Architects’ Journal
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  • Inquiry closes on Chipperfields Chinese embassy plans
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    Closing statements were made on Wednesday (19 February) by interested parties, including Tower Hamlets Council which has twice refused the scheme and lawyers representing the Chinese government.Housing and communities secretary and deputy prime minister Angela Rayner will now decide on the scheme, which was last rejected in December by the local authority, citing security and heritage fears.Last month, Labour home secretary Yvette Cooper and foreign secretary David Lammy signalled cautious support for the proposals on the basis that China introduces a hard perimeter to the embassy, which if built, would be the largest in Europe.AdvertisementIn a letter to the planning inspector, the senior government figures requested that China remove unrestricted public access to a proposed cultural centre holding medieval abbey ruins. As the plans stand, due to diplomatic inviolability, emergency services would need permission from the Chinese ambassador to access the small, paved forecourt and the pavilion - both classed as belonging to the embassy - in the circumstances, for instance, of a health issue with a member of public visiting the centre.The hard perimeter came up in oral evidence this week when David Chipperfield Architects' director Oliver Ulmer told the inquiry the cultural building had been designed to provide an active frontage with views from a new Cultural Exchange square at the east of the complex into Cistercian abbey ruins inside.Ulmer continued by saying that the public square in front of the embassy was fundamental to the design a statement seemingly countering Cooper and Lammys demands for the hard perimeter. He added: The [cultural] building represents the notion of exchange, sitting on the street mediating between the private campus and the public streetscape.Christopher Katkowski, representing the Chinese government, had told the inquiry on an earlier day (11 February) that his client had no desire or intention to change the scheme in the way in which it has been suggested.In November Chipperfields designs became the centre of a diplomatic spat, with prime minister Keir Starmer raising the issue of the Chinese embassy plans during his first face-to-face meeting with Chinas president, Xi Jinping.AdvertisementThe same month, reports emerged of a political tit-for-tat between London and Beijing over plans for new UK embassy buildings, including one designed by Eric Parry Architects, believed to have been put on hold by China.Local councillors, human rights groups and Hong Kong democracy activists have previously raised concerns over Chinas plans for the Royal Mint site, in view of the countrys alleged mistreatment of Uighur Muslims. Tower Hamlets has the largest Muslim population of any local authority in England and Wales, at 39.9 per cent.It is simply the wrong place for this embassy to be, said senior Conservative Tom Tugendhat in comments to the New York Times this week. He added: But it is also the wrong thing to have. We already have too much state repression, too much influence, too much aggression.David Chipperfield himself has previously been criticised for accepting the contentious commission (Is the new Chinese embassy Chipperfields most controversial job?).Asked by the inquiry chair this week why the practice had taken part in the design competition for the embassy, Ulmer replied: The office I work for has always been involved with the reconfiguration of very important historic sites, and so this is one that does really interest us from an architectural perspective.David Chipperfield Architects plans to rework the Royal Mint into a new complex for the Chinese Embassy (as submitted June 2021) - view of new entrance pavilionAlthough the Metropolitan Police last month withdrew its objection in relation to protests, concerns remain around the impact of residents on the site, as well as nearby information cables connecting the City and Whitehall to Canary Wharf.Former Conservative leader Iain Duncan Smith told Times Radio this week (16 February): [The scheme] is alongside some very important cables that take data and information through Canary Wharf, to the City and to various government departments, and that is really one of the reasons why I believe China wants it there so they can get access to that.The US congressional committee on China has also criticised the proposals on security grounds and wrote on X: The PRCs mega-embassy in the UK raises significant security concerns: from interference and surveillance to risks for sensitive infrastructure like Londons financial services. We must work to urgently address this issue and work with our allies to protect national security. Source:David Chipperfield ArchitectsDavid Chipperfield Architects' proposed cultural centre for a new China embassyChipperfields scheme would refurbish the Grade II*-listed Johnson Smirke Building at the centre of the former Royal Mint site to include embassy space. A public square would be created in front of it, behind the sites gated entrance.The project also includes the restoration and revamp of the Grade II-listed Seamans Register, which was remodelled by RMJM in the 1980s. It would create a new Embassy House by splitting up and remodelling the conjoined, Sheppard Robson-designed Murray and Dexter House.The longer building, Dexter House, would contain flats for embassy staff. The buildings faade would be reconfigured to provide a calmer and more unified backdrop to the surrounding listed buildings. Meanwhile, Murray House would be repurposed into a new seven-storey Cultural Exchange building, clad in green ceramic.A UK Government spokesperson previously said: National security is the first duty of Government. It has been our core priority throughout this process.That is why the Foreign, Commonwealth and Development Office and the Home Office submitted written representations to reflect these considerations and to note the importance of all states having functioning diplomatic premises in each others capitals.A final decision on this case will be made in due course by the Secretary of State for Housing, Communities, and Local Government in her independent, quasi-judicial role.The Chinese Embassy said the original reasons for refusal by Tower Hamlets in December 2022 were without merit and have no basis in planning policy. Source:David Chipperfield ArchitectsThe design evolution from competition to pre planning to submission of a planned cultural exchange centre
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  • Bauman Lyons Hull Minster revamp among RIBA Yorkshire awards finalists
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    The other contenders include two schemes in Sheffield: Petronella House, a revamp of a Victorian villa featuring a copper-clad extension by Chiles Evans + Care Architects; and The Wave at the University of Sheffield by HLM Architects, which had to be demolished part-way through construction in 2020 and the build restarted after its foundations were found to be inadequate.The shortlist also features a social sanctuary for young people inside a Leeds hospice by ArkleBoyce, a new library and community hub in Loftus, North Yorkshire, by Blyth-based EDable Architecture, a futuristic factory in Rotherham by Race Cottam Associates and De Matos Ryans interactive Wonderlab gallery for the National Railway Museum in York.All seven shortlisted projects will be assessed by a regional jury and the winning projects announced later this spring.AdvertisementRegional award winners are considered for several RIBA Special Awards, including the RIBA Sustainability Award and the Yorkshire RIBA Building of the Year.Last year the region famously made headlines after RIBA Yorkshire failed to name a Building of the Year for its area. According to reports, Hugh Broughton Architects and client English Heritage radical restoration of Cliffords Tower in York had been selected by RIBA regional award-winners jury as Yorkshires best in show. But, before it could be handed over, the Building of the Year prize was withdrawn due to concerns over disabled access.Speaking about the 2025 shortlist, RIBA Yorkshire jury chair Gayle Appleyard, director of Halifax-based Gagarin Studio, said: The Yorkshire region is home to a wonderful mix of people across cities, towns and rural communities, so its encouraging to see such diversity reflected in this years shortlist.From the tiny but well-crafted pavilion space created for young people within a hospice, to the renovation of a Grade I-listed church and a cutting-edge factory on a remediated industrial site, its brilliant to see the sensitivity and ambition manifest in all these shortlisted projects that evidently create inspiring, sustainable places in which to live, work, learn and play.All the regional winners in Yorkshire will be in the running for a RIBA National Award, the results of which will be announced in the summer.AdvertisementThe shortlist for theRIBA Stirling Prize for the best building of the year will then be drawn from the national award-winning projects and the Stirling Prize winner will be announced in October. Source:Building NarrativesYoung Peoples Space, Leeds, by ArkleBoyceRIBA Yorkshire awards shortlist 2025AESSEAL Factory for the Future, Rotherham by Race Cottam AssociatesDuncan Place library and community hub, Loftus by EDable ArchitectureHull Minster, Hull by Bauman Lyons ArchitectsPetronella House, Sheffield by Chiles Evans + Care ArchitectsThe Wave, Faculty of Social Sciences at the University of Sheffield by HLM ArchitectsWonderlab: The Bramall Gallery, York by De Matos RyanYoung Peoples Space, Leeds by ArkleBoyce Source:Hufton + CrowWonderlab: The Bramall Gallery, York, by De Matos Ryan
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  • Listing for swooping, manta ray-like Welsh leisure centre
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    Wrexham Waterworld, a still-operational leisure centre just off the A5152, has been granted Grade II-listed status by Cadw, the Welsh governments historic environment body.The centres most striking characteristic is its reinforced concrete roof, described as a swooping, manta ray-like hyperbolic parabaloid by architectural heritage campaigners The Twentieth Century Society (C20).The 47 x 47m structure, built between 1967-70 to designs by architect Frederick D Williamson and engineer Gerald A Williamson, is the only hyperbolic paraboloid roof in Wales, according to the campaign group.AdvertisementThe diamond-shaped leisure centre incorporates a swimming pool with a water slide and viewing area, a gym and other leisure facilities.C20 has hailed the building as the key surviving example of an indoor swimming pool of the post-war period in Wales [which] displays technological innovation and virtuosity as the first hypar roof in Wales, built on a scale that far exceeded any of its UK predecessors.A previous attempt to have the centre listed failed in 2014 after Cadw determined that the leisure centre had been altered too significantly to be considered as an exemplar building of its type.But the heritage organisation changed its mind after C20 Cymru submitted a second listing application in October 2022, prompting a re-assessment of its architectural worth.C20s most recent listing bid formed part of a campaign by the organisation, launched in 2022, to celebrate the architecture of the leisure centre and to protect the most historic examples.AdvertisementPosting on X on Thursday (20 February), C20 Society and C20 Cymru said they were celebrating the fifth Leisure Centre to be listed as a result of our ongoing nationwide campaign.Wrexham Waterworld is the first leisure centre in Wales to be listed as part of the campaign and follows four listings for buildings in England among them FaulknerBrowns inventive 1980s Doncaster Dome and Trevor Skemptons 1970s Richard Dunn Sports Centre in Bradford.
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  • Rising star set to pip big names to win major British Museum revamp contest
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    According to AJ sources, a team led by the rising star is favourite to win the major commission known as the Western Range renewal project having seen off an impressive shortlist of big names. However, her appointment cannot officially be announced until after the contract award standstill period, which allows time for the competitors to lodge a challenge.The finalists, announced in August, included architect-led multidisciplinary bids headed by 6a architects, David Chipperfield Architects, OMA, and a collaboration between Eric Parry Architects and Jamie Fobert Architects.Ghotmeh is best known for her 2020 Stone Garden housing tower in Beirut, the Herms leather workshop in Normandy, France, which opened in 2023 and the Serpentine Pavilion, in London of the same year. The British Museum commission will be her practices first major job in the UK.AdvertisementAn explanation of the teams vision posted on competition organiser Colanders website claims the proposals would transform the Western Range into a living museum a place of dialogue and reinvention creating an archaeology of the future, where historic narratives intertwine with contemporary perspectives.The bold transformation, it continues, would renew the British Museum as a global meeting point of shared history, where poetics and care foster peace and understanding.Late last year models and images were submitted as part of a day-long charrette to test the capabilities of each architecture team shortlisted for the overhaul of the western area of the Grade I-listed museum. Those models, showing the teams initial approaches, went on display in the Round Reading Room in December 2024. Source:ShutterstockLina GhotmehThe competition was structured to allow the museum to select a team, rather than a fixed outcome in the form of a design proposal, and deliberate limitations were put in place so the finalists did not arrive at a complete plan for the project.Instead, they were asked to demonstrate their ability to lead a collaborative process that responds to the complex needs of multiple stakeholders, both within the museum and from external groups.AdvertisementThe British Museum refused to confirm Ghotmehs contest victory. A spokesperson told the AJ: The active phase of the competition has now concluded, and each team has hosted the panel of judges for a final presentation at its studio.At present, no contract has been awarded. The British Museum expects to award a contract and announce the winning team in the coming weeks.Although the international competition attracted 60 entrants, it proved controversial, due to the major financial backing the museum is receiving from fossil fuel giant BP. In January last year environmental campaigners called on architects not to take part in the contest because of the 50 million funding pledged to the Bloomsbury-based institution by BP.In recent years, BP and other oil and gas companies have been increasingly shunned by Britains cultural industries, with Tate, the National Portrait Gallery and the Royal Shakespeare Company among the institutions turning down sponsorship.When the British Museum announced its partnership with BP in late 2023, it prompted the resignation of trustee Muriel Gray, former chair of the Glasgow School of Art, while Doug Parr, the UK policy director for Greenpeace, said the deal must surely be one of the biggest, most brazen greenwashing sponsorship deals the sector has ever seen. Source:Trustees of the British MuseumThe Western Range scheme is part of a decade-long renovation masterplan billed as one of the most significant cultural redevelopment projects ever undertaken.The job will be the museums biggest building project since the 1820s when work began on Robert Smirkes original Greek Revival-style quadrangle. The 100,000m museum has around 3,500 different rooms and features more than eight million items in its permanent collection.The museums chair, former chancellor of the exchequer George Osborne, described the redevelopment last year as one of the biggest projects of our time. He said: We asked for the best of the architectural community to step forward to help and they have, from Britain and across the world.The competition comes three years after the museum named four architects on a 45 million construction consultancy services framework: Avanti Architects, Dannatt Johnson Architects, Nex Architecture and Wright & Wright Architects.Stanton Williams completed a new Albukhary Foundation Gallery of the Islamic World at the British Museum in 2019. In 2014, RSHP completed the museums World Conservation and Exhibitions Centre extension.Each of the shortlisted teams received an honorarium of 50,000 to participate in the design phase of the competition.The shortlist[WINNER] Lina Ghotmeh Architecture with Ali Cherri, Arup, Holmes Studio, Plan A, Purcell6a architects with Advanced Integrated Solutions, Arup, David Bonnett Associates, Gitta Gschwendtner, Kellenberger-White, London School of Architecture, Purcell, Studio ZNADavid Chipperfield Architectswith AEA Consulting, Adamson Associates, Alan Baxter Associates, Arup, Atelier Brckner, Atelier Ten, Lobe Lloyd, Julian Harrap Architects, Plan A, Reusefully, Neal ShasoreEric Parry Architects and Jamie Fobert Architects with Buro Happold, David Bonnett Associates, Max Fordham, Mima, Price & Myers, Purcell, Space Syntax, Studio ZNAOMA with Arup, Benoy, Cookies, Ducks Scno, EQ2 Light, Purcell, Salvatore Settis, Studio ZNA
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  • Office S&M remodels Victorian terraced house in Hackney
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    Sited next to Abney Park cemetery, one of Londons Magnificent Seven cemeteries, the project at Park House replaces a leaky polycarbonate conservatory with a new extension.Designed for a two writers and their cats, the new space accommodates a dining and living space, reading and writing nooks and playful features for the pets.The new ground floor also includes a WC and utility storage space, hidden behind a continuous folding wall.AdvertisementSurrounded by trees and plants that change colour with the seasons, the home also doubles up as a sanctuary for nature lovers, overlooking a historic wall covered in ivy. The scheme employs screw pile foundations to protect the roots of trees and the foundations of the Grade II-listed wall.The extension features a curved corner with large glazed windows framing the wall with internal seating. A large circular rooflight above the kitchen also highlights views of the tree canopy.Internally, the palette of natural materials and tones has been drawn from the surrounding woodland with timber used as a unifying element throughout for the structure, joinery, windows and furniture. Hand-made worktops have been made from recycled wood chip waste set into terrazzo.Terracotta tiles were inspired by the earth and external finishes use a range of colours that reference the changing seasons complemented by a lilac-tiled plinth that wraps around the extension.Architects viewDaniel and Aurlie approached us to replace a leaky polycarbonate conservatory at the back of their Hackney home with an extension that would provide a generous dining and living space, reading and writing nooks, and playful features for their two cats.For the project, we drew inspiration from the surrounding woodland and the historic Grade II-listed wall of Abney Park, using a palette of natural materials and colours. To protect the roots of the trees and the foundations of the historic wall, we used screw pile foundations, ensuring the integrity of the site was preserved.Every detail was designed with both the owners and their cats in mind. A soft, layered landscape of seating wraps around the dining and kitchen areas, creating inviting reading nooks, cosy hideaways and perches for the cats.The design strikes a careful balance between connecting the home to its natural surroundings and protecting the historic structures and trees. The result is a space that encourages discovery, celebrates the trees of Abney Park, and offers a peaceful yet inspiring retreat for its owners and their feline companions.Catrina Stewart and Hugh McEwen, co-founders, Office S&M ArchitectsClients viewWe had a wonderful time working with Catrina and Malin. They did a great job from the first meetings talking about our needs and ideas to coming up with an exciting concept to having them overview all of the works. Would highly recommend this amazing team!Daniel and AurlieProject dataLocation Hackney, LondonStart on site January 2024CompletionMay 2024Gross internal floor area 120m2Gross (internal + external) floor area 170m2Form of contractTraditional (RIBA Building Contract)Construction cost 214,000Construction cost per m2 3,800Architect Office S&M ArchitectsClient Daniel and AurlieStructural engineer Foster StructuresPrincipal designer CDRMApproved building inspector AssentMain contractor Magic ProjectsCAD software used AutoCADAdvertisement
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  • Trump, it seems, is everywhere
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    Source:&nbsp Louis HellmanThe cover of this months issue of the AJ features Trump as The Brutalist If youve been waiting for a nuanced portrayal of an architect on the big screen away from the usual character clichs of mysterious love interest vs megalomaniacal genius then your time has come. With the release of Oscar-tipped film The Brutalist, the architect, it seems, is front and centre.The film has even fed into the latest creative take from our very own cultural icon, Louis Hellman. So here is Trump, hulking on the AJs cover this month, enthroned on the brutalist Southbank Centre, oil drill in hand. Trump, it seems, is everywhere.Megalomaniac? Genius? The former property moguls cultural impact is already profound. Witness the impact on global climate crisis measures, international aid and diversity initiatives, to name a few.AdvertisementArchitecture and power have always gone hand-in-hand, of course (even if power hasnt been grasped by the profession itself). So perhaps we shouldnt be surprised that one of the US presidents initial executive orders for his second term, Promoting Beautiful Federal Civic Architecture, demanded that designs for all new federal public buildings respect traditional and classical architectural heritage. And, ever the real-estate guru, Trumps designs on Gaza have made news around the globe. In an interview with US broadcaster Fox, he said of the war-ravaged Gaza Strip: Think of it as a real estate development for the future.Interestingly, before Hellmans cover cartoon came through, we were focused on another visual representation of culture. It is a beautiful photograph, by Gareth Gardner, of Nissen Richards Studios work for a new permanent exhibition at The Jersey Museum and Art Gallery. It shows an ancient book, in a glass case, opened and lit from above (see below). Source: Gareth GardnerOur film reviewer Rob Fiehn loved The Brutalist, by the way. His personal response to it feels particularly resonant: We go on a journey with an immigrant fleeing persecution and finding his way in a strange land that instinctively wants to reject his ideas and approach. Suddenly, The Brutalist doesnt feel like a period piece anymore.The February edition of the AJ is out now. Subscribers can read the digital edition here, or copies of the printed magazine can be purchasedhere. An AJ subscription is better value click here to view our packages.AdvertisementThe Brutalist Trump 2025-02-20Emily Boothcomment and share
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  • Grimshaw among practices competing for RSAW Awards 2025
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    The 2024 RIBA Stirling Prize winner is one of four London-based practices to have made the shortlist of five design teams revealed by the Royal Society of Architects in Wales (RSAW) this morning (20 February).Only two Welsh practices are among the finalists for the countrys awards the first stage of the regions RIBA Awards 2025. They are: Monmouthshire-based Hall + Bednarczyk Architects with a 400m new-build family home in the Brecon Beacons; and Carmarthen-based practice Rural Office, with the extension of a 19th century remote coastal farmhouse on the Gower Peninsular, a designated Area of Outstanding Natural Beauty in South Wales.The other London practices in the running are: GWP Architecture and Archer Humphryes Architects, with the transformation of a Victorian powerhouse into a whisky distillery in Swansea; and Manalo & White, with the conversion of a Grade II-listed Victorian Church into a Welsh language theatre in Bangor.AdvertisementTodays Welsh Architecture Awards shortlist follows the RIBAs recent announcements of regional shortlists for the East, South East, North West, and South of England, and for London. Source:Taran WilkhuHafod Morfa Copperworks Distillery & Visitor Centre by GWP Architecture & Archer HumphryesLast year, eight teams were shortlisted for an RSAW Welsh Architecture Award 2024, of which five went on to win regional honours.RSAW 2025 jury chair Ian Chalk, director of London-based Ian Chalk Architects, said this years shortlist features a diverse range of projects, widely dispersed across North and South Wales, in a mixture of urban and rural settings.He added: Ranging from domestic extensions to a community arts centre and a distillery, each project shares a common thread to think beyond the immediate confines of the site boundaries and enrich the lives of the people and places which they inhabit. Source:Matt CantCroes Fach by Hall + Bednarczyk ArchitectsAll projects shortlisted for RIBA regional awards will be visited by a jury, with the winners announced later this spring.AdvertisementThe winners will then be considered for several RIBA Special Awards, including the RIBA Sustainability Award and RIBA Building of the Year, before being considered for a highly coveted RIBA National Award, to be announced in summer.The shortlist for the RIBA Stirling Prize the UKs best new building will be drawn from the RIBA National Award-winning projects and announced in September.The Stirling Prize winner will be announced in October.Shortlist for 2025 RSAW Welsh Architecture AwardsCroes Fach by Hall + Bednarczyk ArchitectsDelfyd Farm by Rural OfficeHafod Morfa Copperworks Distillery & Visitor Centre by GWP Architecture & Archer HumphryesNewport Active Travel Bridge by GrimshawNyth by Manalo & White
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  • How do you kickstart an infill housing boom?
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    Last month, the chancellor, Rachel Reeves, went big. She vowed to do big things to make big impacts. The Labour government, she said, would go further and faster to kickstart economic growth.As well as her controversial commitment to a third runway at Heathrow airport, she outlined plans for 18 new towns.But big dreams take time to come true and the government needs quick wins to make a dent in its target of 1.5 million new homes by 2030.AdvertisementBecause despite Labours ambitions, the number of new homes being built in England bumps limply along. Only 107,000 new homes (based on EPC certificates) have been recorded in the wake of Julys election victory, the BBC found, down by a tenth compared with the number built in the same six months a year earlier.Meanwhile, those working on major housing schemes are finding the realities of the new building safety regime a significant and problematic blocker on development.The Building Safety Regulator (BSR) has rubberstamped just two out of the 130 higher-risk building schemes (residential proposals over 18m tall) submitted by developers since the new gateway process began in October 2023.So could a resurgence in smaller-scale, infill residential projects be at least a partial solution to the housing crisis?According to the YIMBY Alliance, they could. The pro-development campaigners estimate these kinds of squeezed-in schemes could provide a not-to-be-sniffed-at 30,000 new homes a year.AdvertisementArchitects are hopeful too. Jay Morton, a director at residential expert Bell Phillips, sees infill sites as a low-hanging fruit for delivering new housing. Homes on these kinds of plots such as former garages or high-street gap sites in denser urban areas with good transport, amenities and existing communities could be quicker to build [and] easier to procure.Chlo Phelps goes a step further. The chief executive of architecture studio Grounded at council estate regeneration developer Place Capital Group insists that such schemes are going to be critical to delivering new homes on brownfield sites over the next few years, with estimates that there is capacity for more than 120,000 homes on small sites in London alone. Source:Haze Viz LimitedWorking Title Architects recently won approval for a three-storey, one-bedroom house on a 3m-wide site in East Dulwich, south London. The scheme sits next to a new-build two-storey cottageColm Lacey, now of consultancy Soft Cities but previously with Phelps at Croydon Councils now-defunct small sites housing arm Brick by Brick, agrees that infill projects could have a huge role to play in housing supply far more so than grey belt or new town development.He adds: [Squeezing] a small number of units out of a very large number of infill sites should be far easier than squeezing a large number of units out of an increasingly small number of viable majorsites. Interestingly the House of Lords Built Environment Committee came to a similar conclusion in its inquiry into Labours grey belt policy earlier this month. It said the drive to unlock sites on the boundaries of existing communities would be unlikely to make any significant difference to the number of new homes that can be built.What then is hindering the widespread adoption of infill housing? What are the potential solutions? And how can architects play a role in making this happen?The barriers and challengesThe main culprit in the blame game is the slow and inefficient planning system, with timelines often stretching far beyond expectations. Take as a typical example, MOST Architectures recently approved six-home, upper-level infill project on Kingsland High Street in Dalston, east London.A supposed eight-week timeframe stretched to nearly two years for reasons that practice founder Olga McMurdo claims were sometimes baffling but largely due to unresponsiveness.She tells the AJ: Our experience with navigating the planning process has been exhausting even for a project that enjoyed general support from planners and local conservation groups from theoutset.[Admittedly] it is an unusual project. It builds on top of a one-storey high street retail unit and the yard behind it to create a small courtyard housing development. But my goodness, they made us work for that consent for a project that was never particularly contentious. Source:Kilian OSullivanBell Phillips used a form of pattern book design for two house types in Newham, east London, which were replicated across various sites (Pitchford Street pictured)The scheme was designed as starter homes for first-time buyers but, McMurdo says, Hackney pushed for larger family dwellings within the development. And, despite the scale, the authority asked for numerous detailed technical reports, including construction logistics plans, flood risk assessments and travel plans. It also demanded air quality and noise impact assessments, which were almost certainly identical to those provided for neighbouring developments on the same block.In terms of balancing conflicting demands, Phelps says sites end up getting negotiated so harshly on all sides that they get stuck in planning for ages a drain on project resources in itself. She adds that then they often have features crammed into them to satisfy the full breadth of consultees [which] can sometimes make them too costly and ultimately unviable.Haworth Tompkins director Chris Fellner also feels the current planning rules are too inflexible, treating infill schemes much the same as larger developments. As a result, architects work within highly prescriptive efficiency targets which must comply with minimum space standards and very strict environmental regulations, including biodiversity net gain.There is very little appetite for [architectural] innovation, Fellner adds. He feels design quality is measured solely in terms of what percentage of dual aspect homes are achieved and how may hours of daylight the shared courtyards achieve on the 31 March.Architects lament the lack of design and development expertise within planning departments expertise that could cut through the chaff and subjectively weigh up the impacts and benefits.Infill schemes need to satisfy many different parties, not least the (usually many) neighbours. Backland plots can be riddled with overlooking issues.As McMurdo puts it: Qualitative elements require talent and experience to make nuanced decisions. So, where have all the great plannersgone?Added to this is a patchwork of unpredictable policies that vary across different local authorities even between neighbouring councils creating unwanted complexity.A six-home infill housing scheme by MOST Architecture, which will be built above and behind an existing Boots store in Hackneys busy Kingsland Road. Below: Floorplan of sheme Source:MOST ArchitectureDavid Gouldstone of Gouldstone & Co has recently secured two separate approvals from Lewisham Council, which he praises for having a really pragmatic approach to infill and a good small sites guide too.But his experience has not always been so positive. For example, variations in the affordable housing contribution requiring additional consultant fees have been an unexpectedstruggle.It would be great to have consistent and clear policies, he says, so that the potential contributions could be known from the outset to assist in the early viability of the project and speed up the discussions during planning, ideally based on a clear and basic contribution perdwelling.The amount of ever-shifting red tape can be equally frustrating for the planners too, says James Bazeley, of emerging practice Working Title Architects.His new studio and its sister company and development arm Working Title Land recently won approval for a 66m, three-storey, one-bedroom house on a thin 3m-wide site in East Dulwich, south London. At least two other unsuccessful submissions had been made by other architects. The planning requirements are constantly changing, he says, and there is an ever-increasing number of reports required, such as for noise and biodiversity, which is a challenge for architects. But planners are also finding it difficult as they are already under a lot of pressure.Even if the under-resourced planning officers are onside, that isnt always the end of the approval journey. Political interference can sink the best laid plans.Architect Fourth_space successfully navigated the awkward, lengthy system to get the go-ahead for 100 new low-energy affordable homes across 13 different sites in Hounslow, west London, all for affordable housing provider Sapphire Independent Living.But practice directors Huw Williams and Steve Sinclair say compliant submissions were often referred to local councillors at planning committee.Decisions were subject to councillors lacking in planning and design knowledge, who may not have been fully behind the original local authority promise, they say. So, in some ways, local politics was trumping the original pledge for homes.Many authorities are also failing to think strategically about their potential sites, approaching smaller-scale development in a piecemeal, one-off way. This feeds into the sometimes insurmountable barrier facing the trickier brownfield plots: the moneyquestion.Problems often arise with access and servicing which, Fellner points out, can mean extra cost for abnormal enabling works, for example the need to widen the access road or to provide utilities and below-ground services.Infill sites, he goes on, result in less efficient, less repetitive schemes and more bespoke untried and tested solutions. They create fewer homes per floor and core, higher wall-to-floor ratios, and lower net-to-gross efficiencies. It is not the model that makes the larger housebuilders all their cash. Source:PRPPRP's Hitchin Square scheme on a previous garage site in the London borough of Tower Hamlets the five three-bedroom home project was delivered for Circle Housing/Old Ford HousingPossible solutions?The National Planning Policy Framework (NPPF) already has a presumption in favour of sustainable development and recognises that small and medium sized sites can make an important contribution to meeting the housing requirement of an area.It also encourages authorities to avoid complex and restrictive obligations on smaller plots that could reduce their viability anddelivery.But local planning authorities are clearly interpreting the framework differently and the pro-development presumption is not always apparent. There is an argument that the smaller the proposal, the stronger the presumption should be.Lacey goes further. For private housing, and I say this hesitantly, but there is room for a form of permitted development for infill sites below a certain size, say nine units, he tells the AJ.Arguably the planning challenges of converting a large office block to residential use are far greater than those presented by a small contextual residential infill scheme. So why should permitted development rights apply to one and not theother?Under this model, he adds, there would need to be a sustainability assessment, along the lines of the Building for Life standards, and schemes would need to be broadly contextual in terms of massing, based on some consistent designprinciples.Bell Phillips Morton thinks a pattern-book approach might work. Her practice has already worked on a form of design template in Newham, where it designed two house typesa standard terrace and a wheelchair-accessible optionwhich were replicated across various sites.Councils could package sites together and use pre-approved designs to deliver high-quality homes across multiple locations, she says. Architects could develop flexible, innovative designs to address site constraints, ranging from single dwellings to terraces.These could also be delivered by self-builders, community land trusts, or small-scale developers, promoting diversity in housing delivery. Source:fourth_spaceFourth_space won approval for 100 new low energy affordable homes across 13 sites in HounslowAs well as calls for each authority to have a clear Small Sites SPD (Supplementary Planning Document), many architects are urging a reduction in repetitive and over-the-top requirements on infill schemes. Even someexemptions.McMurdo suggests rolling levels of planning consent allowing a swift decision within eight weeks, based on plans, sections, elevations, visualisations and a short designstatement. Under this multilevel gateway approach, other issues like sustainability could be addressed later. Gouldstone would also like to see fewer planning committee hearings for minor proposals and more decisions based on professional policy judgement and not local political considerations.Money, money, moneyA revolution in infill housing will also need financial support, including to address land acquisition costs. This could potentially be through public-sector land ownership or discounted rates for community-led schemes.Fellner says the government should set up an enabling fund, which would help cover the costs of clearing up and sorting out the abnormals found on some plots, through higher levels of grant funding.Local authorities should also be encouraged to offer up land for community-led homes spearheaded by local people, says Archios Mellis Haward.However, this set-up would also need a small amount of pre-construction funding [to] get things going.Its unreasonable to expect community groups to take all the risk, Haward says. If a council undertakes the due diligence to find the sites and makes sure the right people secure the tender, then funding could also be provided, such as the former Community Housing Fund that ended recently.Another idea would be a national clearing house with the government guaranteeing a fixed minimum price for compliant affordable housingunits.Lacey adds: This would reduce the potential for debate about the impact of affordable housing requirements on viability and create a much stronger link between land value and profitability.Gouldstone and Co's approved Lewisham Way scheme in Lewisham, London. The project will deliver eight new homes, featuring a four storey building to the front of the site and a newmews to the rearHow can architects help?Undeveloped parcels of land are usually undeveloped for areason.But architects have the skills to identify infill sites, especially those with genuine potential from the outset, says PRP director Bhupinder Chawla.Though there are many examples of plots that have had over-optimistic expectations later burdened with wasteful assessments before being scrapped, he says that bringing an architect on board at the very beginning of this process means there is a better-quality appraisal of whether a site isviable.Gouldstone agrees. Once identified, these typically awkward, atypical and constrained bits of leftover land need architects to come up with creative design solutions more so than on larger sites delivered by volume housebuilders, he says.In fact, argues Fellner, these plots could be used to explore ideas, take risks and innovate, becoming a real test bed for new housing typologies.For instance, he explains, their small scale allows architects to specify recycled or upcycled materials more feasibly: While it is hard to source reclaimed bricks for a new 35-storey tower block, it is totally doable for a short row of infill townhouses.The rise of the proactive architect as developer could also be part of the solution, if housebuilding can be made profitable for those willing to take the risk. Yet, for now, the planning shackles remain on.McMurdo makes a final plea: Please, let us experiment with new ideas, addressing tight urban sites with skill and imagination to create outstanding projects, she says.The current planning system is not enabling this; worse, in many cases, it is making these projects financially unviable.Archio's infill scheme for London Community Land Trust and Greenwich Citizens Housing using two council-owned sites for community land trust homes.2025-02-20Richard Waitecomment and share
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  • Loader Monteith completes three-bedroom home in rural Angus
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    The brief from the clients a couple who work in the construction and building materials industries was to design a home they could craft and make their own, and in which would have a connection out to the landscape.When they purchased the plot of land in 2009, there was already a ruined byre standing on the site. Loader Monteith chose to integrate stone from this byre into the design. This has not only reduced the carbon impact of the project and helped its material circularity but has also meant elements of the local vernacular architecture were incorporated into the house.The house is laid out in an L-shape plan, which is arranged in order to capture views for the main living spaces while preserving privacy from the entrance side for spaces like bedrooms.AdvertisementThe walls of one of the two new volumes uses the reclaimed Scottish Carmyllie stone from the byre, while the durable sinusoidal coloured-metal roofs are inspired by those of local agricultural buildings. Inside, a living room, kitchen and dining area, three bedrooms and two bathrooms are accommodated and the interiors feature floated polished concrete floors and floor-to-ceiling windows.Operational costs are kept low through double-glazing, high levels of insulation and airtightness, mechanical ventilation with heat recovery and an air source heat pump.One of the client couple, a skilled joiner, took on the roles of self-builder, project manager and carpenter in the aftermath of the pandemic.Architects viewThis project was particularly special as it was the first to come into our office after lockdown began. Our clients, Angie and Colin, approached us after seeing our project Strone of Glenbanchor and we were immediately drawn to their vision. Discovering the stone byre during our site visit sparked our interest even further.The house is designed to embrace stunning, unobstructed vistas from home, ensuring the connection between interior spaces and exterior farmland.Matt Loader, founding director, Loader MonteithOur clients were at the heart of this project, bringing their creativity and dedication to every stage of the process. Colins precision and attention to detail in execution were instrumental in bringing the design to life exactly as envisioned.Jamie Mack, architect, Loader MonteithClients' viewWe were inspired by the old bothies we encountered on our walks around the Highlands, particularly their homely feel and connection to the landscape. It was important to us that our new home captured that same sense of history and belonging.Angie LeslieEach stage was carefully considered and planned. I thrived during the creative process, particularly on the technical challenges of the build and the material sourcing.Colin Leslie Source:Loader MonteithProject dataLocation Angus, ScotlandStart on site February 2022Completed June 2024Gross internal floor area 112 m2Architect Loader Monteith ArchitectsClient Colin and Angela LeslieStructural engineer McKinney NicolsonCAD software used AutoCAD, SketchUp
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  • Red + Whites grey belt flats plan in Ealing park prompts 1,700 objections
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    The practice submitted plans to demolish the 1893-built former lodge at Lammas Park, Ealing, which has been vacant for more than 20 years, and replace it with a block of flats rising from four to six storeys tall. It would provide six apartments.While the park is within Metropolitan Open Land, Red + White said the area containing the East Lodge should be considered grey belt land under the terms of the latest National Planning Policy Framework (NPPF), as it has been previously developed.Since Saturday (8 January), 1,713 objections have been submitted to Ealing Councils planning department, with just 13 comments made in support of the scheme.AdvertisementMany comments objected to the loss of park space and the demolition of the former lodge building, while others criticised the scheme as overdevelopment.An objection by Ealing Fields Residents Association chair Roger Jarman said the proposal did not protect a cherished open space and that its scale and design were incongruent with the existing character of the area.He said: It is imperative to protect our public land, preserve our historical structures and ensure that any changes to our community spaces are made with full transparency and active public participation.Another objector said: A development of this kind will ruin the look and feel of the park, which should be a protected assets for the enjoyment of residents. This is effectively green belt parkland that should not be built upon.Jarman and several other objectors also raised issues around the ongoing installation of a sustainable urban drainage system in the park that is meant to ease flooding, but has been the subject of a local petition over the space taken up for dangerously deep ponds. Some ask whether the new development might worsen flood risks.AdvertisementThe lodge is not a listed building and is not on Ealings local heritage list. A consultation over expanding the boundary of the Ealing Green Conservation Area which would incorporate the site of the building is ongoing.Red + Whites application states that the proposal for much-needed family homes is on land that the NPPF states should be considered as grey belt. It adds that the uninhabitable lodge has had several unsympathetic alterations, including various utilitarian extensions finished in low-quality materials.Although the proposed building seeks a more contemporary approach, many of the architectural elements to the faade take inspiration from the original building and wider locality, it adds.A design and access statement submitted by the East London-based practice concluded: The scheme is designed with residents well-being in mind, and expresses what it means to optimise site capacity for a residential development, as opposed to simply maximising the development of a site.The much-needed family housing exceeds the national space standards and provides high-quality amenity space with a mixture of gardens, terraces and balconies.As well as the NPPF, other policies that will also be key in determining whether the application can proceed include the London Plan 2012, which stipulates that green belt development should only proceed in exceptional circumstances, and Ealing Councils local plan.A new version of Ealings plan was submitted to the Planning Inspectorate in November, updating a prior 2012 version.Alister Scott, professor of environmental geography and planning at Northumbria University, told the AJ that grey belt is poorly defined under the NPPF.He said this creates the one word everyone from developer to community hates and that is uncertainty.The new grey belt rules will ultimately have to be defined by the courtsScott added that if the council rejects a proposal based on grey belt principles and a developer appeals against it, the NPPF definition would likely be tested in court.John Myers, director of pro-development group the YIMBY Alliance, also told the AJ that the application indicates the exact meaning of the new grey belt rules will ultimately have to be defined by the courts.He added: It may be years before we have full clarity.Last week the House of Lords built environment committee called grey belt changes incoherent and said they would make almost no difference to the governments 1.5 million homes target.The committee said that proposals for more Spatial Development Strategies and reviews of green belt boundaries under local plans will have a much more significant impact on housing delivery than grey belt policy.Red + White has been contacted for further comment.
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  • Architecture doesnt have to be an old mans (or old womans) game
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    Theres one lecture that sticks in my memory from my time as an undergrad at architecture school. It was on professional practice in my second year and I remember it clearly. The lecturer stood in front of the assembled students and said: If youre interested in making money, then architecture is the wrong career for you. You wont see success until youre in middle age. I sat there and, in a mix of hubris and naivety, I thought to myself: Yeah, thats cos youre doing it wrong.Looking back now, its clear she wasnt wrong. Architecture is an old mans (or an old womans) game. Its built on the enthusiasm and the work ethic of youth, yet it values experience over all else. Its rarely said but, to make it in architecture, you need an abundance of patience.But heres the problem. This career model was built in a time when money went further. A single, reasonable salary could support a family and, even if you werent fully comfortable, there was a sense of security about the profession. Stick it out and the gains would eventually come your way. Even if you didnt become an architectural star, youd reach a point of stability.AdvertisementIn theory, playing an old mans game is fine, if you can afford to keep playing. But read any architects blog or publication (or bank statement) and its clear that architects are feeling more and more squeezed out of playing. The old model of success doesnt work in 2025.So, what do we want? And when do we want it? I risk making another mistake of youth and trying to run before I can walk, but I would argue that architects can no longer be patient and wait for the good times to eventually come around. It is time for a redefinition of success that comes a lot sooner. We wont all become starchitects with monograph tomes and very few of us are going to end up getting multi-million-pound dividends from knuckling down during our Part 2.Thankfully, a shift may already be happening. Over the past couple of years my university has run a unit that has students look at architects who have practised in a broader arena. Think stage design, property development, game development. The AJ has also previously published engaging articles on architects making waves in other sectors architect entrepreneurs, who arent waiting for opportunity to come knocking but are instead creating their own measure of success.This is perfect for the next generation of architects raised on the idea of non-conformity and side-hustles, who are already forging new careers blending architecture, social media, AI and more. But, make no mistake, wherever we are on the professional ladder, we can all rethink our personal definition of success and ask whether were aiming for the wrong goal.The vast majority of us wont design the next Guggenheim or win the Pritzker, and thats ok. Thats not the measure of success we should be aspiring to. A well-run, profitable small practice can be just as meaningful and impactful as a high-profile award-winning one. Stability through sustainable, ethical business practices should be celebrated just as much as aesthetic brilliance.AdvertisementWe dont need to burn our copies of Le Corbusiers Towards a New Architecture or reject slow and considered bespoke design. We just need to appreciate that success in architecture can also be measured in financial independence, work-life balance and sustainable practice. The starchitect struggle doesnt work and perhaps never did. The old mans game needs an update.Toko Andrews is an associate at Tunbridge Wells-based Kaner Olette Architects and associate lecturer at the University for the Creative ArtsEmerging practices toko andrews 2025-02-19Alan Gordoncomment and share
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  • Co-living pipeline booms with planning submissions up 87 per cent
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    Data from the real estate company reveals 9,000 co-living units were submitted for planning in the UK in 2024, compared with around 4,800 in 2023, and 6,200 were granted planning permission.Approximately 5,500 more, already consented units are also currently under construction to add to the UKs 9,000 existing operational units. According to Savills, delivery is expected to accelerate further throughout 2025 as inflation stabilises and investor confidence grows.The research was revealed in a c0-living spotlight report, which evaluated the co-living market compared with traditional private rented sector (PRS) stock across six major cities in the UK.AdvertisementSavills found cities will strong graduate retention rates London, Manchester and Birmingham among them are key markets for co-living developments.The report explained: Many graduates who are familiar with high-quality purpose-built student accommodation (PBSA) from during their studies, seek similar options as they begin their careers.In London, which has a 59 per cent graduate retention rate, 23 out of the citys 32 boroughs have now adopted or are in the process of developing policies on co-living.HTA Designs College Road development, a 50-storey tower of 817 co-living apartments dubbed Enclave: Croydon and a 35-storey tower of 120 affordable homesAnd Savills said the latest generation of UK co-living schemes had seen strong lease-up rates and high occupancy levels, particularly appealing to the 20-4o age group.Paul Wellman, associate director of residential research at Savills, described co-living as a vital addition to the UKs rental landscape.AdvertisementWellman added: With rising rental costs and a shrinking PRS, co-living offers a practical, high-quality housing option that delivers value for money while addressing the evolving needs of city renters.A sample of 11 operational schemes in London analysed by Savills, comprising a total of 2,700 units, showed all-inclusive co-living rents ranging from 1,550 to 1,750 per month.Lizzie Beagley, head of PBSA and co-living transactions for Savills Operational Capital Markets, said co-living was emerging as a distinct sub-sector within the wider Build to Rent market, and had attracted investors such as Cain International, Blackrock, Real Star, Crosstree, DTZIM, APG and CDL.Beagley added: The transactional evidence is still sparse, due to our still being in the development cycle of the market. However, we are seeing success from established operational portfolios such as DTZIM (Folk), Dandi, Vita (Union) and Scape (Morro) in some excellent second-generation co-living schemes.The UK co-living pipeline currently sits in contrast with the UK housing pipeline, with housing projects still lagging compared with last year, according to Allan Wilen, economic director at construction analyst Glenigan.Recent data released by the company found there were 12 per cent fewer housing starts in the three months to the end of January, compared with the same period in 2024, according to data gathered by construction analyst Glenigan.However, project starts crept up by 19 per cent between November 2024 and January this year, indicating quarter-on-quarter recovery, according to Glenigan.Private housing construction could grow by 13 per cent in 2025, and social housing could increase by 11 per cent, according to the companys forecast, provided the gains are sustained by a strong pipeline of new projects alongside further policy interventions in planning from the government to help unlock development.2025-02-19Anna Highfieldcomment and share
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  • Nall McLaughlin submits plans for Maggies Cambridge
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    The 2022 RIBA Stirling Prize-winner has been working with the cancer support charity on the plans for the new permanent facility on the Addenbrookes Hospital campus for nearly five years.The 484m purpose-built structure will replace an existing, temporary Maggies Centre housed within a block built to accommodate key worker flats.The cancer organisations other award-winning schemes have been designed by a roster of architectures biggest names, including Zaha Hadid, Norman Foster, Amanda Levete and Daniel Libeskind.AdvertisementNall McLaughlins proposal will involve demolition of a two-storey NHS administration building. The practice had looked at both a total retention and retrofit, and a partial retention and extension. However, both were ruled out after early design studies.The split-level scheme has been designed with a pinwheel plan rotating around a central staircase, liftshaft and lightwell. An olive tree will be planted in this space.Each of the centres mono-pitched roofs feature high-level clerestory windows.The design team said the facility would provide people affected by cancer with comforting and inspiring spaces to decompress from the clinical hospital setting, seek support and take part in activities.The landscape proposal, drawn up by Tom Stuart-Smith Studio, aims to enhance the existing woodland setting to the north of the site as well as introduce a welcoming entrance approach and expanded south-facing garden.AdvertisementIn 2022 Nall McLaughlin won the RIBA Stirling Prize for his new library at Cambridges Magdalene College, three miles to the south of the Addenbrookes site.Construction work is expected to start next year.Project dataLocation Long Road, Addenbrooke's Hospital, Cambridge,CB2 0ADLocal authority Cambridge City CouncilType of project Cancer Support CentreClient Maggie'sArchitect Nall McLaughlin ArchitectsLandscape architect Tom Stuart-Smith StudioPlanning consultantBidwellsStructural engineer Smith & WallworkM&E consultant Skelley & Couch Skelly & CouchQuantity surveyor Gardiner & TheobaldGross internal floor area 484m
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  • Invitation to the dance: Sadlers Wells East
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    In a district of London set to see 33,000 new homes by 2036, ODonnell + Tuomeys brick and pantile Sadlers Wells East is a significant addition to the UKs national dance infrastructure, dropping a civic and cultural anchor in the form of a 550-seat theatre, six full-scale rehearsal studios, public realm community stages and two new schools of dance the Rose School of Choreography and Breakin Convention, a hip-hop academy.Dance is a form of human expression older than language, with an important role in ancient civilisations. Or, to put it in the words of American choreographer and dancer Martha Graham: dance is the hidden language of the soul. Given todays accelerating digitalisation and ever-more binary global politics, its perhaps not surprising that the nuance of dance is resonating again, with burgeoning dance cultures building new bridges between high and popular art, live performance and TikTok trends.Photography by Peter MolloyVisitors to the UKs new incubator of dance, which opens this month, are most likely to arrive from Stratford Station, now the sixth busiest station in the country. Rising to the pedestrian podium level established by the Olympics masterplan, punters will need to navigate Westfield shopping centres cacophony of brands before emerging at the public promenade of Exchange Square in front of Queen Elizabeth Park and super-scale remnants of the 2012 Olympics, including the mothership of main stadium and the extraterrestrial ArcelorMittal Orbit. In the distance, a megastructure of another era, the red brick towers of the former Bryant and May match factory rebuilt in 1910, partly in response to the seminal matchgirls strike of 1888 are a little reminder of the human capital behind the districts historic industrialisation and brickfields.AdvertisementPhotography by Peter MolloyIn contrast with the otherworldly parametrics of the Olympics structures, Sadlers Wells East is rooted, earthy and orthogonal. The building is part of Stratford Waterfront, a terrace of cultural and educational uses envisioned by the London Legacy Development Corporation (LLDC) in a 2015 brief for an international competition a contest won by a team consisting of ODonnell + Tuomey, Allies and Morrison and Girona-based Camps Felip Arquitecturia, with Buro Happold, LDA Design and Gardiner & Theobald. Now almost complete, the terrace sandwiches Allies and Morrisons London College of Fashion (2023) and forthcoming BBC Music Studios between the bookends of ODonnell + Tuomeys Sadlers Wells East and their V&A East Museum (set to open in Spring 2026). The wider project, East Bank, included public realm and pedestrian bridges, UCL East (2023) and V&A Storehouse (due in May).Photography by Peter MolloyWe wanted to create a building that looks as if it was cast, from clay, from the earth, in the Stratford Town tradition, says John Tuomey. Central to the desire for a monolithic architecture was a supplier who could make bricks and roof tiles of the same material a journey that took the architects to Venice and brickmakers Sant Anselmo. Back in Stratford, ODonnell + Tuomey has imported the warm, terracotta-hued Venetian bricks and pantiles (including many special makings) to deliver a chromatic punch thats not dissimilar to the visual impact Londons Board Schools once made on mean Victorian streets.The buildings site navigates an 8m drop from the pedestrian level of Exchange Square to the vehicular access of Carpenters Road. It was this ground condition, combined with a technical brief setting out precise dimensions for the stage, studios and backstage areas, that largely dictated the buildings organisation, which stacks two levels of tall studios above a box-in-a-box auditorium dropping from an L-shaped foyer at the level of the public realm. It was an unusual way to start a building, says Sheila ODonnell. And you might also be surprised by how much structure it takes to support featherweight dancers their movements create massive standing waves of reverberation.Photography by Peter MolloyAn entrance set in the buildings chamfered corner to Exchange Square calls out to theatregoers in virtuoso brickwork, emphatic in its stamp of blind emboss, rather like the urbanism of the Amsterdam School. In the dark, a neon sign declaring You are welcome assists latecomers, some of whom might just register a corbelled brick fly tower off to the right. This is part of the sheer cliff-face of Sadlers Wells Easts north-east elevation, evocative of shadowy side-walls of West End or Broadway theatres or, perhaps, say the architects, the juxtaposition of buildings in ancient Rome. With steps descending steeply to stage door and get-ins, this is clearly back-of-house territory. Look closely, however, and the volumes of the auditorium are carefully delineated in the recessed jointing of the soaring brick wall.Photography by Peter CookIn contrast, the buildings main south-west elevation embraces new public realm and Waterworks River (a channel cut in 1743) in human-scaled proportions. Here, the jagged saw-toothed roof speaks chattily of a once-industrial context as well as of the rhythm of dance, capturing the spirit of notation systems such as Rudolf van Labans 1920s Labanotation. A civic-minded, cantilevered concrete canopy which Tuomey likens to the eyebrows of the face provides this elevation with an expression of theatre-ness, while sheltering bays of steel-framed windows that tilt 90 to maximise the foyers inside-outside engagement. Above, clearly legible as part of the theatres frontage, are the two upper levels of studios, helping to communicate the conceptual journey from choreography to rehearsal to performance. To protect dancers from over-exposure, as well as glare, the glazed walls of first-floor studios are screened by deep stripes of brick-inset louvres, while the upper studios are top lit.AdvertisementODonnell + Tuomeys research into programmatic requirements involved visits to dance studios across Europe, including those of Belgian choreographer Anne Teresa De Keersmaeker (forget what you think you know about dance, she told them). What they noted in particular was that fluid architectural responses to the movement of dance, such as Trinity Laban in south-east London had often been rectiliniarised by their occupants. When a dancer takes off in a pirouette, they want to know where theyre going to land, explains ODonnell. That means fixed points of reference, preferably at right angles.Photography by Peter CookOn the day of my visit, the multiform theatre, developed with theatre consultants Charcoalblue, is set up in traditional end-on (or proscenium arch) format, with steeply raked rows of auditorium seating following a gentle curve to optimise sightlines. In fact, the seating is fully retractable, enabling black box or club stage performances, with dancers and audience at the same level. (This months opening show, Our Mighty Groove, from mass movement choreographer Vicky Obukan Asebe, will use both formats.)The proportions of the stage itself precisely replicate those of the Sadlers Wells theatre in Rosebery Avenue, Clerkenwell, so that shows can easily be transferred between venues. Viewed from the foyer, the auditorium box is expressed in a crust of internal brickwork, offset by the presence of a pair of giant hand-made tapestries from artist Eva Rothschild, created like the brickwork in episodic manner.This spring and into the future the hidden language of dance is set to spill out of the auditorium of Sadlers Wells East into its foyer and the built environment beyond to a series of public stages created so that dancers from school and community groups can have their moment, dancing like nobodys watching. Watch this space.Ellie Duffy is a writer on architecture and designPhotography by Peter MolloyProject dataLocationQueen Elizabeth Olympic Park, StratfordCompletion November 2024Gross internal floor area8,283m2ProcurementNEC 3 Managed Packaged SolutionConstruction costUndisclosedArchitect ODonnell + TuomeyClientLondon Legacy Development CorporationClient partnerSadlers WellsStructural engineerBuro HappoldM&E consultantBuro HappoldQuantity surveyorGardiner & TheobaldTheatre consultantCharcoalblueAcoustic consultantCharcoalblueFaade engineerBuro HappoldLandscape consultantLDAFire consultantBuro HappoldSustainability consultantBuro HappoldLighting consultantBuro HappoldFoyer feature lighting designerAideen MaloneAccess consultantBuro HappoldLondon Legacy Development Corporation construction managerMaceProject managerMaceCDM Principal designerPFBApproved building inspectorAISMain contractorN/ACAD software usedRevitSustainability dataPercentage of floor area with daylight factor >2%: Not assessedPercentage of floor area with daylight factor >5%: Not assessedOn-site energy generation: 6.3 kWh/m2/yr (2.1% of total annual energy use)Heating and hot water load: 85 kWh/m2/yearOperational energy: 297 kWh/m2/yearTotal energy load: 172 kWh/m2/year (electricity consumption)Carbon emissions (all): 34.7 kgCO2/m2 (as built)Annual mains water consumption: 1.60 m3/occupantAirtightness at 50Pa: 4 m3/hr/m2Overall thermal bridging heat transfer coefficient (Y-value): 0.033 W/m2KOverall area-weighted U-value: 0.34 W/m2kAnnual CO2 emissions: 34.7 kgCO2/m2Embodied carbon: 5,736 tCO2e (estimated, RIBA Stage 4)Whole-life carbon: Not assessedPredicted design life: 60 yearsEnergy performance certificate rating: B
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  • Work starts on EBBAs overhaul of listed house designed by Team 4 founder
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    The East London-based practices project will sensitively and sustainably restore the original 34 Belsize Lane building in Belsize Park. It will also add a lightweight first-floor addition above its bedroom wing.The house was designed and built between 1975 and 1976as a home and studio for herself and her family by Wolton, who died four years ago, aged 87.In 2023 it became her first building to be included on the National Heritage List for England, after being given statutory protection by the Department for Culture, Media and Sport on the advice of Historic England.AdvertisementWolton (ne Cheesman) formed the architectural firm Team 4 in 1963 with Richard Rogers, whom she had met while studying at Epsom, along with Su Rogers, Norman Foster and her younger sister, Wendy Cheesman (who later married Foster). She left the practice a few months later.The 34 Belsize Lane home adopted some of the key concepts of design developed during her career, including notions regarding the principles of light, the arrangement of spaces and their connection to the landscape.It is built around three courtyard gardens and features a series of rooflights, bespoke sliding timber shutters and conservatory-like antechambers areas Wolton called pause spaces, separating the living and working parts of the house.As a Modernist, she was interested in the quality of architecture that came through simple construction and an expression of how things came together. Extensions and additions were seen as lightweight elements that contrasted with the heavier elements of primary walls.At the time of its listing, Historic England regional director Tom Foxall described the house as an accomplished piece of her work, adding: Wolton's buildings are little known, but she made an important contribution to post-war Modernism in England.AdvertisementThe building is a meticulously conceived studio house which creatively integrates into its setting and meets the high threshold for listing.The house has been empty since her death and will become a family home after the restoration.The first-floor extension is set to be made of a lightweight timber structure, which a statement from EBBA said reflects the language of construction found in the work of Georgie Woltons oeuvre.Other works include reconstruction of some external walls to increase insulation and address structural issues.In August last year Camden Council also approved measures to redevelop the propertys garden, install solar panels, an air source heat pump and rainwater harvesting measures.EBBA founder Benni Allan said: With this project, we intend to demonstrate new strategies for the restoration of Modernist houses, creating a sustainable model to restore and retain these architectural icons whilst pioneering a new future for them.Critic and author Jonathan Meades has described Wolton as the outstanding woman architect of the generation before Zaha [Hadid].Wolton had a longstanding interest in buildings designed to function as both domestic and work spaces. Her best-known work is Phase I (1969) and II (1971-2) of Cliff Road Studios.Her now-demolished Fieldhouse in East Horsley, Surrey, was built in 1968 with a Cor-ten steel frame. It was among the first domestic uses of Cor-ten steel in the UK and was one of several of houses designed by British architects in the 1960s and 70s that were heavily influenced by Mies van der Rohes Farnsworth House in Illinois. Source:EBBA Architects34 Belsize Lane proposed collage planProject dataArchitectEBBADesign teamBenni Allan, Jack Bailey, Alberte LauridsenLandscape architectAndy SturgeonStructural engineerElliott WoodM&EEEPQuantity surveyorCHPPlanning consultantsDP9Heritage consultantJon Lowe Heritage Source: EBBA Architects, photography by James Retief34 Belsize Lane proposed renovation
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  • BDP picked for 100m Shakespeare masterplan in Stratford-upon-Avon
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    The practice says it has assembled an industry-leading team for the World Shakespeare Campus Masterplan, which will imagine a new campus-style development incorporating two existing buildings and exploring the potential for a new Shakespeare-themed museum.Backed by the Shakespeare Birthplace Trust, the vision will include the regeneration of Henley Street, the building where Shakespeare was born, and the existing Shakespeare Centre, and assess the potential for a new World Shakespeare Museum in a neighbouring 35,000m regeneration site known as Stratford-upon-Avon Gateway. The new museum would link the birthplace with existing Trust buildings on Henley Street.BDP says the project will lead to the creation of an updated, cultural and visitor experience with global appeal that strengthens Stratford-upon-Avons status as the home of Shakespeare.Advertisement Source:Mareks Perkons/ShutterstockShakespeare's Birthplace in Stratford-upon-AvonThe competition for the 100 million project was launched last August by the Shakespeare Birthplace Trust, with an estimated 75,000 contract for the winning team.A brief by Trust said it wanted the team, led by an architect, urban realm designer, tourism development consultant or project manager, to develop a long-term strategy for the Trusts masterplan development, with the focal point being the new World Shakespeare Campus.The campus is expected to include an exhibition and visitor experience, a town museum, learning spaces, an archive, performance space, food and retail spaces, staff offices, conferencing facilities, a childrens play area and coach parking.Key aims include boosting access to the trusts museum facilities and collections, improving public realm and visitor experience, and unlocking wider regeneration across Stratford-upon-Avon.An international design competition is expected to be held for the 8,000m World Shakespeare Museum itself following the completion of the campus masterplan.AdvertisementGergana Draganova, urbanism director at BDP, said the team assembled by the practice brings a balance of global expertise and local sensitivity to a project which presents a once-in-a-generation opportunity to shape a cultural and heritage destination of international significance.Speaking of BDPs appointment, Tim Aucott, director of strategy and change at the Shakespeare Birthplace Trust, said: Our ambition for the World Shakespeare Campus is to create a space in the heart of Stratford-upon-Avon that honours Shakespeares enduring legacy and celebrates his hometown. To achieve such an ambitious and wide-reaching project weve partnered with an organisation that has unrivalled experience on delivering masterplans that balance the needs of residents and the opportunities for growth and renewal.2025-02-18Anna Highfieldcomment and share
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  • OMAs budget-busting Aviva Studios among RIBA North West 2025 award finalists
    www.architectsjournal.co.uk
    The 7,000-capacity arts venue designed by Rem Koolhaass practice and formerly known as Factory International finally opened two years ago at a cost of 241 million double its original budget and an estimated four years late. The building was initially expected to complete in 2019.OMA originally won the competition to design the centre back in 2015, selected ahead of Zaha Hadid Architects and Rafael Violy among other. It had a 111.6 million price tag when the plans were approved two years later. However, the project was beset by problems and budget overruns and in 2020 Ryder was drafted in to help tackle the spiralling costs.This years North West regional shortlist is almost half the size of the 13-strong list of contenders in 2024. The list once again features Sheppard Robsons new School of Science, Engineering and Environment for the University of Salford, which has been resubmitted after failing to go on and pick up a regional prize last year.AdvertisementOther schemes in contention include shedkms Lighthouse Church in the Wirral, a religious space with a glazed frontage on Heswall high street, Cullinan Studio and 10architects The Catkin Centre and Sunflower House a mental health centre for children in Liverpool and Smith Young Architects extension of an Edwardian House in Cheshire, called Vestige, for a private client.This years North West region features two shortlisted hotels: Falconer Chester Halls Municipal Hotel & Spa by M:Gallery in Liverpool, and Campbell Driver Partnership Ltds Langdales Chase Hotel at Windermere. Source:Jack HobhouseThe School of Science, Engineering and Environment (SEE), University of Salford, Manchester, by Sheppard RobsonRIBA North West jury chair Dominic Wilkinson, principal lecturer at Liverpool John Moores University, said: This years shortlist demonstrates the regions ongoing ambition to create high-quality architecture, with a strong selection of projects across a range of scales.Public buildings are well represented, with a commitment to excellence which offers hope for the civic realm. From small houses to large events venues, and from new builds to creative adaptation of historic structures, the shortlisted projects highlight a serious commitment to minimising carbon footprints and reducing the environmental impact of the construction sector, displaying the positive role architecture plays for both clients and the wider community.All projects shortlisted for the RIBA North West awards will be visited by a jury, and the winning projects will be announced later this spring.AdvertisementThe winners will then be considered for several RIBA Special Awards, including the RIBA Sustainability Award and RIBA North West Building of the Year, before being considered for a RIBA National Award, the winners of which will be announced in summer.The shortlist for the RIBA Stirling Prize the UKs best new building will be drawn from the RIBA National Award-winning projects in September. The Stirling Prize winner will be announced in October at a ceremony at the Roundhouse in London.RIBA North West awards shortlist 2025Aviva Studios Factory International, by OMALangdale Chase Hotel by, Campbell Driver Partnership LtdLighthouse Church, by shedkmThe Catkin Centre and Sunflower House, by Cullinan Studio with 10architectThe Municipal Hotel & Spa by M:Gallery, by Falconer Chester HallThe School of Science, Engineering and Environment (SEE) Building, University of Salford, by Sheppard RobsonVestige, by Smith Young Architects
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  • Case study: St Marks Schoolhouse by Dow Jones Architects
    www.architectsjournal.co.uk
    Our project refurbished a small derelict schoolhouse and converted it into our architecture studio, making a comfortable and uplifting space for us to work in. It combines low-carbon strategies with a listed building refurb. The schoolhouse was built in 1867 for the growing population of Battersea when Clapham Junction Station was built. The school closed in the 1960s, was used in an ad hoc way and then lay empty for 40 years. It is Grade II-listed and was on the Heritage at Risk register until we completed our refurbishment.When we started, the building fabric was in very poor condition. The north wall had a severe outward lean and was held up by scaffolding, and all walls had extensive cracking. Windows and doors were either missing or rotten. We used reversible techniques and like-for-like repairs to retain the character of the listed building, alongside a sustainability strategy focused on high levels of insulation (exceeding current Building Regulations), improved airtightness, low-carbon heating and re-use of materials.Walls were insulated internally by building an independent timber frame inside the existing brick walls, sat on a new structural concrete floor slab. We wanted to retain the character of the roof timbers, and so the roof is insulated externally above the sarking boards. Additional courses of bricks at the gables contain the additional roof build-up, which is concealed at the eaves with oversized gutters. Our office is on a busy road, so we have MVHR to avoid relying on opening windows for ventilation; heating is from an air source heat pump and hot water from a phase change thermal battery.Biba Dow, director, Dow Jones ArchitectsAdvertisementProject dataStart on site September 2023Completion Gross internal floor area 2Architect Dow Jones ArchitectsClient Dow Jones ArchitectsStructural engineer MomentumM&E consultant C+C BEApproved building inspector AssentMain contractor Silver Fern ConstructionSpecificationWe were keen to retain the scale and openness of the schoolroom, but also to make intimate areas in which to work. The teachers office has become our library and weve built a small timber building at one end of the schoolroom, which creates an upstairs meeting room and a downstairs space for lunch. We also enclosed the small yard at one end to make a kitchen and WCs.The meeting room has a large window overlooking our workspace, so views across the building are maintained. A cupboard is formed behind the undercut stair for our server and printer, and the MVHR duct makes a small seat at the top of the stairs.Construction was an exercise in circular material reuse. As we were insulating above the roof, we recycled the 1960s roof tiles into hardcore below the new ground slab. The old floor joists were set aside and used to build the meeting room structure. We then re-used the old pine floorboards as cladding for the stair and meeting room. The boards are around 27mm thick and 90mm wide; they are amazing quality, very straight and long. Our joiner took out the nails, planed them and sorted them into lengths, then used them to clad the outside of the meeting room and stair.Biba Dow, director, Dow Jones Architects
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  • NHS New Hospital Programme framework
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    The winning teams selected for the agreement will work with NHSE to deliver the governments New Hospital Programme (NHP) which originally set out to deliver 40 new hospitals by 2030 but has since been reviewed and will now see 50 schemes delivered in four waves by 2039.Up to 10 teams will be selected for the 12-year framework which is expected to cover refurbishments, fit outs, testing, enabling works, landscape, highways, office buildings, asset protection, planning, car parks, and the digital and lifecycle maintenance of capital works.According to the brief: NHSE is seeking to establish a multi-supplier framework agreement for major capital works for hospital build, refurbishment and ancillary works required by NHSE, including the detailed design, construction, commissioning and hand back of major hospital schemes as part of the NHP.AdvertisementThe framework agreement is to be referred to as the Hospital 2.0 Alliance Framework (the H2A Framework or Framework Agreement). Works and Services will be carried out on existing sites, adjacent to existing facilities or on new sites.The NHS in England is one of the countrys largest public employers with 1.4 million staff and more than 100 billion in annual funding. NHS England launched an initial search for a programme delivery partner for its ongoing new hospitals investment drive one year ago.The latest procurement comes just two months after NHS Greater Glasgow and Clyde announced a new 1.5 million construction consultancy services framework and a month after NHS Property Services announced a new 9.5 million architectural services framework.The New Hospital Programme was first announced in 2020 and involved the delivery of 40 new hospitals defined as with a major new clinical building, a new wing, or a refurbishment altering all but the building frame or main structure.The programme has been reviewed and will now cover 50 schemes in four waves running up to 2039. Key aims of the programme include harnessing modern methods of construction, delivering new net zero carbon infrastructure and responding to future healthcare demand and capacity modelling.AdvertisementCompetition detailsProject title New Hospital Programme Hospital 2.0 Alliance (H2A) FrameworkClient NHS EnglandContract value37 billionFirst round deadline Midday, 19 March 2025Restrictions TbcMore informationhttps://www.find-tender.service.gov.uk/Notice/004765-2025
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  • Department for Education Net Zero Accelerator
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    The winning teams will design and deliver a programme of decarbonisation interventions across 141 schools including three further education campuses.The initiative is being run by the arms length body LocatED and follows an earlier pathfinder programme which explored decarbonisation options for 50 schools.The contract is divided into three lots covering the West Midlands and East Midlands; North East and Yorkshire and the Humber; and the North West.AdvertisementAccording to the brief: LocatED, acting on behalf of the Secretary of State for Education, is inviting tenders for the opportunity to act as Delivery Partner and manage the delivery of decarbonisation interventions for 141 schools (including at least three FE colleges) across three lots.This opportunity builds on the Net Zero Accelerator Pathfinder project and will facilitate the roll out of energy generation and efficiency interventions across the education estate.LocatED is a government-owned property consultancy responsible for promoting the decarbonisation of the schools estate which is currently represents 37 per cent of public sector building carbon dioxide emissions.In 2023, LocatED appointed Barker Associates in consortia with Place Group and others, Arcadis in consortia with Cundall, Gleeds in consortia with eEnergy and PureThermal, Morgan Sindall Construction, and Syzygy Consulting to work on a feasibility study for its pathfinder programme.The latest procurement will select three delivery suppliers to work on a range of community renewables projects with 141 schools during 2025 and 2026.AdvertisementKey aims include unlocking access to clean energy and opportunities by promoting energy efficiency and generation on school campuses.Competition detailsProject title Net Zero Accelerator /Community Energy projectClient Department for EducationContract value37 billionFirst round deadline Midday, 19 March 2025Restrictions TbcMore informationhttps://www.contractsfinder.service.gov.uk/Notice/cb2d9dc8-0fce-4a94-9e1d-f243d610b189
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  • Oxford Town Hall
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    The winning team will carry out a RIBA Stage 1 feasibility study looking into options to refurbish the roof and external envelope of the historic Oxford Town Hall which is home to both Oxford City Council and the Museum of Oxford.The estimated 5 million project will upgrade the 1897 Jacobethan-style complex which was designed by local architect Henry Hare following a design competition and today hosts a range of civic, cultural, and commercial activities.According to the brief: Parts of Oxford Town Hall roofs are now beyond economic repair. Patch repairs have been undertaken over recent years to address reoccurring leaks however, these temporary patches are reaching the end of their life. A more holistic approach is now being proposed to mitigate future defects and enhance the longevity and performance of the roof.AdvertisementThe Town Hall is one of Oxford City Councils largest assets and in recent years has become its primary office space. The proposed work will ensure that the roof and external envelope is maintained and upgraded to a high standard to ensure that it is fit for the future.Oxford is one of the fastest growing cities in the UK, with 152,000 residents as well as 46,000 commuters and 9.5 million visitors every year. The latest project comes almost three years after LDA Design was chosen for a public realm upgrade of St Michael's Street in the city centre.Oxford City Council launched a search for a design team for a 6.87 million overhaul of its historic Covered Market and for an architect for 10 new homes on the southern fringes of the settlement last year.Key aims of the latest project include refurbishing the roof of the complex which features a mix of pitched and flat roofs with clay and slate tiles and asphalt and lead coverings respectively.Bids for the latest commission will be evaluated 60 per cent on quality and 40 per cent on price. Applicants must hold employers liability insurance of 5 million, public liability insurance of 5 million and professional indemnity insurance of 2 million.AdvertisementCompetition detailsProject title The Provision of a consultant team to undertake a feasibility review/RIBA Stage 1 for Oxford Town HallClientContract value 5 millionFirst round deadline Midday, 7 March 2025Restrictions TbcMore information https://www.contractsfinder.service.gov.uk/notice/9ffd7a98-3aa8-4cf8-a9ad-c48f679c85de
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  • Fusion21 framework 2025-29
    www.architectsjournal.co.uk
    Teams selected for the four-year framework will have the opportunity to win work in partnership with the procurement specialist which expects to facilitate projects for a range of public sector organisations in the blue light, central government, education, health, housing and local government sectors.The framework is divided into 15 lots covering multidisciplinary consultancy; stock monitoring and appraisal, information management (BIM), architecture, fit-out consultancy, heritage and conservation, structural and civil engineering, building engineering (M&E), facilities management consultancy, cdm principal designer, carbon reduction and sustainability, valuations, clerk of works, retrofit and principal designer services.According to the brief: Fusion21 is developing a Framework for the provision of a range of Construction Consultancy services that can be accessed by existing and future Fusion21 Members. The scope of the potential lot structure covers a range of built environment related professional consultancy services.AdvertisementFusion21 is a Liverpool-based procurement specialist which offers streamlined options to connect public sector clients and suppliers across the UK. The latest framework is the sixth of its kind to be launched by the organisation and will be procured through a two-stage restricted process.The architecture lot is valued at around 6 million in fees for the four-year lifetime of the framework. It will cover a range of projects including new builds, refurbishments, masterplanning, feasibility reports, hidden homes and infill sites, conversions, and alterations and extensions.Bids for inclusion on the latest framework will be evaluated 70 per cent on quality and 30 per cent on cost.Competition detailsProject title Construction Consultancy Services FrameworkClientContract value 175 millionFirst round deadline Midday, 14 March 2025Restrictions TbcMore information https://www.find-tender.service.gov.uk/Notice/004470-2025
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  • William Blake Estate, Lambeth
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    The winning team will draw up plans to replace windows and redecorate the estate which is named after the locally born poet William Blake and features a mix of buildings constructed between 1922 and 1981.The latest project comes almost five years after the corporation selected Studio Partington to design replacement windows, external doors and rooflights across the Chamberlin, Powell & Bon-designed Golden Lane Estate in north London.According to the brief: William Blake Estate is located in Lambeth, with the oldest blocks built between 1922 and 1981. The Estate has a mixture of architecture ranging from the former mansion flats that line Kennington Road to the larger more modern houses to the south of the small estate.AdvertisementThe boundaries of the estate form an enclosed green space with a small children's play area which also creates peaceful and appreciated environments for all residents to enjoy.Located close to North Lambeth station, the William Blake Estate is a large housing development occupying a triangular site featuring three pubs the Pineapple, the Steam Engine and the Hercules.The latest procurement comes five years after earlier plans to upgrade windows across the estate were approved by local authority Lambeth Council.Bids for the latest commission will be evaluated 60 per cent on quality and 40 per cent on price. Applicants must hold employers liability insurance of 5 million, public liability insurance of 5 million and professional indemnity insurance of 5 million.Competition detailsProject title William Blake Windows and Redecorations - Architect AppointmentClientContract value TbcFirst round deadline Midday, 14 March 2025Restrictions TbcMore information https://www.contractsfinder.service.gov.uk/notice/272c3b41-d9f2-4303-a3ed-d688e61b5e73
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  • MIDA wins approval for airspace housing above Hackney warehouse
    www.architectsjournal.co.uk
    The practice, which was set up by former David Miller Architects project architect David Mimram in 2017, is also revamping the existing Padangle House in Kingsland Road, upon which the homes will sit.The scheme was originally submitted in 2021 during the Covid-19 pandemic at a time when Hackney Councils planning department faced significant delays and resourcing challenges.The consultation process was extended following the introduction of the Health and Safety Executive as a statutory consultee for planning applications involving high-rise residential buildings. The scheme has now passed through Gateway 1 under the new Building Safety Act.AdvertisementBacked by client Rowdeal Investments, the 620m scheme will create a mix of one-bedroom studios and three-bedroom penthouse apartments on top of the inter-war block overlooking London Overgrounds Windrush line.On the front of the building, a light-coloured metal cladding distinguishes the new extension from the existing structure, while the rear features a set-back top floor and a two-story Cor-ten steel-clad faade. Source:MIDA Architecture This rooftop extension is part of a comprehensive retrofit program, which includes improving the buildings thermal performance, replacing all windows with energy-efficient double-glazed steel frames and incorporating air source heat pumps and photovoltaic panels.The project is directly opposite a recently approved 150-room co-living scheme developed by Morro, a subsidiary of Scape Living, and designed by the now-defunct pH+.Mimran said the airspace extension would celebrate Haggerstons innovative and creative spirit while honouring its industrial heritage.AdvertisementHe said: This project, alongside the retrofit of Padangle House, will ensure its continued legacy as one of the last remaining examples of inter-war industrial warehouse architecture within the Kingsland Conservation Area for years to come.Work is expected to start on site in early 2026. Source:MIDA Architecture Project dataLocation 270 Kingsland Road, London, E8 4DGLocal authority Hackney CouncilType of project Residential airspace developmentClient Rowdeal InvestmentsArchitect MIDA ArchitectureLandscape architect n/aFire consultant Aura FirePlanning consultant MIDA ArchitectureStructural engineer JMS GroupM&E consultant AtspaceQuantity surveyor n/aPrincipal designer MIDA ArchitectureLighting consultant TBCMain contractor TBCFunding PrivateTender date May 2025Start on siteJanuary 2026CompletionJanuary 2028Contract duration 24 monthsGross internal floor area 620mForm of contract and/or procurement TBCAnnual CO2 emissions12,013.54 kg CO2/yearTotal cost TBC
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  • Khashoggis widow challenges architects to raise his brutal murder with Saudis
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    Jamal (right) and Hanan Khashoggi (left) Source:&nbsp Hanan KhashoggiHanan Khashoggi, the widow of Saudi journalist Jamal Khashoggi, has called on British architects working in Saudi Arabia including Norman Foster to raise her husbands killing with Crown Prince Mohammed bin Salman Talking to the AJ from her apartment in Washington DC where she has been granted asylum since December 2023 after leaving Dubai Hanan said her husbands murder remains unsolved and pleaded with UK architects to raise the case with the countrys ruler.Speaking directly to the profession, she said: I tell the architects from the UK: Im proud that you are helping Saudi Arabia to develop, and this is what Jamal wanted, but please speak to them [Saudi Arabias ruling royal family] and remind them there is unfinished business here, which is Jamal.Khashoggi, a Washington Post journalist and legal resident of the United States, who was highly critical of Prince Mohammed, was killed inside the Saudi consulate in Istanbul in 2018. While US intelligence concluded that he was murdered on the orders of Prince Mohammed, Saudi officials claimed the journalist was killed in a rogue operation by a team of agents sent to persuade him to return to the kingdom.AdvertisementAs questions mounted in the immediate aftermath of Khashoggis death in 2018, Norman Foster temporarily stepped back from his role on the board overseeing the planning of the $500 billion NEOM project.However, just over six years later, Foster + Partners involvement in Saudi Arabia has deepened, with the practice now designing several major schemes, including a 2km-tall tower, as the AJ revealed last year, a six-runway airport, and Red Sea resorts. Source:Foster + Partners Foster + Partners design for a six-runway international airport in Riyadh, Saudi ArabiaThe practices burgeoning international workload, especially in Saudi Arabia and other parts of the Middle East, is understood to be behind its recent London expansion to office space at 50 Electric Boulevard next to Battersea Power Station.Hanan said she appreciated Fosters stance on NEOM in 2018, which showed he had the ability to tell the Crown Prince and the Saudi royal family that there is unfinished business here, and they need to finish it.Addressing the Foster + Partners founder directly, she said: Mr Foster, this case has not been closed. There is one victim still alive, which is me. She didn't receive any compensation or any official apology, they destroyed her family life. This is me.AdvertisementMr Foster, this case has not been closed. There is one victim still alive, which is meThe former Emirates Airline employee also expressed concerns over human rights in general in Saudi and warned architects not to abandon democratic freedoms and concern for human life when working in the country. According to an ITV News investigation published last year, an estimated 21,000 foreign workers have died in the Kingdom since the reform programme Saudi 2030 Vision was launched in 2016.Hanan explained: I hope UK architects carry and keep their democratic values and that they dont stop working in Saudi Arabia, because this is what Jamal wanted; he wanted better for his country, for his people. Source:ShutterstockRiyadh, Saudi ArabiaBut I want architects to remind the Crown Prince and the Saudi royal family that there is unfinished business here regarding Jamal because a horrible crime happened to an honest journalist.In December, Hanan raised her case with Keir Starmer ahead of his first visit to the kingdom as Prime Minister. This was reported in The Guardian, but she did not get a direct response from the government, Hanan told the AJ.The approach of Starmer, whose visit to the kingdom was in support of his number one mission to grow the UK economy, comes on the back of attempts by the former Conservative deputy prime minister Oliver Dowden (pictured below) to strengthen UK-Saudi business ties.I want architects to remind the Crown Prince and the Saudi royal family that there is unfinished business here regarding JamalHowever, in May last year, Dowden was also said to have raised the issue of Saudi forces being told to kill to make way for the Line the flagship linear city NEOM project, set to be designed by Genslers London office. The claim, reported as part of an investigation by the BBC, has been denied by NEOM.Dozens of UK architects are understood to be currently working on 2030 Vision development projects overseen by Prince Mohammed or have previously taken part in design work. UK firms also have permanent bases in the country, or are in the process of establishing them. Source:NEOMThese include Allies and Morrison, which announced last week that it had opened offices in Jeddah to support its workload in the kingdom, including masterplanning the AlUla Saudi 2030 Vision development.Simon Gathercole, partner at Allies and Morrison, said the practice had been working in Saudi for 16 years and that the Jeddah offices will provide a base for our work in the region.He added: What makes it more interesting for us is that we will be right in the heart of this fascinating, culturally engaged community.Human rights group Amnesty International previously told the AJ that it was vital that architecture firms considering operating in Saudi Arabia are doing proper due diligence to ensure theyre not contributing to labour exploitation and other human rights abuses.The organisations head of labour rights and sport, Steve Cockburn, cautioned that the enormity of the Saudi 2030 Vision projects meant architects would inevitably rely on a huge workforce of migrant workers who face significant risks of exploitation and even death.The RIBA last year described ITV News report of 21,000 worker deaths as serious and concerning and referred to the institutions Code of Professional Conduct and Code of Practice regarding architects impact on the environment and society.Chapter 14 of the RIBA code states that members shall have proper concern and due regard for the effect that their professional activities and completed projects may have on users, the local community and society.Foster + Partners confirmed Foster was not involved on NEOM's advisory board but did not respond to the above comments when approached by the AJ.2025-02-17Gino Spocchiacomment and share
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  • Bennetts completes first building for Tribeca life sciences campus
    www.architectsjournal.co.uk
    The first of five buildings on the Tribeca development for developer Reef Group, all by Bennetts, The Apex provides 10,450m2 of office and laboratory space across six floors.Situated on the site of the former Royal Mail sorting office (previously dubbed the ugly brown building by Bennetts), the scheme has an open reception and ground-floor caf that sits beside the Regents Canal. Support facilities are also arranged on ground and basement levels, commercial and laboratory space across all floors and a roof terrace.Over 4,800m2 of the building will be occupied by world-famous The Francis Crick Institute, while The London BioScience Innovation Centre is taking over 35 per cent of the space.AdvertisementThe design allows for flexibility, with a hybrid base building offering a variety of lab and office configurations.The scheme is also the UKs first large-scale building to use site subsoil in its construction. About 13,000 unfired earth blocks were created from excavated clay mixed with sand and straw and used for the perimeter walls of the buildings basement instead of cement blocks.Unlike standard blockwork, which has limited recycling potential, earth blocks can be broken down and reused or returned to nature at the end of their lifespan and emit 10 per cent of the CO2 emitted by a medium-density cement block.Brickwork has been used throughout in keeping with the materiality of the Regents Canal, with a variety of tones chosen to complement that of nearby Kings Cross Conservation Area.Following its completion in 2026, the 55,700m mixed-use Tribeca development will provide nearly one million sq ft of workspace, laboratories, retail and residential space in the heart of Londons Knowledge Quarter and biotech cluster.AdvertisementThe AJ covered the burgeoning life sciences sector last year, when it emerged that its construction pipeline would not meet demand. Read how architects can tap into this work here.Last year, Bennetts Associates was crowned AJ100 Practice of the Year for its ambitious and detailed sustainability approach and its industry-shifting willingness to share knowledge and demand positive change.Practice associate Nikolay Shahpazov, working with brick producer HG Matthews, pioneered the use of earth blocks last year.Architects viewTribeca is a significant project weve been working closely with Reef Group on for eight years. The Apex sets the tone for the campus, which sits at the centre of what is set to be Londons largest life sciences development. Once complete, Tribeca will provide a new community for occupiers to collaborate and innovate in a contemporary canalside environment.Gavin Pike, associate director, Bennetts AssociatesClient's viewIt has been a pleasure working alongside Bennetts Associates to design and complete the first building at Tribeca. Seeing our joint efforts come to fruition is testament to our innovative collaboration. The completion of The Apex brings us a step closer in delivering Londons largest purpose-built science campus to date, both supporting the UK life sciences sector to expand and compete globally as well as offering a home to life sciences businesses from start-up to commercialisation.Peter Langly-Smith, development director, Reef GroupProject dataLocation Kings Cross, LondonStart on site February 2021CompletionJanuary 2025Gross internal floor area 7,550m2Gross (internal + external) floor area 10,400m2Form of contract Design and buildConstruction cost UndisclosedArchitect Bennetts AssociatesClient Reef GroupStructural engineer GD PartnershipM&E consultant KJ TaitQS Gardiner & TheobaldFire consultant ORSAFaade consultant FMDCLandscape consultant Fabrik/CamlinsAcoustic consultant Sandy BrownProject manager Gardiner & TheobaldPrincipal designer Bennetts AssociatesCDM co-ordinator David M EagleApproved building inspector Meridian ConsultMain contractor VolkerfitzpatrickCAD software used Revit
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  • Peckham Arch gone in Graeme Massie and Scott Whitby revamp plans
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    Designs went on display this week showing the long-awaited plans to revamp the square facing Peckham High Street and Rye Lane, and neighbouring Will Alsops Stirling Prize-winning Peckham Library.The scheme involves levelling the ground below the soon-to-be-removed Peckham Arch to create a new entrance to the square which could host market space.The masterplan includes a multi-use space with fountains that could hold events. Other features include new planting, lighting and seating, play areas and a series of paving carpets with different bold, geometric patterns.AdvertisementThe AJ understands the proposed removal of the Peckham Arch is a Southwark Council decision and follows a structural survey completed last year. The 35m canopy structure, designed by John McAslan, has sat at the entrance to the square since 1994.The future of Peckham Arch first came under the spotlight nine years ago when Southwark Council approved a Carl Turner Architects scheme which was never realised. Those plans, which included the removal of McAslans structure, faced local opposition over the planned removal of the local landmark.Spheron then became the second practice to take on the job following a council-run contest in 2021. That scheme also hit the buffers.A Southwark Council spokesperson had previously confirmed that, if Peckham Arch were not included in a final design, its relocation to another site was not under consideration.Speaking to the AJ in 2023, local architect Benedict OLooney said the Peckham Arch should be restored as an example of 1990s High-Tech architecture and a significant early work by Troughton McAslan, beautifully detailed in steel and in-situ concrete work.AdvertisementOLooney continued: It is a modern version of the town loggia (eg the Loggia dei Lanzi in Florence), an open but covered market space, to be found wonderfully surviving in Renaissance structures in the market squares of Ledbury, Faversham, Peterborough and so many other places.The neighbouring Stirling Prize-winning Peckham library by Will Alsop reopened in 2023 following a refurbishment which included energy efficiency improvements. However, controversy surrounds the proposed installation of plant equipment on the roof.Southwark Council appointed Graeme Massie and Scott Whitby to develop designs for Peckham Square in 2023 following acompetitive tendering process involving architects on the councils ADS framework, building on Spherons early design work and consultation efforts.The masterplan extends northwards into Surrey Canal Walk and west to include the area immediately south of the Peckham Pulse Leisure Centre.An agreement has also been signed to make 91-93 Peckham High Street a new home for local arts charity Peckham Platform, designed by local practice Knox Bhavan, to the south-east of the Peckham Square masterplan.A planning application for Peckham Square will be submitted this year.Architects statement Graeme MassiePeckham is one of the most diverse areas in the UK, with a wide range of ethnicities and age groups. However, at present the square does not have an identity which promotes this diversity. The square is rather homogeneous, with neutral, hard landscaping to the fore. It lacks a real sense of joy and is not a place which encourages users to linger.To make a space which is truly reflective of everyone is one of the key tasks for the project. The project aims not prioritise one type of user over another, but to be inclusive, safe and welcoming.The square adopts a pluralist approach with a range of interconnected spaces of differing character. The aim is to accommodates multiple uses at any one time, as well as being a backdrop for day-to-day life. It is a space of both/and rather than either/or.Peckham Square, Graeme Massie Architects and Scott Whitby Studio
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  • BDP posts highest ever turnover as staff numbers hit record levels
    www.architectsjournal.co.uk
    BDPs group accounts for the year ending 30 June 2024 show the architectural giant also employed its highest-ever number of staff, rising by 25 to 1,328, including 892 architects and related professions. With contractors, the total headcount reaches just over 1,350.The companys profit before tax also edged up, with a 5.9 per cent increase on the 2023 figure (9.2 million) to 9.8 million.Fee income in the UK, which still makes up two-thirds of the 62-year-old practices workload, rose by 13.5 per cent.AdvertisementDuring the reporting period, BDP was appointed to restore James Stirlings Grade II*-listed History Faculty Building at Cambridge University, submitted proposals for a 1,600-home low-carbon neighbourhood in the Wirral and revealed it was working on a new headquarters for the European Centre for Medium-Range Weather Forecasts (ECMWF) on Reading Universitys Whiteknights campus.It was also announced that BDP Pattern, the practices sports and entertainment division, was reworking cricket stadiums in Pakistans two largest cities Karachi and Lahore and a third in historic Rawalpindi, the former Pakistani capital, to enhance fan experiences for international cricket matches.BDP has also landed the GOlympics in Ahmedabad, which sets out plans for the 2036 Olympics, serviced through its London and Delhi studios multidisciplinary teams and working in collaboration with Nippon Koei India.Meanwhile, the UKs second-largest practice continues to work on the delayed Dublin Children's Hospital, Everton FCs new stadium and as delivery architects and lead consultant on Heatherwick Studio and BIGs nearly complete Google HQ at Kings Cross. Source:BDP PatternBDP Patterns nearly completed new stadium for Everton FC on Liverpool's Bramley-Moore Dock.However, the financial period stops before the company made around 30 staff redundant from its London office last summer.Speaking about the decision to shed staff at the time, Simon Riley, head of BDPs London studio, said: In August we undertook a consultation process in the London studio.Turbulent market conditions resulting in slow decision-making on potential contracts along with the completion of some significant projects in our region meant there was a necessity to assess where the skills of our talented architects and designers could be shared across our international studios.However, in the chief executives review accompanying the 2024 accounts, Nick Fairham was more upbeat, writing: We have responded to the ever-changing demands of the modern world through our resilient and diverse collective of 19 studios.As the original multidisciplinary practice and with our continued investment in technology and AI we expect to continue to drive change through our Design as a Power for Good initiative.AdvertisementHe added: The welcome drop in inflation has seen stubborn interest rates in the UK, USA and Canada and, with early signs of these dropping, we are confident our clients will seek our help in delivering their plans and helping to innovate in their response to the commercial challenges of the evolving city-centre demands.
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  • Woods Bagot shrinks Leadenhall tower after Roman discovery
    www.architectsjournal.co.uk
    The scheme to build new office space and flatten a 1930s office building on a plot neighbouring Leadenhall Market was originally approved by City of London councillors in October 2023. The consented plans also included an exhibition space and a public hall.Updated proposals put to consultation this month show that Woods Bagot has reduced the height of 85 Gracechurch Street by two storeys and relocated a proposed exhibition space on the ground floor, where the important Roman remains have been discovered during excavation work.The London Museum will be involved in what Woods Bagot says is a new historic and immersive experience for London, providing a permanent public display, events space and an immersive experience.AdvertisementThe AJ understands the rejigged scheme will be similar in appearance to the consented plans, which incorporates the faade of the 1930s building standing on the site into the new build plans.Stepping down towards the east, the consented tower was designed to provide 37,000m2 of office space across 27 floors, sitting above five storeys of other uses, including a public hall, a heritage garden and heritage walkway.Historic England had raised concerns over the harm to the Grade II*-listed Leadenhall Market and said Woods Bagots consented scheme was low to moderate in the range of less than substantial harm, as per the National Planning Policy Framework.HE also recognised tensions regarding the towers height with respect to the former Local Plan, which was not designated for tall buildings. However, under the draft City Plan, Leadenhall is earmarked for a cluster of tall buildings.Duncan Wilson, Historic Englands chief executive, said the heritage body had worked on the updated proposals and that the discovery of the basilica offered an opportunity to capitalise on the Citys Roman heritage.AdvertisementHe said: To find the dais of the Basilica, the heart of Londons Roman Forum, surviving beneath todays bustling Square Mile, is really something special. To capitalise on this extraordinary discovery we have helped shape a new public display of the archaeological remains, offering a brand-new visitor experience in the City.This underscores our belief that well-displayed and interpreted archaeology brings real value and character to a development, celebrating the heritage of places while delivering something new.Ron Hertshten, chief executive of project backer Hertshten Properties, added: The Roman basilica will be incorporated as a world-class public experience through updates to the proposed design of the development, right in its original location.With the expertise of MOLA, London Museum and Woods Bagot, the exhibition space will be the only public display of the first Roman Forum in London. Together, the commercial and civic elements of the updated planning application will enable us to deliver much-needed world-class office space, as well as revitalise the site and complement the adjacent Leadenhall Market, creating a seven-days-a-week destination at 85 Gracechurch Street.A planning application is due to be submitted this spring, with completion scheduled for 2029/30, depending on approval and further excavation work.Site view
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  • AOMD refurbishes rural home using locally sourced waste
    www.architectsjournal.co.uk
    Hop Cottage was originally the working rooms for a conical Oast next door but was converted into a two-bedroom family home in the last century. AOMD has completed a small-scale intervention inspired by the landscape and working within the constraints of its Area of Outstanding Natural Beauty site.Taking a minimal approach while enhancing the envelope of the original Surrey house, the use of locally sourced waste components drove its design.The plan has been reworked to remove an existing conservatory and establish a new central entrance. The original homes timber-clad living room has been enlarged and new propagation window added to support the clients passion for gardening.AdvertisementAn L-shaped extension replaces the dated, underperforming 1990s conservatory, which was resold, its footprint adapted to separate the steeply terraced garden to create three distinct garden rooms. Each of these has a sense of privacy formed through subtle angles in plan and a new chimney mediating between interior and exterior.A landscape design that creates different environments to encourage biodiverse species to thrive was one of the key drivers of the scheme. To the east, the steep site has been reconfigured to make a sunken courtyard for indigenous ferns, bird cherry and tropical begonias, while, to the west, a lower terrace has been created for soft wild grasses.To the north is an espalier wall to a small orchard and kitchen garden. This replaces a hardstanding, converting a large portion of the lawn to vegetated garden while working to shore up the garden against potential subsidence.Referencing Edwin Lutyens many extensions and Mackintoshs Hill House, sustainable and locally sourced waste materials have been used for the interior palette to add tactility and allow the new addition to engage with the historic structure.The project was self-built over 18 months by the clients on a budget of 70,000. Local waste streams were identified to minimise landfill: the conservatory was carefully removed and resold; the existing slab retained; the sites retaining structure was built using demolition waste; timber framing sourced from a local builders merchant; standard profiles used only; and rejected bricks used, sourced from within 10 miles.AdvertisementArchitects viewHop Cottage demonstrates the value of local collaboration, and how the careful reuse of material resources can be deftly and economically integrated in projects in a historic rural contexts. It reveals the potential for the development of a contemporary local vernacular.The project was built over an 18-month period by the owners on a shoestring budget of 70,000. By adopting a self-build approach, we worked in close collaboration with the owners to ensure re-use of materials, prioritising locally sourced and environmentally considered solutions throughout the process.The extension only slightly increases the footprint of the former conservatory, working predominantly within the existing house. We worked with the clients to identify local waste streams, which then drove the concept and spatial design for reconfiguring the scheme. To minimise landfill, an existing conservatory was removed and resold, with the new extension designed to sit on the existing slab, whilst the retaining structure to the steeply sloping site was constructed from the demolition materials.Timber framing was sourced from a local builders merchant, selecting standard profiles requiring minimal customisation, and we achieved a waterstruck-esque finish using the back, rough face of a cheaper brick type sourced from a yard specialising in rejects/over orders from larger sites 10 miles away. The design approach we adopted illustrates the value of local collaboration, resourcefulness, and innovative thinking within the constraints of an Area of Outstanding Natural Beauty.In developing a scheme which enables the residents to consider their future mobility needs within their home, we worked with the owners to adopt a self-build approach to construction, and to use materials and fittings with long life in mind. Internally, the layout has been opened up to afford constant connection to the landscape beyond; there is an architectural playfulness in the edges between interior and exterior.Michael Dillon, director, AOMDProject dataStart on site September 2023CompletionNovember 2024Gross internal floor area 123m2 (existing house), 23m2 (extension)Form of contractTraditional, self-build by clientConstruction cost 70,000Construction cost per m2 2,500Architect AOMDExecutive architect Michael DillonClient PrivateDesign life 60 yearsEmbodied/whole-life carbon 448 kgCO2eq/m2, 354 kgCO2eq/m2 (including sequestration)
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