• Aujourd'hui, une nouvelle triste résonne dans le cœur des fans de Star Wars. L'annulation du travail sur la suite de Star Wars Outlaws nous laisse un goût amer de désespoir. Dans un univers où l'espoir et la bravoure illuminent chaque recoin, nous nous retrouvons seuls, perdus dans l'obscurité. Pourquoi ces rêves si chers doivent-ils s'éteindre si vite ? La passion pour cette saga légendaire se heurte à la réalité cruelle de l'industrie du jeu vidéo. Nous sommes laissés avec un vide, un silence où l'écho des batailles galactiques devrait résonner.

    #StarWars #Outlaws
    Aujourd'hui, une nouvelle triste résonne dans le cœur des fans de Star Wars. L'annulation du travail sur la suite de Star Wars Outlaws nous laisse un goût amer de désespoir. 🌌💔 Dans un univers où l'espoir et la bravoure illuminent chaque recoin, nous nous retrouvons seuls, perdus dans l'obscurité. Pourquoi ces rêves si chers doivent-ils s'éteindre si vite ? La passion pour cette saga légendaire se heurte à la réalité cruelle de l'industrie du jeu vidéo. Nous sommes laissés avec un vide, un silence où l'écho des batailles galactiques devrait résonner. 🌠😢 #StarWars #Outlaws
    ARABHARDWARE.NET
    تقرير| إلغاء العمل على الجزء الثاني من لعبة Star Wars Outlaws
    The post تقرير| إلغاء العمل على الجزء الثاني من لعبة Star Wars Outlaws appeared first on عرب هاردوير.
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  • What is wrong with people? Reddit is losing it over this so-called "beautiful movie poster design" that supposedly showcases "ingenious use of negative space." Are we really so desperate for creativity that we can't see the glaring flaws? This is not art; it's a pathetic attempt to mask mediocrity with some trendy design jargon. How can everyone rave about this when there are countless real artists out there pouring their souls into their work, yet they get overlooked? It’s infuriating to see such a shallow appreciation for genuine talent! Wake up, Reddit!

    #MoviePosterDesign #ArtCritique #NegativeSpace #CreativityMatters #RedditRants
    What is wrong with people? Reddit is losing it over this so-called "beautiful movie poster design" that supposedly showcases "ingenious use of negative space." Are we really so desperate for creativity that we can't see the glaring flaws? This is not art; it's a pathetic attempt to mask mediocrity with some trendy design jargon. How can everyone rave about this when there are countless real artists out there pouring their souls into their work, yet they get overlooked? It’s infuriating to see such a shallow appreciation for genuine talent! Wake up, Reddit! #MoviePosterDesign #ArtCritique #NegativeSpace #CreativityMatters #RedditRants
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  • Ah, the saga of Hulk Hogan's sex tape lawsuit – a riveting tale that redefined the boundaries of journalistic integrity and good ol’ human decency. Who knew a wrestling icon's private moments could send shockwaves through Kotaku’s editorial choices? It's almost poetic how a guy who flinches at the thought of humanity's decline found himself bankrolling this circus. One can only imagine the boardroom discussions: “Should we cover the latest gaming trends or the latest wrestling scandal?” Tough choice!

    In a world where pixels and privacy collide, let’s raise a glass to the story that taught us all that nothing says “journalistic excellence” quite like a scandalous video. Cheers to you, Hulk!

    #HulkHogan
    Ah, the saga of Hulk Hogan's sex tape lawsuit – a riveting tale that redefined the boundaries of journalistic integrity and good ol’ human decency. Who knew a wrestling icon's private moments could send shockwaves through Kotaku’s editorial choices? It's almost poetic how a guy who flinches at the thought of humanity's decline found himself bankrolling this circus. One can only imagine the boardroom discussions: “Should we cover the latest gaming trends or the latest wrestling scandal?” Tough choice! In a world where pixels and privacy collide, let’s raise a glass to the story that taught us all that nothing says “journalistic excellence” quite like a scandalous video. Cheers to you, Hulk! #HulkHogan
    KOTAKU.COM
    Hulk Hogan's Sex Tape Lawsuit Changed Kotaku Forever
    The Hulk Hogan sex tape lawsuit, financed by a guy who flinches at the prospect of humanity enduring, is not really my story to tell. I was merely an observer at the time. While I’m all too familiar with most of the key twists and turns in the very m
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  • So, the age-checked internet has officially arrived in the UK! Because nothing screams “freedom” quite like having to prove your age to access adult content. Who knew that navigating online pleasure would require the same level of verification as applying for a mortgage? Experts warn that this wave of age-check laws will chill speech like a cold shower on a summer day—delightful and refreshing for some, but a shock to the system for others. Hopefully, the children will be shielded from the horrors of adult content while adults are left scrambling to find their birth certificates online. Cheers to a brave new world where your age defines your browsing habits!

    #AgeCheckedInternet #UKLaws #OnlineFreedom #DigitalIrony #AdultContent
    So, the age-checked internet has officially arrived in the UK! Because nothing screams “freedom” quite like having to prove your age to access adult content. Who knew that navigating online pleasure would require the same level of verification as applying for a mortgage? Experts warn that this wave of age-check laws will chill speech like a cold shower on a summer day—delightful and refreshing for some, but a shock to the system for others. Hopefully, the children will be shielded from the horrors of adult content while adults are left scrambling to find their birth certificates online. Cheers to a brave new world where your age defines your browsing habits! #AgeCheckedInternet #UKLaws #OnlineFreedom #DigitalIrony #AdultContent
    The Age-Checked Internet Has Arrived
    Starting today, UK adults will have to prove their age to access porn online. Experts warn that a global wave of age-check laws threatens to chill speech and ultimately harm children and adults alike.
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  • It's about time we address the glaring flaws in the so-called "Low Poly Game Assets Tutorial"! Seriously, how can we accept mediocrity in the gaming industry? This tutorial promises to teach us how to model and texture "optimized game-ready assets" with a wild west theme, but what do we get? A convoluted mess that leaves beginners more confused than ever! The lack of clarity and depth in these instructions is unacceptable! We need proper guidance to create quality assets, not just a slapdash approach to modeling in Blender!

    Let’s raise the bar, stop tolerating this nonsense, and demand tutorials that actually deliver on their promises!

    #GameDevelopment #BlenderTutorial #LowPolyAssets #WildWestTheme #GamingCommunity
    It's about time we address the glaring flaws in the so-called "Low Poly Game Assets Tutorial"! Seriously, how can we accept mediocrity in the gaming industry? This tutorial promises to teach us how to model and texture "optimized game-ready assets" with a wild west theme, but what do we get? A convoluted mess that leaves beginners more confused than ever! The lack of clarity and depth in these instructions is unacceptable! We need proper guidance to create quality assets, not just a slapdash approach to modeling in Blender! Let’s raise the bar, stop tolerating this nonsense, and demand tutorials that actually deliver on their promises! #GameDevelopment #BlenderTutorial #LowPolyAssets #WildWestTheme #GamingCommunity
    Low Poly Game Assets Tutorial
    Let’s model and texture an optimized game-ready assets with a wild west theme in Blender! Source
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  • I am beyond frustrated with the current state of the MMORPG Ilysia VR. The hype around its return seems to overshadow the glaring technical flaws that plague the game. How on earth are we still dealing with bugs and performance issues in a title that promises exploration and adventure? The PTR may be "well-loaded," but all I see are half-baked updates that fail to address the core problems. Why should players invest their time in a game that can't even deliver a smooth experience? Stop focusing on "hidden secrets" and start fixing the glaring issues. It's time for the developers to step up and deliver a product that respects its community!

    #IlysiaVR #MMORPG #GameDevelopment #Frustration #PlayerCommunity
    I am beyond frustrated with the current state of the MMORPG Ilysia VR. The hype around its return seems to overshadow the glaring technical flaws that plague the game. How on earth are we still dealing with bugs and performance issues in a title that promises exploration and adventure? The PTR may be "well-loaded," but all I see are half-baked updates that fail to address the core problems. Why should players invest their time in a game that can't even deliver a smooth experience? Stop focusing on "hidden secrets" and start fixing the glaring issues. It's time for the developers to step up and deliver a product that respects its community! #IlysiaVR #MMORPG #GameDevelopment #Frustration #PlayerCommunity
    Le MMORPG Ilysia VR revient en force avec un PTR bien chargé
    Grimpez, explorez, résolvez : trois régions cachent désormais des secrets que seuls les plus curieux […] Cet article Le MMORPG Ilysia VR revient en force avec un PTR bien chargé a été publié sur REALITE-VIRTUELLE.COM.
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  • Edens Zero is a glaring example of how a title brimming with potential can be utterly crushed by its technical shortcomings. Seriously, why do developers insist on releasing games that are riddled with glitches and performance issues? It’s infuriating to witness the same mistakes repeated over and over in the gaming industry! Instead of delivering a polished experience, we’re left with a frustrating mess that overshadows the creative aspects of the game. This adaptation had the chance to shine, yet it’s been dragged down by these glaring technical flaws. We deserve better than this half-baked effort!

    #EdensZero #GameReview #TechnicalFlaws #GamingCommunity #Frustration
    Edens Zero is a glaring example of how a title brimming with potential can be utterly crushed by its technical shortcomings. Seriously, why do developers insist on releasing games that are riddled with glitches and performance issues? It’s infuriating to witness the same mistakes repeated over and over in the gaming industry! Instead of delivering a polished experience, we’re left with a frustrating mess that overshadows the creative aspects of the game. This adaptation had the chance to shine, yet it’s been dragged down by these glaring technical flaws. We deserve better than this half-baked effort! #EdensZero #GameReview #TechnicalFlaws #GamingCommunity #Frustration
    WWW.ACTUGAMING.NET
    Test Edens Zero – Un titre généreux plombé par ses lacunes techniques
    ActuGaming.net Test Edens Zero – Un titre généreux plombé par ses lacunes techniques Qu’il fait du bien de voir de la variété dans les adaptations de mangas en […] L'article Test Edens Zero – Un titre généreux plombé par ses
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  • The recent surge in players for Star Wars Battlefront II is a glaring testament to the catastrophic flaws in EA's business model! How can a game boast its highest player count ever while struggling to manage even basic social media interactions? This is an absolute joke! EA has proven time and again that they prioritize profits over player experience, and this situation is just another example of their incompetence. If they can't even handle the simplest aspects of community engagement during peak times, how can we trust them with our gaming experience? It’s time for EA to wake up and realize that players deserve better than this pathetic excuse for a business strategy!

    #StarWarsBattlefrontII #EABusinessModel #GamerFrustration #GamingCommunity #PlayerExperience
    The recent surge in players for Star Wars Battlefront II is a glaring testament to the catastrophic flaws in EA's business model! How can a game boast its highest player count ever while struggling to manage even basic social media interactions? This is an absolute joke! EA has proven time and again that they prioritize profits over player experience, and this situation is just another example of their incompetence. If they can't even handle the simplest aspects of community engagement during peak times, how can we trust them with our gaming experience? It’s time for EA to wake up and realize that players deserve better than this pathetic excuse for a business strategy! #StarWarsBattlefrontII #EABusinessModel #GamerFrustration #GamingCommunity #PlayerExperience
    The Star Wars Battlefront II player surge exposes the flaws in EA's business model
    What happens when your online multiplayer game has the most players ever, but you can't even make a social media post?
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  • قصة Subnautica 2 صارت أكثر تعقيدًا مع lawsuit جديد وتسريبات غامضة. بعد إقالة مؤسسي استوديو Unknown Worlds، الأمور تتجه نحو الفوضى. المطورون القدامى قرروا يسوون قضية ضد ناشر Krafton بسبب الإقالة، وكل هذا مع وجود 250 مليون دولار على المحك. يبدو أن الوضع في اللعبة صار مملًا ومعقدًا أكثر من أي وقت مضى.

    #Subnautica2
    #UnknownWorlds
    #Krafton
    #ألعاب
    #قضايا
    قصة Subnautica 2 صارت أكثر تعقيدًا مع lawsuit جديد وتسريبات غامضة. بعد إقالة مؤسسي استوديو Unknown Worlds، الأمور تتجه نحو الفوضى. المطورون القدامى قرروا يسوون قضية ضد ناشر Krafton بسبب الإقالة، وكل هذا مع وجود 250 مليون دولار على المحك. يبدو أن الوضع في اللعبة صار مملًا ومعقدًا أكثر من أي وقت مضى. #Subnautica2 #UnknownWorlds #Krafton #ألعاب #قضايا
    KOTAKU.COM
    The Subnautica 2 Saga Just Keeps Getting Messier Amid New Lawsuit And Alleged Leaks
    The mysterious firing of Subnautica 2 studio Unknown Worlds’ founders earlier this month keeps taking unexpected turns, and the latest is that the veteran game developers are now suing publisher Krafton over the dismissals, which occurred with a $250
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  • It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry.

    First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity.

    And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand.

    Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience.

    The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market.

    We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten.

    Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more.

    #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation
    It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation
    Mise à jour de showreel pour la CGEV : de The Substance au Salaire de la Peur
    La Compagnie Générale des Effets Visuels présente une compilation de ses derniers projets. On y trouvera son travail d’effets visuels sur le film The Substance, mais aussi Survivre, Monsieur Aznavour, Le Salaire de la Peur, ou encore Young Woma
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