Las escuelas de animación y efectos visuales parecen multiplicarse cada día. La comunicación en línea es, supuestamente, algo crucial. Ahora, 3DVF lanza una nueva oferta para mejorar la visibilidad de estas escuelas. No sé, parece que tener una buena presencia en línea es importante, pero, bueno, a veces todo esto suena un poco igual. Si a alguien le interesa, aquí está la información. #VisibilidadEnLínea #EscuelasDeAnimación #3DVF #EfectosVisuales #ComunicaciónDigital

This Is Why High-End Electric Cars Are Failing There's a simple reason why high-end EVs have failed to spark the imaginations of auto buyers. To remedy this, manufacturers need to revisit the days of the Model T.

¡Es increíble cómo un grupo como BüroDestruct, que lleva tres décadas "sacudiendo" el diseño suizo desde Berna, se ha convertido en un ícono de lo mediocre! ¿De verdad creemos que sus monografías son la cúspide del diseño? La arrogancia de presentarse como los "revolucionarios" del diseño suizo es simplemente ridícula. En lugar de innovar, parecen estancarse en un ciclo de auto-referencia y vanidad. ¿Dónde está la verdadera creatividad? ¿Dónde están las ideas frescas? La obsesión por el estilo y la estética ha eclipsado el propósito real del diseño. Es hora de dejar de idolatrar lo superficial y exigir autenticidad. ¡

It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation

In the quiet moments when the world feels too heavy, I find myself reflecting on the art of change. It’s strange how something as simple as a logo can embody so much about us. Just like Walmart, Burger King, and Uber have rebranded, shedding the old skin to embrace new beginnings, I often wonder if I too should change. But what happens when you feel too lost to even begin? Every time I look at the faded memories of my past, I am reminded of the colors that once defined me. They now seem dull, overshadowed by the weight of disappointment and solitude. In the shadows of a world that moves on without me, I find myself questioning if I ever mattered in the grand scheme of things. The feelings of abandonment wrap around me like a thick fog, making it hard to breathe, hard to see a way forward. Lisa Smith speaks of the perfect timing to change a logo, a mark of growth, a testament to evolution. But what if the only change I feel is the aching throb of loneliness? What if the rebranding I seek is not on a canvas, but rather within my heart? How do I find the strength to reinvent myself when all I feel is the sting of being left behind? Each day becomes a reminder that I am just a shadow in a bustling crowd, a fleeting thought in someone’s mind. The vibrant hues of joy seem to fade further, leaving only the black and white of my reality. It’s as if I’m waiting for a sign, a call to action that never arrives. I watch others change and flourish, while I remain stagnant, anchored by the weight of my own fears. The pain of feeling unseen is often unbearable. I yearn for connection, for someone to notice the subtle shifts within me, to acknowledge the struggle that lies beneath the surface. Yet, I find myself wrapped in silence, afraid to reach out, afraid to be vulnerable once more. Rebranding, as Lisa Smith suggests, is more than a visual update; it’s a reinvention of the self, an embrace of what could be. But how can I embrace change when I am still healing from the scars of the past? It feels as though I am caught in a loop, watching the world evolve while I cling to the remnants of who I was. Perhaps one day, I will gather the courage to shed my old skin and step into the light. Until then, I will carry this burden of loneliness, hoping that the dawn of tomorrow brings with it the promise of transformation. For now, I remain a distant observer, yearning for the day when I can finally say, “I am ready to change.” #Loneliness #Change #Heartbreak #ReinventYourself #EmotionalJourney

Wētā FX’s expansion to Melbourne is being hailed as a major win in an industry riddled with closures and financial turmoil. But let’s not kid ourselves here—this is not a savior story; it’s a slap in the face to countless talented artists and technicians who are being left behind as the corporate machine churns on. While Wētā FX flaunts its 7 Oscars and 15 scientific and technical Oscars as if they’re badges of honor, the reality is that this expansion might just be another ploy to exploit cheaper labor and maximize profits at the expense of quality and creativity. In a time when studios are shutting down left and right, it’s baffling that Wētā FX thinks it’s a good idea to stretch its reach into Melbourne without addressing the glaring issues within its own operations. This is not a victory for the industry; it’s a desperate attempt to keep the lights on while ignoring the systemic problems that plague the visual effects sector. The industry is facing a crisis, and instead of addressing the root causes—overwork, underpayment, and the relentless pressure of unrealistic deadlines—Wētā FX is just trying to grab a bigger piece of the pie. Why are we celebrating an expansion that could potentially lead to more instability in the job market? Wētā FX’s move to Melbourne could mean more jobs, yes, but at what cost? What about the existing employees who are already stretched thin? What about the mounting pressure on creative professionals who are forced to churn out blockbuster effects at breakneck speed? This isn’t about creating a sustainable work environment; it’s about profit margins and shareholder satisfaction. The problem is not just with Wētā FX; it’s a symptom of a much larger issue within the film and visual effects industry. The constant churn of studios coming and going, along with the relentless demands placed on creative teams, reflects a broken system that prioritizes profits over people. We should be holding companies accountable rather than just cheering for their expansions. If we don’t start demanding change, we’ll continue to see a cycle of burnout, layoffs, and a steady decline in the quality of work that audiences expect. And let's talk about the so-called "innovation" that Wētā FX touts. What innovation can we expect when the focus is on expanding to new locations rather than investing in the workforce? New studios don’t equate to new ideas or better working conditions. It’s time to wake up and realize that this is a business-first mentality that’s doing nothing but harming the very fabric of creativity that the industry claims to uphold. In conclusion, while Wētā FX makes headlines for its expansion to Melbourne, we should be questioning the motives behind such moves. This isn’t a time for celebration; it’s a time for scrutiny. If we want to see real progress in the industry, we must demand more than just superficial growth. We need to advocate for a system that values the people behind the effects, not just the awards they rack up. #WētāFX #VisualEffects #IndustryCritique #JobMarket #CreativeProfessionals

Ah, the magical world of 3D printing! Who would have thought that the secrets of crafting quality cosplay props could be unlocked with just a printer and a little patience? It’s almost like we’re living in a sci-fi movie, but instead of flying cars and robot servants, we get to print our own Spider-Man masks and Thor's hammers. Because, let’s face it, who needs actual craftsmanship when you have a 3D printer and a dash of delusion? Picture this: You walk into a convention, proudly wearing your freshly printed Spider-Man mask—its edges rough and its colors a little off, reminiscent of the last time you tried your hand at a DIY project. You can almost hear the gasps of admiration from fellow cosplayers, or maybe that’s just them trying to suppress their laughter. But hey, you saved a ton of time with that “minimal post-processing”! Who knew that “minimal” could also mean “looks like it was chewed up by a printer that’s had one too many?” And let’s not forget about Thor’s hammer, Mjölnir. Because nothing says “God of Thunder” quite like a clunky piece of plastic that could double as a doorstop. The best part? You can claim it’s a unique interpretation of Asgardian craftsmanship. Who needs authenticity when you have the power of 3D printing? Just make sure to avoid any actual thunder storms—after all, we wouldn’t want your new prop to melt in the rain, or worse, have it be mistaken for a water gun! Now, if you’re worried about how long it takes to print your masterpiece, fear not! You can always get lost in the mesmerizing whirl of the printer’s head, contemplating the deeper meaning of life while waiting for hours to see if your creation will actually resemble the image you downloaded from the internet. Spoiler alert: it probably won’t, but that’s part of the fun, right? Oh, and let’s not forget the joy of explaining to your friends that you “crafted” these pieces with care, while they’re blissfully unaware that you merely pressed a few buttons and hoped for the best. After all, why invest time in traditional crafting techniques when you can embrace the magic of technology? So, grab your 3D printer and let your imagination run wild! Who needs actual skills when you can print your dreams, layer by layer, with a side of mediocre results? Just remember, in the world of cosplay, it’s not about the journey; it’s about how many likes you can get on that Instagram post of you holding your half-finished Thor’s hammer like it’s the Holy Grail of cosplay. #3DPrinting #CosplayProps #SpiderMan #ThorsHammer #DIYDelusions

Apple has been up to something again, I guess. They made a custom iPhone camera for the new 'F1' movie. Not sure why, but it seems they mounted this thing on Formula One cars for actual races. It's supposed to capture some racing scenes, or whatever. The camera uses an iPhone sensor and the A-series chip. Sounds fancy, but honestly, I don’t really care that much. I mean, sure, iPhone cameras are decent, but are they really necessary for F1? I can imagine the whole setup being a bit over the top. I guess it’s nice for filmmaking or whatever, but it feels like just another way to show off. They probably think this will make the racing scenes look super cool or something. But again, I wonder if anyone will actually notice or appreciate it while watching fast cars whiz by. Feels like a lot of fuss for something that might not even make a big difference. So, long story short, Apple is trying to be all innovative with this custom iPhone camera for the ‘F1’ movie. It’s on actual cars, and they think it will enhance the racing scenes. I don’t know, man. Sounds like something to make headlines, but will it really change anything? Maybe it will just be another tech gimmick. Anyway, that's all I got. Not much else to say about it, really. Just another day, another tech move that feels kinda unnecessary. #Apple #F1 #iPhoneCamera #MovieTech #RacingScenes

In the stillness of the night, I often find myself reflecting on the weight of solitude that has become my constant companion. It's a heavy silence, tinged with the echoes of laughter that once filled my world, now replaced by the cold glow of screens that seem to understand me less with every passing day. The irony is palpable; as we forge connections through social media, we often find ourselves more isolated than ever. 💔 The truth is, behind the prohibition of social networks for minors lies a heartbreaking reality—one that speaks to the vulnerability of youth navigating a digital landscape rife with dangers. It's easy to dismiss the issue, to overlook the silent suffering of those who, with a mere click, can stumble into a world that doesn’t care for their innocence. They enter these platforms seeking companionship, yet they often leave with scars they cannot articulate. 😢 When I think about the legislation that France has introduced in 2023, I can't help but feel a flicker of hope amidst the despair. Perhaps it is a step towards acknowledging the fragility of young hearts, a recognition of the grave responsibilities that come with such unfettered access. But still, I wonder—what about the children who have already fallen through the cracks? The ones who are left alone in a virtual void, seeking validation from faceless profiles, only to be met with rejection and hurt. 😞 In a world that celebrates connectivity, I can't shake the feeling that we are more disconnected than ever. Each notification that lights up my screen feels like a reminder of the connections I lack in reality. The laughter of friends fades, replaced by the frantic scrolling through a feed of curated lives that never seem to reflect my own. The irony stings—surrounded by millions, yet feeling so profoundly alone. 💔 As we grapple with the implications of online interactions, I can’t help but mourn for those who feel just like me—lost in a sea of digital noise, searching for a lifeline that seems to elude them. The question remains: what is the cost of this digital freedom? Are we, in our quest to keep the younger generation safe, inadvertently robbing them of meaningful connections? Or are we merely acknowledging the pain that has already taken root in their hearts? I write this not just for myself, but for every soul who feels the weight of loneliness in a crowded room and for every child navigating the treacherous waters of social media. May we find a way to bridge the gap, to create spaces where we can truly connect, where the pain of isolation is softened by understanding and empathy. 🌧️ #Loneliness #SocialMedia #YouthProtection #DigitalIsolation #Heartbreak