It's no secret that 28 Years Later used iPhones to shoot parts of the film. Now its director, Danny Boyle, has discussed the use of iPhones for the film in more detail with IGN. The first film in the franchise, 28 Days Later, was shot on digital video, giving it a homemade feel. Boyle explained that he and writer Alex Garland got the idea from the fact that home video cameras were common at the time, and people would've shot videos with them if an apocalypse had indeed happened. Those cameras, of course, have since been replaced by smartphones. The movies used three special rigs for the iPhone sequences: One for eight cameras that one person can carry, another with 10 and another with 20. "I never say this, but there is an incredible shot in the second half [of the film] where we use the 20-rig camera, and you'll know it when you see it," Boyle told IGN. He described the 20-iPhone rig as "basically a poor man’s bullet time," which is a visual effect that uses multiple cameras to freeze or slow down time. Think the scene in The Matrix, wherein Neo dodged bullets in super slow motion.  Doyle said that the 20-camera rig can be attached to cranes or dollies and give you 180 degrees of vision of an action. In editing, you can choose from any of the footage each iPhone takes to, say, move between perspectives or jump forward and backward. For 28 Years Later, the team used the rig for violent scenes to emphasize their effect. "For a moment the audience is inside the scene, the action, rather than classically observing a picture," Doyle explained. In addition to the iPhones, the filmmakers also used drones, cameras attached to actors and even farm animals to achieve an immersive feel for its 2.76:1 widescreen aspect ratio. They decided on the aspect ratio to create a sense of unease, since you'd have to keep scanning the screen to see potential threats coming from the sides.  Sony This article originally appeared on Engadget at https://www.engadget.com/entertainment/28-years-later-used-20-iphones-in-tandem-for-some-wild-shots-130043338.html?src=rss

Outlets 8, Conghua | © Wu Siming In the landscape of contemporary Chinese urbanism, few typologies encapsulate the contradictions of late-capitalist development more vividly than the pseudo-European commercial complex. These replicated enclaves, constructed en masse in the early 2000s, were once marketed as symbols of international sophistication. Over time, however, many were abandoned, becoming architectural vestiges of speculative urbanism. Outlets 8 in Conghua, Guangzhou, is one such project that has undergone a radical architectural reinterpretation. Originally completed in 2018 but long dormant, it has been reimagined by E Plus Design in collaboration with URBANUS/LXD Studio. Through a precise, light-touch intervention, the project avoids wholesale demolition and reprograms space through color, rhythm, and landscape strategy. Outlets 8, Conghua Technical Information Architects1-14: E Plus Design Central Plaza Design: URBANUS / LXD Studio Location: Conghua District, Guangzhou, China Gross Area: 80,882 m2 | 870,000 Sq. Ft. Project Years: 2022 – 2023 Photographs: © Wu Siming This approach is like a contemporary remix of classical music. The four blocks correspond to four movements. Without extensive demolition or altering the European-style architectural rhythm, we reinterpreted the emotional tones, chords, and cadenzas. Through a blend of color and modern gestures, the outdated and disproportionate ‘faux-antique’ complex has been reorchestrated into a contemporary architectural symphony. – Li Fu, Chief Architect at E Plus Design Outlets 8, Conghua Photographs Aerial View | © Wu Siming © Wu Siming © Wu Siming © Wu Siming © Wu Siming © Wu Siming © Wu Siming © Chen Liang Liu Shan © Chen Liang Liu Shan © Chen Liang Liu Shan Outlets 8 Context and Typological Challenge Outlets 8 was initially conceived as a 110,000-square-meter faux-European outlet village. Despite its scale and investment, it struggled to resonate with local cultural dynamics and remained idle. The typology itself, rooted in nostalgic mimicry, was already facing obsolescence. The challenge, then, was not only architectural but also conceptual: how to resuscitate a typology that had become both spatially and culturally inert. The design team chose a strategy of minimal physical intervention coupled with maximal perceptual impact. Rather than demolish or drastically reconstruct, they aimed to re-signify the existing structures. This approach reflects a growing trend in urban renewal across China, where sustainability, cost-efficiency, and cultural specificity take precedence over spectacle. Spatial Transformation Through Chromatic Reprogramming After | © Wu Siming Before | Original Facade, © E+ At the intervention’s core is using color as a spatial and psychological agent. The ornament-heavy facades were stripped of their polychromatic excess and repainted in low-saturation hues. This chromatic cleansing revealed the formal rhythms of the architecture beneath. By doing so, the design avoids mimicry and opts for abstraction, reintroducing clarity to the site’s visual language. The design framework is structured as a musical metaphor, with each of the four blocks conceived as a separate movement in a visual symphony. The street-facing facades, now unified through a golden “variation,” establish a new urban frontage that is both legible and symbolically rich. A ribbon-like golden band traces across the main elevations, creating continuity and contrast between old and new volumes. In contrast, the sports block adopts a cooler, blue-toned palette, offering a different spatial and functional rhythm. New architectural insertions are rendered in transparent materials, signaling temporal and programmatic distinctions. At the center, the elliptical plaza becomes a spatial crescendo, defined by a sculptural intervention inspired by Roman aqueducts. This feature functions as a landmark and a temporal break, juxtaposing historical references with performative landscape elements. Rewriting Landscape as Urban Ecology After | © Wu Siming Before | Original Facade, © E+ Water, derived from the nearby Liuxi River, serves as the thematic and material backbone of the landscape design. Its integration is not symbolic but functional. Water flows through constructed channels, interactive fountains, and sculptural cascades that encourage observation and participation. These elements create a multisensory environment that enhances the spatial experience while reinforcing ecological awareness. The planting strategy emphasizes native species capable of withstanding Guangzhou’s subtropical climate. The design maximizes greenery wherever regulatory conditions allow, particularly along the main entrance, central corridors, and arcaded walkways. The result is a layered landscape that balances visual density with ecological resilience. Integrating landscape and architecture as a singular design operation, the project shifts away from ornamental greening toward environmental synthesis. This approach foregrounds interaction and immersion, aligning with broader shifts in landscape architecture toward performative and participatory ecologies. Programmatic Rebirth and Urban Implications After | © Wu Siming Before | Original Facade, © E+ Beyond formal and material considerations, the project redefines the programmatic potential of large-scale retail environments. Positioned as a “micro-vacation” destination, Outlets 8 is a hybrid typology. It combines retail, leisure, and outdoor experience within a cohesive spatial narrative. This reprogramming responds to changing patterns of consumption and leisure in Chinese cities, particularly among younger demographics seeking experiential value over transactional efficiency. Statistical metrics underscore the project’s social impact. In its first nine days, the outlet attracted over half a million visitors and became a trending location across multiple digital platforms. While not the focus of architectural critique, these figures reflect a successful alignment between spatial renewal and public resonance. More importantly, the project offers a replicable model for dealing with the vast inventory of misaligned commercial developments across China. The intervention avoids nostalgia and cynicism by foregrounding perceptual clarity, ecological integration, and cultural recontextualization. Instead, it offers a clear path forward for reimagining the built remnants of a prior urban paradigm. Outlets 8, Conghua Plans Elevations | © E Plus Design Floor Plan | © E Plus Design Floor Plan | © E Plus Design Floor Plan | © E Plus Design Floor Plan | © E Plus Design Sections | © E Plus Design Outlets 8, Conghua Image Gallery About E Plus Design E Plus Design is a multidisciplinary architecture studio based in Shenzhen, China, known for its innovative approaches to urban renewal, adaptive reuse, and large-scale public space transformations. The firm emphasizes minimal intervention strategies, spatial clarity, and contextual sensitivity, often working at the intersection of architecture, landscape, and urban design to create integrated environments that are both socially responsive and experientially rich. Credits and Additional Notes Chief Design Consultant: Liu Xiaodu Master Plan, Architecture, and Landscape Schemes: E Plus Design Lead Architects: Li Fu, Coco Zhou Project Managers (Architecture): Guo Sibo, Huang Haifeng Architectural Design Team: Wang Junli, Zhang Yan, Cai Yidie, Zhu Meng, Lin Zhaomei, Li Geng, Stephane Anil Mamode, Liu Shan, Zhou Yubo Central Plaza Design: URBANUS / LXD Studio Architect of Central Plaza: Liu Xiaodu Project Manager: Li An’hong Facade Design: Song Baolin, Li Minggang Lighting Design (Concept): Fang Yuhui Lighting Consultant: Han Du Associates Client: Guangzhou Outlets 8 Commercial Management Co., Ltd. Client Design Management Team: Yin Mingyue, Zhao Xiong Landscape Area: 29,100 m² Chief Landscape Architect: Gao Yan Project Manager (Landscape): Zhang Yufeng Landscape Design Team: Yu Xiaolei, Li Zhaozhan, Liu Chenghua Landscape Construction Drawings: E Plus Design Project Manager: Wang Bin Design Team: Wang Bin (Landscape Architecture). Huang Jinxiong (Greening Design). Li Gen (Water & Electricity Design) Structural Design Team: Wang Kaiming, Yang Helin, Wu Xingwei, Zhuang Dengfa Electrical Design Team: Sun Wei, Yang Ying Interior Design Concept Design: Shenzhen Juanshi Design Co., Ltd. Chief Interior Designer: Feng Feifan Project Manager: Liu Hongwei Design Team: Niu Jingxian, Shi Meitao Construction Drawings: Shenzhen Shiye Design Co., Ltd. Project Manager: Shen Kaizhen Design Team: Yao Yijian, Yang Hao, Liu Chen Wayfinding Design Studio: Hexi Brand Design Co., Ltd. Curtain Wall Design Firm: Positive Attitude Group (PAG)

Gironda Residence | © Simone Bossi Located just steps from Piazza del Popolo in Ravenna, the Renaissance-era Casa Guaccimanni holds centuries of architectural and historical weight. Constructed in the fifteenth century for the Venetian podestà Nicolò Giustinian, the building evolved through noble ownership and later became home to Vittorio and Alessandro Guaccimanni, sons of Risorgimento figure Luigi Guaccimanni. Architecturally, the structure is characterized by a tripartite plan with a central corridor flanked by large rooms, an interior courtyard with a double loggia, and decorative elements spanning Renaissance to Neoclassical periods. Once concealed beneath plaster, its frescoed veranda and exposed wooden ceilings speak to a layered history of intervention, concealment, and rediscovery. Gironda Residence in Casa Guaccimanni Technical Information Architects1-13: Giovanni Mecozzi Architetti Location: Casa Guaccimanni, Via Armando Diaz, Ravenna, Italy Client: Emanuela Docimo Project Years: 2022 – 2024 Original Structure: 15th Century Photographs: © Andrea Sestito, © Simone Bossi, © Omar Sartor The new and the old never touch, but gently brush against each other, maintaining a distance capable of generating tension. – Giovanni Mecozzi Gironda Residence in Casa Guaccimanni Photographs © Omar Sartor © Andrea Sestito © Andrea Sestito © Andrea Sestito © Omar Sartor © Simone Bossi © Simone Bossi © Simone Bossi © Omar Sartor © Omar Sartor © Omar Sartor © Andrea Sestito © Omar Sartor Design Intent: Reversibility and Temporal Tension The recent architectural project by Giovanni Mecozzi Architetti centers on the noble floor of the palazzo, reinterpreted as a contemporary residence named Gironda. Rather than imposing a new visual regime onto the historic shell, the intervention operates with restraint, foregrounding the building’s original character while establishing new spatial and material conditions. At the core of the project lies a design philosophy rooted in reversibility. Mecozzi’s intervention resists permanence. The furnishings and spatial devices introduced into the historic rooms are self-supporting and detached from the structure. No new element makes physical contact with the floors, ceilings, or walls, preserving the integrity of the original surfaces. This strategy avoids irreversible alterations and allows the architecture to remain temporally flexible. Architect Giovanni Mecozzi articulates this approach succinctly: “The new and the old never touch, but gently brush against each other, maintaining a distance capable of generating tension.” This spatial tension is not decorative but conceptual, prompting occupants to consider the relationship between historical continuity and contemporary transformation. The design does not attempt to erase time but rather exposes its layers through careful juxtaposition. The project draws conceptual and chromatic inspiration from Ravenna’s early Christian and Byzantine mosaics. Rather than replicate ornamental motifs, Mecozzi extracts abstract qualities such as color, luminosity, and surface texture, integrating them as subtle spatial references throughout the residence. Gironda Residence Material Strategy Access to the residence is organized through a longitudinal hallway that bisects the plan, connecting a balcony on the north façade with a loggia overlooking the garden to the south. This corridor becomes a spine for circulation and orientation, punctuated by entries into five main rooms: the kitchen, veranda, and three independent suites. Each suite functions as a self-contained spatial environment. The original large rooms have been reimagined with integrated volumes housing diverse domestic functions: bathrooms, saunas, walk-in closets, reading nooks, and home cinemas. These new programmatic layers are embedded within freestanding furniture structures, which operate more as inhabitable objects than architectural partitions. Color becomes an operative tool for spatial differentiation. The three principal suites, the Gold Room, the Blue Room, and the Green Room, are introduced chromatically through thresholds that face the main corridor. This prelude of color sets the tone for each room’s unique interior experience. Within, glossy glass tiles, gilded surfaces, and a reduced palette of materials establish a scenographic yet restrained environment. The flooring, a Venetian terrazzo installed during earlier restoration work in the 2000s, has been retained. Its beveled borders and rounded corners respond to the proportions of each room, reinforcing a visual continuity that binds the new interventions with the inherited context. In contrast to the historical envelope, the furniture and spatial devices employ a language of monochromatic forms and minimal detailing, occasionally verging on neoplastic abstraction. This tension between old ornament and new abstraction is one of the project’s defining features. Furnishings curated by Atelier Biagetti, known for their theatrical and ironic sensibility, further enrich the atmosphere. These pieces do not mimic the historical setting but create moments of visual friction and playful ambiguity, enhancing the multi-temporal character of the interiors. Architectural Significance and Cultural Dialogue The Gironda residence exemplifies a growing discourse in contemporary architecture around adaptive reuse that neither mimics nor erases the past. Rather than treating heritage as a constraint or an aesthetic to be curated, Mecozzi engages it as an active agent in spatial transformation. The project is a case study in reversible architecture, where temporality is embedded in the design, not just its historical references. This intervention prompts broader questions about the role of preservation in contemporary practice. Can architectural interventions occupy historic contexts without becoming parasitic or nostalgic? Mecozzi’s project suggests that they can adopt a posture of critical distance and conceptual clarity. Gironda does not attempt to restore Casa Guaccimanni to a previous state or impose a singular vision of modernity. Instead, it crafts a dialogue between past and present, structured through spatial strategies, material choices, and chromatic cues. In doing so, it opens a new chapter in the building’s ongoing life, one that is fully contemporary yet deeply rooted in architectural memory. Gironda Residence in Casa Guaccimanni Plans Floor Plan | © Giovanni Mecozzi Architetti Golden Room Layout | © Giovanni Mecozzi Architetti Door Detail | © Giovanni Mecozzi Architetti Gironda Residence in Casa Guaccimanni Image Gallery About Giovanni Mecozzi Giovanni Mecozzi is an Italian architect based in Ravenna, Italy, and the founder of Giovanni Mecozzi Architetti (GMA), a multidisciplinary studio specializing in architecture, interior design, and landscape projects. After graduating from the University of Ferrara with an architecture degree, Mecozzi gained international experience working in Spain, including collaborating with Mendaro Arquitectos in Madrid. Upon returning to Italy, he co-founded GMA, focusing on projects emphasizing the relationship between architecture, the client, and the context, with a particular interest in renovating and transforming historical buildings.  Credits and Additional Notes Design Team: Giovanni Mecozzi, Cecilia Verdini, Filippo Minghetti Construction: Edilcostruzioni (Leoni Andrea) Electrical Systems: Elektra Service (Andrea Baiardi) Mechanical and Hydraulic Systems: Nuova OLP Structural Alterations: Not applicable (intervention is fully reversible) Custom Furniture: Idea Legno (Paolo Berdondini) Curtains and Fabrics: Selezione Arredamenti, Ravenna Lighting: Viabizzuno (via Tutto Luce, Cesena) Resin Coatings and Flooring: Kerakoll Rugs and Carpeting: Centro Moquette, Rimini Bathroom Furnishings: Salaroli, Ravenna Furniture, Artwork, and Design Objects Selected by: Atelier Biagetti (Milan) Furniture Designers: Alberto Biagetti and Laura Baldassarri

From large language models (LLMs) to reasoning agents, today’s AI tools bring unprecedented computational demands. Trillion-parameter models, workloads running on-device, and swarms of agents collaborating to complete tasks all require a new paradigm of computing to become truly seamless and ubiquitous. Silicon’s mid-life crisis AI has evolved from classical ML to deep learning to generative AI. The most recent chapter, which took AI mainstream, hinges on two phases—training and inference—that are data and energy-intensive in terms of computation, data movement, and cooling. At the same time, Moore’s Law, which determines that the number of transistors on a chip doubles every two years, is reaching a physical and economic plateau. For the last 40 years, silicon chips and digital technology have nudged each other forward—every step ahead in processing capability frees the imagination of innovators to envision new products, which require yet more power to run. That is happening at light speed in the AI age. As models become more readily available, deployment at scale puts the spotlight on inference and the application of trained models for everyday use cases. This transition requires the appropriate hardware to handle inference tasks efficiently. Central processing units (CPUs) have managed general computing tasks for decades, but the broad adoption of ML introduced computational demands that stretched the capabilities of traditional CPUs. This has led to the adoption of graphics processing units (GPUs) and other accelerator chips for training complex neural networks, due to their parallel execution capabilities and high memory bandwidth that allow large-scale mathematical operations to be processed efficiently. But CPUs are already the most widely deployed and can be companions to processors like GPUs and tensor processing units (TPUs). AI developers are also hesitant to adapt software to fit specialized or bespoke hardware, and they favor the consistency and ubiquity of CPUs. Chip designers are unlocking performance gains through optimized software tooling, adding novel processing features and data types specifically to serve ML workloads, integrating specialized units and accelerators, and advancing silicon chip innovations, including custom silicon. AI itself is a helpful aid for chip design, creating a positive feedback loop in which AI helps optimize the chips that it needs to run. These enhancements and strong software support mean modern CPUs are a good choice to handle a range of inference tasks. Beyond silicon-based processors, disruptive technologies are emerging to address growing AI compute and data demands. The unicorn start-up Lightmatter, for instance, introduced photonic computing solutions that use light for data transmission to generate significant improvements in speed and energy efficiency. Quantum computing represents another promising area in AI hardware. While still years or even decades away, the integration of quantum computing with AI could further transform fields like drug discovery and genomics. The developments in ML theories and network architectures have significantly enhanced the efficiency and capabilities of AI models. Today, the industry is moving from monolithic models to agent-based systems characterized by smaller, specialized models that work together to complete tasks more efficiently at the edge—on devices like smartphones or modern vehicles. This allows them to extract increased performance gains, like faster model response times, from the same or even less compute. Researchers have developed techniques, including few-shot learning, to train AI models using smaller datasets and fewer training iterations. AI systems can learn new tasks from a limited number of examples to reduce dependency on large datasets and lower energy demands. Optimization techniques like quantization, which lower the memory requirements by selectively reducing precision, are helping reduce model sizes without sacrificing performance.  New system architectures, like retrieval-augmented generation (RAG), have streamlined data access during both training and inference to reduce computational costs and overhead. The DeepSeek R1, an open source LLM, is a compelling example of how more output can be extracted using the same hardware. By applying reinforcement learning techniques in novel ways, R1 has achieved advanced reasoning capabilities while using far fewer computational resources in some contexts. The integration of heterogeneous computing architectures, which combine various processing units like CPUs, GPUs, and specialized accelerators, has further optimized AI model performance. This approach allows for the efficient distribution of workloads across different hardware components to optimize computational throughput and energy efficiency based on the use case. As AI becomes an ambient capability humming in the background of many tasks and workflows, agents are taking charge and making decisions in real-world scenarios. These range from customer support to edge use cases, where multiple agents coordinate and handle localized tasks across devices. With AI increasingly used in daily life, the role of user experiences becomes critical for mass adoption. Features like predictive text in touch keyboards, and adaptive gearboxes in vehicles, offer glimpses of AI as a vital enabler to improve technology interactions for users. Edge processing is also accelerating the diffusion of AI into everyday applications, bringing computational capabilities closer to the source of data generation. Smart cameras, autonomous vehicles, and wearable technology now process information locally to reduce latency and improve efficiency. Advances in CPU design and energy-efficient chips have made it feasible to perform complex AI tasks on devices with limited power resources. This shift toward heterogeneous compute enhances the development of ambient intelligence, where interconnected devices create responsive environments that adapt to user needs. Seamless AI naturally requires common standards, frameworks, and platforms to bring the industry together. Contemporary AI brings new risks. For instance, by adding more complex software and personalized experiences to consumer devices, it expands the attack surface for hackers, requiring stronger security at both the software and silicon levels, including cryptographic safeguards and transforming the trust model of compute environments. More than 70% of respondents to a 2024 DarkTrace survey reported that AI-powered cyber threats significantly impact their organizations, while 60% say their organizations are not adequately prepared to defend against AI-powered attacks. Collaboration is essential to forging common frameworks. Universities contribute foundational research, companies apply findings to develop practical solutions, and governments establish policies for ethical and responsible deployment. Organizations like Anthropic are setting industry standards by introducing frameworks, such as the Model Context Protocol, to unify the way developers connect AI systems with data. Arm is another leader in driving standards-based and open source initiatives, including ecosystem development to accelerate and harmonize the chiplet market, where chips are stacked together through common frameworks and standards. Arm also helps optimize open source AI frameworks and models for inference on the Arm compute platform, without needing customized tuning.  How far AI goes to becoming a general-purpose technology, like electricity or semiconductors, is being shaped by technical decisions taken today. Hardware-agnostic platforms, standards-based approaches, and continued incremental improvements to critical workhorses like CPUs, all help deliver the promise of AI as a seamless and silent capability for individuals and businesses alike. Open source contributions are also helpful in allowing a broader range of stakeholders to participate in AI advances. By sharing tools and knowledge, the community can cultivate innovation and help ensure that the benefits of AI are accessible to everyone, everywhere. Learn more about Arm’s approach to enabling AI everywhere. This content was produced by Insights, the custom content arm of MIT Technology Review. It was not written by MIT Technology Review’s editorial staff. This content was researched, designed, and written entirely by human writers, editors, analysts, and illustrators. This includes the writing of surveys and collection of data for surveys. AI tools that may have been used were limited to secondary production processes that passed thorough human review.

From large language models (LLMs) to reasoning agents, today’s AI tools bring unprecedented computational demands. Trillion-parameter models, workloads running on-device, and swarms of agents collaborating to complete tasks all require a new paradigm of computing to become truly seamless and ubiquitous. Silicon’s mid-life crisis AI has evolved from classical ML to deep learning to generative AI. The most recent chapter, which took AI mainstream, hinges on two phases—training and inference—that are data and energy-intensive in terms of computation, data movement, and cooling. At the same time, Moore’s Law, which determines that the number of transistors on a chip doubles every two years, is reaching a physical and economic plateau. For the last 40 years, silicon chips and digital technology have nudged each other forward—every step ahead in processing capability frees the imagination of innovators to envision new products, which require yet more power to run. That is happening at light speed in the AI age. As models become more readily available, deployment at scale puts the spotlight on inference and the application of trained models for everyday use cases. This transition requires the appropriate hardware to handle inference tasks efficiently. Central processing units (CPUs) have managed general computing tasks for decades, but the broad adoption of ML introduced computational demands that stretched the capabilities of traditional CPUs. This has led to the adoption of graphics processing units (GPUs) and other accelerator chips for training complex neural networks, due to their parallel execution capabilities and high memory bandwidth that allow large-scale mathematical operations to be processed efficiently. But CPUs are already the most widely deployed and can be companions to processors like GPUs and tensor processing units (TPUs). AI developers are also hesitant to adapt software to fit specialized or bespoke hardware, and they favor the consistency and ubiquity of CPUs. Chip designers are unlocking performance gains through optimized software tooling, adding novel processing features and data types specifically to serve ML workloads, integrating specialized units and accelerators, and advancing silicon chip innovations, including custom silicon. AI itself is a helpful aid for chip design, creating a positive feedback loop in which AI helps optimize the chips that it needs to run. These enhancements and strong software support mean modern CPUs are a good choice to handle a range of inference tasks. Beyond silicon-based processors, disruptive technologies are emerging to address growing AI compute and data demands. The unicorn start-up Lightmatter, for instance, introduced photonic computing solutions that use light for data transmission to generate significant improvements in speed and energy efficiency. Quantum computing represents another promising area in AI hardware. While still years or even decades away, the integration of quantum computing with AI could further transform fields like drug discovery and genomics. The developments in ML theories and network architectures have significantly enhanced the efficiency and capabilities of AI models. Today, the industry is moving from monolithic models to agent-based systems characterized by smaller, specialized models that work together to complete tasks more efficiently at the edge—on devices like smartphones or modern vehicles. This allows them to extract increased performance gains, like faster model response times, from the same or even less compute. Researchers have developed techniques, including few-shot learning, to train AI models using smaller datasets and fewer training iterations. AI systems can learn new tasks from a limited number of examples to reduce dependency on large datasets and lower energy demands. Optimization techniques like quantization, which lower the memory requirements by selectively reducing precision, are helping reduce model sizes without sacrificing performance.  New system architectures, like retrieval-augmented generation (RAG), have streamlined data access during both training and inference to reduce computational costs and overhead. The DeepSeek R1, an open source LLM, is a compelling example of how more output can be extracted using the same hardware. By applying reinforcement learning techniques in novel ways, R1 has achieved advanced reasoning capabilities while using far fewer computational resources in some contexts. The integration of heterogeneous computing architectures, which combine various processing units like CPUs, GPUs, and specialized accelerators, has further optimized AI model performance. This approach allows for the efficient distribution of workloads across different hardware components to optimize computational throughput and energy efficiency based on the use case. As AI becomes an ambient capability humming in the background of many tasks and workflows, agents are taking charge and making decisions in real-world scenarios. These range from customer support to edge use cases, where multiple agents coordinate and handle localized tasks across devices. With AI increasingly used in daily life, the role of user experiences becomes critical for mass adoption. Features like predictive text in touch keyboards, and adaptive gearboxes in vehicles, offer glimpses of AI as a vital enabler to improve technology interactions for users. Edge processing is also accelerating the diffusion of AI into everyday applications, bringing computational capabilities closer to the source of data generation. Smart cameras, autonomous vehicles, and wearable technology now process information locally to reduce latency and improve efficiency. Advances in CPU design and energy-efficient chips have made it feasible to perform complex AI tasks on devices with limited power resources. This shift toward heterogeneous compute enhances the development of ambient intelligence, where interconnected devices create responsive environments that adapt to user needs. Seamless AI naturally requires common standards, frameworks, and platforms to bring the industry together. Contemporary AI brings new risks. For instance, by adding more complex software and personalized experiences to consumer devices, it expands the attack surface for hackers, requiring stronger security at both the software and silicon levels, including cryptographic safeguards and transforming the trust model of compute environments. More than 70% of respondents to a 2024 DarkTrace survey reported that AI-powered cyber threats significantly impact their organizations, while 60% say their organizations are not adequately prepared to defend against AI-powered attacks. Collaboration is essential to forging common frameworks. Universities contribute foundational research, companies apply findings to develop practical solutions, and governments establish policies for ethical and responsible deployment. Organizations like Anthropic are setting industry standards by introducing frameworks, such as the Model Context Protocol, to unify the way developers connect AI systems with data. Arm is another leader in driving standards-based and open source initiatives, including ecosystem development to accelerate and harmonize the chiplet market, where chips are stacked together through common frameworks and standards. Arm also helps optimize open source AI frameworks and models for inference on the Arm compute platform, without needing customized tuning.  How far AI goes to becoming a general-purpose technology, like electricity or semiconductors, is being shaped by technical decisions taken today. Hardware-agnostic platforms, standards-based approaches, and continued incremental improvements to critical workhorses like CPUs, all help deliver the promise of AI as a seamless and silent capability for individuals and businesses alike. Open source contributions are also helpful in allowing a broader range of stakeholders to participate in AI advances. By sharing tools and knowledge, the community can cultivate innovation and help ensure that the benefits of AI are accessible to everyone, everywhere. Learn more about Arm’s approach to enabling AI everywhere. This content was produced by Insights, the custom content arm of MIT Technology Review. It was not written by MIT Technology Review’s editorial staff. This content was researched, designed, and written entirely by human writers, editors, analysts, and illustrators. This includes the writing of surveys and collection of data for surveys. AI tools that may have been used were limited to secondary production processes that passed thorough human review.

You know the scene: someone reaches for a suspiciously dusty book in a stately library, the bookshelf creaks, and boom—a hidden passage swings open. Maybe it’s a secret tunnel, maybe it’s a villain’s lair, maybe it’s just where they keep the good snacks. Either way, it’s drama. It’s mystery. It’s very extra. And guess what? That magic is no longer reserved for Scooby-Doo or Sherlock Holmes.Thanks to interior designers’ customization offerings, as well as hidden-door-specific brands such as Murphy Door and Creative Home Engineering, those secret swings and sneaky reveals are showing up in real-life homes—and homeowners are absolutely obsessed. Like, “I’ll take three, please and thank you” obsessed.Designer Lynn Kloythanomsup of Landed Interiors and Home installed a Murphy Door to conceal a hallway bathroom in a San Francisco home.Haris KenjarTa-da! With a push of the shelf a pretty powder room is revealed.Haris KenjarThese cleverly disguised doors are popping up everywhere, from kitchens and closets to home offices and bedrooms, proving that the only thing better than good design is a good surprise. “There’s nothing better than a hidden surprise,” says interior designer Maria Vassiliou of Maria Zoe Designs. Shock value aside, Murphy doors can also have practical benefits as well. “Hidden doors often come with features like shelving, allowing for better organization and use of space,” says Vassiliou. They can also be designed to blend seamlessly with cabinetry.”Translation: not only do hidden doors look cool, they can actually do something. (Imagine that!) Here’s everything you need to know about hidden doors.A built in bookcase with a secret tucked within a modern mountain barn by A Classical Studio. Heidi HarrisA little push is all it takes to reveal a secret passageway behind the shelf. Heidi HarrisWhat, Exactly, Is a Murphy Door?There’s a difference between a well-disguised door and a hidden one. You can flush-mount a jib door into the wall, wrap it in wallpaper, and remove the hardware to make it nearly invisible. These minimalist doors are scattered throughout design-forward interiors. But a Murphy Door is something entirely different. It’s not invisible—it’s intentionally integrated. It could be a bookshelf, a staircase, or even a wine rack. It’s meant to be lived with, decorated, and admired. But here’s the catch: you’d never guess it’s also a door. HEIDI GELDHAUSER HARRISIn this dining room, designer Clary Bosbyshell used the same mural wallpaper to create a seamless transition on a jib door.Of course, the thrill factor is still alive and well. If you’ve ever walked through the fridge to get into Good Times at Davey Wayne’s in L.A., or slipped through the vending machine into Basement in NYC’s Chinatown, or snuck behind the bookshelf at Eatapas in Fort Lauderdale, then you know: a hidden entrance makes everything instantly cooler. And yes, your house deserves to be that cool. Take this Central Texas home designed by Sarah Stacey of Sarah Stacey Interior Design. She cleverly utilized an iconic British telephone booth as the secret entrance between the home’s garage-turned-speakeasy and dance hall. Then there’s the Grandpa who created his own version of C.S. Lewis’ Narnia by enclosing a secret room within his bedroom wardrobe. STEPHEN KARLISCHDesigner Sarah Stacey brought on a contractor to remove the back of the booth to recast it as a hidden door.What Styles of Murphy Doors Are Available?Murphy Door’s lineup is basically a choose-your-own-adventure of hidden access points. Want a full-length Mirror Door that’s secretly a portal to your glam room? Done. Need a Pantry Door to hide your cereal stash and your coffee machine? There’s a Murphy Door for that too. Or you can do your own custom built-in like Vassiliou did in her clients’ home below. “The hidden door allows the homeowners to hide away items that might otherwise seem cluttered, such as small appliances like coffee machines and toaster ovens and extra pantry items like fruit, vegetables and snacks,” she says.This seems to be just another display cabinet in this butler's pantry designed by Marie Zoe Designs.Linda Pordon PhotographyThis opens up to reveal additional storage and even tucked away appliances. Linda Pordon Photography“A Murphy Door isn’t just a door—it’s a gateway to possibility,” says Jeremy Barker, Founder and CEO at Murphy Door. “Homeowners are drawn to the idea that behind what looks like an ordinary bookcase or cabinet is something deeply personal: a wine cellar, a hidden study, a secure space, or even a walk-in pantry.”Murphy Door’s newest launches—debuted at the 2025 NAHB International Builders Show—include the Archway Bookcase Door for that Beauty and the Beast library moment, the Speakeasy Door if you want to relive the thrill of the prohibition, and let’s not forget the Tactical Murphy Door, which sounds like it moonlights as a Marvel superhero but is actually just a very secure place to keep your valuables. They also offer a number of these doors in a French Door style making way for double the drama and mystery.Courtesy of Murphy DoorOne of Murphy Door’s newest additions, the Archway Bookcase Door, in green. Where Can I Install a Murphy Door?These doors are as functional as they are fun. But the best part? Hidden doors can be installed in a variety of places. According to Steve Humble, president of Creative Home Engineering, the world’s premier designer and manufacturer of motorized and high-security secret passageways, “location is the first thing you must consider when installing a hidden door in your home. It determines which door ideas are feasible.” Humble recommends primary bedrooms, bathrooms, libraries, wardrobes, and basements as the top five locations to install a secret passthrough. With staircases as a very close runner up. No matter where you install them, they save space. They hide mess. They make you feel like you’re living in your own secret lair—but in a more chic versus villainous way.SARAH HEBENSTREITDesigner Regan Baker installed a bookshelf Murphy Door under a staircase to add function to an underused space. In a world where everyone’s trying to declutter, hide the chaos, and add personality to their space, hidden doors offer the perfect triple threat: style, storage, and just the right amount of sass. Because honestly, who doesn’t want to feel like they're in a Bond movie while grabbing a protein bar? “The appeal is emotional and functional,” says Barker. “They’re not just entrances, they’re the first step into an experience tailored to your vision.”Bottom line: Hidden doors aren’t just a trend—they’re a (secret) lifestyle. So go ahead, pull that book, press that panel, and swing open the possibilities. Your home’s next best-kept secret is just a hinge away. Shop Murphy DoorsSpice Rack Door$2,282 at Murphy DoorsCredit: Murphy DoorsArchway Bookcase Door$2,762 at Murphy DoorCredit: CREDIT: MURPHY DOORMirror Door$2,092 at Murphy DoorCredit: CREDIT: MURPHY DOORHamper Door$2,569 at Murphy DoorCredit: Murphy Doors

From large language models (LLMs) to reasoning agents, today’s AI tools bring unprecedented computational demands. Trillion-parameter models, workloads running on-device, and swarms of agents collaborating to complete tasks all require a new paradigm of computing to become truly seamless and ubiquitous. First, technical progress in hardware and silicon design is critical to pushing the boundaries of compute. Second, advances in machine learning (ML) allow AI systems to achieve increased efficiency with smaller computational demands. Finally, the integration, orchestration, and adoption of AI into applications, devices, and systems is crucial to delivering tangible impact and value. Silicon’s mid-life crisis AI has evolved from classical ML to deep learning to generative AI. The most recent chapter, which took AI mainstream, hinges on two phases—training and inference—that are data and energy-intensive in terms of computation, data movement, and cooling. At the same time, Moore’s Law, which determines that the number of transistors on a chip doubles every two years, is reaching a physical and economic plateau. For the last 40 years, silicon chips and digital technology have nudged each other forward—every step ahead in processing capability frees the imagination of innovators to envision new products, which require yet more power to run. That is happening at light speed in the AI age. As models become more readily available, deployment at scale puts the spotlight on inference and the application of trained models for everyday use cases. This transition requires the appropriate hardware to handle inference tasks efficiently. Central processing units (CPUs) have managed general computing tasks for decades, but the broad adoption of ML introduced computational demands that stretched the capabilities of traditional CPUs. This has led to the adoption of graphics processing units (GPUs) and other accelerator chips for training complex neural networks, due to their parallel execution capabilities and high memory bandwidth that allow large-scale mathematical operations to be processed efficiently. But CPUs are already the most widely deployed and can be companions to processors like GPUs and tensor processing units (TPUs). AI developers are also hesitant to adapt software to fit specialized or bespoke hardware, and they favor the consistency and ubiquity of CPUs. Chip designers are unlocking performance gains through optimized software tooling, adding novel processing features and data types specifically to serve ML workloads, integrating specialized units and accelerators, and advancing silicon chip innovations, including custom silicon. AI itself is a helpful aid for chip design, creating a positive feedback loop in which AI helps optimize the chips that it needs to run. These enhancements and strong software support mean modern CPUs are a good choice to handle a range of inference tasks. Beyond silicon-based processors, disruptive technologies are emerging to address growing AI compute and data demands. The unicorn start-up Lightmatter, for instance, introduced photonic computing solutions that use light for data transmission to generate significant improvements in speed and energy efficiency. Quantum computing represents another promising area in AI hardware. While still years or even decades away, the integration of quantum computing with AI could further transform fields like drug discovery and genomics. Understanding models and paradigms The developments in ML theories and network architectures have significantly enhanced the efficiency and capabilities of AI models. Today, the industry is moving from monolithic models to agent-based systems characterized by smaller, specialized models that work together to complete tasks more efficiently at the edge—on devices like smartphones or modern vehicles. This allows them to extract increased performance gains, like faster model response times, from the same or even less compute. Researchers have developed techniques, including few-shot learning, to train AI models using smaller datasets and fewer training iterations. AI systems can learn new tasks from a limited number of examples to reduce dependency on large datasets and lower energy demands. Optimization techniques like quantization, which lower the memory requirements by selectively reducing precision, are helping reduce model sizes without sacrificing performance.  New system architectures, like retrieval-augmented generation (RAG), have streamlined data access during both training and inference to reduce computational costs and overhead. The DeepSeek R1, an open source LLM, is a compelling example of how more output can be extracted using the same hardware. By applying reinforcement learning techniques in novel ways, R1 has achieved advanced reasoning capabilities while using far fewer computational resources in some contexts. The integration of heterogeneous computing architectures, which combine various processing units like CPUs, GPUs, and specialized accelerators, has further optimized AI model performance. This approach allows for the efficient distribution of workloads across different hardware components to optimize computational throughput and energy efficiency based on the use case. Orchestrating AI As AI becomes an ambient capability humming in the background of many tasks and workflows, agents are taking charge and making decisions in real-world scenarios. These range from customer support to edge use cases, where multiple agents coordinate and handle localized tasks across devices. With AI increasingly used in daily life, the role of user experiences becomes critical for mass adoption. Features like predictive text in touch keyboards, and adaptive gearboxes in vehicles, offer glimpses of AI as a vital enabler to improve technology interactions for users. Edge processing is also accelerating the diffusion of AI into everyday applications, bringing computational capabilities closer to the source of data generation. Smart cameras, autonomous vehicles, and wearable technology now process information locally to reduce latency and improve efficiency. Advances in CPU design and energy-efficient chips have made it feasible to perform complex AI tasks on devices with limited power resources. This shift toward heterogeneous compute enhances the development of ambient intelligence, where interconnected devices create responsive environments that adapt to user needs. Seamless AI naturally requires common standards, frameworks, and platforms to bring the industry together. Contemporary AI brings new risks. For instance, by adding more complex software and personalized experiences to consumer devices, it expands the attack surface for hackers, requiring stronger security at both the software and silicon levels, including cryptographic safeguards and transforming the trust model of compute environments. More than 70% of respondents to a 2024 DarkTrace survey reported that AI-powered cyber threats significantly impact their organizations, while 60% say their organizations are not adequately prepared to defend against AI-powered attacks. Collaboration is essential to forging common frameworks. Universities contribute foundational research, companies apply findings to develop practical solutions, and governments establish policies for ethical and responsible deployment. Organizations like Anthropic are setting industry standards by introducing frameworks, such as the Model Context Protocol, to unify the way developers connect AI systems with data. Arm is another leader in driving standards-based and open source initiatives, including ecosystem development to accelerate and harmonize the chiplet market, where chips are stacked together through common frameworks and standards. Arm also helps optimize open source AI frameworks and models for inference on the Arm compute platform, without needing customized tuning.  How far AI goes to becoming a general-purpose technology, like electricity or semiconductors, is being shaped by technical decisions taken today. Hardware-agnostic platforms, standards-based approaches, and continued incremental improvements to critical workhorses like CPUs, all help deliver the promise of AI as a seamless and silent capability for individuals and businesses alike. Open source contributions are also helpful in allowing a broader range of stakeholders to participate in AI advances. By sharing tools and knowledge, the community can cultivate innovation and help ensure that the benefits of AI are accessible to everyone, everywhere. Learn more about Arm’s approach to enabling AI everywhere. This content was produced by Insights, the custom content arm of MIT Technology Review. It was not written by MIT Technology Review’s editorial staff. This content was researched, designed, and written entirely by human writers, editors, analysts, and illustrators. This includes the writing of surveys and collection of data for surveys. AI tools that may have been used were limited to secondary production processes that passed thorough human review.

Sometimes, you've to set aside everything you've been taught in order to truly tap into your creativity. It's a brave move but one that has certainly led to big things for Berlin-based illustrator Marc Majewski. In 2024, he won the Best Illustrated Children's Book award from The New York Times and the New York Public Library for As Edward Imagined, and he's currently an in–demand artist in both children's publishing and editorial illustration. Marc grew up in the French Alps, near the border with Switzerland, surrounded by nature and with a great love of traditional picture book illustration, which was fed by his aunt. To reach his dream of becoming an illustrator, he trained the classical way, learning to paint highly realistic imagery – what everyone would call "good illustration". But something wasn't right. This just wasn't him. On the side, he would create the loose, playful sketches he loved but never conceived of them as proper illustrations. Marc's new book Parks is out 5 June. "Then I had a moment where I decided I wanted to paint and create with the same joy and freedom I had felt as a child," says Marc. "I stopped making pictures the way I'd been taught and started painting the way I did in my sketchbooks, directly with paint. The result was much livelier and more joyful illustrations." One epiphany was followed by another when he wrote and illustrated Butterfly Child. This wasn't the first book he'd worked on, but to Marc, it felt like it was. He continues: "The book touches on what it was like to be a queer kid in the countryside and on bullying – so parts of me felt like the child in the book. I think making any book is a vulnerable process, but creating something that explores more personal parts of ourselves can trigger a lot. In my case, the fear of being rejected, shamed, or bullied – which are experiences many kids, and especially queer kids, go through." Published in 2022, it has been translated into 10 languages and resonates with children around the world, supporting kids and encouraging them to express who they really are. From Butterfly Child. Marc is drawn to stories that bring that bring nature and creativity together. He grew up in the Alps, and nature continues to inspire him. In Butterfly Child, As Edward Imagined, and Peter Pan, he explores characters who build, craft, and imagine things, bringing their storybook worlds to life; his simple, Lowry-like figures burst with enthusiasm. Peter Pan is one of his favourites so far. "I knew the story before I started the project, but as I dove deeper into it, I began learning about Barrie's life and how much of it was woven into Peter Pan. That really resonated with me and my own work. I was also inspired by the author's playful spirit – how he balanced lightness and whimsy with meaning and depth," says Marc. From Peter Pan. Return of the Wolves. In future, he'd love to work on a film, and Hayao Miyazaki has always been a big influence. If there's one thing he wants to avoid, it's getting too comfortable or set in his ways. "It's important for me to stay connected to that feeling I had when I first embraced the childlike process of painting and to keep my mind open to playful exploration," says Marc.

At the entrance to Victoria and Albert Museum’s (V&A) historic home in South Kensington, wide stone steps rise toward an ornate facade of carved Portland stone, with heavy wooden doors set beneath an archway that declares culture as cathedral. It’s built to inspire, yes, but also to intimidate—to display the spoils of a national collection shaped by colonial reach. On the other side of London, the same institution has opened its doors to V&A East Storehouse, with access to over 250,000 objects. The facility designed by Diller Scofidio + Renfro (DS+R) transforms the obscure world of museum storage into a public experience of collecting, conserving, and storytelling. Like the South Kensington museum, Storehouse also leaves its imprint, inspiring wonder at a moment when public trust in cultural space feels so thin. As Tim Reeve, deputy director of the V&A, put it: “Creative industries are one of the very few success stories of the UK economy.” That creativity is being unpacked. V&A East Storehouse is located inside the London 2012 Olympics Media Centre. (© Hufton+Crow) The 262-by-262-foot (80-by-80-meter) cultural warehouse—once the London 2012 Olympics Media Centre—now welcomes visitors through a plain, functional entrance. Its galvanized steel doors are a modest update on the flexible shell designed by Hawkins\Brown. A plain, functional lobby hosts a new outpost of e5 Bakehouse, softened by new plywood interiors by Thomas Randall-Page. Upstairs, into a brief airlock, and onto a narrow walkway lined with classical busts in crates and on palettes, as if not fully unpacked, you glimpse the ladders, forklifts and shelving below, before you are shot into the dramatic central atrium—a towering scaffold of steel walkways and shelving. The Queen Elizabeth Olympic Park is a place still learning what it wants to be. A surplus of sports venues and a scatter of freshly minted towers jostle for identity, and somehow, the V&A opening up its innards fits right in. Storehouse isn’t a museum—there are no labels, no curation, no interpretation. It’s a working storage facility, a peek behind the curtain. Instruments hang beside rows of chairs, statues stand among ceramics, building fragments, archival boxes, and garments—some visible, others swaddled after reaching their “light quota.” It’s a new idea for museum storage, one that began in Rotterdam in 2021 with MVRDV’s Depot and is put on steroids here, but DS+R are not new to shifting paradigms. “It’s an idea whose time has come,” said architect Liz Diller. She notes that the firm’s work on the High Line has been used—perhaps overused—as a reference point ever since it opened: “It becomes a kind of model for others. I think people will interpret the idea in their own ways,” she added. The central atrium is a towering scaffold of steel walkways and shelving. (© Hufton+Crow) “The Storehouse defies the logics of conventional taxonomies,” said Diller. “Where else would you encounter suits of armor, stage cloth, biscuit tins, building fragments, puppets, thimbles, chandeliers, motorcycles in one place next to each other?” These objects were previously hidden away in Blythe House, Olympia, alongside collections from the British Museum and the Science Museum—until the government announced plans to sell the Edwardian bank. This prompted a conversation about what its storage can and could be. The space spans approximately 172,000 square feet (16,000 square meters)—a fraction of the V&A’s over 850,000 square feet (80,000 square meters) at South Kensington—but it’s dense with meaning. It now houses 250,000 objects and has been designed with five years of growth in mind, with plenty of empty shelving still in view. Patrons can request up to five objects from the collection and make an appointment to view them. (© Hufton+Crow) The object collocations feel accidental but profound. What is a Frankfurt Kitchen, with its strict Bauhaus order, doing just down the walkway from the ornate, gilded Torrijos ceiling from Toledo? Why does a safety curtain control panel share a shelf with a bamboo wind instrument? Everyday objects aren’t elevated so much as exposed—invited to speak on new terms, next to things they were never meant to meet. There are smaller, curated exhibits too—some behind glass—assembled using a modular “kit of parts” display system designed by IDK. There are opportunities for the public to view conservators at work. (© Hufton+Crow) Anyone can request up to five objects from the collection and make an appointment to view them. If the objects are small enough, they’ll be brought to you at a table. If they’re big, you go to them in the darker parts of the museum. As Diller put it, the Storehouse is designed with “an inside-out logic,” where the center is public, the middle semi-private, and the outer edge reserved for conservation, research, and protected storage. There are moments where private and public parts interact, for instance in the “conservation overlooks,” where you can watch the conservators at work from public galleries. It quietly teaches that the arts are an industry too; there are opportunities besides being an artist. Instruments hang beside rows of chairs, statues stand among ceramics, building fragments, archival boxes, and garments. (© Hufton+Crow) Some of what Storehouse allows you to see is uncomfortable. The colonial overtones are hard to miss. These are objects taken from across the world—beautiful, rare, complex—and now stored in a warehouse in East London. The Agra Colonnade, from a 17th-century Mughal building, is on the ground floor where visitors can walk on the glass floor above it, breathtaking and fraught. This is a first step—a way of airing our institutional laundry in public, and inviting interrogation, reinterpretation, and hopefully reckoning. The Agra Colonnade, from a 17th-century Mughal building, is among the objects on view. (© Hufton+Crow) Hanging inside is the 1924 Le Train bleu stage cloth for the Ballets Russes in 1922. (© Hufton+Crow) Mostly, there is a sense of happy chaos, but there are moments that stop you. Down a quiet corridor sits a towering black-box space, spanning two floors. Hanging inside is the 1924 Le Train bleu stage cloth for the Ballets Russes in 1922—a reproduction of Picasso’s Two Women Running Along the Beach. “This is the largest space,” said project architect David Allin. “It lets you see oversized objects from two levels and even watch the conservators at work.” This cloth will later be replaced by the one that the tall space was designed around: the larger Firebird—Natalia Goncharova’s 10-by-16-metre stage backdrop. Here is where you can feel the V&A talking to itself across the city: South Kensington in its lofty register of imperially reaching cast courts, and the Storehouse answers with its mirror image. I catch my breath in front of Le Train bleu, first at its vastness, but then at the hulking crate parked behind it. The Storehouse is rewriting the story and showing us its workings. Ellen Peirson is a London-based writer, editor, and designer.

These annual rankings were last updated on May 30, 2025. Want to see your firm on next year’s list? Continue reading for more on how you can improve your studio’s ranking. Ireland’s architecture is a rich tapestry of vernacular craft, foreign architecture, and, most importantly, good ol’ grit. Like any nation, Ireland’s complex history is easily contextualized through its urban makeup. Dublin and Cork, for example contain a wealth of Georgian and Victorian structures that directly speak to the republic’s past ties to Britain through churches, libraries and courthouses. In the 20th century, Irish designers turned to modernism and other international trends, this time on their own terms. Art Deco, Brutalism and sleek Modern structures began to appear around the country, generating an architectural expression to mirror the republic’s newfound independence. Ireland’s traditional architecture — specifically the thatched cottage — was again made popular by tourists seeking a quintessential ‘Irish experience.’ Today’s designers continuously engage with discourse surrounding nationalism. What is the quintessential ‘Irish experience’, and how does it inform today’s architecture? With a built environment rooted in pluralism, Irish architects have an incredible opportunity to recreate and rectify an architectural language that best represents today’s Irish folk. With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in Ireland based on more than a decade of data and industry knowledge. How are these architecture firms ranked? The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority: The number of A+Awards won (2013 to 2025) The number of A+Awards finalists (2013 to 2025) The number of projects selected as “Project of the Day” (2009 to 2025) The number of projects selected as “Featured Project” (2009 to 2025) The number of projects uploaded to Architizer (2009 to 2025) Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of Ireland architecture firms throughout the year. Without further ado, here are the 30 best architecture firms in Ireland: 30. Hussey Architects © Hussey Architects Hussey Architects was established in 2009 in Dublin. The practice has grown from working on small domestic projects then to large healthcare, housing and hospitality projects now. We are a small practice with experience completing large projects. Over the past decade we have completed seven Primary Care Centres, two hotels, a nursing home, ten masterplans and over one hundred houses. Our focus is on designing simple economical buildings that respect their context. Our style has evolved from our more angular early buildings and projects to a more classical simple architectural language in traditional materials. Some of Hussey Architects’ most prominent projects include: National Leprechaun Museum Cafe The Hendrick, Dublin, Ireland Navan Road Primary Care Centre, Dublin, Ireland Celbridge Primary Care Centre, Celbridge, Ireland Balbriggan Primary Care Centre, Balbriggan, Ireland The following statistics helped Hussey Architects achieve 30th place in the 30 Best Architecture Firms in Ireland: Total Projects 14 29. Donaghy & Dimond Architects © Donaghy & Dimond Architects Based in Dublin, Donaghy + Dimond Architects was established in 2001 by Marcus Donaghy and Will Dimond, two architects with extensive experience of working on urban and rural design projects in Ireland and abroad. The practice has developed a reputation for high-quality, innovative and sustainable design, and has been selected for numerous national and international awards for completed projects. Their work has been published and exhibited in Ireland, Europe and the USA. Some of Donaghy & Dimond Architects’ most prominent projects include: Laneway Wall Garden House, Dublin, Ireland The following statistics helped Donaghy & Dimond Architects achieve 29th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 28. ABK Architects © ABK Architects Established in 1961, ABK Architects is a design-led practice with an international reputation for the delivery of buildings of the highest quality. It is renowned for its work in many fields including master-planning, education, healthcare, housing and the arts. The practice offers skills in architecture and related fields such as urban design and planning, interior and furniture design and is one of the leading exponents of sustainability in the field of architecture. Implicit in the work of ABK is a search for quality, which concerns the character and atmosphere of spaces and a sense of place. Each building proposal is a unique response, integrating the general and the particular into a coherent whole. Some of ABK Architects’ most prominent projects include: Roscommon Civic Offices, Roscommon, Ireland The following statistics helped ABK Architects achieve 28th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 27. de Siún Scullion Architects © de Siún Scullion Architects We are a new Dublin-based Architecture practice offering a broad range of experience and specialist expertise in high quality, innovative and sustainable design to both public and private sector clients Some of de Siún Scullion Architects’ most prominent projects include: 5Cube, Dublin, Ireland The following statistics helped de Siún Scullion Architects achieve 27th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 26. TAKA architects © TAKA architects TAKA is an architectural practice based in Dublin, Ireland. Our practice is focused on creating buildings, places and moments which have a distinct character. Our approach involves a careful and economic approach to materials and construction and a first-principles approach to sustainability. We collaborate closely with clients, professional consultants, and expert makers to ensure the ambitions of projects are met and exceeded. A continuing level of excellence in the built work of the practice is recognized by multiple national and international awards and worldwide publication. Some of TAKA architects’ most prominent projects include: Merrion Cricket Club, Dublin, Ireland The following statistics helped TAKA architects achieve 26th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 25. NOJI Architects © NOJI NOJI Architects are a practice based in Sligo Town working on individual and collaborative projects throughout Ireland. NOJI architects have been in existence for 4 years, now with two staff and the principle architect being John Monahan. The practice has been primarily involved with residential work ranging from renovation extensions of period properties to one off houses and the possibility of community level buildings in the near future. In parallel to the mainly residential work there is an emphasis on the smaller scale design projects allowing an artistic expression and shorter build fruition periods. NOJI architects aim to have craft and innovative design solutions at the core of their work. Some of NOJI Architects’ most prominent projects include: Scale of Ply, Dublin, Ireland The following statistics helped NOJI achieve 25th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 24. Carr Cotter Naessens Architects © Dennis Gilbert, VIEW Box Architecture was created in 1997. Since conception, the company has been established as a leading design practice in the nation. Quality has remained the focus of Box throughout and this has been employed to a variety of projects including urban schemes, apartment units, award-winning private commissions, corporate offices, crèches and housing developments. The success of Box Architecture is achieved through a personal approach to understand client needs. With a hands-on approach, technical expertise, creative execution and a commitment to continued education, the company applies a philosophy of the highest principle in order to contribute to a sustainable future and maintain quality architecture. Some of Carr Cotter Naessens Architects’ most prominent projects include: dlrLexicon, Dublin, Ireland The following statistics helped Carr Cotter Naessens Architects achieve 24th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 23. Box Architecture Timber elements mark the transition between openness and enclosure - © Box Architecture Box Architecture was created in 1997. Since conception, the company has been established as a leading design practice in the nation. Quality has remained the focus of Box throughout and this has been employed to a variety of projects including urban schemes, apartment units, award-winning private commissions, corporate offices, crèches and housing developments. The success of Box Architecture is achieved through a personal approach to understand client needs. With a hands-on approach, technical expertise, creative execution and a commitment to continued education, the company applies a philosophy of the highest principle in order to contribute to a sustainable future and maintain quality architecture. Some of Box Architecture’s most prominent projects include: BALLYROAN PARISH CENTRE Ballyroan Library The following statistics helped Box Architecture achieve 23rd place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 2 22. Kingston Lafferty Design © Donal Murphy Kingston Lafferty Design are an award-winning, international multi-disciplinary design company run by Roisin Lafferty based in Dublin, Ireland. At KLD we think differently about design. Our designs take people on a journey, delivering fun and unexpected experiences. With a holistic approach, we study the way in which people live and work to create tactile and meaningful design, putting human behavior at the centre of every project. Some of Kingston Lafferty Design’s most prominent projects include: Dublin Residence, Dublin, Ireland Ballsbridge Residence, Dublin, Ireland Ranelagh Residence, Dublin, Ireland The following statistics helped Kingston Lafferty Design achieve 22nd place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 3 21. Architecture Republic © Architecture Republic Architecture Republic with offices in Dublin (Ireland)and Lyon (France) operates in the fields of architecture, urbanism and landscape design. We engage with engineers, artists, researchers, policy-makers, and other professionals through research, analysis and cross disciplinary collaboration. We find the seeds of our inspiration in the rich and complex realm of ordinary everyday life. We believe in the social engagement and spatial power of architecture more than its visual or plastic expression. We believe in architecture that creates public spaces and democratic cities. An architecture that revitalizes redefines and strengthens existing buildings and neighbourhoods. Some of Architecture Republic’s most prominent projects include: The Plastic House, Dublin, Ireland Formwork Studio Brick a Back, Gordon Street, Dublin, Ireland Orla Kiely’s New York Store, New York, New York The following statistics helped Architecture Republic achieve 21st place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 4 20. Conneely Wessels Architects © F22 PHOTOGRAPHY Conneely Wessels Architects is an Award Winning Architectural Practice, established in 2008 and based in Kinsale, County Cork. Our practice provides a responsive, imaginative and professional service, tailored to the aspirations of each of our clients, and to deliver quality results, regardless of commission size or type. Some of Conneely Wessels Architects’ most prominent projects include: Three Pavilions, House Clancy, Kinsale, Ireland Peek-a-Boo!, Kinsale, Ireland Cardinal Point, Kinsale, Ireland Ardgwee House, Kinsale, Ireland The following statistics helped Conneely Wessels Architects achieve 20th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 4 19. ARCHITECTSTM © Ros Kavanagh ARCHITECTSTM is a design practice founded by Tom Maher. Based in Dublin, Ireland the firm boasts a portfolio of residential, cultural and commercial designs. Some of ARCHITECTSTM’s most prominent projects include: K HOUSE, Ranelagh, Ireland GARDENER’S WORLD (FUTURE), Callan, Ireland SLATE STOREY EXTENSION, Dublin, Ireland COTTAGE, County Kilkenny, Ireland 8BY4, Dublin, Ireland The following statistics helped ARCHITECTSTM achieve 19th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 5 18. Paul Dillon Architects © Paul Dillon Architects In 1999, architect Paul Dillon established his full-service practice in Galway, which quickly earned a reputation for combining design sensitivity with professional management and delivery. Each year, paul dillon architects complete a small number of challenging everyday projects, ranging from domestic extensions and garden designs to large commercial, retail, industrial and public projects. This commitment to the process of building, has been recognized with numerous national and international publications and awards. The completed work, both public and private, is receiving growing understanding and appreciation from those who take responsibility for their built environment. Some of Paul Dillon Architects’ most prominent projects include: Carnaun Primary School, Athenry, Ireland Extension to Secondary School, County Galway, Ireland Kilrickle Primary School, Kilreekill, Ireland Art Room, Secondary School, Aran Islands, County Galway, Ireland Art Room, Inis Mór, County Galway, Ireland The following statistics helped Paul Dillon Architects achieve 18th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 5 17. Isabel Barros Architects © Robert Mullan Photography isabel barros architects are driven by a passion for creating high quality contemporary architecture. Our goal is to make good design available to the general public while maintaining a strong focus on the energy efficiency and sustainability of our designs. Some of Isabel Barros Architects’ most prominent projects include: Seaview House, Wexford, Ireland Conservation Works at Brandon House Hotel, New Ross, Ireland Extension to House Over 100 Years Old, Ireland River House Kilkenny, Kilkenny, Ireland Shaolin Cottage, Ireland The following statistics helped Isabel Barros Architects achieve 17th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 6 16. Solearth Architecture © Solearth Architecture Solearth Architecture specialise in design that is both beautiful and deeply sustainable. We have for 15 years been Irelands leading green design firm and now provide architecture, design and consulting services further afield. All projects and client types are of interest to us but our key experience to date lies in hospitality, visitor, environment, wellness and buildings for spirituality as well as housing and private houses. We also have expertise in sustainable masterplanning and urban design. We are Europes only Living Building accredited practice. Some of Solearth Architecture’s most prominent projects include: Airfield Evolution, Dublin, Ireland Castle Espie, Northern Ireland, United Kingdom The Daintree Building, Dublin, Ireland Ballybay Wetland Centre, Ballybay, Ireland Dechen Shying, Cork, Ireland The following statistics helped Solearth Architecture achieve 16th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 7 15. Foley Architects © Foley Architects, CAMPUS Foley Architects is an architectural practice based in Dublin led by Stephen Foley and Marta Lopez driven by creating sustainable buildings and considered spaces that connect to their physical and social contexts. Our mission is to uncover what is special about each project to create unique spaces and buildings which can inspire communities. The concept of our first built project, the Eastbourne Beach Hut took inspiration from a local story involving fossils and was developed using digital fabrication tools. The pavilion’s translucent skin allows it to transform at night, emitting light and expressing its structure. The Cork Butter museum involved the adaptive reuse of an existing space, it’s remodelling and installation of elements for a collection of artefacts, using economic materials like mild steel and birch plywood. Some of Foley Architects’ most prominent projects include: The Lark Theatre, Dublin, Ireland Eastbourne Beach Hut, Eastbourne, United Kingdom Rossaveel Small Craft Harbour, Galway, Ireland 12th Lock Area Masterplan, Lucan, Ireland Killybegs Small Craft Harbour, Donegal, Ireland The following statistics helped Foley Architects achieve 15th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 9 14. David Flynn Architects © David Flynn Architects Ltd We are award-winning Architects in Dublin specializing in residential projects, including newbuild houses, reconstruction and significant refurb / extension / transformation of existing. We are currently engaged as Architects in a small number of projects across Dublin with construction values ranging from €400,000 up to €1.5m. The majority of our houses will end up as highly efficient A-rated homes for life. We have a track record in delivering highly bespoke residential architecture projects which run smoothly through design, planning and construction stages, many of which have received awards and been widely published. We use highly detailed 3D Digital models to plan, visualise and clearly communicate from early in the design process to ensure a successful outcome. Some of David Flynn Architects’ most prominent projects include: Garden Retreat, Blackrock, Ireland Mount Merrion, Dublin, Ireland 1930s Extension Renovation, Booterstown, Ireland 1870s period house extension, Sandymount, Ireland Rebuild & Renovation, Clonskeagh, Ireland The following statistics helped David Flynn Architects achieve 14th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 10 13. ODKM Architects & Designers © ODKM Architects & Designers ODKM are highly experienced award-winning architectural practice, with accolades and publications both in Ireland and abroad. We love design, how it makes us feel, and what it offers us every day, and we are passionate about how important this is in creating new spaces, identities and places that exceed our clients expectations. Ultimately, buildings are about people, and we believe in quality driven design to create environments with a sense of place. Our team each bring unique and diverse skills to the practice, all stemming from a common holistic design philosophy; that design can improve the quality of our lives, and make us happier. Some of ODKM Architects & Designers’ most prominent projects include: Ranelagh House, Dublin, Ireland The following statistics helped ODKM Architects & Designers achieve 13th place in the 30 Best Architecture Firms in Ireland: A+Awards Finalist 1 Featured Projects 1 Total Projects 1 12. Architectural Farm © Ste Murray | Photography & Design Architectural Farm is a design focused architectural studio based in Dublin. The studio has been led by Shane Cotter and Kathryn Wilson since 2010. To date the practice has worked on a variety of projects specializing in residential and public commissions in both urban and rural settings but also have collaborated on retail, commercial and landscaping projects. Some of Architectural Farm’s most prominent projects include: Walled Garden, Ballsbridge, Ireland St Declans Terrace, Saint Declan’s Terrace, Ireland The following statistics helped Architectural Farm achieve 12th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 2 11. GKMP Architect © GKMP Architect GKMP Architects is a Dublin-based practice that designs high quality modern architecture. Our recent projects include house design, domestic extensions, public spaces and tourist facilities. Some of GKMP Architect’s most prominent projects include: Hedge House at Leeson Walk, Dublin, Ireland House Extension at Silchester Park, Dublin, Ireland The following statistics helped GKMP Architect achieve 11th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 2 10. Aughey O’Flaherty Architects © Aughey O'Flaherty Architects Since the start, in 1999, we have been blessed with great clients. We work closely with them to understand their needs and create buidings to fit those needs. By 2003, the practice had won the first of many awards and in 2005, we won the prestious RIAI award, best building in the landscape.As conservation architects, we have Grade II RIAI Conservation Accreditation. Some of Aughey O’Flaherty Architects’ most prominent projects include: Fethard House on Mount Anville, Goatstown, Ireland New House The following statistics helped Aughey O'Flaherty Architects achieve 10th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 3 9. BRENNAN | FURLONG Architects & Urban Planners © BRENNAN | FURLONG Architects & Urban Planners BRENNAN | FURLONG Architects, founded in 2015 by Gareth Brennan and Séamus Furlong, is an award-winning RIAI-registered practice based in Clontarf, Dublin. The practice is accredited in Conservation (Grade III), can act as Project Supervisors for the Design Process (PSDP) and holds full Professional Indemnity Insurance. The work of the practice – a mix of residential and commercial projects — centers on the principle that the well-considered and carefully developed design of buildings and spaces we use every day helps to enrich and enliven our experience and interaction with the built environment. Some of BRENNAN | FURLONG Architects & Urban Planners’ most prominent projects include: GLENTORA, Howth, Dublin, Ireland FOUR WINDS, Dublin, Ireland STRAND ROAD, Dublin, Ireland LERRIG, Dublin, Ireland The following statistics helped BRENNAN | FURLONG Architects & Urban Planners achieve 9th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 4 8. Ambient Architecture © Ambient Architecture At Ambient Architecture we design exclusive residences for private clients in new builds, renovation and conservation projects. For our commercial partners, we develop innovative, sustainable, and sound feasibility and planning solutions. As architects we focus on providing the best outcome for our clients, in terms of design, costs, and buildability. Some of Ambient Architecture’s most prominent projects include: New house in Malahide, Malahide, Ireland Rathgar Redbrick, Dublin, Ireland Loreto Abbey Dalkey Sportshall, Dalkey, Ireland Rathmines Redbrick, Dublin, Ireland 2SEMIS, Dublin, Ireland The following statistics helped Ambient Architecture achieve 8th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 5 7. Coady Architects © Coady Architects Coady Architects is an award winning practice of highly skilled professionals, specializing in healthcare, residential, workplace and education design. We are passionate about understanding our clients’ and end users’ needs. We understand commercial drivers and add value at every opportunity. We enjoy design, we listen and explore, we innovate and challenge to deliver better environments and better buildings. Some of Coady Architects’ most prominent projects include: Scholen van Morgen. VIIO, Tongeren, Belgium Eolas, Maynooth University, Maynooth, Ireland Clinical Education and Research Centre, Limerick, Ireland Scholen van Morgen. Heilig Hart van Mariainstituut, Berlaar, Belgium Scholen van Morgen, Virga Jessecollege, Hasselt, Belgium The following statistics helped Coady Architects achieve 7th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 5 6. Architecture 53seven © Architecture 53seven Architecture 53seven is focussed on the delivery of inventive architecture and urban design, with a particular interest in developing new programmatic forms that reflect the complexities of the contemporary city. Established by Jason O’Shaughnessy in 2000, Architecture 53seven has developed a series of acclaimed projects in Ireland and overseas and was nominated for the European Union Prize for Contemporary Architecture – the Mies van der Rohe Award in 2009. Some of Architecture 53seven’s most prominent projects include: Egans Juice Bar and Roof Terrace, Main Street, Portlaoise, Ireland Tullow Ciivic Offices and Library Montenegro Villa, Dobra Voda, Montenegro Villa Petrovic, Dobra Voda, Montenegro Renaasance day hospital The following statistics helped Architecture 53seven achieve 6th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 37 5. FKL architects © FKL architects FKL architects is committed to contemporary design with a focus on the application of abstract ideas to built form. Each project is approached from first principles by responding to the specifics of site and program and formulating a singular concept that informs all aspects of the design. This individual concept is firmly rooted in the pragmatics of the project. We seek to condense ideas to their essentials, from the building form to the detail of junctions between materials with all decisions re-affirming and complementing the primary concept. The form and language of each project grows out of this approach leading to a diversity in the work, within a framework given by enduring interests; in space, atmosphere, assemblage, pattern, hierarchy, texture and materiality. Some of FKL architects’ most prominent projects include: A House, Rathmines, Ireland A house, Rathmines, Ireland St John’s House Nursing Home, Dublin, Ireland Brick House Reuben Street Apartments, Dolphins Barn, Ireland The following statistics helped FKL architects achieve 5th place in the 30 Best Architecture Firms in Ireland: Featured Projects 3 Total Projects 17 4. Heneghan Peng Architects © Iwan Baan heneghan peng architects is a design partnership practicing architecture, landscape and urban design. The practice was founded by Shih-Fu Peng and Róisín Heneghan in New York in 1999 and in 2001 opened an office in Dublin, Ireland. We take a multi-disciplinary approach to design and have collaborated with many leading designers and engineers on a range of projects which include larger scale urban masterplans, bridges, landscapes and buildings. Current projects include the Canadian Canoe Museum, The Old Library refurbishment at Trinity College Dublin, the Visitors’ Centre at the Berlin Botanic Gardens and the Grand Egyptian Museum. Some of Heneghan Peng Architects’ most prominent projects include: The Palestinian Museum, Bir Zayt Air BnB European Operations Hub, Dublin, Ireland School of Architecture and Design/Library at the University of Greenwich, London, United Kingdom The following statistics helped Heneghan Peng Architects achieve 4th place in the 30 Best Architecture Firms in Ireland: Featured Projects 3 Total Projects 3 3. Scullion Architects © Scullion Architects SCULLION ARCHITECTS are a Dublin-based Architectural Studio established by Declan Scullion MRIAI, providing architectural services for both the public and private sector. The practice’s work is characterized by a particular attention to user experience supported by an interest in things well-made. Our ambition is to provide a dedicated and professional service delivering exceptional buildings. Some of Scullion Architects’ most prominent projects include: Grand Canal Street, Dublin, Ireland Glass Ribbon, Dublin, Ireland Blackrock House, Dundalk, Ireland Churchtown, Dublin, Ireland The Liberties, Dublin, Ireland The following statistics helped Scullion Architects achieve 3rd place in the 30 Best Architecture Firms in Ireland: Featured Projects 4 Total Projects 5 2. ODOS © ODOS The constant questioning of how people work, rest and play in today’s society is the fundamental driving force behind the practice. We strongly believe our clients deserve to be challenged and that buildings need to inspire their occupants. As architects we have a duty to expose such possibilities. We hope to instill a sense of curiosity and excitement, stimulating a response, confronting and challenging traditional conceptions of architecture Some of ODOS’s most prominent projects include: Flynn Mews House, Dublin, Ireland Dwelling at Maytree, Wicklow, Wicklow, Ireland 3 Mews Houses, Dublin, Ireland Grangegorman, Dublin 7, Dublin, Ireland 31 Carysfort Road, Dalkey, Ireland The following statistics helped ODOS achieve 2nd place in the 30 Best Architecture Firms in Ireland: A+Awards Finalist 1 Featured Projects 4 Total Projects 9 1. McCullough Mulvin Architects © McCullough Mulvin Architects McCullough Mulvin Architects is an architecture and urban design practice based in Dublin. Much of our work has been in the design of cultural and civic buildings around Ireland, projects working to define a new public realm in a changing society, dealing with Ireland’s diffuse light and stark materiality. The work is based around an idea of experimentation – from small domestic work through to larger civic projects – testing at all scales, the work is original and the response to each brief particular. There is no house style, rather a concern for improving the lives of people by designing public and private spaces where life is played out. Some of McCullough Mulvin Architects’ most prominent projects include: Medieval Mile Museum, Kilkenny, Ireland Featured image: Trinity Long Room Hub, Dublin, Ireland Z Square House, Temple Gardens, Dublin, Ireland Beaufort Maritime Research Building, Cork, Ireland one up two down , Dublin, Ireland The following statistics helped McCullough Mulvin Architects achieve 1st place in the 30 Best Architecture Firms in Ireland: Featured Projects 4 Total Projects 6 Why Should I Trust Architizer’s Ranking? With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year. Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York. An example of a project page on Architizer with Project Award Badges highlighted A Guide to Project Awards The blue “+” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award. The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status: Project completed within the last 3 years A well written, concise project description of at least 3 paragraphs Architectural design with a high level of both functional and aesthetic value High quality, in focus photographs At least 8 photographs of both the interior and exterior of the building Inclusion of architectural drawings and renderings Inclusion of construction photographs There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.     We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com. The post 30 Best Architecture and Design Firms in Ireland appeared first on Journal.