By TREVOR HOGG Images courtesy of Chocolate Tribe. Nosipho Maketo-van den Bragt, Owner and CEO, Chocolate Tribe After initially pursuing a career as an attorney, Nosipho Maketo-van den Bragt discovered her true calling was to apply her legal knowledge in a more artistic endeavor with her husband, Rob Van den Bragt, who had forged a career as a visual effects supervisor. The couple co-founded Chocolate Tribe, the Johannesburg and Cape Town-based visual effects and animation studio that has done work for Netflix, BBC, Disney and Voltage Pictures. “It was following my passion and my passion finding me,” observes Maketo-van den Bragt, Owner and CEO of Chocolate Tribe and Founder of AVIJOZI. “I grew up in Soweto, South Africa, and we had this old-fashioned television. I was always fascinated by how those people got in there to perform and entertain us. Living in the townships, you become the funnel for your parents’ aspirations and dreams. My dad was a judge’s registrar, so he was writing all of the court cases coming up for a judge. My dad would come home and tell us stories of what happened in court. I found this enthralling, funny and sometimes painful because it was about people’s lives. I did law and to some extent still practice it. My legal career and entertainment media careers merged because I fell in love with the storytelling aspect of it all. There are those who say that lawyers are failed actors!” Chocolate Tribe hosts what has become the annual AVIJOZI festival with Netflix. AVIJOZI is a two-day, free-access event in Johannesburg focused on Animation/Film, Visual Effects and Interactive Technology. This year’s AVIJOZI is scheduled for September 13-14 in Johannesburg. Photo: Casting Director and Actor Spaces Founder Ayanda Sithebe (center in black T-shirt) and friends at AVIJOZI 2024. A personal ambition was to find a way to merge married life into a professional partnership. “I never thought that a lawyer and a creative would work together,” admits Maketo-van den Bragt. “However, Rob and I had this great love for watching films together and music; entertainment was the core fabric of our relationship. That was my first gentle schooling into the visual effects and animation content development space. Starting the company was due to both of us being out of work. I had quit my job without any sort of plan B. I actually incorporated Chocolate Tribe as a company without knowing what we would do with it. As time went on, there was a project that we were asked to come to do. The relationship didn’t work out, so Rob and I decided, ‘Okay, it seems like we can do this on our own.’ I’ve read many books about visual effects and animation, and I still do. I attend a lot of festivals. I am connected with a lot of the guys who work in different visual effects spaces because it is all about understanding how it works and, from a business side, how can we leverage all of that information?” Chocolate Tribe provided VFX and post-production for Checkers supermarket’s “Planet” ad promoting environmental sustainability. The Chocolate Tribe team pushed photorealism for the ad, creating three fully CG creatures: a polar bear, orangutan and sea turtle. With a population of 1.5 billion, there is no shortage of consumers and content creators in Africa. “Nollywood is great because it shows us that even with minimal resources, you can create a whole movement and ecosystem,” Maketo-van den Bragt remarks. “Maybe the question around Nollywood is making sure that the caliber and quality of work is high end and speaks to a global audience. South Africa has the same dynamics. It’s a vibrant traditional film and animation industry that grows in leaps and bounds every year. More and more animation houses are being incorporated or started with CEOs or managing directors in their 20s. There’s also an eagerness to look for different stories which haven’t been told. Africa gives that opportunity to tell stories that ordinary people, for example, in America, have not heard or don’t know about. There’s a huge rise in animation, visual effects and content in general.” Rob van den Bragt served as Creative Supervisor and Nosipho Maketo-van den Bragt as Studio Executive for the “Surf Sangoma” episode of the Disney+ series Kizazi Moto: Generation Fire. Rob van den Bragt, CCO, and Nosipho Maketo-van den Bragt, CEO, Co-Founders of Chocolate Tribe, in an AVIJOZI planning meeting. Stella Gono, Software Developer, working on the Chocolate Tribe website. Family photo of the Maketos. Maketo-van de Bragt has two siblings. Film tax credits have contributed to The Woman King, Dredd, Safe House, Black Sails and Mission: Impossible – Final Reckoning shooting in South Africa. “People understand principal photography, but there is confusion about animation and visual effects,” Maketo-van den Bragt states. “Rebates pose a challenge because now you have to go above and beyond to explain what you are selling. It’s taken time for the government to realize this is a viable career.” The streamers have had a positive impact. “For the most part, Netflix localizes, and that’s been quite a big hit because it speaks to the demographics and local representation and uplifts talent within those geographical spaces. We did one of the shorts for Disney’s Kizazi Moto: Generation Fire, and there was huge global excitement to that kind of anthology coming from Africa. We’ve worked on a number of collaborations with the U.K., and often that melding of different partners creates a fusion of universality. We need to tell authentic stories, and that authenticity will be dictated by the voices in the writing room.” AVIJOZI was established to support the development of local talent in animation, visual effects, film production and gaming. “AVIJOZI stands for Animation Visual Effects Interactive in JOZI [nickname for Johannesburg],” Maketo-van den Bragt explains. “It is a conference as well as a festival. The conference part is where we have networking sessions, panel discussions and behind-the-scenes presentations to draw the curtain back and show what happens when people create avatars. We want to show the next generation that there is a way to do this magical craft. The festival part is people have film screenings and music as well. We’ve brought in gaming as an integral aspect, which attracts many young people because that’s something they do at an early age. Gaming has become the common sport. AVIJOVI is in its fourth year now. It started when I got irritated by people constantly complaining, ‘Nothing ever happens in Johannesburg in terms of animation and visual effects.’ Nobody wanted to do it. So, I said, ‘I’ll do it.’ I didn’t know what I was getting myself into, and four years later I have lots of gray hair!” Rob van den Bragt served as Animation Supervisor/Visual Effects Supervisor and Nosipho Maketo-van den Bragt as an Executive Producer on iNumber Number: Jozi Gold (2023) for Netflix. (Image courtesy of Chocolate Tribe and Netflix) Mentorship and internship programs have been established with various academic institutions, and while there are times when specific skills are being sought, like rigging, the field of view tends to be much wider. “What we are finding is that the people who have done other disciplines are much more vibrant,” Maketo-van den Bragt states. “Artists don’t always know how to communicate because it’s all in their heads. Sometimes, somebody with a different background can articulate that vision a bit better because they have those other skills. We also find with those who have gone to art school that the range within their artistry and craftsmanship has become a ‘thing.’ When you have mentally traveled where you have done other things, it allows you to be a more well-rounded artist because you can pull references from different walks of life and engage with different topics without being constrained to one thing. We look for people with a plethora of skills and diverse backgrounds. It’s a lot richer as a Chocolate Tribe. There are multiple flavors.” South African director/producer/cinematographer and drone cinemtography specialist FC Hamman, Founder of FC Hamman Films, at AVIJOZI 2024. There is a particular driving force when it comes to mentoring. “I want to be the mentor I hoped for,” Maketo-van den Bragt remarks. “I have silent mentors in that we didn’t formalize the relationship, but I knew they were my mentors because every time I would encounter an issue, I would be able to call them. One of the people who not only mentored but pushed me into different spaces is Jinko Gotoh, who is part of Women in Animation. She brought me into Women in Animation, and I had never mentored anybody. Here I was, sitting with six women who wanted to know how I was able to build up Chocolate Tribe. I didn’t know how to structure a presentation to tell them about the journey because I had been so focused on the journey. It’s a sense of grit and feeling that I cannot fail because I have a whole community that believes in me. Even when I felt my shoulders sagging, they would be there to say, ‘We need this. Keep it moving.’ This isn’t just about me. I have a whole stream of people who want this to work.” Netflix VFX Manager Ben Perry, who oversees Netflix’s VFX strategy across Africa, the Middle East and Europe, at AVIJOZI 2024. Netflix was a partner in AVIJOZI with Chocolate Tribe for three years. Zama Mfusi, Founder of IndiLang, and Isabelle Rorke, CEO of Dreamforge Creative and Deputy Chair of Animation SA, at AVIJOZI 2024. Numerous unknown factors had to be accounted for, which made predicting how the journey would unfold extremely difficult. “What it looks like and what I expected it to be, you don’t have the full sense of what it would lead to in this situation,” Maketo-van den Bragt states. “I can tell you that there have been moments of absolute joy where I was so excited we got this project or won that award. There are other moments where you feel completely lost and ask yourself, ‘Am I doing the right thing?’ The journey is to have the highs, lows and moments of confusion. I go through it and accept that not every day will be an award-winning day. For the most part, I love this journey. I wanted to be somewhere where there was a purpose. What has been a big highlight is when I’m signing a contract for new employees who are excited about being part of Chocolate Tribe. Also, when you get a new project and it’s exciting, especially from a service or visual effects perspective, we’re constantly looking for that dragon or big creature. It’s about being mesmerizing, epic and awesome.” Maketo-van den Bragt has two major career-defining ambitions. “Fostering the next generation of talent and making sure that they are ready to create these amazing stories properly – that is my life work, and relating the African narrative to let the world see the human aspect of who we are because for the longest time we’ve been written out of the stories and narratives.”

SirCozyCrow5 hours agoThe sound track is PEAK! I loved playing this, and my partner who normally doesn't play games like this one had a good time as well. I enjoyed the learning curve and I can't wait to play the harder difficulties.Here's a video I made, my partner jumped in for a few minutes as well.Replyso funReplyDrew.a.Chain1 day ago(+1)Very addictive!ReplyTrashpanda1191 day ago(+1)love the playstyle and the art style definitly fun to play plus the music is the cherry on topReplyAhoOppai1 day ago(+1)really fun game cant wait for the full gameReplyDin Xavier coding1 day agoI chose the laser eye. How do I turn the attack around? Can I even do that?Replyoverboy1 day agoHey, the laser eye gets a random direction at the start of each wave, it's one of the specificities of this attack ;)ReplyFort Kenmei1 day agoGameplay and Critique ;)Replyoverboy1 day ago(+1)Thanks a lot for the awesome video and the feedback! :)ReplyTLGaby2 days agoJust to know browser progress keep getting reset.Replyoverboy1 day ago (2 edits) (+1)Thanks for the report! Could it be due to some of your browser settings?Unfortunately, browser-based games can't always guarantee reliable local saves due to how browsers handle storage.To avoid this in the future, I recommend trying the downloadable version of the demo,  it provides a more stable environment for saving progress. :)Replyepic.Replyoleekconder2 days ago (1 edit) (+1)Very nice. Spent couple hours easy=) UPD: And some moreReplyMaximusR3 days agoes un juego que ya jugue en su momento cuando tenias menos cosas y ahora que esta actualizado quisiera grabarlo otra vezReplyEPIClove the spiders ♥ReplynineGardens3 days ago (1 edit) (+2)Okay so.... tried out a few things, and some Dev suggestions to report: Bigfoot is such a cool idea, and running around at that speed with like.... all THAT going on just gave me motion sickness.Summoner is hysterical fun. All hail spiders. Tomatoe's are pretty fun too.The Adept is so cool in theory, but... once you have the right build is a bit of a "standing still simulator"  Also, if you have totoms or other turrets, there's very much the question each round of "Will my circle spawn NEAR the totoms (instant win), or far from them (oh no)"   I kind of wonder if the mage circle should like... fizzle out after 20 seconds and appear somewhere else. Just... something to give a bit more dynamism, and to make the original spawn point less critical.Okay: added thoughts:Watering psycotic tomatoes feels great.Being a malevolent spider with 8 arms feels amazing. Feels very good and natural."Orbital" is one of the greatest and most fun abilities in the game.  I would take this even without the damage boost.Lots of fun, but also very silly. Good job.Replydave99993 days agowith some size you can kick the totems around to reposition them towards your circle, it benefits them too, adept can choose the wand at the start and with it you have no sustain problem anyway whatever build you want to set upReplynineGardens3 days agoOh damn- only just found out you can kick the totems!Okay, yeah in this case all is well. Or at least.... I still think a moving circle could be cool, but the fact that you can move your totems over to where the circle is makes things much better.Replyjust get enough amount+size and they hit everything, bounce is overkill ReplyLost track of time 10 hours in and still hooked. Absolutely love it! Can't wait for the full releaseReplyDriftedVoid4 days agoPretty good! ReplyIndyot4 days agoIt's a pretty addictive game, congrats! I lowkey missed a bit of satisfaction on the weapons though.ReplyCongrats on the game! I really like the weapons that you interact with which gives it a fun spin. (i.e. the spike ball)Reply1Soultaken4 days agoAnyone know good combos for the items? (I just pick randomly.)Replydave99994 days ago (1 edit) (+2)lasers plus amount+adept some arcane for basic dmg (its instable to setup and only overboy starts with one) totems +amount+ bounce+adept optional size and arcane you can stand still in the endall shovels with crit, strength their extra souls help you snowball hard and easy probably the most straightforward and stable very good build you can beat the game with nearly anything its well balanced but this one is very strong and easy (realized in the end that all size was wasted on this) soul flask, more chests are near always must pick, the high luck value ones give you better items the free reroll is a must pick, lightning dagger is somewhat unique as it  can carry you the entire early game even if you do not get enough element damage (I understand that the more gimmicky things like pets and kickables give the game versatility but to min max they are not that competative)Replydave99998 days agounderestimated totems Replylimey8 days agoi like how you made like MULTITUDES of updates on this so like as soon as i check my feed its just thisReplydave99998 days ago (1 edit) (+1)my best run so far,  there s a hidden mechanic that  makes weapons  you have more likely to drop?Replyoverboy8 days ago(+2)Lmao, awesome — looks like a really fun build to play! Yeah, Shop RNG uses a lot of hidden tricks to help you find relevant attacks, while still allowing unrelated ones to appear. That way, you can discover unique builds and experiment freely!Replyoverboy8 days ago (1 edit) Thank you so much for the incredible reception of the web demo on Itch, and to everyone who wishlisted the game! Many of the changes—along with much more to come in future updates—are directly based on your feedback here and on the game’s Discord. I’m also excited to announce that the game will release on Steam on 8 July 2025! Demo - Update 35 (06 June 2025)Singleplayer UI: Level Up Upgrade Phase and Chest Pickup Phase UI now display the items and attacks inventories (useful to check the scaling of current equipped attacks for example) Singleplayer Shop: subtle animation while selecting a Buy Button Many Balancing tweaks Balancing: nerfed Life Steal in various ways (lower values gained from items) Balancing: nerfed Knockback in various ways (lower values gained, higher item rarity, lower max applied value) Balancing: too much items enhancing HP Max were put in the Demo, this means it was easier to get a lot of HP and to survive in the Demo due to higher ratio of items providing HP Added a subtle duration during which the player can still pickup Souls even if they’re slurped by the Soul Portal Fine tuned the color of some weapons to improve the visibility Balancing: Ballista don’t double their projectiles based on amount anymore (only number of ballistas scales with amount) If Player HP is Full and HP Max > 20, the player can’t be one-shot Bugfix: in-game achievement pop up could be displayed below other UI elements while it should always be above everything else Potential Bugfix for a rare bug happening in Multiplayer shop where player2 Shop sections wasn’t displayed at allRework the save system in preparation for upcoming features ReplyxHELLO_WORLDx10 days agocontracts on the gameReplydave999910 days agoelijah_ap10 days agoLove the art style, upgrades, controls, etc. Balance might be the only thing off about this. If you were to add anything, I would want to see more variety in the stages, similar to Vampire Survivor. Otherwise- really great.ReplyThank you so much! I’ll keep working on the balance with each update, and I appreciate the suggestion on stage variety!ReplyNetsmile10 days agoTorch IV has a problem rounding numbers in the stats hover over display. Other levels of torches workReplyoverboy10 days ago (1 edit) Thanks, I'll fix this displayed rounding number issue soon!ReplySkeppartorsk10 days agoFor now I'd say it's fun, but lacking a bit in balance. I absolutely suck at brotatolikes. But find this one easy, so it's probably undertuned as far as difficulty is concerned. The power and availability of HP and regen items, makes you just literally not care if you get hit. Then the relatively strong armor on top and you're just too tanky for anything to feasibly ever kill you.Replyoverboy10 days ago (1 edit) (+1)Thanks for the feedback! Sounds like tanky builds might be a bit too forgiving right now, i'll do some balancing changesReplySkeppartorsk9 days ago (2 edits) Life steal has similar issues too. There's also the standard issue with knockback in these kinds of games. The lack of any enemy resistance/diminishing returns, means it's way too easy to get enough knockback that enemies cannot touch you anymore. Ranged attacks are too few and far between to worry about with the current levels of sustain. Meaning you can just Stand Still and Kill way too realiably. Edit: Lategame with 6x Wands I'm getting so much screen shake it's triggering simulation sickness. It was due to having Pierce + Bounce. The screen shake from my projectiles bouncing off the edge of the map.Replyoverboy8 days ago (2 edits) (+1)thanks for your feedback, it will help for the game balancing!For now I try to avoid diminishing returns by design to make sure each feature and stat is super easy to understand because I dislike when roguelike gets too opaque, I prefer that the player fully and easily undestand each of its choices, but yeah that involves a good balance to find!In future updates, Life Steal will become harder to get, Knockback will be capped at lower maximum applied values.Regarding the overall difficulty, the full version has 3 extra level of difficulties, and based on some feedbacks i have from beta testers, the balance between the 5 difficulty modes seem to be close to what i'm aiming for (minus some issues like you pointed out, and of course some balancing required on specific builds and items)There is already an option to disable screenshakes ;)Edit: Would you be interested to join the beta-test of the full game? If so please join the Discord and ping me in DM ;)ReplySkeppartorsk8 days ago (4 edits) I did notice that you could turn off screen shake entirely. But admittedly a lot of the visceral feel of the combat goes away when you fully disable the screen shake. But when you have too many Leeroy/knockback projectiles/bouncing projectiles. It just reaches the point where simulation sickness sets in. Wish there was something like an intensity setting, or a way for it to cap out at how often a screen shake can get triggered. I agree on the opaque thing. But I was more thinking something akin to how CC Diminishing Returns works in WoW. Where 1st hit = full value, 2nd hit within 10s = half value, 3rd hit = 1/4 value. Then 10s of immunity before it resets. That way you still get knockback when you pick knockback. But you can't just perma nail enemies against the wall. Edit: Also there's a wording issue (or a bug) with how multiple pentagrams work. If you have adept pentagram and the item pentagram the wording is "when you stand inside a pentagram" But the item one gives the 20% damage ONLY and the adept one gives the adept bonuses ONLY. The wording would mean that both pentagrams should give adept bonus AND 20% damage bonus.Edit2: I'd suggest reformatting Grimorius tooltip so that the -10% armor is above the "on level up"portion. The indentation difference between the +1% speed and -10% armor is small enough that I read it as losing 10% armor on every level up.Replyoverboy8 days agoThanks a lot for the interesting insights!I nerfed HP, Lifesteal and Knockback using various techniques in the last update, along with many other changes.Just tested Pentagram/Adept and it works as expected: the 2 effects stack correctly as the wording impliedI reformatted Grimorius tooltip as you suggested ;)ReplyView more in threadBad Piggy11 days agoVery cool in it's current state. I love how much it really emphasises movement like how some active abilities need to be grabbed from around the arena to do themThat said, I think enemy projectiles could honestly stand out more. I could hardly see them at times in all the chaos.Still, I think this is a pretty solid base right now, and as always, you have a beautiful visual style, though I feel like the game suffers a little from how busy it can get. Great stuff so far thoughReplyThanks Bad Piggy! Really glad you’re enjoying the mechanics. I appreciate the feedback on projectile visibility and how busy things can get. I’ll definitely look into ways to improve those aspects. Really grateful for the kind words and thoughtful feedback!ReplyLeoLohandro11 days agoA copy of the brotato), but still fun.Replyoverboy11 days ago (2 edits) (+1)Hey thanks a lot! Yes this game is a Brotato-like with many twists and new innovative mechanics, such as:- Equippable Boss Patterns (active skills you can trigger by picking orbs on the map)- Minion Summoning- Growing Plant Minions with a watercan- Amount and Size stats - Physics-Based Weapons – like chained spikeballs- Kickable stuff (you can even play soccer with your minions or other co-op players)- Playable character merge feature (get the effect of 2 different characters or more at the same time)- Dozens and dozens of unique effects (turning enemies into Sheep, or Golden Statues, or both?)I'm aiming for something like The Binding of Isaac meets Brotato — a deep, replayable experience full of chaotic synergies and wild builds that feel totally unique each run, with all the "being a boss fantasy and humor" deeply included in the mechanics and content :)Reply

It's early June, which means it's time for a ton of video game events! Rising from the ashes of E3, Geoff Keighley's Summer Game Fest is now the premium gaming event of the year, just inching ahead of… Geoff Keighley's Game Awards in December. Unlike the show it replaced, Summer Game Fest is an egalitarian affair, spotlighting games from AAA developers and small indies across a diverse set of livestreams. SGF 2025 includes 15 individual events running from June 3-9 — you can find the full Summer Game Fest 2025 schedule here — and we're smack dab in the middle of that programming right now. We're covering SGF 2025 with a small team on the ground in LA and a far larger group of writers tuning in remotely to the various livestreams. Expect game previews, interviews and reactions to arrive over the coming days (the show's in-person component runs from Saturday-Monday), and a boatload of new trailers and release date announcements in between. Through it all, we're collating the biggest announcements right here, with links out to more in-depth coverage where we have it, in chronological order. Tuesday, June 3 State of Unreal: The Witcher IV and Fortnite AI Epic hitched its wagon to SGF this year, aligning its annual developer Unreal Fest conference, which last took place in the fall of 2024, with the consumer event. The conference was held in Orlando, Florida, from June 2-5, with well over a hundred developer sessions focused on Unreal Engine. The highlight was State of Unreal, which was the first event on the official Summer Game Fest schedule. Amid a bunch of very cool tech demos and announcements, we got some meaningful updates on Epic's own Fortnite and CD PROJEKT RED's upcoming The Witcher IV. The Witcher IV was first unveiled at The Game Awards last year, and we've heard very little about it since. At State of Unreal, we got a tech demo for Unreal Engine 5.6, played in real time on a base PS5. The roughly 10-minute slot featured a mix of gameplay and cinematics, and showed off a detailed, bustling world. Perhaps the technical highlight was Nanite Foliage, an extension of UE5's Nanite system for geometry that renders foliage without the level of detail pop-in that is perhaps the most widespread graphical aberration still plaguing games today. On the game side, we saw a town filled with hundreds of NPCs going about their business. The town itself wasn't quite on the scale of The Witcher III's Novigrad City, but nonetheless felt alive in a way beyond anything the last game achieved. It's fair to say that Fortnite's moment in the spotlight was… less impressive. Hot on the heels of smooshing a profane Darth Vader AI into the game, Epic announced that creators will be able to roll their own AI NPCs into the game later this year. Wednesday, June 4 PlayStation State of Play: Marvel Tōkon, Silent Hill f and the return of Lumines Another company getting a headstart on proceedings was Sony, who threw its third State of Play of the year onto the Summer Game Fest schedule a couple days ahead of the opening night event. It was a packed stream by Sony's standards, with over 20 games and even a surprise hardware announcement. The most time was given to Marvel Tōkon: Fighting Souls, a new PlayStation Studios tag fighter that fuses Marvel Superheroes with anime visuals. It's also 4 versus 4, which is wild. It's being developed by Arc System Works, the team perhaps best known for the Guilty Gear series. It's coming to PS5 and PC in 2026. Not-so-coincidentally, Sony also announced Project Defiant, a wireless fight stick that'll support PS5 and PC and arrive in… 2026. Elsewhere, we got a parade of release dates, with concrete dates for Sword of the Sea (August 19) Baby Steps (September 8) and Silent Hill f (September 25). We also got confirmation of that Final Fantasy Tactics remaster (coming September 30), an an all-new... let's call it aspirational "2026" date for Pragmata, which, if you're keeping score, was advertised alongside the launch of the PS5. Great going, Capcom! Rounding out the show was a bunch of smaller announcements. We heard about a new Nioh game, Nioh 3, coming in 2026; Suda51's new weirdness Romeo is a Dead Man; and Lumines Arise, a long-awaited return to the Lumines series from the developer behind Tetris Effect. Thursday, June 5 Diddly squat There were absolutely no Summer Game Fest events scheduled on Thursday. We assume that's out of respect for antipodean trees, as June 5 was Arbor Day in New Zealand. (It's probably because everyone was playing Nintendo Switch 2.) Friday, June 6 Summer Game Fest Live: Resident Evil Requiem, Stranger Than Heaven and sequels abound It's fair to say that previous Summer Game Fest opening night streams have been… whelming at best. This year's showing was certainly an improvement, not least because there were exponentially fewer mobile game and MMO ads littering the presentation. Yes, folks tracking Gabe Newell's yacht were disappointed that Half-Life 3 didn't show up, and the Silksong crowd remains sad, alone and unloved, but there were nonetheless some huge announcements. Perhaps the biggest of all was the "ninth" (Zero and Code Veronica erasure is real) Resident Evil game. Resident Evil Requiem is said to be a tonal shift compared to the last game, Resident Evil Village. Here's hoping it reinvigorates the series in the same way Resident Evil VII did following the disappointing 6. We also heard more from Sega studio Ryu Ga Gotoku about Project Century, which seems to be a 1943 take on the Yakuza series. It's now called Stranger Than Heaven, and there's a (literally) jazzy new trailer for your consideration. Outside of those big swings, there were sequels to a bunch of mid-sized games, like Atomic Heart, Code Vein and Mortal Shell, and a spiritual sequel of sorts: Scott Pilgrim EX, a beat-em-up that takes the baton from the 2010 Ubisoft brawler Scott Pilgrim vs. the World: The Game. There were countless other announcements at the show, including: Troy Baker is the big cheese in Mouse: P.I. for Hire Here's a silly puppet boxing game you never knew you needed Killer Inn turns Werewolf into a multiplayer action game Out of Words is a cozy stop-motion co-op adventure from Epic Games Lego Voyagers is a co-op puzzle game from the studio behind Builder's Journey Mina the Hollower, from the makers of Shovel Knight, arrives on Halloween Wu-Tang Clan's new game blends anime with Afro-surrealism Day of the Devs: Blighted, Snap & Grab, Blighted and Escape Academy II As always, the kickoff show was followed by a Day of the Devs stream, which focused on smaller projects and indie games. You can watch the full stream here. Escape Academy has been firmly on our best couch co-op games list for some time, and now it's got a sequel on the way. Escape Academy 2: Back 2 School takes the same basic co-op escape room fun and expands on it, moving away from a level-select map screen and towards a fully 3D school campus for players to explore. So long as the puzzles themselves are as fun as the original, it seems like a winner.  Semblance studio Nyamakop is back with new jam called Relooted, a heist game with a unique twist. As in the real world, museums in the West are full of items plundered from African nations under colonialism. Unlike the real world, in Relooted the colonial powers have signed a treaty to return these items to their places of origin, but things aren't going to plan, as many artifacts are finding their way into private collections. It's your job to steal them back. The British Museum is quaking in its boots. Here are some of the other games that caught our eye: Snap & Grab is No Goblin's campy, photography-based heist game Please, Watch the Artwork is a puzzle game with eerie paintings and a sad clown Bask in the grotesque pixel-art beauty of Neverway Pocket Boss turns corporate data manipulation into a puzzle game Tire Boy is a wacky open-world adventure game you can tread all over The rest: Ball x Pit, Hitman and 007 First Light After Day of the Devs came Devolver. Its Summer Game Fest show was a little more muted than usual, focusing on a single game: Ball x Pit. It's the next game from Kenny Sun, an indie developer who previously made the sleeper hit Mr. Sun's Hatbox. Ball x Pit is being made by a team of more than half a dozen devs, in contrast to Sun's mostly solo prior works. It looks like an interesting mashup of Breakout and base-building mechanics, and there's a demo on Steam available right now. Then came IOI, the makers of Hitman, who put together a classic E3-style cringefest, full of awkward pauses, ill-paced demos and repetitive trailers. Honestly, as someone who's been watching game company presentations for two decades or so, it was a nice moment of nostalgia.  Away from the marvel of a presenter trying to cope with everything going wrong, the show did have some actual content, with an extended demo of the new James Bond-themed Hitman mission, an announcement that Hitman is coming to iOS and table tops, and a presentation on MindsEye, a game from former GTA producer Leslie Benzies that IOI is publishing.  Saturday-Sunday: Xbox and much, much more Now you're all caught up. We're expecting a lot of news this weekend, mostly from Xbox on Sunday. We'll be updating this article through the weekend and beyond, but you can find the latest announcements from Summer Game Fest 2025 on our front page.This article originally appeared on Engadget at https://www.engadget.com/gaming/everything-new-at-summer-game-fest-2025-marvel-tokon-resident-evil-requiem-and-more-185425995.html?src=rss

Ryu Ga Gotoku fans are a special type of fandom where almost everyone involved agrees on one thing: Yakuza 0 is the best starting point in the Like A Dragon/Yakuza series. It's rare that someone disagrees that Yakuza 0 is one of the best titles in the entire franchise and still one of the best games the studio has made. Even after eight mainline titles--Yakuza Kiwami through Like a Dragon: Infinite Wealth--there is simply no game in the series that catches the same feel as Yakuza 0. Fans will even beg any of their friends, gamers or not, to play Yakuza 0 because it's really that wonderful.When Yakuza Kiwami was released on Nintendo Switch last fall, fans anticipated Yakuza 0 would finally make its way to the Nintendo platforms too. Although there were many technical issues with Kiwami running on an aged console, RGG fans will be happy to know Yakuza 0 Director's Cut on Nintendo Switch 2 runs smoother than a perfect score on "Friday Night" in the disco minigame.If you haven't checked out the Yakuza/Like A Dragon series yet, the Director's Cut is shaping up to be the best way to try it, as it takes place first in the story chronologically, and the new Nintendo Switch 2 version will have upgraded graphics and more features that are missing from the original.Continue Reading at GameSpot

Small apartments and homes offer plenty of charm, but they tend to be lacking when it comes to kitchen space. Luckily, there are tons of small kitchen ideas that maximize storage and efficiency. By thinking creatively about how to make the most of your tiny kitchen floor plan and utilizing whatever countertop and wall real estate you have, you can make even the tiniest of kitchens a space you enjoy cooking—and hanging out—in. Ahead, we’ve gathered 51 small kitchen design tips to help you maximize your space, be it a petite galley kitchen or just a single wall in an open-plan apartment. Whether you’re renovating and starting from scratch or just looking to refresh your existing space, read on to get your small kitchen in tip-top shape.1. Add a prep areaAdjustable Kitchen CartKaloh Storage CartsYou may not have space to expand or add a full island, so think about bringing in a slim rolling kitchen cart or bar cart to hold your mise en place or serve as extra counter space. Even a narrow console can work as a spot to set tools and ingredients on while you cook.2. Remove upper cabinetsHandmade Rustic Live Edge Floating Shelves“Open shelves are extremely functional and make it so much easier to access dishes and glasses,” says New York–based interior designer Jenny Wolf, adding that you should think about your kitchen architecturally, as it doesn’t always make sense to have upper cabinets—“especially if the ceilings are 10 feet high.”3. Get custom hardwareDesigner Catrina Stewart used red hardware to highlight the pantry in this London kitchen, as well as a tinted mirror and teal paint to fabricate an eye on the door that looks like it's winking when you open the doorFrench + Tye“I try to use hardware as statement pieces. It’s the jewelry you put on to complete the look,” says architectural designer Karen Williams, who serves as the creative director for St. Charles New York.4. Or opt for invisible hardware“When you lean up against the counter, you don’t want to feel a handle poking into your side. You also want a clean surface where you really see the materiality of [it]. We’ve worked a lot with Dada and have been generally seeing less hardware and more integrated pulls or touch-to-open cabinetry. It makes working much more efficient,” said designer Stephanie Goto.5. Get super organized inside your cabinetsExpandable Lid & Pan OrganizerShelf Risers, Set of 2For any small room (a kitchen or otherwise), getting organized is essential. When space comes at a premium, you can’t afford to waste any of it—even the hidden space inside your cabinets. Stock up on risers, lid organizers for your various pots and pans, spice-sorting systems, and anything else that will streamline and maximize your kitchen storage.6. Streamline dish dutysimplehuman Kitchen Compact Steel Frame Dish RackIf your small kitchen doesn’t have room for a dishwasher, making sure that the kitchen sink is both an efficient and tidy space is key. Consider adding in a compact dish rack, like this one from Simple Human, that drains directly into the sink and will never rust.7. Splurge on fun glasswareWave Glass PitcherSophie Lou Jacobsen Totem GlassesThere might not be room for much decor—so let your dishes do the talking. Unlike hefty serving pieces, colorful drinkware adds visual interest without bulk. Display arty stemware on an open shelf, or let a pitcher pull double duty as a countertop vase.8. Add a kitchen islandWhitmor Supreme Kitchen and Microwave CartFrench Kitchen IslandEven if your kitchen is on the narrow side, you can still bring in a small kitchen island for prep space and conversation. Consider a rolling island, which can be pushed out of the way once dinner is ready. “Don’t think if you have a tiny kitchen that you can’t have an island. You can; you just need to put it on wheels so that when you’re working and you need an island it’s there, and when the guests arrive you can push it over to the side or move it into the dining room or living room and let it be the bar,” says interior designer Ellen Cheever. Alternatively, choose an island with slim legs that you could pull a few stools up to and let it double as bar or breakfast seating.9. Use light colors to visually expand your small kitchenCookware SetThe reBoard“The lighter the kitchen, the larger it can feel,” Wolf says. “Sometimes, if there is a good view out a window, I like to focus on bringing the outdoors in and using nature to dictate the palette.” Keeping an especially light palette on countertops, backsplashes, walls, and millwork also helps a small kitchen feel more open. If you’re not in the market for a full renovation, consider the cooking tools that you always have out: Cutting boards, pots and pans, and linens can all lift a space if you opt for pieces in light shades.10. Double down on whiteCasafina Modern Classic Ceramic DinnerwareMade In Tabletop SetThe lightest palette of all, of course, is all white. “White paint will help spread and reflect light around, which also makes a space seem bigger,” says interior decorator and blogger Emily Henderson. If you have exposed shelving, create a wall of white by displaying white dish sets.11. Maximize floor space with a dining nookVera Pedestal Dining TableRound White Marble and Black Metal Bistro Side TableThe shape of the room can have just as big of an impact as the square footage. “It’s important to pay attention to the structure of your kitchen,” Henderson says. “If you have a small dining nook, then go for a round table that opens up floor space and seats more people than a square one would.”12. Pair utilitarian appliances with refined cabinetryAnza Concrete Espresso Machine“People who frequently cook want to maintain something visually appealing. For one client—a New York City lawyer who has eaten at virtually every major restaurant in downtown Manhattan—it wasn’t about being a show kitchen, but a foodie’s kitchen. It’s very utilitarian—he wanted a heavy-duty Wolf stove—yet we took care in the selection of the finishes. The white cabinets are glass, and the gray cabinets are lacquer—they really play with materiality. This way, it’s not too precious or too utilitarian,” said designer Goto. For those not in the market for a whole new range, consider a striking espresso machine, like this Brutalism-inspired one by Anza, instead.13. Think verticallyMagnetic Knife HolderJust can’t get rid of that timeworn cookbook or prized flea market find? “Installing pot racks, knife mounts, and open shelving above your stove will free up tons of space,” says Henderson.14. Build a storage benchInstagram contentThis content can also be viewed on the site it originates from.

Energy vs. hearts.Last week, Duolingo announced a major shift: they’re replacing their long-standing hearts system with a new “energy” mechanic. The company frames this as a way to make learning more motivating by focusing on rewarding correct answers rather than punishing mistakes.But after spending 48 hours thinking about this change and analyzing reactions across the internet, I’ve come to see it as something far more nuanced: a masterclass in behavioral psychology that serves both users and Duolingo’s bottom line in fascinating ways.What’s actually changingUnder the old hearts system, users started with five hearts and lost one for each mistake. When all hearts were depleted, you couldn’t continue learning until you either waited (hearts regenerated over time), watched ads, practiced old content to earn hearts back, or paid for premium.The new energy system gives users 25 energy units. Each lesson costs one unit to start, and mistakes also cost energy. The key difference? Users can earn bonus energy at random intervals when answering correctly.As Moses Wayne, a senior staff engineer at Duolingo, explains to The Verge: “We feel like this is a way that we can motivate you to focus on things you’re getting right rather than penalizing for the things that you’re making mistakes on.”It sounds positive on the surface. But there’s much more happening under the hood.The psychological switch: from loss to expenditureThe hearts system was built on loss aversion (our tendency to feel losses more intensely than equivalent gains). Users would desperately try to avoid mistakes to keep their hearts. In psychological terms, this creates anxiety that can inhibit learning, especially for a complex skill like language acquisition.The energy system cleverly shifts the frame from “losing hearts through mistakes” to “spending energy to learn.” This slight repositioning transforms the psychological experience. Instead of punishment, it’s now an investment.But here’s where it gets particularly interesting, and perhaps concerning.At time of writing, users will still be seeing this when they run out of hearts.Variable rewards: the slot machine mechanismThe new system incorporates one of the most powerful psychological techniques in existence: variable reward schedules, or what behavioral scientists call “intermittent reinforcement.”When completing lessons, users now receive random bonus energy for consecutive correct answers. This unpredictability is the same mechanism that makes slot machines so addictive. As behavioral psychologist B.F. Skinner discovered decades ago, unpredictable rewards create stronger habit loops than predictable ones.The uncertain nature of “when will I get bonus energy?” creates a dopamine response that keeps users engaged far longer than the more predictable hearts system. One psychology research article noted that “variable ratio schedules have two benefits: They result in the most instances of the behavior than any of the other schedules… and they result in behaviors that are ‘hard to extinguish,” meaning the behavior persists even when rewards decrease.Duolingo isn’t the first app to use this technique. It’s everywhere in modern digital products, from social media (random likes triggering dopamine) to games (loot boxes with variable rewards). What’s notable is how Duolingo is implementing it in an educational context.The inverse energy model: Finch vs. DuolingoTo understand what makes Duolingo’s approach unique, it’s worth comparing it to another popular app that uses an energy system: Finch.In Finch, a self-care app with a virtual pet, users earn energy by completing wellness tasks. As one reviewer describes it: “My effort gives [my pet] energy, but my lack of effort takes none away.” The energy you earn through self-care allows your pet to go on adventures and grow.Energy in Finch and Duolingo are both symbolized by a ⚡Duolingo takes the inverse approach, i.e. you spend energy to engage with the product. This fundamental difference reveals contrasting philosophies:Finch’s model: Do real-world activities → earn in-app energy → enjoy rewardsDuolingo’s model: Spend in-app energy → engage with content → occasionally get energy backWhile both use similar terminology, the direction of energy flow completely changes the behavioral dynamics. One rewards external action; the other creates a closed loop that keeps users in the app.The business of artificial scarcityLet’s not overlook the monetization angle. Super Duolingo subscribers get unlimited energy, just as they previously got unlimited hearts. The new system maintains the same fundamental constraint: free users eventually hit a wall where they need to either wait, work harder, or pay up.What the energy system might do more effectively is increase the perceived value of the premium subscription. By creating a more engaging core loop with the variable rewards, users may be more likely to convert when they hit energy limits.The strategy is brilliant, if perhaps ethically complex. By transforming a negative experience (punishment for mistakes) into a more positive ne (spending a resource with occasional bonuses), Duolingo has maintained its monetization constraints while making them feel less punitive.Critics of the heart system have long pointed out that unlimited hearts are one of the main selling points of Duolingo’s premium tier, suggesting the constraint exists primarily to drive conversions rather than improve learning. The energy system continues this pattern, just with more sophisticated psychological underpinnings.The learning science questionThe most important question is whether this change actually improves learning outcomes.Duolingo claims the energy system helps users “get through more lessons,” as the data shows users can do more with the new system. But completing more lessons doesn’t necessarily mean better language acquisition.Language learning requires making mistakes. It’s a fundamental part of the process. The old heart system discouraged risk-taking by heavily penalizing errors, potentially leading users to stick with easier content where they wouldn’t lose hearts.The energy system might ease this anxiety somewhat — making a mistake costs the same as starting a new lesson. But the fundamental constraint remains: you still have a limited resource that depletes when you make errors.A truly learning-optimized approach might involve no penalties for mistakes at all, focusing instead on spaced repetition, comprehensible input, and other evidence-based language acquisition methods. But such an approach might not drive the same level of engagement or monetization.Duloingo falls somewhere in the center of the bottom right quadrantUsers vs. learnersThis tension highlights a key challenge for educational technology: the gap between what creates engaged users and what creates successful learners.The techniques that make an app sticky (intermittent reinforcement, streaks, gamification) don’t always align with optimal learning science. In fact, they can sometimes work against it by encouraging shallow engagement over deep processing.Duolingo has always walked this line, using game mechanics to keep people engaged with language learning when they might otherwise quit. The energy system represents an evolution of this approach, using more sophisticated behavioral psychology to maintain the same fundamental constraints while making them feel better.The verdict: clever design for multiple objectivesAfter analyzing this change from multiple angles, I’m left impressed by its cleverness while somewhat ambivalent about its implications.The energy system:Creates a more positive psychological framing than heartsImplements powerful variable rewards that increase engagementMaintains the same fundamental monetization pressurePotentially allows for more mistakes, which is better for learningUses randomness to create stronger habit loopsIt’s a change that serves both user experience and business goals, likely increasing both engagement and conversion to premium. Whether it truly serves learning outcomes remains to be seen, though it’s probably at least marginally better than the hearts system in this regard.What fascinates me most is how this change reveals the sophistication of behavioral design in today’s digital products. What looks like a simple mechanic change is actually a carefully engineered system to shape behavior through psychological principles.The next time you find yourself compulsively swiping for another lesson, hoping for that bonus energy to drop, remember that this feeling isn’t accidental… it’s by design.And while I appreciate the brilliance of that design, I find myself wishing more of this psychological ingenuity was directed toward optimizing learning outcomes rather than engagement metrics. Perhaps that’s the next frontier for language learning apps: finding ways to make evidence-based learning as addictive as a slot machine.Sam Liberty is a gamification expert, applied game designer, and consultant. His clients include The World Bank, Click Therapeutics, and DARPA. He teaches game design at Northeastern University. He is the former Lead Game Designer at Sidekick Health.Duolingo’s small UI switch that changes everything was originally published in UX Collective on Medium, where people are continuing the conversation by highlighting and responding to this story.