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html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"The Luxembourg Pavilion has announced the theme and details about its exhibition for the 2025 Venice Architecture Biennale. The exhibition, titled "Sonic Investigations," will be an immersive, joyful, and radical invitation to shift focus from the visual to the sonic.Curated by architect, researcher Valentin Bansac, Luxembourgish architect, urbanist Mike Fritsch, and a French-Canadian architect, researcher and cartographer Alice Loumeau, the project will function as a tool to re-explore Luxembourg's dense terrain, which is an important case study for global western paradigms in territorial planning. The exhibition will be both a theoretical and practical examination.The region's biological, geological, and man-made sounds merge into the Anthropocene's mingled soundscape, raising the dilemma of how to highlight the complex nature of particular modern circumstances in Luxembourg, stated the curators.Sonic Investigations, the curatorial team. Image Simon Nicoloso"In our image-saturated contemporary society, sight often eclipses other senses which are vital to understan- ding the unseen dynamics of our sensory relationship with environments. Inspired by John Cages silent song 4331, Sonic Investigations invites us to close our eyes and actively listen," said the curators."As a counter-project to the hegemony of images, the act of listening opens up new possibilities for exploring both built and natural environments and to move our attention towards giving voices to more-than-human agencies.""Through attentive listening and field recordings that capture a range of sounds from diverse environments, Sonic Investigations creates a new, uncanny and embodied experience of space, thus emphasising the value of sensorial approaches in spatial practices," they added.Investigating territories through the medium of sound, the project seeks to craft new narratives that reimagine Luxembourg beyond anthropocentric perspectives. By attuning to the auditory dynamics of the regions densely infrastructured landscapes, the pavilion will provide an immersive space to give voice to the invisible. Drawing inspiration from Murray Schafers 1960s concept of Acoustic Ecology2 and Steve Goodmans Sonic Warfare3, sound serves as a point of tension, offering alternative ways to perceive space and confront the challenges of a rapidly transforming environment.Sonic Investigations. Image Valentin Bansac, 2025The central feature of the actual pavilion is an in-situ sound piece that was commissioned to field recordist and sound artist Ludwig Berger. The piece invites listeners to experience space through a fresh audio viewpoint by fusing recordings from several sites throughout Luxembourg. Meetings and site visits with local experts from a wide range of fields, including ecology, social science, engineering, history, and data science, serve as the inspiration for the fieldwork.The project critically examines the dynamics of the Luxembourgish territory and looks into how continuous sustainable and digital improvements are influencing the country's landscape, with a focus on multi-perspective field recordings. The project challenges traditional approaches to territorial planning and the power structures and constraints it creates by using sound as a tool for spatial and territorial analysis. This provides a new framework for comprehending urban and extra-urban situations.Using liminal areas to investigate the effects of human intervention on the environment, the field recording technique is guided by the idea of Ecotone, which is a transitory space between two ecosystems.The sound piece portrays forests as places of exchange, energy production infrastructures, and the architecture of digital technology, among other things. It features a variety of voices, from the hum of data centers to the quiet of biodiversity loss. The composition blurs the lines between natural and artificial, human and nonhuman, local and global, by examining the coexistence of complex networks, giving voice to underrepresented systems and entities.For media theorist Shannon Mattern, the complex opacity of logistical infrastructure presents an opportunity for another mode of representation and investigation: listening [...] and a more intimate engagement with such systems.4The pavilion offers an immersive setting that transports visitors away from the plethora of visuals into an auditory experience, drawing inspiration from Bernhard Leitner's research on Sound Spaces. Even though listening appears so ordinary, focusing only on sound can produce a startlingly strange sensation.Sonic Investigations. Image Valentin Bansac, 2025Sonic Investigations will showcase a variety of unique content, such as written texts, fieldwork documentation, and a sound composition. Instead than using tangible artifacts, the project's goal is to use the Biennale Architettura 2025 context as a platform for knowledge generation.In order to create the perfect acoustic atmosphere for showcasing the soundscapes captured in Luxembourg, the pavilion's scenography is built with minimal interference. Reusability, recycling, rental, and reuse are the main themes of a sustainable material strategy. Reimplementation with circular systems is made easier by the physical materials, which are essentially conventional building pieces with very minor modifications.A speaker stimulates the listener's interest before they enter the pavilion. Visitors will enter a "behind the scenes" section that offers insight into the project's process as they leave the immersive room. Through "making-of" photos, field recording data, and other pertinent materials, this area provides a chance to investigate the process of creating the sound composition.The exhibition also consists of a book, co-edited by philosopher and musicologist Peter Szendy, which will expand on the research on the significance of sound in territorial studies outside Luxembourg. Created as a stand-alone book, it provides a carefully chosen selection of texts from different fields that use sound explorations to explore landscapes, territories, and ecologies. The book encourages new theoretical tools and cultural frameworks for spatial practitioners, much like the sound piece does.The book, which is divided into three chapters that offer a variety of textual formats such as essays, fiction, and situational case studies, starts out by examining sound as a kind of perception and the possibility of a politics of listening. The second portion describes auditory activities, investigations, techniques, and the listener's bodily sensory engagement. The third portion, which explores how to depict audio entanglements within certain circumstances, finally ventures into territory and field investigations.Sonic Investigations. Image Valentin Bansac, 2025At key moments, including the opening week, Pavilion Days, and closing week, a sequence of three activities will engage and resonate with the pavilion. By extending the contemplation of physical practices and auditory approaches to space, these activations engage with what composer Pauline Oliveros refers to as Deep Listening5.The program will feature an audio-walk through the Venice lagoon led by Nicola Di Croce, a brief residency with Gaia Ginevra Giorgi that culminates in a performance within the pavilion's immersive space, and an off-site sound performance by Ludwig Berger featuring readings from the book. Each of these events will offer a distinct exploration of the audience's body within soundscapes. The activities will foster communication between the local Italian sound research scene and the pavilion's production.Besides Luxembourg's contribution, other contributions at the Venice Architecture Biennale include the Albanian Pavilion's "Building Architecture Culture" exhibition, the Turkey Pavilion's "Grounded" exhibition, the Pavilion of the United Arab Emirates's Pressure Cooker exhibition, the Finland Pavilion's The Pavilion Architecture of Stewardship exhibition. Find out all exhibition news on WAC'sVenice Architecture Biennale page.References:1. John Cage, A Composers Confession, National Inter-Collegiate Arts Conference at Vassar College New York, 1948.2. Raymond Murray Schafer, The Tuning of the World, Random House Inc, 1997.3. Steve Goodman, Sonic Warfare: Sound, Affect, and the Ecology of Fear, MIT Press, 2012.4. Shannon Mattern, The Pulse of Global Passage: Listening to Logistics, Duke University Press, 2021.5. Pauline Oliveros, Deep Listening: A Composers Sound Practice, Deep Listening Publications, 2005.> viaLuxembourg Pavilion