We all know the “Sunday scaries”—that creeping anxiety as the weekend winds down. But what you might not realize is that leaders experience it too. As a CEO, I’ve found that the best way to fend off Sunday dread is by fully unplugging. At least once a week, I do a digital detox, shutting off my devices to be fully present with my wife and kids. Sometimes, we turn on the radio and play board games; other times, we stay in pajamas and take on a new cooking or baking challenge. It’s our version of søndagshygge—the Danish idea of embracing cozy Sundays with tea, books, music, blankets, and other at-home rituals. While personal rituals can help, leaders can also play a role in easing their team members’ back-to-work anxiety. The question becomes: How can we support employees in making that transition? While there’s no silver bullet, I’ve found a few strategies that make a meaningful difference. Leading with empathy When it comes to facing challenges, togetherness is one of the most powerful antidotes to managing stress. It’s like heading into a storm in a rowboat—having just one person by your side, paddling with you and understanding your perspective, can make all the difference. That’s what empathy is about—demonstrating to others that you truly identify with and understand their thoughts, emotions, and perspectives. Empathetic leaders show they care about their employees through words and through actions—checking in with them, actively listening, and acknowledging each person’s unique circumstances. The result is a workplace where employees feel psychologically safe, fostering open and honest discussions. Studies have shown that employees with highly empathetic leaders are more engaged at work—and more innovative, too. When a leader listens and genuinely makes an effort to understand their team’s perspective, it builds trust and fosters collaboration. Knowing that this kind of supportive, understanding environment exists beyond the weekend can go a long way toward quelling the Sunday scaries. Promoting a healthy work-life balance Respecting each employee’s need to maintain a work-life balance is an essential part of an empathetic work environment. That means treating employees as individuals, not just cogs in a machine. I reflect on my own experience when my wife and I had our children. For me, it was crucial to be able to delegate responsibilities and take parental leave. Each time I returned to the office (admittedly a bit tired, as newborns don’t care about your sleep schedule) I was ready to dive back in. I aim to offer the same flexibility and understanding to our team members.  Research backs up the idea that supporting employees’ work-life balance can have a major positive impact. A 2023 survey from the American Psychological Association found that 92% of workers believe it’s important to work for an organization that values their emotional and psychological well-being. Studies conducted by the National Institute for Occupational Safety and Health have shown that when managers are trained to respect work-life harmony, employee job satisfaction increases and turnover decreases. Offering flexibility based on personal circumstances—whether that means allowing employees to fully unplug for the evening or weekend, or taking a few hours off to attend their child’s soccer game—has helped us to maintain a low turnover rate at Jotform. When employees return refreshed, they might not whistle every moment while they work, but they seem genuinely engaged and content to be back at their desks on Monday. Gamifying the workplace It’s hard to explain why adding a game-like dimension to an everyday activity can fuel motivation, but it does. Why else would brands like Nike and Fitbit offer users personalized feedback, social interaction, and even some friendly competition? Knowing you’ll earn that badge or publicly top your personal best pushes you to clock that extra mile.  Experts call it gamification—leveraging game-like mechanisms, like the ones you’d find in video games, to make real-world activities more engaging. Gamification has been shown to increase motivation and engagement. It makes employees more willing to take on repetitive tasks, engage in risks, and even fail. Surveys have found that gamification provides a sense of belonging and connection in the workplace. Employees report being more productive and happier at work. In short, gamification makes work, including the occasional mundane task, more fun.  When employees participate in incentivized tasks, they’re not just motivated, they’re also excited. This excitement helps counteract the Sunday scaries. Instead of dreading the workweek ahead, employees are looking forward to the challenges and rewards of gamified tasks. Whether it’s earning points for hitting targets or engaging in friendly competitions with coworkers, the gamified experience gives them something to anticipate. And with AI making gamification more accessible and fun than ever, there’s no reason why leaders can’t bring this kind of excitement to the workplace, helping employees feel energized and eager to start their week—on Monday and beyond.

The creator economy is a rapidly growing global industry that is primarily driven by digital platforms that empower content creators to reach large audiences. As content creators gain influence, they often begin with basic tools like smartphones and gradually upgrade their equipment as their following grows. While smartphones serve as a good starting point, many creators eventually invest in higher-end cameras and gear to achieve more professional-quality results. In a constantly evolving landscape, where consumer tastes shift frequently, vloggers, podcasters, and social media influencers must adapt to meet changing demands of large audiences and stay relevant in a competitive space. With the increasing demand for high-quality content worldwide, one must make sure to consider several factors when selecting devices and accessories as they are crucial to producing premium-quality stills and videos that resonate with your audience. 1. Go for Compact Devices There is a growing demand for compact devices among content creators due to their portability, practicality, and ease of use. These devices allow creators to easily capture videos and images on the go, without the burden of heavy and bulky gear. Whether in a hurry or working spontaneously, compact devices save time by eliminating lengthy camera setups that might miss capturing the moment. Compact devices are perfect for traveling to various locations and adapting to different conditions. They should be small enough to fit in a bag or pocket to be quickly accessible. Additionally, their affordability makes them accessible to a wider audience, enabling high-quality content creation solo which reduces the need for a team thereby making the process more cost-effective. The InstaPocket is an innovative camera designed specifically for content creators and social media enthusiasts. It combines the simplicity of digital cameras with the modern aesthetic of social media and allows users to capture high-quality photos and videos effortlessly. Its compact, pocket-sized design ensures portability, making it easy to carry for spontaneous shooting. Inspired by social media trends, the rounded square shape connects users directly with the social media experience, creating a seamless link between content creation and sharing. The device is equipped with intuitive features like an integrated scroll wheel for precise zooming and a lens ring for easy aperture adjustments and offers enhanced control. Unlike smartphones, which can be a source of distraction, the InstaPocket is solely focused on content creation and sharing. This streamlined approach ensures that users stay in the moment, capturing and sharing content quickly without interruptions. InstaPocket is a powerful tool for effortless, high-quality content creation that is perfect for influencers, live streamers, and creators. 2. Invest in Innovative Accessories Content creation can be time-consuming, with significant time spent on shooting and editing. Therefore, investing in accessories is essential to streamline the process and boost productivity. Some of the accessories include a tripod to ensure stability, while an external microphone enhances voice clarity. A lighting kit or ring light provides the perfect glow and improves video quality. Portable hard drives offer additional storage, and a power bank keeps devices charged on the go. A green screen is particularly valuable as it allows creators to set a preferred backdrop, providing flexibility for different types of content in various environments. This enables creators to produce professional visuals without limitations and it enhances creativity across various projects. Check out the MagCool OmniGrip which is a compact, all-in-one tool designed to simplify content creation. It consolidates multiple essential accessories into a single portable device, including a built-in SSD for storage, a ring light for professional lighting, an aux-in for external microphones, and a semiconductor cooling system to prevent overheating during intense 4K recording. The 6000mAh battery ensures continuous use, making it ideal for extended shooting sessions, live streaming, or vlogging without worrying about power. With its foldable design and MagSafe compatibility, the MagCool OmniGrip offers both portability and ease of setup. It provides creators with everything they need to produce high-quality content, from better audio and lighting to efficient storage and temperature management. The device is designed to streamline workflows, reducing the need for bulky rigs and making it easy to carry all essential gear in one compact solution. This accessory is suitable for creators who want a reliable, hassle-free tool to enhance their filming experience. 3. Go for Multifunctional Devices Multifunctional devices are best suited for content creation as they combine the capabilities of multiple tools into a single, integrated unit. With built-in HD microphones, some devices eliminate the need for external mics in most situations and Wi-Fi connectivity allows one to go for instant video uploads, enabling quick sharing to social media without the need to transfer files between devices. Other features include instant photo editing and color correction to simplify content enhancement. Additionally, longer shutter speeds ensure smooth, shake-free video recording and high-quality still photography. This streamlines the production process and enables professional-grade content creation with fewer devices. Industrial designer DPP Da’Peng has conceptualized an all-in-one broadcast device to simplify content creation. With the rising demand for quality production equipment among content creators, this innovative device combines multiple functions into a single unit to eliminate the clutter of using various devices. Whether for podcasts, vlogs, or influencer content, this all-in-one solution allows creators to access professional-grade tools in a single place, reducing the hassle and mess that is typically associated with multiple broadcast devices. Da’Peng’s design addresses the challenge of heat dissipation in broadcast equipment, incorporating a compact, integrated heat sink to improve efficiency. The device is available in two iterations where one with a cubic form supported by a tripod, and the other with a more projector-like appearance. Both models feature a rotating lens for landscape and portrait modes, wireless functionality to reduce clutter, and intuitive controls. With the optional tripod, creators can also mount the device as a webcam that offers more flexibility in content creation. 4. Consider Quirky Devices Quirky devices and accessories add immense value to content creation by fostering creativity and encouraging experimentation with new formats. When visible, devices like microphones and ear pods infuse a unique layer of personality into the content. These quirky tools help content creators distinguish themselves in a crowded digital space. Vintage-inspired designs create a timeless aesthetic, while retro devices evoke nostalgia and enhance the overall vibe. By stepping away from traditional designs, these devices inspire creators to push boundaries, try fresh ideas, and produce standout content. Their eye-catching designs allow creators to express their individuality without sacrificing professionalism, resonating with audiences and making the content more engaging and memorable. For instance, Talkie is a playful desktop microphone designed by Long Beach-based industrial designer Chris Granneberg. Known for his whimsical and minimalist style, Granneberg’s designs feature primary color schemes and tactile shapes that invite interaction with the product. Created for Render Weekly’s S6:W6 prompt, Talkie combines a nostalgic silhouette with modern functionality. Its intuitive control interface and adjustable structure make it easy for users to find the ideal microphone position while maintaining a fun, vibrant aesthetic. Designed for content creators, Talkie offers the same performance as standard microphones but stands out with its unique shape and color. The microphone is operated through a single button, while a 360-degree swivel ball joint allows for easy adjustment. With an included USB Type-C cable, Talkie connects to a desktop computer for quick setup. Granneberg’s philosophy of surrounding himself with joyful, colorful objects is reflected in this design, making Talkie both a practical and visually engaging tool for creators. The evolution of content creation tools highlights a clear trend toward compact, versatile devices that don’t compromise on quality. As creators weigh their options, the balance between size and functionality becomes crucial to their workflow and creative potential. Ultimately, the ideal setup combines ultra-portable primary devices with carefully selected accessories that enhance versatility. This strategic approach allows creators to remain nimble while accessing professional-grade capabilities, ensuring they can capture spontaneous moments without sacrificing the production value audiences have come to expect.The post Beyond the Smartphone: Essential Gear Upgrades for Serious Content Creators first appeared on Yanko Design.

Offering an affordable option in their three-chair range, Branch has produced a comfortable chair with ergo flex, at a

When an AI model for code-editing company Cursor hallucinated a new rule, users revolted.

If you haven’t been living under a rock, you probably know that a remake of The Elder Scrolls 4: Oblivion is likely on the way. Multiple insiders have numerous claims to that effect for a while now, and the latest word on the street is that the classic Bethesda RPG will launch in enhanced and remade fashion imminently- as soon as sometime before the end of April, with a shadow drop seemingly on the horizon. This close to its purported release, there’s obviously excitement in the air- but that excitement feels particularly palpable for this game in particular. Why? Because it feels like the best possible time for an Oblivion remake. Before we get to why that is the case, let’s first talk about what this alleged remake even is. If reports are to be believed, Virtuos has taken on the responsibility of taking Bethesda’s beloved 2006 open world RPG and remaking it in Unreal Engine 5, touting enhanced visuals, gameplay improvements, mechanical changes, and what have you. There’s much still yet that we obviously don’t know – since technically speaking the game’s very existence hasn’t even been officially confirmed yet – but by all accounts, Oblivion is set to receive quite the facelift. And if the remake is indeed coming soon – which, by the looks of it, it seemingly is – it’s hard not to be incredibly excited for it, for several reasons. There is, of course, the fact that the idea of returning to Oblivion is a highly appealing one. The 2006 original remains an unabashed masterpiece close to two decades on from its launch, but time has certainly taken its toll on it, because as universally acclaimed as Oblivion was back in the day (and for good reason, mind you), by today’s standards, it feels awfully rough and janky, to the extent that many might probably consider it too dated to be fun. That is exactly why a remake that gives the game a visual boost, modernizes its systems and mechanics, and brings its own set of quality-of-life upgrades should ideally allow the game’s core strengths to shine through as well as you’d expect from what is considered by many to be one o the best games of its time. Though the original Oblivion is not unplayable by any means, there can be no denying that its aged elements hold it back from getting back to the heights that it originally scaled, back when its jank and lack of polish were much more widely acceptable, and thus, easier to ignore. But that’s not the only reason to be excited for a potential (seemingly guaranteed) remake of The Elder Scrolls 4: Oblivion. Perhaps the biggest reason of them all – and maybe even the most obvious one – is the fact that, well, it’s a new Elder Scrolls release. It’s been literally close to a decade and a half since The Elder Scrolls 5: Skyrim came out, and demand for the series to come out with a new release that isn’t yet another Skyrim re-release is at an all time high- as it feels like it has been for an endless age at this point. Sadly, it doesn’t look like the for the The Elder Scrolls 6 is going to end anytime in the near future. It’s been under two years since Bethesda Game Studios wrapped up Starfield and went into proper production on the next Elder Scrolls, but with Starfield post-launch content still demanding a bunch of the studio’s attention, and given Bethesda Game Studios’ knack for taking its sweet time with torturously long development cycles, it’s safe to assume that it’s still going to be several years before we actually have The Elder Scrolls 6 in our hands. That, in fact, is something that Bethesda and Microsoft themselves have tried to make abundantly clear on no few occasions. So with chances of a new Elder Scrolls title in the immediate future lying somewhere between zilch and nada, after what has already been an enormous gap since the series’ last mainline release, it goes without saying that fans are desperate for anything that will give them that Elder Scrolls taste that few other franchises (if any) can replicate. A remake or remaster of The Elder Scrolls 4: Oblivion obviously wouldn’t be a new game by definition, but it would be a great excuse to return to Tamriel, not to mention the fact that like pretty much any other remake, it could also easily feel like a completely fresh (or fresh enough) experience, whether you’re returning to Oblivion after a long time or playing it for the first time ever. In that sense, the (as of now hypothetical) remake could very well have its cake and it eat, too. Xbox’s first party portfolio has already had a pretty solid 2025 so far, having released the likes of Avowed and South of Midnight out into the world, both of which have garnered their fair share of acclaim from critics and audiences alike, and with games such as DOOM: The Dark Ages and The Outer Worlds 2 coming up later, that pipeline looks like it’s going to keep chugging out exciting new content over the coming weeks and months. And yet, it would be fair to say that few titles could match the level of excitement that a remake of Oblivion would generate- even if Microsoft does choose to unceremoniously shadow drop it out of nowhere, without any marketing or fanfare (to be fair, if there’s any franchise that’s big enough to be able to pull that off without any major repercussions, Elder Scrolls would be it). There is the obvious question of just how significant of an upgrade this new version of Oblivion is going to be. Reports up to this point have seemingly not been able to agree on whether it’s a remaster or a remake, but the more recent information certainly seems to suggest that the game is getting more than jut a simple visual touch up. As mentioned previously, Oblivion is allegedly set to bring new and improved gameplay mechanics and quality of life changes to the table, from a new stamina system and redone blocking to UI overhauls and more. On top of that, yes, it is also obviously receiving graphics upgrades, with the jump there seemingly set to be a pretty notable one. If that is the sort of Oblivion remake we are in for – one that straddles the line between faithfully recreating the original while also making necessary and (hopefully) smart changes and improvements where needed – there’s every reason for Elder Scrolls fans to be excited. No, it’s not a new numbered entry in the series, and no, it’s not Bethesda Game Studios that is developing it (at least if the rumour mill isn’t wrong), but it is for all intents and purposes a new Elder Scrolls series, and one that, by virtue of being a remake of a certified classic, we can also be pretty sure is going at the very least be good and worth your time. Obviously, there’s the chance that things go wrong and the Oblivion remake explodes spectacularly upon impact (or that it doesn’t even really exist, which honestly seems far too unlikely), but chances are that we won’t have to deal with that kind of disappointment. Or at least that’s what the eternally optimistic yet starved Elder Scrolls fan in me says. Note: The views expressed in this article are those of the author and do not necessarily represent the views of, and should not be attributed to, GamingBolt as an organization.

After half a decade fighting to keep its empire together, Google’s defenses are wearing thin.The company is facing a two-front war that could fundamentally reshape its business, and, the US Department of Justice argues, open new opportunities for its competitors. Last year a federal judge deemed Google an unlawful monopolist in the online search market, and this past week, a different judge declared it had monopolized the ad tech market, too. On Monday, it will face a new stage in that first battle: a three-week trial in Washington, DC to determine the appropriate remedies to restore competition to online search. Google has vowed to appeal both rulings, but it can’t do so until after it’s gone through remedies trials for each case, letting the DOJ argue for its breakup and other restraints. In court starting Monday, the government will make the case for forcing Google to sell its Chrome web browser, share search data with competitors, keep the government abreast of new AI investments, and end exclusionary deals with browser and phone makers.In this and the coming ad-tech remedies trial, the judges may find that less extreme measures can address the harms they believe Google inflicted. But it’s still the greatest antitrust threat a major tech company has faced in the US for decades — since Microsoft’s landmark loss over its PC operating system monopoly 25 years ago. Outside the US, Google has incurred fines for anticompetition charges and had to make business changes to comply with international regulations. But none of these have approached what the DOJ is asking for. If the DOJ gets its way, Google and Apple could end one of the most lucrative partnerships in Silicon Valley, while rivals like Microsoft could get access to some of Google’s most valuable data. During the first phase of the US antitrust trials, known as the liability phase, Google was defiant in arguing that it has competed fairly to win users with its superior products. In this next phase, Google will be facing judges who have already determined that’s not the case — and Google will be forced to argue for simply limiting the penalties.Search remedies trialThe DOJ believes that serious measures are necessary to bust up Google’s search monopoly. Google’s exclusionary deals with Apple, it’s argued, made it exceedingly difficult for even quality competitors to break through. Owning Chrome lets Google control one of the major access points for search engines. And Google search’s popularity means users give it huge volumes of query data that competitors don’t have.The DOJ also wants to ensure any remedies imposed by the court are future-proof so Google can’t regain monopoly power later on. That’s why it’s included a focus on AI, which it worries could become a major search platform. The government backed off of its request for Google to sell its AI investments after President Donald Trump took office, but it still wants to require the company to notify the government about future investments in the space.The DOJ wants to ensure any remedies imposed by the court are future-proofThe court will hear from Google executives involved in its Search, Android, and Chrome businesses, as well as executives from online search competitors like DuckDuckGo, Microsoft’s Bing, and Yahoo. AI executives from companies like OpenAI and Perplexity will weigh in as well. Witnesses last time testified about whether Google had taken anticompetitive moves in a definable market; this time the government will use them to argue for why its proposed fixes are important — while Google will argue they could break tools consumers enjoy.Virginia-based Judge Leonie Binkema has not yet set trial dates for the remedies proceedings in the ad tech case. But in the coming months, both sides will present their wishlists for changing how the company works. These remedies will likely be more straightforward than those in the Search case. Brinkema agreed with DOJ arguments that Google monopolizes markets through two illegally tied services: a publisher ad server known as DFP and its ad exchange AdX. (She agreed with Google on one count — that it did not have a monopoly in the market for its advertiser-side tools.) The government could reasonably seek to make Google split off one or both.That might feel less dramatic than a Chrome spin-off. But the ad market Google dominates underlies large parts of the internet economy — it’s where publishers can make money outside big social networks. And these publishers testified throughout the trial that they’re chafing under Google’s whims. Making that ecosystem more competitive could revitalize the open web. What’s nextMehta could rule by the end of the summer on search remedies. And Brinkema — who’s on a court that’s nicknamed the “rocket docket” for its comparatively speedy pace — could also possibly set a trial and make a ruling this year. But Google could push any tangible changes out for years. The company has vowed to appeal the decisions, a route that could take it all the way up to the Supreme Court. Trump’s DOJ could also decide to settle either case, although since several states are also tied into the lawsuits, they could pursue remedies themselves. Microsoft’s big antitrust loss, famously, didn’t result in a breakup. As George W. Bush’s administration took over the case in 2001, it settled for milder remedies. Even so, experts say the landscape opened up for new, innovative companies. One of those said to be one of the biggest beneficiaries? Google.See More:

These 7 AI Tools Might Beat You to That Data Science Job 0 like April 19, 2025 Share this post Last Updated on April 19, 2025 by Editorial Team Author(s): Harshit Kandoi Originally published on Towards AI. Photo by Christina @ wocintechchat.com on Unsplash I don’t know why people are spending years mastering data science when AI tools can produce the same results in minutes. I’m not trying to go against the data science field, but in reality, when I see someone actively learning the vast world of data science through a traditional way, which involves grinding through heavy math calculations, learning coding skills, working on actual real-world datasets, and slowly building something that makes sense. But now it’s all about AI tools, which are not only meant to help us learn faster, but to do the job faster. And in some cases, it often works better. This isn’t some sci-fi fantasy where robots are stealing everyone’s job in a blink. It’s more like a quiet revolution that’s already happening. Tasks like cleaning data, building models, running complex algorithms, and even generating insights are easily handled by tools that are more accessible, fast, and surprisingly creative. You don’t need to be a Python wizard or have knowledge of statistics to use them anymore. That’s both exciting and, honestly, a little unsettling. The goal of this blog is to make you aware of seven AI tools that are slowly but surely reshaping… Read the full blog for free on Medium. Join thousands of data leaders on the AI newsletter. Join over 80,000 subscribers and keep up to date with the latest developments in AI. From research to projects and ideas. If you are building an AI startup, an AI-related product, or a service, we invite you to consider becoming a sponsor. Published via Towards AI Towards AI - Medium Share this post

With a wrestling show, the opening match can be nearly as important as the main event. While the main event is about finishing the show in a climactic fashion and leaving a lasting impression, you also need to get the audience into the proceedings with a killer start. Get the blood pumping and jumpstart all the energy to carry the next few hours. With WrestleMania being WWE’s biggest show of the year, those opening minutes can sometimes bring us some fantastic matches to get the ball rolling. Here are the openers that truly started the show off right. For the sake of ground rules, we’re counting matches on the official show itself, so no pre-shows or dark matches. The Rockers vs. Haku and The Barbarian (WrestleMania VII) WrestleMania VII was a solid WrestleMania show with an extra hour or so of nothing matches topped on for the sake of getting everyone a paycheck. This opener worked to that advantage, as there was zero story between The Rockers and Bobby Heenan’s goons going in, but they ended up pulling off exactly the kind of match the show needed. It helped that this was the last real gasp of tag team wrestling actually mattering in WWF and just having two teams go out there and put on a solid performance was a regular thing. It also helped that it had a great dynamic that any new viewer could pick up on: the lumbering and powerful heels up against the plucky faces who were smaller but could run rings around them. Lots of fun tag tropes and teamwork thrown in from The Rockers made this work and showed that even before he broke out as a solo star, Shawn Michaels was earning his reputation as Mr. WrestleMania. Bret Hart vs. Owen Hart (WrestleMania X) Bret Hart had an eventful time at Royal Rumble 1994. In the undercard, he and his brother Owen lost when challenging for the tag team titles, causing Owen to snap and brutalize Bret’s hurt leg. Bret then pulled himself together to compete in the Royal Rumble match that night, becoming co-winners with Lex Luger due to falling to the floor at the same time. It was decided that Bret would face Owen at WrestleMania in an exhibition, as he’d then go on to face the winner of Lex Luger vs. Yokozuna in the main event. Owen was already mad about how reluctant Bret was to face him, only now he was madder that Bret was technically looking past him, as he was going to compete for the title, win or lose. On the same night that gave us the legendary ladder match between Shawn Michaels and Razor Ramon, the event peaked early with this battle between brothers. The two put on an excellent show full of amazing ringwork and reversals. That it ended with Owen cleanly getting an upset win was the icing on the cake. Rey Mysterio vs. Eddie Guerrero (WrestleMania 21) Awesome as this one is, it’s also a bittersweet middle to a thematic trilogy between the two competitors. At the previous WrestleMania, Eddie Guerrero successfully defended the WWE Championship and stood tall in the PPV’s final shot. In the months that followed, Eddie fell down the card and ended up as tag champ with Rey Mysterio. To open WrestleMania 21, the two partners had a singles match against each other, trying to stand on the legacy of their classic from Halloween Havoc 1997. While the two didn’t quite reach those heights, they still killed it and showed that they still had that chemistry. Despite Eddie’s best efforts, he couldn’t keep Mysterio down for three and ended up losing to a flash pin, setting the stage for a heel turn and ridiculous storyline centered around the custody of a young Dominik Mysterio. Sadly, this would be Eddie’s final WrestleMania due to a sudden death from heart issues. In the follow-up, Rey Mysterio would win the 2006 Royal Rumble match to make his way to WrestleMania 22, where he would win the World Heavyweight Championship. All the while, it was used as a tribute to his former tag partner and one of his greatest opponents. Money in the Bank (WrestleMania 23) The Money in the Bank concept was introduced at WrestleMania 21 and ended up being a huge success. It wasn’t until its third installment at WrestleMania 23 that they decided to lead with it, and they went full ham by making it an eight-man match. A great set of talent here with initial winner Edge being joined by CM Punk, Randy Orton, King Booker, Finlay, Mr. Kennedy, Jeff Hardy, and Matt Hardy. Then you get Sharmell and Hornswoggle showing up, making this one of the more chaotic takes on the match. There was rarely a bad Money in the Bank match, especially early on, and this one’s no different. They do get silly, like having Booker pull out a tiny ladder in the heat of the moment and the later bit where he could win the match, but Matt Hardy threatens Sharmell with a Twist of Fate unless he steps down. Then you get the crazy spots, like when Edge is laying on a ladder acting as a bridge and Jeff Hardy jumps off another ladder and into Edge. Or the time when Mr. Kennedy does the Green Bay Plunge on Hornswoggle off a ladder. Kennedy himself would end up winning this one, though his aftermath as the briefcase holder was entirely cursed. Finlay vs. JBL (WrestleMania XXIV) Mercifully, WWE was finally putting an end to one of their most grueling ongoing stories about Hornswoggle being Vince McMahon’s illegitimate son. Only it turns out Vince wasn’t the father, as it was really Finlay. Sure. This was all revealed after JBL beat the leprechaun half to death, setting up this “Belfast Brawl,” which is quite a sentence I just typed. After months and months of awful McMahon sketches and segments, we were at least going to get a cool hardcore match out of it. We’ll take our wins where we can get them. Join our mailing list Get the best of Den of Geek delivered right to your inbox! It’s rare for WrestleMania to start off with a plunder match, but this one really gets the crowd going thanks to it being two stiff workers who can take it as much as they can dish it out. This also gives us the fantastic moment where JBL is in the ring with a trash can, sees Hornswoggle scrambling around on the outside, and just whips the can at him at lightning speed. JBL winning might have been seen as a downer, but putting this whole angle out of its misery was something to be celebrated. Daniel Bryan vs. Triple H (WrestleMania XXX) The road to WrestleMania XXX was like somebody falling down the stairs, somehow landing on their feet, and insisting that they meant to do that. Daniel Bryan was meant to be swept under the rug as a top guy, but between CM Punk’s abrupt exodus from the company, the fanbase’s complete rejection of Batista as the top face, and an utterly disastrous Royal Rumble, they ended up being bullied into a fantastic main event storyline centering around Bryan winning the WWE World Heavyweight Championship against Randy Orton and Batista. But that wasn’t his only match of the night. In order to earn his spot in the main event, he had to face evil boss Triple H at the start of the show. It was their one and only match together, which made it more of a novelty to see so early on. The two jibed perfectly and we got one of the last truly great matches in Triple H’s career. Even though this was Bryan’s match to win, Triple H’s tendency to use his real life backstage sway mixed with how many times Bryan’s fans had been burned threw in a non-zero chance that the hero wasn’t going to pull it off. Seth Rollins vs. Finn Balor vs. The Miz (WrestleMania 34) When done right, a triple threat match can really complement what the talent brings to the table. Seth Rollins and Finn Balor once had a great match to crown the first ever Universal Champion. Here, they were fighting for Miz’s Intercontinental Championship and by throwing the extra guy in there, it just allowed for a fast-paced match full of inventive spots and the ability to trade out a wrestler to rest up before jumping back into the fray. Even with Miz being the weakest of the three wrestlers, he still adds a fantastic dynamic of being the one who takes advantage of the situation. Lots of moments of him trying to be an opportunist, including a wonderful spot where Rollins just barely escapes a roll-up pin from Balor, and is so distraught and distracted by making sure the ref only counted to two that it leaves him open for a sudden Skull-Crushing Finale. The extra man keeps spoiling the pinfalls until it’s time for Rollins to flatten both opponents one after another with his Curb Stomp. Seth Rollins vs. Brock Lesnar (WrestleMania 35) Brock Lesnar was at one point the ultimate threat in WWE. At the same time, Seth Rollins was being built up as a top face and was challenging him for the Universal Championship. Despite the high-profile nature of this bout, the narrative, according to Paul Heyman, was that Brock was pissed about not being the main event. If he wasn’t going to be the main event, he would open the show so he could be done with things early and skip town. Brock was so furious that he jumped Rollins during the entrance and unfairly destroyed him before the bell could even ring. Rollins insisted on going through with the match and turned things around with an illegal punch to the balls. It was cheating, but it was justified. Rollins then spammed his Curb Stomp three times in a row to keep Brock down, winning the title in just a couple of minutes. Rollins would eventually beat Brock fair and square to give him that major rub (immediately undone by his Fiend feud), but this quick and impactful win was definitely a great start to the PPV. Drew McIntyre vs. Bobby Lashley (WrestleMania 37) WrestleMania 37 Night 1 had a very unique situation going on at the start. For one, this was the first major WWE show since the pandemic that had a full crowd. By default, this crowd starting off WrestleMania would be off the wall pumped. The problem was that there was a nasty storm that caused a major delay, and by the time they were ready to do the actual wrestling, the crowd was wet and defused. It wasn’t instantaneous, but Drew McIntyre and Bobby Lashley going at it eventually woke them up. Two big, meaty men slapping meat will do that sometimes. A great pairing who played off each other well, they did a good job making both of them seem like irresistible forces and immovable objects at the same time. It did involve a screwy finish, but Lashley being able to knock out Drew with the Hurt Lock really put a bow on how dominating the Almighty could be. Definitely better than the following night’s goofball Randy Orton vs. Fiend match and its “box-like structure” bullshit. Becky Lynch vs. Rhea Ripley (WrestleMania XL) Fun fact, it wasn’t until WrestleMania 36 that a women’s match started off one of these shows. Even then, Alexa Bliss and Nikki Cross vs. The Kabuki Warriors had no crowd to win over thanks to that pesky COVID thing that just made a mess of the world. We wouldn’t see any women fight it out at the beginning until the 40th WrestleMania in what was arguably the biggest potential match that WWE could put together with that division. On one side, it was Rhea Ripley, who had an incredibly lengthy and popular run as WWE Women’s World Champion. On the other side, it was Becky Lynch, the woman who once won the main event of WrestleMania and was fresh off releasing her autobiography. It was a hard-hitting passing of the torch that’s way more impressive when you realize that Becky was also battling through strep throat that week. Even with that handicap, the two started the show off with a bang.

AltStore PAL, one of the first alternative app store available for iPhones in the EU after last years major DMA changes, has announced the release of AltStore Classic for AltStore PAL users – allowing hundreds of non-notarized apps, including those that require JIT compilation, to be installed with no hassle. In celebration of the 1 year anniversary of AltStore PAL, the team behind AltStore PAL has added AltStore Classic to the PAL store. AltStore Classic allows users to install hundreds of non-notarized apps. It’s essentially the version of AltStore you’ve been able to sideload since 2019. And yes, you are indeed reading that correctly: you can sideload an alternative app store inside of an alternative app store. However, the new version of AltStore Classic has some notable advantages for those who live in the EU. It doesn’t expire, doesn’t require a developer account, and doesn’t require you to manage AltServer on a separate PC or Mac. It essentially provides the same AltStore PAL experience, but for all non-notarized apps. AltStore PAL only supports notarized apps. On top of all the new AltStore Classic launch, the AltStore team has also announced a new app, StikDebug. This allows on-device JIT compilation for any app installed with AltStore Classic. With on-device JIT compilation, EU iPhone users can now utilize heavier emulators that require the capability. That includes Dolphin emulator for Wii and GameCube games, as well as meloNX emulator for Switch games. In short, it’s a great time to be a Nintendo fan who lives in the EU. Emulating more modern games directly on your iPhone or iPad has never been easier, provided that you’re able to obtain the games legally. My favorite Apple accessories on Amazon: Follow Michael: X/Twitter, Bluesky, Instagram Add 9to5Mac to your Google News feed.  FTC: We use income earning auto affiliate links. More.You’re reading 9to5Mac — experts who break news about Apple and its surrounding ecosystem, day after day. Be sure to check out our homepage for all the latest news, and follow 9to5Mac on Twitter, Facebook, and LinkedIn to stay in the loop. Don’t know where to start? Check out our exclusive stories, reviews, how-tos, and subscribe to our YouTube channel

To combat climate change, a team of scientists are sucking CO2 out of the ocean.The project, dubbed SeaCURE, began operating a small-scale trial this year on England's south coast, the BBC reports. It hangs its hopes on a simple premise: that the ocean is the world's largest carbon sink, absorbing nearly a third of all CO2 emitted into the atmosphere. A flurry of projects have explored capturing carbon directly from the atmosphere. SeaCURE explores an alternative route. Instead of capturing carbon from the air, it proposes removing it from the ocean, freeing up the deep blue to absorb even more of the CO2 that civilization is pumping out. "Seawater has got loads of carbon in it compared to the air, about 150 times more," Paul Halloran, a professor in ocean and climate science at the University of Exeter who leads the SeaCURE project, told the BBC. "But it has got different challenges, the energy requirements to generate the products that we require to do this from seawater are huge."In a nutshell, SeaCURE sucks up seawater, processes it to extract the CO2, buries it underground, and then releases the carbon-free water back into the ocean. Removing the carbon is accomplished by treating the seawater to make it more acidic, which frees up the carbon it harbors to release itself as a gas. This process is done inside a large tank nicknamed a "stripper.""When you open a fizzy drink it froths, that's the CO2 coming out," Tom Bell from Plymouth Marine Laboratory told the BBC. "What we're doing by spreading the seawater on a large surface area. It's a bit like pouring a drink on the floor and allowing the CO2 to come out of the seawater really quickly."Still in its infancy, the project will remove no more than 100 metric tons of carbon per year. But SeaCURE believes that if the technology is applied at a massive scale and powered by renewable energy, it could remove 14 billion tons of CO2 a year if one percent of the ocean's surface water was processed, per the BBC.That may sound too good to be true. We've certainly heard amazing promises of nature handling the work for us before, like the rush to plant as many trees as possible. More broadly, experts remain divided about carbon capture's usefulness, and there's a very real danger of its promises being hijacked to distract from climate change's systemic causes.That said, some leading climate scientists think that we shouldn't write anything off just yet."Carbon removal is necessary. If you want to reach net zero emissions and net zero emissions is needed to halt further warming," Oliver Geden, a member of the Intergovernmental Panel on Climate Change, told the BBC. "Capturing directly from seawater is one of the options. Directly capturing it from the air is another one. There are basically 15 to 20 options, and in the end the question of what to use, of course, will depend on the cost."More on climate change: This May Be the Most Terrifying Sign of Global Warming YetShare This Article