• WWW.ARCHITECTURALDIGEST.COM
    Where Does Eminem Live? Tracing the Rapper’s Life in Homes
    Back in 1999, he said he was “a Detroiter for life,” but where does Eminem live now? Well, the acclaimed rapper, also known by his real name, Marshall Mathers, has stayed steadfastly true to his word. Though he ventured into the suburbs shortly after his meteoric rise to fame, Mathers has always opted to stay close to where it all began.“I can always go back and revisit my old neighborhood any time I want. And stuff like that is very important. Even if I just want to drive by one of my old houses or something,” he said in 2009 of the decision to stay. “It brings back memories for me. And there are a lot of memories I have here in Detroit. I'm just so comfortable here.” The rapper, who recently became a grandfather, is so comfortable in his Michigan home that he hasn’t bought another property in over two decades.Below, we trace the legendary artist’s real estate journey, from a small house off of Detroit’s 8 Mile Road to a mansion that clocks in at over 17,000 square feet.Childhood homeThe Detroit home where Eminem spent his teenage years was immortalized in 2000 when Mathers appeared sitting on its steps on the cover of his third studio album, The Marshall Mathers LP. “I had a lot of good and bad memories in that house. But to go back to where I grew up and finally say, ‘I've made it,’ is the greatest feeling in the world to me,” he said of the decision to put the humble abode on the album’s cover. Tucked in between 8 Mile and 7 Mile roads, the 767-square-foot brick two-bedroom at 19946 Dresden Avenue became a fan landmark.Even Mathers himself used to occasionally revisit the place. “It may sound corny, but I’ll go by and try to remember how things were when I was in those houses,” the rapper told SPIN in 2010. “I’ll go back and remember, like, f—, man, how life was back then. How much of a struggle it was. As time goes by, you might get content and forget things.”After a fire left it structurally unsound, the home was torn down in 2013. That same year, it appeared on the cover of another Eminem album, The Marshall Mathers LP 2, albeit in a much more decrepit state than when it was pictured 13 years prior. Reportedly, the musician’s former home “sat on a street with more than 70 vacant dwellings” at the time of its destruction. In 2016, Eminem sold 700 of the house’s bricks as official collectibles, complete with his signature and a commemorative plaque.The empty lot has since been put to good use: local nonprofit Detroit Hives announced plans in 2022 to convert it into a bee sanctuary.Sterling Heights padIn the summer of 1999, Mathers and his then-wife, Kim Scott, paid $450,000 for a nearly 5,000-square-foot 1980s dwelling in Detroit’s Sterling Heights neighborhood. Reportedly, the on-again, off-again pair redid the kitchen and primary bedroom, plus added in bright purple carpet.
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  • ARSTECHNICA.COM
    After Harvard says no to feds, $2.2 billion of research funding put on hold | The university also turned its homepage into a tribute to research
    Just say no After Harvard says no to feds, $2.2 billion of research funding put on hold The university also turned its homepage into a tribute to research. John Timmer – Apr 14, 2025 6:39 pm | 171 Credit: US Schools Credit: US Schools Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more The Trump administration has been using federal research funding as a cudgel. The government has blocked billions of dollars in research funds and threatened to put a hold on even more in order to compel universities to adopt what it presents as essential reforms. In the case of Columbia University, that includes changes in the leadership of individual academic departments. On Friday, the government sent a list of demands that it presented as necessary to "maintain Harvard’s financial relationship with the federal government." On Monday, Harvard responded that accepting these demands would "allow itself to be taken over by the federal government." The university also changed its home page into an extensive tribute to the research that would be eliminated if the funds were withheld. In response, the Trump administration later put $2.2 billion of Harvard's research funding on hold. Diversity, but only the right kind Harvard posted the letter it received from federal officials, listing their demands. Some of it is what you expect, given the Trump administration's interests. The admissions and hiring departments would be required to drop all diversity efforts, with data on faculty and students to be handed over to the federal government for auditing. As at other institutions, there are also some demands presented as efforts against antisemitism, such as the defunding of pro-Palestinian groups. More generally, it demands that university officials "prevent admitting students hostile to the American values and institutions." There are also a bunch of basic culture war items, such as a demand for a mask ban, and a ban on "de-platforming" speakers on campus. In addition, the government wants the university to screen all faculty hires for plagiarism issues, which is what caused Harvard's former president to resign after she gave testimony to Congress. Any violation of these updated conduct codes by a non-citizen would require an immediate report to the Department of Homeland Security and State Department, presumably so they can prepare to deport them. However, the most striking aspect of the letter is the complete shift in tone about diversity. After having presented Harvard's existing diversity efforts as the antithesis of a merit-based approach, it suddenly demands that the university enforce what it terms viewpoint diversity. It never defines what this term means—perhaps alchemy in the chemistry department? But the implications are that it amounts to affirmative action for conservatives. Harvard is directed to "audit the student body, faculty, staff, and leadership for viewpoint diversity, such that each department, field, or teaching unit must be individually viewpoint diverse." Any department that fails the audit would be required to start hiring new faculty until it can pass the undefined standards demanded by the feds. Again, all this is being presented as necessary for Harvard to continue receiving research funds. Harvard says nope! The university has decided these demands force it to fight, and it's attacking on two fronts. The first is public-facing; Harvard has turned its homepage into a tribute to its researchers and the work they pursue. Although it starts with a huge banner article as shown here, links to 30 individual articles on research fill the entire page. I have a fairly high-resolution screen, and it took hitting page down nine times to finally reach the bottom, where a handful of links to the rest of the university finally appear. The message is clear: The research that's under threat matters, and humanity will be worse off if its funding is cut. Harvard University's homepage on April 14, 2025. Credit: Harvard Separately, Harvard's legal response, which it made public today, is basically: nope. After detailing the steps the university has already taken to address antisemitism, it gets to the crux of the issue: "your letter disregards Harvard’s efforts and instead presents demands that, in contravention of the First Amendment, invade university freedoms long recognized by the Supreme Court." The harms these demands are meant to address, the letter alleges, haven't actually been demonstrated through processes that are required by law. It continues by essentially calling the government's demands the equivalent of a hostile takeover: The university will not surrender its independence or relinquish its constitutional rights. Neither Harvard nor any other private university can allow itself to be taken over by the federal government. Accordingly, Harvard will not accept the government’s terms as an agreement in principle. Let's be clear: There is a good chance that Harvard is risking a catastrophic loss of funding, resulting in entire research programs being shut down, layoffs, and grad students with no way to pursue their thesis projects. It could well be a crisis that requires generations of new faculty hires to recover from. At the same time, the university also saw one of its peers, Columbia University, accede to a somewhat more limited set of demands, and have its funding put on hold anyway. Given that, the decision to prepare to gain public support and fight it out in court doesn't seem unreasonable. This story has been updated to reflect the actions of the federal government. John Timmer Senior Science Editor John Timmer Senior Science Editor John is Ars Technica's science editor. He has a Bachelor of Arts in Biochemistry from Columbia University, and a Ph.D. in Molecular and Cell Biology from the University of California, Berkeley. When physically separated from his keyboard, he tends to seek out a bicycle, or a scenic location for communing with his hiking boots. 171 Comments
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  • WWW.NINTENDOLIFE.COM
    Review: Rusty Rabbit (Switch) - A Hop, Skip & Some Junk Away From Greatness
    Captured on Nintendo Switch (Handheld/Undocked)We always find it a bit trite to start a review with comparisons, but humour us. Rusty Rabbit is a bit like SteamWorld Dig 2 mixed with Sylvanian Families. Or, it’s somewhere between Drill Dozer and Star Fox. Umm, Dig Dug mixed with Conker’s Bad Fur Day? We might be losing steam here… From developer SoFun, Rusty Rabbit is an action and exploration game where you control Stamp, a grumpy, middle-aged rabbit that collects junk for a living in his mech, the Junkster. He’s a gruff character that smokes carrots and is even voiced by Takaya Kuroda, the VA for Kiryu Kazuma in the Yakuza / Like a Dragon franchise. Meanwhile, the English VA for Stamp is Yong Yea — also the English VA for Kiryu Kazuma — whom some JoJo fans may recognise as Stone Ocean antagonist Pucci. Both do a good job at selling the personality of this troubled character (yes, you can switch between English or Japanese voices), as well as the softness hidden underneath. Stamp and Junkster explore the mines of Smokestack Mountain, hidden below what is left of our world, and alongside a plucky group of explorers known as the BBs, all while also searching for his estranged daughter. Captured on Nintendo Switch (Docked) This world is a frozen and barren wasteland, and it seems humans have died out and these lucky lepus have not only survived, but set up their own civilisation on the surface, with shops, bars, and even a church. But more on that later. Gameplay consists of mixing 2D platforming and action with just your drill, but after getting a gun, a blade, and a grappling hook, the restrictive moveset gradually becomes more swift and satisfying. Anyone expecting Ori or Metroid Dread levels of fluid movement needs to adjust their expectations. Instead, here you feel like you’re controlling a mech, both in power and pace. Where Rusty Rabbit really works from the jump is exploration, as digging into the mysteries of this world is fascinating, and breaking blocks feels nice and crunchy (though the rumble is…ahem, enthusiastic). Wall-jumping works nicely with the grapple and other powers so that even tricky areas are always achievable, unless clearly hinted otherwise. Captured on Nintendo Switch (Docked) Speaking of which, nestled in the depths of Smokestack Mountain are plenty of strict blockades like unbreakable blocks, and a handful of additional powers. While the different biomes give unique challenges like lava or toxic air, the greater picture is spotting the different obstacles like vines blocking your path, and plotting when to return with more powers to uncover every inch of this world and every hidden room. You can use the map to spot conspicuously unbroken blocks and hidden areas just out of reach, and while there’s no marker system to allow you to pinpoint objective blockades to return to, the map does colour code and detail everything very clearly. While the new weapons and powers are rewarding in their own right, it’s the supplementary progression through using junk to build accessories and building up Junkster’s skills that keeps the gameplay engaging while you wait to unlock the next big thing. Plus, there is a passive level system, helping you slowly get stronger. Heading back up to the surface, you’ll find the overworld is hugely important here, and it’s another element that works in synergy with the main gameplay to keep rewarding you. Enter the bar to find quests like 'Find four Springs' or 'Beat 15 Rust Crabs' to earn money, resources, and occasionally Skill Points. Captured on Nintendo Switch (Docked) Next, popping into The Church allows you to ask Pastor Bower (again, also a rabbit) about the old world, where humans once existed. However, it seems the rabbits have found a copy of the book Peter Rabbit, and have misinterpreted this as a biblical text. We cannot recommend enough reading Peter Rabbit before playing this game (avoid the James Corden film, obviously), as it adds a lot to the slow reveals of lore Rusty Rabbit brings. Fantastically, Stamp even uses "McGregor" as slang, as the rabbits see farmer Mr McGregor as some sort of demon. Anyway, you use food found in dungeons to pay Bower for information, which unlocks hay capsules. Swap these in The Diner for affinity and junk, and buy more junk from the Hardware Store to craft new accessories and weapons. Each vendor has a purpose, and the interplay is nicely woven through the entire game. There’s a fair amount to keep track of, but no character or gameplay element feels wasted. Mercifully, you can also quickly swap between the vendors using 'L' and 'R' like in Splatoon, but talking to them and uncovering this world’s secrets is fun, especially with the stellar voice work. We do wish that the narrative didn’t interrupt the gameplay so often, though; some conversations could be done over a radio to keep you playing. Captured on Nintendo Switch (Docked) Thankfully, if you want non-stop action, there are the random dungeons, adding a huge amount of replayability to an already admirably-sized title. These feel well laid out and are really helpful for grabbing resources, building up your weapons, and ticking off quests. Sadly, we have to end on a down note, as despite the somewhat simplistic gameplay style, it’s very clear that Rusty Rabbit could be better optimised on Switch. While load times are minimal and gameplay still feels somewhat smooth, firing up the Steam Demo (obviously) reveals quite the disparity in both visual clarity and in response time. Whether playing in docked or handheld, Rusty Rabbit on Switch feels slower than its counterparts in both input delay, frame rate, and overall performance. Our minor gripes with the pace of movement and combat are exacerbated by slowdown, and while we're not Digital Foundry, the Switch version feels in desperate need of a few patches (or a Switch 2 performance bump). Alongside some admittedly impressive graphics and gorgeous art for the cut scenes are some ugly textures, egregious pop-in, and just a generally ‘washed out’ look. It’s definitely not unplayable (we played Grime for Switch at launch, we know the difference), it’s sad that this game wasn’t given the time needed to feel at home on Switch. Captured on Nintendo Switch (Handheld/Undocked) Ultimately, Rusty Rabbit’s take on Metroidvania genre mixes mining and combat to great effect, as the gratifying power of Junkster, a bevy of subterranean secrets, and the many well-written peripheral characters all work in tandem to give a gameplay loop almost as satisfying as Moonlighter. Conclusion Developer SoFun has crafted an endearing and occasionally hilarious world full of mystery, which even after credits roll feels poised for bigger things. However, at launch, the game feels noticeably slow and the visuals seem compromised on Switch, which brings borderline sluggishness occasionally into frustrating territory. By no means a dealbreaker, and not necessarily a barrier to the dozens of hours of fun gameplay you can find, but we hope to hear of some updates that make exploring Smokestack Mountain as enjoyable as it should be. Well-executed interplay between exploration and progressionInteresting world and fun characters ripe for more adventuresPlatforming and combat feel great alongside the smart level design Characters tend to rabbit on a bit, occasionally interrupting gameplayPerformance and visuals feel notably hindered on SwitchGameplay is derivative, not iterative Good 7/10
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  • TECHCRUNCH.COM
    Apple details how it plans to improve its AI models by privately analyzing user data
    In the wake of criticism over the underwhelming performance of its AI products, especially in areas like notification summaries, Apple on Monday detailed how it is trying to improve its AI models by analyzing user data privately with the aid of synthetic data. Using an approach called “differential privacy,” the company said it would first generate synthetic data and then poll users’ devices (provided they’ve opted-in to share device analytics with Apple) with snippets of the generated synthetic data to compare how accurate its models are, and subsequently improve them. “Synthetic data are created to mimic the format and important properties of user data, but do not contain any actual user generated content,” the company wrote in a blog post. “To curate a representative set of synthetic emails, we start by creating a large set of synthetic messages on a variety of topics […] We then derive a representation, called an embedding, of each synthetic message that captures some of the key dimensions of the message like language, topic, and length.” The company said these embeddings are then sent to a small number of user devices that have opted in to Device Analytics, and the devices then compare them with a sample of emails to tell Apple which embeddings are most accurate. The company said it is using this approach to improve its Genmoji models, and would in the future use synthetic data for Image Playground, Image Wand, Memories Creation and Writing Tools as well as Visual Intelligence. Apple said it would also poll users who opt in to share device analytics with synthetic data to improve email summaries.
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  • WWW.AWN.COM
    Freefolk Announces Vittorio Giannini Returns, Fi Kilroe Promoted to CEO
    Freefolk has announced that Vittorio Giannini has returned to the studio as Director of Business Development and Strategy, while Fi Kilroe has been promoted to become Freefolk’s first CEO. Both will work alongside founder/creative director Jason Watts and COO Paul Wright. “As a fully independent VFX studio who craft high-end VFX across multiple platforms, I’m hugely proud to say that we have been doing this for 22 years this year,” said Watts. “What better way to celebrate this achievement than to have Vittorio back where he belongs and with Fi steering the ship as CEO.” “I had a great time at Omnicom but there was always that part of me that missed the multi disciplined expertise at Freefolk, so when Fi mentioned the focus of this new role, it just made complete sense,” said Giannini. “Freefolk is all about the perfect balance of culture, experience and great work and, as a truly independent studio, we have the ability to keep that front and centre. I couldn’t be any happier to be back at Freefolk working with Fi, Jason, Paul and the whole gang again. We have exciting plans ahead and some additional key creative hires on the horizon to really position Freefolk onto the next stage of its journey.” “It’s an absolute privilege to now be CEO at Freefolk, made even better having the strength of this team alongside me,” added Kilroe. “With Vittorio fitting straight back in, it seems like he’s never left!...” Freefolk have just finished projects for FCB/ProdCo and a Wes Anderson feature; the studio is currently in production with Merman, Sky, and Paramount+. Source: Freefolk Journalist, antique shop owner, aspiring gemologist—L'Wren brings a diverse perspective to animation, where every frame reflects her varied passions.
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  • WWW.ARTOFVFX.COM
    Dune – Prophecy: Breaking Down the Breakdown – The Imperial Palace by Rodeo FX
    Breakdown & Showreels Dune – Prophecy: Breaking Down the Breakdown – The Imperial Palace by Rodeo FX By Vincent Frei - 15/04/2025 How do you bring an Imperial Palace to life in the world of Dune: Prophecy? In this new Breaking Down the Breakdown, Julien Hery (VFX Supervisor) and Scott Coates (Environment Supervisor) at Rodeo FX reveal the creative process and technical magic behind one of the show’s most ambitious environments! WANT TO KNOW MORE?Rodeo FX: Dedicated page about Dune: Prophecy on Rodeo FX website.Mike Enriquez & Terron Pratt: Here’s my interview of Production VFX Supervisor Mike Enriquez and VFX Producer Terron Pratt. © Vincent Frei – The Art of VFX – 2025
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  • 3DPRINTINGINDUSTRY.COM
    Fortissimo closes its $120M investment with Stratasys, now has a board seat
    3D printer OEM Stratasys has closed a $120 million strategic investment from Israeli private equity firm Fortissimo Capital, following Committee on Foreign Investment in the United States (CFIUS) approval. First announced in February 2025, the deal involves the direct purchase of 11,650,485 newly issued ordinary shares at $10.30 each, bringing Fortissimo’s total stake from 1.5% to approximately 15.5%. This makes Fortissimo the largest shareholder of Stratasys, surpassing Israeli 3D printer manufacturer Nano Dimension, which held a 14.1% stake as of January 2024. The transaction also led to changes on the company’s board. Fortissimo’s Founding and Managing Partner Yuval Cohen has officially joined the Stratasys Board of Directors (BoD), replacing Dr. Yoav Zeif, who voluntarily stepped down. Cohen brings over three decades of experience supporting technology and industrial companies through growth-focused strategies. Dov Ofer, Chairman of the Board of Directors of Stratasys, stated, “I would like to congratulate Yuval on joining the Board of Directors. His rich business experience will bring great value to the company as it continues its path as a global leader in the field of 3D printing.”The equity agreement includes an 18-month lock-up and standard standstill provisions. Fortissimo has the right to increase its stake to 24.99%, with voting rights capped at 20%. It may also launch a tender offer, subject to a non-binding advisory vote by unaffiliated shareholders, that could take its ownership up to 35%. However, no intent to pursue changes in management or company structure has been expressed. Stratasys’ Headquarters in Rehovot, Isreal. Photo via Stratasys. Fortissimo takes lead amid shifting investor landscape Fortissimo’s expanded position comes after a turbulent chapter in Stratasys’ recent history. Throughout 2023, the company faced multiple acquisition attempts from the Israeli manufacturer, after Nano Dimension had acquired a 12.12% stake in 2022.  These proposals were firmly rejected by Stratasys’ board and management, who cited misalignment with shareholder interests and long-term strategic goals. Nano Dimension’s campaign spurred a wave of investor scrutiny and sparked broader questions about Stratasys’ future direction and ownership structure. In that context, the private equity firm’s investment, accompanied by board representation and governed by structured shareholder agreements, signals a more formalized and engaged approach to participating in Stratasys’ future, without the confrontational overtones of past acquisition efforts. Meanwhile, Stratasys continued to attract interest from other large shareholders. US Securities Exchange Commission (SEC) filings published in February 2024 revealed that Rubric Capital Management LP held a 6.15% stake, Neuberger Berman Group LLC and its affiliate Neuberger Berman Investment Advisers LLC held 5.61% and 5.43%, respectively, and Israeli holding company Phoenix Holdings Ltd. acquired a 5.26% stake across several subsidiaries. US billionaire investor Farhad “Fred” Ebrahimi, who also holds a significant stake in Desktop Metal, disclosed a 5.1% stake in Stratasys alongside 592,500 PUT options in late 2023. Despite being labeled an activist investor, his SEC filing specified no current plans to alter the company’s leadership or structure. With Fortissimo now holding the largest individual stake and a board seat, Stratasys moves forward with renewed backing and a focus on scaling its polymer 3D printing technologies across aerospace, healthcare, automotive, and consumer markets. Stratasys booth at RAPID + TCT 2025, featuring the CALLUM SKYE electric vehicle. Photo via CALLUM. Investment in the 3D printing sector Investor sentiment in 3D printing has shifted toward financially disciplined, application-driven companies, favoring measurable impact over speculative growth. Recently, it was announced that high-speed SLA 3D printer manufacturer Axtra3D experienced its best quarter performance yet, with growth in both unit placements and revenue.  Frank Herzog, Founder of Concept Laser and investor via HZG Group, highlighted the company’s Q1 performance as evidence of steady growth and strong market fit, attributing it to the company’s technical focus, customer-centric approach, and seasoned team. He emphasized that Axtra3D remains one of HZG’s most rewarding investments. A little while ago, Florida-based AM firm Sintavia secured a $10 million subordinated debt investment from the Stifel North Atlantic AM-Forward Fund. Provided through the Small Business Investment Company (SBIC) program, the funding aims to enhance Sintavia’s aerospace-focused 3D printing operations. The capital will support both the refinancing of existing equipment loans and the company’s overall working capital needs. What 3D printing trends should you watch out for in 2025? How is the future of 3D printing shaping up? To stay up to date with the latest 3D printing news, don’t forget to subscribe to the 3D Printing Industry newsletter or follow us on Twitter, or like our page on Facebook. While you’re here, why not subscribe to our Youtube channel? Featuring discussion, debriefs, video shorts, and webinar replays. Featured image shows Stratasys’ Headquarters in Rehovot, Isreal. Photo via Stratasys.
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  • BUILDINGSOFNEWENGLAND.COM
    David Nevins House // c.1746
    This house across from the Town Green in Canterbury, Connecticut, is believed to have been built by David Nevins, Sr. (1729-1758), a merchant who settled in Canterbury from Nova Scotia, Canada. Nevins tragically died in 1758 when overseeing the reconstruction of a bridge spanning the nearby Quinebaug River. It is said that while standing on a cross-beam, giving directions to the workmen, David Nevins lost his balance and fell into the river and was swept away and drowned. The property remained in the Nevins Family until 1842, upon which, it served as a parsonage for the Congregational Church, just across the street. The clapboard exterior, small-pane sash, center-chimney plan, and five-bay facade of this house give it architectural significance as a representative example of 18th-century Connecticut architecture. The stately Georgian doorway with swan’s neck pediment was installed by a local house restorer based upon physical evidence uncovered during the house’s restoration (and removal of Victorian-era porch) and while may be conjectural, it enhances the already beautiful old home.
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  • WWW.COMPUTERWEEKLY.COM
    The Investigatory Powers Tribunal explained
    The Investigatory Powers Tribunal (IPT) is an unusual semi-secret judicial body based London, but also capable of sitting in Scotland or Northern Ireland. It carries out many of its functions secretly, including “closed” hearings from which the public and the press can be completely excluded. Its specialist jurisdiction includes hearing complaints from individuals who believe they are under unlawful surveillance, hearing appeals from communication services providers against orders issued to them by the government, and reviewing the rules governing surveillance powers to ensure they comply with human rights law.  The tribunal’s president is currently Lord Justice Rabinder Singh, a judge of the Court of Appeal and a specialist in administrative and human rights law. Seven judges and four senior lawyers also make up the tribunal’s judicial panels.  The tribunal’s workload and importance has steadily increased in recent years. According to the most recent data available, it received over 400 cases in 2023, which is more than double the number received in 2017. However, most of the complaints it receives are dismissed as “frivolous/vexatious”, which itself reflects the tribunal’s unique position as a structural coupling point between the legal system and the most secretive powers of the state, and the suspicion and paranoia that knowledge of such powers can generate.  Many complains to the tribunal are dismissed without public decisions being issued. Yet, in recent years, the tribunal has played an important role in some of the most sensitive and serious cases concerning UK surveillance powers. These include a series of key judgments regarding the Snowden disclosures (discussed below) and the “Spycops” scandal in which undercover police unlawfully formed sexual relationships with women they were spying on, deceiving their way into people’s lives. In December 2024, the tribunal fined Police Service of Northern Ireland after making extensive findings about the unlawful surveillance of journalists in Northern Ireland.  The story of how this unusual judicial body emerged is just as interesting as the cases it determines.  The IPT’s origin is traceable to Britain’s ancient constitutional arrangements. In Britain, unlike countries that organise public powers by reference to written constitutional rules, the modern state emerged under the ancient symbolic authority of the Crown. Many of the government’s most intrusive capacities developed without the need for legislative authority and with no risk of judicial supervision.  As detailed in Interception, the priority of the government lay in ensuring that security and intelligence powers remained secret, while judges habitually deferred to the Crown on security-related questions. As a result, although private communications have been intercepted since the foundation of the Post Office in 1635, there was no clear legal basis for the use of such powers until the 1980s, and intercept material was never used as evidence in open court. Individuals had no grounds on which to challenge such powers before the courts. The need to legislate was triggered when James Malone, a Surrey antiques dealer, discovered by chance in 1977 that the police had been secretly tapping his telephone under a warrant from the Home Secretary. He challenged the legality of the warrant in the High Court, where in 1979 the judge helped the police out by ruling that phone tapping was lawful simply because there was nothing to make it unlawful. But the judge also observed that the UK’s position was likely incompatible with the European Convention on Human Rights, a view latter confirmed by the European Court of Human Rights in Strasbourg in the 1984 case of Malone v United Kingdom.  Hence in 1979, the Home Office convened an internal working group to plan for legislation. They knew the European Convention required some form of independent review of surveillance powers, but felt this “would be best framed in such a way as to avoid cases becoming justiciable as a result”. They recommended creating a secret panel of “advisers to the secretary of state”. The advisers “would not be able to tell the individual whether or not his telephone had been tapped, but they would be able to assure him that if it had been tapped this had been done for good reason and the proper procedures followed”. The Interception of Communications Tribunal (ICT) was duly created under section 7 of the Interception of Communications Act 1985, a minimalist piece of legislation that authorised vast surveillance powers.  The ICT never sat in public. Its members were empowered to “determine their own procedure”, meaning they could decide how to investigate complaints of unlawful surveillance, but this was limited by strict procedural rules devised to uphold government secrecy. The ICT reviewed complaints received on paper and issued written decisions in response, telling complainants only whether their complaint was upheld (meaning there was unlawful surveillance taking place), or not upheld (meaning either that they were under surveillance in accordance with law, or not under surveillance at all). The deliberate ambiguity was intended to prevent criminals, foreign agents or terrorists from using the tribunal to determine whether or not they were being observed. No further information was to be disclosed and decisions of the ICT were final. As the barrister and Lib Dem MP Alex Carlile observed during Parliamentary debate, “the essence of the secrecy which underpins the tribunal is that it will have to defy the rules of natural justice”. No complaint to the ICT was ever upheld.  The ICT was the blueprint for the Investigatory Powers Tribunal (IPT), created by section 65 of the Regulation of Investigatory Powers Act 2000 (known as RIPA). As before, the tribunal was primarily intended to receive complaints from individuals who feared they were under unlawful surveillance. Again, strict procedural rules required the IPT to operate behind closed doors and to issue ambiguous determinations so as to protect the government’s policy of providing ‘neither confirm nor deny’ (NCND) responses to questions about national security. This time, however, things took a surprising turn.  Human rights law was, once again, the catalyst for change. In 2002, lawyers representing two complainants to the IPT – one a former police officer, the other the civil liberties organisation Liberty – argued in a private hearing that the tribunal should exercise its statutory power to “determine their own procedure” in a manner compatible with human rights law. This argument was made possible thanks to the relatively new provisions of the Human Rights Act 1998, which incorporated the European Convention into domestic law.  The tribunal sat in public for the first time to hand down an open judgment on its own procedures. It found that the strict secrecy rules laid down by the home secretary went too far. Instead, in any case where the meaning of the law in a given case was unclear, the tribunal would sit in public, hear open legal arguments and publish legal rulings. However, this rested on a strict theoretical separation of law from the facts. The facts of any given case of alleged surveillance were potentially matters of national security. Only the government can decide whether to make admissions of fact in public, because only the government is empowered to determine the risks of doing so. Therefore, the tribunal’s public function would be limited to making determinations of law only.  The separation of law from facts permits the government to maintain a position of “neither confirm nor deny” in public hearings where sensitive facts remain secret. The law is tested on the basis of “assumed facts”: rather than determining the facts, the IPT proceeds as if the complainant’s concerns are true and determines the legal implications hypothetically. When the law has been publicly clarified, the tribunal then returns to its intended form, carrying out a top-secret inquiry with the relevant agencies to determine whether anything unlawful has indeed occurred, or whether the complaint is simply “not upheld”.  While the fact/law distinction seems workable in theory, in practice it has produced unexpected results. The 2013 disclosures of sensitive US and UK documents by Between 2013 and 2015, various individuals, journalists, NGOs and civil liberties campaigners petitioned the IPT to investigate the legality of GCHQ’s practices. Despite the fact that different sources, including the US government, had corroborated the veracity of the documents, the UK government maintained the surreal stance of NCND during the first wave of hearings. On the basis of euphemistic “assumed facts”, the tribunal heard arguments of extreme complexity on a wide range of issues that the government did not accept were true. This included spying on lawyers in their privileged communications with clients who were suing the government; GCHQ access to NSA data extracted directly from major American internet platforms, referred to as “intelligence sharing”; “hacking” of computer networks and devices; and the acquisition of communication records and personal data concerning millions of people in bulk quantities.  By early 2015, it was clear that the tribunal would not simply rubber-stamp the legality of whatever the government was “hypothetically” doing. Government policy pivoted from secrecy to a new form of limited transparency. The tribunal assisted this process by developing what the European Court of Human Rights later called the “elucidatory function”: it became the medium through which the government could make public material that was previously withheld “below the waterline” of secrecy. At the same that the IPT cases were proceeding, the then-independent reviewer of terrorism legislation, David Anderson KC, was reviewing the range and scope of investigatory powers generally. In line with his recommendations, published in June 2015, the government formally avowed the use of all the powers that Snowden revealed and began a process of legal reform. The Investigatory Powers Act 2016 is far more detailed about the powers that it authorises and the safeguards that it places around them than its predecessors.  Today, the IPT is empowered to hold hearings at its own discretion, in the presence or absence of either party, wholly or partly in private. It must “endeavour” to conduct proceedings “in public and in the presence of the complainant”, insofar as it is possible without disclosing sensitive information. The government retains the right to determine what information it withholds, but to the extent that it does, the IPT must be provided with reasons, and can prevent the government from relying on withheld information in a particular case. All decisions of the tribunal can be appealed to the Court of Appeal – another innovation that has improved transparency.   Since the reforms that were initiated in 2015, the IPT has regularly sat in public and delivered key judgments in important cases concerning the use and abuse of surveillance powers. Judgments from the European Court of Human Rights and the UK Supreme Court have further clarified its jurisdiction and powers – for instance, it must now consider complaints from individuals not located in the UK yet potentially subject to surveillance by UK agencies. The structure of the IPT’s relationship to the secret intelligence agencies and its historical origins as a body intended to deflect legal liability from the state means that, despite its independence, some of its decisions will inevitably attract controversy and criticism. Yet there is no doubt that, thanks to pressure from human rights campaigners, the media and some judicial creativity, it has transformed itself from a body intended to uphold and protect the secrecy of “investigatory powers” into a unique body capable of investigating state excesses, while informing the public of their rights. Neither fully secret nor entirely transparent, it is today a selectively “translucent” judicial body that mediates complex surveillance-related issues between citizens, corporations and the state. Bernard Keenan is a lecturer in law at UCL. His research focuses on surveillance, human rights and state power alongside the development of digital technology. He is the author of Interception, a book on the history of surveillance. Read more about the Investigatory Powers Tribunal Apple has appealed to the Investigatory Powers Tribunal over an order by home secretary Yvette Cooper to give the UK access to customers’ data protected by Advanced Data Protection encryption. What happens next?  Ex PSNI officer ‘deeply angered’ by comments made by a former detective at a tribunal investigating allegations of unlawful surveillance against journalists. Journalist complains to Investigatory Powers Tribunal after Northern Irish police placed him under surveillance as he investigated their handling of a high-profile death.
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