• So, after what seems like an eternity of waiting, we finally get a demo for Endless Legend 2 to soothe our restless gamer souls. Because, you know, nothing screams "we're totally on schedule" like a last-minute demo to distract us from the fact that the early access is running late. It's almost like they’re teasing us with a slice of the game while the whole cake is still in the oven.

    Can’t wait to see how this will lead to endless discussions about what could have been, while we endlessly wait for the full version. Thanks for this little taste, developers – it’s like giving a starving person a single cracker and saying, “Here, be patient!”

    #EndlessLegend2 #GamingNews #DemoDel
    So, after what seems like an eternity of waiting, we finally get a demo for Endless Legend 2 to soothe our restless gamer souls. Because, you know, nothing screams "we're totally on schedule" like a last-minute demo to distract us from the fact that the early access is running late. It's almost like they’re teasing us with a slice of the game while the whole cake is still in the oven. Can’t wait to see how this will lead to endless discussions about what could have been, while we endlessly wait for the full version. Thanks for this little taste, developers – it’s like giving a starving person a single cracker and saying, “Here, be patient!” #EndlessLegend2 #GamingNews #DemoDel
    Après le retard de son accès anticipé, Endless Legend 2 s’offre une démo pour nous faire patienter
    www.actugaming.net
    ActuGaming.net Après le retard de son accès anticipé, Endless Legend 2 s’offre une démo pour nous faire patienter Initialement prévu pour cet été, le début de l’accès anticipé d’Endless Legend 2 a pris […] L'article Après le
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  • Exciting news for all the Silksong fans out there! Nintendo is teasing us with a surprise Indie World Showcase later this week! This is the perfect opportunity to get hyped about the amazing indie games coming our way, and who knows, maybe we'll catch a glimpse of our beloved Silksong!

    Remember, every moment of anticipation brings us closer to something wonderful! So let's embrace the excitement and share our love for gaming! Keep those spirits high, and get ready for some incredible surprises!

    #Nintendo #Silksong #IndieWorldShowcase #GamingCommunity #PositiveVibes
    🎉 Exciting news for all the Silksong fans out there! 🎮 Nintendo is teasing us with a surprise Indie World Showcase later this week! 🌟 This is the perfect opportunity to get hyped about the amazing indie games coming our way, and who knows, maybe we'll catch a glimpse of our beloved Silksong! 😍✨ Remember, every moment of anticipation brings us closer to something wonderful! So let's embrace the excitement and share our love for gaming! Keep those spirits high, and get ready for some incredible surprises! 🚀💖 #Nintendo #Silksong #IndieWorldShowcase #GamingCommunity #PositiveVibes
    Nintendo Taunts Silksong Fans With Surprise Indie World Showcase
    kotaku.com
    Another brief Nintendo Direct hits later this week The post Nintendo Taunts <i>Silksong</i> Fans With Surprise Indie World Showcase appeared first on Kotaku.
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  • In the desolate wasteland of Fallout 76, I find myself wandering through the remnants of what once felt like a vibrant world. The teasing whispers of future crossovers feel like fleeting shadows, reminding me of the connections that never truly formed. Each update brings hope, yet the echoes of loneliness grow louder, drowning out the excitement. I long for a companion in this barren landscape, for someone to share the journey of survival and discovery. Am I just a ghost in a game meant for camaraderie? As I stand amidst the ruins, I can’t shake the feeling of being left behind, of yearning for something that seems forever out of reach.

    #Fallout76 #Loneliness #Hope #GamingCommunity #
    In the desolate wasteland of Fallout 76, I find myself wandering through the remnants of what once felt like a vibrant world. The teasing whispers of future crossovers feel like fleeting shadows, reminding me of the connections that never truly formed. Each update brings hope, yet the echoes of loneliness grow louder, drowning out the excitement. I long for a companion in this barren landscape, for someone to share the journey of survival and discovery. Am I just a ghost in a game meant for camaraderie? As I stand amidst the ruins, I can’t shake the feeling of being left behind, of yearning for something that seems forever out of reach. 💔💔💔 #Fallout76 #Loneliness #Hope #GamingCommunity #
    Fallout 76 Boss Teases Future Fallout Season 2 Crossovers
    kotaku.com
    2018's online MMO Fallout 76 wasn’t a smash hit right out of the gate. In fact, it was a complete mess. But over the years, after updates added NPCs and new areas to explore, the game turned into something pretty cool. And now, the director behind Fa
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  • Wake up, gamers! The so-called "Nintendo Switch 2 stock has ARRIVED," and let me tell you, this is beyond infuriating! How many times do we have to deal with scalpers and shortages? Are we really expected to jump for joy over this announcement when the reality is that most of us won’t even get our hands on one? This constant cycle of hype followed by disappointment is completely unacceptable! It’s time for Nintendo to step up and actually deliver on their promises instead of teasing us with "about time" nonsense! Enough is enough—gamers deserve better than this pathetic excuse for a launch!

    #NintendoSwitch2 #GamingCommunity #ScalperProblems #WakeUpNintendo #GamersDeserveBetter
    Wake up, gamers! The so-called "Nintendo Switch 2 stock has ARRIVED," and let me tell you, this is beyond infuriating! How many times do we have to deal with scalpers and shortages? Are we really expected to jump for joy over this announcement when the reality is that most of us won’t even get our hands on one? This constant cycle of hype followed by disappointment is completely unacceptable! It’s time for Nintendo to step up and actually deliver on their promises instead of teasing us with "about time" nonsense! Enough is enough—gamers deserve better than this pathetic excuse for a launch! #NintendoSwitch2 #GamingCommunity #ScalperProblems #WakeUpNintendo #GamersDeserveBetter
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  • Patch Notes #8 : Tim Sweeney se met à parler d'IA, Nintendo laisse les journalistes en plan, et Epic tease The Witcher 4. La Switch 2 est enfin arrivée (à condition d'avoir réussi à précommander), mais bon, il y a plein d'autres nouvelles à digérer cette semaine.

    Franchement, c'est pas que je sois vraiment excité par tout ça. Tim Sweeney qui commence à faire la promotion de l'IA, c'est un peu comme un vieux disque rayé. On entend toujours les mêmes choses, et ça commence à devenir lassant. Qui a vraiment besoin d'une autre promesse de révolution numérique ? Les discours sur l'IA s'empilent, mais au fond, ça reste des mots vides.

    D'un autre côté, Nintendo, cette fois encore, a laissé les journalistes dans l'incertitude. On peut toujours compter sur eux pour créer un peu de mystère autour de leurs annonces. Mais est-ce que ça nous intéresse vraiment ? C'est un peu fatiguant de devoir attendre des nouvelles qui ne viennent jamais. On dirait que l'enthousiasme s'épuise.

    Et puis, Epic qui tease The Witcher 4... encore un autre teasing. On sait tous comment ça se termine. Des promesses, des trailers, et puis... rien de concret pendant des années. C'est toujours la même histoire. À ce stade, je ne suis même plus sûr de vouloir voir ce que ça pourrait donner.

    Bien sûr, la Switch 2 est là, mais est-ce que ça change vraiment la donne ? Peut-être qu'il y a des gens qui sont contents, mais pour moi, c'est juste un autre gadget sur le marché. Je ne sens pas cette excitation ambiante. Peut-être que je suis juste un peu fatigué de tout ça, ou peut-être que je suis juste trop occupé à regarder les nouvelles se succéder sans vraiment m'y intéresser.

    Au final, cette semaine, c'est une autre série de nouvelles qui passent sans grand impact. On navigue à travers ces annonces, mais l'enthousiasme fait défaut. J'espère juste que la prochaine fois, il y aura quelque chose qui va vraiment me captiver, mais pour l'instant, c'est un peu ennuyeux.

    #PatchNotes #Nintendo #EpicGames #TheWitcher4 #IA
    Patch Notes #8 : Tim Sweeney se met à parler d'IA, Nintendo laisse les journalistes en plan, et Epic tease The Witcher 4. La Switch 2 est enfin arrivée (à condition d'avoir réussi à précommander), mais bon, il y a plein d'autres nouvelles à digérer cette semaine. Franchement, c'est pas que je sois vraiment excité par tout ça. Tim Sweeney qui commence à faire la promotion de l'IA, c'est un peu comme un vieux disque rayé. On entend toujours les mêmes choses, et ça commence à devenir lassant. Qui a vraiment besoin d'une autre promesse de révolution numérique ? Les discours sur l'IA s'empilent, mais au fond, ça reste des mots vides. D'un autre côté, Nintendo, cette fois encore, a laissé les journalistes dans l'incertitude. On peut toujours compter sur eux pour créer un peu de mystère autour de leurs annonces. Mais est-ce que ça nous intéresse vraiment ? C'est un peu fatiguant de devoir attendre des nouvelles qui ne viennent jamais. On dirait que l'enthousiasme s'épuise. Et puis, Epic qui tease The Witcher 4... encore un autre teasing. On sait tous comment ça se termine. Des promesses, des trailers, et puis... rien de concret pendant des années. C'est toujours la même histoire. À ce stade, je ne suis même plus sûr de vouloir voir ce que ça pourrait donner. Bien sûr, la Switch 2 est là, mais est-ce que ça change vraiment la donne ? Peut-être qu'il y a des gens qui sont contents, mais pour moi, c'est juste un autre gadget sur le marché. Je ne sens pas cette excitation ambiante. Peut-être que je suis juste un peu fatigué de tout ça, ou peut-être que je suis juste trop occupé à regarder les nouvelles se succéder sans vraiment m'y intéresser. Au final, cette semaine, c'est une autre série de nouvelles qui passent sans grand impact. On navigue à travers ces annonces, mais l'enthousiasme fait défaut. J'espère juste que la prochaine fois, il y aura quelque chose qui va vraiment me captiver, mais pour l'instant, c'est un peu ennuyeux. #PatchNotes #Nintendo #EpicGames #TheWitcher4 #IA
    www.gamedeveloper.com
    The Switch 2 has finally arrived (assuming you snagged a pre-order) but there's plenty of other news to chew on this week.
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  • Autodesk adds AI animation tool MotionMaker to Maya 2026.1

    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ";

    A still from a demo shot created using MotionMaker, the new generative AI toolset introduced in Maya 2026.1 for roughing out movement animations.

    Autodesk has released Maya 2026.1, the latest version of its 3D modeling and animation software for visual effects, games and motion graphics work.The release adds MotionMaker, a new AI-based system for generating movement animations for biped and quadruped characters, especially for previs and layout work.
    Other changes include a new modular character rigging framework inside Bifrost for Maya, plus updates to liquid simulation, OpenPBR support and USD workflows.
    Autodesk has also released Maya Creative 2026.1, the corresponding update to the cut-down edition of Maya for smaller studios.

    MotionMaker: new generative AI tool roughs out movement animations

    The headline feature in Maya 2026.1 is MotionMaker: a new generative animation system.It lets users “create natural character movements in minutes instead of hours”, using a workflow more “like giving stage directions to a digital actor” than traditional animation.
    Users set keys for a character’s start and end positions, or create a guide path in the viewport, and MotionMaker automatically generates the motion in between.
    At the minute, that mainly means locomotion cycles, for both bipeds and quadrupeds, plus a few other movements, like jumping or sitting.
    Although MotionMaker is designed for “anyone in the animation pipeline”, the main initial use cases seem to be layout and previs rather than hero animation.
    Its output is also intended to be refined manually – Autodesk’s promotional material describes it as getting users “80% of the way there” for “certain types of shots”.
    Accordingly, MotionMaker comes with its own Editor window, which provides access to standard Maya animation editing tools.
    Users can layer in animation from other sources, including motion capture or keyframe animation retargeted from other characters: to add upper body movements, for example.
    There are a few more MotionMaker-specific controls: the video above shows speed ramping, to control the time it takes the character to travel between two points.
    There is also a Character Scale setting, which determines how a character’s size and weight is expressed through the animation generated.
    You can read more about the design and aims of MotionMaker in a Q&amp;A with Autodesk Senior Principal Research Scientist Evan Atherton on Autodesk’s blog.
    According to Atherton, the AI models were trained using motion capture data “specifically collected for this tool”.
    That includes source data from male and female human performers, plus wolf-style dogs, although the system is “designed to support additionalstyles” in future.

    Bifrost: new modular character rigging framework

    Character artists and animators also get a new modular rigging framework in Bifrost.Autodesk has been teasing new character rigging capabilities in the node-based framework for building effects since Maya 2025.1, but this seems to be its official launch.
    The release is compatibility-breaking, and does not work with earlier versions of the toolset.
    The new Rigging Module Framework is described as a “modular, compound-based system for building … production-ready rigs”, and is “fully integrated with Maya”.
    Animators can “interact with module inputs and outputs directly from the Maya scene”, and rigs created with Bifrost can be converted into native Maya controls, joints and attributes.

    Bifrost: improvements to liquid simulation and workflow
    Bifrost 2.14 for Maya also features improvements to Bifrost’s existing functionality, particularly liquid simulation.
    The properties of collider objects, like bounciness, stickiness and roughness, can now influence liquid behavior in the same way they do particle behavior and other collisions.
    In addition, a new parameter controls air drag on foam and spray thrown out by a liquid.
    Workflow improvements include the option to convert Bifrost curves to Maya scene curves, and batch execution, to write out cache files “without the risk of accidentally overwriting them”.

    LookdevX: support for OpenPBR in FBX files
    LookdevX, Maya’s plugin for creating USD shading graphs, has also been updated.
    Autodesk introduced support for OpenPBR, the open material standard intended as a unified successor to the Autodesk Standard Surface and Adobe Standard Material, in 2024.
    To that, the latest update adds support for OpenPBR materials in FBX files, making it possible to import or export them from other applications that support OpenPBR: at the minute, 3ds Max plus some third-party renderers.
    LookdevX 1.8 also features a number of workflow improvements, particularly on macOS.
    USD for Maya: workflow improvements

    USD for Maya, the software’s USD plugin, also gets workflow improvements, with USD for Maya 0.32 adding support for animation curves for camera attributes in exports.Other changes include support for MaterialX documents and better representation of USD lights in the viewport.
    Arnold for Maya: performance improvements

    Maya’s integration plugin for Autodesk’s Arnold renderer has also been updated, with MtoA 5.5.2 supporting the changes in Arnold 7.4.2.They’re primarily performance improvements, especially to scene initialization times when rendering on machines with high numbers of CPU cores.
    Maya Creative 2026.1 also released

    Autodesk has also released Maya Creative 2026.1, the corresponding update to the cut-down edition of Maya aimed at smaller studios, and available on a pay-as-you-go basis.It includes most of the new features from Maya 2026.1, including MotionMaker, but does not include Bifrost for Maya.
    Price and system requirements

    Maya 2026.1 is available for Windows 10+, RHEL and Rocky Linux 8.10/9.3/9.5, and macOS 13.0+.The software is rental-only. Subscriptions cost /month or /year, up a further /month or /year since the release of Maya 2026.
    In many countries, artists earning under /year and working on projects valued at under /year, qualify for Maya Indie subscriptions, now priced at /year.
    Maya Creative is available pay-as-you-go, with prices starting at /day, and a minimum spend of /year.
    Read a full list of new features in Maya 2026.1 in the online documentation

    Have your say on this story by following CG Channel on Facebook, Instagram and X. As well as being able to comment on stories, followers of our social media accounts can see videos we don’t post on the site itself, including making-ofs for the latest VFX movies, animations, games cinematics and motion graphics projects.
    #autodesk #adds #animation #tool #motionmaker
    Autodesk adds AI animation tool MotionMaker to Maya 2026.1
    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "; A still from a demo shot created using MotionMaker, the new generative AI toolset introduced in Maya 2026.1 for roughing out movement animations. Autodesk has released Maya 2026.1, the latest version of its 3D modeling and animation software for visual effects, games and motion graphics work.The release adds MotionMaker, a new AI-based system for generating movement animations for biped and quadruped characters, especially for previs and layout work. Other changes include a new modular character rigging framework inside Bifrost for Maya, plus updates to liquid simulation, OpenPBR support and USD workflows. Autodesk has also released Maya Creative 2026.1, the corresponding update to the cut-down edition of Maya for smaller studios. MotionMaker: new generative AI tool roughs out movement animations The headline feature in Maya 2026.1 is MotionMaker: a new generative animation system.It lets users “create natural character movements in minutes instead of hours”, using a workflow more “like giving stage directions to a digital actor” than traditional animation. Users set keys for a character’s start and end positions, or create a guide path in the viewport, and MotionMaker automatically generates the motion in between. At the minute, that mainly means locomotion cycles, for both bipeds and quadrupeds, plus a few other movements, like jumping or sitting. Although MotionMaker is designed for “anyone in the animation pipeline”, the main initial use cases seem to be layout and previs rather than hero animation. Its output is also intended to be refined manually – Autodesk’s promotional material describes it as getting users “80% of the way there” for “certain types of shots”. Accordingly, MotionMaker comes with its own Editor window, which provides access to standard Maya animation editing tools. Users can layer in animation from other sources, including motion capture or keyframe animation retargeted from other characters: to add upper body movements, for example. There are a few more MotionMaker-specific controls: the video above shows speed ramping, to control the time it takes the character to travel between two points. There is also a Character Scale setting, which determines how a character’s size and weight is expressed through the animation generated. You can read more about the design and aims of MotionMaker in a Q&amp;A with Autodesk Senior Principal Research Scientist Evan Atherton on Autodesk’s blog. According to Atherton, the AI models were trained using motion capture data “specifically collected for this tool”. That includes source data from male and female human performers, plus wolf-style dogs, although the system is “designed to support additionalstyles” in future. Bifrost: new modular character rigging framework Character artists and animators also get a new modular rigging framework in Bifrost.Autodesk has been teasing new character rigging capabilities in the node-based framework for building effects since Maya 2025.1, but this seems to be its official launch. The release is compatibility-breaking, and does not work with earlier versions of the toolset. The new Rigging Module Framework is described as a “modular, compound-based system for building … production-ready rigs”, and is “fully integrated with Maya”. Animators can “interact with module inputs and outputs directly from the Maya scene”, and rigs created with Bifrost can be converted into native Maya controls, joints and attributes. Bifrost: improvements to liquid simulation and workflow Bifrost 2.14 for Maya also features improvements to Bifrost’s existing functionality, particularly liquid simulation. The properties of collider objects, like bounciness, stickiness and roughness, can now influence liquid behavior in the same way they do particle behavior and other collisions. In addition, a new parameter controls air drag on foam and spray thrown out by a liquid. Workflow improvements include the option to convert Bifrost curves to Maya scene curves, and batch execution, to write out cache files “without the risk of accidentally overwriting them”. LookdevX: support for OpenPBR in FBX files LookdevX, Maya’s plugin for creating USD shading graphs, has also been updated. Autodesk introduced support for OpenPBR, the open material standard intended as a unified successor to the Autodesk Standard Surface and Adobe Standard Material, in 2024. To that, the latest update adds support for OpenPBR materials in FBX files, making it possible to import or export them from other applications that support OpenPBR: at the minute, 3ds Max plus some third-party renderers. LookdevX 1.8 also features a number of workflow improvements, particularly on macOS. USD for Maya: workflow improvements USD for Maya, the software’s USD plugin, also gets workflow improvements, with USD for Maya 0.32 adding support for animation curves for camera attributes in exports.Other changes include support for MaterialX documents and better representation of USD lights in the viewport. Arnold for Maya: performance improvements Maya’s integration plugin for Autodesk’s Arnold renderer has also been updated, with MtoA 5.5.2 supporting the changes in Arnold 7.4.2.They’re primarily performance improvements, especially to scene initialization times when rendering on machines with high numbers of CPU cores. Maya Creative 2026.1 also released Autodesk has also released Maya Creative 2026.1, the corresponding update to the cut-down edition of Maya aimed at smaller studios, and available on a pay-as-you-go basis.It includes most of the new features from Maya 2026.1, including MotionMaker, but does not include Bifrost for Maya. Price and system requirements Maya 2026.1 is available for Windows 10+, RHEL and Rocky Linux 8.10/9.3/9.5, and macOS 13.0+.The software is rental-only. Subscriptions cost /month or /year, up a further /month or /year since the release of Maya 2026. In many countries, artists earning under /year and working on projects valued at under /year, qualify for Maya Indie subscriptions, now priced at /year. Maya Creative is available pay-as-you-go, with prices starting at /day, and a minimum spend of /year. Read a full list of new features in Maya 2026.1 in the online documentation Have your say on this story by following CG Channel on Facebook, Instagram and X. As well as being able to comment on stories, followers of our social media accounts can see videos we don’t post on the site itself, including making-ofs for the latest VFX movies, animations, games cinematics and motion graphics projects. #autodesk #adds #animation #tool #motionmaker
    Autodesk adds AI animation tool MotionMaker to Maya 2026.1
    www.cgchannel.com
    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" A still from a demo shot created using MotionMaker, the new generative AI toolset introduced in Maya 2026.1 for roughing out movement animations. Autodesk has released Maya 2026.1, the latest version of its 3D modeling and animation software for visual effects, games and motion graphics work.The release adds MotionMaker, a new AI-based system for generating movement animations for biped and quadruped characters, especially for previs and layout work. Other changes include a new modular character rigging framework inside Bifrost for Maya, plus updates to liquid simulation, OpenPBR support and USD workflows. Autodesk has also released Maya Creative 2026.1, the corresponding update to the cut-down edition of Maya for smaller studios. MotionMaker: new generative AI tool roughs out movement animations The headline feature in Maya 2026.1 is MotionMaker: a new generative animation system.It lets users “create natural character movements in minutes instead of hours”, using a workflow more “like giving stage directions to a digital actor” than traditional animation. Users set keys for a character’s start and end positions, or create a guide path in the viewport, and MotionMaker automatically generates the motion in between. At the minute, that mainly means locomotion cycles, for both bipeds and quadrupeds, plus a few other movements, like jumping or sitting. Although MotionMaker is designed for “anyone in the animation pipeline”, the main initial use cases seem to be layout and previs rather than hero animation. Its output is also intended to be refined manually – Autodesk’s promotional material describes it as getting users “80% of the way there” for “certain types of shots”. Accordingly, MotionMaker comes with its own Editor window, which provides access to standard Maya animation editing tools. Users can layer in animation from other sources, including motion capture or keyframe animation retargeted from other characters: to add upper body movements, for example. There are a few more MotionMaker-specific controls: the video above shows speed ramping, to control the time it takes the character to travel between two points. There is also a Character Scale setting, which determines how a character’s size and weight is expressed through the animation generated. You can read more about the design and aims of MotionMaker in a Q&amp;A with Autodesk Senior Principal Research Scientist Evan Atherton on Autodesk’s blog. According to Atherton, the AI models were trained using motion capture data “specifically collected for this tool”. That includes source data from male and female human performers, plus wolf-style dogs, although the system is “designed to support additional [motion] styles” in future. Bifrost: new modular character rigging framework Character artists and animators also get a new modular rigging framework in Bifrost.Autodesk has been teasing new character rigging capabilities in the node-based framework for building effects since Maya 2025.1, but this seems to be its official launch. The release is compatibility-breaking, and does not work with earlier versions of the toolset. The new Rigging Module Framework is described as a “modular, compound-based system for building … production-ready rigs”, and is “fully integrated with Maya”. Animators can “interact with module inputs and outputs directly from the Maya scene”, and rigs created with Bifrost can be converted into native Maya controls, joints and attributes. Bifrost: improvements to liquid simulation and workflow Bifrost 2.14 for Maya also features improvements to Bifrost’s existing functionality, particularly liquid simulation. The properties of collider objects, like bounciness, stickiness and roughness, can now influence liquid behavior in the same way they do particle behavior and other collisions. In addition, a new parameter controls air drag on foam and spray thrown out by a liquid. Workflow improvements include the option to convert Bifrost curves to Maya scene curves, and batch execution, to write out cache files “without the risk of accidentally overwriting them”. LookdevX: support for OpenPBR in FBX files LookdevX, Maya’s plugin for creating USD shading graphs, has also been updated. Autodesk introduced support for OpenPBR, the open material standard intended as a unified successor to the Autodesk Standard Surface and Adobe Standard Material, in 2024. To that, the latest update adds support for OpenPBR materials in FBX files, making it possible to import or export them from other applications that support OpenPBR: at the minute, 3ds Max plus some third-party renderers. LookdevX 1.8 also features a number of workflow improvements, particularly on macOS. USD for Maya: workflow improvements USD for Maya, the software’s USD plugin, also gets workflow improvements, with USD for Maya 0.32 adding support for animation curves for camera attributes in exports.Other changes include support for MaterialX documents and better representation of USD lights in the viewport. Arnold for Maya: performance improvements Maya’s integration plugin for Autodesk’s Arnold renderer has also been updated, with MtoA 5.5.2 supporting the changes in Arnold 7.4.2.They’re primarily performance improvements, especially to scene initialization times when rendering on machines with high numbers of CPU cores. Maya Creative 2026.1 also released Autodesk has also released Maya Creative 2026.1, the corresponding update to the cut-down edition of Maya aimed at smaller studios, and available on a pay-as-you-go basis.It includes most of the new features from Maya 2026.1, including MotionMaker, but does not include Bifrost for Maya. Price and system requirements Maya 2026.1 is available for Windows 10+, RHEL and Rocky Linux 8.10/9.3/9.5, and macOS 13.0+.The software is rental-only. Subscriptions cost $255/month or $2,010/year, up a further $10/month or $65/year since the release of Maya 2026. In many countries, artists earning under $100,000/year and working on projects valued at under $100,000/year, qualify for Maya Indie subscriptions, now priced at $330/year. Maya Creative is available pay-as-you-go, with prices starting at $3/day, and a minimum spend of $300/year. Read a full list of new features in Maya 2026.1 in the online documentation Have your say on this story by following CG Channel on Facebook, Instagram and X (formerly Twitter). As well as being able to comment on stories, followers of our social media accounts can see videos we don’t post on the site itself, including making-ofs for the latest VFX movies, animations, games cinematics and motion graphics projects.
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