. Neighbourhoods remain important in megacities. Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image:  Jeremy Smith The mosque deserves the full medley and gently uplifts as all great architecture does, be it for the community or off-the-street visitors like us. Marina Tabassum Architects is, of course, internationally renowned for its architectural stand against globalised buildings that are out of place and context, notably winning an Aga Khan Award for Architecture in 2016 and being selected to undertake the 2025 Serpentine Pavilion in London. With the site at 13 degrees to the axis of qibla in Mecca, Tabassum sits the mosque on a five-step plinth with a squared, ventilating brick jali and a circular ceilinged prayer space rotated off centre. In a lesson to building only what you need, the spaces between remain unroofed and the perimeter daylight illumination provides a diminished and equalling light to the prayer space. It needs no explanation: look up and there are constellations in the sky; look outwards and find community; look to the mihrab notching the outside wall and orientate to Mecca. Tabassum’s dive is splashless, for the mosque has self-navigated being enveloped by the city. The entry pond may have gone and the mihrab now reveals buildings rather than fields but the light still shines the way. Four hundred people take prayer several times a day within the inner circle, and the weekend Friday crowd spreads outwards to the borders and plinth. We are two days in at this point and our not-getting-lost-practice is going well. We meet architect Salauddin Ahmed whose Atelier Robin Architects studio and gallery in a former tannery building is so hidden away that it feels both lost and right at home. It’s surrounded by the latticing roofs of informal settlements and, remarkably, feels quiet and yet, genuinely, part of the city. No mean feat in a city, “living”, as Ahmed puts it, “as if this is the last day on earth”. Noise is life in Dhaka; Ahmed’s windows are open and the river is flowing. We talk the same language of architecture understanding existing context and needing to accommodate change in shorter and shorter time frames. Where I say “participate”, Ahmed terms “navigate” and without any sense of overseeing for there is just so much life in Dhaka. We mean the same thing and get there from very different landscapes. The next morning, we go where transport can’t. Old Dhaka’s alleyways require some extra eyes, so Ahmed calls in his friend, photographer Khademul Insan, who has lived this labyrinth. This is the densest part of Dhaka and there’s a lot in the air. “Wear this,” says Ahmed, passing a mask. “Otherwise, you’ll cough for four weeks.” It is deep. There’s so much WiFi that it strands like some kind of underworld sun-shading. Our service provider isn’t expecting this kind of roaming and we have no connection. If our collective Kiwi wayfinding skills might have fluked a way in, we certainly need leading out. As the lanes narrow, the industry broadens into some kind of Mad Max circular economy where everything of anything has value and the fires that keep these people afloat run continuously. Mercifully, it’s not raining or there’d be a different type of river afoot. Fifteen kilometres and all day later, we’ve walked to search for culturally significant mosques, houses, courtyards and schools. Some we locate; others, there’s just no finding. Maybe they are there, maybe they aren’t. Occasionally, there are scripts cautioning against graffiti or carving a name into the stonework at the risk of imprisonment, but there are few clues to any architectural history. In the pinch, buildings jostle to just about every possible place a building might go: on top, under, in front, behind. They infill courtyards, hang over laneways, squeeze into gaps, even penalising what’s left of a football field. Every seat is taken, literally. Whenever we find public space off the street, there are couples dating. There’s a lot of romance in 25 million. Eventually, we exit and finally see a river. I remember the swimming lessons are strictly metaphoric and look but don’t touch. You don’t need to get wet to learn how to swim. As Ahmed guides, and he speaks with Ashraf, Tabassum, Insan and experience to what we must remember in densifying our own cities. “I belong to one of the last generations that truly understand what it means to have neighbours.”7 Context counts no matter the size. Our rivers are not yet streams. REFERENCES 1 Kazi Khaleed Ashraf, ‘Note from the Director General: Land, Water and Settlements’. bengal.institute/about Accessed 29.12.2024. 2 Ashley Westerman, 2019, “Should rivers have same legal rights as humans? A growing number of voices say yes”, National Public Radio. npr.org/2019/08/03/740604142 3 August 2019. 3 Kazi Khaleed Ashraf, ‘Note from the Director General: Land, Water and Settlements’. bengal.institute/about Accessed 29.12.2024. 4 Kazi Khaleed Ashraf, ‘Wet Narratives: Architecture Must Recognise that the Future is Fluid’ in The Mother Tongue of Architecture: Selected writings of Kazi Khaleed Ashraf. ORO Editions and Bengal Institute for Architecture, Landscape and Settlements, China: p. 251. 5 Ibid. 6 Adnan Morshed, 2017, ‘Modernism as Postnationalist Politics: Muzharul Islam’s Faculty ofFine Arts’, Journal of the Society of Architectural Historians, 2017. 7 Salauddin Ahmed, 2024, “Design must not be a superimposed idea, but a logical one”, The Daily Star, Dhaka, 25 December 2024. #essay #bangladesh
    ARCHITECTURENOW.CO.NZ
    Essay from Bangladesh
    Click to enlarge Housing build-ups in Dhaka. Image: Jeremy Smith 1 of 11 Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: Jeremy Smith 2 of 11 Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: Jeremy Smith 3 of 11 Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: Jeremy Smith 4 of 11 Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image: Jeremy Smith 5 of 11 Old Dhaka and 45,000 people per square kilometre. Image: Jeremy Smith 6 of 11 Buses collage life on the roads. Image: Jeremy Smith 7 of 11 Lattice-work roofing of the informal settlements, viewed from Salauddin Ahmed’s Atelier Robin Architects studio. Image: Jeremy Smith 8 of 11 The colour and vibrancy of Dhaka life. Image: Jeremy Smith 9 of 11 The colour and vibrancy of Dhaka life. Image: Jeremy Smith 10 of 11 The colour and vibrancy of Dhaka life. Image: Jeremy Smith 11 of 11 Architects Jeremy Smith and Murali Bhaskar go looking for water and hard-to-find buildings in what is already one of the world’s most populous mega-cities, Dhaka. Architecture here is rarely properly lost. Even now, as we navigate a way to higher-density living, we tend not to misplace buildings. There’s still the space to eye-spy our most wayward elevations. At worst, we might GPS a tricky driveway or pull out an Andrew Barrie map to pinpoint some retiring architecture. But what happens if you really diamond-up the density. At our country-wide 19-people-per-square-kilometre or even downtown Auckland’s sky-high 2500, you can see what’s coming and cities mostly plan out as planned. Teleport forward though to 45,000-people-per-square-kilometre and cities accelerate lives of their own. Here, anything and everything can be lost in the crowd, even buildings. So, on a 2024 invitation from the Bengal Institute for Architecture, Landscape and Settlements to share some Unfinished & Far Far Away adventures in “the toughest city in the world”,1 I pack some extra compassing in architect buddy Murali Bhaskar and go architectural orienteering in Dhaka. It’s hot hot; architecture can wait. We start by looking for water. This, after all, is the land of rivers. Following on from Aotearoa in 2017 being the first to give a specific river, Te Awa Tupua, legal rights, Bangladesh in 2019 became the first country to grant all of its some 700 rivers the same legal status that humans have.2 But the count varies. Protections readily miss smaller tributaries and, with all that water pouring out of the Himalayas and delta-ing into the Bay of Bengal, the land is accretional. The colour and vibrancy of Dhaka life. Image:  Jeremy Smith From the million or so starters in a newly independent 1971 Dhaka, today, it is the fourth-most-populated city in the world with somewhere near 25 million people. Whether for disaster relief, economics or just the bright lights, urbanisation draws more than 400,000 new residents annually to the city. Throw in some family time and, with Tokyo and Shanghai shrinking, Dhaka’s population is predicted to be an eyewatering 35 million by 2050 (and outnumbered only by Delhi and, in some books, Mumbai). When every possible place looks inhabited, it’s not just water that can quickly go to ground. Kazi Khaleed Ashraf, who heads the Bengal Institute, has some learned thinkers in tow in trying to keep pace architecturally. Throw in societal and climatic concerns, and questions about how contextualisation might operate at such speed and the inquiry takes global precedence. Kenneth Frampton, Rounaq Jahan, Suha Özkan, Shamsul Wares and, formerly, BV Doshi, sit on the advisory panel and have drawn other such worldly thinkers as Juhani Pallasmaa, David Leatherbarrow and, even, Peter Stutchbury from down our way to come experience an urban existence “symptomatic of the gravest environmental challenges”.3 It’s serious stuff. Ashraf researches “hydraulic flow in which horizontal and vertical movements of water may direct architectural and landscape formations”.4 This ‘form follows water’ mantra isn’t just free planning Le Corbusier’s ‘form follows function’ with some Charles Correa’s ‘form follows climate’ to connect to life outside, it’s a watery warning to the navigations quickly necessitating within our collective future. Ashraf’s timely prompt that “Embankment is a barrier. How can we deconstruct it”5 can be seen in the way we increasingly plan the separation of wet and dry in our cities. Main streets like Queen Street and Cambridge Terrace already run down streams and our remaining water edges risk becoming increasingly marginalised by infrastructure rising with the water. But the steering is different at density and Dhaka’s rapid growth has meant letting go of the controls with which we still understand cities to flow. As Ashraf puts it, “Dhaka builds furiously”. While we dutifully plan buildings as if crawling a length or two at the aquatic centre, architecture in Dhaka must high-dive into a torrent. Its buildings must learn to surface and really start kicking. Anything trying to hold ground risks being swept away. Dhaka has become a river. As if to university-entrance the swimming lesson to densification, we’ve arrived only a few months after an Indian helicopter plucked Bangladesh’s president from a student-led flood of unrest amongst civil rights and corruption demonstrations. We might think of universities as offering time for trying things on but, sink or swim, the students here now run the country. With the parliament dissolved, there’s no chance of us seeing inside Louis Kahn’s 1982 National Assembly Building, which, like many of Dhaka’s institutional buildings, took on something of a freshening in the coup. Remembering our government’s pre-departure, bold-italic travel advisory, we head out to practise avoiding street demonstrations and are rewarded with a fenced-off view of Kahn’s epic, which brought global architectural discourse to post-independent Bangladesh. No such authoritative access issues back at the university, where, amongst the student political murals, we visit Muzharul Islam’s 1953–1956 Fine Arts Institute. Islam introduced modernism to the then East Pakistan6 and, in testament, the school still functions as a school, with its external verandah circulation and louvred ventilating classrooms. The rallying extends to getting around with cars sporting dodgem bumpers. Travelling 10 kilometres takes an hour, a million beeps and some financial socialising out the windows. Public transport may be working hard to keep pace with the kinetic city but it starts at the back of the grid, as the panelwork to the buses visibly collage. Getting to where we want to go takes some effort. An above-ground subway system has been started but not finished and the folk enticingly riding on top of trains typically aren’t off looking for architecture. There’s the three-wheeled rickshaw option, of course: formerly pedalled but, in recent months, souped-up with the allowance of car batteries to the back axle. Even so, manoeuvring further than nearby takes more than any rider is up for. So, as we head out for lunch with architect Marina Tabassum and then beep beep beep out further to her extraordinary Bait Ur Rouf Jame Mosque in Dhaka’s northern expansion, we learn that having everything close helps. Neighbourhoods remain important in megacities. Marina Tabassum Architects’ Bait Ur Rouf Jame Mosque. Image:  Jeremy Smith The mosque deserves the full medley and gently uplifts as all great architecture does, be it for the community or off-the-street visitors like us. Marina Tabassum Architects is, of course, internationally renowned for its architectural stand against globalised buildings that are out of place and context, notably winning an Aga Khan Award for Architecture in 2016 and being selected to undertake the 2025 Serpentine Pavilion in London. With the site at 13 degrees to the axis of qibla in Mecca, Tabassum sits the mosque on a five-step plinth with a squared, ventilating brick jali and a circular ceilinged prayer space rotated off centre. In a lesson to building only what you need, the spaces between remain unroofed and the perimeter daylight illumination provides a diminished and equalling light to the prayer space. It needs no explanation: look up and there are constellations in the sky; look outwards and find community; look to the mihrab notching the outside wall and orientate to Mecca. Tabassum’s dive is splashless, for the mosque has self-navigated being enveloped by the city. The entry pond may have gone and the mihrab now reveals buildings rather than fields but the light still shines the way. Four hundred people take prayer several times a day within the inner circle, and the weekend Friday crowd spreads outwards to the borders and plinth. We are two days in at this point and our not-getting-lost-practice is going well. We meet architect Salauddin Ahmed whose Atelier Robin Architects studio and gallery in a former tannery building is so hidden away that it feels both lost and right at home. It’s surrounded by the latticing roofs of informal settlements and, remarkably, feels quiet and yet, genuinely, part of the city. No mean feat in a city, “living”, as Ahmed puts it, “as if this is the last day on earth”. Noise is life in Dhaka; Ahmed’s windows are open and the river is flowing. We talk the same language of architecture understanding existing context and needing to accommodate change in shorter and shorter time frames. Where I say “participate”, Ahmed terms “navigate” and without any sense of overseeing for there is just so much life in Dhaka. We mean the same thing and get there from very different landscapes. The next morning, we go where transport can’t. Old Dhaka’s alleyways require some extra eyes, so Ahmed calls in his friend, photographer Khademul Insan, who has lived this labyrinth. This is the densest part of Dhaka and there’s a lot in the air. “Wear this,” says Ahmed, passing a mask. “Otherwise, you’ll cough for four weeks.” It is deep. There’s so much WiFi that it strands like some kind of underworld sun-shading. Our service provider isn’t expecting this kind of roaming and we have no connection. If our collective Kiwi wayfinding skills might have fluked a way in, we certainly need leading out. As the lanes narrow, the industry broadens into some kind of Mad Max circular economy where everything of anything has value and the fires that keep these people afloat run continuously. Mercifully, it’s not raining or there’d be a different type of river afoot. Fifteen kilometres and all day later, we’ve walked to search for culturally significant mosques, houses, courtyards and schools. Some we locate; others, there’s just no finding. Maybe they are there, maybe they aren’t. Occasionally, there are scripts cautioning against graffiti or carving a name into the stonework at the risk of imprisonment, but there are few clues to any architectural history. In the pinch, buildings jostle to just about every possible place a building might go: on top, under, in front, behind. They infill courtyards, hang over laneways, squeeze into gaps, even penalising what’s left of a football field. Every seat is taken, literally. Whenever we find public space off the street, there are couples dating. There’s a lot of romance in 25 million. Eventually, we exit and finally see a river. I remember the swimming lessons are strictly metaphoric and look but don’t touch. You don’t need to get wet to learn how to swim. As Ahmed guides, and he speaks with Ashraf, Tabassum, Insan and experience to what we must remember in densifying our own cities. “I belong to one of the last generations that truly understand what it means to have neighbours.”7 Context counts no matter the size. Our rivers are not yet streams. REFERENCES 1 Kazi Khaleed Ashraf, ‘Note from the Director General: Land, Water and Settlements’. bengal.institute/about Accessed 29.12.2024. 2 Ashley Westerman, 2019, “Should rivers have same legal rights as humans? A growing number of voices say yes”, National Public Radio. npr.org/2019/08/03/740604142 3 August 2019. 3 Kazi Khaleed Ashraf, ‘Note from the Director General: Land, Water and Settlements’. bengal.institute/about Accessed 29.12.2024. 4 Kazi Khaleed Ashraf, ‘Wet Narratives: Architecture Must Recognise that the Future is Fluid’ in The Mother Tongue of Architecture: Selected writings of Kazi Khaleed Ashraf. ORO Editions and Bengal Institute for Architecture, Landscape and Settlements, China: p. 251. 5 Ibid. 6 Adnan Morshed, 2017, ‘Modernism as Postnationalist Politics: Muzharul Islam’s Faculty ofFine Arts (1953–1956)’, Journal of the Society of Architectural Historians, 2017. 7 Salauddin Ahmed, 2024, “Design must not be a superimposed idea, but a logical one”, The Daily Star, Dhaka, 25 December 2024.
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  • LTTP: Split Fiction - This scored how high on OpenCritic??

    TheDanimal
    победитель победитель куриный ужин
    Member

    Oct 25, 2017

    878

    The year is 2025, you've finally made it as a journalist for your favorite gaming outlet. It's time for your first big review for a game, Split Fiction by Hazelight Studios. Sweet! you think to yourself I loved A Way Out and It Takes Two, I bet my partner will love to play this game with me! Heck, it might even make for a fun review!

    And then you started playing the game. With writing straight out of your favorite director's least favorite movie and gameplay from your least favorite Mario Party game, Split Fiction makes sure to waste your time in all the wrong ways. Starting to enjoy a gameplay mechanic? Too bad, you only get to do it once. Hate a mechanic? Great news, you have to roll an egg down a hill for the next 30 minutes.

    It's 12 hours before the review is due, and you're sitting on a 6/10 score. You've read the thoughts of your other journalist friends, and they seem to agree with you. The game seems fine, nothing great, nothing terrible. Your partner walks in and asks if they can read your review.
    Partner: Wait, a 6/10?? I thought we had a great time playing this game!?
    You, trying to salvage the situation: I'm so glad we played it together, but I really only liked the pig side story, the centipede section, and the ending section had a cool theme! I wish the whole game had been like that...
    Partner: But you were laughing! You know how much I don't like to play video games, and I had a great time playing this video game! Mio and Zoe were so relatable and fun.
    You: Babe, they had the most formulaic arcs I've ever consumed in media. They were neither relatable nor fun.
    Partner: ...
    You: ...
    You: Ok, how about an 8/10?

    Four days later, the embargo drops
    You: 90?????????? 

    Zips
    Member

    Oct 25, 2017

    4,058

    What?

    No seriously... what? 

    RoastBeeph
    Member

    Oct 29, 2017

    1,157

    Wtf thread is this? I'm confused.
     

    KZXcellent
    One Winged Slayer
    Member

    Oct 25, 2017

    4,180

    ???
     

    Soulflarz
    Member

    Oct 25, 2017

    3,985

    RoastBeeph said:

    Wtf thread is this? I'm confused.

    Click to expand...
    Click to shrink...

    LTTP: split fiction isnt fun and how the hell did it score high 

    Lotus
    One Winged Slayer
    Member

    Oct 25, 2017

    124,193

    Wat
     

    R O T
    Member

    Jan 1, 2021

    5,047

     

    OP

    OP

    TheDanimal
    победитель победитель куриный ужин
    Member

    Oct 25, 2017

    878

    R O T said:

    it's ok josef i still love and respect you
     

    Ryengeku
    Member

    Oct 26, 2017

    6,207

    California, US

    Yes, the story wasn't anything stellar but the gameplay was even more of a step up from It Takes Two. It still deserves its high score.
     

    Ferrio
    Member

    Oct 25, 2017

    19,798

    Was my GOTY until Expedition 33 hit. Amazing game. And while the overall story is pretty simple, the characters are well fleshed out. Even if both characters suckedthe gameplay still would justify the scores.
     

    modiz
    Member

    Oct 8, 2018

    19,264

    Funny for me how this LTTP is meant to say the game is not nearly as fun as others make it seem, then proceed to say how your partner seemed to really enjoy all of it, and they even got the impression you enjoyed a lot of it too.

    Seems like you are trying to overly analyze a game that is all about enjoying doing a whole bunch of activities with your friend/partner, and the writing is pretty much on the samelevel as It Takes Two and A Way Out, I didnt feel it is either better or worse than either of them. Its just best enjoyed by messing around and laughing with a friend, and most reviewers treated it like that. 

    Katbobo
    Member

    May 3, 2022

    8,278

    are you drunk are you safe are you okay
     

    SixtyFourBlades
    Teyvat Traveler
    Member

    Oct 27, 2017

    8,891

    I'm so confused lol
     

    ynthrepic
    Member

    Oct 25, 2017

    924

    Is this role play or AI?
     

    DespiteTheNora
    Member

    Jan 30, 2025

    1,778

    I didn't play it but I think you really enjoyed it
     

    Mekanos
    ▲ Legend ▲
    Member

    Oct 17, 2018

    48,586

    It's Memorial Day weekend alright
     

    Tom Nook Says...
    Member

    Jan 15, 2019

    7,406

    I mean, yes, the characters were pretty two-dimensional and the game insisted on constantly positioning them as polar opposites to each other in a hokey waybut I don't put much stock into videogame stories, they're a means to an end in most cases. And when it comes to the actual gameplay of Split Fiction, my partner and I had a great time pretty much start to finish. I was constantly pleasantly surprised by the number of ideas and concepts the game throws at you while rarely repeating any of them.
     

    TissueBox
    Member

    Oct 25, 2017

    12,465

    Urinated States of America

    GOTY!
     

    Chaserjoey
    Keeper of the White Materia
    Member

    Oct 27, 2017

    9,907

    It deserved a 90 purely based on not having an annoying as fuck romance book popping up all the time.
     

    Papercuts
    Prophet of Truth
    Member

    Oct 25, 2017

    12,732

    wat

    But yes a game that is 12-15 hours long of engaging, constantly varied coop mechanics that rapid fires ideas while being super polished and breezy resonates with people. 

    Anustart
    9 Million Scovilles
    Avenger

    Nov 12, 2017

    9,692

    Same way I felt about it and It Takes Two. Basic gameplay but it's coop and has high production values.

    Not bad games, but middle of the road for me. 

    OP

    OP

    TheDanimal
    победитель победитель куриный ужин
    Member

    Oct 25, 2017

    878

    my favorite part was the boss fight where you jump around aimlessly until you can do damage i thought that was neat
     

    Mau
    Member

    Oct 25, 2017

    3,583

    Can't say I agree with this take at all. Split Fiction is one of most inventive games I've played in years.
     

    Soulflarz
    Member

    Oct 25, 2017

    3,985

    Anustart said:

    Same way I felt about it and It Takes Two. Basic gameplay but it's coop and has high production values.

    Not bad games, but middle of the road for me.
    Click to expand...
    Click to shrink...

    I think I enjoyed ITT way way more since it was the first time they did it, both have whatever stories and if ITT was another 10hr longer it would've been painful so doing it all a second time again was...rough... 

    Khaidu
    Member

    Oct 28, 2017

    288

    That's a pretty good way to show how little you know about how reviews work.
     

    Aeana
    Member

    Oct 25, 2017

    7,574

    Is the point of this roleplay exercise to assert that the game only scored highly because reviewers were bullied by their non-gaming partners?
     

    Awcko
    Member

    Oct 25, 2017

    74

    If you liked their other games and yet the writing is somehow a sticking point in this one, I really don't know what to tell you.
     

    Hoggle
    Member

    Mar 25, 2021

    6,784

    I've been playing it on and off with a roommate and yeah…

    Maybe it's because I grew up with Split ClScreen games so this isn't that novel an idea, but it's a bunch of 6/10 idea with decent presentation and a godawful story.

    Had the characters not been constant assholes and maybe somewhat humorous, I'd have enjoyed it much more. But I'd rather play Earth Defence Force, Resident Evil 5, or a Halo campaign with my roommate. 

    Vulcano's Assistant
    Member

    Oct 29, 2017

    15,380

    The one disappointing thing about this game is that it just ignores the genres of fiction it builds its narrative around and instead doubles down on video game references, which is not bad because they do it through gameplay and It is a nice love letter to video games throughout, but the whole story being about writers and not exploring any of it just raises your hopes for something that isn't there.

    It is almost like a gamer's idea of what fantasy books and sci fi books are about, but all the fantasy and sci fi they consumed was from video games and not from novels. 

    Faiyaz
    Member

    Nov 30, 2017

    6,675

    Bangladesh

    Artificially intelligent weekend thread
     

    Lampa
    Member

    Feb 13, 2018

    4,009

    Interesting OP.

    Anyway I just think it's far too long. 

    burgervan
    Member

    Oct 27, 2017

    1,456

    You could write for Hazelight.
     
    #lttp #split #fiction #this #scored
    LTTP: Split Fiction - This scored how high on OpenCritic??
    TheDanimal победитель победитель куриный ужин Member Oct 25, 2017 878 The year is 2025, you've finally made it as a journalist for your favorite gaming outlet. It's time for your first big review for a game, Split Fiction by Hazelight Studios. Sweet! you think to yourself I loved A Way Out and It Takes Two, I bet my partner will love to play this game with me! Heck, it might even make for a fun review! And then you started playing the game. With writing straight out of your favorite director's least favorite movie and gameplay from your least favorite Mario Party game, Split Fiction makes sure to waste your time in all the wrong ways. Starting to enjoy a gameplay mechanic? Too bad, you only get to do it once. Hate a mechanic? Great news, you have to roll an egg down a hill for the next 30 minutes. It's 12 hours before the review is due, and you're sitting on a 6/10 score. You've read the thoughts of your other journalist friends, and they seem to agree with you. The game seems fine, nothing great, nothing terrible. Your partner walks in and asks if they can read your review. Partner: Wait, a 6/10?? I thought we had a great time playing this game!? You, trying to salvage the situation: I'm so glad we played it together, but I really only liked the pig side story, the centipede section, and the ending section had a cool theme! I wish the whole game had been like that... Partner: But you were laughing! You know how much I don't like to play video games, and I had a great time playing this video game! Mio and Zoe were so relatable and fun. You: Babe, they had the most formulaic arcs I've ever consumed in media. They were neither relatable nor fun. Partner: ... You: ... You: Ok, how about an 8/10? Four days later, the embargo drops You: 90??????????  Zips Member Oct 25, 2017 4,058 What? No seriously... what?  RoastBeeph Member Oct 29, 2017 1,157 Wtf thread is this? I'm confused.   KZXcellent One Winged Slayer Member Oct 25, 2017 4,180 ???   Soulflarz Member Oct 25, 2017 3,985 RoastBeeph said: Wtf thread is this? I'm confused. Click to expand... Click to shrink... LTTP: split fiction isnt fun and how the hell did it score high  Lotus One Winged Slayer Member Oct 25, 2017 124,193 Wat   R O T Member Jan 1, 2021 5,047   OP OP TheDanimal победитель победитель куриный ужин Member Oct 25, 2017 878 R O T said: it's ok josef i still love and respect you   Ryengeku Member Oct 26, 2017 6,207 California, US Yes, the story wasn't anything stellar but the gameplay was even more of a step up from It Takes Two. It still deserves its high score.   Ferrio Member Oct 25, 2017 19,798 Was my GOTY until Expedition 33 hit. Amazing game. And while the overall story is pretty simple, the characters are well fleshed out. Even if both characters suckedthe gameplay still would justify the scores.   modiz Member Oct 8, 2018 19,264 Funny for me how this LTTP is meant to say the game is not nearly as fun as others make it seem, then proceed to say how your partner seemed to really enjoy all of it, and they even got the impression you enjoyed a lot of it too. Seems like you are trying to overly analyze a game that is all about enjoying doing a whole bunch of activities with your friend/partner, and the writing is pretty much on the samelevel as It Takes Two and A Way Out, I didnt feel it is either better or worse than either of them. Its just best enjoyed by messing around and laughing with a friend, and most reviewers treated it like that.  Katbobo Member May 3, 2022 8,278 are you drunk are you safe are you okay   SixtyFourBlades Teyvat Traveler Member Oct 27, 2017 8,891 I'm so confused lol   ynthrepic Member Oct 25, 2017 924 Is this role play or AI?   DespiteTheNora Member Jan 30, 2025 1,778 I didn't play it but I think you really enjoyed it   Mekanos ▲ Legend ▲ Member Oct 17, 2018 48,586 It's Memorial Day weekend alright   Tom Nook Says... Member Jan 15, 2019 7,406 I mean, yes, the characters were pretty two-dimensional and the game insisted on constantly positioning them as polar opposites to each other in a hokey waybut I don't put much stock into videogame stories, they're a means to an end in most cases. And when it comes to the actual gameplay of Split Fiction, my partner and I had a great time pretty much start to finish. I was constantly pleasantly surprised by the number of ideas and concepts the game throws at you while rarely repeating any of them.   TissueBox Member Oct 25, 2017 12,465 Urinated States of America GOTY!   Chaserjoey Keeper of the White Materia Member Oct 27, 2017 9,907 It deserved a 90 purely based on not having an annoying as fuck romance book popping up all the time.   Papercuts Prophet of Truth Member Oct 25, 2017 12,732 wat But yes a game that is 12-15 hours long of engaging, constantly varied coop mechanics that rapid fires ideas while being super polished and breezy resonates with people.  Anustart 9 Million Scovilles Avenger Nov 12, 2017 9,692 Same way I felt about it and It Takes Two. Basic gameplay but it's coop and has high production values. Not bad games, but middle of the road for me.  OP OP TheDanimal победитель победитель куриный ужин Member Oct 25, 2017 878 my favorite part was the boss fight where you jump around aimlessly until you can do damage i thought that was neat   Mau Member Oct 25, 2017 3,583 Can't say I agree with this take at all. Split Fiction is one of most inventive games I've played in years.   Soulflarz Member Oct 25, 2017 3,985 Anustart said: Same way I felt about it and It Takes Two. Basic gameplay but it's coop and has high production values. Not bad games, but middle of the road for me. Click to expand... Click to shrink... I think I enjoyed ITT way way more since it was the first time they did it, both have whatever stories and if ITT was another 10hr longer it would've been painful so doing it all a second time again was...rough...  Khaidu Member Oct 28, 2017 288 That's a pretty good way to show how little you know about how reviews work.   Aeana Member Oct 25, 2017 7,574 Is the point of this roleplay exercise to assert that the game only scored highly because reviewers were bullied by their non-gaming partners?   Awcko Member Oct 25, 2017 74 If you liked their other games and yet the writing is somehow a sticking point in this one, I really don't know what to tell you.   Hoggle Member Mar 25, 2021 6,784 I've been playing it on and off with a roommate and yeah… Maybe it's because I grew up with Split ClScreen games so this isn't that novel an idea, but it's a bunch of 6/10 idea with decent presentation and a godawful story. Had the characters not been constant assholes and maybe somewhat humorous, I'd have enjoyed it much more. But I'd rather play Earth Defence Force, Resident Evil 5, or a Halo campaign with my roommate.  Vulcano's Assistant Member Oct 29, 2017 15,380 The one disappointing thing about this game is that it just ignores the genres of fiction it builds its narrative around and instead doubles down on video game references, which is not bad because they do it through gameplay and It is a nice love letter to video games throughout, but the whole story being about writers and not exploring any of it just raises your hopes for something that isn't there. It is almost like a gamer's idea of what fantasy books and sci fi books are about, but all the fantasy and sci fi they consumed was from video games and not from novels.  Faiyaz Member Nov 30, 2017 6,675 Bangladesh Artificially intelligent weekend thread   Lampa Member Feb 13, 2018 4,009 Interesting OP. Anyway I just think it's far too long.  burgervan Member Oct 27, 2017 1,456 You could write for Hazelight.   #lttp #split #fiction #this #scored
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    LTTP: Split Fiction - This scored how high on OpenCritic??
    TheDanimal победитель победитель куриный ужин Member Oct 25, 2017 878 The year is 2025, you've finally made it as a journalist for your favorite gaming outlet. It's time for your first big review for a game, Split Fiction by Hazelight Studios. Sweet! you think to yourself I loved A Way Out and It Takes Two, I bet my partner will love to play this game with me! Heck, it might even make for a fun review! And then you started playing the game. With writing straight out of your favorite director's least favorite movie and gameplay from your least favorite Mario Party game, Split Fiction makes sure to waste your time in all the wrong ways. Starting to enjoy a gameplay mechanic? Too bad, you only get to do it once. Hate a mechanic? Great news, you have to roll an egg down a hill for the next 30 minutes. It's 12 hours before the review is due, and you're sitting on a 6/10 score. You've read the thoughts of your other journalist friends, and they seem to agree with you. The game seems fine, nothing great, nothing terrible. Your partner walks in and asks if they can read your review. Partner: Wait, a 6/10?? I thought we had a great time playing this game!? You, trying to salvage the situation: I'm so glad we played it together, but I really only liked the pig side story, the centipede section, and the ending section had a cool theme! I wish the whole game had been like that... Partner: But you were laughing! You know how much I don't like to play video games, and I had a great time playing this video game! Mio and Zoe were so relatable and fun. You: Babe, they had the most formulaic arcs I've ever consumed in media. They were neither relatable nor fun. Partner: ... You: ... You: Ok, how about an 8/10? Four days later, the embargo drops You: 90??????????  Zips Member Oct 25, 2017 4,058 What? No seriously... what?  RoastBeeph Member Oct 29, 2017 1,157 Wtf thread is this? I'm confused.   KZXcellent One Winged Slayer Member Oct 25, 2017 4,180 ???   Soulflarz Member Oct 25, 2017 3,985 RoastBeeph said: Wtf thread is this? I'm confused. Click to expand... Click to shrink... LTTP: split fiction isnt fun and how the hell did it score high  Lotus One Winged Slayer Member Oct 25, 2017 124,193 Wat   R O T Member Jan 1, 2021 5,047   OP OP TheDanimal победитель победитель куриный ужин Member Oct 25, 2017 878 R O T said: it's ok josef i still love and respect you   Ryengeku Member Oct 26, 2017 6,207 California, US Yes, the story wasn't anything stellar but the gameplay was even more of a step up from It Takes Two. It still deserves its high score.   Ferrio Member Oct 25, 2017 19,798 Was my GOTY until Expedition 33 hit. Amazing game. And while the overall story is pretty simple, the characters are well fleshed out. Even if both characters sucked (Looking at you It Takes Two) the gameplay still would justify the scores.   modiz Member Oct 8, 2018 19,264 Funny for me how this LTTP is meant to say the game is not nearly as fun as others make it seem, then proceed to say how your partner seemed to really enjoy all of it, and they even got the impression you enjoyed a lot of it too. Seems like you are trying to overly analyze a game that is all about enjoying doing a whole bunch of activities with your friend/partner, and the writing is pretty much on the same (mediocre) level as It Takes Two and A Way Out, I didnt feel it is either better or worse than either of them. Its just best enjoyed by messing around and laughing with a friend, and most reviewers treated it like that.  Katbobo Member May 3, 2022 8,278 are you drunk are you safe are you okay   SixtyFourBlades Teyvat Traveler Member Oct 27, 2017 8,891 I'm so confused lol   ynthrepic Member Oct 25, 2017 924 Is this role play or AI?   DespiteTheNora Member Jan 30, 2025 1,778 I didn't play it but I think you really enjoyed it   Mekanos ▲ Legend ▲ Member Oct 17, 2018 48,586 It's Memorial Day weekend alright   Tom Nook Says... Member Jan 15, 2019 7,406 I mean, yes, the characters were pretty two-dimensional and the game insisted on constantly positioning them as polar opposites to each other in a hokey way ("Oh, you like the city? I could never live there, I love the country!") but I don't put much stock into videogame stories, they're a means to an end in most cases. And when it comes to the actual gameplay of Split Fiction, my partner and I had a great time pretty much start to finish. I was constantly pleasantly surprised by the number of ideas and concepts the game throws at you while rarely repeating any of them.   TissueBox Member Oct 25, 2017 12,465 Urinated States of America GOTY!   Chaserjoey Keeper of the White Materia Member Oct 27, 2017 9,907 It deserved a 90 purely based on not having an annoying as fuck romance book popping up all the time.   Papercuts Prophet of Truth Member Oct 25, 2017 12,732 wat But yes a game that is 12-15 hours long of engaging, constantly varied coop mechanics that rapid fires ideas while being super polished and breezy resonates with people.  Anustart 9 Million Scovilles Avenger Nov 12, 2017 9,692 Same way I felt about it and It Takes Two. Basic gameplay but it's coop and has high production values. Not bad games, but middle of the road for me.  OP OP TheDanimal победитель победитель куриный ужин Member Oct 25, 2017 878 my favorite part was the boss fight where you jump around aimlessly until you can do damage i thought that was neat   Mau Member Oct 25, 2017 3,583 Can't say I agree with this take at all. Split Fiction is one of most inventive games I've played in years.   Soulflarz Member Oct 25, 2017 3,985 Anustart said: Same way I felt about it and It Takes Two. Basic gameplay but it's coop and has high production values. Not bad games, but middle of the road for me. Click to expand... Click to shrink... I think I enjoyed ITT way way more since it was the first time they did it, both have whatever stories and if ITT was another 10hr longer it would've been painful so doing it all a second time again was...rough...  Khaidu Member Oct 28, 2017 288 That's a pretty good way to show how little you know about how reviews work.   Aeana Member Oct 25, 2017 7,574 Is the point of this roleplay exercise to assert that the game only scored highly because reviewers were bullied by their non-gaming partners?   Awcko Member Oct 25, 2017 74 If you liked their other games and yet the writing is somehow a sticking point in this one, I really don't know what to tell you.   Hoggle Member Mar 25, 2021 6,784 I've been playing it on and off with a roommate and yeah… Maybe it's because I grew up with Split ClScreen games so this isn't that novel an idea, but it's a bunch of 6/10 idea with decent presentation and a godawful story. Had the characters not been constant assholes and maybe somewhat humorous, I'd have enjoyed it much more. But I'd rather play Earth Defence Force, Resident Evil 5, or a Halo campaign with my roommate.  Vulcano's Assistant Member Oct 29, 2017 15,380 The one disappointing thing about this game is that it just ignores the genres of fiction it builds its narrative around and instead doubles down on video game references, which is not bad because they do it through gameplay and It is a nice love letter to video games throughout, but the whole story being about writers and not exploring any of it just raises your hopes for something that isn't there. It is almost like a gamer's idea of what fantasy books and sci fi books are about, but all the fantasy and sci fi they consumed was from video games and not from novels.  Faiyaz Member Nov 30, 2017 6,675 Bangladesh Artificially intelligent weekend thread   Lampa Member Feb 13, 2018 4,009 Interesting OP. Anyway I just think it's far too long.  burgervan Member Oct 27, 2017 1,456 You could write for Hazelight.  
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