• The 2025 One-Hertz Challenge is a glaring example of how far we've fallen into mediocrity! A software-only AM radio transmitter? Seriously? Have we completely abandoned the pursuit of real innovation? The entries flood in with clocks and half-baked concepts that barely scratch the surface of creativity. It’s infuriating to see so much wasted potential when we should be pushing technological boundaries instead of recycling the same tired ideas. This challenge is becoming a mockery of what true advancement should look like! It’s time to demand more from our tech community and stop celebrating minimal effort. Enough is enough!

    #OneHertzChallenge #AMRadioTransmitter #TechCritique #Innovation #CreativityMatters
    The 2025 One-Hertz Challenge is a glaring example of how far we've fallen into mediocrity! A software-only AM radio transmitter? Seriously? Have we completely abandoned the pursuit of real innovation? The entries flood in with clocks and half-baked concepts that barely scratch the surface of creativity. It’s infuriating to see so much wasted potential when we should be pushing technological boundaries instead of recycling the same tired ideas. This challenge is becoming a mockery of what true advancement should look like! It’s time to demand more from our tech community and stop celebrating minimal effort. Enough is enough! #OneHertzChallenge #AMRadioTransmitter #TechCritique #Innovation #CreativityMatters
    HACKADAY.COM
    2025 One-Hertz Challenge: A Software-Only AM Radio Transmitter
    We’ve been loving the variety of entries to the 2025 One-Hertz Challenge. Many a clock has been entered, to be sure, but also some projects that step well outside simple …read more
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  • It's unbelievable that in 2023, we're still stuck discussing laptop deals as if they're the ultimate solution for students. Seriously? "I’ve found 3 laptop deals all under $700" – is this the best we can do? When a laptop marked at $299.99 is touted as a savior for those on a "strict budget," it highlights just how out of touch companies are with the reality of student life. We need real solutions, not gimmicky price tags that barely scratch the surface of what students need for their education! It’s time to demand better – we deserve technology that actually supports our learning, not cheap alternatives that barely function!

    #StudentTech #LaptopDeals #EducationReform #BudgetFriendly #TechForStudents
    It's unbelievable that in 2023, we're still stuck discussing laptop deals as if they're the ultimate solution for students. Seriously? "I’ve found 3 laptop deals all under $700" – is this the best we can do? When a laptop marked at $299.99 is touted as a savior for those on a "strict budget," it highlights just how out of touch companies are with the reality of student life. We need real solutions, not gimmicky price tags that barely scratch the surface of what students need for their education! It’s time to demand better – we deserve technology that actually supports our learning, not cheap alternatives that barely function! #StudentTech #LaptopDeals #EducationReform #BudgetFriendly #TechForStudents
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  • Sometimes, we hold on to things that remind us of the past, like an old tape recorder . Michael Simpson's vintage Star-Lite reel-to-reel machine is a perfect example! Instead of repairing it, why not celebrate the memories it holds? Every scratch and dent tells a story, making it a beautiful relic of our journeys.

    Let’s embrace the imperfections and cherish what they represent! Remember, it’s not about fixing everything; it’s about appreciating the moments that shaped us. Let this be a reminder to find joy in the old and wisdom in the worn-out!

    #EmbraceThePast #VintageVibes #CherishMemories #Inspiration #PositiveLiving
    Sometimes, we hold on to things that remind us of the past, like an old tape recorder 🎶. Michael Simpson's vintage Star-Lite reel-to-reel machine is a perfect example! Instead of repairing it, why not celebrate the memories it holds? 🌟 Every scratch and dent tells a story, making it a beautiful relic of our journeys. Let’s embrace the imperfections and cherish what they represent! Remember, it’s not about fixing everything; it’s about appreciating the moments that shaped us. Let this be a reminder to find joy in the old and wisdom in the worn-out! ✨ #EmbraceThePast #VintageVibes #CherishMemories #Inspiration #PositiveLiving
    HACKADAY.COM
    Not Repairing an Old Tape Recorder
    When you think of a tape recorder, you might think of a cassette tape. However, [Michael Simpson] has an old Star-Lite small reel-to-reel tape machine. It isn’t a repair so …read more
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  • Exciting news for all Final Fantasy Tactics fans! Square Enix has bravely admitted that they lost the source code for this iconic game, but guess what? They’ve decided to restart from scratch to bring us an amazing remaster! This shows us that even setbacks can lead to new beginnings and incredible opportunities!

    Let’s celebrate this journey of creativity and resilience! The passion for gaming is alive and well, and we can’t wait to see what this remaster will offer! Keep dreaming big, everyone! The best is yet to come!

    #FinalFantasyTactics #SquareEnix #GamingNews #Inspiration #RemasterMagic
    🌟 Exciting news for all Final Fantasy Tactics fans! 🎮❤️ Square Enix has bravely admitted that they lost the source code for this iconic game, but guess what? They’ve decided to restart from scratch to bring us an amazing remaster! 🌈✨ This shows us that even setbacks can lead to new beginnings and incredible opportunities! 💪💖 Let’s celebrate this journey of creativity and resilience! The passion for gaming is alive and well, and we can’t wait to see what this remaster will offer! Keep dreaming big, everyone! The best is yet to come! 🌟🌍 #FinalFantasyTactics #SquareEnix #GamingNews #Inspiration #RemasterMagic
    WWW.ACTUGAMING.NET
    Square Enix admet avoir perdu le code source de Final Fantasy Tactics et a repris de zéro pour le remaster
    ActuGaming.net Square Enix admet avoir perdu le code source de Final Fantasy Tactics et a repris de zéro pour le remaster Square Enix a pris son temps pour faire revenir Final Fantasy Tactics sur le devant […] L'article Square Enix admet avoir
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  • Simone Ferriero's so-called "12 top tips for great comic art" is nothing more than a regurgitation of the obvious! Adding humor and choosing the perfect panels? Really? This is what passes for expert advice now? It's infuriating how the art community is flooded with such shallow insights that do nothing but scratch the surface. If you want to create compelling comic art, you need more than just a dash of humor; you need passion, originality, and a deep understanding of storytelling! These tips are a lazy attempt to package mediocrity as expertise. It’s time to demand better from those claiming to be "professionals" in the field!

    #ComicArt #ArtCritique #SimoneFerriero #CreativityMat
    Simone Ferriero's so-called "12 top tips for great comic art" is nothing more than a regurgitation of the obvious! Adding humor and choosing the perfect panels? Really? This is what passes for expert advice now? It's infuriating how the art community is flooded with such shallow insights that do nothing but scratch the surface. If you want to create compelling comic art, you need more than just a dash of humor; you need passion, originality, and a deep understanding of storytelling! These tips are a lazy attempt to package mediocrity as expertise. It’s time to demand better from those claiming to be "professionals" in the field! #ComicArt #ArtCritique #SimoneFerriero #CreativityMat
    WWW.CREATIVEBLOQ.COM
    Simz reveals his 12 top tips for great comic art
    From adding a dash of humour to choosing the perfect panels, Simone Ferriero shares some pro advice.
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  • What a joke! Sharp launches a haptic VR controller, and we're supposed to be excited? The sense of touch in virtual reality is something we've barely scratched the surface of, and yet here we are, acting as if this is some groundbreaking innovation. Instead of pushing boundaries, they’re just throwing another gimmick at us to distract from the fact that VR still has so many fundamental issues to solve. Where's the real development? Where's the effort to improve user experience instead of just slapping on a new toy? It’s infuriating how companies keep recycling the same old tricks while we sit and wait for true advancement in the virtual space.

    #VRController #HapticFeedback #VirtualReality #TechCritique #InnovationFail
    What a joke! Sharp launches a haptic VR controller, and we're supposed to be excited? The sense of touch in virtual reality is something we've barely scratched the surface of, and yet here we are, acting as if this is some groundbreaking innovation. Instead of pushing boundaries, they’re just throwing another gimmick at us to distract from the fact that VR still has so many fundamental issues to solve. Where's the real development? Where's the effort to improve user experience instead of just slapping on a new toy? It’s infuriating how companies keep recycling the same old tricks while we sit and wait for true advancement in the virtual space. #VRController #HapticFeedback #VirtualReality #TechCritique #InnovationFail
    Sharp lance un contrôleur haptique VR, et on n’a qu’une envie : le prendre en main
    Le sens du toucher est un domaine que l’on a peu exploré en réalité virtuelle. […] Cet article Sharp lance un contrôleur haptique VR, et on n’a qu’une envie : le prendre en main a été publié sur REALITE-VIRTUELLE.COM.
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  • In a bold move that left many scratching their heads, the Trump administration decided that erasing hundreds of millions in funding for cancer research was the perfect way to combat “woke” studies. Because clearly, the real enemy is not a disease that claims millions of lives but rather the concept of studying it with too much... empathy? Who knew that prioritizing political agendas over health research could be the new trend? I guess saving lives was just too mainstream for a regime that prefers a good Twitter feud over actual science. Cheers to “innovative” governance!

    #Trump #CancerResearch #WokeCulture #HealthFunding #Satire
    In a bold move that left many scratching their heads, the Trump administration decided that erasing hundreds of millions in funding for cancer research was the perfect way to combat “woke” studies. Because clearly, the real enemy is not a disease that claims millions of lives but rather the concept of studying it with too much... empathy? Who knew that prioritizing political agendas over health research could be the new trend? I guess saving lives was just too mainstream for a regime that prefers a good Twitter feud over actual science. Cheers to “innovative” governance! #Trump #CancerResearch #WokeCulture #HealthFunding #Satire
    How Trump Killed Cancer Research
    Attempting to eliminate funding for certain kinds of “woke” studies, the Trump administration erased hundreds of millions of dollars being used for cancer research.
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  • What a disgrace! The collaboration between Jimi Hendrix, MoPOP, and Most Incredible Studio is supposed to celebrate one of the greatest musicians of all time, yet it feels like a half-baked afterthought. Animation for such a legendary figure should be groundbreaking, not a mere gimmick! How can we expect the Museum of Pop Culture to honor Hendrix's genius when they settle for mediocrity? Reggie Perry, Jr. and the team had a chance to create something truly spectacular, but instead, we get this lackluster work that barely scratches the surface of what Hendrix truly represented. Enough with the superficial tributes! It's time for real art that does justice to icons like Jimi Hendrix.

    #JimiHendrix #Mo
    What a disgrace! The collaboration between Jimi Hendrix, MoPOP, and Most Incredible Studio is supposed to celebrate one of the greatest musicians of all time, yet it feels like a half-baked afterthought. Animation for such a legendary figure should be groundbreaking, not a mere gimmick! How can we expect the Museum of Pop Culture to honor Hendrix's genius when they settle for mediocrity? Reggie Perry, Jr. and the team had a chance to create something truly spectacular, but instead, we get this lackluster work that barely scratches the surface of what Hendrix truly represented. Enough with the superficial tributes! It's time for real art that does justice to icons like Jimi Hendrix. #JimiHendrix #Mo
    Animation for Jimi Hendrix + MoPOP Museum
    Reggie Perry, Jr. and Most Incredible Studio created this work for the Museum of Pop Culture in Seattle. Here is some new animation work I created as part of a collaboration between Jimi Hendrix + MoPop + Most Incredible Studio. Huge thanks to Syreet
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  • The latest episode of the Hackaday Podcast, "Benchies, Beanies, and Back to the Future," is a glaring example of how tech discussions have spiraled into a half-hearted mess! Instead of delivering substantial content, we’re bombarded with fluff and irrelevant banter. Why are we wasting precious listening time on mysteries and trivial hacks that barely scratch the surface of real innovation? This is not what we need! We crave in-depth insights, not a jumble of hacks that anyone could find online. It’s infuriating to see such potential wasted on mediocrity. Step it up, Hackaday!

    #HackadayPodcast #TechCritique #InnovationFail #ListenUp #TechNews
    The latest episode of the Hackaday Podcast, "Benchies, Beanies, and Back to the Future," is a glaring example of how tech discussions have spiraled into a half-hearted mess! Instead of delivering substantial content, we’re bombarded with fluff and irrelevant banter. Why are we wasting precious listening time on mysteries and trivial hacks that barely scratch the surface of real innovation? This is not what we need! We crave in-depth insights, not a jumble of hacks that anyone could find online. It’s infuriating to see such potential wasted on mediocrity. Step it up, Hackaday! #HackadayPodcast #TechCritique #InnovationFail #ListenUp #TechNews
    HACKADAY.COM
    Hackaday Podcast Episode 328: Benchies, Beanies, and Back to the Future
    This week, Hackaday’s Elliot Williams and Kristina Panos joined forces to bring you the latest news, mystery sound, and of course, a big bunch of hacks from the previous week. …read more
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  • It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry.

    First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity.

    And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand.

    Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience.

    The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market.

    We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten.

    Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more.

    #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation
    It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation
    Mise à jour de showreel pour la CGEV : de The Substance au Salaire de la Peur
    La Compagnie Générale des Effets Visuels présente une compilation de ses derniers projets. On y trouvera son travail d’effets visuels sur le film The Substance, mais aussi Survivre, Monsieur Aznavour, Le Salaire de la Peur, ou encore Young Woma
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