Lockpicking is one of the best ways to unlock chests and doors The Elder Scrolls 4: Oblivion Remastered — and to get loot. You will encounter loads of locked chests and doors while exploring the lands and dungeons of Oblivion Remastered. To bypass these locks as you encounter them, you will need to play a little lockpicking minigame. Our Oblivion Remastered guide will explain how to lockpick chests and doors and walk you through the tricky mechanics of this minigame. Where to find lockpicks in Oblivion Remastered First, you’ll need a lockpick, an item that allows you to attempt to pick a lock. The quickest, easiest, and cheapest way to get lockpicks is by exploring dungeons. You can get lockpicks by searching the corpses of some enemies and by checking chests, barrels, and crates in dungeons. You can also buy lockpicks from fences (characters who purchase illicit goods) after you join the Thieves Guild. Ongar, the fence located in Bruma, will sell you lockpicks for 6 gold a piece. What can you unlock with a lockpick in Oblivion Remastered? Lockpicks can be used to unlock doors and chests. While many doors and chests can be unlocked with a lockpick, some cannot be broken and require special keys. (The game will tell you can’t use a lockpick if this is the case.) If the door or chest can be unlocked with a lockpick, just walk up to either a chest or door (with a lockpick item in hand) and interact with it to start the lockpicking minigame. How to use a lockpick in Oblivion Remastered Lockpicking in Oblivion Remastered can get pretty frustrating pretty quickly. In short, it’s a timing minigame. When you start the lockpicking minigame, you’ll see a cross-section view of a lock with five different tumblers, each inside a tiny chamber. Tap the inner metal piece upward with the left control stick and then hit A (on Xbox) to “set” the tumbler. To pick a lock, you must set the tumbler just as it taps the top of the lock. If you get the timing right, the tumbler will “set” in place and go dark, as shown in the final image of the slider above. It is a deceptively tricky timing game. Some tumblers fall faster than others, and the speed at which they fall from tap to tap varies. If you mess up one tumbler, you need to start the entire lock over and set every single one (if you’re still ranked novice for Security). There are three difficulty levels of locks: easy, medium, and hard. An easier lock will have fewer tumblers you need to set, thus less room for error. Here are some tips to help you pick locks in Oblivion Remastered: Our best advice is to fudge the numbers a bit. If you think a lock will give you trouble, make sure you save before. That way, you can try the lock as many times as you need and can load the save file if you run out of lockpicks. Some other guides suggest you listen to the lock. This might just be us, but we couldn’t hear a difference. However, it can be hard to focus on the game if there is a lot else going on, so we found it helpful to turn off the game’s background music in the game settings. We can’t confirm this for sure, but there appears to be a pattern for each tumbler. Tap it a bunch of times to get a feel for each tumbler, and you can try to predict when the tumbler will stick at the top. Just keep at it. Eventually, you’ll level up your Security skill to the point where the minigame is less punitive. How lockpick auto attempts work in Oblivion Remastered The auto-attempt feature can let you bypass the minigame and lockpick automatically — in certain circumstances. For example, we used the auto-attempt after setting one tumbler on a medium lock, and it automatically set the final two tumblers, thus unlocking the door. We also used it to bypass an easy lock without doing anything. However, there are limits to the auto-lock. We tried to use it multiple times on another medium lock, and it broke a ton of lockpicks. At the time of writing, it’s unclear if any of the skills influence this feature.

A neighborhood coffee shop is usually considered serviceable, yet rarely stylish. So when Manon Delafoy was tapped to transform a former Thai restaurant into a new java spot, she had an entirely different concept. The designer, known for spaces that showcase clean lines and natural hues, envisioned a serene escape from the bustle of Paris. “I wanted to create a peaceful, quiet place in the city that was the opposite of a crowded, basic café,” says Delafoy. The studio was tasked with the renovation of the restaurant space located in the 8th arrondissement. The ultra compact eatery, just 322 square feet, was underwhelming. Decorated with outdated finishes and marked by an unclear graphic identity, a complete overhaul began to make the new OLYSSE an inviting location to have caffeine-infused beverages or baked goods. Delafoy wanted to achieve a sense of softness and subtle movement, so she emphasized all types of curves, bringing fluidity to the interior. Arches serve as welcoming portals that give the petite storefront a more expansive feel. Carefully selected materials range from matte to glossy for a delicate balance between modernity and craftsmanship. Traditional Zellige tiles with gold squares cover the backsplash and reflect the sun that filters in. Oak wood accents and flooring complement the neutral palette, adding warmth. Bespoke furnishings, like the banquette seating in the dining area, maximize functionality while optimizing all of the available floor space. At the heart of the coffee shop, the bar is more than a piece on top of which freshly baked pastries are displayed. The sculptural centerpiece is distinctive with its trio of polished concrete hues. The refined gradient effect is reminiscent of shifting sands, which instantly draws the eye and echoes the other wavy motifs in the establishment. Chamotte stoneware and plaster fixtures have a raw, organic appeal. The 20 marble tabletops and metal taps have an elevated look, but they are also easy to clean – a must-have in a high touchpoint environment. An array of work by local makers is showcased, with ceramic objects plus wall art by Dorothée Picard and Anje Fontaine. Small limited-edition oil paintings by Marine Echavidre feature geometrics in earthy brown, sienna, and moss. These geometrics adorn the walls, and their pops of earthy color blend with the rest of the palette. By pairing disparate elements, Delafoy’s design offers a setting that resonates with customers, one that they are sure to return to often. “The wood, natural tones, and organic shapes feel familiar,” she notes. “I wanted to provide a bit of that comfort but in a modern way.” For more work by Studio Manon Delafoy, visit studiomanondelafoy.com. Photography by Camille Payat.

Leica may be best known for its ultra high-end cameras, but now the iconic brand is setting its sights on enhancing smartphone photography. Its latest product, the Leica LUX Grip, is designed to bring a more tactile, professional shooting experience to the iPhone. Engineered specifically for smartphone photographers, the LUX Grip mimics the feel and control of a traditional camera. It features physical controls including a two-stage shutter release, a precision control dial, and two customizable buttons – all aimed at offering a more intuitive and deliberate shooting experience. If the name sounds familiar, that’s because the LUX Grip is meant to complement the Leica LUX app. Launched earlier this year, the app gives iPhone users access to Leica’s signature color science, manual shooting controls, and film-style effects inspired by the brand’s legendary lenses. The grip continues that premium experience, both in functionality and aesthetic – sleek, refined, and unmistakably Leica. While Apple has introduced more advanced manual controls to the iPhone, like the new pressure-sensitive Camera Control button, the experience hasn’t been perfect. The placement of the Camera Control feels like a compromise between horizontal and vertical shooting and can be awkward to use. It’s also relatively stiff, sometimes causing the phone to shift when capturing a shot. The LUX Grip aims to address these shortcomings. While the Luxe Grip doesn’t have the same touch controls as the Camera Control, its two-stage shutter button offers a smoother, more stable shooting experience, helping to reduce camera shake. Combined with the dial and customizable buttons, users gain quick, precise control over settings without needing to tap the screen. The LUX Grip connects via MagSafe and pairs with your iPhone over Bluetooth 5.0. While MagSafe is expected to arrive on Android phones through the Qi2 standard, adoption is still limited – and for now, the Leica LUX app remains iOS-only. One caveat: despite being MagSafe-compatible, the grip requires its own charging and doesn’t draw power from the iPhone. The upside? It won’t drain your phone’s battery during long shoots. The Leica Lux Grip comes at $329 and is available at leica.com. It also comes with a dedicated carry case, which is a nice touch. Photography courtesy of Leica.

There are a lot of trends in generative AI right now. There are the reasoning models like OpenAI's o3, that "think" through each step of a problem before it answers. There are also "deep research" features that can compile information from across the web to generate reports for you. But perhaps the trend that is most "futuristic" of all is Voice Mode. This is the future 2013's Her promised: a chatbot that you can talk to like any other person. The chatbot doesn't say anything differently than it would if you were chatting over text; however, it responds in a "realistic" and "natural" voice, which could create the illusion that you're talking to a person, not a robot.I've never found the feature to be particularly engaging, even from big names like ChatGPT. The tech is impressive, sure, but it's still painfully obvious to my ear that I'm talking to a bot. AI companies haven't been able to shake these identifying quirks, but that hasn't stopped people from forming "relationships" with chatbots—even falling in love with them.What's more impressive to me is the feature's "vision" component. Some chatbots can not only talk back to you, but can access your camera to see what you're seeing, and incorporate that information in its replies. Both ChatGPT and Gemini offer these features, and now, so does Grok. Grok can seeGrok is the latest chatbot to gain this ability in its Voice Mode. xAI developer Ebby Amir announced the feature, dubbed "Grok Vision," on X Tuesday, noting that Grok Vision supports multilingual audio as well as realtime search. Those latter features are exclusive to SuperGrok subscribers, however. This Tweet is currently unavailable. It might be loading or has been removed. The feature is already live on my end. You can access it by tapping the existing Voice Mode option. If you haven't used this feature already, you'll need to grant Grok permission to access your device's microphone. Following this, you'll be able to start chatting immediately. However, to access Vision, you'll need to tap the camera icon in the bottom left corner. Here, allow Grok to access your camera. Once the feed is live, you can start asking Grok about what it sees. I'm not super keen on sending my live video feed directly to xAI, so I kept my phone directly on the table, so the video feed was all black. Grok, to its credit, tried earnestly to help me fix the problem, suggesting there might be something wrong with the camera, or that my environment was too dark. When I informed it that I had actually taken my phone up to outer space with me, it "laughed," and concluded that had to be the problem: "Ha, outer space, huh? That black feed makes sense now—no light out there, and the camera’s probably not designed for that environment. You might need a space-grade device to get a proper feed." This is the second big feature drop for Grok this month. Last week, xAI rolled out a memory feature for the bot, which allows it to access past conversations for more relevant responses.

We may earn a commission from links on this page.The descriptor “science fiction and fantasy” serves as an umbrella term for fantastical stories all the time, but if you look closer, the genres each contain multitudes. A sci-fi/fantasy movie might be an alien invasion blockbuster; a bloody sword-and-sorcery epic; or a quiet, reflective fable. What these movies all have in common is the imagination to think outside of the world we can see from the window. Here are 30 of the best you can stream on Netflix right now.Dungeons & Dragons: Honor Among Thieves (2023) I wasn't expecting much from this adaptation of a game with an impenetrable mythology, and which had previously garnered a string of fairly dismal adaptations. Happily, it turns out to be unexpectedly delightful: funny, action-packed, and respectful of the franchise without getting bogged down by decades of lore. Chris Pine stars as bard Edgin Darvis, imprisoned after a heist gone wrong but hoping to be reunited with the daughter, who's since come under the influence of ambitious con artist Forge (Hugh Grant). Luckily, he's got help from Holga (Michelle Rodriguez), a barbarian with a heart of gold, who cares as much about Edgin's daughter as he does. It makes the case that IP movies don't have to be soulless. You can stream Dungeons & Dragons here. Blade Runner (1982) Back in 1982, Ridley Scott's influential Philip K. Dick adaptation painted a vision of the future back that we're still living with today (though the Cybertruck may well put the aesthetic to bed once and for all). Images of a rainy Los Angeles filled with impossibly tall skyscrapers, floating cars, and endless electronic advertisements are indelible, so much so that style nearly outweighs the substantial plot: Harrison Ford plays Rick Deckard, a Blade Runner for the LAPD charged with hunting down and "retiring" replicants, bioengineered humans who were created as workers but who've outlived their usefulness. You can stream Blade Runner here. Damsel (2024) Millie Bobby Brown (Stranger Things, Enola Holmes) is practically the face of Netflix these days. In this dark fantasy from director Juan Carlos Fresnadillo (28 Weeks Later), she plays Elodie, the titular damsel, who's been offered into an arranged marriage by her family. It doesn't sound too terrible, until she learns that it's all been part of an elaborate ritual sacrifice intended to keep a dragon from destroying the kingdom. Lucky for her, she's far more resourceful than her in-laws give her credit for. First goal: get out. Second goal? Get even. You can stream Damsel here.Paradise (2023) Time is a literal commodity on this German sci-fi dystopia. Max (Kostja Ullmann) works for the appropriately named Aeon, a tech company that buys time (as in years) from the poor to extend the lives of its wealthy and powerful clients. He's great at his job, but it doesn't matter much when his condo burns down and he's liable for the loan backed by 40 years of his wife Elana's life. Suddenly married to a senior citizen, he's determined to get his wife's time back, whatever the cost. You can stream Paradise here.Nimona (2023) Based on the graphic novel from ND Stevenson, Nimona traveled a rocky road to the screen, surviving delays, company shut-downs, the pandemic, and pressure from Disney to tone down its queer themes. Luckily, none of that drama made it into the finished product (eventually brought to streaming by Netflix). It's a heartfelt, joyful, and funny fantasy set in a futuristic world full of medieval trappings. Ballister Boldheart, alongside his boyfriend Ambrosius Goldenloin, is about to be knighted by the queen, the first commoner ever to receive the honor. It's all good, until he’s framed for the queen’s murder and forced to flee, becoming the criminal that the snobs already took him for. Luckily (or not) he’s joined by Nimona, a teenager outcast shunned for her shapeshifting powers. The two work together to clear Ballister’s name, even as Nimona has things to teach Ballister about living authentically. You can stream Nimona here.The Old Guard (2020) The comic-inspired Netflix film stars Charlize Theron as Andromache, the sometimes-leader of a group of immortal-ish individuals who are already centuries old as the film starts. They generally work as mercenaries when the cause is right, but find their group starting to splinter in the face of a new threat: Modern technology has made it harder to hide their secret, and a pharmaceutical exec has plans to capture them, figure out why they’re immortal, and then make a sellable product. The movie’s a solid blend of comic-book heroics and mercenary-movie action, with a sequel on the way. Shortly after this, director Gina Prince-Bythewood made the historical action-drama The Woman King, also on Netflix. You can stream The Old Guard here.Circle (2015) It’s alien abduction for the Squid Game generation, this one picks up in the aftermath of a mass snatching. Circle opens on 50 people waking up in a dark room. They’re on platforms from which they can’t move on pain of laser-inflicted death, and they quickly realize they’re trapped in a game with simple, specific rules: Via hand gestures, they’re meant to vote on the next person to die (if not, someone is chose at random every two minutes). It’s a sick scheme enacted by would-be invaders, but it’s also a study of our species, and reaches some not-entirely-flattering conclusions about how quickly we’ll throw each other under the bus (er, laser beam). You can stream Circle here.Godzilla Minus One (2023) Eschewing the more-is-more approach of the American Godzilla series, writer/director Takashi Yamazaki offers up this reminder that Japanese filmmakers really know their monster king. A prequel of sorts to the original 1954 film, this one finds kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) encountering Godzilla multiple times over the years following World War II. That wartime trauma, which harkens back to the original film, lends this one a kaiju-sized emotional weight. Nearly as important: the masterful, Oscar-winning visual effects make Godzilla scary again, and the action sequences have real weight and stakes. You can stream Godzilla Minus One here.Godzilla x Kong: The New Empire (2024) Where the Japanese iteration of the franchise has gone back to Godzilla's roots for a deeper, more emotionally satisfying story involving that country's nuclear terror in Godzilla Minus One (also on Netflix), the American spinoff series is doing very well for itself with a bit of counter-programming. Leaning on the wilder and more outré elements of kaiju lore, director Adam Wingard and company toss everything at the wall to see what sticks; the result is goofy, colorful, and generally a fair bit of fun—if endless giant monster fights don't give you too much of a headache. You can stream Godzilla x Kong here.The Call (2020) I love a good time travel horror movie (a specific but venerable genre that includes the likes of Timecrimes, Triangle, and Happy Death Day). This one involves Seo-yeon (Park Shin-hye) visiting her childhood home in 2019, only to discover that an old cordless phone still works (never a good sign), and connects her to Young-sook (Jeon Jong-seo), living in the house in 1999. The two bond over shared experiences, but things soon go very wrong when Seo-Yeon tells the other young woman about the future, and influences her to make changes. It's clever and disturbing, with a solid high concept. You can stream The Call here. Reversi (2024) Did I mention that I like my movies with a bit of time travel? This effective Malaysian import stars Beto Kusyairy as Akid, a police negotiator who loses his wife and son to tragedy—fortunately for Akid, though, he has a genetic propensity for time travel. But each trip to the past knocks a bit off of Akid's own lifespan, and he soon discovers that trying to rewrite history can be at least as traumatic as moving on from loss. You can stream Reversi here.Ultraman: Rising (2024) This Japanese-American co-production reboots the beloved half-century-plus franchise with help of director Shannon Tindle and co-writer Marc Haimes (both of the brilliant Kubo and the Two Strings). Professional baseball player Ken Sato returns home to Japan when he inherits the mantle of (you guessed it!) Ultraman from his retired father. The stylish animation is lovely and there plenty of family-friendly action, but it wouldn't work half as well without the emotional arc: egotistical sports star Sato needs to reconnect with his distant father, even as he becomes the unwilling parental figure to an orphaned kaiju child. You can stream Ultraman: Rising here.Conan the Barbarian (1982) It might not be exactly what prolific writer and Conan-creator Robert E. Howard had in mind but it’s a lot of fun in a shirtless, sweaty, sword-and-sorcery kind of way. It’s the movie that kicked off a pretty cool cycle of ‘80s fantasy films, and also gave Arnold Schwarzenegger his big cinematic break. A long-haired James Earl Jones also offers up his second-most-memorable villainous performance as evil sorcerer Thulsa Doom. You can stream Conan the Barbarian here.See You Yesterday (2019) See You Yesterday tricks you into thinking you’re signing on for a sci-fi romp—an early cameo from Michael J. Fox seems to underline it. As it begins, young prodigies CJ Walker (Eden Duncan Smith) and Sebastian Thomas (Dante Crichlow) develop a time machine and plan to test it by traveling back one day and scrupulously avoiding making any changes. Shortly after, the Spike Lee-produced film takes a dark turn: CJ’s older brother is shot and killed by an NYPD officer who mistakes a phone for a gun. CJ tries again and again to save him, but is frustrated as each attempt goes wrong in a new way. It’s not an entirely downbeat movie, but, in the best sci-fi tradition, the high concept at its core has more down-to-earth relevance. You can stream See You Yesterday here.The Midnight Sky (2020) There’s quite a bit derivative in this George Clooney-directed film, but it’s also quietly poignant in ways that modern science fiction rarely is. That’s a very specific mode, but refreshing in its way. Clooney plays Augustine, a scientist with a terminal condition in 2049 who’s become one of the very few remaining humans alive on Earth after some unknown event left the surface contaminated with radiation. He discovers that a mission from a moon of Jupiter is on its way back to Earth, and makes it his mission to warn them that the planet is no longer hospitable—a mission complicated by the discovery of a young girl he feels the need to protect. You can stream The Midnight Sky here.The Platform (2019) OK, the metaphor is a little heavy-handed: In a large tower, euphemistically referred to as the “Vertical Self-Management Center,” food is delivered in a shaft that stops on each floor from the top down: those near the top get to eat their fill; those at the bottom get scraps. The Spanish-language thriller is wildly violent, but inventive, and it’s not as if real-life capitalism is particularly subtle in its deprivations. You can stream The Platform here.What Happened to Monday (2017) Tommy Wirkola, director of the recent David Harbour Christmas-themed action movie Violent Night and the upcoming Spermageddon, helmed this high-concept science fiction story about the perils of overpopulation. In the near-ish future, a one-child policy sees spare kids frozen cryogenically until such time as they can be either become colonists on another planet, or until Earth finds more resources—whichever comes first. Think Children of Men, but a bit goofier. Glenn Close is in charge of enforcing the policy, while Willem Dafoe plays the grandfather of identical septuplets. He comes up with a plan to keep all the kids out of the freezer: they’ll take turns playing at being the same person (Noomi Rapace, in multiple roles). Ridiculous, but fun. You can stream What Happened to Monday here.Rebel Moon (2023) Zack Snyder, late of the entire DC cinematic universe, inspires passionate opinions all around—but his science fiction Army of the Dead followup can't be faulted for lack of ambition. It's a multi-part (currently unclear how many parts that will be) space opera that blends Snyder's distinctive visual style with Star Wars-style action. Sofia Boutella stars as a former soldier who rallies warriors from across the galaxy to join in a revolt against the imperial Motherworld on the title's out-of-the-way farming moon. You can currently catch part one (aka A Child of Fire) and part two (The Scargiver), as well as an R-rated director's cut of the first movie. You can stream Rebel Moon: A Child of Fire here.The Curse of Bridge Hollow (2022) Halloween movies are valid at any time of year, so there's no reason to hold off on this family-friendly seasonal fantasy. The Howard family has moved to the town of Bridge Hollow just in time for the holiday, and daughter Sydney (Priah Ferguson of Stranger Things) couldn't be more exited about the town's holiday spirit. Dad (Marlon Wayans), on the other hand, is all about the science and hates the spooky nonsense—mom Kelly Rowland often left to referee. The family has to try to come together, though, when Sydney accidentally frees a ghost who makes an army out of the town's decorations. Whoops! You can stream The Curse of Bridge Hollow here.Bubble (2022) From Attack on Titan and Death Note director Tetsurô Araki and an all-star creative team, Bubble finds Tokyo cut off from the rest of the world when reality-bending bubbles rain down on the city (shades of Stephen King’s Under the Dome, perhaps). Anime fans were almost certainly on the lookout for the gorgeous, parkour-infused love story, but anyone who loves animation (or great sci-fi films in general) should check it out. You can stream Bubble here. My Father’s Dragon (2022) Based on Ruth Stiles Gannett’s 1948 children’s novel of the same name, and geared toward even younger audiences than the other all-ages animated movies on this list, My Father’s Dragon still has plenty to recommend it to just about anyone—along with more emotional intelligence than many movies made for adults. In the film, a boy named Elmer (Jacob Tremblay) and his shopkeeper mother, Dela (Golshifteh Farahani) leave their tight-knit town in favor of a bigger city—though the promise of better circumstances doesn’t quickly materialize. Elmer’s patience is rewarded, though, when a talking cat invites him to take a beautiful, candy-colored adventure. The movie is from the director of the The Breadwinner, set in modern-day Afghanistan, and Cartoon Saloon, production company behind animated movies like the beautiful Irish folk tale, Wolfwalkers. You can stream My Father's Dragon here.The Wandering Earth (2019) The title isn’t a metaphor: this Chinese blockbuster is literally about what happens when the Earth goes off-course, and the people who come together to keep it from smashing into Jupiter. The whole thing begins when a rogue red giant threatens to engulf the Earth within a century, leading the nations of the world to come together around building giant engines to shove us out of the way. It’s bonkers in the best possible way, with special effects that easily outpace those of many American blockbusters. The human element here is also a plus, as the movie makes room for a broad ensemble of interesting characters, suggesting that great things (like not hitting Jupiter) happen when people work together. You can stream The Wandering Earth here.Space Sweepers (2021) It doesn’t entirely reinvent the wheel, but there’s a refreshing focus on the underclasses of the future, without edging too far into the dystopian. I’m not the first to make a comparison between Space Sweepers and Cowboy Bebop, but, given the recent and speedy failure of Netflix’s live-action version of that cartoon, it’s not going too far to say that you’ll find a better encapsulation of Bebop’s spirit of rag-tag found family and its outer space western milieu here then in the live-action show that bore its name. What this one lacks in originality, it makes up for in engaging characters and extravagant special effects. It’s also nice to see a less American-centric perspective on the future. You can stream Space Sweepers here.The Block Island Sound (2020) Strange doings are afoot on Block Island, the most obvious of which are the vast numbers of dead fish that keep washing up on shore. More alarming though is the behavior of one of the local fishermen, Tom, who keeps waking up in strange places and generally losing time. His daughter Audry (Michaela McManus) works for the Environmental Protection Agency and is sent to investigate the mass fish deaths; she brings along her daughter and reunites with brother Tom (Chris Sheffield) along the way. Together, they discover no ordinary environmental catastrophe is to blame for all the dead fish, as the film blends the family drama and the eerie local events as it builds to a fairly chilling climax. You can stream The Block Island Sound here. They Cloned Tyrone (2023) This genre mashup from debut director Juel Taylor spins plenty of plates, and mostly manages to keep them from crashing down. John Bodega stars as Fontaine, a drug dealer in a Blaxsploitation-inspired world just this side of our own. Following a showdown with one-time Pimp of the Year Slick Charles (Jamie Foxx), Fontaine is shot dead, but awakens the next day in his own bed with nothing seemingly having changed. Teaming up with Slick Charles and sex worker Yo Yo (Teyonah Parris), he dives into an unlikely web of scientific conspiracy, the gist of which you can kinda get from the title. A sci-fi genre parody shouldn’t work nearly so well, but the stellar cast and assured direction from Juel Taylor sell it. You can stream They Cloned Tyrone here.Dune: Part Two (2024) The fickle nature of streaming means that you can only watch the second part of Denis Villeneuve's Best Picture-nominated epic on Netflix, so you'll want to catch that one first, then rejoin Villeneuve and company for the conclusion (for now) of the journey, and descent, of exiled Duke Paul Atreides (Timothée Chalamet) as he joins with the Fremen of Arrakis to overturn the colonial rule of the Harkonnens—or perhaps just to restore his own power. With an epic, thoroughly cinematic scope, and tremendous performances, particularly from Zendaya as Fremen warrior Chani and Rebecca Ferguson as Paul's thoroughly relentless mother, Lady Jessica, it's a sci-fi epic like no other. You can stream Dune: Part Two here.Furiosa: A Mad Max Saga (2024) This Fury Road prequel is every bit the thrill-ride it's predecessor was, even as it slightly dials back the action in favor of a bit more emotional complexity in and around our titular ass-kicker. Anna-Taylor Joy takes over from Charlize Theron as Furiosa, born into the Green Place of Many Mothers, one of the last remaining oases in a radioactive, post-apocalyptic Australia. When she's taken by warlord Dementus (Chris Hemsworth), she winds up on a decades-long journey to get home. Even after four decades of Mad Max movies, George Miller is still innovating. You can stream Furiosa here.Okja (2017) A Korean-language sci-fi fantasy about a girl and her genetically modified pig might not sound like an easy sell, but the movie certainly attracted more much-deserved attention when its director, Bong Joon-Ho, won one of the best-justified Best Picture Oscars in recent memory for Parasite. The darkly whimsical film that challenges the norms of the American and South Korean meat industries is very much its own thing, but fans of Parasite will recognize Bong’s mix of dark comedy, action, and hard-to-ignore social commentary. You can stream Okja here.Guillermo del Toro’s Pinocchio (2022) The director’s passion project, Pinnochio had a long road to the screen, but it’s hard to argue that it wasn’t all worth it. Set in fascist Italy between the wars, and told through stunning stop-motion animation, the beautifully moving film won a well-deserved Best Animated Feature Oscar. You can stream Pinocchio here.Blame! (2017) In the future, The City grows like a virus, endlessly in all directions, humans long since having lost control of the automated systems designed to run things. Those same systems now see views humans as “illegals” to be purged, so flesh-and-blood survivors are caught between the city’s murderous defense systems and the need to find food. One group of humans, though, is on the hunt for the existence of someone with a genetic marker that they believe will allow for access to the city’s control systems—a hunt lead by Killy, a synthetic human who might have the key. You can stream Blame! here.

Discord CEO and co-founder Jason Citron has announced that he's stepping down from his leadership role at the chat app and being replaced by Humam Sakhnini, a former executive from Activision Blizzard. Citron will remain on Discord's board of directors, and fellow co-founder Stanislav Vishnevskiy will continue acting as the company's chief technology officer. "From the very beginning, our mission has been about bringing people together around games," Citron said in a statement. "It’s a mission I’ve dedicated my career to, and I'm confident that passing the torch to Humam is the right evolution for Discord's future." While initially pitched as a way to talk to friend's before, during and after playing games, Discord has morphed into a much larger and more general social platform, serving "more than 200 million monthly active users worldwide," the company says. There's an important financial context to Citron's move. The New York Times reported in March that Discord was meeting with investors to take the company public. Sakhnini has experience acting as a leader of a public company. He was also the President of King Digital — the creator of Candy Crush and other popular mobile games — after the company was acquired by Activision Blizzard. A veteran executive could be a natural fit to usher Discord to an IPO. Citron didn't deny the plan when GamesBeat asked if the company would go public: "As you can imagine, hiring someone like Humam is a step in that direction." Just a few years ago, Discord was reportedly in talks to be acquired by Microsoft, which seemed like a natural fit alongside Xbox. The rumored $10 billion deal fell through, but both Xbox and PlayStation platforms got Discord integration.This article originally appeared on Engadget at https://www.engadget.com/apps/discords-ceo-and-co-founder-is-stepping-down-181851778.html?src=rss

The wait is (kind of) almost over. Ghost of Yōtei will be available for PS5 on October 2. This is a sequel to the 2020 hit Ghost of Tsushima and was first announced last year. It’s a PS5 exclusive, as it’s developed by Sony-owned Sucker Punch. It doesn’t follow the story of Ghost of Tsushima. Rather, it’s an original adventure with new characters that's set in a new era. Ghost of Yōtei takes place in Hokkaido, Japan in the early 1600s. This is over 300 years after the events of the first game. It’s still an open-world adventure, though Sony promises "even more freedom and variety than in Ghost of Tsushima." For instance, you can hunt down the six big bads in whatever order you choose. There’s a new trailer that reveals the basic story beats and some gameplay. It looks pretty darn fun. Preorders will open up on May 2 at 10AM ET for those in the US. This being a modern console game, there are a few different editions to choose from. There’s the Standard Edition, which is just the game, that costs $70. The Digital Deluxe Edition adds in-game bonuses, like armor, weapons and costumes. That one costs $80. Sony The Collector’s Edition, which costs a whopping $250, comes with all of the aforementioned in-game items, but that’s just the beginning. It also ships with physical items, like replicas of the protagonist’s mask, katana and sash. Sony is calling this the best Collector’s Edition it has ever produced. All preorders, no matter which edition, receive a "unique in-game mask" and a handful of PSN avatars.This article originally appeared on Engadget at https://www.engadget.com/gaming/playstation/ghost-of-yotei-comes-to-ps5-on-october-2-165531467.html?src=rss

Syril and Dedra's relationship in Andor season 2 is so weird, not even the Star Wars show's cast can work out what's actually going on between them.

The Samsung S95F's first UK prices reveal it's more costly than the LG G5, but that won't be the case for long.

Discord co-founder Jason Citron will be replaced as CEO by Humam Sakhnini, former vice chairman of Activision Blizzard.