• Dans ce monde où l'art et la beauté des plages semblent si proches, je me sens si loin. Les scans 3D gratuits de Stefan Oprisan, ces merveilles numériques, sont comme des souvenirs d'un bonheur perdu. Chaque détail me rappelle des moments passés, des rires échangés au bord de l'eau, mais maintenant, je me retrouve seul avec mon chagrin. Comment apprécier ces créations quand la solitude me serre le cœur ? Deux semaines pour saisir ces trésors, mais que valent-ils sans quelqu'un pour les partager ?

    #Solitude #Chagrin #ArtNumérique #Plages #UnrealEngine
    Dans ce monde où l'art et la beauté des plages semblent si proches, je me sens si loin. Les scans 3D gratuits de Stefan Oprisan, ces merveilles numériques, sont comme des souvenirs d'un bonheur perdu. Chaque détail me rappelle des moments passés, des rires échangés au bord de l'eau, mais maintenant, je me retrouve seul avec mon chagrin. Comment apprécier ces créations quand la solitude me serre le cœur ? Deux semaines pour saisir ces trésors, mais que valent-ils sans quelqu'un pour les partager ? 🌊💔 #Solitude #Chagrin #ArtNumérique #Plages #UnrealEngine
    Get 50+ free 3D scans of beaches and cliffs for use in Unreal Engine
    Get games artist Stefan Oprisan's Day By The Beach pack of 3D scanned assets free for two weeks on Fab. For commercial use.
    Like
    Love
    Wow
    Angry
    Sad
    117
    1 Commentarii 0 Distribuiri 0 previzualizare
  • Escribir el post perfecto para tu blog parece fácil, pero en realidad es un poco aburrido. Hay muchas cosas que se dicen sobre cómo hacerlo, pero al final, ¿quién tiene ganas de seguir todos esos pasos? Hay más de 250 millones de blogs en Internet, y la verdad, la mayoría de ellos se sienten como una repetición de lo mismo.

    Primero, supuestamente necesitas elegir un tema. Ya sabes, algo que te apasione. Pero a veces, simplemente no hay ganas. Después, está el asunto del título. Se dice que tiene que ser atractivo, pero lo que importa realmente es si la gente lo va a leer, y a veces ni eso.

    Luego, se habla de estructurar el contenido. Hay que organizarlo en párrafos, usar subtítulos y tal. Pero, en serio, ¿quién realmente se detiene a leer un post que tiene mil encabezados? A veces, un texto largo y plano es más fácil de digerir.

    No olvidemos las imágenes. Se recomienda incluir algunas, pero la verdad es que puede dar pereza buscarlas y editarlas. Solo queremos escribir y ya.

    Y, claro, hay que optimizar para SEO. Insertar palabras clave, crear meta descripciones... suena complicado y, para ser honesto, a veces simplemente no quiero hacerlo.

    Después de todo eso, viene la parte de promocionar el post. Compartir en redes sociales y esperar que alguien lo lea. A veces, me pregunto si todo este esfuerzo vale la pena.

    Al final, escribir el post perfecto para tu blog puede ser un proceso tedioso. Puede que sigas estos ocho pasos, pero al final del día, solo queremos que alguien se detenga un momento a leer. O a veces no. Tal vez solo querríamos descansar un poco.

    #blogging #contenido #SEO #marketingdigital #escribir
    Escribir el post perfecto para tu blog parece fácil, pero en realidad es un poco aburrido. Hay muchas cosas que se dicen sobre cómo hacerlo, pero al final, ¿quién tiene ganas de seguir todos esos pasos? Hay más de 250 millones de blogs en Internet, y la verdad, la mayoría de ellos se sienten como una repetición de lo mismo. Primero, supuestamente necesitas elegir un tema. Ya sabes, algo que te apasione. Pero a veces, simplemente no hay ganas. Después, está el asunto del título. Se dice que tiene que ser atractivo, pero lo que importa realmente es si la gente lo va a leer, y a veces ni eso. Luego, se habla de estructurar el contenido. Hay que organizarlo en párrafos, usar subtítulos y tal. Pero, en serio, ¿quién realmente se detiene a leer un post que tiene mil encabezados? A veces, un texto largo y plano es más fácil de digerir. No olvidemos las imágenes. Se recomienda incluir algunas, pero la verdad es que puede dar pereza buscarlas y editarlas. Solo queremos escribir y ya. Y, claro, hay que optimizar para SEO. Insertar palabras clave, crear meta descripciones... suena complicado y, para ser honesto, a veces simplemente no quiero hacerlo. Después de todo eso, viene la parte de promocionar el post. Compartir en redes sociales y esperar que alguien lo lea. A veces, me pregunto si todo este esfuerzo vale la pena. Al final, escribir el post perfecto para tu blog puede ser un proceso tedioso. Puede que sigas estos ocho pasos, pero al final del día, solo queremos que alguien se detenga un momento a leer. O a veces no. Tal vez solo querríamos descansar un poco. #blogging #contenido #SEO #marketingdigital #escribir
    Cómo escribir el post perfecto para tu blog (8 simples pasos)
    Cómo escribir el post perfecto para tu blog (8 simples pasos) En la actualidad existen más de 250 millones de blogs públicos en Internet, según Wikipedia. Esta cifra podría ser aún mayor si tenemos en cuenta webs corporativas y el auge de los medios
    Like
    Love
    Wow
    Sad
    Angry
    595
    1 Commentarii 0 Distribuiri 0 previzualizare
  • Unreal and Unity Summer Bundles: $4,453 Value for Only $40!

    Summer Limited-Time Mega Discounted Unreal Engine Bundle


    Summer Limited-Time Mega Discounted Unity Engine Bundle


    Use the S60 discount code for 60% Discount from original price and grab it for 40$

    -----------------------------------------------

    unreal engine 5,ue5 asset bundle,tutorial,quixel,megascans,unreal engine environments,leartes in unreal engine 5,ue5 leartes studios,unreal big environment bundle,huge discount marketplace,unreal engine 5 how to get environments,unreal engine 5 assets at 50 dollars,unreal engine 5 big bundle, marketplace sale
    #unreal #unity #summer #bundles #value
    Unreal and Unity Summer Bundles: $4,453 Value for Only $40!
    Summer Limited-Time Mega Discounted Unreal Engine Bundle 🔗 Summer Limited-Time Mega Discounted Unity Engine Bundle 🔗 Use the S60 discount code for 60% Discount from original price and grab it for 40$ ----------------------------------------------- unreal engine 5,ue5 asset bundle,tutorial,quixel,megascans,unreal engine environments,leartes in unreal engine 5,ue5 leartes studios,unreal big environment bundle,huge discount marketplace,unreal engine 5 how to get environments,unreal engine 5 assets at 50 dollars,unreal engine 5 big bundle, marketplace sale #unreal #unity #summer #bundles #value
    WWW.YOUTUBE.COM
    Unreal and Unity Summer Bundles: $4,453 Value for Only $40!
    Summer Limited-Time Mega Discounted Unreal Engine Bundle 🔗 https://gumroad.com/a/39658451/rqvyh Summer Limited-Time Mega Discounted Unity Engine Bundle 🔗 https://gumroad.com/a/39658451/dalmi Use the S60 discount code for 60% Discount from original price and grab it for 40$ ----------------------------------------------- unreal engine 5,ue5 asset bundle,tutorial,quixel,megascans,unreal engine environments,leartes in unreal engine 5,ue5 leartes studios,unreal big environment bundle,huge discount marketplace,unreal engine 5 how to get environments,unreal engine 5 assets at 50 dollars,unreal engine 5 big bundle, marketplace sale
    Like
    Love
    Wow
    Sad
    Angry
    530
    0 Commentarii 0 Distribuiri 0 previzualizare
  • Nike Introduces the Air Max 1000 its First Fully 3D Printed Sneaker

    Global sportswear leader Nike is reportedly preparing to release the Air Max 1000 Oatmeal, its first fully 3D printed sneaker, with a launch tentatively scheduled for Summer 2025. While Nike has yet to confirm an official release date, industry sources suggest the debut may occur sometime between June and August. The retail price is expected to be approximately This model marks a step in Nike’s exploration of additive manufacturing, enabled through a collaboration with Zellerfeld, a German startup known for its work in fully 3D printed footwear.
    Building Buzz Online
    The “Oatmeal” colorway—a neutral blend of soft beige tones—has already attracted attention on social platforms like TikTok, Instagram, and X. In April, content creator Janelle C. Shuttlesworth described the shoes as “light as air” in a video preview. Sneaker-focused accounts such as JustFreshKicks and TikTok user @shoehefner5 have also offered early walkthroughs. Among fans, the nickname “Foamy Oat” has started to catch on.
    Nike’s 3D printed Air Max 1000 Oatmeal. Photo via Janelle C. Shuttlesworth.
    Before generating buzz online, the sneaker made a public appearance at ComplexCon Las Vegas in November 2024. There, its laceless, sculptural silhouette and smooth, seamless texture stood out—merging futuristic design with signature Air Max elements, such as the visible heel air unit.
    Reimagining the Air Max Legacy
    Drawing inspiration from the original Air Max 1, the Air Max 1000 retains the iconic air cushion in the heel while reinventing the rest of the structure using 3D printing. The shoe’s upper and outsole are formed as a single, continuous piece, produced from ZellerFoam, a proprietary flexible material developed by Zellerfeld.
    Zellerfeld’s fused filament fabricationprocess enables varied material densities throughout the shoe—resulting in a firm, supportive sole paired with a lightweight, breathable upper. The laceless, slip-on design prioritizes ease of wear while reinforcing a sleek, minimalist aesthetic.
    Nike’s Chief Innovation Officer, John Hoke, emphasized the broader impact of the design, noting that the Air Max 1000 “opens up new creative possibilities” and achieves levels of precision and contouring not possible with traditional footwear manufacturing. He also pointed to the sustainability benefits of AM, which produces minimal waste by fabricating only the necessary components.
    Expansion of 3D Printed Footwear Technology
    The Air Max 1000 joins a growing lineup of 3D printed footwear innovations from major brands. Gucci, the Italian luxury brand known for blending traditional craftsmanship with modern techniques, unveiled several Cub3d sneakers as part of its Spring Summer 2025collection. The brand developed Demetra, a material made from at least 70% plant-based ingredients, including viscose, wood pulp, and bio-based polyurethane. The bi-material sole combines an EVA-filled interior for cushioning and a TPU exterior, featuring an Interlocking G pattern that creates a 3D effect.
    Elsewhere, Syntilay, a footwear company combining artificial intelligence with 3D printing, launched a range of custom-fit slides. These slides are designed using AI-generated 3D models, starting with sketch-based concepts that are refined through AI platforms and then transformed into digital 3D designs. The company offers sizing adjustments based on smartphone foot scans, which are integrated into the manufacturing process.
    Join our Additive Manufacturing Advantageevent on July 10th, where AM leaders from Aerospace, Space, and Defense come together to share mission-critical insights. Online and free to attend.Secure your spot now.
    Who won the2024 3D Printing Industry Awards?
    Subscribe to the 3D Printing Industry newsletterto keep up with the latest 3D printing news.
    You can also follow us onLinkedIn, and subscribe to the 3D Printing Industry Youtube channel to access more exclusive content.
    Featured image shows Nike’s 3D printed Air Max 1000 Oatmeal. Photo via Janelle C. Shuttlesworth.

    Paloma Duran
    Paloma Duran holds a BA in International Relations and an MA in Journalism. Specializing in writing, podcasting, and content and event creation, she works across politics, energy, mining, and technology. With a passion for global trends, Paloma is particularly interested in the impact of technology like 3D printing on shaping our future.
    #nike #introduces #air #max #its
    Nike Introduces the Air Max 1000 its First Fully 3D Printed Sneaker
    Global sportswear leader Nike is reportedly preparing to release the Air Max 1000 Oatmeal, its first fully 3D printed sneaker, with a launch tentatively scheduled for Summer 2025. While Nike has yet to confirm an official release date, industry sources suggest the debut may occur sometime between June and August. The retail price is expected to be approximately This model marks a step in Nike’s exploration of additive manufacturing, enabled through a collaboration with Zellerfeld, a German startup known for its work in fully 3D printed footwear. Building Buzz Online The “Oatmeal” colorway—a neutral blend of soft beige tones—has already attracted attention on social platforms like TikTok, Instagram, and X. In April, content creator Janelle C. Shuttlesworth described the shoes as “light as air” in a video preview. Sneaker-focused accounts such as JustFreshKicks and TikTok user @shoehefner5 have also offered early walkthroughs. Among fans, the nickname “Foamy Oat” has started to catch on. Nike’s 3D printed Air Max 1000 Oatmeal. Photo via Janelle C. Shuttlesworth. Before generating buzz online, the sneaker made a public appearance at ComplexCon Las Vegas in November 2024. There, its laceless, sculptural silhouette and smooth, seamless texture stood out—merging futuristic design with signature Air Max elements, such as the visible heel air unit. Reimagining the Air Max Legacy Drawing inspiration from the original Air Max 1, the Air Max 1000 retains the iconic air cushion in the heel while reinventing the rest of the structure using 3D printing. The shoe’s upper and outsole are formed as a single, continuous piece, produced from ZellerFoam, a proprietary flexible material developed by Zellerfeld. Zellerfeld’s fused filament fabricationprocess enables varied material densities throughout the shoe—resulting in a firm, supportive sole paired with a lightweight, breathable upper. The laceless, slip-on design prioritizes ease of wear while reinforcing a sleek, minimalist aesthetic. Nike’s Chief Innovation Officer, John Hoke, emphasized the broader impact of the design, noting that the Air Max 1000 “opens up new creative possibilities” and achieves levels of precision and contouring not possible with traditional footwear manufacturing. He also pointed to the sustainability benefits of AM, which produces minimal waste by fabricating only the necessary components. Expansion of 3D Printed Footwear Technology The Air Max 1000 joins a growing lineup of 3D printed footwear innovations from major brands. Gucci, the Italian luxury brand known for blending traditional craftsmanship with modern techniques, unveiled several Cub3d sneakers as part of its Spring Summer 2025collection. The brand developed Demetra, a material made from at least 70% plant-based ingredients, including viscose, wood pulp, and bio-based polyurethane. The bi-material sole combines an EVA-filled interior for cushioning and a TPU exterior, featuring an Interlocking G pattern that creates a 3D effect. Elsewhere, Syntilay, a footwear company combining artificial intelligence with 3D printing, launched a range of custom-fit slides. These slides are designed using AI-generated 3D models, starting with sketch-based concepts that are refined through AI platforms and then transformed into digital 3D designs. The company offers sizing adjustments based on smartphone foot scans, which are integrated into the manufacturing process. Join our Additive Manufacturing Advantageevent on July 10th, where AM leaders from Aerospace, Space, and Defense come together to share mission-critical insights. Online and free to attend.Secure your spot now. Who won the2024 3D Printing Industry Awards? Subscribe to the 3D Printing Industry newsletterto keep up with the latest 3D printing news. You can also follow us onLinkedIn, and subscribe to the 3D Printing Industry Youtube channel to access more exclusive content. Featured image shows Nike’s 3D printed Air Max 1000 Oatmeal. Photo via Janelle C. Shuttlesworth. Paloma Duran Paloma Duran holds a BA in International Relations and an MA in Journalism. Specializing in writing, podcasting, and content and event creation, she works across politics, energy, mining, and technology. With a passion for global trends, Paloma is particularly interested in the impact of technology like 3D printing on shaping our future. #nike #introduces #air #max #its
    3DPRINTINGINDUSTRY.COM
    Nike Introduces the Air Max 1000 its First Fully 3D Printed Sneaker
    Global sportswear leader Nike is reportedly preparing to release the Air Max 1000 Oatmeal, its first fully 3D printed sneaker, with a launch tentatively scheduled for Summer 2025. While Nike has yet to confirm an official release date, industry sources suggest the debut may occur sometime between June and August. The retail price is expected to be approximately $210. This model marks a step in Nike’s exploration of additive manufacturing (AM), enabled through a collaboration with Zellerfeld, a German startup known for its work in fully 3D printed footwear. Building Buzz Online The “Oatmeal” colorway—a neutral blend of soft beige tones—has already attracted attention on social platforms like TikTok, Instagram, and X. In April, content creator Janelle C. Shuttlesworth described the shoes as “light as air” in a video preview. Sneaker-focused accounts such as JustFreshKicks and TikTok user @shoehefner5 have also offered early walkthroughs. Among fans, the nickname “Foamy Oat” has started to catch on. Nike’s 3D printed Air Max 1000 Oatmeal. Photo via Janelle C. Shuttlesworth. Before generating buzz online, the sneaker made a public appearance at ComplexCon Las Vegas in November 2024. There, its laceless, sculptural silhouette and smooth, seamless texture stood out—merging futuristic design with signature Air Max elements, such as the visible heel air unit. Reimagining the Air Max Legacy Drawing inspiration from the original Air Max 1 (1987), the Air Max 1000 retains the iconic air cushion in the heel while reinventing the rest of the structure using 3D printing. The shoe’s upper and outsole are formed as a single, continuous piece, produced from ZellerFoam, a proprietary flexible material developed by Zellerfeld. Zellerfeld’s fused filament fabrication (FFF) process enables varied material densities throughout the shoe—resulting in a firm, supportive sole paired with a lightweight, breathable upper. The laceless, slip-on design prioritizes ease of wear while reinforcing a sleek, minimalist aesthetic. Nike’s Chief Innovation Officer, John Hoke, emphasized the broader impact of the design, noting that the Air Max 1000 “opens up new creative possibilities” and achieves levels of precision and contouring not possible with traditional footwear manufacturing. He also pointed to the sustainability benefits of AM, which produces minimal waste by fabricating only the necessary components. Expansion of 3D Printed Footwear Technology The Air Max 1000 joins a growing lineup of 3D printed footwear innovations from major brands. Gucci, the Italian luxury brand known for blending traditional craftsmanship with modern techniques, unveiled several Cub3d sneakers as part of its Spring Summer 2025 (SS25) collection. The brand developed Demetra, a material made from at least 70% plant-based ingredients, including viscose, wood pulp, and bio-based polyurethane. The bi-material sole combines an EVA-filled interior for cushioning and a TPU exterior, featuring an Interlocking G pattern that creates a 3D effect. Elsewhere, Syntilay, a footwear company combining artificial intelligence with 3D printing, launched a range of custom-fit slides. These slides are designed using AI-generated 3D models, starting with sketch-based concepts that are refined through AI platforms and then transformed into digital 3D designs. The company offers sizing adjustments based on smartphone foot scans, which are integrated into the manufacturing process. Join our Additive Manufacturing Advantage (AMAA) event on July 10th, where AM leaders from Aerospace, Space, and Defense come together to share mission-critical insights. Online and free to attend.Secure your spot now. Who won the2024 3D Printing Industry Awards? Subscribe to the 3D Printing Industry newsletterto keep up with the latest 3D printing news. You can also follow us onLinkedIn, and subscribe to the 3D Printing Industry Youtube channel to access more exclusive content. Featured image shows Nike’s 3D printed Air Max 1000 Oatmeal. Photo via Janelle C. Shuttlesworth. Paloma Duran Paloma Duran holds a BA in International Relations and an MA in Journalism. Specializing in writing, podcasting, and content and event creation, she works across politics, energy, mining, and technology. With a passion for global trends, Paloma is particularly interested in the impact of technology like 3D printing on shaping our future.
    0 Commentarii 0 Distribuiri 0 previzualizare
  • Graduate Student Develops an A.I.-Based Approach to Restore Time-Damaged Artwork to Its Former Glory

    Graduate Student Develops an A.I.-Based Approach to Restore Time-Damaged Artwork to Its Former Glory
    The method could help bring countless old paintings, currently stored in the back rooms of galleries with limited conservation budgets, to light

    Scans of the painting retouched with a new technique during various stages in the process. On the right is the restored painting with the applied laminate mask.
    Courtesy of the researchers via MIT

    In a contest for jobs requiring the most patience, art restoration might take first place. Traditionally, conservators restore paintings by recreating the artwork’s exact colors to fill in the damage, one spot at a time. Even with the help of X-ray imaging and pigment analyses, several parts of the expensive process, such as the cleaning and retouching, are done by hand, as noted by Artnet’s Jo Lawson-Tancred.
    Now, a mechanical engineering graduate student at MIT has developed an artificial intelligence-based approach that can achieve a faithful restoration in just hours—instead of months of work.
    In a paper published Wednesday in the journal Nature, Alex Kachkine describes a new method that applies digital restorations to paintings by placing a thin film on top. If the approach becomes widespread, it could make art restoration more accessible and help bring countless damaged paintings, currently stored in the back rooms of galleries with limited conservation budgets, back to light.
    The new technique “is a restoration process that saves a lot of time and money, while also being reversible, which some people feel is really important to preserving the underlying character of a piece,” Kachkine tells Nature’s Amanda Heidt.

    Meet the engineer who invented an AI-powered way to restore art
    Watch on

    While filling in damaged areas of a painting would seem like a logical solution to many people, direct retouching raises ethical concerns for modern conservators. That’s because an artwork’s damage is part of its history, and retouching might detract from the painter’s original vision. “For example, instead of removing flaking paint and retouching the painting, a conservator might try to fix the loose paint particles to their original places,” writes Hartmut Kutzke, a chemist at the University of Oslo’s Museum of Cultural History, for Nature News and Views. If retouching is absolutely necessary, he adds, it should be reversible.
    As such, some institutions have started restoring artwork virtually and presenting the restoration next to the untouched, physical version. Many art lovers might argue, however, that a digital restoration printed out or displayed on a screen doesn’t quite compare to seeing the original painting in its full glory.
    That’s where Kachkine, who is also an art collector and amateur conservator, comes in. The MIT student has developed a way to apply digital restorations onto a damaged painting. In short, the approach involves using pre-existing A.I. tools to create a digital version of what the freshly painted artwork would have looked like. Based on this reconstruction, Kachkine’s new software assembles a map of the retouches, and their exact colors, necessary to fill the gaps present in the painting today.
    The map is then printed onto two layers of thin, transparent polymer film—one with colored retouches and one with the same pattern in white—that attach to the painting with conventional varnish. This “mask” aligns the retouches with the gaps while leaving the rest of the artwork visible.
    “In order to fully reproduce color, you need both white and color ink to get the full spectrum,” Kachkine explains in an MIT statement. “If those two layers are misaligned, that’s very easy to see. So, I also developed a few computational tools, based on what we know of human color perception, to determine how small of a region we can practically align and restore.”
    The method’s magic lies in the fact that the mask is removable, and the digital file provides a record of the modifications for future conservators to study.
    Kachkine demonstrated the approach on a 15th-century oil painting in dire need of restoration, by a Dutch artist whose name is now unknown. The retouches were generated by matching the surrounding color, replicating similar patterns visible elsewhere in the painting or copying the artist’s style in other paintings, per Nature News and Views. Overall, the painting’s 5,612 damaged regions were filled with 57,314 different colors in 3.5 hours—66 hours faster than traditional methods would have likely taken.

    Overview of Physically-Applied Digital Restoration
    Watch on

    “It followed years of effort to try to get the method working,” Kachkine tells the Guardian’s Ian Sample. “There was a fair bit of relief that finally this method was able to reconstruct and stitch together the surviving parts of the painting.”
    The new process still poses ethical considerations, such as whether the applied film disrupts the viewing experience or whether A.I.-generated corrections to the painting are accurate. Additionally, Kutzke writes for Nature News and Views that the effect of the varnish on the painting should be studied more deeply.
    Still, Kachkine says this technique could help address the large number of damaged artworks that live in storage rooms. “This approach grants greatly increased foresight and flexibility to conservators,” per the study, “enabling the restoration of countless damaged paintings deemed unworthy of high conservation budgets.”

    Get the latest stories in your inbox every weekday.
    #graduate #student #develops #aibased #approach
    Graduate Student Develops an A.I.-Based Approach to Restore Time-Damaged Artwork to Its Former Glory
    Graduate Student Develops an A.I.-Based Approach to Restore Time-Damaged Artwork to Its Former Glory The method could help bring countless old paintings, currently stored in the back rooms of galleries with limited conservation budgets, to light Scans of the painting retouched with a new technique during various stages in the process. On the right is the restored painting with the applied laminate mask. Courtesy of the researchers via MIT In a contest for jobs requiring the most patience, art restoration might take first place. Traditionally, conservators restore paintings by recreating the artwork’s exact colors to fill in the damage, one spot at a time. Even with the help of X-ray imaging and pigment analyses, several parts of the expensive process, such as the cleaning and retouching, are done by hand, as noted by Artnet’s Jo Lawson-Tancred. Now, a mechanical engineering graduate student at MIT has developed an artificial intelligence-based approach that can achieve a faithful restoration in just hours—instead of months of work. In a paper published Wednesday in the journal Nature, Alex Kachkine describes a new method that applies digital restorations to paintings by placing a thin film on top. If the approach becomes widespread, it could make art restoration more accessible and help bring countless damaged paintings, currently stored in the back rooms of galleries with limited conservation budgets, back to light. The new technique “is a restoration process that saves a lot of time and money, while also being reversible, which some people feel is really important to preserving the underlying character of a piece,” Kachkine tells Nature’s Amanda Heidt. Meet the engineer who invented an AI-powered way to restore art Watch on While filling in damaged areas of a painting would seem like a logical solution to many people, direct retouching raises ethical concerns for modern conservators. That’s because an artwork’s damage is part of its history, and retouching might detract from the painter’s original vision. “For example, instead of removing flaking paint and retouching the painting, a conservator might try to fix the loose paint particles to their original places,” writes Hartmut Kutzke, a chemist at the University of Oslo’s Museum of Cultural History, for Nature News and Views. If retouching is absolutely necessary, he adds, it should be reversible. As such, some institutions have started restoring artwork virtually and presenting the restoration next to the untouched, physical version. Many art lovers might argue, however, that a digital restoration printed out or displayed on a screen doesn’t quite compare to seeing the original painting in its full glory. That’s where Kachkine, who is also an art collector and amateur conservator, comes in. The MIT student has developed a way to apply digital restorations onto a damaged painting. In short, the approach involves using pre-existing A.I. tools to create a digital version of what the freshly painted artwork would have looked like. Based on this reconstruction, Kachkine’s new software assembles a map of the retouches, and their exact colors, necessary to fill the gaps present in the painting today. The map is then printed onto two layers of thin, transparent polymer film—one with colored retouches and one with the same pattern in white—that attach to the painting with conventional varnish. This “mask” aligns the retouches with the gaps while leaving the rest of the artwork visible. “In order to fully reproduce color, you need both white and color ink to get the full spectrum,” Kachkine explains in an MIT statement. “If those two layers are misaligned, that’s very easy to see. So, I also developed a few computational tools, based on what we know of human color perception, to determine how small of a region we can practically align and restore.” The method’s magic lies in the fact that the mask is removable, and the digital file provides a record of the modifications for future conservators to study. Kachkine demonstrated the approach on a 15th-century oil painting in dire need of restoration, by a Dutch artist whose name is now unknown. The retouches were generated by matching the surrounding color, replicating similar patterns visible elsewhere in the painting or copying the artist’s style in other paintings, per Nature News and Views. Overall, the painting’s 5,612 damaged regions were filled with 57,314 different colors in 3.5 hours—66 hours faster than traditional methods would have likely taken. Overview of Physically-Applied Digital Restoration Watch on “It followed years of effort to try to get the method working,” Kachkine tells the Guardian’s Ian Sample. “There was a fair bit of relief that finally this method was able to reconstruct and stitch together the surviving parts of the painting.” The new process still poses ethical considerations, such as whether the applied film disrupts the viewing experience or whether A.I.-generated corrections to the painting are accurate. Additionally, Kutzke writes for Nature News and Views that the effect of the varnish on the painting should be studied more deeply. Still, Kachkine says this technique could help address the large number of damaged artworks that live in storage rooms. “This approach grants greatly increased foresight and flexibility to conservators,” per the study, “enabling the restoration of countless damaged paintings deemed unworthy of high conservation budgets.” Get the latest stories in your inbox every weekday. #graduate #student #develops #aibased #approach
    WWW.SMITHSONIANMAG.COM
    Graduate Student Develops an A.I.-Based Approach to Restore Time-Damaged Artwork to Its Former Glory
    Graduate Student Develops an A.I.-Based Approach to Restore Time-Damaged Artwork to Its Former Glory The method could help bring countless old paintings, currently stored in the back rooms of galleries with limited conservation budgets, to light Scans of the painting retouched with a new technique during various stages in the process. On the right is the restored painting with the applied laminate mask. Courtesy of the researchers via MIT In a contest for jobs requiring the most patience, art restoration might take first place. Traditionally, conservators restore paintings by recreating the artwork’s exact colors to fill in the damage, one spot at a time. Even with the help of X-ray imaging and pigment analyses, several parts of the expensive process, such as the cleaning and retouching, are done by hand, as noted by Artnet’s Jo Lawson-Tancred. Now, a mechanical engineering graduate student at MIT has developed an artificial intelligence-based approach that can achieve a faithful restoration in just hours—instead of months of work. In a paper published Wednesday in the journal Nature, Alex Kachkine describes a new method that applies digital restorations to paintings by placing a thin film on top. If the approach becomes widespread, it could make art restoration more accessible and help bring countless damaged paintings, currently stored in the back rooms of galleries with limited conservation budgets, back to light. The new technique “is a restoration process that saves a lot of time and money, while also being reversible, which some people feel is really important to preserving the underlying character of a piece,” Kachkine tells Nature’s Amanda Heidt. Meet the engineer who invented an AI-powered way to restore art Watch on While filling in damaged areas of a painting would seem like a logical solution to many people, direct retouching raises ethical concerns for modern conservators. That’s because an artwork’s damage is part of its history, and retouching might detract from the painter’s original vision. “For example, instead of removing flaking paint and retouching the painting, a conservator might try to fix the loose paint particles to their original places,” writes Hartmut Kutzke, a chemist at the University of Oslo’s Museum of Cultural History, for Nature News and Views. If retouching is absolutely necessary, he adds, it should be reversible. As such, some institutions have started restoring artwork virtually and presenting the restoration next to the untouched, physical version. Many art lovers might argue, however, that a digital restoration printed out or displayed on a screen doesn’t quite compare to seeing the original painting in its full glory. That’s where Kachkine, who is also an art collector and amateur conservator, comes in. The MIT student has developed a way to apply digital restorations onto a damaged painting. In short, the approach involves using pre-existing A.I. tools to create a digital version of what the freshly painted artwork would have looked like. Based on this reconstruction, Kachkine’s new software assembles a map of the retouches, and their exact colors, necessary to fill the gaps present in the painting today. The map is then printed onto two layers of thin, transparent polymer film—one with colored retouches and one with the same pattern in white—that attach to the painting with conventional varnish. This “mask” aligns the retouches with the gaps while leaving the rest of the artwork visible. “In order to fully reproduce color, you need both white and color ink to get the full spectrum,” Kachkine explains in an MIT statement. “If those two layers are misaligned, that’s very easy to see. So, I also developed a few computational tools, based on what we know of human color perception, to determine how small of a region we can practically align and restore.” The method’s magic lies in the fact that the mask is removable, and the digital file provides a record of the modifications for future conservators to study. Kachkine demonstrated the approach on a 15th-century oil painting in dire need of restoration, by a Dutch artist whose name is now unknown. The retouches were generated by matching the surrounding color, replicating similar patterns visible elsewhere in the painting or copying the artist’s style in other paintings, per Nature News and Views. Overall, the painting’s 5,612 damaged regions were filled with 57,314 different colors in 3.5 hours—66 hours faster than traditional methods would have likely taken. Overview of Physically-Applied Digital Restoration Watch on “It followed years of effort to try to get the method working,” Kachkine tells the Guardian’s Ian Sample. “There was a fair bit of relief that finally this method was able to reconstruct and stitch together the surviving parts of the painting.” The new process still poses ethical considerations, such as whether the applied film disrupts the viewing experience or whether A.I.-generated corrections to the painting are accurate. Additionally, Kutzke writes for Nature News and Views that the effect of the varnish on the painting should be studied more deeply. Still, Kachkine says this technique could help address the large number of damaged artworks that live in storage rooms. “This approach grants greatly increased foresight and flexibility to conservators,” per the study, “enabling the restoration of countless damaged paintings deemed unworthy of high conservation budgets.” Get the latest stories in your inbox every weekday.
    0 Commentarii 0 Distribuiri 0 previzualizare
CGShares https://cgshares.com