Larry Fabbroni is an architect, strategic advisor, and Chief Innovation Officer for Practice of Architecture. Throughout his career, he has led efforts to reform studio culture and innovate practice. He earned his MBA from the University of Chicago’s Booth School of Business. In 2017, as leaders in the AIA’s Young Architects Forum (YAF), we led the launch of the Practice Innovation Lab (PIL) and hosted a symposium that imagined new architectural practice models. At that time, we already felt that practice innovation was overdue in a profession that has not seen scaled disruption to its business model in over a century. Today, we are confident that there has never been a more critical time for the profession to embrace innovation. Redefining Innovation Henley Hall: Institute for Energy Efficiency by KieranTimberlake, Santa Barbara, California | KieranTimberlake’s research expertise creates value beyond a baseline labor model.  Currently, artificial intelligence dominates strategy conversations, but just as we saw back in 2017, larger patterns prompt calls for innovation. Talent attraction is increasingly challenging, disruptive technology continues to emerge, and actors from outside our industry show growing interest in the space. While incremental innovation has long been a part of the profession, relatively few firms have adopted new practices that create value beyond a baseline labor model. Firms such as KieranTimberlake have shown that research expertise can do this. MASS Design has pioneered a mission-driven approach. BIG has taken on the role of architect-as-developer. Snøhetta houses a product design division. We could continue to list great firms that have pushed the boundaries of practice, but they represent exceptions that have yet to be recognized as new standards. Indeed, the confluence of those factors that led to the original PIL continues to make the case that the time for scaled innovation is now. A Melting Iceberg: Incremental Changes Depleting the Profession Powerhouse Telemark by Snøhetta, Vestfold og Telemark, Norway | Photo by Ivar Kvaal | Snøhetta houses a product design division, innovatively presenting a alternative business model for firms.  One of the dangers of operating in a slow-moving industry is that change is difficult to detect and even more challenging to comprehend. If an iceberg loses 1% of mass per year, it’s tough to take notice, but the end result is catastrophic. This is what is happening to our profession. For newcomers, if it feels like there are increasingly more attractive opportunities elsewhere, that’s because there are. For seasoned professionals, if it feels like it’s become more challenging to maintain the same levels of prosperity, that’s because it has. Less(er) Talent In some ways, the shift towards companies recognizing “talent” as their most excellent resource has bewildered architects: we have always relied on talent. However, the patterns of talent leaving our profession are concerning. We say “feel” because there is no significant data. We spoke to Kendall A. Nicholson, Senior Director of Research at the Association of Collegiate Schools of Architecture (ACSA), who confirmed that aggregated data on graduate placement does not exist. So we inquired about what placement looks like at several programs around the country. Omar Khan, Head of the Carnegie Mellon University School of Architecture, informed us that approximately 90% of students pursue a minor to expand their horizons, and that in 2022, nearly one in three graduates entered the tech sector. Khan stated that these opportunities aren’t just student-driven — large innovative companies increasingly seek the value that graduates of architecture schools will provide. This increasing difficulty in capturing the talent that architecture schools are producing results in a shrinking and diluted talent pool. For a profession so reliant on human resources, this presents extreme risk. Pay Gaps In an increasingly expensive world, we are not able to compete for the best talent with emerging industries. It’s easy to understand why a popular career pivot for architects has become UX design. Designing user experience for websites pays significantly better than designing the same for the built environment. According to Glassdoor, 2023 entry-level UX designers earned an average of $78K, while the AIA salary calculator suggests architecture grads can expect to earn an average of $59 K. The talent we do attract into the profession often loses interest when they experience low pay and long hours, all while most firms lack clear paths and criteria for advancement or compensation increases. A Smaller Piece of the Pie Examining data in isolation, one might conclude that the profession continues to grow; the number of architects has increased substantially over the last century, and this trend has persisted in recent years. The problem with this growth is that the estimated share of the US GDP for Architectural Services has shrunk over time. This is not a manageable number to measure before 1999, when NCARB first aggregated local jurisdictional data. Due to limitations in industry economic data, we’re only showing data since 2011 for the purposes of this article. In that time, the number of architects has grown, the market size for services has grown, but the share those services represent as a portion of the US GDP has declined — by 15% if we use US Census data to almost 30% if we use industry research data (we used IbisWorld.com, however we found data that suggested a worse and others that offered a slightly better picture). To put it another way, architecture is a stagnant industry with a shrinking share of the economy. It’s challenging to examine this data and emerge feeling confident about the profession, but there is a silver lining. The biggest impediment to innovation for architects is not a lack of talent, but rather the business model. Design thinking has been widely adopted throughout the world as a key component of innovation processes; however, the problem is that we operate in the realm of professional services, which inherently is not well-suited to promoting innovation. Reliance on that formula is causing our iceberg to melt. The Tsunami: The AI Tidal Wave is Here The Rwanda Institute for Conservation Agriculture by MASS Design Group, Rwanda | MASS Design has pioneered a mission-driven approach that creates value beyond a baseline labor model.  As we confront the exodus of talent, it is easy for both firm owners and clients to imagine AI bringing efficiencies and replacing “CAD-monkeys” with machines. However, any firm that wants to operate — and win — as anything more than a low-cost provider will need a strategy to increase value, not just cut costs. AI is merely part of the toolbox required to confront a perfect storm of forces. Jobs will Disappear Goldman Sachs predicts that as much as 37% of our industry tasks will be replaced by AI. Many see this as a pathway to lower costs and increased profits. However, that is short-sighted. Markets will adjust quickly and demand lower costs for services; additional new value will need to be articulated and proven, and this will only happen through innovation. New Jobs will Emerge (but fewer of them) AI prophets often emphasize that technological innovation has historically led to net employment gains. Previous World Economic Forum estimates predicted losses of up to 85 million existing jobs worldwide, with parallel gains of as many as 97 million new jobs. However, these estimates were revised in the WEF 2023 Economic Outlook, which now anticipates a net loss of 14 million jobs. This stark outlook signals an even greater need for architects to become more innovative. The 2024 RIBA AI Report indicates that 41% of architecture firms were already utilizing AI, though current tools are indeed just the beginning. Marketing, business development and content creation will be standard areas of AI deployment moving forward. Still, revolutionary changes will come in how we learn, not only to use new tools, but also to collaborate with digital agents. How will this happen? We can theorize, but it is not possible to know for sure until it arrives, so we need to have a plan before we can see the tidal wave from land. The Alien Invasion: Outsiders Are Entering Our Orbit VIA 57 West by BIG – Bjarke Ingels Group, New York City, New York | BIG has pioneered a new model for practice by taking on the role of architect-as-developer. For years, we’ve heard cries that “architects gave away the role of master builder.” But how much did architects actually give, and how much was taken by innovative competition? This distinction is critical because the wagons are circling, and the AEC space has become ever more attractive to investors. Venture Capital and Private Equity Investment The numbers are often difficult to parse because architecture can impact so many verticals and does not operate as its own sector in the investment realm; however, the trends suggest a groundswell is underway. A 2023 McKinsey report shows that construction tech deals nearly doubled from 2019 to 2022, growing by 85%. At the same period, the number of deals increased by 30%, indicating that interest continues to grow. An increasing size of deals also suggests a maturity of the market. As interest in infrastructure investments has declined from its high in 2020, and along with real estate, has been blunted by high interest rates, institutional investors continue to see opportunities in the AEC space. Firm Acquisitions AEC firms that deliver predictable returns have proven to be attractive targets for PE firms. In the second quarter of 2024, private equity firms accounted for over one-third of AEC firm mergers and acquisitions. For M&A deals, the industry has seen an increase in attractiveness with expanded infrastructure spending as a catalyst. However, this interest can also be tied to the lack of innovation that has resulted in an industry ripe for consolidation. M&A orchestrators generate large amounts of profit by streamlining operations, eliminating redundancies, and then stamping out competition. An entire community has been built around this, with AEC Advisors hosting an annual “Private Equity Summit” that brings together CEOs of AEC firms with PE investors. Startups As an extension of the growing interest from venture capital in the space, there is an upward trend in the AEC space being targeted for disruption by entrepreneurs who see an industry that represents a significant portion of the global GDP. AEC Works, a project of e-verse that catalogs AEC startups and investors, lists nearly 800 startups from around the world, with almost 200 identified as “architecture-focused.” The signal is clear: startups are looking to figure out how to do what you do cheaper, better, or perhaps both. Combining this environment with depleted talent pools, a declining share of GDP, and revolutionary technology, it is a correct response to be alarmed. Significant change is inevitable. It is time for architects to see the same opportunities that investors and entrepreneurs see, and learn to navigate within these spaces. The Great Opportunity Throughout history, new actors have enjoyed a “leap-frog” effect and been able to surpass established incumbents to reshape industries, markets and economies. From climate change to pandemic ripple effects, to the housing crisis, to generational shifts in the workforce, there are many forces that directly impact the work of architects and call for innovation. The need for new ways of designing and delivering different components of the built environment is ever-present and will be solved by teams that either include — and might be led by — architects, or those that do not. Most end users will only care if the resulting product is superior. This time of tension is indeed a time of great opportunity. Architects who embrace innovation in pursuing new iterations of our dated business models may actually achieve what many of us have dreamed of from the start: to leave a positive mark on the world. We think the future of the profession depends on it. Top image: Powerhouse Telemark by Snøhetta, Vestfold og Telemark, Norway The post Architects, Your Real Competition Isn’t AI — It’s Business Complacency appeared first on Journal.

A small home in Wayne County, Missouri was torn apart by a tornado. An aerial image by Jeff Roberson taken on March 15 depicts chunks of stick-framed walls and half-recognizable debris strewn across a patchy lawn in an eviscerated orthography of middle-American life. Elisa Iturbe, assistant professor of Architecture at Harvard’s Graduate School of Design, describes this scene as “an image of climate impact, climate victimhood…these walls are doing the hard work of containment, of containing the rituals of human lifestyle.” Roberson’s image embodied the themes that emerged from the Projective Territories Symposium: The atomized fragility of contemporary American domesticity, the fundamental link between ways of living and modes of land tenure, and the necessary primacy of form in architecture’s response to the incoming upheaval of climate change. Lydia Kallipoliti talked about her 2024 book Histories of Ecological Design; An Unfinished Cyclopedia. (Andy Eichler) Projective Territories was hosted at Kent State University’s College of Architecture and Environmental Design on April 3 and 4. Organized and led by the CAED’s assistant professor Paul Mosley, the symposium brought Iturbe, Columbia University’s associate professor Lydia Kallipoliti, California College of the Arts’ associate professor Neeraj Bhatia, and professor Albert Pope of Rice University to Kent, Ohio, to discuss the relationship between territory and architecture in the face of climate change. “At its core, territory is land altered by human inhabitation,” read Mosley’s synopsis. “If ensuring a survivable future means rethinking realities of social organization, economy, and subsistence, then how might architecture—as a way of thinking and rethinking the world—contribute to these new realities?” Projective Territories kicked off on the afternoon of April 3 with a discussion of Bhatia’s Life After Property exhibition hosted at the CAED’s Armstrong Gallery. The exhibition collected drawings, renderings, and models by Bhatia’s practice The Open Workshop on a puzzle-piece shaped table constructed from plywood and painted blue. Nestled into the table’s geometric subtractions, Bhatia, Pope, Mosley, and CAED associate professor Taraneh Meshkani discussed Bhatia’s research into the commons: A system of land tenure by which communities manage and share resources with minimal reliance on the state through an ethic of solidarity, mutualism, and reciprocity. Neeraj Bhatia presented new typologies for collective living. (Andy Eichler) The symposium’s second day was organized into a morning session, “The Erosion of Territory,” with lectures by Kallipoliti and Iturbe, and an afternoon session, “The Architecture of Expanding Ecologies,” with lectures by Bhatia and Pope. Mosley’s introduction to “The Erosion of Territory” situated Kallipoliti and Iturbe’s work in a discussion about “how territories have been historically shaped by extraction and control and are unraveling under strain.” Lydia Kallipoliti’s lecture “Ecological Design; Cohabiting the World” presented questions raised by her 2024 book Histories of Ecological Design; An Unfinished Cyclopedia, which she described as “an attempt to clarify how nature as a concept was used in history.” Kallipoliti proposed an ecological model that projects outward from domestic interiors to the world to generate a “universe of fragmented worldviews and a cloud of stories.” Iturbe’s “Transgressing Immutable Lines” centered on her research into the formal potentials for Community Land Trusts—nonprofits that own buildings in trust on existing real estate. Iturbe described these trusts as “Not just a juridical mechanism, but a proposal for rewriting the relationship between land and people.” “Ecology is the basis for a more pleasurable alternative,” said Mosley in his introduction to the day’s second session. “Cooperation and care aren’t the goals, but the means of happiness.” An exhibition complementing the symposium shared drawings, renderings, and models. (Andy Eichler) Neeraj Bhatia’s lecture “Life After Property” complemented the previous days’ exhibition, problematizing the housing crisis as an ideological commitment to housing rooted in market speculation. Bhatia presented new typologies for collective living with the flexibility to formally stabilize the interpersonal relationships that define life in the commons. Albert Pope finished the day’s lectures with “Inverse Utopia,” presenting work from his 2024 book of the same name, which problematizes postwar American urban sprawl as an incapability to visualize the vast horizontal expansion of low-density development. Collectively, the day’s speakers outlined a model that situated the American domestic form at the center of the global climate crisis. Demanding complete separation from productive territories, this formal ideology of the isolated object is in a process of active dismemberment under climate change. The speakers’ proposed solutions were unified under fresh considerations of established ideas of typology and form, directly engaging politics of the collective as an input for shaping existing space. As Friday’s session drew to a close, the single-family home appeared as a primitive relic which architecture must overcome. Albert Pope’s images of tower complexes in Hong Kong and council estates in London that house thousands appeared as visions of the future. “The only way we can begin to address this dilemma is to begin to understand who we are in order to enlist the kinds of collective responses to this problem,” said Pope. Walker MacMurdo is an architectural designer, critic, and adjunct professor who studies the relationship between architecture and the ground at Kent State University’s College of Architecture and Environmental Design.

The design concept for communicating the symposium Further Reading ? Reading Knowledge emerged from the process of digitizing analog sources.  A characteristic beam of light inspired by the motion of a scanner glides across the letters: at times subtle, at times clearly visible, and interactive in the mobile version, it responds to the movement of the display, making the digital surface almost tactile.  A high-contrast typographic system, characterized by large-format texts and accompanying footnotes, forms the editorial and organizational framework for embedding all content.

Slovenian Pavilion Highlights the Relationship Between Architect, Craftsman, and Architecture at the Venice Architecture Biennale 2025Save this picture!Master Builders. Image © Klemen Ilovar, 2025The Slovenian Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia presents Master Builders, a project curated by Ana Kosi and Ognen Arsov and organized by the Museum of Architecture and Design (MAO). The project addresses the evolution of construction technology, encompassing robotics, prefabrication, artificial intelligence, 3D printing, and other emerging tools, while drawing attention to a notable paradox within this technological shift, and also emphasizing that the quality of the built environment continues to rely heavily on the tacit knowledge of skilled craftsmen. By constructing a series of totems, the project examines the collaborative dynamics between architect and craftsman, revealing how this relationship shapes the material realization of architecture.The Slovenian Pavilion is structured around three components: a spatial installation in the Arsenale in Venice; a catalogue that explores the relationship between the architect and the master builder across historical and contemporary contexts; and an interdisciplinary symposium on the production of contemporary architecture in Slovenia, scheduled to take place in November at the Museum of Architecture and Design in Ljubljana. Save this picture!In response to this year's Biennale theme Intelligens. Natural. Artificial. Collective., the Slovenian Pavilion foregrounds the know-how, techniques, and skills of craftsmen as an essential and irreplaceable component of architectural production. By repositioning the role of construction workers within the architectural process, the project redirects focus from the finished architectural object to the methods and practices of contemporary construction on site. In doing so, it raises the question of whether this shift in perspective can lead to a renewed understanding of contemporary architecture. Related Article Bahrain Wins the Golden Lion for Best National Participation at the 2025 Venice Architecture Biennale Save this picture! For architecture to be well-constructed, we need a good team of architects and designers, a good investor, a contract with a good construction company, an experienced on-site supervisor, political backing, a cycle of favorable construction material prices, and favorable financing terms. This general formula is missing a key component, and one that is frequently overlooked when it comes to sharing the credit for well-built architecture – the skilled craftsmen who build structures with their particular know-how, goodwill, and well-trained hands. - Ognen Arsov, curator and architect Save this picture!Save this picture!Located in the Arsenale, the Slovenian Pavilion features four totems representing a family of master craftsmen from the construction site, accompanied by a large-format documentary video that captures the process of their making. Constructed as physical manifestos of craftsmanship, the totems embody the techniques and knowledge of contemporary building practices in Slovenia. Developed through an experimental collaboration between architects and craftsmen, the project investigates the dynamic relationship between design and construction. Each totem was designed using standard architectural planning tools and built on a construction site in Kranj, 35 kilometers north of Ljubljana, based on detailed plans, bills of quantities, and technical documentation, with ongoing dialogue between the designers and builders. The installation responds to the spatial context of the Arsenale, establishing an interplay between the totems while making visible the often-overlooked skills that underpin architectural production. Beyond representing individual craftspeople, the totems function as collective signifiers of mastery, translating the abstract into the tangible and inviting reflection on the role of craftsmanship within the broader architectural discourse.Save this picture!Save this picture!The 19th International Architecture Exhibition – La Biennale di Venezia opened to visitors on May 10 and will remain on view until November 23, 2025, hosting a total of 65 National Pavilions. Among them, four countries, Azerbaijan, Oman, Qatar, and Togo, will be participating for the first time. The Azerbaijan national pavilion will present Equilibrium. Patterns of Azerbaijan and the Republic of Togo will present the exhibition titled Considering Togo's Architectural Heritage. This year's Golden Lion was awarded to the Kingdom of Bahrain for its exhibition Heatwave. Special Mentions were given to Opera Aperta, the Pavilion of the Holy See, and GBR: Geology of Britannic Repair, representing Great Britain.We invite you to check out ArchDaily's comprehensive coverage of the 2025 Venice Biennale. Image gallerySee allShow less About this authorReyyan DoganAuthor••• Cite: Reyyan Dogan. "Slovenian Pavilion Highlights the Relationship Between Architect, Craftsman, and Architecture at the Venice Architecture Biennale 2025" 16 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030246/slovenian-pavilion-highlights-the-relationship-between-architect-craftsman-and-architecture-at-the-venice-architecture-biennale-2025&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

TechTarget and Informa Tech’s Digital Business Combine.TechTarget and InformaTechTarget and Informa Tech’s Digital Business Combine.Together, we power an unparalleled network of 220+ online properties covering 10,000+ granular topics, serving an audience of 50+ million professionals with original, objective content from trusted sources. We help you gain critical insights and make more informed decisions across your business priorities.MIT Sloan CIO Symposium to Showcase 10 Startups Focused on CIO NeedsMIT Sloan CIO Symposium to Showcase 10 Startups Focused on CIO NeedsThe annual CIO conference, which InformationWeek will be attending live, will highlight early-stage companies focused on artificial intelligence, cybersecurity, and data needs for enterprise IT.Shane Snider, Senior Writer, InformationWeekMay 15, 20251 Min ReadPanther Media GmbH via Alamy StockThe annual MIT Sloan CIO Symposium taking place May 19-20 in Cambridge, Mass. will feature 10 startup businesses that offer innovative solutions for IT executives during its 2025 Innovation Showcase.The Innovation Showcase offers CIOs and other IT leaders a chance to explore early-stage US-based businesses. Aperio, Arundo Analytics, Bluumly, DataTrails, DBOS, FenixPyre, iCustomer, Narratize, Silverthread, and Skyline Nav were named finalists for the showcase.“It’s an honor to continue to support emerging enterprises as they connect with industry leaders, fostering collaborations that consistently drive meaningful innovation and mutual success,” Anton Teodorescu, chair of the Innovation Showcase, said in a statement.MIT Sloan said the businesses were chosen based on several criteria, including having an enterprise IT solution commercially available, less than $10 million in annual revenue, selling solutions to CIOs or corporate IT departments, and showing innovation and strategic value with potential bottom-line impact.Symposium Celebrates 22nd YearNext week’s two-day symposium will feature dozens of speakers and panelists, including Oracle’s Roger Barga, senior vice president for artificial intelligence and machine learning, Bill Pappas, executive vice president and head of global technology operations for MetLife, Monica Caldas, global chief information officer for Liberty Mutual Insurance, and many other top IT leaders.Related:InformationWeek’s Senior Editor Joao-Pierre S. Ruth and Senior Executive Editor Ben Cole will provide live coverage from the event next week.About the AuthorShane SniderSenior Writer, InformationWeekShane Snider is a veteran journalist with more than 20 years of industry experience. He started his career as a general assignment reporter and has covered government, business, education, technology and much more. He was a reporter for the Triangle Business Journal, Raleigh News and Observer and most recently a tech reporter for CRN. He was also a top wedding photographer for many years, traveling across the country and around the world. He lives in Raleigh with his wife and two children.See more from Shane SniderWebinarsMore WebinarsReportsMore ReportsNever Miss a Beat: Get a snapshot of the issues affecting the IT industry straight to your inbox.SIGN-UPYou May Also Like