Nucleus Genomics, a genetic testing startup founded by 25-year-old Kian Sadeghi, is once again courting controversy.

Text embedding and reranking are foundational to modern information retrieval systems, powering applications such as semantic search, recommendation systems, and retrieval-augmented generation (RAG). However, current approaches often face key challenges—particularly in achieving both high multilingual fidelity and task adaptability without relying on proprietary APIs. Existing models frequently fall short in scenarios requiring nuanced semantic understanding across multiple languages or domain-specific tasks like code retrieval and instruction following. Moreover, most open-source models either lack scale or flexibility, while commercial APIs remain costly and closed. Qwen3-Embedding and Qwen3-Reranker: A New Standard for Open-Source Embedding Alibaba’s Qwen Team has unveiled the Qwen3-Embedding and Qwen3-Reranker Series—models that set a new benchmark in multilingual text embedding and relevance ranking. Built on the Qwen3 foundation models, the series includes variants in 0.6B, 4B, and 8B parameter sizes and supports a wide range of languages (119 in total), making it one of the most versatile and performant open-source offerings to date. These models are now open-sourced under the Apache 2.0 license on Hugging Face, GitHub, and ModelScope, and are also accessible via Alibaba Cloud APIs. These models are optimized for use cases such as semantic retrieval, classification, RAG, sentiment analysis, and code search—providing a strong alternative to existing solutions like Gemini Embedding and OpenAI’s embedding APIs. Technical Architecture Qwen3-Embedding models adopt a dense transformer-based architecture with causal attention, producing embeddings by extracting the hidden state corresponding to the [EOS] token. Instruction-awareness is a key feature: input queries are formatted as {instruction} {query}<|endoftext|>, enabling task-conditioned embeddings. The reranker models are trained with a binary classification format, judging document-query relevance in an instruction-guided manner using a token likelihood-based scoring function. The models are trained using a robust multi-stage training pipeline: Large-scale weak supervision: 150M synthetic training pairs generated using Qwen3-32B, covering retrieval, classification, STS, and bitext mining across languages and tasks. Supervised fine-tuning: 12M high-quality data pairs are selected using cosine similarity (>0.7), fine-tuning performance in downstream applications. Model merging: Spherical linear interpolation (SLERP) of multiple fine-tuned checkpoints ensures robustness and generalization. This synthetic data generation pipeline enables control over data quality, language diversity, task difficulty, and more—resulting in a high degree of coverage and relevance in low-resource settings. Performance Benchmarks and Insights The Qwen3-Embedding and Qwen3-Reranker series demonstrate strong empirical performance across several multilingual benchmarks. On MMTEB (216 tasks across 250+ languages), Qwen3-Embedding-8B achieves a mean task score of 70.58, surpassing Gemini and GTE-Qwen2 series. On MTEB (English v2): Qwen3-Embedding-8B reaches 75.22, outperforming other open models including NV-Embed-v2 and GritLM-7B. On MTEB-Code: Qwen3-Embedding-8B leads with 80.68, excelling in applications like code retrieval and Stack Overflow QA. For reranking: Qwen3-Reranker-0.6B already outperforms Jina and BGE rerankers. Qwen3-Reranker-8B achieves 81.22 on MTEB-Code and 72.94 on MMTEB-R, marking state-of-the-art performance. Ablation studies confirm the necessity of each training stage. Removing synthetic pretraining or model merging led to significant performance drops (up to 6 points on MMTEB), emphasizing their contributions. Conclusion Alibaba’s Qwen3-Embedding and Qwen3-Reranker Series present a robust, open, and scalable solution to multilingual and instruction-aware semantic representation. With strong empirical results across MTEB, MMTEB, and MTEB-Code, these models bridge the gap between proprietary APIs and open-source accessibility. Their thoughtful training design—leveraging high-quality synthetic data, instruction-tuning, and model merging—positions them as ideal candidates for enterprise applications in search, retrieval, and RAG pipelines. By open-sourcing these models, the Qwen team not only pushes the boundaries of language understanding but also empowers the broader community to innovate on top of a solid foundation. Check out the Paper, Technical details, Qwen3-Embedding and Qwen3-Reranker. All credit for this research goes to the researchers of this project. Also, feel free to follow us on Twitter and don’t forget to join our 95k+ ML SubReddit and Subscribe to our Newsletter. Asif RazzaqWebsite |  + postsBioAsif Razzaq is the CEO of Marktechpost Media Inc.. As a visionary entrepreneur and engineer, Asif is committed to harnessing the potential of Artificial Intelligence for social good. His most recent endeavor is the launch of an Artificial Intelligence Media Platform, Marktechpost, which stands out for its in-depth coverage of machine learning and deep learning news that is both technically sound and easily understandable by a wide audience. The platform boasts of over 2 million monthly views, illustrating its popularity among audiences.Asif Razzaqhttps://www.marktechpost.com/author/6flvq/A Step-by-Step Coding Guide to Building an Iterative AI Workflow Agent Using LangGraph and GeminiAsif Razzaqhttps://www.marktechpost.com/author/6flvq/From Clicking to Reasoning: WebChoreArena Benchmark Challenges Agents with Memory-Heavy and Multi-Page TasksAsif Razzaqhttps://www.marktechpost.com/author/6flvq/Mistral AI Introduces Mistral Code: A Customizable AI Coding Assistant for Enterprise WorkflowsAsif Razzaqhttps://www.marktechpost.com/author/6flvq/NVIDIA AI Releases Llama Nemotron Nano VL: A Compact Vision-Language Model Optimized for Document Understanding

In a medium that often thrives on scale and spectacle, these games prove how far heart, grit, and creativity can take you.

Angelo Sotira started the online digital art platform DeviantArt when he was just a teenager, growing a formative community for millions of artists in the 2000s. Twenty-five years later, Sotira wants to change digital art again, but with a focus on t

Today’s the day! TechCrunch Sessions: AI is lighting up UC Berkeley’s Zellerbach Hall at 8 a.m. PT on the dot. The stage is set, the speakers are ready, and the AI community is gathering for one powerful day of insight, innovation, and momentum. Loca

on june 18th, 2025, the david lynch collection auction event by julien’s auctions and turner classic movies takes place. The post david lynch artifacts, from movie memorabilia to his own furniture designs, head to auction appeared first on designboom

Brian Armstrong, the billionaire CEO of the cryptocurrency exchange Coinbase, says he’s ready to fund a US startup focused on gene-editing human embryos. If he goes forward, it would be the first major commercial investment in one of medicine’s most

SYNDICATE WORKFORCE SOLUTIONS is partnering with a leading-edge client to identify a Staff Rendering Systems Engineer / Architect in Newark, CA. This opportunity is ideal for a technical visionary ready to lead rendering infrastructure initiatives at the forefront of visual effects, automotive visualization, and simulation technology. We are specifically seeking individuals with world-class experience at studios involving high-performance render-intensive environments. If you’ve helped build the rendering backbone behind iconic animated or VFX-heavy productions, we want you on this team. About the Role The Staff Rendering Systems Engineer will architect and optimize rendering infrastructure for high-performance, scalable operations. You will work cross-functionally with engineering and production teams to enhance pipeline efficiency, implement automation, and solve complex technical issues in rendering workflows. You’ll also provide thought leadership in infrastructure planning and help shape a secure and future-ready rendering technology roadmap. Key Responsibilities Define and implement architectural strategies for scalable rendering infrastructure and workflows. Oversee and optimize Deadline render farm configuration for performance, efficiency, and scalability. Automate rendering pipeline tasks using Bash, Python, SQL, and Ruby to improve throughput and reduce manual overhead. Lead research and implementation of cloud-based rendering technologies. Collaborate with cross-functional teams to troubleshoot rendering issues and ensure system performance. Establish and maintain best practices for security, reliability, and system scalability. Advise on OS lifecycle management, virtualization, and package management. Participate in high-level architectural planning to align with business and technology goals. Required Qualifications Bachelor’s degree in computer science, Engineering, or equivalent technical field. 8+ years of hands-on experience managing render farms, preferably within CGI/VFX production environments. Strong experience with rendering pipelines and farm management tools such as Deadline. Proven expertise in large-scale rendering infrastructure design and maintenance. Background working in or supporting large design studios specializing in visual effects, animation, or interactive content production. Technical Skills Strong knowledge of server hardware, storage systems, and GPU/CPU rendering technologies. Fluency in scripting languages (Bash, Python, SQL, Ruby). Familiarity with virtualization, OS management, and performance optimization. Understanding of render farm automation, security principles, and DevOps-style deployment. How to Apply Submit your resume to Resumes@swfs.ai today and take the next step in your professional journey with SYNDICATE WORKFORCE SOLUTIONS – Empowering Talent. Advancing Technology. Driving Innovation.

House of the Future | 1956 Photograph Exhibited at the 1956 Ideal Home Exhibition in London, the House of the Future by Alison and Peter Smithson is a visionary prototype that challenges conventions of domesticity. Set within the context of post-war Britain, a period marked by austerity and emerging optimism, the project explored the intersection of technology, material innovation, and evolving social dynamics. The Smithsons, already recognized for their theoretical rigor and critical stance toward mainstream modernism, sought to push the boundaries of domestic architecture. In the House of the Future, they offered not merely a dwelling but a speculative environment that engaged with the promise and anxieties of the atomic age. House of the Future Technical Information Architects: Alison and Peter Smithson Location: Ideal Home Exhibition, London, United Kingdom Client: Daily Mail Ideal Home Exhibition  Gross Area: 90 m2 | 970 Sq. Ft. Construction Year: 1956 Photographs: Canadian Centre for Architecture and Unknown Photographer The House of the Future should be a serious attempt to visualize the future of our daily living in the light of modern knowledge and available materials. – Alison and Peter Smithson 1 House of the Future Photographs 1956 Photograph © Klaas Vermaas | 1956 Photograph 1956 Photograph 1956 Photograph 1956 Photograph 1956 Photograph 1956 Photograph 1956 Photograph Design Intent and Spatial Organization At the heart of the House of the Future lies a radical rethinking of spatial organization. Departing from conventional room hierarchies, the design promotes an open, fluid environment. Walls dissolve into curved partitions and adjustable elements, allowing for flexible reinterpretation of domestic spaces. Sleeping, dining, and social areas are loosely demarcated, creating a dynamic continuity that anticipates the contemporary concept of adaptable, multi-functional living. Circulation is conceived as an experiential sequence rather than a rigid path. Visitors enter through an air-lock-like vestibule, an explicit nod to the futuristic theme, and are drawn into an environment that eschews right angles and conventional thresholds. The Smithsons’ emphasis on flexibility and continuous movement within the house reflects their belief that domestic architecture must accommodate the evolving rhythms of life. Materiality, Technology, and the Future Materiality in the House of the Future embodies the optimism of the era. Plastics and synthetic finishes dominate the interior, forming seamless surfaces that evoke a sense of sterility and futility. Often associated with industrial production, these materials signaled a departure from traditional domestic textures. The smooth, malleable surfaces of the house reinforce the Smithsons’ embrace of prefabrication and modularity. Technological integration is a key theme. The design includes built-in appliances and concealed mechanical systems, hinting at a utopian and disquieting automated lifestyle. Bathrooms, kitchens, and sleeping pods are incorporated as interchangeable modules, underscoring the house as a system rather than a static structure. In doing so, the Smithsons prefigured later discourses on the “smart home” and the seamless integration of technology into daily life. This material and technological strategy reflects a critical understanding of domestic labor and convenience. The house’s self-contained gadgets and synthetic surfaces suggest a future in which maintenance and domestic chores are minimized, freeing inhabitants to engage with broader cultural and social pursuits. Legacy and Influence The House of the Future’s influence resonates far beyond its exhibition. It prefigured the radical experimentation of groups like Archigram and the metabolist visions of the 1960s. Its modular approach and embrace of technology also foreshadowed the high-tech movement’s fascination with flexibility and systems thinking. While the project was ephemeral, a temporary installation at a trade fair, its theoretical provocations endure. It questioned how architecture could not only house but also anticipate and shape new living forms. Moreover, it crystallized the Smithsons’ ongoing interrogation of architecture’s social role, from their later brutalist housing schemes to urban design theories. In retrospect, the House of the Future is less of a resolved design proposal and more of an architectural manifesto. It embodies a critical tension: the optimism of technological progress and the need for architecture to respond to human adaptability and social evolution. As we confront contemporary challenges like climate crisis, digital living, and shifting social paradigms, the Smithsons’ speculative experiment remains an evocative reminder that the architecture of tomorrow must be as thoughtful and provocative as the House of the Future. House of the Future Plans Axonometric View | © Alison and Peter Smithson via CCA Floor Plan | © Alison and Peter Smithson, via CCA Floor Plan | © Alison and Peter Smithson, via CCA Section | © Alison and Peter Smithson, via CCA Section | © Alison and Peter Smithson, via CCA Section | © Alison and Peter Smithson, via CCA Section | © Alison and Peter Smithson, via CCA Section | © Alison and Peter Smithson, via CCA House of the Future Image Gallery About Alison and Peter Smithson Alison and Peter Smithson were British architects and influential thinkers who emerged in the mid-20th century, celebrated for their critical reimagining of modern architecture. Their work, including projects like the House of the Future, the Robin Hood Gardens housing complex, and the Upper Lawn Solar Pavilion, consistently challenged conventional notions of domesticity, urbanism, and materiality. Central to their practice was a belief in architecture’s capacity to shape social life, emphasizing adaptability, flexibility, and the dynamic interactions between buildings and their users. They were pivotal in bridging the gap between post-war modernism and the experimental architectural movements of the 1960s and 1970s. Credits and Additional Notes Banham, Reyner. Theory and Design in the First Machine Age. MIT Press, 1960. Forty, Adrian. Words and Buildings: A Vocabulary of Modern Architecture. Thames & Hudson, 2000. Smithson, Alison, and Peter Smithson. The Charged Void: Architecture. Monacelli Press, 2001. OASE Journal. “Houses of the Future: 1956 and Beyond.” OASE 75, 2007. Vidler, Anthony. Histories of the Immediate Present: Inventing Architectural Modernism. MIT Press, 2008. Canadian Centre for Architecture (CCA). “House of the Future.”

Architizer is thrilled to welcome Lyndon Neri, Hon. FAIA, co-founder of 2023 Firm of the Year Neri&Hu Design and Research Office, to the jury for the 2025 Vision Awards. As one of the most respected voices in contemporary architecture and design, Neri brings a deeply interdisciplinary perspective that aligns powerfully with the program’s celebration of conceptual rigor and visual innovation. To have your work seen by Neri and secure a place in the running for global publication this year, Architizer cordially invites you to submit your best architectural concepts, images and ideas to this year’s Vision Awards: Share My Vision Based in Shanghai and working globally, Architizer’s 2023 Firm of the Year Neri&Hu is known for its boundary-defying approach to design — where architecture, interiors and product design are all treated as part of a singular, research-driven narrative. With a stunning portfolio of richly layered cultural projects, Neri&Hu’s work expresses a commitment to contextual storytelling and material exploration at every scale. The firm’s projects are recognized not just for their aesthetic sensitivity, but for the conceptual clarity that underpins each spatial gesture. Educated at the University of California, Berkeley and the Harvard Graduate School of Design, Neri is equally celebrated as an educator and theorist. In recent years, he has held prominent teaching positions at Harvard, Yale, Berkeley and Princeton, where he was appointed as Visiting Faculty in 2024. His editorial and written contributions — including Persistence of Vision: Shanghai Architects in Dialogue and Neri&Hu’s monograph Thresholds: Space, Time and Practice — have helped frame an emergent dialogue around contemporary Asian architecture and its role in global discourse. Neri’s presence on the 2025 Vision Awards Jury is particularly exciting given the program’s expansive exploration of architectural ideation across every medium. Categories for architectural drawings, models, renderings and conceptual designs all speak directly to Neri’s longstanding interest in the process and craft of architecture, from concept to construction. His insights will undoubtedly help shape a new generation of design thinking through this year’s program. Sketch for Aranya Art Center by Neri&Hu Design and Research Office, Qinhuangdao, China. Neri joins a stellar judging panel that includes fellow architectural luminaries such as Daniel Libeskind, Steven Holl, Winka Dubbeldam and Suchi Reddy — all united in the search for the most inspiring architectural ideas and visual work from around the world. Entries for the 2025 Vision Awards are open, with a Main Entry Deadline of June 6th, 2025. Winners will be featured in Architizer’s Visionary 100, a definitive guide to the architecture industry’s most innovative creators, and see their work published on Architizer’s new book How to Visualize Architecture. Think you belong among them? Take part in the Vision Awards and show the world your boldest architectural visions! Click the button below to get started: Enter the Vision Awards Featured image: The Walled – Tsingpu Yangzhou Retreat by Neri&Hu Design and Research Office, Yangzhou, China The post Master of Architectural Research Lyndon Neri Joins the 2025 Vision Awards Jury appeared first on Journal.