Pictured above: A media room designed by Robin Henry, featuring an RT Facts lamp with custom shade.Let’s be honest: lampshades don’t always get the love they deserve. But this small design detail can totally transform the look and feel of a room. The right shade can elevate a lamp from basic to brilliant, soften a space with warm ambient light, or make a bold statement all on its own. And now that lampscaping—the idea of using multiple lamps (table, floor, and task) to layer light throughout a space instead of relying on harsh overheads—is officially a thing, knowing how to pick the best shade for your lamp feels more essential than ever. It's all about creating ambiance and mood, and it starts with choosing the right topper.Whether you're going classic, playful, minimalist, or maximalist, there’s a shade out there just waiting to light up your life. (See what we did there?) Don’t be afraid to mix and match lamp bases and shades for a custom, curated look. A sculptural base with a pleated or patterned shade? Yes, please. A sleek brass lamp with a bold-colored linen shade? Instant upgrade. Lampshades are an easy, affordable way to refresh your decor without a full-on overhaul—so have fun with it. Just don’t forget to consider size, shape, and material to make sure your lamp’s glow-up is as good as it gets. We asked interior designers to enlighten us (we really couldn’t help ourselves) on how to pick the perfect lampshade and ensure the scale is on point.Related StoriesChoose a SizeNicolas GourguechonFollowing the rule of thumb, the shade-to-base ratio of this entryway lamp in designer Devin Kirk’s own home is perfectly balanced.Amy NeunsingerTwo light sources mean two different shades and fittings in the Quadrille Arbre de Matisse adorned guest room of this home designed by Mark D. Sikes.Size definitely matters—at least when it comes to lampshades. First things first: proportions. A too-small shade looks awkward, and a too-large one can overwhelm the base. As a rule of thumb, according to interior designer and author Lauren Liess, "a lampshade should be roughly two-fifths of the total height of the full lamp, including the shade." So, if your lamp is 30 inches tall, aim for a 20-inch shade. That said, “there’s always an exception,” Liess adds. Retro styles often play with scale and can look fantastic with oversized or unusually shaped shades. A tall shade on a short, squat base? Totally works—just embrace the proportions. Width-wise, the shade should typically match the height of the base. And yes, it should always cover the bulb socket and any hardware. This is not the time for exposed necks. Speaking of hardware, not all shades work with all lamps, so fittings matter. The most common is a spider fitter, which works with lamps that have a harp and finial. If your lamp doesn’t have a harp, try an UNO fitter (it attaches directly to the socket). And for chandeliers or small accent lamps, clip-on shades are a quick and easy option. Just make sure whatever you use sits level and snug—wobbly lamp syndrome is never chic.Related StoryChoose a ShapeNathan SchroderA crisp white drum adorns a statement lamp base, making it stand out against the charcoal draperies in the dining room of this Dallas home designed by Studio Thomas James.Eric PiaseckiA stark white sculptural base paired with a simple tapered shade stands out while still letting the faux moiré painted walls shine in this Westchester County, NY, farmhouse designed by Robin Henry.Lampshades come in all shapes, and each one sets a different tone. Drum shades—those modern cylindrical beauties—are perfect for both contemporary and midcentury styles. “The drum is versatile enough for both modern and traditional interiors,” says Liess. Whitney Tingle, director of interior design at Christopher Architecture & Interiors, loves using oversize drum shades in linen to soften bold, sculptural bases with understated texture. Empire, coolie, and other tapered shade styles, which slope from a narrow top to a wide base, are timeless and elegant. Liess recommends them for chunkier, rounder lamp bases—think genie bottles or spherical silhouettes. For something romantic and soft, look no further than bell shades. Their graceful curves bring a vintage-inspired, feminine touch to more traditional spaces. Nicolas GourguechonFor his own home, designer Devin Kirk matched a square lamp shade with a vintage, metallic base of similar shape for an impactful lighting detail in this sophisticated family room.Lisa Romerein/Otto"In one of my favorite master bedrooms, this patterned shade adds dimension and an unexpected wit while staying traditional." — Michael S. SmithOn the other end of the spectrum, square and rectangular shades lend structure and sharpness, and they’re best used on lamps that also have a square or rectangular shape, according to Liess. Short on space? Oval shades are a smart solution. They’re ideal for lamps with distinct front-and-back silhouettes and add a polished feel without taking up extra room. And then, there are pleated shades—the darlings of traditional design. “They make a space feel decorated,” says Liess, who calls them an “old-guard designers’ staple.” Tingle recommends customizing pleated shades with color and pattern for maximum personality, especially when paired with a simple brass base.Related StoryChoose a MaterialFrancesco Lagnese"Zuber wallpaper is too expensive to not use every square inch of it, so we made shades from leftover scraps." — Tom ScheererBrie WilliamsBasic white lampshades were swapped for custom Euro-style “skirted” versions in a striped pattern that echoes the ridges of the lamp base in this primary bedroom by Heidi Woodman.Material doesn’t just determine the look of your shade—it defines the quality and style of the light itself. Paper shades are minimal and clean, often found in Scandinavian and Japandi-inspired interiors. They're especially charming in pendant or hanging styles. Designer Tom Scheerer has even used leftover wallpaper to create custom paper shades, giving his space a "surrealist touch." Fabric shades—linen, cotton, or silk—are the most versatile. Linen and cotton diffuse light beautifully, making any space feel soft and inviting. Silk ups the drama, casting a flattering, luxe glow that's perfect for bedrooms or formal living areas. These materials can work with virtually any shape or lamp style. Lampshade skirts, like those seen in interior designer Heidi Woodman's space, are also a fun option when using fabric for shades.Want something a little more modern and edgy? Metal shades cast directional light that's great for task lighting—perfect on a desk or reading lamp. Just a heads up from Liess: Metal shades can heat up, so skip them in nurseries or kid-centric zones. Or you can add unexpected texture and an instant coastal feel with a shade made out of rattan. Related StoryChoose a Color and PatternStephen KarlischIn her own home, designer Shazalynn Cavin-Winfrey used Coquette fabric by Kelly Wearstler on the walls, bed, and lampshades for the lighting on the bookshelf, while the bedside lamps are paired with custom lampshades from Shades from the Midnight Sun.Simon Watson"I love Pierre Frey’s Le Manach Balmoral and, inspired by French bedrooms, I used it all over. Custom-covered shades add so much." — Ellen NivenThis is where you get to play. If your lamp base is doing most of the talking, stick with a neutral shade—think white, beige, or soft gray. These tones complement almost everything without drawing too much attention. But if you want your shade to be the star, don’t hold back. Patterned or brightly colored shades can instantly energize a room. Want to go full-on, pattern-drenching maximalist? Try matching your shade fabric to drapery, pillows, or even wallpaper. “It becomes more than just a lighting element,” says Tingle. “It transforms into a cohesive design feature, seamlessly tying into the overall narrative of the space.” Frank Frances StudioDesigner Courtney McLeod paired a Broome lampshade with a Wildwood lamp for this sultry primary bedroom in her clients’ downtown New York apartment.And yes, we’re here for the moody, sexy glow of a dark shade too. It’s perfect for intimate nooks or elegant bedrooms where atmosphere is everything.Follow House Beautiful on Instagram and TikTok.

Mike Rupp (left) and Shawn Henderson debut Pyrion, a new lighting collection available through Hostler | Burrows.With the debut of Pyrion, designer Shawn Henderson and Mike Rupp of Rupp Studio introduce a lighting collection that transforms tactile yet minimal table and floor lamps into collectible design pieces. Rooted in sculptural minimalism, each piece takes the form of a pyramid, its surface hand-finished with a spray metal technique that mimics the rich patina of cast bronze. Complementing this architectural form are handwoven shades from Colombian atelier VERDI, crafted from Yaré vine and metallic threads. They infuse each fixture with a tactile contrast of earthiness and refinement.The collaboration is a study in balance, shaped by a shared design language. “Pyrion came out of a shared love for restraint and richness—how one shape, when made with intention, can feel both powerful and quiet,” says Rupp.Ethan HerringtonThe pyramid informs the collection’s hand-polished lamp bases and custom shades created in partnership with VERDI.In this exclusive Q&A, Henderson, a member of ELLE DECOR’s A-List, discusses the origins of Pyrion, his obsession with proportion, and how a unique design tête-à-tête helped create this notable collaboration. Available exclusively through Hostler | Burrows in both New York City and Los Angeles.ELLE DECOR: HOW DID YOU FIRST BECOME ACQUAINTED WITH MIKE? AND WHAT INSPIRED A LIGHTING-SPECIFIC COLLECTION?Shawn Henderson: Mike and I have been friends for many years and have collaborated on design throughout much of that time. Casual conversations gradually turned into a shared curiosity about doing something creative together. We both feel there’s a real void in the market for special lighting, so it felt like the right place to begin—designing lamps that sit at the intersection of architecture, sculpture, and atmosphere, all things we’re naturally drawn to in our work.Ethan HerringtonPyrion is made up of three distinctive lamps in three shade colors. Pictured above is the Pyrion Table Lamp.WHAT WERE YOUR MAIN SOURCES OF INSPIRATION FOR THE COLLECTION? We kept coming back to the idea of a singular, architectural shape—something clean and elemental, but not cold. We were thinking about ancient forms, like pyramids and obelisks, and how to reinterpret that kind of presence in a way that feels modern and quiet.HOW DID YOU BOTH BEGIN THE DESIGN PROCESS? It started with a shape—literally a triangle. We sketched, talked through proportions, passed ideas back and forth. It was very collaborative but intuitive. We were both aligned in wanting to do less, not more—to find strength in simplicity and let the materials do the work.AND, THIS LED TO PYRAMIDS. WHAT’S MEANINGFUL TO YOU ABOUT THIS SHAPE? There’s something timeless and grounded about a pyramid. It’s a shape that feels rooted and powerful, but also quiet. We liked that tension. Architecturally, it’s incredibly stable—and symbolically, it carries a sense of permanence and intention, which aligned with how we wanted these pieces to feel.Ethan HerringtonEach lamp is hand finished and features lamp shades made of Yaré threads.TELL US A BIT MORE ABOUT YOUR MATERIAL CHOICES FOR THE COLLECTION? We used Vero metal, which is a hand-applied liquid metal coating. It allowed us to get the feel and finish of cast metal, but with more control over weight and form. The process is incredibly hands-on—each base is polished by hand, so the surface has that human touch to it.THERE IS A TACTILITY TO THE CORDED LAMPSHADES. HOW DID YOU COME TO WORK WITH THIS UNIQUE MATERIAL? We partnered with VERDI, a Bogotá-based atelier that creates beautiful textiles from natural materials and metal. When we saw what they were doing with Yaré and metallic threads, we knew it was the right match. The fiber comes from the Colombian Amazon, and it has this amazing strength and texture—woven with copper or steel, it creates something that’s both wild and refined. It felt like the perfect counterpoint to the sculptural metal base.Ethan HerringtonThe Pyrion Floor Lamp transforms illumination into sculpture.WHAT'S IT LIKE TO WORK WITH A FELLOW INTERIOR DESIGNER?It’s kind of like finishing each other’s sentences—but visually. There’s a shorthand. We both understand proportion, materiality, restraint. There’s also a shared understanding of how pieces need to live in a room—not just how they look on a pedestal. That makes for a really fluid and grounded collaboration.This interview has been edited for length and clarity.

This month marked the start of Beach of Dreams, a festival with scale, heart, and purpose. Running until 1 June 2025, the month-long creative programme is transforming the UK's coastlines into a dynamic stage for climate action and cultural storytelling, all through the lens of art. Led by participatory arts organisation Kinetika, with support from Arts Council England and Historic England, Beach of Dreams has unfolded across the shores of England, Wales, Scotland, and Northern Ireland, activating over 90 events, eight major artist commissions, and a national touring artwork to reimagine our collective relationship with the coast. It's ambitious in scope but rooted in local stories. It celebrates heritage, calls for resilience, and provides a platform for communities to be seen, heard, and felt. A coastline in flux As sea levels rise and storm surges increase, the UK's 19,000 miles of coastline are facing unprecedented environmental pressures. But Beach of Dreams isn't just about drawing attention to what's at risk. It's about uncovering what we love, what we fear, and what we might create together in response. "Through Beach of Dreams, we are journeying from the Beach of Broken Dreams in Thurrock to shine a spotlight on the coastal gems, organisations, people, and projects across the UK that are creating positive change and inspiring hope," says Ali Pretty, artistic director of Beach of Dreams and founder of Kinetika. "In these uncertain times, Beach of Dreams emphasises the power of local communities to shape their own futures." The silks that started it all At the heart of the programme is The Beach of Dreams Silks, a national artwork made up of 838 naturally dyed silk pennants, each one carrying a personal story and Climate Commitment from participants around the country. Installed at key moments throughout the month, the silks will ripple across beaches from Fife to Felixstowe, forming a vast, mobile artwork infused with care, memory, and intention. Each pennant represents an individual's connection to the coast, often made in community workshops using foraged materials and natural dyes. As the silks tour, they become a kind of collective archive – one that is strikingly beautiful but also quietly urgent in its call for stewardship and solidarity. Eight commissions, infinite perspectives The silks may be the symbolic thread, but the festival's soul lies in its artist commissions, each developed in collaboration with communities and exploring a different question about our relationship to the sea. In Tilbury, the festival launched on 3 May with Threads for Tomorrow, a poignant commission by designer Rahemur Rahman. Working with local sewing groups, Rahman has transformed damaged silk pennants – torn during a 2023 storm – into richly embroidered panels using waste materials and naturally dyed threads. These panels will embellish carnival structures inspired by Bangladeshi sampans, merging cultural identity with ecological reinvention in a live performance led by choreographer Charlene Low. Further north, sound artist Jason Singh brings Cyd-Wrando (Listen Together) to Colwyn Bay, Wales. Here, community participants are invited to hear the subtle signals of the environment – from honeycomb worms to ancient yews – via a site-specific soundscape accessed through AR markers along the coastline. It's immersive, interactive, and deeply tuned into the dialogue between land and sea. In South Tyneside, The Power of Nature sees photographer Tessa Bunney and writer Stevie Ronnie exploring how underwater habitats like kelp forests and oyster reefs can stabilise our coasts and boost biodiversity. Developed with local groups through Stronger Shores, a DEFRA-funded resilience programme, the project includes an outdoor photography exhibition and original poetry created by the community. Over in Northern Ireland, Our Siren Song by Beat Carnival channels myth and music. From 13–17 May, a week of coastal walks, storytelling, carnival arts and music workshops will culminate in a spectacular procession through Millisle, featuring a four-metre-tall operatic siren, community choirs, and musicians singing out across the sea. Meanwhile, in Fife, artist Julie Brook crafts Tide Line – a 100-metre sculptural intervention made from local stones and built at low tide. Accompanied by walking journeys, creative workshops, and new choral work, the project draws attention to erosion, plastic pollution, and rising seas – making visible the invisible forces shaping our shorelines. Other commissions include Collecting Dreams, Shifting Futures in East Anglia, a story-gathering project supported by Historic England and taking place in Great Yarmouth, Harwich and Orford Ness, and The Beach of Dreams Village, a striking, sustainable installation in Great Yarmouth designed with Bamboology's Joseph Williams. Both offer joyful, participatory spaces for reflection, learning and celebration. A digital storytelling platform and an invitation to act While the physical artworks form the festival's public face, Beach of Dreams is just as alive online. A digital Stories platform serves as an evolving archive of community voices, creative processes, and climate reflections, offering behind-the-scenes access and amplifying regional perspectives. Importantly, anyone can participate, whether by joining a walk, submitting a workshop idea, or sharing a Climate Commitment on the Beach of Dreams website. These tangible pledges, like planting seagrass or reducing plastic use, add up to a national network of local action. Legacy and reflection Although the festival runs until 1 June, its legacy continues later in the year. In September, Beach of Dreams will culminate in a final performance – Sonnet of Samsara – in partnership with Activate Performing Arts as part of Inside Out Dorset. The piece will weave together movement, silk installations, and storytelling along Weymouth Beach, offering a moment of collective reflection. It will also mark the start of a new residency, bringing together artists, thinkers, and local voices to explore how the festival's's creative energy can seed longer-term change. With its mix of spectacle and sensitivity, Beach of Dreams is more than a festival. It's's a model for how art can hold space for complexity – beauty and vulnerability, tradition and change, grief and imagination – all while inviting us to walk, listen, make, and care a little more deeply for the places we so often take for granted.

html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" Zaha Hadid Architects has unveiled a new mixed-use development that features spacious balconies inspired by nature on Al Marjan Island in Ras Al Khaimah, United Arab Emirates.Called Oystra, the 128,000 square meter development consists of 950 apartments with one to four bedrooms, duplexes, penthouses, and waterfront villas. The seaside complex offers a wealth of dining, retail, and recreational options.Image © RedvertexWith a population expected to increase by 55% by 2030, Ras Al Khaimah is one of the UAE's fastest-growing emirates, necessitating the construction of an extra 45,000 dwellings to accommodate future demand, as Zaha Hadid Architects explained. The tourism industry in Ras Al Khaimah is also expanding at an unprecedented rate; by 2030, the emirate is expected to receive 3.5 million visitors annually, up from 100,000 in 2013, the firm added.Al Marjan Island's infrastructure is being developed as a top destination in the United Arab Emirates. The island's 23 kilometers of shoreline, which includes 7.8 kilometers of white sand beaches, extend 4.5 kilometers into the Arabian Sea. The island, which has parks, marinas, spa centers, and entertainment venues, is located 45 minutes from Dubai International Airport and 25 minutes from Ras Al Khaimah Airport.Image © RedvertexThe development's flowing geometries, which include expansive balconies and terraces sculpted to mimic the undulating patterns shaped by waves in sand, were designed by Zaha Hadid Architects to provide over 75% of its units with unhindered views of the sea. These balconies protect the interiors from direct sunshine while acting as smooth additions to each apartment's living area.Within its 42,000 square meter plot, which includes landscaped gardens, courtyards, swimming pools, and a beach club with a view of the bay, are Oystra's sculptural 20-story waterfront towers. The 360° infinity pool and rooftop restaurant offer expansive views of the Arabian Sea and Al Marjan Island.Image © RedvertexThrough this protected waterfront path, which is maintained cool by the predominant north-westerly winds that blow inland from the sea, inhabitants have direct access to the tree-lined coastal promenade of Al Marjan Island.Digital mapping analysis optimized the design's external solar shade and improved natural ventilation, while environmental simulations maximized efficiencies in site conditions, structure, and orientation. In addition to an insulating space between the building envelope and the project's façades that get direct sunlight, the development will incorporate seawater-based cooling. In the arid climate of Ras Al Khaimah, these tactics will improve interior comfort while lowering the energy requirement for cooling.Image © Redvertex"Our collaboration with Richmind is the result of shared ambition and creative dialogue. Oystra’s sculptural design is inspired by the natural energies of the sea and the sky, responding to its environment with a sense of dynamism and openness," said Christos Passas, Director at Zaha Hadid Architects."Oystra reflects our passion for visionary design, lifestyle innovation, and a bold approach to shaping spaces that inspire and endure through time. Working with Zaha Hadid Architects has been both a privilege and a purposeful choice. We share a vision rooted in bold thinking, design excellence, and a deep commitment to originality," said Mohammad Rafiee, Chief Executive Officer of Richmind. Image © Redvertex"Al Marjan has become a canvas for exceptional developments, and Oystra is a strong addition to Ras Al Khaimah’s narrative, reflecting the forward-thinking developments that align perfectly with Al Marjan Island's ambition and vision," said Abdulla Al Abdouli, Chief Executive Officer of Marjan.Image © PyxidZaha Hadid Architects recently completed a spaceship-like science and technology museum in Shenzhen. In addition, the firm unveiled design for a new cityzen tower inspired by Tbilisi's rolling hills in Georgia. Project factsClient: RichmindArchitect: Zaha Hadid Architects (ZHA)Design: Patrik Schumacher, Christos PassasZHA Project Director: Christos PassasZHA Project Associates: Mei-Ling Lin, Joao Bravo Da Costa, Eider FernandezZHA Project Architects: Sattor Jabbor, Branko Svarcer, Kourosh Asgar IraniZHA Project Leads: Ben Kikkawa, Ekaterina Smirnova, Gaganjit Singh, Anri Gyoloyan, Nassim Eshaghi, Maria BystrovaZHA Project Team: Dahyun Kim, Elizabeth Konstantinidou, Shizhao Yang, Mirella Dourambei, Abdullah Ummer Farook, Ali Rais, Avneesh Rathor, Theodoros Tamvakis, Danae Mavridi, Canon LeeZHA Competition Project Director: Christos PassasZHA Competition Associates: Joao Bravo Da Costa, Mei-Ling LinZHA Competition Project Architects: Ben Kikkawa, Maria Bystrova,ZHA Competition Project Leads: Dieter Matuschke, Akis Polykandriotis, Anri Gyoloyan, Avneesh RathorZHA Competition Team: Abdullah Ummer Farook, Ali Rais, Dahyun Kim, Shizhao Yang, Mirella Dourambei, Theodoros Tamvakis, Gaganjit SinghZHA BIM Team: David Fogliano, Michael O’Reilly, Muaz MasriZHA Environment & Sustainability Team: Carlos Bausa, Bahaa Alnassrallah, Shibani Choudhury, Aleksander Mastalski, Aditya Ambare, Disha Shetty, Abhilash Menon, Jing XuConsultantsExecutive Architect: Dewan Architects and Engineers, DubaiFaçade Engineering: Koltay FacadesM&E Engineering: Samadhin AssociatesTransport Consultant: RMC, DubaiFire Engineer: SHE, DubaiLandscape Consultant: Cracknell LandscapesLighting Design: FPOVInterior Design: HBA, LondonSignage and Wayfinding: TDCWaste Management: Climatize, DubaiThe top image in the article © MIR.> via Zaha Hadid Architects

Everyone loves a home that doesn’t take itself too seriously yet still feels refined. That’s the magic of The Blush Apartment, a studio apartment designed by Oli Moskalets. Equal parts playful and polished, this space reimagines modern living. We see candy-hued accents and retro flair. Think pink glass chandeliers, checkered curtains, and artwork that winks at you from across the room. But don’t be fooled by the soft color palette. Beneath the blush lies a backbone of architectural discipline that makes this small space feel anything but ordinary. The living area is anchored by a cozy, neutral-toned sofa that quietly balances the louder moments in the room, like the playful pink elephant painting. A blush-tinted acrylic side table catches the light and doubles as art, while a checkered rug in warm pink and orange tones adds pattern. Even the tiniest details are curated for delight: bubble-shaped ceramics and soft lighting. But what really sets this living space apart is its confidence. It’s not afraid to be playful. It’s not afraid to be pretty. And yet, thanks to a refined material palette (e.g., brushed metal, raw concrete, textured fabric), it never loses its sophistication. Tucked behind a black-and-white checkered curtain, the bedroom feels quite serene. A simple wood-framed bed and crisp white linens offer calm. Simultaneously, the lighting and playful wall art keep the energy fresh. It’s minimal but never boring. Set beneath a blush glass chandelier, the dining area feels like a scene from a modern art film. A round glass table with a wood pedestal anchors the space. Paired with this, mixed-material chairs bring in contrast and character. The backdrop? A bold tapestry and soft light pouring in from the window. The kitchen is small in size but big on style. It paired rich walnut cabinetry with sleek open shelving and a sculptural faucet. We’re here for the blush accents: ceramic cups, glassware, and a softly glowing wall sconce. These add just the right dose of color. The kitchen is a compact space that proves functionality can still feel fabulous!

When I go to a bathroom outside my home, I probably don’t remember what the sink looks like. What I’ll remember is whether or not the faucet was working especially if I really needed water at that time. But every once in a while, a design would capture my attention especially if it has an intentional aesthetic. And even though it’s in a bathroom, I will probably take a picture of it especially if the design is really interesting. This sink design is one of those that would be really unforgettable if seen in the real world. Aeloria is a sink that transcends its utilitarian purpose to become a captivating sculpture. Conceived by D Jone Daniel Derickson, this is not merely a basin; it’s a testament to the quiet power of nature, meticulously crafted to evoke the slow, deliberate artistry of wind and water. Inspired by the gentle cascade of a waterfall, Aeloria captures a fleeting moment of natural motion, freezing it in an elegant, layered form. Designer: D Jone Daniel Derickson The sink’s design thoughtfully mirrors the stepped, gravitational descent of water found in wild waterfalls. Just as in nature, water in this sink finds the path of least resistance, gracefully flowing downwards in a series of tiers, each shaped by subtle changes in elevation. These contours aren’t just aesthetically pleasing; they resonate with a sense of familiarity, reminding one of tranquil forest hikes and the rugged beauty of rocky shorelines. Aeloria is envisioned as a centerpiece for spacious resort settings, where its scale contributes to an atmosphere of unadulterated luxury. More than a functional element, this sink becomes an integral part of the ambiance, a focal point that draws the eye and invites contemplation. The choice of speckled stone further enhances this connection to the natural world, its texture and coloration reminiscent of mineral-rich riverbeds. This material not only exudes a sense of organic authenticity but also encourages a tactile engagement, inviting a pause to connect with the Earth’s ancient rhythms. This sculptural sink is design that truly flows – not just visually, mimicking the movement of water, but also emotionally, stirring a sense of tranquility and connection to nature. Aeloria is an elemental masterpiece, a harmonious blend of form and function that elevates the simple act of washing one’s hands into an experience. It’s a reminder of nature’s patient artistry and a luxurious addition that promises to bring a touch of the wild’s quiet beauty to any grand space.The post Sink concept is where water and wind converge first appeared on Yanko Design.

Design, at its best, is not just about making something new; it’s about re-seeing what’s already there. In Charu, a chair designed by Harry Noble M under the mentorship of Sweety Taur, material, memory, and meaning converge into a form that does far more than offer a place to sit. It raises a quiet but powerful question: who has been allowed to sit, how, and why? Historically, chairs have never been neutral. From thrones to office seats, they’ve marked status and reinforced hierarchy. The colonial planter’s chair, its wide, sprawling arms designed for leisure, was once a symbol of patriarchal power and colonial dominance. Charu draws directly from this legacy, not to continue it, but to subvert it. Its form echoes the past, but its voice is unmistakably contemporary. Designer: Harry Noble M Crafted in cane by traditional artisans in Ahmedabad, Charu mimics the shape of the planter’s chair only to unravel its symbolism. Its structure exaggerates space, not to glorify “manspreading,” but to critique it. The gaps between the armrests turn posture into protest. Before anyone even sits, the chair begins to speak. This isn’t just furniture. It’s storytelling through design. Inspired by a deeply personal memory of sitting beside a Charu Kasera, a short stool traditionally used in Indian households, Menon extends this recollection into a wider inquiry: What histories are embedded in the objects we take for granted? How do caste, class, and gender shape the ways we sit and the spaces we’re allowed to occupy? The making of Charu was rooted in cultural anthropology and human-centered research. Mask-making exercises explored object symbolism; media archives and user surveys uncovered how the planter’s chair, once a colonial relic, found new meaning in domestic settings. Voices across regions and backgrounds mapped the chair’s transformation from a status object to a relic of inherited bias. Design references were wide-ranging. Case studies included Laurel’s chair, which visually resists patriarchal form, and Anna’s, which encourages inclusive posture. Charu builds on this lineage, grounding itself in local craft while raising globally resonant questions about ownership, space, and comfort. Menon’s ergonomic approach was equally radical. A body-storming session with peers revealed that true comfort doesn’t come from mimicking Western ergonomic standards, but from rethinking them. Supporting the mid-thoracic region, not just the shoulders, encourages longer and more natural sitting. The downward-sloped seat, angled armrests, and gentle curves avoid strain while rejecting entitlement. The very form denies slouching, it demands intention. Materials mattered. While bamboo was more accessible, it lacked the pliability needed for the chair’s sculptural arcs. Cane, symbolically elite, regionally relevant, and artisan-friendly, was the natural choice. Even as material costs complicated the woven storage element, the final build stayed honest to its conceptual clarity. The process moved from sketches and scaled models to full-size prototypes. Final fabrication, led by Hussain Bhai in Ahmedabad, infused the chair with a sense of pride and regional authenticity, anchoring the project in lived craft rather than industrial detachment. Visually, Charu is part sculpture, part artifact. Shaped like an oversized basket, it blends the rustic and the refined. The bowl-like base offers a generous welcome; the high back curves into a pointed, leaf-like peak; the rocking silhouette evokes both tradition and tenderness. From the side, it could be mistaken for a farmer’s harvest basket, except it holds critique instead of grain. This adaptability allows Charu to slip seamlessly across settings. It would feel at home in a breezy coastal villa or a sunlit porch, in a boutique resort or a mindful co-living space. Even modern interiors looking for warmth, tactility, or a story could find in Charu a compelling anchor. And while this edition stands as a flagship concept, akin to a fashion showstopper, its journey doesn’t end here. Menon envisions future iterations: simplified arcs for scalability, extended seating for calf support, and thoughtful additions like cup holders or textural inlays for daily use. It’s a living form, not a fixed one. The post A Revolutionary Cane Chair Challenging History, Hierarchy, and How We Choose to Sit first appeared on Yanko Design.

Michael Hilal, founder of Studio Michael Hilal, crafts easy yet elegant interiors and furniture out of his home state in California. Not only is the fast-growing founder on the jury for this year’s Best of Products Awards, but Hilal has also won a Best of Products Award last year for his Marfa Bar and Record Player, a floating furnishing that nods to Donald Judd as well as home entertainment systems of the 1950s and 1960s. Read his advice on applying to the program, and learn what he’ll be looking out for in applications, below. Submissions are open from now until midnight ET on July 25 with Early Bird entry open until May 30. Marfa Bar and Record Player (Courtesy Studio Michael Hilal) AN: You won a Best of Products Award in 2024 for your Marfa Bar and Record Player. What did this award mean to you and your practice? Michael Hilal (MH):  I have a new practice that’s only a few years old, and this was my debut furniture collection. To be recognized by such a respected jury was meaningful. It puts you on the next level in terms of visibility and validation. That is not only valuable for a business but also important personally and creatively. For a new practitioner, to have the community embrace your ideas, it provides courage to move ahead. AN: Do you have plans to design more furniture within your practice? MH: I believe the best design is holistic and collaborative. We are always experimenting with custom and bespoke pieces in our projects—it’s like a creative laboratory—so the Marfa Bar and Big Sur furniture collection with St Vincents were a result of that. We had such a positive response that we are expanding the collection with new designs. I’m also exploring lighting and collaborating with artists so the work is ongoing and always a natural extension of what I do. We are working on and prototyping several new designs so stay tuned! AN: How do products and furnishings shape your interiors? How do you approach which to include in a project? MH: Products and furnishings add a lived-in layer that turns a building into a home and connects people to their space. I always look for a way to make an environment easy as well as chic. I hate formality—it’s just another societal barrier we don’t need. So while the scope of each project may be different, my philosophy is the same. If there’s a room that’s beautiful but never used I feel like I’ve failed as a designer. Good design shouldn’t just gather dust. AN: What will you be looking for in Best of Products submissions? MH: We get caught up in what’s new or something you have never seen before, especially when you scroll on social media. But for me it’s more important that things are well thought out, useful yet beautiful, sculptural yet elegant, subtle yet speaks loudly. I have a habit of always noticing the details. Sometimes I start there first. Those really make or break any product. AN: As a juror and former winner, do you have advice for others who are thinking of entering? MH: There’s nothing to lose in terms of putting your work out there; you never know what’s going to happen. It’s not necessarily about winning but about sharing ideas, getting feedback, and making connections—and that’s invaluable in terms of growing and moving forward as a designer. Learn more about the 2025 Best of Products Awards and start entries here.

For many of us, 2020 was a year of upheaval and transformation. We all faced our own challenges, and for Lebanese designer Donna Maria Feghali, it marked a creative shift stemming from what she describes as a “really intense personal journey.” Feghali candidly shares: “Looking back, I realized it totally reflected in my creative work and in this collection, which is way different from anything I’ve ever done before.” That year, she established her Paris-based studio, and now, she introduces Eshrin, a furniture collection dedicated to that pivotal time. Named after the Arabic word for twenty, Eshrin is an exploration of contrasts – structured yet fluid, bold yet understated – bridging past experiences with a new creative vision. Eshrin is Feghali’s first collection produced in Egypt, created in collaboration with Cairo-based manufacturer Nineteen Furniture. The series includes a dining table, dining chair, coffee and side tables, a buffet, and two couches, each piece embodying her signature blend of sculptural presence and refined simplicity. The Eshrin Dining Table is the central piece of the collection, embodying a sculptural approach to furniture. Its base, comprising four arched Egyptian limestone cylinders in Golden Sinai and Grey Triesta, supports a Macedonian white marble tabletop, creating a striking contrast between solidity and lightness. Complementing the table, the Eshrin Dining Chair echoes its curvature of the base with a sleek silhouette and curved backrest. Crafted from acid-treated beech wood and upholstered in bouclé fabric, it blends structure with softness, offering a seat that is both comfortable and visually refined. Like the dining table, the Eshrin Buffet is also designed with a cylindrical base, balancing the solidity of its structure. The rounded edges extend beyond the frame of the storage, providing a natural grip to open doors that reveal ample storage. The Eshrin Side Table, sculptural in its own right, merges bold geometry with organic warmth. The solid beech wood base, finished with an acid treatment, anchors the piece, while the pitch pine burned wood top adds a tactile dimension. The Eshrin Coffee Tables have a resemblance to both the dining table and the side table. With their arched cylindrical bases and perfectly balanced table tops, they reinforce the collection’s play on form and weight. Rounding out the collection, the minimalist linear Eshrin Couch features subtle curves that soften its structured silhouette. Available in two variations – one featuring an acid-treated beech wood base with white bouclé upholstery, the other with a lacquered beech wood base and textured beige fabric – the couch is a soft landing spot for solo relaxation or open conversation. We all came away from 2020 changed in some way with our perspectives shifted and our priorities reshaped. That year marked the beginning of a new creative chapter for Feghali, one that led to Eshrin. Through this collection, she translates a deeply personal journey into form, material, and balance, proving that even in times of uncertainty, something new and meaningful can emerge. To learn more about Donna Maria Feghali’s Eshrin collection, visit donnamariafeghali.com.

Open shelving looks gorgeous on Pinterest and Instagram, until you try it yourself and end up with a chaotic mess of mugs, books, and random bowls. If you’ve ever stared at your shelves wondering why they don’t look effortlessly chic like the ones online, you’re not alone. But here’s the good news: you don’t need to be an interior designer (or hide half your stuff) to make your open shelves look stunning. The trick is knowing how to style them intentionally, balancing form and function without sacrificing your sanity or creating unnecessary clutter. Whether you’re dealing with a kitchen, living room, or even bathroom shelves, these 14 practical tips will help you master the art of stylish storage. 1. Leave Breathing Room Image Source: Jeniffer pacca interior One of the biggest mistakes with open shelving is trying to fill every inch. But here’s the truth: space is a design choice. Leaving “breathing room” between objects creates a sense of calm and control. It allows the eye to rest, and helps your favorite pieces stand out. Don’t be afraid of a nearly empty shelf or an open corner, negative space gives your layout balance and sophistication.  Think of it like a well-designed room: not every wall needs art, and not every table needs something on it. In fact, on Instagram and in styled homes, some of the most elegant shelves are the least crowded. Try styling one shelf with just three objects and let the rest be open. It may feel weird at first, but the visual clarity it brings is worth it. 2. Stick to a Cohesive Color Palette Image Source: House Beautiful A cohesive color palette can make your open shelving look clean, organized, and pulled-together. Limit your colors to 3-4 tones that complement your room’s overall design. For example, pairing shades of white, beige, and soft green with natural wood accents can create a serene, cohesive look.  You don’t need to match every item, but when colors are repeated across the display, it helps the shelves feel like a curated collection rather than a chaotic mix. Instagram is full of examples where people use neutrals like beige, black, and white with pops of color to create harmony. It’s about repetition and rhythm, not matching everything exactly. 3. Mix Decorative and Functional Items Image Source: Stevie storck Open shelving is the perfect opportunity to display things that are both functional and decorative. Instead of only showcasing decorative trinkets, mix in everyday items that you use, like mugs, bowls, or utensils, but in a way that enhances the space.  For example, store your favorite cookbooks in a neat stack and top them off with a small decorative object. In your living room, place a few stylish baskets next to a framed family photo. Instagram-worthy shelves often combine these elements effortlessly: function meets beauty. This approach helps avoid the “too-styled” look and makes the shelves feel lived-in and real. 4. Create “Moments” or Zones Image Source: Stieves Storck Instead of filling your shelves with a random collection of objects, create distinct zones or “moments” that each tell their own little story. One shelf could be all about your favorite kitchen essentials, think jars of spices, a colorful bowl, and a stack of neatly arranged plates. Another zone could focus on artwork, a candle, and a potted plant. Instagram shelves often feature this technique, grouping like-items together while still leaving room for space to breathe. Each shelf or corner should feel like its own little vignette, rather than a disjointed pile of stuff. 5. Keep It Simple Image Source: House Beautiful Sometimes the best shelves are the simplest ones. You don’t need tons of stuff to make open shelving look good,just a few well-chosen pieces can do the trick. Think a small stack of books, a nice candle, maybe a little plant or framed photo. That’s it. When you keep things simple, your space feels calm and intentional, not busy or overwhelming. Stick to a few colors or materials you love, and repeat them here and there. Simple shelves are easier to clean, easier to update, and they let your favorite items shine. Don’t overthink it, less really can be more. 6. Add a Touch of Lighting Image Source: House Beautiful Lighting can instantly elevate the look of your open shelves. Try adding small LED strip lights or puck lights underneath or around the shelves to highlight your display. Lighting not only draws attention to your favorite items but also adds ambiance, especially in the evening when natural light fades. Whether it’s a dim glow from fairy lights or a soft lamp placed on a lower shelf, lighting creates warmth and dimension. Many Instagram shelf styling photos include clever lighting solutions to make the shelves appear even more stylish and cozy. 7. Lean Into Maximalism Image Source: House Beautiful Who says open shelves have to be minimal? If you love color, texture, and a little visual chaos,lean into maximalism. Layer in books, bold ceramics, framed art, vintage finds, souvenirs, candles, plants, and whatever else brings you joy. The key to keeping it from feeling messy? Organize your “clutter” with intention. Create groupings, balance heights, and play with repetition. For example, a stack of books topped with a funky candle and framed photo can feel cohesive when echoed across the shelf in a different color scheme. Maximalist shelves should tell a story, your story. They’re less about perfection and more about personality. Some of the most scroll-stopping selfies on Instagram are bursting with layered detail, but every piece feels like it belongs. 8. Stack, Lean, and Layer Image Source: The Spruce Stacking and leaning objects is a great way to add dimension and interest to your shelves without making them feel too cluttered. Stack books horizontally to create a base for smaller objects, or lean framed art or cutting boards at the back. This layering effect adds depth and keeps the shelves from looking too flat.  On Instagram, you’ll often see people layering items, stacking books or trays, and using vertical space to their advantage. Play around with these techniques,leaning a mirror behind a few smaller objects or stacking plates in a more creative way can make all the difference in the overall vibe. 9. Make Books Your Design Tool Image Source: House Beautiful Books do more than fill space,they shape it. Use books on open shelves not just for reading, but for structure. Stack them horizontally to lift a favorite object. Line them vertically to act as natural dividers. Color-code them for impact, or turn the spines inward for a softer, neutral vibe.  Want to create a visual anchor? Use oversized art books on a lower shelf. Or go high-contrast by mixing dark covers with light ceramics. Don’t be afraid to mix in coffee table books, cookbooks, or even old novels, books make shelves feel lived-in and loved. Plus, they’re endlessly flexible: you can rotate them seasonally, by mood, or just when the layout needs a little shake-up. 10. Bring in Greenery Image Source: House Beautiful Plants instantly give open shelves that fresh, alive feeling, even if the rest of your styling is super minimal. Just one small potted plant can soften sharp edges and add a pop of color. Want something dramatic? Let a trailing vine like pothos or string of pearls spill over the side. Prefer low-maintenance? Snake plants, ZZ plant, or faux greenery (just pick realistic ones) work beautifully. Greenery balances out hard surfaces and breaks up too many square or angular shapes. It adds movement, softness, and that organic touch you didn’t know your shelves needed. 11. Consider a Metal Display Image Source: House Beautiful Want your shelves to feel fresh, unexpected, or even a bit industrial? Bring in metal. Brass, copper, black iron, or brushed gold can add edge and shine to a wood-heavy or all-white setup. Think wire baskets, metal trays, bookends, or even sculptural objects like orbs or candle holders. These pieces add contrast, both in texture and tone. A warm brass vase next to matte ceramics? Chic. A black iron bowl with soft linens? Instant cool. Metal also reflects light, so it subtly brightens your shelf display. If your shelves feel too “safe” or one-note, try mixing in one or two metal accents to break it up. Just keep your finishes consistent across a few items so it doesn’t feel random.  12. Give It an Industrial Feel Image Source: House Beautiful If your space leans modern or you love that raw, edgy look, give your shelves an industrial touch. Start with simple materials like black iron, weathered wood, or glass. Think metal bookends, wire baskets, or even a small concrete planter. These pieces bring in texture and character without feeling fussy. Industrial style is all about function with style, so include useful items like canisters, jars, or folded linens, just in clean, structured shapes. Keep the color palette neutral: blacks, greys, warm woods, and maybe a little greenery to soften it up. This look works especially well in kitchens, offices, or anywhere you want a more grounded, unfussy vibe. 13. Use the Rule of Threes Image Source: Diy.aus There’s a reason stylists swear by the “rule of threes.” When you group items in odd numbers,especially threes,it instantly feels more natural and balanced. Our eyes are drawn to asymmetry, so a trio of objects looks more relaxed and interesting than two or four. Try styling a shelf with three items: maybe a candle, a small stack of books, and a vase. Vary the height and shape of each piece to keep it dynamic. You can also layer within the group, like leaning a photo behind a shorter object. This idea works for any shelf, big or small, and helps prevent that stiff, over-styled look. 14. Mix in Something Old Image Source: House Beautiful Bringing a little age to your shelves can add depth and personality. Try mixing in a vintage item, a brass candlestick, an old book, a ceramic jug, or a framed black-and-white photo. These pieces don’t have to be big or pricey. Thrift stores, flea markets, and even your grandparents’ attic can be treasure troves. The charm of something old lies in its imperfections, the patina, the texture, the story it carries. When you pair antiques with modern decor, it creates a nice contrast that makes your shelves feel layered and lived-in, not just styled for show. One or two well-placed vintage finds can warm up the whole space and make it feel more like home. It’s an easy way to add soul without adding clutter. Wrap Up Open shelving isn’t just about storage, it’s a chance to show off your style in a way that feels both personal and practical. Whether you lean minimalist, love a bold mix of colors and textures, or want to keep things simple and airy, these shelf styling ideas can help you strike the perfect balance between beauty and function.  At Home Designing, we believe great design doesn’t have to be complicated, it just needs to feel like you. So whether you’re refreshing a single shelf or rethinking an entire room, we hope these tips give you the confidence to style with ease and keep the clutter away, without losing the character that makes your home yours.