June 6: National Day of Sweden, Eid al-Adha (Islam) Shivaji 1674 – Shivaji (pictured), who led a resistance to free the Maratha from the Bijapur Sultanate and the Mughal Empire, was crowned the first chhatrapati of the Maratha Empire. 1749 – A plot by Muslim slaves in Malta to assassinate Manuel Pinto da Fonseca of the Knights Hospitaller was uncovered. 1813 – War of 1812: The British ambushed an American encampment near present-day Stoney Creek, Ontario, capturing two senior officers. 1912 – The largest volcanic eruption of the 20th century began, forming the volcano Novarupta in the Alaska Peninsula. 1944 – World War II: Operation Overlord, the largest amphibious military operation in history, began with Allied troops landing on the beaches of Normandy in France. Norbert of Xanten (d. 1134)Patrick Henry (d. 1799)Frank Chee Willeto (b. 1925)Louis Andriessen (b. 1939) More anniversaries: June 5 June 6 June 7 Archive By email List of days of the year About

Norman Reedus has lifted the lid on his role in From the World of John Wick: Ballerina – and why Keanu Reeves didn't know he was in it.

As Country Living’s Senior Homes and Style Editor, I’ve seen my share of kitchens over the years, so I know what decorating ideas do and do not actually work in a kitchen. As well, I know which ideas are best for achieving the kitchen style you like, whether you want to embrace cottage style, have a farmhouse-style kitchen, create a British-inspired cook space, or make it something a little in between. Here at Country Living, we have been fans of cottagecore long before the internet deemed it cool. Of all the styles of kitchens, a cottage-style kitchen is tops for having the most personal charm and character (read: sink skirts, colored cabinetry, open shelving filled with personal one-of-a-kind collections, inviting breakfast nooks...). You see, cottage living is all about embracing imperfection and a timeless lived-in style. While those ideas might seem antithetical to kitchen design, they really are not. Even the newest, most state-of-the-art kitchens can benefit from patinaed, less-than-perfect accents. Below, I have rounded up some of the best (and designer-approved) ways to channel that humble cottage look in your kitchen. From ideas for painting your cabinetry to fresh approaches for backsplash tile, these ideas are guaranteed to make your space into something Beatrix Potter herself would envy! For more kitchen decorating ideas, check out these stories:1Lean Into Existing ArchitectureRikki Snyder for Country LivingIf your home is lucky (yes, lucky!) enough to have quirky architectural features, lean into them and allow them to inform your palette and decor as designer Christina Salway did in her wood-filled New York kitchen. TOUR THE ENTIRE HOUSE2Embrace a Cheerful PaletteBecky Luigart-Stayner for Country LivingNothing gives off cottage charm like an equally charming color palette. In this Alabama kitchen, soft, buttery yellow cabinetry pairs with a fruit-themed wallpaper to create a perfectly prim palette. Get the Look:Cabinet Paint Color: Sudbury Yellow by Farrow & BallWallpaper: Fruit by Morris & Co. TOUR THIS KITCHENAdvertisement - Continue Reading Below3Add A Stove CoveBecky Luigart-Stayner for Country LivingStove coves are a great way to add architectural interest to your kitchen. Back the inset space with beadboard, like designer Trinity Holmes did here, for added cottage appeal. TOUR THIS KITCHENRELATED: Here’s Everything You Need to Know About Stove Coves4Go Wild with WallpaperBrian Woodcock for Country LivingWhile it may seem counterintuitive, bold wallpaper is a great for adding character to smaller spaces. For cramped kitchens with little natural light, stick to brighter, tonal patterns such as the one shown here. Get the Look:Wallpaper: "London Rose" by House of HackneyRELATED: Our Best Kitchen Wallpaper Ideas EverAdvertisement - Continue Reading Below5Wrap the Room in Open ShelvingHelen Norman for Country LivingDoes your cottage kitchen lack serious storage space? No worries. Display your favorite ceramic finds on kitchen-spanning open-shelving like photographer Helen Norman did here in her farmhouse kitchen. RELATED: These Open Shelving Ideas Will Have You Ready to Rip Out Your Cabinetry 6Mix Your MaterialsHelen Norman, styling by Matthew GleasonIn this colorful cottage kitchen, worn woods and happily patinaed copper craft a curated-over-time feel that amps up the coziness factor. Mix up materials to easily give your kitchen a lived-in feel.TOUR THIS ENTIRE HOUSERELATED: 40 Pretty and Practical Kitchen Backsplash IdeasAdvertisement - Continue Reading Below7Build Out a Breakfast NookKirsten FrancisNo cottage kitchen is complete without a cozy breakfast nook. In this Connecticut kitchen, designer Stephanie Perez installed a banquette along her wall of windows and paired it with a chippy blue table. Hanging baskets add extra cottage charm. RELATED: Check Out All of Our Best Breakfast Nook Ideas8Mount a Peg RailJody BeckMix utilitarian appeal with classic style by mounting a peg rail along your kitchen’s workspace. While this works especially well with wood-paneled backsplash, it can be used with tile too. Advertisement - Continue Reading Below9Add Timeworn Character With Unlacquered BrassAnnie Schlechter for Country LivingChanging up the hardware in your kitchen is an easy and inexpensive way to give the space a fresh look. Swapping builder-grade knobs and pulls with unlacquered brass pieces will add timeworn character in an instant. (And, they’ll only look better over time!)RELATED: The Best Blue Paint Colors for Your Kitchen Cabinetry10Skirt Your SinkDavid Tsay for Country LivingTake a note from Heather Taylor and add a skirt to your sink! This quick upgrade, which can be DIY’d in just an afternoon, adds sweet cottage cheer to any kitchen. If you don’t want to DIY, get crafty with store-bought café curtains. RELATED: Sink Skirts Are the Nostalgic Trend Designers Are Loving Right NowAdvertisement - Continue Reading Below11Hang Café CurtainsStacy Zarin GoldbergIn fact, go all-in on café curtains! These humble window coverings are in the midst of a resurgence thanks to the rising popularity of happily twee decorating. Pick pretty patterns for a white kitchen or stick to calm neutrals in an already pattern-filled space. RELATED: See Why Designers Are Loving Café Curtains Right Now12Stick to Simple TileRead McKendreeIn a house with interesting architectural elements, pick simple finishes and allow the space’s character to shine through. In this 17th century New England cottage designed by Stephenie and Chase Watts, a simple white Zellige tile backsplash extends to the ceiling, allowing the warm wood beams and original flooring to take center stage. RELATED: Should Your Kitchen and Bathroom Tile Match? Designers Weigh InAdvertisement - Continue Reading Below13Go All-In on VintageMarta Xochilt Perez for Country LivingThrifted finds are the quickest way to bring character to an all-white cottage kitchen. Opt for vintage pieces inspired by your locale and lean into crustier, worn pieces for the ultimate curated look. TOUR THIS ENTIRE HOUSERELATED: 10 Old-School Finds That Add Instant Charm to a Kitchen14Match Your Trim To Your CeilingChase DanielLooking for a weekend project to up the design ante in your kitchen? Then it’s time to bring out a paint can! In this humble Texas cottage, a happy duck egg blue paint color was used on the trim, ceiling, and cabinetry to tie the space together with an easy, approachable feel. A reproduction wallpaper ("Larkspur 1872" designed by William Morris) adds just a pop of pattern. Get the Look:Trim and Ceiling Paint Color: Jamestown Blue by Benjamin MooreTOUR THIS ENTIRE HOUSEAdvertisement - Continue Reading Below15Pretty Up a Pass Through Dustin HalleckIf your cramped kitchen leaves little room for serving, look into installing a pass-through window! These are steeped in old-school charm and add foster a casual, come-as-you-are atmosphere. RELATED: These Old House Features Need to Make a Comeback Right Now16Paint Your FloorsDana GallagherIf channeling old-school charm is your preferred method of character-building, then try painting your floors! A classic black-and-white checkerboard pattern is a timeless choice, but the options are only limited by your imagination. Psst...old house owners, this is also a budget-friendly way to cover your wonky floors! RELATED: Everything You Need to Know About Painting Your Floors Advertisement - Continue Reading Below17Mount a Plate RackCarina OlanderDon’t overlook the power of a classic plate rack, which offers the same (if not better) organizational efforts as regular upper cabinetry or open shelving. Paint the plate rack to match your lower cabinetry or go with a contrasting wood stain. RELATED: 7 Kitchen Storage Mistakes You’re Definitely Making, And How to Fix Them18Go MoodyAli Harper for Country LivingNot every cottage kitchen needs to be light and bright. Lean into the cozy vibes of your home with a dark palette. This Alabama cottage features chocolate brown walls, which are complemented by unexpected hits of primary red and blue. Get the Look:Wall Paint Color: Dark Chocolate by Benjamin MooreRELATED: These Are the Best Brown Paint Colors, According to DesignersAdvertisement - Continue Reading Below19Use Salvaged Pieces Reid RollsAdd personality to your kitchen with unique salvaged pieces. Source them from your local architectural salvage yard or antique store, like designer Leanne Ford did with this repurposed china cabinet.TOUR THIS ENTIRE HOUSERELATED: 100+ Best Places to Shop for Salvage and Other Antiques and Vintage Online20Go for Butcher BlockDavid A. LandInstalling butcher-block countertops is a sure-fire way to add humble character to your cottage kitchen. Pair it with other wood accents, like designer Hadley Wiggins did here, for a timeless look.TOUR THIS ENTIRE HOUSERELATED: Everything You’ve Ever Wanted to Know About Butcher-Block CountertopsAnna LoganSenior Homes & Style EditorAnna Logan is the Senior Homes & Style Editor at Country Living, where she has been covering all things home design, including sharing exclusive looks at beautifully designed country kitchens, producing home features, writing everything from timely trend reports on the latest viral aesthetic to expert-driven explainers on must-read topics, and rounding up pretty much everything you’ve ever wanted to know about paint, since 2021. Anna has spent the last seven years covering every aspect of the design industry, previously having written for Traditional Home, One Kings Lane, House Beautiful, and Frederic. She holds a degree in journalism from the University of Georgia. When she’s not working, Anna can either be found digging around her flower garden or through the dusty shelves of an antique shop. Follow her adventures, or, more importantly, those of her three-year-old Maltese and official Country Living Pet Lab tester, Teddy, on Instagram.  

Subscribe to Nintendo Life on YouTube817kUpdate [Thu 5th Jun 2025, 9am]: Lucky Alex-from-Nintendo-Life got his hands on Switch 2 a handful of hours before the rest of us (hey, some of us are still waiting for the postman to arrive!) and invites you to take a tour of the new console's Home screen and menus in the video above. It's all comfortingly familiar, that's for sure, but the speed! Join the 20-minute tour as he explores the system menu's ins-and-outs, and let us know your thoughts in the usual place. Now, back to peering out the front window for any sign of Pat...Original Story: With discoverability on the bloated Switch eShop causing headaches for players and devs alike, you can sometimes forget how slow the shopping experience on Switch can be. Likewise, though Nintendo hasn't bogged down the main system menu with ornamental additions, navigating the system menus is hardly a snappy experience, either. Well, it seems like Switch 2 is going to be a big upgrade in that department, as evidenced in this first look at the new Switch 2 eShop (which is now live) and the system's menus, courtesy of VGC editor-in-chief and lucky blighter Andy Robinson, who took delivery of a Switch 2 earlier today. Subscribe to Nintendo Life on YouTube817k On Bluesky, Robinson noted that after the system transfer, all your Switch 1 games appear there, ready and waiting to download. As you can see, booting Switch 2 is a lot like booting Xbox Series for the first time was - all of your Switch 1 games are already there, waiting for you to redownload (if you did the system transfer during setup)— Andy Robinson (@andyrobinson.bsky.social) 2025-06-04T13:33:48.745Z Perhaps we're just used to the now-soupy speed of an eight-year-old console, but seeing the speed of the screen transitions in the video at the top of the page brought a smile to our face. Now let's hope they can do something about the slop. We'll be bringing you our own in-depth S2 coverage just as soon as we're able. Not long to go now! Update: We got one! *slams alarm bell, Ghostbusters-style* Let us know below your impressions of the new eShop and Switch UI experience (which looks an awful lot like the old eShop and Switch UI experience, just a damned-sight quicker off the mark, no?). Which do you prefer? A step in the right direction [source youtube.com, via bsky.app] Share:36 7 Gavin first wrote for Nintendo Life in 2018 before joining the site full-time the following year, rising through the ranks to become Editor. He can currently be found squashed beneath a Switch backlog the size of Normandy. Hold on there, you need to login to post a comment... Related Articles Nintendo Appears To Have Updated Mario Kart World's Switch 2 File Size Some other file sizes have also changed Site News: We've Got A Switch 2 Come watch us unbox Pokémon Scarlet And Violet Version 4.0.0 Is Now Live, Here Are The Full Patch Notes The free Switch 2 upgrade has arrived PSA: Switch 2 Updates For Multiple First-Party Switch Games Are Now Available Updates for Mario Wonder, 3D All-Stars and much more!

Despite its appearance as just another arcady sandbox game, Deliver At All Costs is shockingly story-minded. So much so, that its constant focus on narrative might deter those just looking for some dumb fun. And after seeing the narrative through to the end, I wouldn’t blame them, given how hard the game tries to be a grand tapestry of storytelling excellence. The adventure is structured into three acts, each with a unique town to explore and complete missions in. One act even features a time skip accompanied by a moment of no return. So even if you just want to ignore story and focus on acing deliveries and causing mayhem in the streets, you still have to go through some cutscenes and narrative progression to unlock the next towns and side missions.   "The majority of the side content in Deliver At All Costs isn’t very enticing." Not that the side missions are worth doing anyway. The majority of side content in Deliver At All Costs isn’t very enticing. The rewards aren’t worth it and the fetch quest design doesn’t warrant the effort. I’d only recommend going out of your way for the side content if you’re already keen on exploring the various maps. The treasure chests and small boxes hidden throughout the game give cash that is used on materials for vehicle upgrades; however, a majority of upgrades can be purchased from the main story mission rewards anyway. I expected to have fun with the vehicle upgrades, but ended up sorely disappointed in their limited application. This is because upgrades cannot be used outside of curated story missions; bummer. Not that the crane attachment or extreme hauling capacity upgrade aren’t fun to play with; they are rather fun, but exclusively used for their particular missions. Again, if you’re expected a zany vehicular sandbox with a lot of options and unlockables, Deliver At All Costs isn’t that. The reason I keep associating the game with sandbox playability is due to its map design. It has an old-school 2D Grand Theft Auto style of isometric driving. In between story missions, you’re given the leisure to roam around town freely. All of your driving and running around is done through a top-down isometric camera angle that gives the environments a nice diorama look to them, and what’s more, you can move the camera between two different angles in case it’s difficult to see something. "Speaking of scenery, there’s a surprising amount of activity going on while you’re driving around delivering stuff." All the unique shops and landmarks of this diorama give off a classic vibe well. Oh, and the soundtrack fits the setting wonderfully. Lounge jazz and instrumental surfer rock accompany your deliveries, and it rarely gets repetitive. Tying it into GTA even more is the radio, with infrequent broadcasts that add flavor lore to the setting. Each town has multiple districts, each with their own theme, which helps vary up the scenery just that much more. Speaking of scenery, there’s a surprising amount of activity going on while you’re driving around delivering stuff. NPCs go about their business, birds glide across the sky, and plenty of vehicle traffic accompany the streets. In fact, there’s often a tad too much activity. Streets are so packed with cars and people that collisions are unavoidable. "NPCs roam the streets and become aggressive when threatened." I like how populated the game is, but it’s tuned a bit too high, getting in the way of enjoyability a lot of the time. Perhaps, it would have been better balanced to up the street traffic the further you get into the game, especially since the towns progress from rural to metropolitan through the course of the narrative. At the very least, there’s an attractive mini-map with well designed labels and indicators. Navigation is aided with helpful arrows showing the way to a mission destination too. But you aren’t merely delivering parcels to a destination in a given time limit; there’s a variety of ways the game mixes up its missions. Part of the game’s initial draw is its physics-based driving, which manifests in hilarious ways. One of the first missions tasks you with delivering a truck full of rotted watermelons. The first step is to bring them to a sanitizer, then you paint them so they look presentable, all while avoiding traffic and trying not to knock them over as they roll around in the back of the truck. It’s one of the enjoyable missions in the game, and one that demonstrates the physics gameplay best. I like how the missions get progressively more wacky and clever as you progress too. You even become a UFO hunter during one late-game job. It’s just too bad the very high traffic and wonky controls hamper the overall experience. "I like how the missions get progressively more wacky and clever as you progress." The driving controls are rather simple. Just aim in the direction you want to drive and hold the accelerate button. It’s the high sensitivity of the acceleration and the hard braking and turning that contribute to a somewhat frustrating experience. The high traffic just further compounds the controls to make for a somewhat clunky driving experience. Vehicles don’t differ in how they drive either, though you really only have the one truck for a large majority of the game anyway, so it doesn’t really make a difference. And the cars aren’t great to look at either. Heck, nothing looks particularly nice in the game, especially the characters. Facial animations are frankly bad and the bland art style doesn’t make up for the graphical shortcomings. What’s worse is there’s still some pretty substantial load times in-between regions, which hurts the flow of the open-world. But the element that gets hurt from graphics the most is the mixed story. It’s hard to take the drama seriously when its presented so poorly. There’s an attempt at cinematic camera angles during cutscenes, but textures are featureless and close-ups of people’s faces are serious PS1 quality stuff. Thankfully, a handful of characters are quite likable despite what their low poly models suggest. Winston’s delivery mates have surprising depth and a good amount of backstory. And Winston himself is a fully fledged personality and someone you can imagine working with. "Winston’s delivery mates have surprising depth and a good amount of backstory." Characters like Norman are instantly likeable while Winston’s arch-nemesis and hardline boss, Donovon, is perfectly punchable. I’m also impressed with a majority of the dialogue writing. Characters speak with a down-to-earth tone and level of informality that makes them realistic, even if they look like untextured Unity assets. Going back to where I started the review, the game goes surprisingly hard on the story axis, but it doesn’t fully land for me. The wacky yet earnest tone is great, but the execution of the plot doesn’t wrap up in a satisfying way. Winston’s mysterious past and the true motives of the delivery company’s executives had so much potential for an intriguing narrative thread. But alas, the finale just kinda falls flat without the payoff that the game was teasing. "The game goes surprisingly hard on the story front, but it didn’t fully land for me." As a whole, Delivery At All Costs delivers a zany and fun, though frustrating, isometric delivery experience with a story that tries a bit too hard. I can easily see this game being a cult classic, but for a majority of gamers, it won’t deliver a truly stunning experience. If you’re looking for a game with a wacky and inventive premise that experiments a bit, and don’t mind gameplay and graphics from three generations ago, give Deliver At All Costs a try and it might just deliver. This game was reviewed on the PlayStation 5.

Seven days It's basically good in all possible ways I guess you could say I "yearn for the mines" now Jim Norman, Staff Writer The weather is looking good this weekend and next week promises a lot of gaming, so I'm planning to take it easy on the playtime front. Old Skies has got me back on a point-and-click hit, and I have some train journeys to make, so I might crack out Broken Sword: Shadow of the Templars on GBA to keep me going through the inevitable delays and jam-packed services. But otherwise, a bit of sun, a bit of BBQ, and a bit of constantly checking my bank account for confirmation that my Switch 2 payment has finally been taken. Ollie Reynolds, Staff Writer I’m still tinkering with The Hundred Line here and there, but I must admit that with the Switch 2 mere days away at this point, I’m spending a bit less time gaming in general at the moment; just to give myself a bit of breathing space before the avalanche hits. I read a lot though, so at the moment, I’ve got two books on the go: Michael Crichton’s Jurassic Park (via a stunning Folio Society edition I bought a while back) and The Road to Jonestown by Jeff Guinn on my Kindle. I find a nice combination of fiction and non-fiction is the way to go most of the time! Have a good one, folks. Subscribe to Nintendo Life on YouTube814kWatch on YouTube Gonçalo Lopes, Contributor It really happened last weekend: Closure for a story that was left unfinished a decade ago. Xenoblade Chronicles X: Definitive Edition is most certainly one of my desert island games, and the possibility of a proper sequel is just too sweet to ignore. After all, Monolith has been quietly working on something these past years, right? My physical Mobile Suit Gundam SEED: Battle Destiny Remastered copy arrived, and since I never owned the game on Vita, this is all-new content for yours truly. Other physical copies arriving include the amazing Star Overdrive and the SEGA Dreamcast-fuelled extravaganza known as Capcom Fighting Collection 2. This could very well be the best Capcom compilation yet, my arcade stick will surely see a lot of action this weekend. My game of the week is… the waiting game! For these past few weeks, and to ensure that all goes smoothly on the 5th, I have executed my plan to the letter. The new TV is hooked up and ready for the arrival of the Switch 2. If my next week’s entry is just me pasting “Mario Kart World!!!” repeatedly, you will know it all worked out. Alana Hagues, Deputy Editor I caved in. I have Fantasy Life i: The Girl Who Steals Time ready to… steal my time. The Switch 2 version launching next week pushed me over the edge. Confession: I never played the 3DS game, so this will be my first taste of Fantasy Life, which honestly sounds like a combination of things made specifically for me. The other thing Fantasy Life will steal time from (probably) is Prince of Persia: The Lost Crown, which I’ve just started and I’m having a blast. If the weather is nice where you are, get out there, because next weekend, many of us will have a Switch 2 in hand, and sunshine is the last thing we’ll want. Enjoy! Subscribe to Nintendo Life on YouTube814kWatch on YouTube Kate Gray, Contributor I'm playing Fantasy Life i like my life depends on it. Which, in a way, it does. Because it's about Lives. Do you get it? DO YOU? DO YOUUUU???? On the opposite end of the cheerful/morose spectrum, I finished Expedition 33, but it's such a delightful game that I don't want to leave. Luckily, there's TONS of post-ending content to mop up like a greedy little child licking gravy off the plate, and a New Game+, although that's a significant investment when I have so many other games to play. However, I know that all the dialogue and scenes that baffled me in my first playthrough (and there are many) will gain new and horrifying meaning in a second playthrough, plus I'll get to keep all my hard-earned Pictos... ...but I really should get around to playing Hundred Line. Uchikoshi and Kodaka? Zero Escape and Danganronpa? It's a wonder I haven't played it yet. I love a murder game! Gavin Lane, Editor This time next week, Mario Kart World will be old news and we'll be bleary-eyed and knee-deep in Knockout Tours. So, before the excitement of a new console launch, I'm looking to chill the beans way, way down. As I have over the past few weeks, I'll be hitting 51 Clubhouse Games with the kids once more (I never realised how long games of Ludo could last), but I also intend to finally tuck into to Thank Goodness You're Here, a game I don't think the 4K output of the Switch 2 will improve. Have a great one, everyone - we'll speak again when the next generation has arrived. Subscribe to Nintendo Life on YouTube814kWatch on YouTube That's what we have planned for the weekend, but what about you? Let us know in the following poll which games you're planning on booting up over the next couple of days. What are you playing this weekend (31st May/1st Jun)? (43 votes) Related Games See Also

Willis Building, 1975 Source:Nigel YoungWillis Building by Foster + Partners Located in Ipswich, Foster + Partners’ office for insurance company Willis Faber & Dumas features a swimming pool, roof-top garden and restaurant. Often used as an example of early high-tech buildings, the office hosts around 1,300 staff across open-plan offices and flexible spaces, which were said to be untraditional at the time. These spaces are spread over three floors connected by escalators which were innovative in the 1970s, particularly in offices. Outside, in contrast, the building reinforces rather than confronts the urban grain, with its free-form plan and low-rise construction responding to the scale of surrounding buildings, while its curved façade maintains a relationship to the medieval street pattern.Advertisement Read more about the project in AJ Buildings Library. Sainsbury Centre, 1978 Source:Ken KirkwoodSainsbury Centre by Foster + Partners This School of Fine Art and art centre was designed to house a collection gifted to the University of East Anglia by Sir Robert and Lady Sainsbury. The design incorporates structural and service elements within the double-layer walls and roof. Within this shell is a free-flowing sequence of spaces that incorporates a conservatory reception area, coffee bar, exhibition areas, the Faculty of Fine Art, senior common rooms and a restaurant. Full-height windows at either end of the structure allow the surrounding landscape to form a backdrop to the exhibition and dining areas, while aluminium louvres, linked to light sensors, line the interior to provide an infinitely flexible system for the control of natural and artificial light. Read more about the project in AJ Buildings Library.Advertisement Hong Kong and Shanghai Bank, 1985 Source:Ian LambotHong Kong and Shanghai Bank by Foster + Partners Completed in 1985, this Hong Kong bank tower has no internal supporting structure, allowing for a naturally bright, 10-story atrium. used a high degree of prefabricated elements The project was completed in less than three years and tight schedule requirements meant that the practice turned toward the use of prefabricated and factory-finished elements. With a suspension structure, the tower is expressed externally as a stepped building formed of three individual towers with heights of 29, 36 and 44 storeys. This formation creates floors of varying widths and depths inside, accommodating garden terraces. Bridges span between floors, while a mirrored sun scoop reflects sunlight through the atrium to a public plaza below. Discover more about this project in AJ Buildings Library. Millennium Bridge, 2000 Source:Nigel YoungMillennium Bridge by Foster + Partners Foster + Partners’ Millennium Bridge spans 320m across the River Thames. Completed in 2000, the construction of the bridge marked the first new crossing on this part of the river in over a century. For pedestrian use only, the shallow suspension bridge’s structure is supported by cables that never rise more than 2.3m above the deck, which lets the bridge enjoy uninterrupted views of London. Find out more about the project in AJ Buildings Library. 30 St Mary Axe, 2003 Source:Nigel Young30 St Mary Axe by Foster + Partners London’s first ecological tall building and an iconic addition to the city’s skyline, 30 St Mary Axe, also known as The Gherkin, was commissioned to hold the London headquarters of insurance company Swiss Re. Set around a radial plan, its iconic enclosure was designed to be energy-conscious. Merging the walls and roof into a continuous triangulated skin allowed for a column-free floor space, maximising natural  light and views. The double-glazed cladding sits outside of the structural gridshell. Inside the building are office spaces as well as a shopping arcade accessed from a newly created public plaza. The triangular atria, which have the planning benefit of leaving the office spaces almost rectangular, also provide greater daylight penetration. Discover more about this project in AJ Buildings Library. Millau Viaduct, 2004 Source:Nigel YoungMillau Viaduct by Foster + Partners Designed with engineer Michel Virlogeux, the 2.46km-long cable-stayed bridge formed a crucial transport link in the Paris to Barcelona motorway across a valley in south-west France. It has the highest elevated roadway in the world, with its deck set 270m above the River Tarn. Supported on seven concrete piers of varying heights, the bridge has a 3 per cent slope from south to north to encourage drainage. A gentle curve as the bridge approaches the northern plateau helps wind resistance. Both these factors work aesthetically too, accentuating the sense that the structure is tailored precisely to a specific site. Each of its sections spans 342m and its columns range in height from 75m to 245m, with the masts rising a further 90m above the road deck. Find out more in AJ Buildings Library. Wembley Stadium, 2007 Source:Nigel YoungWembley Stadium by Foster + Partners A collaboration with sports design specialists Populous, Foster + Partners’ arena replaced the old Wembley Stadium, which was one of the most important sports venues in Britain. With a 90,000 capacity and a retractable roof, the new structure was designed to maximise spectator enjoyment and retain the stadium’s iconic status The geometry and steeply raked seating tiers ensure that every spectator in the 90,000-capacity stadium has an unobstructed view of the pitch. The stadium has a retractable roof that allows the turf to get sufficient sunlight and air, while in poor weather it can be closed to cover the entire seating bowl. The roof is supported structurally by a 133m-high arch that towers above the stadium, providing an icon and a new London landmark. Read more about Wembley Stadium in AJ Buildings Library. Image, top: Photo by Nigel Young Maggie’s Manchester, 2016 Source:Nigel YoungMaggie's Manchester by Foster + Partners This cancer care centre in Manchester uses landscaping and greenery to help create a therapeutic sanctuary. The 500m², single-storey building is focused around a garden. At the eastern side adjoining the car park the garden is broken up into small courtyards, offering private spaces leading from each of the centre’s counselling rooms. To the west, the garden is more open and offers a threshold between the street and the centre. Meanwhile, a greenhouse with a faceted glass façade echoes the building’s triangular rooflights. Naturally illuminated by these triangular rooflights, the building is supported by lightweight timber lattice beams. These beams act as natural partitions between different internal areas, visually dissolving the architecture into the surrounding gardens. Discover more about this project in AJ Buildings Library. Bloomberg London, 2017 Source:Nigel YoungBloomberg HQ by Foster + Partners Foster + Partners’ £1 billion European HQ for business news giant Bloomberg is ambitious, accomplished and lavish. The fins, 117 in total, are the building’s way of ‘breathing’, with each section opening or closing depending on exterior conditions. This allows air to flow into the building while keeping external noise to a minimum, as well as filtering incoming air. Chunky stone corners and shear walls form part of the sandstone façade, with muscular poché sections fitted with thermal doors allowing air to circulate through the structure. Discover more about the HQ in AJ Buildings Library. Foster + Partners Norman Foster 2025-05-29 Katie Last comment and share

Large projectile point made of Gray Whale bone from the Duruthy rockshelter, Landes, France, dated between 18,000 and 17,500 years ago.   CREDIT: Alexandre Lefebvre. Get the Popular Science daily newsletter💡 Breakthroughs, discoveries, and DIY tips sent every weekday. Prehistoric stone tools are among some of the oldest and important pieces of evidence we have of a time when our species began to evolve a higher level of intelligence. Many of these tools were also made from animal bones–including the bones of some of the biggest animals on the planet. New research finds that humans living up to 20,000 years ago may have been making tools out of whale bones. The discovery not only adds more to the story of early human tool use, but gives a glimpse into ancient whale ecology. The findings are detailed in a study published May 27 in the journal Nature Communications. “That humans frequented the seashore, and took advantage of its resources, is probably as old as humankind,” Jean-Marc Pétillon, an archaeologist at the Université Toulouse Jean Jaurès in France and study co-author, tells Popular Science. “There is evidence of whale scavenging at the site of Dungo 5 in Angola dating to 1 million years.” Fragment of projectile point from the cave site of Isturitz (Pyrénées-Atlantiques, France), made of bone from right whale or bowhead whale, dated to 17,300-16,700 years before present, curated at the Musée d’Archéologie Nationale (Saint-Germain-en-Laye, France). CREDIT:  Jean-Marc Pétillon. By land and sea For our Paleolithic ancestors living in coastal areas, the sturdy bones of large whales were potentially an excellent resource for various tools. However, many prehistoric coastal archaeological sites are fragile and are at risk of rising sea levels, making reconstructing the past interactions between marine mammals and humans a challenge for scientists..   “The tools were dated between 20,000 and 16,000 years before [the] present, a period way before the invention of agriculture, and during which all human groups in the world lived a life of nomadic hunter-gatherers,” says Pétillon. “Climatically, this is the last part of the last glaciation, with a climate much colder than today.” That colder climate brought a sea level that was roughly almost 400 feet lower than it is today. With this change in sea level, we have no direct evidence of the human occupations on the shore, since the rise in sea level either wiped them out or the settlements lay buried under 300 or so feet of water.  Excavations in 2022 in the Basque cave of Isturitz, France, where several dozen whale bone objects were discovered. CREDIT: Jean-Marc Pétillon, Christian Normand. With this lack of evidence Paleolithic people have historically been viewed as inland hunters. Those living in present day western Europe would have hunted red deer, reindeer, bison, horse, and ibex. While they did hunt inland, there is a growing body of evidence from the last 20 years showing that they also took advantage of the Paleolithic seashore. “There are studies showing that people also gathered seashells, hunted seabirds, fished marine fish, etc., as a complement to terrestrial diet, and these studies were made possible because Paleolithic people carried remains of marine origin away from the seashore, into inland sites,” explains Pétillon. “Our study adds whales to the lot. It is one more contribution showing that Late Paleolithic humans also regularly frequented the seashore and used its resources.” Ancient giants In the new study, the team analyzed 83 bone tools that were excavated from sites around Spain’s Bay of Biscay and 90 additional bones uncovered from Santa Catalina Cave in Spain. They used mass spectrometry and radiocarbon dating to identify which species the bones belonged to and estimate the age of  the samples.  The bones come from at least five species of large whales–sperm, fin, blue, gray, and either right whales or bowheads. The latter two species are indistinguishable using this technique. The oldest whale specimens are dated to roughly 19,000 to 20,000 years ago, representing some of the earliest known evidence of humans using the remains of whales to make tools. Some of the whale bone points themselves were over 15 inches long.  Fragment of projectile point from the rockshelter site of Duruthy (Landes, France), made of gray whale bone, dated to 17,300-16,800 years before present, curated at the Arthous Abbey Museum (Landes, France). CREDIT: A. Lefebvre. “Most of the objects made of whale bone are projectile points, part of the hunting equipment. They can be very long and thick, and were probably hafted on spear-style projectiles rather than arrows (and the use of the spearthrower is documented in this period),” says Pétillon. “The main raw material used to manufacture projectile points at that period is antler, because it is less brittle and more pliable than bone, but whale bone was preferred in certain cases probably because of its large dimensions.” The ocean’s bounty Most of these whale species identified in this study are still found in the Bay of Biscay and northeastern North Atlantic to this day. However, gray whales are now primarily limited to the North Pacific Ocean and Arctic. Additional chemical data from the tools also suggests that the feeding habits of the ancient whales were slightly different than those living today. According to the authors, this is likely due to behavioral or environmental changes. That the whales in the area have stayed relatively the same was particularly intriguing for Pétillon. “What was more surprising to me—as an archeologist more accustomed to terrestrial faunas—was that these whale species remained the same despite the great environmental difference between the Late Pleistocene and today,” he says. “In the same period, continental faunas are very different: the ungulates hunted include reindeer, saiga antelopes, bison, etc., all disappeared from Western Europe today.” Importantly, the findings here do not imply that active whaling was occurring. The techniques at the time would not allow humans to hunt sperm, blue, or fin whales and the team believes that these populations took advantage of whale strandings to harvest the bones for tools.  “The earliest evidence of active whaling is much younger, around 6,000 [years] before present in Korea (site of Bangudae) and maybe around 5,000 before present in Europe (Neolithic sites in the Netherlands),” says Pétillon. Future studies could look at the systematic way that these ancient Atlantic Europeans systematically used the seashore and how they developed their ocean hunting techniques.