Like a good pair of Basquiat Crocs, there are innumerable bad ways to license an artist’s work. So when Airstream looked to partner up on a project with the Frank Lloyd Wright Foundation, the aluminum-clad trailer brand could have just printed one of the architect’s famous patterns on a limited run of its vehicles and called it a day. It probably would have even sold well. But that is decidedly what Bob Wheeler, Airstream’s president and CEO, did not want to do.  “We said, ‘All right, let’s make sure that everything has a purpose and a function—that way it’s not just a pastiche, or some kind of lame attempt to mimic something,’” Wheeler recalls. “We didn’t want it to seem overdone or kitschy.” Instead, the brand embarked on a multiyear collaboration with the experts at Wright’s Taliesin West home and studio in Scottsdale, Arizona, and today the two are rolling out the 28-foot Airstream Frank Lloyd Wright Usonian Limited Edition Travel Trailer. With just 200 numbered vehicles that retail for $184,900 on offer, you—like me—might not be able to afford one at the moment, but they just might also restore your faith in the art of the artist collab at large.  [Photo: Airstream] BETTER LATE THAN NEVER Wheeler has a passion for midcentury design (as you might expect of Airstream’s CEO), so it tracks that he’d be a natural fan of Wright’s organic architecture. “Honestly, this has been a dream of mine for the last 20 years, which is about as long as I’ve been president of Airstream,” he says. “Why are Wright’s designs so celebrated today? It’s because they’re timeless. I think there are values there that incentivize someone to buy an Airstream that overlap in some meaningful ways.” Though Wright and Airstream founder Wally Byam were active at the same time and likely shared some of the same design fan base, there’s no record of them ever meeting. But a collaboration between the two ultimately proved inevitable when Wheeler reached out to Wright’s foundation in 2022. Foundation historian Sally Russell says her team wasn’t initially sure how robust a joint project could be. They eventually toured the Airstream factory in Ohio where the trailers are handmade using 3,000 rivets over the course of 350 hours, and saw how much customization was truly possible. Then she realized that it could be a great showcase of Wright’s work.  Beyond an Airstream’s signature aluminum exterior, Wheeler says the trailer is essentially a blank canvas. “And that’s where we can really flex some design muscle and allow others to do so.”  Russell says the foundation first explored whether to make the trailer feel like an adaptation of a specific Frank Lloyd Wright home. “The answer to that was no,” she says. “We didn’t want to try to re-create the Rosenbaum House and shove it into the size of a trailer. It didn’t make sense, because Frank Lloyd Wright certainly designed for each of his individual projects—he created something new, something that expressed the individual forms of the project, the needs of the client. So there was a great awareness of wanting to continue that legacy through the work that we did on the trailer.” The two teams ultimately homed in on the concept of Usonian design, a style that aimed to democratize design via small, affordable homes with a focus on efficient floor plans, functionality, and modularity.  In other words: an ideal fit for an Airstream. [Photo: Airstream] COLLAPSIBLE CHAIRS AND CLERESTORY WINDOWS When you approach the trailer, the connection to Wright is immediate on the custom front door featuring the Gordon leaf pattern, which the architect commissioned his apprentice Eugene Masselink to design in 1956. It’s a tip of the hat to nature, presumably an Airstreamer’s destination, and can be found subtly throughout the trailer in elements like sconces and cabinet pulls—but not too much, per the design mission at the outset. (“At one point we had a lot more of that Gordon leaf in there,” Wheeler notes. “We dialed that way back.”) With the push of a button, the bench seating converts into a king-size bed—one of Wheeler’s favorite elements. It is the largest bed in any Airstream, and is a first for the company, he says.  [Photo: Airstream] Another convertible element, in line with that focus on modularity, is the living space at the front of the trailer. Here, a dining table, desk, and seating inspired by the slant-back chairs that Wright used throughout his career collapse into a wall cabinet. Wheeler says Airstream used to deploy clever features like this in the midcentury era, before modern preferences trended toward built-in furniture. “So in some ways, this is a bit of a flashback to an earlier design in the ’50s, which is appropriate.” The teams also honored Wright’s focus on natural light, relocating Airstream’s usual overhead storage in favor of clerestory windows, which are prominent in Usonian homes. Meanwhile, the overall color palette comes from a 1955 Wright-curated Martin-Senour paint line. Russell says the team selected it for its harmonious blend with the natural settings where the trailer is likely headed, featuring ocher, red, and turquoise.  Ultimately, “It’s like a Frank Lloyd Wright home, where you walk into it, and it’s a completely different experience from any other building,” Russell says. “I hope that he would be very happy to see that design legacy continue, because he certainly did that with his own fellowship and the apprentices that he worked with.” [Photo: Airstream] USONIAN LIFE Starting today, the limited-edition, numbered trailers will be available for order at Airstream dealerships. Wheeler says the company was originally going to release just 100 of them, but got so much positive feedback from dealers and others that they doubled the run.  On the whole, the collaboration comes in the wake of a boom time for Airstream, which is owned by Thor Industries. Airstream experienced a surge during the pandemic, resulting in a 22% jump in sales in 2021 as people embraced remote work or realigned their relationship to the world.  “We’ve come back to earth now, and now we’re much more tied to actual market retail rates, which is what we know,” Wheeler says. In its third-quarter financials, Thor reported $2.89 billion in revenue (up 3.3% from previous year). While the company declined to provide Airstream-specific numbers, its overall North American towable RV division is up 9.1% from the same period in 2024. But there’s a problem afoot: The current administration’s tariffs, which Wheeler says made settling on the price for the Frank Lloyd Wright collaboration tricky. He adds that the company is struggling with shortages caused by the disruption in the supply chain, and high interest rates are also a problem.  [Photo: Airstream] “Look, we’re 94 years old,” he says. “We’ve been through more of these cycles than we can count, so we’re fine, and we’ll continue to trade on authenticity, quality, great service and support, a great dealer network, and a brand that really has become part of the fabric of the U.S. traveling adventure.”

It was a surprising discovery.

Bacteria wouldn’t be so bad if we could tell them what to do. “Stop spreading! Stop sticking together! Stop fending off our antibiotics!” A new method is starting to allow scientists to do just that, letting them use light to control certain functions of bacteria. Introduced in a paper published in The European Physical Journal Plus, the preliminary approach could have several potential applications, including a possible avenue for combating antibiotic resistance.The Problem of Antibacterial Resistance Bacteria are behind a variety of diseases, from strep to staph to pneumonia and meningitis, and they attack our bodies in a variety of ways, as well, including through the production of toxins that damage and disrupt our cells. Some of these infections stop on their own, but others are too stubborn, or too serious, to leave untreated. These are the infections that we target with antibiotics — that is, as long as our antibiotics are working.But, because bacteria are constantly changing, they can develop defenses against the antibiotics that we use to stave them off, making these treatments much less effective. That’s the gist of the growing threat posed by antibiotic resistance, which has contributed to millions of deaths since 1990 and is anticipated to contribute to millions more by 2050. Setting out to find a new solution to this growing problem, scientists from the Italian Institute of Technology and the Polytechnic University of Milan embarked on the Engineering of Bacteria to See Light (EOS) project. The project aims to use light to control bacteria, primarily for the fight against antibiotic resistance. And the new method pushes the project closer to achieving that aim. Using light and light-sensitive molecules to adjust the electrical signals that are transmitted across the bacterial membrane, the method impacts the biological activity of bacteria without any alterations to their genetic makeup.“This interplay between light and electrical [signaling] allows us to control key biological processes such as movement, biofilm formation, and antibiotic sensitivity,” said Giuseppe Maria Paternò, a study author and a professor at the Polytechnic University of Milan, according to a press release. “We can influence antibiotic uptake and restore or even enhance the effectiveness of treatments against resistant strains.”Coating Bacteria to Curb Antibiotic ResistanceTo control bacteria, the method takes advantage of a light-sensitive molecule called Ziapin2, which sticks to the bacterial surface. By covering bacteria with this light-sensitive molecule and by subjecting the covered bacteria to light, the scientists were able to modify the electrical signals that were transmitted across their bacterial membranes, transforming the bacteria’s basic functioning. Testing their method on one of the most studied bacterial species, the scientists changed the electrical signaling across the membranes of Bacillus subtilis, a popular model organism that’s often used as a stand-in for Staphylococcus aureus, the bacterium that causes staphylococcus, or staph, infections.When tested, the method modulated the bacteria’s susceptibility to Kanamycin, an intracellular antibiotic that’s frequently used as a treatment for severe bacterial infections after other treatments fail. “Under blue light,” Paternò said in the release, “the effectiveness of Kanamycin was significantly reduced,” indicating that the electrical signaling on the bacterial membrane “plays a crucial role in the drug’s uptake.”Additional research is required to tailor the method to increase the effectiveness of Kanamycin and other antibiotics against bacteria. But for now, it seems that such an outcome could be possible. “This initial assessment […] represents a first step in a completely new field of study,” the scientists state in their paper. “This proof-of-concept study underscores the potential of non-genetic, light-based interventions to modulate bacterial susceptibility in real time. Future work will expand this approach […] ultimately advancing our understanding of bacterial bioelectric regulation and its applications in antimicrobial therapies.”This article is not offering medical advice and should be used for informational purposes only.Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:The European Physical Journal Plus. Photocontrol of Bacterial Membrane Potential Regulates Antibiotic Persistence in B. SubtilisSam Walters is a journalist covering archaeology, paleontology, ecology, and evolution for Discover, along with an assortment of other topics. Before joining the Discover team as an assistant editor in 2022, Sam studied journalism at Northwestern University in Evanston, Illinois.

Get the Popular Science daily newsletter💡 Breakthroughs, discoveries, and DIY tips sent every weekday. Earth and space mingle in stunning ways for the 2025 Milky Way Photographer of the Year contest. From the “geological masterpiece” of Coyote Buttes, Utah to the sandstone terrain of desolate Ennedi, Chad to a lava-spewing volcano in Guatemala, this year’s entries dazzle from all corners of the globe. We even get a view of the Milky Way from off-planet with a photograph from NASA astronaut Don Pettit taken aboard the International Space Station. “The Wave”Coyote Buttes, UT, USAOne of my greatest passions is visiting stunning natural wonders and paying my personal tribute to them through night photography. This image was taken at Coyote Buttes, a geological masterpiece located in Arizona, where special access permits are required to protect it for future generations.Despite the intense cold during those days, it was incredibly exciting to visit the great sandstone wave for the first time and enjoy its spectacular shapes and colors.To capture this 360° panorama, I planned for the Milky Way and focused on creating a balanced photographic composition. It’s hard to put into words the beauty of this place, but I hope my photograph manages to convey it.Credit: Luis Cajete / 2025 Milky Way Photographer of the Year Daniel Zafra Portill The Milky Way contains an estimated 200-400 billion stars, but we can only see a fraction of the celestial bodies with our naked eyes. Photography opens up the skies to the staggering light show floating around us. (Click to enlarge images.) “Echiwile Arch” Ennedi, ChadWhen one first Googles information about visiting Chad, the results aren’t very encouraging from a safety perspective. Nevertheless, the intrepid astrophotographer in me decided to take the chance and visit this landlocked country, specifically the Ennedi Massif in the north.Sparsely populated and completely devoid of light pollution, the three-day drive from the capital, N’Djamena, was well worth the troubles and risks involved. The region is filled with numerous rock formations, shapes, and arches, offering an abundance of options for foreground elements to frame the dramatic night skies. Seen here is a small arch in the shape of a hoof in the Ennedi region.Credit: Vikas Chander / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Fortress of Light”Jujuy, ArgentinaSince I started shooting the night sky, I’ve always sought out landscapes that feel like they belong to another planet — remote, untouched, and far from light pollution. That’s exactly what I found in “The Cathedral,” a surreal rock formation in Jujuy, Argentina.Photographing at over 4,000 meters (13,000 feet) presented its challenges, but when I arrived and saw the rock formations, I was completely blown away. The landscape felt like something from a fantasy world, and the towering cliffs instantly reminded me of a giant stone fortress sculpted by nature.As twilight gave way to full darkness, the core of the Milky Way appeared high overhead, shining with incredible clarity. I patiently waited as the galactic center slowly descended toward the horizon, perfectly aligning above the cliffs.While capturing the panorama, the camera picked up bands of orange and green airglow, adding a unique glow to the horizon.This image captures everything I love about photographing the Milky Way — the silence of remote places, the peace of standing under a pristine sky, and the deep connection I feel to the moment, fully present and grateful to witness it.Credit: Mauricio Salazar / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “The Night Guardians” Easter Island, ChileEaster Island had been on my bucket list for a long time, and it once seemed almost impossible to reach. On our first night there, the weather forecast looked promising, so we decided to go ahead with the tour our group had booked 4–5 months earlier. However, Rapa Nui sits in the middle of the Pacific Ocean, where the weather is notoriously unpredictable. When we woke up at 3 a.m. in our hotel, the sky was completely covered in clouds. Still, we decided to take the risk, knowing the forecast for the next few nights was even worse.An hour later, we were frantically photographing the statues at Rano Raraku—the quarry where nearly all of the island’s 900 statues were carved—when the sky suddenly began to clear. By 5 a.m., it was completely clear, and we had less than two hours to capture all the shots we wanted. We felt incredibly lucky to be in the right place at the right time.Credit: Rositsa Dimitrova / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Blossom”Hehuan Mountain Dark Sky Park, TaiwanAfter three years of waiting, the Yushan alpine rhododendrons are finally in bloom once again on Taiwan’s 3,000-meter-high Hehuan Mountain. On this special night, distant clouds helped block city light pollution, revealing an exceptionally clear view of the Milky Way. A solar flare from active region AR3664 reached Earth that evening, intensifying the airglow and adding an otherworldly touch to the sky.Together, these rare natural events created a breathtaking scene—vivid blooms glowing softly beneath a star-filled sky.Credit: Ethan Su / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Spines and Starlight”Kanaan, NamibiaOn our second Namibia Photography Tour, we began our journey once again at one of our favorite spots in Kanaan. Last year was an incredible experience, but this time, we decided to explore more of this vast land.During a scouting trip, I stumbled upon the perfect composition—two quiver trees standing tall with a large cactus in the foreground, all beautifully aligned with the Milky Way. I had always wanted to capture the Milky Way alongside a big cactus, so in that moment, it felt like a special gift.Getting everything in focus was a bit challenging, as I had to get extremely close to the cactus without getting poked. To achieve perfect sharpness, I used focus stacking. Additionally, I shot with an astro-modified camera and a GNB Nebula filter to enhance the details of the night sky.Credit: Burak Esenbey / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Galaxy of the Stone Array” Moeraki Boulders, New ZealandThe Milky Way hangs over the sea. The night sky of the Southern Hemisphere condenses the poetry of Li Bai, a poet from China’s Tang Dynasty, into eternity. On a clear night, the Milky Way pours down over the sea like a waterfall from the sky, intertwining with the atmospheric glow on the water’s surface.Credit: Alvin Wu / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “One in a Billion ”ISS (International Space Station)I float in the Cupola, looking out the seven windows composing this faceted transparent jewel. While my mind is submerged in contemplation, my eyes gorge on the dim reflections from a nighttime Earth. There are over eight billion people that call this planet home. There are seven of us that can say the same for Space Station. What a privilege it is to be here. I used an orbital star tracker to take out the star streak motion from orbit.Credit: Don Pettit / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Winter Fairy Tale”Dobratsch Nature Park, AustriaUndoubtedly my wildest location this winter: Austria’s Dobratsch mountain! If I had to describe it in two words, it would be a “Winter Fairytale”!Despite a 5 a.m. work shift, I drove to Austria by 1 p.m., worried about my fitness and lack of sleep. After a 2-hour hike through the snow with a 22kg backpack and sled, the stunning views kept me energized.Arriving at the cabin (where I had planned my winter panorama two years ago), I was greeted by untouched snow, completely free of footprints. I spent the evening exploring compositions, and this is my favorite: a panorama of the winter Milky Way with reddish nebulae, stretching above Dobratsch Mountain.I captured the Zodiacal light and even the Gegenschein glow! The sky was magnificent, with Jupiter and Mars shining brightly. In the foreground is the cabin, where I spent 3 freezing hours (-12°C), waiting for the perfect shot of the Milky Way’s core. It turned out exactly as I envisioned—a true winter fairytale.Credit: Uroš Fink / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Valle de los Cactus” San Pedro de Atacama, ChileA panoramic shot of the Milky Way in a remote area of the Atacama Cactus Valley, known for its large concentration of cactus plants. I love this place with its countless possibilities. The panorama was taken just as the galactic center began to rise, with the spectacular Gum Nebula visible on the right.It was an especially bright night with a breathtaking sky. The valley isn’t easy to navigate, but it’s always worth trying to find new compositions in such stunning locations beneath the night sky.Credit: Pablo Ruiz / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Cosmic Fire”Volcán Acatenango, GuatemalaOn the early morning of June 2, 2024, I summited Acatenango Volcano for the first time, hoping to witness the fiery beauty of the neighboring Volcan de Fuego against the Milky Way’s backdrop. That night, the volcano was incredibly active—each thunderous explosion reverberated in my chest, while glowing lava illuminated the dark slopes. Above, the Milky Way stretched diagonally across the sky, a mesmerizing band of stars contrasting with the chaos below. As the volcano erupted, the ash plume rose vertically, forming an acute angle of about 45 degrees with the galaxy’s diagonal path, creating a stunning visual contrast between Earth’s fury and the cosmos’ serenity.Capturing this required a fast, wide-angle lens (f/2.8), an ISO of 3200, and a 10-second exposure to balance the volcanic glow with the starlight. The challenge was timing the shot during a new moon and aligning the right moment for the Milky Way to cross the frame next to the volcano. I used Lightroom as the editor. This image is special for its storytelling—the raw power of Volcan de Fuego meeting the tranquil expanse of the galaxy.Credit: Sergio Montúfar / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Lake RT5” Zanskar, HimalayasLake RT5 is a pristine alpine lake nestled at 5,700 meters above sea level. My passion has always been to capture the unseen Himalayas in their rawest form. This journey led us through rugged mountains and glaciers, where we discovered several unknown alpine lakes and named them along the way.We endured multiple nights in extremely cold, unpredictable conditions. Due to the ever-changing weather and limited time, I used a blue hour blend to achieve a cleaner foreground. Since my campsite was right beside the lake, I was able to capture the tracked sky shot from the exact same position later that night.I was in awe of the incredible airglow illuminating the Himalayan skies. The raw image had even more intense colors, but I toned them down to stay true to reality. This was undoubtedly one of the most unforgettable nights I’ve ever spent in the heart of the Himalayas.Credit: Tanay Das / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “A Stellar View From The Cave” Saint Raphael, FranceFramed by the rugged mouth of a coastal cave, this image captures the heart of the Milky Way rising over the Mediterranean Sea. Taken during the peak of the Galactic Core season last May, it blends the natural beauty of the foreground with the awe-inspiring vastness of the cosmos. A winding road, illuminated by passing cars, creates a dynamic trail of light that guides the eye toward the stars above.This photo is a reminder that magic often hides in the most unexpected places. All it takes is a little patience, planning, and passion.Credit: Anthony Lopez / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Boot Arch Perseids” Alabama Hills, CA, USAThe Perseid Meteor Shower occurs every August, raining down hundreds of meteors over a few nights. In 2024, I had planned to photograph it from the Canadian Rockies, but wildfires forced me to change my plans at the last minute. After checking wildfire maps, I found a safe haven in the Eastern Sierra Nevada.After three full nights of capturing meteors, I created this image. Sitting on the rock is my friend Arne, who often joins me on these adventures, gazing up at the magnificent core of our galaxy. Each meteor is painstakingly aligned to its true location in the night sky. The final depiction shows all the meteors I captured, combined into one frame—as if the Earth hadn’t been rotating and all the meteors had fallen at once.Credit: Mike Abramyan / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Starlit Ocean: A Comet, the setting Venus, the Milky Way, and McWay Falls” – California, USACapturing this image was a race against time, light, and distance. With Comet Tsuchinshan–ATLAS (C/2023 A3) making its approach, I knew I had a rare opportunity to see it with the naked eye before it faded into the cosmos. I embarked on a five-hour round trip to McWay Falls in Big Sur, one of the few Bortle 2 locations accessible along California’s coast. My window was narrow—just six precious minutes of true darkness before the Moon rose and washed out the night sky. But those six minutes were unforgettable.In that brief span, the Milky Way arched high above the Pacific, Venus shimmered as it set over the ocean, and the comet streaked quietly across the sky—a celestial visitor gracing this iconic coastal cove. The soft cascade of McWay Falls and the stillness of the starlit ocean created a surreal harmony between Earth and sky. It was one of the most vivid and humbling naked-eye comet sightings I’ve ever experienced—an alignment of cosmic elements that felt both fleeting and eternal.Credit: Xingyang Cai / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Diamond Beach Emerald Sky”Great Ocean Road, AustraliaWith a clear night forecast and the Milky Way core returning for 2025, I set out to explore the Great Ocean Road. After a few setbacks—such as a failed composition and getting the car stuck on a sandy track—I almost gave up. However, I pushed on and found a great spot above the beach to capture the scene.The night was full of color, with Comet C/2024 G3 Atlas and a pink aurora in the early hours, followed by the Milky Way rising amid intense green airglow near dawn. Despite the challenges, the reward of this stunning image and the memory of the view made it all worthwhile.Credit: Brent Martin / 2025 Milky Way Photographer of the Year Daniel Zafra Portill

New Research Scientists Use DNA to Trace Early Humans’ Footsteps From Asia to South America Over thousands of years, humans from Eurasia trekked more than 12,400 miles to eventually reach the southernmost tip of South America, a new genetic investigation suggests Researchers have used genomic sequencing to trace what they’re calling the “longest migration out of Africa.” Nanyang Technological University Tens of thousands of years ago, Homo sapiens embarked on a major migration out of Africa and began settling around the world. But exactly how, when and where humans expanded has long been a source of debate. Now, researchers have used genomic sequencing to trace what they’re calling the “longest migration out of Africa.” Over the course of many generations and thousands of years, humans from Eurasia trekked more than 12,400 miles to eventually reach the southernmost tip of South America, according to a new paper published in the journal Science. In addition to providing insight into human expansion throughout the Americas, the analysis also sheds new light on health differences between populations. In the future, the researchers hope their work will contribute to personalized medical care based on an individual’s genetic profile. “[It is] only after we know the entire genetic makeup of humanity that we can provide precision medicine that is specific to the needs of every ethnic group, in particular, those that have become endangered and are on the brink of going extinct,” co-author Stephan Schuster, a genomicist at Nanyang Technological University in Singapore, tells the Straits Times’ Judith Tan. #NTUsg researchers: Early Asians made the longest human migration in prehistory Watch on For the study, an international team of scientists analyzed the genomes of 1,537 individuals from 139 ethnic groups in South America and Northeast Eurasia. Comparing this DNA allowed them to reconstruct the human migration from Asia to South America, following the “genetic footprints left behind by the early settlers,” as lead author Elena Gusareva, a biologist at Nanyang Technological University, tells Cosmos magazine’s Evrim Yazgin. Modern humans arrived in northern Eurasia around 45,000 years ago. By roughly 31,600 years ago, they had migrated east toward Beringia, the land bridge connecting Asia and North America in what is now the Bering Strait. From there, they walked into present-day Alaska. They expanded across North America and eventually headed into South America, reaching the continent’s northwest tip around 14,000 years ago. “Our findings show that Native Americans are descendants of Asian populations, particularly from the West Beringian region,” says study co-author Kim Hie Lim, a genomicist at Nanyang Technological University, to the South China Morning Post’s Victoria Bela. This South American group then split into four genetic lineages, the researchers found. One population headed east toward the Dry Chaco region, while another went south to Patagonia. One climbed up into the Andes Mountains, while another remained in the Amazon basin. Once the groups split off, they became isolated by the continent’s geography, which reduced their genetic diversity. More specifically, the researchers found a reduced diversity of human leukocyte antigen (HLA) genes, which help support immune health. Reduced genetic diversity may have made these early South Americans more susceptible to diseases introduced by European colonists, the researchers posit. “Understanding how ancient populations moved and settled not only helps us understand human history, but also explains how their immune systems adapted to different environments,” Kim tells the Borneo Bulletin. Data used in the study came from GenomeAsia 100K, a large-scale project that aims to sequence 100,000 Asian human genomes. “Most existing medicines were developed based on studies of European populations, often excluding Indigenous populations,” Kim tells Live Science’s Kristina Killgrove. “It is critical to provide tailored healthcare and disease prevention strategies that consider their specific genetic profiles.” Get the latest stories in your inbox every weekday.

Fortnite mobile still not available in UK despite return to US App Store GameCentral Published May 21, 2025 10:43am Updated May 21, 2025 10:43am There’s still no good news for Fortnite fans in the UK (Credits: REUTERS) The long road towards getting Fortnite back onto the UK iOS and Android app stores continues, even though it’s back in the US. It’s taken five years, a costly legal battle, and several court orders, but Fortnite is finally available again in the US App Store, meaning that American fans can now play it on iPhone and iPad. According to publisher Epic Games it should turn up on the Epic Games Store and AltStore in the EU today as well, but unfortunately none of that seems to be helping its availability in the UK. Epic hasn’t been specific about anywhere else, but as of right now the mobile version of the game isn’t available in the iOS App Store or Android’s Google Play in the UK. And it’s not clear when that’s going to change. The game’s absence began in 2020, when Epic purposefully broke Apple’s rules about fees for in-app purchases, knowing that it would get them thrown off the store. This led to a five year legal battle which seemed to end in a stalemate, but which this year saw a US judge instruct Apple to stop trying to take a cut of payments. This immediately led to Epic announcing that Fortnite would be making a return, but its initial attempts to do so were blocked by Apple. Apple was told to stop doing this, by a US judge, and so on Tuesday the game finally returned to US App Stores, complete with the ability to buy cosmetics and other in-app purchases directly from Epic. That means more money for Epic, as they won’t now be giving 27% of every payment to Apple, but it makes little difference to players, other than there are some good deals at the moment to incentivise them into using the Epic store. As you might gather from all this, Fortnite mobile is not actually a very large proportion of the overall audience, or otherwise Epic Games wouldn’t have allowed it to sit the last five years out. Instead, they embarked on a bizarre marketing campaign, using Orwellian imagery and trying to paint Apple as a restrictive tyrant. Really, the only problem was that Epic didn’t like having to give Apple money, in what is a fairly standard licensing arrangement similar to how Steam and video game consoles work. But then Epic boss Tim Sweeny doesn’t like those either. How to play Fortnite mobile in the UK Since Epic hasn’t been specific about any region other than the US and Europe it’s unclear exactly what’s going on in the rest of the world but as of right now Fortnite is not available on iOS or Android. So, sadly, the answer to the above question is just to… wait. More Trending Last year, Epic Games stated that they hoped to get Fortnite back in the UK in the second half of 2025. That was before the recent court judgements in the US, but it’s unclear if that’s going to speed things up or not. Thanks to Brexit, the UK is no longer in the EU, so any changes to the situation there have no relevance here. However, the UK does have legislation very similar to the EU’s DMA (Digital Markets Competition and Consumers Act) so in theory there shouldn’t be a problem. Epic boss Tim Sweeney told The Guardian last year that, ‘Unless Apple and Google manage to lobby the UK government that they should be able to continue blocking competition, we should be able to move on that by the end of next year.’ There’s no sign that Apple and Google are trying to lobby anyone at the moment, so that hopefully clears the road for a UK annoucement soon. Mobile gamers are going to miss the Star Wars season (Epic Games) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

May 20, 20254 min readContributors to Scientific American’s June 2025 IssueWriters, artists, photographers and researchers share the stories behind the storiesBy Allison Parshall edited by Jen SchwartzJennifer N. R. Smith. Charles SmithJennifer N. R. SmithThe Social Lives of MitochondriaIn 2020, on a trip to Devon, England, Jennifer N. R. Smith (above) went swimming in the sea. Just as night fell, the water began to glow with light from bioluminescent algae. “It’s electric blue,” she recalls. “If you lift your arm up out of the water, it kind of sparkles all over your skin. It was the most magical experience I’ve ever had.” Smith, who had just finished a program in medical illustration, felt she had to draw this phenomenon immediately.Smith took inspiration from that experience to create her own style of illustration, which combines the traditional textures of collage and paper marbling with a technique called reverse stippling—pinpricks of light over a dark background. The technique evokes wonder in her for the natural world, with the dots representing more than just flecks of algae on her skin. “They could be the night sky or atoms, either the macro or the micro.”On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.For this issue’s feature story on the mysteries of mitochondria, by behavioral neuroscientist Martin Picard, Smith visualized the organelles’ zigzagging inner walls by using this illustration method to “turn the mitochondrion into a labyrinth.” Rather than explaining concepts to readers with her drawings, she tries to invite them in by inspiring a sense of awe. “If you can spark wonder within someone about a certain topic,” she says, “they will interact with it in a way that’s much more deep and authentic.”Alec LuhnRefreezing the ArcticIn February climate journalist Alec Luhn took four days and four planes to travel to Cambridge Bay in Canada’s Nunavut territory. It was his second trip to the Arctic Circle for Scientific American—in 2023 he went to Alaska to investigate why rivers in Kobuk Valley National Park were turning orange. This time, while reporting on efforts to refreeze parts of the melting Arctic to stall the worst effects of climate change, he was struck by just how fast the environment was changing.“This is the Northwest Passage—the holy grail of ocean exploration for 400 years,” Luhn says, referring to the famed sea route connecting the Atlantic and Pacific Oceans. Many colonial explorers died trying to navigate the ice-clogged sea lane, “but now that ice is melting to the degree that cruise ships go through the Northwest Passage every single summer,” and local Indigenous communities, he says, are struggling to maintain a way of life that depends heavily on sea ice for hunting, transportation, and more.As Luhn observed the efforts to refreeze the melting cap, he often thought about how this harsh environment has made a mockery of colonial expeditions’ efforts to bend it to their will. “And here we are now again, trying to bring our technology to bear on the forces of nature” to counteract the melting we continue to cause, he says. “Will we succeed this time?”Rowan JacobsenCan Sunlight Cure Disease?For the past few years science journalist Rowan Jacobsen has been fascinated by the effect of light on our bodies. “We tend to think of light as ephemeral,” he says, yet it is physical—we’re constantly bombarded by photons, little packets of energy. “There’s no way it couldn’t have a health impact, in a way,” he says. Indeed, research across fields of medicine has shown that people exposed to more light tend to have better health outcomes. In our cover story for this issue, Jacobsen explores new phototherapies for autoimmune conditions such as multiple sclerosis.Jacobsen has written several books, on topics including oysters, truffles and chocolate. Food, he says, is a “clandestine” way to get people interested in the natural world. For his next book, about how light affects health, he recently embarked on a “self-experiment.” Jacobsen rented a 1962 Airstream in southwestern Arizona and spent a month without artificial light at night. After sunset “there’s nothing to do [except] lie out and look at the stars,” he says.Jacobsen had returned to his home in Vermont just before we spoke for this interview, and he reported feeling refreshed. “My energy and my focus were awesome,” he says, attributing the improvement mainly to the early mornings. “Less [artificial] light at night was good, but I think the bright sunlight in the morning was equally important.”Jay BendtScience of HealthJay Bendt fell into her illustration career “sort of backward,” she says. She had planned to take the path of many members of her family and become a doctor. But during her first year of college, she expressed interest in drawing on an administrative form and was unwittingly sorted into an art-focused track. “Being very young, I was like, ‘You know what, that actually doesn’t sound like a bad idea,’ ” she recalls. Bendt had grown up drawing in the age of DeviantArt, an online art platform popular in the 2000s, and had been inspired by the “magical girl” aesthetic of Sailor Moon and other anime. After graduating with a painting degree, she learned to integrate these interests with formal, conceptual skills to become a freelance illustrator.Bendt illustrates Scientific American’s Science of Health column, written by Lydia Denworth. This issue’s column about the impact of exercise on gut bacteria was a particular challenge. “Anything that has bacteria in it is one I need to think on more” to make it original, she says; it’s too easy to fall back on drawing little anthropomorphic cells. For editorial illustrations, Bendt picks a style that matches the story, but her personal work is unfailingly whimsical. “I try to make work that, once you’ve caught a glimpse, you have to look at it.”

Were it not for his experience in North Dakota, Theodore Roosevelt said he never would have become president of the United States. After his first wife and mother died on the same day in 1884, the eventual 26th president retreated to modern-day North Dakota to mourn and reflect.  Next July, more than a century after Roosevelt’s death, a presidential library in his honor is slated to open in the state that held so much significance in his life. And the visionaries behind the Theodore Roosevelt Presidential Library hope a visit to the Medora, North Dakota-based library will prove as restorative to people in the modern era as this area once was for Roosevelt.  That may seem an ambitious goal, but this project offers an opportunity to expand the definition of what a presidential library can be, says Edward O’Keefe, chief executive officer of the Theodore Roosevelt Presidential Library Foundation. It was only fitting to take a land-first approach when celebrating a man who is synonymous with conservation and the national park system, he says. [Rendering: Snøhetta] “We wanted to build a place where you can learn about, and from, Theodore Roosevelt, where you can connect with friends and family and nature so you can decide what change you want to see in the world,” O’Keefe tells Fast Company. He wrote the book, The Loves of Theodore Roosevelt, which was released earlier this month. ‘SOMETHING DYNAMICALLY DIFFERENT’ Though there was talk of building a Roosevelt library for years, the idea started to take shape in March 2020 when the foundation launched a design competition. That COVID-era timing proved serendipitous, O’Keefe says, because it made the power of creating a place that would serve as a convening point all the more relevant. Later that year, Snøhetta, an Oslo-based architectural firm, was unanimously selected as design architect.  “This is not a museum with only artifacts under glass. It is meant to be an experience,” O’Keefe says. “There’s no point in building a presidential library to a president who has been gone for over 100 years unless you’re going to do something dynamically different and for the future.”  [Rendering: Snøhetta] Among the design elements that make this library different from others is its roof, featuring dozens of native plant species that will help the building blend seamlessly into the prairie landscape. The coming weeks will mark a milestone in the construction process—that’s when more than 28,000 plant plugs will be planted on the roof, which spans about three football fields in length, currently planned for June 6. The library’s architecture was inspired by a leaf atop two pebbles and is almost identical to the initial design, says Craig Dykers, lead architect for the project and co-founder of Snøhetta. Once completed, people can ascend to the top of the roof for a view of the surrounding Badlands, the nearby Theodore Roosevelt National Park, nighttime stargazing and, eventually, events. “I can tell you, it’s such a dramatic experience,” Dykers tells Fast Company, adding that it was important to foster a direct connection with nature that Roosevelt enjoyed. “It sort of purifies your soul and allows you to see things in a unique way.” Beyond the roof, the butte where the library is situated is being restored to how it might have looked when Roosevelt came west, with native grasses that are more resilient in what can be a harsh and windy environment. Local ranchers have also been consulted as part of the design process and will experiment with grazing cattle and bison on the 93-acre site. [Rendering: Snøhetta] A LIVING BUILDING The library is pursuing full certification from the International Living Future Institute as part of its Living Building Challenge, the most advanced measure of sustainability. The project will serve as a model of self-sufficiency, featuring zero energy, zero emissions, zero water, and zero waste sustainability aspects. Inside the library are walls made from rammed earth, or soil that’s been compressed. It’s the first time in modern times this ancient technique has been used in North Dakota, and a team based out of nearby Dickinson came together to learn how to make these walls, Dykers says. From the walls to the roof and beyond, the living building is intentionally tactile so that visitors feel a connection with nature that’s pervasive. In such ways, the design draws as much inspiration from the uniqueness of the land as it does the uniqueness of the man.  SLOWING DOWN In addition to pouring through a wealth of biographies, academic research, and Roosevelt’s speeches and writings, Dykers sought to better understand how that time in North Dakota helped break the president’s spell of mourning. So the architect embarked on a nearly two-week solo hike during COVID-era lockdowns in the national park and surrounding area.  “To be in that place was so powerful to me, and that’s exactly what happened to Teddy Roosevelt,” Dykers says.  [Rendering: Snøhetta] Even if many people aren’t inclined to do the same, a kidney-shaped cultural loop that surrounds the library will ensure visitors can appreciate the land from different perspectives, Dykers notes. That’s because the design is unusual in that it’s essentially flat, even though the land is not, which allows people to experience the rolling landscape in a unique way, he adds.  “We’re trying to slow people down, so they look down at their feet for a moment or look across the horizon for a moment, to get a different sense of time,” Dykers says. “North Dakota has an exceptional horizon.” INSPIRING VISITORS For O’Keefe, who grew up in North Dakota, leading the foundation after a 20-year stint as a media executive has been a coming home of sorts. The future library and surrounding land will be an opportunity to introduce more people to his beloved home state. Just as Mount Rushmore has become a landmark destination in South Dakota, O’Keefe envisions the Theodore Roosevelt Presidential Library someday becoming the same for North Dakota. And drawing people together in a place that held almost-spiritual significance for Roosevelt may have the same effect for those who embrace it, O’Keefe says.  “The design is evocative of this purpose in bringing people together and exposing them to nature and trying to inspire them to live more purposeful lives,” O’Keefe says. “The journey is the destination.”

It’s Friday afternoon and I’m listening to Bowdoin College’s radio station, interspersed with ambient car honking noises. I am not in Maine. I am not in a car. I am at my desk. This is Internet Roadtrip. Internet Roadtrip is what I will call an MMORTG (massive multiplayer online road trip game). Neal Agarwal, the game’s creator, calls it a “road-trip simulator.” Every 10 seconds, viewers vote on what direction for the “car” to drive on Google Street View — or, you can vote to honk the horn or change the radio station. The direction with the most votes gets clicked, and the car continues on its scenic path to … wherever the chat decides to go. Internet Roadtrip is reminiscent of Twitch Plays Pokémon, an iconic stream from over 10 years ago in which viewers voted on what button to press as part of a collective Pokémon Red game. But Internet Roadtrip is far less chaotic — both because only a thousand or so people are playing at a time, and because we have better organizational tools than we did in the Twitch Plays Pokémon era (thank you, Discord). Progress on the virtual roadtrip is slow. The car moves at a pace slower than walking. Discord moderators have had to temper newcomers’ expectations, explaining that it’s pointless to suggest driving to Las Vegas from Maine, since it would likely take almost 10 months of real-world time to get there. The same goes for Alaska, but it’s not just a matter of time that’s the issue. “Google Street View works by taking multiple pictures and putting them together. In some areas of the roads leading to Alaska, there are gaps in pictures available and so we would get stuck there, were we to go to these roads,” the Discord FAQ reads. “All potential roads to Alaska have these gaps. We checked.” There is no objective on Internet Roadtrip, as opposed other Street View-based games like GeoGuessr. Some Discord members discussed driving to Canada, which is a somewhat realistic goal, given our current position in Maine. But the destination isn’t the goal — it’s the joy of spontaneously listening to a college radio from a liberal arts school with a thousand strangers on the internet, while taking in the scenic backroads of Blue Hill, Maine. Topics

The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studioSave this picture!© Timeraw StudioCommunity Center•Tai Xing Shi, China Architects: AESEU Architectural Technology and Art studio Area Area of this architecture project Area:  2400 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:Timeraw Studio More SpecsLess Specs Save this picture! Urban Regeneration by the Canal - Taixing, situated in the south-central region of Jiangsu Province, stands as the convergence of Huai and Wu cultures. Established in the first year of Shengyuan during the Southern Tang Dynasty, it is a millennium-old city with a rich history. Historically, Taixing County was characterized by an intricate network of waterways, thriving alongside and in harmony with the water, and its fortified walls were constructed in the shape of a turtle's shell. Encircling the city were two moats, both inside and outside the walls, with several winding watercourses resembling snakes in between, forming a pattern reminiscent of the Black Tortoise and White Snake, commonly known as the " City laid out in the shape of a turtle and snake." In recent times, with the city's growth, a new urban layout gradually emerged to the north and east of the old city, intersected by the Rutai Canal and Qiangxi River. Notably, the Rutai Canal, linking the Yangtze River in the west and the Yellow Sea in the east, has served as a pivotal regional waterway spanning Rugao and Taixing since ancient times.Save this picture!In 2023, Taixing City embarked on the "Double Water Nourishing City" supporting facilities project, utilizing the Rutai Canal and Qiangxi River as the foundation. The project involves renovating the disorganized factories, wharves, and shacks along the rivers to create a riverside scenic zone for leisure activities. This scenic zone encompasses numerous cultural squares, parks, and small ancillary garden buildings. The question arises: how can these unused buildings be put to good use? On the one hand, they can enhance services for citizens' riverside leisure activities; on the other hand, the operational revenue generated can alleviate the maintenance costs of public green spaces. This represents the trend towards operational management of urban assets against the backdrop of urban renewal. Consequently, Taixing City has decided to revamp and repurpose six idle ancillary buildings scattered along the parks by the two rivers, endowing them with commercial attributes to leverage their footfall-drawing potential and infuse more vitality into the riverside scenic zone.Save this picture!The value of architectural assets and waterside living - In the northwest direction of the north gate of the old county town, there lies a junction formed by the Rutai Canal and other waterways. Following partial rerouting of the canal in modern times, the construction of urban highway bridges in the vicinity and the development of high-rise residential areas have enclosed this area, transforming it into a relatively spacious waterfront spot within the community. The site features a children's playground beloved by residents, making it a must-visit destination for citizens taking strolls and engaging in fitness activities along the Rutai Canal.Save this picture!The site originally housed two independent two-story buildings with concrete frame structures. One building features a V-shaped floor plan, while the other boasts a zigzag floor plan. Together, these two buildings, along with the river channel, enclose an approximately triangular plot of land. To address the elevation differences within the site, stairs and flower beds have been incorporated into the current design.Save this picture!At the onset of designing this project, the owner's requirement was to impart operational capabilities to these idle urban assets. Often, this is mistakenly interpreted in isolation as necessitating a "tailor-made" design based solely on operational demands. The business needs appear to be prioritized in the design brief, with a tendency to conflate building renovation and interior refurbishment, which represents an all-too-common shortcut in urban renewal. Building renewal constitutes a vital component of urban revitalization: it aids in realigning the site's traffic and spatial connections with the city through renovation and reconstruction, and employs functional integration to reintegrate the building into the city's fabric. Additionally, renovation extends the lifecycle of buildings and enhances their adaptability to a broader range of business types. Furthermore, it delves deeper into the site's unique attributes and leverages them to boost the building's appeal.Save this picture!To capture the cultural and geographical essence of a site, one must revert to the perspective of the city. In this water-laden town, water serves not merely as a geographical feature but also as a cultural emblem deeply ingrained in the fabric of daily life. The teahouses lining the canal bustle with activity, offering a pot of tea, a plate of steamed silken tofu, a basket of steamed pork buns, and a bowl of fish noodle soup. Old tea enthusiasts wander over to the riverside teahouses with their enamel mugs, where the aroma of steaming Xuanbao small wontons blends with the sesame fragrance of Huangqiao sesame cakes, wafting towards the river's heart. They sip on "Langli tea" brewed with canal water while watching barges glide by, leaving ripples in their wake. These are taste memories nurtured by the canal.The clanging of washing sticks at the riverbank, the tapping of chess pieces under the eaves of riverside houses; children leaning over railings to count passing sandboats, morning joggers' silhouettes mirrored in the shimmering waves, elderly couples taking a stroll and pausing at the flood embankment, pointing to the newly erected buildings across the river and reminiscing about the ferry pier of yesteryears. These scenes and people collectively paint a unique and vibrant picture of life along the waterfront in Taixing.Hence, the primary objective of renovating this site is to honor and perpetuate this vibrant atmosphere, providing a comfortable and inviting environment for people to linger and gather. By fostering conditions conducive to meeting the diverse needs of citizens, the potential value of the architecture can be fully realized.Save this picture!Revitalization strategy - With these considerations in mind, let's revisit the original site and buildings. Serving as administrative offices, each building boasts a modest area and features just one staircase inside. The elaborate decoration of the building facades actually obstructs the indoor view of the canal. The outdoor area between the two buildings, segmented by varying heights, struggles to serve as an effective venue for events. These are the aspects of the buildings that necessitate renovation and upgrading.Save this picture!Save this picture!Save this picture!More crucially, the site requires a powerful spatial configuration to redefine and distinguish this area, establishing it as a significant destination along the riverside scenic corridor. We define this spatial configuration as a prominent, large-scale open area, aimed at strengthening the connectivity between the site and the public spaces of adjacent blocks. By analyzing the types of traditional public spaces along the canal, we discovered that the awning form exhibits strong applicability. Both the boat awning and the market awning on the shore exhibit a form that is both sheltered and open. This convenient and easily maintainable semi-outdoor public space can effectively adapt to the complex surrounding environment, while encouraging the emergence of temporary and diverse public activities. It is a common spatial outcome nurtured by canal culture. Furthermore, utilizing the roofs of existing buildings to create more platforms that offer both accessibility and river views is undoubtedly a morphological projection of the site's characteristics onto the architectural form, and also facilitates the creation of favorable conditions for shaping outdoor commercial spaces.Save this picture!The final design employs a large canopy to complement the originally fragmented site. This canopy extends over the triangular site and portions of the V-shaped building's rooftop, creating a flat and expansive area between the two structures, akin to a waterfront urban stage. The height difference of the site is seamlessly integrated into the surrounding stepped seating areas. The V-shaped building's rooftop achieves a more direct connection to the ground through the addition of stairs and setback terraces. Likewise, the newly added columnar staircase adjacent to the building on the northern side of the site becomes a dynamic element in the space, directing individuals to the rooftop platform of the L-shaped building. Besides providing a vast shaded area for activities, the canopy alleviates the oppressive feeling imparted by the surrounding dense high-rise residential buildings. As people move under the canopy, their gaze is directed towards the canal and the ships navigating through it, restoring the appropriate scale of waterside life. The concave shape in the middle of the canopy collects rainwater from the rooftop and directs it to a reserved oval drain below through a cantilevered stainless steel spout, creating a "dragon spitting water" landscape.Save this picture!Technical measures - After assessing the concrete frame structure of the existing building, structural reinforcement was carried out on the foundation, beams, slabs, and columns. Transparent peripheral protective structures, such as glass curtain walls, were reintroduced. The horizontally extended white aluminum panels suggest a layered, accessible roof that steps back progressively. For the large canopy spanning approximately 1,000 square meters, a combination of curved grid glued bamboo-steel structure and membrane structure was selected through technical comparison. The basic configuration of the roof consists of several full-length square steel beams and V-shaped columns. The grid units composed of engineered bamboo members facilitate the creation of a gradual curved surface.Save this picture!Save this picture!The curved mesh glued bamboo-steel structure imbues this enclosed space with structural expression and illumination, emphasizing the openness and airiness of the structure to foster a relaxed and joyful atmosphere. This stands in contrast to the confined interior of buildings, suggesting the equitable use of public spaces and leveraging technical expression to promote community interaction and sharing.Save this picture!Community space - Benefiting from the maturity of the commercial and residential districts surrounding the project, as well as its strategic location adjacent to water, we defined the building as Taixing Teahouse—a venue that embodies the local morning tea culture of Taixing during the initial project planning stage. This decision was made after a comprehensive assessment of various factors, including project scale, surrounding traffic conditions, and potential impacts on nearby residents. Leveraging the separation of two buildings, we designated separate areas for the morning tea hall and private dining rooms. In the morning tea area, the middle section of the V-shaped layout serves as an open kitchen, showcasing the production of morning tea as an intangible cultural heritage.Upon completion, this revitalized venue has garnered immense popularity among Taixing residents. The riverside morning tea hall is often fully booked, while private dining rooms offering a panoramic view of the canal have become a favorite gathering spot for families and friends. The small plaza underneath the canopy is utilized by residents at various times of the day and has also hosted numerous cultural events in Taixing. Additionally, the semi-outdoor terrace on the second floor and the rooftop terrace on the third floor under the canopy have transformed into outdoor spaces for leisure bars. Evidently, the transformed space has transcended its original singular function, and its aesthetic appeal has been acknowledged through daily use by residents. It has emerged as a neighborhood hub in the contemporary waterfront living environment, seamlessly integrating culture, nature, and even spiritual and emotional sustenance.Save this picture!Conclusion - In the process of renewing urban idle buildings and neglected spaces leftover from the incremental development era, the approach of merely pursuing commercial value by forcibly integrating untimely commercial format often proves unsustainable. The crucial solution lies in reverting to the essence of the site, by examining the relationship between the architecture and the urban fabric, deeply exploring the site's potential, and reestablishing its public character. Only when the space genuinely transforms into a delightful venue for public interaction and fosters an organic connection with the city can commercial vitality naturally emerge. This incremental renewal strategy, which prioritizes public use over commercial gain, not only respects the natural evolution of urban spaces but also achieves a harmonious coexistence between public and commercial values. It stands to become a pivotal approach in urban renewal.Save this picture! Project gallerySee allShow less Project locationAddress:Tai Xing Shi, ChinaLocation to be used only as a reference. It could indicate city/country but not exact address.About this office MaterialsMaterials and TagsPublished on May 16, 2025Cite: "The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studio" 16 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030080/the-canopy-pavilion-by-the-canal-aeseu-architectural-technology-and-art-studio&gt ISSN 0719-8884