• One of the Most Iconic Shonen Jump Series Is Finally Getting a New Anime Adaptation

    Fist of the North Star, also known as Hokuto no Ken, one of the most iconic and classic Shonen Jumpseries, is returning next year with a new anime. The social media account for the series has just confirmed that the new anime is coming sooner than fans expected.
    #one #most #iconic #shonen #jump
    One of the Most Iconic Shonen Jump Series Is Finally Getting a New Anime Adaptation
    Fist of the North Star, also known as Hokuto no Ken, one of the most iconic and classic Shonen Jumpseries, is returning next year with a new anime. The social media account for the series has just confirmed that the new anime is coming sooner than fans expected. #one #most #iconic #shonen #jump
    GAMERANT.COM
    One of the Most Iconic Shonen Jump Series Is Finally Getting a New Anime Adaptation
    Fist of the North Star, also known as Hokuto no Ken, one of the most iconic and classic Shonen Jumpseries, is returning next year with a new anime. The social media account for the series has just confirmed that the new anime is coming sooner than fans expected.
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  • The Gachiakuta trailer is loud and angry as the anime adaptation should be

    The anime summer season is close — and there will be lots of big names for us to look forward to. In such a packed season, Gachiakuta is one of the most anticipated and Crunchyroll just dropped a new trailer for the show which is airing next month July 6, 2025, alongside some details on the voice actors we are going to see giving life to important characters.

    The show is an adaptation of the manga written by Kei Urana and it has been published by Kodansha in their Weekly Shonen Magazine since 2022. Gachiakuta is Urana’s first series after her two one-shots – Nokaseand Shikido– and this year the show is receiving the anime treatment by the hands of studio Bones Films, the one responsible for Vigilante: Boku no Hero Academia ILLEGALS.

    In this new trailer, we learn more about the world of Gachiakuta, which we have only seen some flashes of in the announcement trailer. This second trailer gives us an idea of why Rudo, the show’s protagonist, ends up in the Pit. Other key concepts of the manga are introduced as well, such as Gachiakuta’s power system that works around people called Givers who draw out power from objects they give life.

    While the trailer brings the energy you expect to see in a show like Gachiakuta – a few intense action scenes with the show’s opening song “HUGs” by Japanese band Paledusk –, it doesn’t fail to make it clear that Gachiakuta has a central social commentary on how society segregates people, throwing them away like garbage.

    Alongside the trailer, Crunchyroll also shared with us the names of two voice actors that will be in the Gachiakuta. Regot, the man who raises Rudo in the show, is voiced by Toshiyuki Morikawa, present in other important recent shows such as Ranma ½. Morikawa was also the Japanese voice of Sephiroth in Final Fantasy VII Remake and Rebirth. Yuki Shin is the other name and he is coming to Gachiakuta to voice Jabber. The artist has voiced secondary characters in shows like Attack on Titan, Given, and My Hero Academia.
    #gachiakuta #trailer #loud #angry #anime
    The Gachiakuta trailer is loud and angry as the anime adaptation should be
    The anime summer season is close — and there will be lots of big names for us to look forward to. In such a packed season, Gachiakuta is one of the most anticipated and Crunchyroll just dropped a new trailer for the show which is airing next month July 6, 2025, alongside some details on the voice actors we are going to see giving life to important characters. The show is an adaptation of the manga written by Kei Urana and it has been published by Kodansha in their Weekly Shonen Magazine since 2022. Gachiakuta is Urana’s first series after her two one-shots – Nokaseand Shikido– and this year the show is receiving the anime treatment by the hands of studio Bones Films, the one responsible for Vigilante: Boku no Hero Academia ILLEGALS. In this new trailer, we learn more about the world of Gachiakuta, which we have only seen some flashes of in the announcement trailer. This second trailer gives us an idea of why Rudo, the show’s protagonist, ends up in the Pit. Other key concepts of the manga are introduced as well, such as Gachiakuta’s power system that works around people called Givers who draw out power from objects they give life. While the trailer brings the energy you expect to see in a show like Gachiakuta – a few intense action scenes with the show’s opening song “HUGs” by Japanese band Paledusk –, it doesn’t fail to make it clear that Gachiakuta has a central social commentary on how society segregates people, throwing them away like garbage. Alongside the trailer, Crunchyroll also shared with us the names of two voice actors that will be in the Gachiakuta. Regot, the man who raises Rudo in the show, is voiced by Toshiyuki Morikawa, present in other important recent shows such as Ranma ½. Morikawa was also the Japanese voice of Sephiroth in Final Fantasy VII Remake and Rebirth. Yuki Shin is the other name and he is coming to Gachiakuta to voice Jabber. The artist has voiced secondary characters in shows like Attack on Titan, Given, and My Hero Academia. #gachiakuta #trailer #loud #angry #anime
    WWW.POLYGON.COM
    The Gachiakuta trailer is loud and angry as the anime adaptation should be
    The anime summer season is close — and there will be lots of big names for us to look forward to. In such a packed season, Gachiakuta is one of the most anticipated and Crunchyroll just dropped a new trailer for the show which is airing next month July 6, 2025, alongside some details on the voice actors we are going to see giving life to important characters. The show is an adaptation of the manga written by Kei Urana and it has been published by Kodansha in their Weekly Shonen Magazine since 2022. Gachiakuta is Urana’s first series after her two one-shots – Nokase (2018) and Shikido (2019) – and this year the show is receiving the anime treatment by the hands of studio Bones Films, the one responsible for Vigilante: Boku no Hero Academia ILLEGALS. In this new trailer, we learn more about the world of Gachiakuta, which we have only seen some flashes of in the announcement trailer. This second trailer gives us an idea of why Rudo, the show’s protagonist, ends up in the Pit. Other key concepts of the manga are introduced as well, such as Gachiakuta’s power system that works around people called Givers who draw out power from objects they give life. While the trailer brings the energy you expect to see in a show like Gachiakuta – a few intense action scenes with the show’s opening song “HUGs” by Japanese band Paledusk –, it doesn’t fail to make it clear that Gachiakuta has a central social commentary on how society segregates people, throwing them away like garbage. Alongside the trailer, Crunchyroll also shared with us the names of two voice actors that will be in the Gachiakuta. Regot, the man who raises Rudo in the show, is voiced by Toshiyuki Morikawa, present in other important recent shows such as Ranma ½. Morikawa was also the Japanese voice of Sephiroth in Final Fantasy VII Remake and Rebirth. Yuki Shin is the other name and he is coming to Gachiakuta to voice Jabber. The artist has voiced secondary characters in shows like Attack on Titan, Given, and My Hero Academia.
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  • Animation Studio Toei Wants to Use AI for Future Productions

    If you watch anime, particularly of the shonen variety, you likely know Toei Animation. The studio is best known for adapting popular manga like Dragon Ball and Sailor Moon, and it’s got plenty of work coming out. When those series and films release, some may have been made with artificial intelligence.

    In Toei’s recently published financial briefing for 2024-2025’s fiscal year, one slide reveals the studio’s invested an undisclosed sum of money into Preferred Networks, a Japanese company with “cutting-edge AI technologies.” The two hope to “co-develop new business opportunities and improve the efficiency and quality of our production, capitalizing on synergies between AI and animation production technologies.” © Toei Toei is specifically eyeing AI usage for storyboards in productions, along with coloring, backgrounds, and in-betweens. Use cases cited include having the technology automatically correcting in-between or specifying and picking the correct colors, and generating backgrounds from referenced photos. At the time, the slide only talks about future prospects, and makes no mention of the technology being incorporated in the studio’s current works like One Piece or the upcoming Digimon BeatBreak and Gosu.

    AI has been controversial to use and discuss across the larger entertainment industry. While it’s often been argued to be a means of efficiency and helpful to reducing menial work, workers across different creative fields likefeel their livelihoods have been threatened by studios’ adoption of the technology and its integration into projects without artists’ consent. Others consider it a form of theft or digital necromancy that could add extra steps to the production process or lead to unintended errors upon release. Toei’s a big company, and how it uses the technology will impact everyone, from other studios to the fans who watch their works. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
    #animation #studio #toei #wants #use
    Animation Studio Toei Wants to Use AI for Future Productions
    If you watch anime, particularly of the shonen variety, you likely know Toei Animation. The studio is best known for adapting popular manga like Dragon Ball and Sailor Moon, and it’s got plenty of work coming out. When those series and films release, some may have been made with artificial intelligence. In Toei’s recently published financial briefing for 2024-2025’s fiscal year, one slide reveals the studio’s invested an undisclosed sum of money into Preferred Networks, a Japanese company with “cutting-edge AI technologies.” The two hope to “co-develop new business opportunities and improve the efficiency and quality of our production, capitalizing on synergies between AI and animation production technologies.” © Toei Toei is specifically eyeing AI usage for storyboards in productions, along with coloring, backgrounds, and in-betweens. Use cases cited include having the technology automatically correcting in-between or specifying and picking the correct colors, and generating backgrounds from referenced photos. At the time, the slide only talks about future prospects, and makes no mention of the technology being incorporated in the studio’s current works like One Piece or the upcoming Digimon BeatBreak and Gosu. AI has been controversial to use and discuss across the larger entertainment industry. While it’s often been argued to be a means of efficiency and helpful to reducing menial work, workers across different creative fields likefeel their livelihoods have been threatened by studios’ adoption of the technology and its integration into projects without artists’ consent. Others consider it a form of theft or digital necromancy that could add extra steps to the production process or lead to unintended errors upon release. Toei’s a big company, and how it uses the technology will impact everyone, from other studios to the fans who watch their works. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who. #animation #studio #toei #wants #use
    GIZMODO.COM
    Animation Studio Toei Wants to Use AI for Future Productions
    If you watch anime, particularly of the shonen variety, you likely know Toei Animation. The studio is best known for adapting popular manga like Dragon Ball and Sailor Moon, and it’s got plenty of work coming out. When those series and films release, some may have been made with artificial intelligence. In Toei’s recently published financial briefing for 2024-2025’s fiscal year, one slide reveals the studio’s invested an undisclosed sum of money into Preferred Networks, a Japanese company with “cutting-edge AI technologies.” The two hope to “co-develop new business opportunities and improve the efficiency and quality of our production, capitalizing on synergies between AI and animation production technologies.” © Toei Toei is specifically eyeing AI usage for storyboards in productions, along with coloring (and color specification), backgrounds, and in-betweens. Use cases cited include having the technology automatically correcting in-between or specifying and picking the correct colors, and generating backgrounds from referenced photos. At the time, the slide only talks about future prospects, and makes no mention of the technology being incorporated in the studio’s current works like One Piece or the upcoming Digimon BeatBreak and Gosu. AI has been controversial to use and discuss across the larger entertainment industry. While it’s often been argued to be a means of efficiency and helpful to reducing menial work, workers across different creative fields like (voice acting and art) feel their livelihoods have been threatened by studios’ adoption of the technology and its integration into projects without artists’ consent. Others consider it a form of theft or digital necromancy that could add extra steps to the production process or lead to unintended errors upon release. Toei’s a big company, and how it uses the technology will impact everyone, from other studios to the fans who watch their works. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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  • What’s going on with manga and anime piracy crackdowns?

    Much like the gaming industry, entertainment has long been at war with piracy. But while gamers often turn to piracy to preserve titles lost to digital delistings or scarce physical copies, anime and manga fans, especially in earlier eras, relied on illicit means simply to access the content. Before widespread licensing, piracy played a crucial role in spreading anime and manga’s popularity, ultimately attracting major players like Netflix, Crunchyroll, Hulu, HIDIVE, Amazon Prime Video, and Disney Plus to invest.

    Legal options exist today, but licensing agreements and regional restrictions still keep much of anime and manga locked away from international fans. Now that corporations have staked their claim, piracy is under heavy fire. High-profile shutdowns have hit sites like AnimeSuge, AnimeWave, 123Anime, and just this week, the major manga scans hub, Manga Dex.

    As anime’s global popularity soars, video piracy is also an issue, prompting Japan to crack down with a strategy of overwhelming platforms with copyright infringement claims, investing in groundbreaking new anti-piracy AI programs, and having anime and manga leakers arrested by the Kumamoto prefectural police’s cybercrime division.

    Two people, including a Tokyo company owner, were arrested by Kumamoto in 2024 for allegedly violating copyright law by posting leaked manga magazine images online ahead of the official release — reportedly obtained by bribing bookstore staff, according to Weekly Shonen Jump owner Shueisha.

    According to Japan Times, Japan plans to deploy AI to combat anime and manga piracy, targeting over 1,000 sites that publishers say cost the industry billions annually. A 300 million yenpilot program uses image and text detection to track infringing content. Although it is unknown when this program is to be deployed or how effective it would be, the model is part of the “Cool Japan” initiative to further strengthen the ties between other countries.

    The initiative mirrors South Korea’s investment in technology to detect piracy. According to Korean outlet Money Today, via Comic Book Resources, a new Ministry of Science and ICT report outlines plans to replace manual piracy detection with AI systems, aiming to automatically track illegal streaming sites as part of a broader strategy to boost the global competitiveness of Korea’s online video industry.

    While it’s clear that anime and manga piracy hurts both the industry and its creators, the issue isn’t simply about people avoiding payment — accessibility remains a major barrier. Publishers need to meet global demand through wider international access, because enhancing legal services is a key step toward addressing the root causes of piracy and the demand it fulfills.
    #whats #going #with #manga #anime
    What’s going on with manga and anime piracy crackdowns?
    Much like the gaming industry, entertainment has long been at war with piracy. But while gamers often turn to piracy to preserve titles lost to digital delistings or scarce physical copies, anime and manga fans, especially in earlier eras, relied on illicit means simply to access the content. Before widespread licensing, piracy played a crucial role in spreading anime and manga’s popularity, ultimately attracting major players like Netflix, Crunchyroll, Hulu, HIDIVE, Amazon Prime Video, and Disney Plus to invest. Legal options exist today, but licensing agreements and regional restrictions still keep much of anime and manga locked away from international fans. Now that corporations have staked their claim, piracy is under heavy fire. High-profile shutdowns have hit sites like AnimeSuge, AnimeWave, 123Anime, and just this week, the major manga scans hub, Manga Dex. As anime’s global popularity soars, video piracy is also an issue, prompting Japan to crack down with a strategy of overwhelming platforms with copyright infringement claims, investing in groundbreaking new anti-piracy AI programs, and having anime and manga leakers arrested by the Kumamoto prefectural police’s cybercrime division. Two people, including a Tokyo company owner, were arrested by Kumamoto in 2024 for allegedly violating copyright law by posting leaked manga magazine images online ahead of the official release — reportedly obtained by bribing bookstore staff, according to Weekly Shonen Jump owner Shueisha. According to Japan Times, Japan plans to deploy AI to combat anime and manga piracy, targeting over 1,000 sites that publishers say cost the industry billions annually. A 300 million yenpilot program uses image and text detection to track infringing content. Although it is unknown when this program is to be deployed or how effective it would be, the model is part of the “Cool Japan” initiative to further strengthen the ties between other countries. The initiative mirrors South Korea’s investment in technology to detect piracy. According to Korean outlet Money Today, via Comic Book Resources, a new Ministry of Science and ICT report outlines plans to replace manual piracy detection with AI systems, aiming to automatically track illegal streaming sites as part of a broader strategy to boost the global competitiveness of Korea’s online video industry. While it’s clear that anime and manga piracy hurts both the industry and its creators, the issue isn’t simply about people avoiding payment — accessibility remains a major barrier. Publishers need to meet global demand through wider international access, because enhancing legal services is a key step toward addressing the root causes of piracy and the demand it fulfills. #whats #going #with #manga #anime
    WWW.POLYGON.COM
    What’s going on with manga and anime piracy crackdowns?
    Much like the gaming industry, entertainment has long been at war with piracy. But while gamers often turn to piracy to preserve titles lost to digital delistings or scarce physical copies, anime and manga fans, especially in earlier eras, relied on illicit means simply to access the content. Before widespread licensing, piracy played a crucial role in spreading anime and manga’s popularity, ultimately attracting major players like Netflix, Crunchyroll, Hulu, HIDIVE, Amazon Prime Video, and Disney Plus to invest. Legal options exist today, but licensing agreements and regional restrictions still keep much of anime and manga locked away from international fans. Now that corporations have staked their claim, piracy is under heavy fire. High-profile shutdowns have hit sites like AnimeSuge, AnimeWave, 123Anime, and just this week, the major manga scans hub, Manga Dex. As anime’s global popularity soars, video piracy is also an issue, prompting Japan to crack down with a strategy of overwhelming platforms with copyright infringement claims, investing in groundbreaking new anti-piracy AI programs, and having anime and manga leakers arrested by the Kumamoto prefectural police’s cybercrime division. Two people, including a Tokyo company owner, were arrested by Kumamoto in 2024 for allegedly violating copyright law by posting leaked manga magazine images online ahead of the official release — reportedly obtained by bribing bookstore staff, according to Weekly Shonen Jump owner Shueisha. According to Japan Times, Japan plans to deploy AI to combat anime and manga piracy, targeting over 1,000 sites that publishers say cost the industry billions annually. A 300 million yen (about $2 million) pilot program uses image and text detection to track infringing content. Although it is unknown when this program is to be deployed or how effective it would be, the model is part of the “Cool Japan” initiative to further strengthen the ties between other countries. The initiative mirrors South Korea’s investment in technology to detect piracy. According to Korean outlet Money Today, via Comic Book Resources, a new Ministry of Science and ICT report outlines plans to replace manual piracy detection with AI systems, aiming to automatically track illegal streaming sites as part of a broader strategy to boost the global competitiveness of Korea’s online video industry. While it’s clear that anime and manga piracy hurts both the industry and its creators, the issue isn’t simply about people avoiding payment — accessibility remains a major barrier. Publishers need to meet global demand through wider international access, because enhancing legal services is a key step toward addressing the root causes of piracy and the demand it fulfills.
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