• Hands On: Metroid Prime 4: Beyond On Switch 2 Is Staggering
    www.nintendolife.com
    Image: NintendoMetroid Prime 4: Beyond being cross-gen was inevitable. After a near two-decade wait for a sequel and a handful of delays, including a return from series developer Retro Studios, the game needed to land with a bang. And boy did it when it re-emerged during the June 2024 Nintendo Direct.We've seen it twice since, and each time it's impressed more and more. Yet the latest time, during the Switch 2 Direct, all the gloves were off despite little gameplay. A Switch 2 Edition, 4K, 120fps in performance mode, and smooth 60fps in handheld? And then we got to play it.Subscribe to Nintendo Life on YouTube801kWatch on YouTube More than any other game we tried on Switch 2, Metroid Prime 4 makes the case for Nintendo's more powerful successor. All of our 15 minutes of demo time were spend savouring every single light particle, rain droplet, laser beam, and alien goo. It's safe to say that this is a stunning-looking game on Switch 2, and it was already looking fairly nice on the original hardware.Images: NintendoThe demo took us through the opening moments of Samus' adventure, where she and a crew of Galactic Federation soldiers are called to the planet Tenmaar after a distress call from one of the Federation's facilities. Watching Samus' spaceship throttle through the galaxy and descend on this new planet, it sets the tone for a hectic and dangerous opening section.Everything is so shiny; the spaceship, Samus' visor, and the glow of Samus' cannon as she blasts down the Space Pirates. It's hard not to gawk at the level of detail as you walk through the rocky pathway and see flames lick through the remains of Federation ships. If this is the standard for the Switch 2 Editions, then my goodness, Nintendo has set a high bar. This might be the best-looking game Nintendo has ever put out.Even though we wanted to admire the sights and sounds of this new planet, the game wastes no time throwing you into the action. Almost every single room was filled with Space Pirates in the demos and we had to work with the Federation Force to take them all out. This is essentially a tutorial stage after all, getting you to grips with donning the orange suit once again. Luckily, if you've played any other game in the series, you'll know immediately that this feels right in an almost back to basics sense.Images: NintendoSamus has access to her arm cannon, missiles, and charge shot, and she can use bombs when in Morph Ball mode. It's a seamless transition if you've played Metroid Prime Remastered, and it controls exactly the same. The gyro aiming is excellent too, and felt extremely accurate as we swapped seamlessly between using that, the control stick, and Mouse Mode.That last point is another area where Metroid Prime 4 shines if you like using Mouse controls, at least. Placing the right Joy-Con down, we could control Samus' movement as normal in our left hand, while essentially controlling her right arm and her "vision" with our right arm. Just like the gyro aiming, Mouse Mode is incredibly accurate and responsive, with no delays in turning and facing enemies quickly. You can still use lock-on by holding down the ZR here too, which helps you zip between foes even quicker.It's an adjustment if you've never played an FPS with a mouse before, but it makes so much sense in Prime 4. Plus, the fact that you can change your mind simply by lifting the right Joy-Con off of the desk (or your lap) is a little bit mind-blowing. This is going to be the preferred gameplay method for many, and it's a fantastic showcase for the new feature.Image: NintendoOf course, it wouldn't be a Prime game without a big boss, and Aberax forces you to put everything you've refamiliarised yourself with into action. It's built like a classic puzzle boss, encouraging you to aim for weak spots while using Samus' deft sidestepping abilities, space jump, and morph ball to avoid getting hit. But there's a catch the weak spots, actually infectious areas as a result of a Metroid bite, occasionally shield themselves from damage.Locking on during this boss fight might not always be the best option, and this is where Mouse Mode really clicked for us. The precision of being able to hover over the weak spot until it's vulnerable ups the tension and the ante, and as your jumping and moving around, even one stray movement from your right hand might be a missed shot or opportunity to blast the Metroid pustule away. It's stressful in the best possible way.Images: NintendoAs the fight progresses, the creature's pustules multiply, and it starts throwing out more attacks that require you to watch its arm movements or its positioning. One laser wall arm swipe might require a quick double jump, but the next might need you to roll into that lil' Morph Ball.Aberax's defeat marked the end of the demo, and even with the learning curve of using the mouse, we haven't been able to stop thinking about the possibilities of spectacle in the Switch 2 Edition. Samus is getting the big-budget, beautiful-looking game she deserves; we'll be scanning our way through Tenmaar as soon as we can.
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  • Watch: Nintendo Treehouse 3rd April 2025 - Live!
    www.nintendolife.com
    A closer look at some Switch 2 gameplay.We're still recovering from yesterday's Switch 2 blowout, but Nintendo isn't hitting the brakes just yet.The first of two Nintendo Treehouse presentations is set to kick off in the next half an hour, promising to run us through some hands-on gameplay from a selection of the Switch 2 titles we saw yesterday.Read the full article on nintendolife.com
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  • Spotify debuts Gen AI ads, programmatic ad buying
    techcrunch.com
    Spotify announced Gen AI ads, among other changes to its advertising business, at an event in New York City on Thursday. Notably, the company introduced a new programmatic offering, the Spotify Ad Exchange (SAX), which allows advertisers to reach Spotifys logged-in users via real-time auctions. Expanding on the SAX news, Spotify said it inked new partnerships with Googles demand-side platform, Dispay & Video 360, and Magnite, with Yahoo DSP, Adform, and others to come soon. The Trade Desk is also supported. SAX will offer full addressability and measurement capabilities, the company said.Partners will initially be able to advertise within Spotifys audio, video, and display formats across music, with podcast support on the way. SAX will be available in the U.S., Canada, Europe, Australia, New Zealand, India, Singapore, Brazil, and Mexico.In another major announcement, the company said its integrating AI into its advertising offerings by allowing marketers to use Gen AI to create scripts and voiceovers for their audio ads using Spotify Ads Manager in the U.S. and Canada. Spotify says the use of its AI tools will come at no additional cost to advertisers. Image Credits:SpotifyThe changes were pitched to marketers as a way to reach the coveted Gen Z demographic, who access the streaming service throughout the day, not just when theyre engaged directly with the app and looking at the screen. The company touted that it now has over 251 million Gen Z users on its service.
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  • New session at TechCrunch All Stage: Jahanvi Sardana on how top startups reshape markets
    techcrunch.com
    TechCrunch All Stage the ultimate founder summit is shaping up to be a powerhouse event where 1,200 founders and VCs across all stages will come together to forge meaningful connections and gain practical insights they can immediately apply to scale their startups. Join us on July 15 at SoWa Power Station in Boston and be part of the conversation with scaling experts. Register now and save up to $210!Image Credits:TechCrunchAdding even more value to this already-packed agenda, were excited to announce that Jahanvi Sardana, partner at Index Ventures, has joined the breakout session lineup. Sardana will dive into the critical elements of assessing total addressable market (TAM), revealing how the best startups dont just size markets they create them.Using case studies from high-growth companies such as Datadog, Adyen, Wiz, Shopify, and Airbnb, she will explore how these businesses identified emerging trends, eliminated friction, and expanded their TAM beyond initial projections. This session is essential for founders aiming to build companies that will shape the future of their industries.This is your opportunity to get direct answers from Jahanvi on scaling challenges and learn what it truly takes to propel your business forward.Meet Jahanvi SardanaAs a B2B investor, Jahanvi Sardana specializes in cybersecurity, enterprise software, and fintech, investing across seed to pre-IPO stages. She thrives on partnering with founders who embody grit the secret ingredient that sets high performers apart. Its the perfect mix of passion, persistence, and stamina that turns visionary ideas into reality.Prior to Index Ventures, Jahanvi was at Stripes, a growth equity firm in New York, where she focused on cybersecurity, fintech, and SaaS investments. Her career began in private equity at Aquiline Capital Partners.Unlock must-know strategies for startup successDont miss this session at TC All Stage plus more led by industry leaders like Charles Hudson, founder and managing partner at Precursor Ventures; Brandon Krieg, co-CEO and co-founder at Stash; and many others. This is your opportunity to ask scaling questions, build game-changing connections, and, for VCs, discover the next big investment. Register now and save over $200 on a Founder or Investor Pass!
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  • Black Mirror Season 7
    www.artofvfx.com
    Movie & Games TrailersBlack Mirror Season 7By Vincent Frei - 03/04/2025 Black Mirror is back! The dark and twisted anthology from Charlie Brooker returns in 2025 with six new episodesone of which revisits the sci-fi nightmare of USS Callister! Watch the first trailer now and prepare for another mind-bending season!The Production VFX Supervisor is James MacLachlan.The Production VFX Producer is Josie Henwood.Creator: Charlie BrookerRelease Date: April 10, 2025 (Netflix) Vincent Frei The Art of VFX 2025
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  • New Sinterit SUZY SLS 3D Printer: Technical Specifications and Pricing
    3dprintingindustry.com
    Polish 3D printer manufacturer Sinterit has introduced SUZY, a compact Selective Laser Sintering (SLS) 3D printer designed to deliver high-resolution prints with consistency and efficiency.Engineered for precision, SUZY offers a layer height of 0.075 mm (0.003 in) on the Z-axis, aimed at producing intricate geometries and complex features that can be challenging to achieve with other methods. This fine resolution caters to applications requiring high detail, such as small-scale prototypes, functional components, and detailed end-use parts, setting a high standard for detail in the compact SLS market.The manufacturer has invited potential users to request a free sample print, offering a straightforward way for customers to evaluate SUZYs performance for themselves.SUZY SLS 3D printer. Image via Sinterit.High-resolution printing with PA12 compatibilityOptimized for PA12 Industrial, a widely used material in SLS technology, SUZY operates within a controlled environment to promote consistent print quality, minimize powder waste, and ensure robust mechanical properties in printed parts.PA12 Industrial is known for its durability, chemical resistance, and mechanical strength, making it suitable for producing parts that require both functional performance and reliability. This combination of efficiency, durability, and repeatability supports its use in various sectors, including automotive, aerospace, and manufacturing.SUZY also aims to balance performance and practicality. With a printing speed of up to 20 mm/h (0.79 in/h) and a relatively large build volume, it delivers capabilities comparable to industrial-grade systems while maintaining a compact footprint.Its speed and capacity are intended to facilitate rapid prototyping and small-batch production, which could appeal to businesses seeking high-quality SLS printing without substantial financial investment.The 3D printers compatibility with modern factory systems through API connectivity allows for remote monitoring and control, which aligns with Industry 4.0 standards. This approach could streamline workflows for companies aiming to automate their production processes or enhance scalability.Additionally, compliance with these standards may assist businesses in applying for European Union (EU) funding, where digitalization and smart manufacturing are often prioritized.Safety considerations have also been factored into SUZYs design, especially when working with PA12 Industrial powder. Its construction aims to minimize powder exposure, contributing to a user-friendly and clean working environment.Despite its compact size, the Performance Set requires less than 2m of workspace, potentially appealing to users with limited operational space.As a successor to its Lisa 3D printer, Sinterit has described SUZYs printing capabilities as a result of extensive testing and refinement, emphasizing its ability to address complex shapes and demanding design requirements.Part 3D printed on SUZY. Photo via Sinterit.Technical specifications and pricingThe new SUZY SLS 3D printer is priced at Starting at just 17,590 (approx. $19,490). For more details, interested customers can visit the website or contact the company, here.Dimensions650 x 610 x 1200 mm,25.6 24.0 x 47.2 inWeight150 kg, 330.7 lbsMax size of print diagonally398 mm, 15.7 inMax print volumePA: 130 x 180 x 330 mm, 5.16.713.3 inLayer height0.075 mm, 0.003 inBuild Speedup to 20 mm/h, 0.79 in/hLaser typeIR Fiber Coupled Diode Laser, 30(W); = 976 3 (nm) rated to > 30,000 hrsLaser scanner typeGalvoSoftwareSinterit StudioSupported file typesSTL, 3MF, OBJ, 3DS, FBX, DAEOS compatibilityMicrosoft Windows 10 or higherOperating voltage230 (V) AC, 50/60 (Hz), 7.5 (A) or 100-120 (V) AC, 50/60 (Hz), 15 (A)Average power consumption0.85 (kW)Max power consumption1.65 (kW)What3D printing trendsshould you watch out for in 2025?How is thefuture of 3D printingshaping up?To stay up to date with the latest 3D printing news, dont forget to subscribe to the 3D Printing Industry newsletter or follow us on Twitter, or like our page on Facebook.While youre here, why not subscribe to our Youtube channel? Featuring discussion, debriefs, video shorts, and webinar replays.Featured image shows the SUZY SLS 3D printer. Image via Sinterit.
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  • 3D Printing and the Future of Supply Chain Management
    3dprintingindustry.com
    A peer-reviewed article published via ScienceDirect in Procedia Computer Science investigates how additive manufacturing (AM) is reshaping key areas of supply chain management. Conducted by Andrea Balloni, Laura Monferdini, and Eleonora Bottani from the Department of Engineering for Industrial Systems and Technologies at the University of Parma, the study analyzed 157 academic articles published between 2014 and 2023.Using the Scopus database as a primary source, the researchers mapped how AM affects procurement, facility location, inventory strategy, distribution, and reverse logistics. The review highlights growing academic interest in the system-wide implications of AM and identifies gaps in modeling, material compatibility, and recycling research.Europe leads in output, but the United States dominates topic leadershipArticles were selected through keyword-based searches organized into supply chain topics. Europe contributed 43% of the publications, followed by the United States at 25%. India and China added 7.5% and 6.5%, respectively. Within Europe, the United Kingdom and Germany each produced 5.7% of the articles; Italy followed at 5.1%.In every topic categoryprocurement, facility location, inventory, distribution, reverse logistics, sustainability, and cross-sectional studiesthe United States had the highest number of contributions. India ranked second in system-wide studies, while Italy appeared frequently in discussions of location, distribution, and sustainability.Article frequency increased significantly after 2018, with nearly 80% of studies published between 2019 and 2023. The authors attribute this spike to increased industrial adoption of AM and global disruptions that exposed weaknesses in traditional supply chains.Papers addressing multiple supply chain topics simultaneously made up 20% of the corpus and received the highest citation rates. These studies focused on AMs broader impact on how companies source, produce, store, move, and recover materials and products.Inventory and distribution studies followed in frequency. In inventory-related work, AM was repeatedly cited as enabling a shift from make-to-stock models toward make-to-order configurations. Chekurov et al. studied this effect in spare parts supply chains, finding that AM reduced inventory requirements, minimized obsolescence risk, and lowered response times to fluctuating demand.Distribution-focused papers emphasized the consolidation of assembly stages. AM allows multiple parts to be fabricated in a single operation, reducing the number of transport steps and enabling localized final production. This alters the flow of logisticsfrom finished goods to raw materialsand decreases cross-border shipments in decentralized manufacturing systems.Distribution of topics in AM supply chain literature. Image via Science Direct.Procurement transitions toward material-centric sourcingSourcing practices are shifting from component acquisition to specialized raw materials. AM users often require metal powders or engineered polymers tailored to specific printer systems. These materials are commonly procured directly from equipment manufacturers.This reconfiguration of procurement could lead to market concentration. Firms focused on feedstock production may become more prominent as material quality increasingly determines the success of AM operations. Balloni and colleagues note that changes in material transport volumes may followprioritizing raw material movement over that of components or semi-finished goods.Additive processes support the decentralization of production, at least in principle. Several studies suggested that AM can reduce dependence on large, centralized manufacturing hubs by enabling smaller, strategically located production sites. This is particularly effective in industries with irregular demand, geometric complexity, or a need for customization.The authors challenged that assumption, arguing that economic and technical constraints still limit AMs viability for large-scale deployment. Issues include slower build speeds, reduced economies of scale, and high material costs. For now, organizations with pre-existing regional infrastructuresuch as maintenance depots or distributed service centersare better positioned to integrate AM at a localized level.Reverse logistics studies center on recycling feasibilityLiterature on reverse logistics and sustainability frequently overlapped. AM was seen as compatible with circular economy models, especially in relation to plastics. Santander et al. developed a mathematical model for decentralized recycling in fused deposition modeling (FDM), where recovered plastic waste is turned into printable filament locally. Their results showed economic benefits due to cost savings on virgin feedstock and environmental benefits from reduced emissions in material transport.In metal AM, recycling remains a technical challenge. Creating printable powders requires atomization processes that are rarely feasible outside centralized facilities. The authors note that this centralization continues to dominate due to the capital investment required and the consistent quality standards it enables.Research also identified doubts about customer perception of recycled inputs and whether decentralized treatment systems can meet performance criteria. Although there is theoretical alignment between AM and sustainable production, practical integration remains limited by infrastructure and cost.Across all supply chain areas, studies often failed to specify industry focus. In the reverse logistics category, 100% of articles omitted sectoral context. For sustainability, 86% did not mention application domains.Where industries were named, spare parts, aerospace, biomedical, and automotive were most commonly discussed. In inventory and distribution categories, the spare parts sector appeared in 20% of studies, reflecting AMs flexibility and relevance to unpredictable maintenance schedules. Aerospace and biomedical applications were cited in discussions on design complexity and customization.Research on the fashion sector, though sparse, highlighted AMs potential to enable innovative geometries and reduce production waste. Other sectorssuch as toys, eyewear, or plastic reformingwere mentioned only occasionally.Research methods by topic and keywords analysis. Image via ScienceDirect.Qualitative research dominates; modeling tools underusedQualitative methods, including literature reviews, case studies, and interviews, dominated the research landscape. These approaches were prevalent in procurement, distribution, and sustainability topics.Quantitative studies were more common in inventory management. Tools such as the Supply Chain Operations Reference (SCOR) model and multi-criteria decision methods (MCDMs) were used to simulate decision-making frameworks and system behavior. Simulation modeling also appeared in a few studies focused on facility location and distribution scenarios.The review notes that limited access to performance data across industries and the wide variability of AM technologies restrict the development of robust, cross-domain modeling. Researchers were more likely to analyze conceptual opportunities and constraints than to present statistically validated findings.A keyword analysis revealed recurring terms tied to technology and supply chain functionality. Additive manufacturing, 3D printing, spare parts, and distributed manufacturing were common across all categories. In inventory, frequently paired keywords included safety inventory and make-to-order, supporting observations about reduced buffer stock requirements.Spare parts supply chains received particular attention in studies on distribution and inventory, often in connection with aerospace components and high-value mechanical systems. Across the review, the authors observed that distributed manufacturing was most prevalent in studies on inventory, production location, and distributionindicating consensus on AMs potential to reduce centralized dependency, even if implementation remains constrained.Research gaps include bioplastics, material compatibility, and stock strategyFew studies investigated how recycled materials could be processed to meet the functional demands of different AM technologies. The review also found that bioplastics were rarely mentioned, despite growing interest in biodegradable and bio-derived feedstocks.While the shift toward make-to-order production was often described, few articles explored how this change affects inventory policysuch as safety stock levels, procurement cycles, or raw material holding strategies. Likewise, there was limited work on intellectual property issues in distributed production environments.Balloni, Monferdini, and Bottani conclude that additive manufacturings capacity to reshape supply chains is real but constrained by technological maturity, cost structure, and supply ecosystem dependencies. As AM continues to evolve, future research will need to address not only production methods but also the infrastructure, data models, and materials science that make integration viable.Ready to discover who won the 20243D Printing Industry Awards?Subscribe to the 3D Printing Industry newsletter to stay updated with the latest news and insights.Featured image shows annual publication trend across AM supply chain topics. Image via Science Direct.Anyer Tenorio LaraAnyer Tenorio Lara is an emerging tech journalist passionate about uncovering the latest advances in technology and innovation. With a sharp eye for detail and a talent for storytelling, Anyer has quickly made a name for himself in the tech community. Anyer's articles aim to make complex subjects accessible and engaging for a broad audience. In addition to his writing, Anyer enjoys participating in industry events and discussions, eager to learn and share knowledge in the dynamic world of technology.
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  • Those Architects uses curves to carve out space in Mosman ANZAC Memorial Hall for BresicWhitneys office
    www.archpaper.com
    Steel SquigglesThose Architects uses curves to carve out space in Mosman ANZAC Memorial Hall for BresicWhitneys officeByPaige Davidson April 3, 2025Interiors, International (Ben Hosking)SHARENortheast of Sydney, in the suburb of Mosman, a 100-year-old building commemorating those killed during duty in World War I now houses a real estate office for BresicWhitney. The shiny, modern interior is located within the stately edifice of the ANZAC Memorial Hall, dedicated in 1924. Local architecture firmThose Architectscreatively organized the spatial layout of the office using ribbons of shiny curved steel rather than the typical application of stringent walls. The unique approach to BresicWhitney Lower North Shore office is a bold reimagination of a historic building. While the new 2,282-square-foot office boasts a modern look, Those Architects didnt overlook the historic importance of the building or the complications that come with it. Ben Mitchell, cofounder and director of Those Architects, toldAN Interior,Unfortunately, not much of the original interior building fabric remained intact, so when we uncovered the original staircase, we were very keen to restore it and incorporate it into the design. It provides a beautiful counterpoint to the contemporary interior and also serves as a touchstone to the past.Read more on aninteriormag.com. Adaptive ReuseAustralia
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  • Out of the sewer: Wastewater treatment plant in Arklow, Ireland by Clancy Moore Architects
    www.architectural-review.com
    The Arklow wastewater treatment plant in Ireland, designed by Clancy Moore, is an act of public serviceThe Irish Sea near the town of Arklow was once home to 90km ofnaturally occurring oyster reefs. During the 19th century, Arklow was the countrys main port for oysters 40million were harvested in 1863, with many exported to England, the colonial metropole. But by the end of the 1800s, the oyster beds were depleting due to overharvesting and pollution from the Avoca mines upstream; even in the 1860s, oysters were rebedded elsewhere to remove the taste of copper, dispensed into the river by the mines, beforebeing sold.Since the 19th century, the water qualityof the Avoca River and the sea into whichitdischarges has suffered, due to bothindustry and a lack of wastewater infrastructure. Until June 2024, when the new Arklow wastewater treatment plant began operation, raw sewage as well as greywater and surface runoff was released directly into the river. The lower reaches ofthe Avoca River constituted the most polluted stretches of river in Ireland, according to a 2003 Eastern Regional Fisheries Board report. In 2019, the European Court of Justice took Ireland tocourt for its failure to treat wastewater inArklow, along with 37 other Irish towns.Attempts to build a wastewater treatment plant began in the 1990s but were frustrated by searches for a suitable site. In 2016, alocation was selected at the mouth oftheAvoca River, next to the marina andprominently visible from the town tothesouth. We came to the conclusion that if were going to build something there, it needs to be a civic building that were proud of and that speaks to the town, explains Michael Tinsley, an engineer and senior manager at Uisce ireann (formerly Irish Water), who commissioned the project. Weneed to get an architect involved here. There was an invited competition in 2016 for a practice to join the existing design team, led by Arup and Ayesa Engineering. Dublinbased practice Clancy Moore were anunlikely addition to the lineup, invited on the commendation of a planner who hadbeen impressed by a house on a sensitive quarry site which the practice had designed in 2008.The lower reaches of the Avoca River constituted the most polluted stretches of river in IrelandClancy Moore found themselves aconsultant among many; around 20 specialisms were represented in the design team (odour engineerarticularly niche favourite). In the built project, however, thearchitects hand is keenly felt. From a distance, the monumental louvred volumes appear almost toylike, emerging from between tanks and warehouses like oversized pleated origami. This is how thebuildings will be experienced by most people: a landmark viewed across the river from the south quay or glimpsed on a windy walk by the sea to the north. As Andrew Clancy, cofounder of Clancy Moore, explains, while not accessible to the public,the project is fundamentally for andabout the public good.Clancy Moore have achieved more than just smart dresses for giant sheds. In one ofmany meetings, the architects casually asked if it was possible to put this on that, marking a departure from typical sewage plant design, in which processes are arrayed horizontally and tanks are sunk into the ground. At Arklow, the initial treatment processes where grit and nonorganic objects, such as wet wipes and nappies, areremoved take place on an upper level, with large storm tanks and skips for collecting the removed material below. Wastewater ispumped up to the raised level from the underground sewer and then flows by gravity to the second volume which contains aeration tanks effectively giant petri dishes where bacteria break down harmful compounds before making the journey down a kilometrelong outfall pipe to the Irish Sea.This decision to stack processes precipitated a chain reaction of happy consequences. Volumes were able to be morevertical: confident urban figures with acivic presence. The only evidence that the buildings are in fact part of a sewage works will be a lorry coming out a couple of times aweek to take dried sludge away to eitherbe used as fertiliser or incinerated togenerate electricity. The volumes had to have roofs because the higher areas needed to be served by gantry cranes, which in turn meant that solar panels could be installed onthe roofs (currently just one roof but there are plans to roll out on the second inacouple of years). These will be able to contribute up to40 per cent of the plants energy demands reduced compared with typical arrangements, where wastewater ispumped between each tank rather than fed by gravity. The reduced built area alsoallowed a third of the site area toberewilded, including plants that willhelp todecontaminate the ground.The giant louvres, like halfclosed Venetian blinds, allow air circulation without revealing the unsavoury innards, and are already welcoming small birds looking for a nesting spot (though netting prevents wildlife from venturing further inside). The fins of corrugated fibrecement board, the colour of oxidised copper, hang from a steelframed carapace, the steel columns meeting the ground on hefty concrete feet, a precaution against manoeuvring trucks. The small office building at the site entrance speaks the same language as its two larger siblings butin a softer register, with concrete wedges supporting a portico that echoes the louvres, gently lapped cementboard cladding in the same marine green, and windows in a dance along each facade, like notes on a stave.The reference here to John Hejduks Kreuzberg Tower in Berlin is wittily rehearsed (the facade at the entrance resembles I suspect intentionally a face in profile), and the two louvred sheds heavily quote Hans Christian Hansens Amager switching stations in Copenhagen: large warehouselike buildings with corrugated louvres that flap up and down to allow ventilation. Clancy Moores project itself hasalso been quoted; before the wastewater plant was even completed, DMOD Architects headquarters for Arklow Shipping was builtin 2022 with an oversizedgreen sawtooth roof.Concrete was a prerequisite for the tanks and other processes, for which no other material is suitable, and a steel frame was selected due to structural demands and the exposed marine location. The choice of fibrecement cladding emerged following countless iterative studies: a cast in situ concrete facade was vaunted as there was plenty more concrete already being poured on site, and timber options were considered, though it unfolded that withstanding the tough conditions would require slowgrowth oak and copper nails. This was unsurprisingly quickly dismissed. A hardier, more industrial palette was selected; the corrugated cement board rhymes with thesurrounding industrial sheds, still usedfor shipbuilding.One resident welled up as she noticed that the frothy scum that had habitually laced the edges of the river had disappearedThe Arklow wastewater treatment plantisa rare example of a sewage works designed by an architect, and one of, if not the first in Ireland. The project wastendered as part of a design and build engineering contract that did not include a single drawing. Instead, the architects drew through writing, in a document of over 60 pages, meticulously describing the basis of the buildings: from the plans (a foursided structure, rectangular in plan) down to thedetails (there are to be no horizontal joints between fibrecement panels). Thedocument proves, in case there were anydoubt, that a drawing is worth several thousand words.This is a project of conversation between professionals from innumerable disciplines, and with planning authorities and local people. Clancy and cofounder Colm Moore see the practice as stewards or guardians of the project, navigating and negotiating between the various specialist expertises placed on the table, rather than leading theproject. They also proved to be crucial advocates of the project in consultations with the public: The architects had them sitting down and within five minutes, they were nodding about how the project would speak to the marine history of Arklow, Tinsley describes. Very early on we saw thebenefit of having the architects involved.Tinsley also notes that there has been very little resistance to the project from the local community perhaps expected given the previous dire situation, though unusual asnot everyone wants a sewage plant as aneighbour. Any qualms that the public might have about frivolous spending of taxpayers money on aesthetics can be quelled by Tinsleys estimates that only around 3 per cent of the projects budget was spent on the architecture a small price to pay for a civic landmark.This is a socially and ecologically transformative piece of infrastructure. Onanopen day shortly after the plant beganoperations last year, one resident welled up as she noticed that the frothy scum that had habitually laced the edges of the river had disappeared. But perhaps the most dramatic transformation that will result from the operation of the plant will beurban growth, suppressed since the late 1990s on the grounds that there wasnt adequate wastewater treatment provision the population of the town has hovered around 13,000 for the last 15 years. The new wastewater treatment plant is the key that will unlock development: the plant has the capacity to allow the town to nearly triple insize, with two tanks currently dormant. Asingle development of 476 units on agreenfield site to the south of the town wasgranted planning permission in December 2024.But the towns population had been suppressed since long before the 1990s. The population of the Republic of Ireland only recently, in 2022, surpassed five million for the first time since 1851, just recovering after centuries of English then British colonisation, including a genocidal famine. As Clancy points out, the population growth in Arklow will not be an explosion, but areturn to the normal population dynamics ofthe country as a whole. He hopes young people may now choose to stay and that a considered approach will be taken to urban development. One small positive from the failure to build a plant before is that Arklow was spared the substandard developments of the boom, and of the last 10 years.The deprivation caused by British colonisation and economic mismanagement since independence in 1922 has resulted in underdeveloped infrastructure, including wastewater. In 2014, 50 Irish towns were without water treatment; Arklow was the 35th on the todo list (six more are set to receive treatment plants this year, and thelast nine are at planning stage). The stateowned water company Uisce ireann, established in 2013, is funded through taxation rather than householder water bills (it is a strongly held principle in Ireland that water is free). In contrast, across the Irish Sea in England, privatised water companies operate as uncompetitive monopolies, extracting profit for shareholders while allowing water infrastructure to languish. In2024, Londons private water company Thames Water was responsible for 300,000 hours of raw sewage overflowing into waterways, despite having over 350 treatment plants. The same year, it paidshareholders dividends amounting to 158million. Thames Water has announced water bill increases of 31 per cent beginning 1 April to an annual average of 639 per household.The new use of this site to clean water in Arklow is in stark contrast to its historical uses which excreted a plethora of toxic substances; a gypsum board factory, active between 1964 and 2002, was demolished to make way for the project, and an ammunitions factory for the English Kynoch Company factory was on the site before that. Even thesoil itself reclaimed from the sea during the 19th century is likely contaminated spoil from the Avoca mines. Both the weapons and extracted copper and sulphur that continue to leave their traces inArklow were used by England for imperial gain. Large rusting cylindrical tanks that held industrial waste remain on the site areminder of the toxicity that came before.Today, the river runs clean for the first time in over a hundred years. There are hopes that the oysters will return.
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  • Mr. Plywood Stands Proud Again: Recreating a Portland Icon
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    ProjectsMr. Plywood Stands Proud Again: Recreating a Portland IconKirsten Bauer and Alina Radetsky collaborate to replace a celebrity sign of 60 years' standing.Better LettersApr 3, 2025 5 min readAlina Radetsky recreating the unforgettable face of Portland's Mr. Plywood.Last year, Kirsten Bauer shared a project via her newsletter that brought a smile to my face. It was a collaboration with studio pal Alina Radetsky, and I invited them to tell the story of their work to recreate Portland's popular Mr. Plywood sign.Mr. Plywood Stands Proud Again: Recreating a Portland IconThe Mr. Plywood sign, an iconic and beloved landmark, has stood proudly in the Montavilla neighbourhood in Portland, Oregon, for decades. The caricature was designed by one of the founders of the locally owned Mr. Plywood lumber and building supply store, shortly after it opened in 1963. His unique character, made with three stacked sheets of plywood, has become a recognisable symbol of the business and, fittingly, the material it represents. His charming cartoonish appearance customers often mistakenly refer to him as a pig has etched him into the memories of Portlanders for decades.The sign's authentic 1990s replacement had weathered the Pacific Northwest elements remarkably well over the years, largely due to the durability of MDO (medium-density overlay) plywood. (Mr. Plywood is one of the few lumber stores in Portland to stock MDO making it a favourite stop of most local sign painters!) However, it was starting to show its age.Portland's original Mr. Plywood went up in the 1960s and was replaced by a local sign painter in the 1990s. Photo: Plywood blog.When Tom Jardine, a collector passionate about preserving eye-catching local relics, sought to acquire the ageing sign, he presented Mr. Plywoods owner Bret Brantner with a unique proposition: he would keep the original, while taking care of the process to replace it, to include its removal, hiring sign painters to faithfully replicate it on new panels, and installing the new sign. It took some convincing, and a few reminders, but Bret finally agreed, and in March 2023, Tom began the process of removing the old sign.Tom Jardine and Mr. Plywood store staff removing the 2.4 x 3.0 m (8 x 10 ft) sign in 2023.We were forwarded Toms email request from another sign painter in town who couldn't take on the project, and the opportunity to recreate it was too compelling for us to pass up! We had been sharing a studio space and assisting each other with smaller projects for a while, but this seemed like the perfect opportunity to team up and take on a larger job. Having the support of another sign painter to bounce ideas off was invaluable as we navigated the process. We were excited but also justifiably apprehensive about replicating something so ingrained in Portlands visual history.Tom saw the faded sign as a sort of 'crown jewel' in his collection, but he also sought to preserve its original legacy by recreating the new sign as faithfully to the original as possible. It was therefore a project that demanded both precision and reverence for the original work.We worked closely with Tom, who provided the cut and primed MDO plywood as well as a space to paint at his warehouse. We traced the original design and made paper patterns. We then brought Mr. Plywood back to life by hand-painting with enamel paints and painstakingly colour matching the original hues a difficult task, seeing as the old sign was so faded in areas!Mr. Plywood Snr. settling into retirement as details on his successor are finessed by All Good Signs' Alina Radetsky before reaching the half-way point.The challenge lay in balancing the historical accuracy of the original with the need to create a fresh, high-gloss version of the sign. There were no modern shortcuts or digital tools involved, just the careful application of time-honoured methods."Where's my pencil?" asks Mr. Plywood, to which Kirsten Bauer replies, "Hold tight, it'll be back behind your ear as soon as this paint has cured".Seeing the ease of the brushstrokes on the faded paint made us appreciate the craftsmanship of the original sign painters. There was a real joy in tracing the old signs lines, capturing not only its visual impact but the personality and texture of the hand-painted work."I feel as good as new!"Once the new sign was complete, Tom and his brother handled the installation, ensuring it was put in place with the same care as the original."I'm going up in the world!" But team Mr. Plywood still have a few touch-ups to do before coming back down to earth.For all of us involved, this project was more than just painting a sign. It was about honouring a piece of Portlands visual culture, while respecting the craftsmanship of those who came before us. We felt incredibly fortunate to play a part in preserving this little bit of Portlands history for future generations to enjoy.Written by Kirsten Bauer and Alina RadetskyIt's job done for Alina Radetsky, Tom Jardine, and Kirsten Bauer, but there's still time for a little surprise for Mr. Plywood owner Bret Brantner. More Projects
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