May 29, 20255 min readSpaceX’s Starbase Is Officially a City. Some Neighbors Aren’t ThrilledStarbase, SpaceX’s launch site turned company town in South Texas, faces local opposition from residents outside the city limitsBy Paola Rosa-Aquino edited by Lee BillingsSpaceX rockets stand near the end of a neighborhood street in the company’s Starbase launch complex in this photograph from October 2021. Starbase was officially incorporated as a city of Cameron County, Texas in May 2025. Mark Felix/Bloomberg via Getty ImagesBefore SpaceX’s Starship lost control and exploded over the Indian Ocean during its ninth test flight, the 400-foot-tall megarocket blasted off from Texas’s newest city.Starbase, situated on 1.5 square miles of the Lone Star State’s southernmost tip in the Rio Grande Valley, is mostly made up of SpaceX employees living on company-owned property and abuts a habitat for endangered wildlife, as well as a public beach.Starbase serves as the main testing and launch location for Starship, SpaceX’s planned fully reusable spacecraft, which is meant to revolutionize human and uncrewed space travel with its gargantuan payload capacity and rapid-fire flight cadence. If Starship’s development proceeds as planned, the megarocket could soon be ferrying crew and cargo alike to multiple otherworldly destinations—such as the lunar surface, for NASA’s Artemis program, and Mars, in fulfillment of SpaceX founder Elon Musk’s long-stated dream. But nearby residents worry about less glamorous local effects, fearing that a town built around the space company could continue SpaceX’s alleged pattern of polluting the area and blocking access to the nearby beach and other open public spaces.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.“SpaceX has already proven itself to be an extremely bad neighbor,” says Christopher Basaldú, an anthropologist and environmentalist and co-founder of the South Texas Environmental Justice Network, who lives in nearby Brownsville, Tex. SpaceX did not immediately respond to a request for comment.Long before it was Starbase, the area’s beaches, tidal flats and wetlands were of great significance to the Indigenous Carrizo/Comecrudo people (or Esto’k Gna in their own language). Many of them still live nearby as members of the modern-day Carrizo/Comecrudo Tribe of Texas. Today the area is largely Latino and among the poorest in the country. Musk’s space company began buying up property there in 2012; ever since company housing and rocket-related infrastructure have steadily sprouted.“We’ve grown quite a bit just in the last couple of years. It’s a couple hundred employees [and] their families, living amongst actual rockets,” said Daniel Huot, a SpaceX communications manager, during a company livestream before Tuesday’s Starship test flight.Huot added that the move to incorporate what was formerly Boca Chica Village as Starbase will help the company “scale more quickly [to] try to build out the best community possible for all the people that are building the future of humanity’s place in space.”Even before SpaceX began launching rockets at the site, neighbors complained about potential environmental woes stemming from the company’s operations. In a 2018 press conference, Musk dismissed such concerns, saying “We’ve got a lot of land with no one around, and so if [a rocket] blows up, it’s cool.”The first launch of the 40-story-tall Starship vehicle in April 2023 didn’t entirely proceed as planned—it blew up the concrete launch pad and left a literal crater behind. Particulate debris, as well as concrete and steel shrapnel from the botched launch, scattered far and wide across the surrounding landscape, igniting fires and slamming into protected habitats and public beaches. Ash, dust and sand grains hurled aloft by this first Starship flight test rained down as far out as Port Isabel, Tex., about five miles from the launch site.Local environmentalists have also sounded the alarm on how the company’s activities at Starbase could increase chemical and sonic pollution that puts migratory birds and other vulnerable endangered species in the area at greater risk.Despite these brewing tensions, Starbase was incorporated in early May, making it the first new city in Cameron County, Texas, in 30 years.Only people who live in the immediate area—almost all of them SpaceX employees—were eligible to vote for the new city. Residents voted 212 for and six against. The city’s mayor and commissioners—all current or former SpaceX employees—ran unopposed. “Now [SpaceX has] stolen away not only a neighborhood but the land around it, which had been basically environmentally untouched areas,” says Basaldú, who is a member of the Carrizo/Comecrudo Tribe.Starbase’s boundaries snake along State Highway 4, which provides the only access to both Starbase and the open-to-the-public Boca Chica Beach. A bill pending in the Texas Legislature would shift control over weekday closures of the beach and nearby roadways from the county commissioners to Starbase city leaders now that Starbase is a municipality under law.“As a community, we were there first,” says Suquiery Santillana, a resident of nearby Brownsville, Tex., who has visited Boca Chica Beach since childhood. “I’m almost 50, and now my grandkids are going.” Her family’s trips to the isolated shoreline now include wide-eyed roadside spectators from all across the country who want to catch a glimpse of the SpaceX launch site. While Santillana is happy that SpaceX has brought jobs to the area, she would like the company to communicate more about upcoming closures and launch plans with locals.Members of the Carrizo/Comecrudo Tribe also trace their creation story to this once-pristine beach. The intermittent access restrictions imposed by SpaceX’s launches, some tribe members say, limit them from freely participating in traditions such as fishing and tribal ceremonies that have been taking place on their ancestral land for thousands of years.Activity at the site could soon ramp up even more. On May 22 the Federal Aviation Administration (FAA) announced it had granted approval for SpaceX to increase the annual number of Starbase launches from five to 25. Eventually, Starship flights from the site could far exceed that because the vehicle is designed for very fast turnaround times and an unprecedentedly high launch cadence. Starship’s sheer size, coupled with more frequent launches, could balloon Starbase’s overall environmental footprint while also essentially shutting down Highway 4 for much of the year. The FAA did not immediately respond to a request for comment.For now, Starbase is poised to continue its rapid development and expansion, with plans in the works for more housing, offices and rocket launch facilities. Jim Chapman of the local environmental justice nonprofit Save RGV (Rio Grande Valley) worries that Starbase’s incorporation could allow SpaceX to skirt important regulatory hurdles. “[SpaceX has] fewer layers of bureaucracy that [it has] to go through and get approval from,” he says. “But on the other hand, I haven’t really seen the county denying [it] anything.”As SpaceX vies to fly ever more powerful rockets in pursuit of Musk’s interplanetary aspirations, local residents also fear that the company’s launch activity and its proximity to new natural gas projects could pose grave threats to Rio Grande Valley communities. One such project currently under construction is less than six miles from the launch site—too close for comfort, some critics say, given the possibility of volatile explosions sparked by showers of fiery rocket debris.If Musk’s latest projections are to be trusted (he often overpromises and underdelivers on meeting ambitious rocketry deadlines), additional Starship test flights will blast off from Starbase every few weeks for the rest of the summer. Time will tell if the company will be mindful of those who live next door.

Credit: Ian Moore / Mashable Composite; Goodboy Picture Company / E+ / pialhovik / iStock / Getty Images May is National Masturbation Month, and we're celebrating with Feeling Yourself, a series exploring the finer points of self-pleasure. When I look back at pictures of myself in my early 20s, I see a confident young woman who was willing to talk about anything with anyone. But behind closed doors, I was hiding a secret shame that totally contradicted my public brand. I couldn't orgasm — not with a partner, not on my own.There had been fleeting attempts over the years to get the ol' engine rolling. I thought I could reason my way to climax: the internet, with its endless resources in the form of Reddit threads, message boards, and YouTube videos, seemed like the place to go. I turned online for information, emotional (first-person narratives from others who struggled) and practical (sex toys and tutorials). Nothing helped. In fact, all the accumulating knowledge only served to make me feel worse. For it to finally happen, at the age of 25, I had to strip everything back and take my sex drive fully offline for the first time.Failing to climaxThere's a scene in Eve Ensler's legendary play The Vagina Monologues when the audience hears from a woman who didn't have an orgasm until she was 72. "When she finally found her clitoris, she said she cried," the introduction goes. I remember hearing those words at the age of 18 and feeling a fluttering sense of recognition. Then came the chaser: dear god, please let me have one before I'm a septuagenarian. You May Also Like At that age, the inability to orgasm wasn't something that surprised me all that much. I'd read enough teen magazines, seen enough Sex and the City, to know all about the orgasm gap, and that 61 percent of men orgasm every time they have sex compared to 30 percent of women.Multiple studies have found that women are more likely to orgasm during masturbation than intercourse; a similarly consistent finding is that 10 percent of women never orgasm, no matter the circumstances.Yet as I moved through my twenties and failed to rectify the problem, I realised the friends I'd once bonded over this experience with weren't struggling anymore. I felt likeBut as a forthright young feminist on the cusp between the Gen Z and millennial generations, I was also unofficially educated under the tutelage of sex education YouTubers like Shan Boodram, Laci Green, and Hannah Witton. They taught me about the importance of people with vulvas knowing their bodies and having the confidence to tell sexual partners if they weren't getting them off. I spread their message far and wide. Female pleasure was so my brand that a close male friend once gave me a T-shirt with the words "The Future is Female (Ejaculation)" as a Secret Santa gift. I laughed, then went to the bathroom and cried, so deeply full of shame at the disconnect between my public confidence and inward inadequacy.Theoretically speaking, I knew just about everything there was to know about the orgasm…apart from how to have one myself. Very few people, beyond a handful of friends and former partners, knew about my struggle with anorgasmia (where people struggle to climax even with the application of sexual stimulation). I was scared of speaking the words "I can't come" into reality, or of feeling like even more of a failure if they checked in on my progress in the future and I had to tell them that no, I still couldn't.  Theoretically speaking, I knew just about everything there was to know about the orgasm…apart from how to have one myself. As Emily Nagoski writes in her bestselling book Come As You Are, so much of the female orgasm is in the mind. Nagoski theorises that female sexual pleasure has dual controls — an accelerator to turn you on and a brake to turn you off — and that balance is needed to achieve orgasm. But my brake was hyper-sensitive thanks toSex toys felt like a good starting point (god forbid I actually touch myself!), and my limited student budget meant I wanted a vibrator that gave a good bang for my buck, so to speak. I'd spend hours trawling through positive customer reviews for phrases like "can't come" or "never usually orgasm," hoping the same would happen for me if I purchased a clitoral stimulator or CBD lube. When it didn't, I felt more frustrated than ever. Mashable Trend Report: Coming Soon! Decode what’s viral, what’s next, and what it all means. Sign up for Mashable’s weekly Trend Report newsletter. By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! What I was searching for was a sense of recognition — an "oh, I'm not alone in this" feeling that my friends, while empathetic, understandably couldn't provide. (Yet whenever I now mention to friends that I didn't have an orgasm until I was 25, similar stories are divulged.) So I looked further afield, scouring message board threads and online articles for narratives from people who'd not been able to come either. The snatched moments of understanding made me feel less alone, albeit not necessarily always better.The next approach was more unconventional. Two friends bought me a subscription to OMGYes, the adult sex education website dedicated to facilitating female pleasure. Initially, I was embarrassed that it had come to this, but I gave it a go. A membership provided access to a library of practical (and extremely NSFW) tutorials on different masturbation techniques. I tried to follow along, but lacked perseverance and was quick to abandon the mission when things didn't happen immediately.At every stage, my attempts to orgasm were hindered by these deeply rooted feelings of shame and inadequacy, and a fear of feeling like even more of a failure should I try and not succeed. I knew I was missing out on an integral part of the human experience, but once the terrifying words "you're going to be on your deathbed never having had an orgasm" enter the mind, they're hard to shake. In order to halt this nihilistic spiral, I stopped trying altogether. It wasn't all bad. The sex, with both long-term and casual partners,So the problem bubbled away beneath the surface, rectifying it as simply not a priority. As with much of life, the arrival of COVID-19 changed things. I remember turning 25 and looking down the barrel of a new year and a third lockdown in the UK. I'm officially in my mid-twenties, I thought. If not now, when? Those interconnected feelings of embarrassment and failure were clearly holding me back. If I was going to figure out how to orgasm, that would only be achieved by removing expectation; expectation that, I realised, was coming directly from the internet aids I'd sought out for help. I needed to strip away the technological trappings and do the one very simple thing I'd been so scared to do: touch myself, and do it consistently. Related Stories What finally helped me orgasmI set myself a challenge. Every day, I would put my phone on the other side of the room and masturbate without sex toys.think these faint flutters were orgasms, and briefly returned to the message boards to see if others had experienced anything similar. Nobody described my exact feelings, but I kept at it.It was a conversation with a close friend, a doctor, that made the most marked difference. I told her about my current state, where I wasn't sure whether I was experiencing an orgasm or not. "You know if you want that to count, it counts," she told me. For the first time, someone was saying that I was on the right path, and not crashing into a wall. Without being dramatic (although said friend still laughs about how I credit her with my first orgasm), those words triggered a switch in my brain. As soon as I stopped feeling like I was foolish for even attempting to fight what I'd always perceived to be a losing battle, orgasms — proper ones, I was sure — came. I didn't cry or rush to text the friends greatly invested in my journey. Don't get me wrong, I was thrilled, but it felt like a wholly personal achievement, and one I wanted to sit in for a while. SEE ALSO: What is a ruined orgasm? Mostly, the feeling was one of relief, the lifting of a huge weight from my chest and the dissipation of so much secret shame. I remember thinking that if I never had an orgasm again, I would be happy. Given how easy I was now finding it once that bridge was crossed, though, I was pretty sure that wasn't going to be the case. I remember thinking that if I never had an orgasm again, I would be happy. If there's one thing I now know, it's that you can't intellectualise, let alone buy, an orgasm. Sure, products and internet resources may help, and in those most isolating moments, it was undoubtedly useful to see my experience reflected back in others. But over time, I found the accumulation of all this knowledge only added to my feelings of failure. I had to remove it all from my mind and do the thing I was most scared to — confront my own body — to make it happen. Given all that, I'm aware of the irony of writing my own "how I finally had an orgasm" narrative. But I know a story like mine, as long as it wasn't dwelled on too long or used as a point of comparison, would have helped my younger self. It's why I keep far less personal aspects of my life out of my work, yet have always known I wanted to write about this experience someday. There are so few narratives about a total inability to orgasm out there. If you're reading this now and see something of yourself in my story, I hope it can provide some. It can happen for you — I truly believe that — whether you're 25 or 72. You'll get there. Isobel Lewis Isobel Lewis is a freelance culture and lifestyle journalist based in London. Formerly of The Independent, she now regularly writes for The New York Times, Service95, and Time Out.

Imaginary Forces has unveiled a reimagined Marvel Studios logo alongside the premiere of Thunderbolts*. Produced under the creative direction of Tosh Kodama, the logo pays homage to Marvel Studios’ iconic comic book flip-intro imbued with the darker, edgier tone of Thunderbolts*. “The latest Marvel Studios logo builds on the rich creative history between Imaginary Forces and Marvel Studios,” said Kodama. “Our goal was to retain the iconic essence of the comic book flip while pushing it into new visual territory within the Thunderbolts* canon.” The sequence features thousands of comic book images from the pages of Thunderbolts*, projected onto a drifting 3D rendering of the Marvel wordmark. The camera pans in, around, and through the passageways of each letter. The logo is never fully revealed and eventually dissolves into blackness, foreshadowing of The Void, Sentry’s alter ego. “We wanted to create something truly epic and large-scale,” added Kodama. “The sequence tells a story, albeit a subtle one, evoking the gritty, morally complex world of the Thunderbolts*. Aesthetically, it’s also a notable departure from the warm and vibrant hues of the previous logo animations, with the black slowly creeping in and overtaking everything, creating a sense of mystery and unease.” To express The Void sonically, Imaginary Forces overlaid a haunting sound effect over Michael Giacchino’s iconic ‘Marvel Studios Fanfare,’ reflecting the character’s hollow, engulfing nature. “Fans get jazzed the minute they hear the fanfare and they know it well,” said Kodama. “So, sonically augmenting it was a simple but highly effective choice to subvert expectations and add intrigue.” As a long-time branding and storytelling partner, Imaginary Forces created its first Marvel logo animation for the 2002 release of Spider-Man. 10 years later, they partnered with Marvel Studios for a stereoscopic 3D reimagining that premiered before Thor: The Dark World (2012). “Back in 2002, no one could have predicted Marvel would grow into the expansive Marvel Cinematic Universe we know today,” concluded Kodama. “We’ve been thrilled to collaborate with Marvel on the evolving logo animations over the years. Being part of the MCU’s next chapter is always an exciting and rewarding experience.” Source: Imaginary Forces Journalist, antique shop owner, aspiring gemologist—L'Wren brings a diverse perspective to animation, where every frame reflects her varied passions.

We’re thrilled by the overwhelming response to our call for speakers at TechCrunch Disrupt 2025, taking place October 27–29 at Moscone West in San Francisco. After a careful selection process, we’ve narrowed it down to 20 impressive finalists—10 breakout sessions and 10 roundtables. Now it’s your turn to help shape the agenda. Audience Choice voting […]

Subscribe to Nintendo Life on YouTube814k Maseylia: Echoes of the Past, a new 3D metroidvania from French duo Sol brothers, has been confirmed for the Nintendo Switch 2 and will launch at some point in 2026. We suspect the Switch 2 will be absolutely flooded with metroidvanias after a few years or so, so it's nice to highlight one of the early contenders here. As for what it entails, well, it looks like a 3D action-adventure game! The visuals looks really nice; very unique and interesting, but we're a little concerned about the action at the moment (or lack thereof, to be honest). All of the screenshots we've seen so far are a little bit too similar to one another for our liking, as you'll no doubt see in the four we've collated below. Still, it's a game that's very much still in development, so we'll withhold our full judgement for the time being – it could wind up being an absolute banger, and we'd be thrilled if that's the case. Here's a look at the key features: - Open-Ended Exploration – Carve your own route through a richly interconnected world, discovering secrets, forgotten ruins, and untamed creatures. - Dynamic Platforming Abilities – Wield unique powers like the 360° dash, phasic transformation to pass through solid matter, and control over water levels to access hidden areas. - Immersive Science-Fiction Atmosphere – Experience a world where nature and technology intertwine, shaping a mysterious and ever-changing environment. Images: Sol Brothers Maseylia: Echoes of the Past will be joining another metroidvania on the Switch 2, and we suspect you know what we're talking about... yes, Hollow Knight: Silksong. We're very confident that this will launch at some point in our lifetime – maybe. But what about the rest of us?! Dashing What do you make of Maseylia: Echoes of the Past from this early look? Leave a comment down below and let us know. Related Games See Also Share:5 1 Nintendo Life’s resident horror fanatic, when he’s not knee-deep in Resident Evil and Silent Hill lore, Ollie likes to dive into a good horror book while nursing a lovely cup of tea. He also enjoys long walks and listens to everything from TOOL to Chuck Berry. Hold on there, you need to login to post a comment... Related Articles Pokémon Legends: Z-A's Switch 2 And Switch 1 Prices Have Been Revealed And we're pleasantly surprised Nintendo Updates Switch 2 Backwards Compatibility List Doom Eternal, NBA 2K25, and more to get an update Fantasy Life i Is Proving So Popular That Level-5 Has Already Announced Free DLC "We would like to express our deepest gratitude to everyone" US Retailers Are Reportedly Starting To Receive Switch 2 Stock Update: Another photo spotted Fantasy Life i Gets Switch 2 Release Date With Paid Upgrade Path For Switch 1 Players And it's coming launch day

Harris Tweed, a Scottish textile brand, is working with the National Manufacturing Institute Scotland (NMIS) to integrate 3D printing technology into its traditional loom systems. The integration seeks to improve part accessibility and support the long-term sustainability of its weaving operations in the Outer Hebrides. Kelly McDonald, operations manager at The Harris Tweed Authority, noted that while the organization takes pride in its craftsmanship and tradition, it also recognizes that innovation is essential to maintaining the strength and resilience of the industry. “Working with NMIS is a significant step forward in future-proofing the looms critical to the production of Harris Tweed. With the ability to replace parts quickly, easily, and affordably, our weavers can focus on what they do best without worrying about delays. This not only safeguards the future of our fabric but also supports the livelihoods of the island community who dedicate their skills to preserving the craft.” Harris Tweed Fabric. Photo via Harris Tweed. The Traditional Harris Tweed Process and New Innovations To address these issues, The Harris Tweed Loom Spares Co. partnered with NMIS—operated by the University of Strathclyde and part of the High Value Manufacturing Catapult—to develop 3D printed loom parts. The collaboration focuses on improving access to essential components and reducing dependence on long supply chains. At NMIS’s Digital Factory in Renfrewshire, engineers applied reconditioning techniques and tested durable materials to create high-quality parts. One key loom assembly, initially comprising seven separate pieces, was redesigned into three components made from strong composite material. This new version reduces costs by 99% and can be printed locally using a desktop 3D printer in approximately two hours. “When a vital part of the loom breaks, it can halt production for weeks, which is incredibly frustrating. Finding a way to keep the loom running smoothly is essential, and it’s been great to be one of the first to try out the new 3D printed assembly. The ability to get what we need, when we need it, will make a huge difference, as it means we can minimise downtime and focus on our work without unnecessary interruptions.” Old and new assemblies side by side. Photo via Harris Tweed. Ongoing Development and Future Goals Andrew Bjonnes, R&D engineer at NMIS Digital Factory, stated: “This project really showcases how modern manufacturing can boost traditional industries and help preserve valuable heritage skills. With additive manufacturing, we’re promoting self-sufficiency and giving weavers a smart, cost-effective, and user-friendly way to keep their looms up and running. It has been an incredibly rewarding project, making a tangible difference and allowing weavers to concentrate on their craft instead of worrying about equipment failures.” Andrew Bjonnes with new assembly. Photo via Harris Tweed. 3D Printing’s Impact on Fashion Design  3D fashion printing is expanding the range of possibilities for designers, providing new tools and techniques that enhance durability, sustainability, and creativity in the industry. In February, the New York Embroidery Studio (NYES), a surface design studio specializing in embroidered designs and textile embellishments for high-profile events like the MET Gala, integrated the Stratasys J850 TechStyle, marketed as the world’s first additive manufacturing system designed for direct printing on textiles. This addition enables the studio to create detailed, tactile designs, improve workflow efficiency, and reduce material waste. “The J850 TechStyle is an extraordinary addition to our capabilities. Our clients are thrilled by the possibilities this technology opens up—from high-end fashion to VIP and entertainment projects. Combining the precision of 3D printing with our expertise in embroidery allows us to push boundaries like never before,” said Michelle Feinberg, Owner and Creative Director of NYES. Elsewhere, Coperni introduced its gel bag at Disneyland Paris, created using Rapid Liquid Printing (RLP), a technique developed by MIT’s Self-Assembly Lab. RLP fabricates objects directly within a gel suspension, enabling the creation of soft, stretchable, and durable designs. Made from recyclable platinum-cured silicone, the bag highlights how advanced manufacturing techniques can seamlessly blend with fashion design while maintaining a strong focus on sustainability. Take the 3DPIReader Survey — shape the future of AM reporting in under 5 minutes. Who won the 2024 3D Printing Industry Awards? Subscribe to the3D Printing Industry newsletter to keep up with the latest 3D printing news. You can also follow us on LinkedIn, and subscribe to the 3D Printing Industry Youtube channel to access more exclusive content. Featured image shows Andrew Bjonnes with new assembly. Photo via Harris Tweed.

Former Ready at Dawn, Ubisoft, and Midgar Studios developers have come together to form Atlantis Studio, a new team that, according to a report from GamesBeat, will focus on making immersive games in Unreal Engine 5. The new team will be based in the South of France and is co-founded by Ru Weerasuriya, the former president of Ready At Dawn, who was with that studio on games like The Order: 1886 and Echo VR until the studio was shut down by Meta last year. Joining Weerasuriya is Nico Augusto, and together the two bring years of experience to the formation of Atlantis. "We are thrilled to announce the creation of Atlantis Studio in the beautiful South of France region," said Weerasuriya in a statement. "Our vision is to foster a creative and collaborative environment where experienced talent can come together to develop games driven by our common passions." Augusto added, "The core team at Atlantis Studio is composed of exceptional and talented individuals. Together, we are looking forward to sharing with everyone the world we are crafting." The studio is currently hiring, and according to their website, they are due to announce their debut project "soon," which of course, could mean anything. It could be that we'll learn what the project is during Summer Game Fest, with a trailer ready to help drum up awareness about the studio to try and attract developers to apply. Or it could be that we're waiting months, even years, to find out what Atlantis Studio is cooking.

President Donald Trump has responded to billionaire and former number-one ally Elon Musk, after he heavily criticized the White House's so-called "big, beautiful bill."Over the weekend, Musk told CBS News that he's "disappointed" by the price tag of the tax and spending bill, arguing that it "increases the budget deficit, not just decreases it, and undermines the work that the DOGE team is doing.""I think a bill can be big or it can be beautiful," he added, "but I don't know if it can be both. My personal opinion."It was a once-rare but increasingly common moment of public disagreement between the two ultra-public figures, who had stood side by side during the contentious election last year when Trump ultimately retook the White House.Asked about Musk's reaction to the bill, which would indeed raise the debt ceiling by $4 trillion, Trump offered a word salad response."We have to get a lot of votes, we can't be cutting — we need to get a lot of support," the president told reporters on Wednesday, as quoted by USA Today, arguing that the bill would've lost momentum with deeper proposed cuts. "I'm not happy about certain aspects of it, but I'm thrilled by other aspects of it."It's a particularly notable inflection point for Musk, who announced that he would be stepping away from his role as a "special government employee" after months of implementing disastrous and chaotic cost-cutting measures with the help of his so-called Department of Government Efficiency."The DOGE mission will only strengthen over time as it becomes a way of life throughout the government," he tweeted Wednesday evening.But the White House seemed eager to move on after the increased friction with Musk. His "off-boarding will begin tonight," a White House official confirmed to Reuters hours earlier.However, given the power Musk has accrued in the White House, it's unlikely the billionaire will simply vanish from the scene. As his tweet suggests, his influence will likely be felt for a long time to come.Where all of this leaves Musk's relationship with the president is hard to read. Trump has been left with the cleanup job and is looking to codify some of DOGE's catastrophic budget cuts. He's expected to send a whopping $9.4 billion rescissions package to Congress next week, proposing deep cuts to USAID — which has already been gutted by DOGE — and the Corporation of Public Broadcasting, which formed NPR and funds PBS.Musk's departure from the White House will come to the relief of many, including Republican lawmakers in Washington, DC, and investors in his ailing carmaker Tesla.The mercurial CEO's embrace of far-right ideals and his tenure in the government cutting federal funding have proven to be incredibly damaging to Tesla's brand, sending sales off a cliff worldwide.Trump, for his part, could certainly do with a whole lot less of Musk, whose popularity has tanked, dragging down the administration's favorability with him.After all, the president is certainly fully capable of sowing mayhem all by himself — without a tempestuous billionaire whispering in his ear and rebuking him in public.More on Elon Musk: Elon Musk Just Ghosted a Huge Company MeetingShare This Article

Image: Zion Grassl / Nintendo LifeI’m absolutely terrified of roller coasters. The lack of control you have, the speed, high heights, twists and turns - all this makes for something I’ve never been able to convince myself is worth the thrill. It was easy to get over my fear of flying in aeroplanes as there’s always something exciting and extraordinarily worthwhile waiting for me on the other side of the flight. Some things in life I would just never be able to do without flying far away in a plane. However, with roller coasters I couldn't say the same, until now. 'Mine Cart Madness' opened to the public at Universal Studios Japan in Osaka at the tail end of 2024, and is also now in the States at Universal Epic Universe in Orlando, Florida. I’ve visited the smaller version of Super Nintendo World located at Universal in Hollywood, CA, a few times, and managed to ride their Mario Kart ride, Bowser’s Challenge, as well. Lots of Kong, but still needs more Dixie The MK ride is essentially a light-gun game with a heavy Augmented Reality element which forces you to wear 'goggles' making it hard to appreciate the physical environment you're riding through. You can take the 'goggles' off, but you lose the entire point of the ride in doing so, and the animatronic set pieces and environmental elements aren't all that exciting on their own. The game can be confusing at first and, for being a ride themed around a video game that traditionally encourages you to race fast, it's quite slow, too. Images: Zion Grassl / Nintendo Life However, almost none of this can be said about the new Donkey Kong Country ride. I’m a much bigger DK fan than I am Mario, and even though this new Mine Cart ride is pitched as a more traditional roller coaster that sometimes even claims to go off the rails, my curiosity and love for the series had me clamouring to see what it had to offer. I’m thrilled to say it didn’t disappoint, even though it proved to be quite a bumpy ride at times. The queue for Mine Cart Madness takes you through a temple that reminded me most of Millstone Mayhem and Temple Tempest from the original Super Nintendo game. Most of the line is indoors or at least covered and was kept quite cool thanks to air conditioning, also featuring some themed water fountains if you need a drink. Here you’ll also find a few touchpoints for the Power Band that will net you digital collectibles if you’re using the Universal mobile app. The line is fairly simple with not much to see, aside from a surprising appearance from Cranky Kong and Squawks the parrot. Both are completely animatronic and fully voiced and bicker back and forth at each other. Not only do they help pass the time in line, they help lay down the story and what you can expect to see on the ride. Even though I had no one waiting in front of me, I stood here for quite a while and just listened to them chat, like a couple of good pals catching up after a long time apart. Images: Zion Grassl / Nintendo Life Once it came time for me to sit down in my mine cart, I could feel my heart sink into my stomach as I remembered seeing the ride from the ground floor of the park and it going much, much faster than all of the other Nintendo-themed rides created up to this point. I was honestly pretty scared, but my love for the Kongs apparently knows no bounds, and it helped that I had a few pals with me (thanks, Brian from IGN and Marcus from Game Informer for keeping me calm!). The ride itself only lasts a few minutes, so I’ll refrain from spoiling too much as I really think if you’re going to do this, you should go in knowing as little as possible. Things really do go off the rails in some surprising and shocking ways, though. So much so that at one specific point on the ride, I thought it truly was the end for us. If you’ve seen the blueprints or caught the video of Miyamoto taking a tour of the park in Japan, you’ll likely have heard about the ride's big hook. If you've played a mine cart level in DKC, you'll know that platforming is very much a thing even in the mine cart, and that’s replicated here. Mine Cart Madness, never goes upside down (thankfully), but it takes you up and down some steep slopes and twists and turns every now and again, mimicking the feeling of flying off the rails and landing safely back on them. The jumps themselves didn’t feel as pronounced as I was expecting, as it seems to work more as a trick of the eye than your cart being hurled in the air. Honestly, that’s probably a good thing. Also, if you want a more authentic and adventurous experience, sit in one of the front seats if you can. Image: Zion Grassl / Nintendo Life You’ll also meet a few of your favourite DKC buddies, and this alone kept me coming back to Mine Cart Madness for multiple rides. These animatronic set pieces make this ride a lot more fun than the Mario Kart ride to revisit, as it's so exciting to see these chimpanzees in action. There are more than just chimps to see, though, so if you're only familiar with the more recent Country games, there will be more surprises in store. For me, the ride was made even better at night as yellow and blue neon lights add a comforting glow to the experience. You’ll rush through a few indoor sections which make it feel like a dark ride at times too. There’s so much to look at that not once did I feel like I saw everything; if you swing your head around at different points, you may catch a nice glimpse of the park, a dainty splash of a rushing waterfall, or even a few adventurous Pikmin that broken away from the pack. This may just be a kink to be worked out, but every now and then I felt the ride could get quite bumpy. After exiting my mine cart, I heard other riders talk about how unexpectedly bumpy it was for them, too. I can’t imagine barreling down a mine shaft in a rusty rock wagon would be the most comfortable thing in real life, so maybe it’s just all a part of the experience. Something worth noting, though, no doubt. Images: Zion Grassl / Nintendo Life What might be a downside for some is the fact that there’s no game element to this ride whatsoever. For me though, this was a huge win. Seeing the detail and quality in these animatronics, even just for a few short moments, is something I'll remember for a long, long time. It sounds silly, but this made me feel closer to the world of Donkey Kong Country than ever before - the Mario Kart ride didn’t leave this big of an impression. It's a huge step up in overall production and an experience I hope every diehard DKC fan can have in their life. As a member of the press, I was pretty much obliged to try it, but I think I finally understand the thrill people are chasing when they willingly choose to ride a roller coaster. If Nintendo and Universal decide to make their next ride even more intense, I hope I’ll be ready for it. Even if it had a name like 'Funky’s Crash Course.' Travel costs for this trip and early access to the park were provided by Universal. Let's use the Lens of Truth Share:0 1 Zion's been crafting videos and photos with our team for over half a decade now. While you'll usually find Zion playing RPGs, platformers, and adventure games, anything with a good story is sure to be right up his alley. For an on brand example: MOTHER 3 may not be recognized much by the Western side of Nintendo, but he still found a way to play it anyways and hopes it makes it way to the West officially so others can enjoy it more easily. Hold on there, you need to login to post a comment... 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