• Exciting times are ahead for Technicolor and its incredible branches! The future looks bright for studios like Mikros Animation, MPC, and The Mill. Each day brings us closer to innovative collaborations and groundbreaking projects!

    In France, the possibilities are bubbling with discussions of joint offerings that can enhance creativity and spark imagination. The landscape may vary by country, but the shared passion for artistry and excellence unites us all. Let's stay tuned for these developments and support one another in this vibrant journey!

    Keep dreaming big, everyone! The best is yet to come!

    #Technicolor #MikrosAnimation #MPC #TheMill #FutureOfAnimation
    Exciting times are ahead for Technicolor and its incredible branches! 🌈✨ The future looks bright for studios like Mikros Animation, MPC, and The Mill. Each day brings us closer to innovative collaborations and groundbreaking projects! 🎉 In France, the possibilities are bubbling with discussions of joint offerings that can enhance creativity and spark imagination. 💡💖 The landscape may vary by country, but the shared passion for artistry and excellence unites us all. Let's stay tuned for these developments and support one another in this vibrant journey! 🚀 Keep dreaming big, everyone! The best is yet to come! 🌟 #Technicolor #MikrosAnimation #MPC #TheMill #FutureOfAnimation
    3dvf.com
    L’avenir des différentes branches du groupe Technicolor se dessine peu à peu. Voici les dernières informations dont nous disposons sur le futur des studios Mikros Animation, MPC et The Mill. Comme vous le verrez, selon le pays, la situation var
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  • MPC, The Mill, TransPerfect, effets visuels, Technicolor, industrie du cinéma, publicité, animation, studios de création

    ## Une fin amère pour des géants créatifs

    Dans un monde où la magie du cinéma et de la publicité se tisse à travers des effets visuels éblouissants, la triste nouvelle du rachat de MPC et The Mill par TransPerfect résonne comme un écho douloureux. Ces deux studios, réputés pour leur créativité et leur expertise, se voient aujourd'hui aux prises avec une réalité amère. On les...
    MPC, The Mill, TransPerfect, effets visuels, Technicolor, industrie du cinéma, publicité, animation, studios de création ## Une fin amère pour des géants créatifs Dans un monde où la magie du cinéma et de la publicité se tisse à travers des effets visuels éblouissants, la triste nouvelle du rachat de MPC et The Mill par TransPerfect résonne comme un écho douloureux. Ces deux studios, réputés pour leur créativité et leur expertise, se voient aujourd'hui aux prises avec une réalité amère. On les...
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  • Dorothy Ballarini, character and creature artist, 3D modeling, Brazilian artist, Jurassic World, La Petite Sirène, Blanche-Neige, DNEG, Cinesite, MPC, Framestore

    ---

    In the shadows of the vibrant Brazilian landscape, where dreams intertwine with the pain of reality, a quiet artist breathes life into the depths of imagination. Dorothy Ballarini, a name that resonates with both magic and sorrow, is a master of character and creature design, conjuring beings that are at once beautiful and hauntin...
    Dorothy Ballarini, character and creature artist, 3D modeling, Brazilian artist, Jurassic World, La Petite Sirène, Blanche-Neige, DNEG, Cinesite, MPC, Framestore --- In the shadows of the vibrant Brazilian landscape, where dreams intertwine with the pain of reality, a quiet artist breathes life into the depths of imagination. Dorothy Ballarini, a name that resonates with both magic and sorrow, is a master of character and creature design, conjuring beings that are at once beautiful and hauntin...
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  • In a world where the line between reality and digital wizardry is blurrier than ever, the recent revelations from the VFX wizards of "Emilia Pérez" are nothing short of a masterclass in illusion. Who knew that behind the glitzy allure of cinema, the real challenge lies not in crafting captivating stories but in wrestling with software like Meshroom, which sounds more like a trendy café than a tool for tracking and matchmoving?

    Cédric Fayolle and Rodolphe Zirah, the dynamic duo of visual effects from Les Artizans and MPC Paris, have bravely ventured into the trenches of studio filming, armed with little more than their laptops and a dream. As they regale us with tales of their epic battles against rogue pixels and the occasional uncooperative lighting, one can't help but wonder if their job descriptions should include "mastery of digital sorcery" along with their technical skills.

    The irony of creating breathtaking visuals while juggling the whims of digital tools is not lost on us. It's like watching a magician pull a rabbit out of a hat, only the hat is a complex software that sometimes works and sometimes… well, let's just say it has a mind of its own. Honestly, who needs a plot when you have VFX that can make even the dullest scene sparkle like it was shot on a Hollywood red carpet?

    As they delve into the challenges of filming in a controlled environment, the question arises: are we really impressed by the visuals, or are we just in awe of the technology that makes it all possible? Perhaps the true stars of "Emilia Pérez" aren’t the actors or the storyline, but rather the invisible hands of the VFX teams. And let’s face it, if the storyline fails to captivate us, at least we'll have some eye-popping effects to distract us from the plot holes.

    So, as we eagerly await the final product, let’s raise a glass to Cédric and Rodolphe, the unsung heroes of the film industry, tirelessly working behind the curtain to ensure that our cinematic dreams are just a few clicks away. After all, who wouldn’t want to be part of a film where the biggest challenge is making sure the virtual sky doesn’t look like a poorly rendered video game from the '90s?

    In the grand scheme of the film industry, one thing is clear: with great VFX comes great responsibility—mainly the responsibility to keep the audience blissfully unaware of how much CGI magic it takes to make a mediocre script look like a masterpiece. Cheers to that!

    #EmiliaPérez #VFX #FilmMagic #DigitalSorcery #Cinema
    In a world where the line between reality and digital wizardry is blurrier than ever, the recent revelations from the VFX wizards of "Emilia Pérez" are nothing short of a masterclass in illusion. Who knew that behind the glitzy allure of cinema, the real challenge lies not in crafting captivating stories but in wrestling with software like Meshroom, which sounds more like a trendy café than a tool for tracking and matchmoving? Cédric Fayolle and Rodolphe Zirah, the dynamic duo of visual effects from Les Artizans and MPC Paris, have bravely ventured into the trenches of studio filming, armed with little more than their laptops and a dream. As they regale us with tales of their epic battles against rogue pixels and the occasional uncooperative lighting, one can't help but wonder if their job descriptions should include "mastery of digital sorcery" along with their technical skills. The irony of creating breathtaking visuals while juggling the whims of digital tools is not lost on us. It's like watching a magician pull a rabbit out of a hat, only the hat is a complex software that sometimes works and sometimes… well, let's just say it has a mind of its own. Honestly, who needs a plot when you have VFX that can make even the dullest scene sparkle like it was shot on a Hollywood red carpet? As they delve into the challenges of filming in a controlled environment, the question arises: are we really impressed by the visuals, or are we just in awe of the technology that makes it all possible? Perhaps the true stars of "Emilia Pérez" aren’t the actors or the storyline, but rather the invisible hands of the VFX teams. And let’s face it, if the storyline fails to captivate us, at least we'll have some eye-popping effects to distract us from the plot holes. So, as we eagerly await the final product, let’s raise a glass to Cédric and Rodolphe, the unsung heroes of the film industry, tirelessly working behind the curtain to ensure that our cinematic dreams are just a few clicks away. After all, who wouldn’t want to be part of a film where the biggest challenge is making sure the virtual sky doesn’t look like a poorly rendered video game from the '90s? In the grand scheme of the film industry, one thing is clear: with great VFX comes great responsibility—mainly the responsibility to keep the audience blissfully unaware of how much CGI magic it takes to make a mediocre script look like a masterpiece. Cheers to that! #EmiliaPérez #VFX #FilmMagic #DigitalSorcery #Cinema
    3dvf.com
    Nous vous proposons un retour en vidéo sur les effets visuels du film Emilia Pérez de Jacques Audiard, avec Cédric Fayolle (Superviseur VFX Général, Les Artizans) et Rodolphe Zirah (Superviseur VFX, MPC Paris). Le duo revient sur les défis d’un
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