The folks behind Skyblivion, a fan project focused on porting The Elder Scrolls 4: Oblivion to the Skyrim engine, will continue development in the face of continued rumors about an Oblivion remaster supervised by Bethesda itself. “We are on track for our planned release later this year,” the Skyblivion team said on Bluesky. “The prospect of an official remaster is exciting. Players will be the true winners, having the opportunity to experience both a community-driven reimagining and a professional version of Oblivion.” Whispers of an Oblivion remaster have existed since 2023, when leaked documents from the Federal Trade Commission’s legal battle with Microsoft over the tech corporation’s acquisition of Bethesda parent company ZeniMax Media revealed internal plans for the project. Reports of the remaster’s imminent release heated up earlier this year, culminating in the discovery of actual screenshots in the backend of supposed remaster studio Virtuos’ website in April. We’ve reproduced the entirety of the Skyblivion team’s very classy statement below: We’ve been following the buzz surrounding an official remaster of Oblivion. As dedicated Elder Scrolls fans, we are incredibly excited by this prospect and sincerely hope the information proves accurate. The glimpses we’ve seen look fantastic, and we eagerly anticipate the possibility of experiencing a modern, professionally developed return to Cyrodiil. Bethesda has always been supportive of community projects like ours, and we don’t see that changing anytime soon. As a PC mod, a console release is impossible for us, so the remaster presents a wonderful opportunity for console players to re-experience Oblivion, something our project could never directly provide. We want to emphasize that there is no need for comparisons or a sense of competition between Skyblivion and a potential official remaster. Both projects can exist and thrive together, offering unique experiences for players. Skyblivion is a labor of love, built by a dedicated community for the community, offering a distinct way to revisit Oblivion within the familiar framework of the Creation Engine. Similarly, an official remaster would undoubtedly bring its own set of advancements with the full funding of a development studio. We see this not as a conflict, but as a fantastic opportunity for Elder Scrolls fans to have even more way to enjoy the classic world of Cyrodiil. We extend our gratitude to our incredible community for their unwavering support, enthusiasm, and patience throughout our development journey. Your passion fuels our dedication. We also want to cheer on the talented game developers at Virtuos and any other teams potentially involved in bringing an official Oblivion remaster to life. We recognize the immense effort and artistry that goes into such a significant undertaking. Ultimately, 2025 promises to be a remarkable year for fans of Oblivion. We are confident that players will be the true winners, having the opportunity to experience both a community-driven reimagining and a professional, modern version of this beloved game. We look forward to sharing more about Skyblivion’s progress soon as we approach its release later this year. Skyblivion began development in 2012 and is scheduled to launch sometime in 2025.

Elizabeth Rees comes from a tradition of printing, and knows that the right graphics can have a lasting impact. The family business specialized in large-format projects like billboards and advertisements found on buses. When Rees lived in Manhattan, she helped a friend who needed to update her office, and came up with a peel-and-stick wallpaper. Not only was it easy to use, it could also be changed to suit a range of interiors. Her wallpaper was the perfect product for design-obsessed clients who wanted to experiment with color and pattern without having to commit to an expensive renovation. Rees co-founded Chasing Paper with her brother Mike Rees in 2013. Today Rees and the company are based in her hometown of Milwaukee, Wisconsin, where she lives with her husband and two daughters. Chasing Paper now offers a complete line of solutions and products produced in collaboration with noted designers and influencers, from murals to tile decals. Elizabeth Rees of Chasing Paper \\\ Photo: Courtesy of Chasing Paper Surrounded by motifs and hues from every end of the spectrum, it’s no surprise that Rees is a visual learner. She hopes her own tale will be in print too, in the form of a book that bibliophiles will cherish. “I love to tell stories and find the right words to convey a certain feeling or moment in time,” she says. “It would be a dream to write a novel one day.” Rees has plenty of projects on tap, and her days include different facets of leadership. Never afraid to speak in front of an audience, Rees has discovered that she enjoys being a facilitator. She moderated two panels last year, and the role came naturally to her. It was also a fun break from her routine, and she’s looking forward to more opportunities to engage in this way. Balance isn’t always easy to achieve, but one habit ensures that Rees stays centered no matter what is happening. “I think getting outside or on the treadmill allows me to transition from work to home life,” she notes. “Walking helps me to clear my mind and reduce the stress I have been carrying in my body during the day.” Today, Elizabeth Rees joins us for Friday Five! Photo: Courtesy of Charmspring 1. Charmspring Springboard Outside of running a business, I’m also a mom of two! The Charmspring Springboard is one of my favorite ways to give my family a sense of routine and control in a fun, visual, and design-forward way. Photo: Kaboompics 2. A Stack of Books (Always!) There’s something about a stack of well-loved books that instantly makes a space feel lived-in and layered. Right now, I’m deep into The Creative Act by Rick Rubin – a must-read for anyone in the design world. I also love novels and just finished All the Colors of the Dark, which was so immersive and well written. Photo: Elizabeth Rees 3. The Brick Device I’m always looking for ways to be more present, and the Brick device is such a smart take on digital detoxing. It’s a minimalist block that restricts what you can access on your smartphone, allowing you to be in the moment without the distractions of social media and endless notifications. Whether I’m brainstorming new wallpaper designs or coloring with my daughters – this device has helped me get some healthy distance from the pull of being always connected to technology. Photo: Courtesy of Marimekko 4. Marimekko Green Green Tea Towels Marimekko has mastered the art of bold, graphic prints, and their Green Green Tea Towels pattern will never go out of style. I recently added a set to my kitchen, and they instantly make everyday moments feel more joyful. It’s a reminder that great design isn’t just for big statement pieces – small touches can be just as impactful. Photo: Courtesy of Chasing Paper 5. Vintage Wicker I’m always on the hunt for unique vintage finds, and lately, I can’t get enough of vintage wicker. It adds just the right amount of texture and warmth to a space, balancing out more modern pieces with a bit of character. Whether styled with a throw pillow or left bare for a sculptural moment, it brings effortless charm to any room. Works by Chasing Paper: This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

We may earn a commission from links on this page. Deal pricing and availability subject to change after time of publication.Apple users have Apple Watches, but it's not so simple for Android users. Depending if you have a Pixel or a Samsung phone, there's a smartwatch that will work seamlessly better with your phone. If you have a Samsung, there's no doubt that a Samsung Galaxy Watch is the option. For most people, that watch is the Samsung Galaxy Watch 7 (and yes, it works with any Android phone). Right now, you can get it for $289.99 (originally $379.99), the lowest price it has been according to price tracking tools. Samsung Galaxy Watch 7 $289.99 at Amazon $379.99 Save $90.00 Get Deal Get Deal $289.99 at Amazon $379.99 Save $90.00 The Samsung Galaxy Watch 7 came out in 2024 to an "excellent" review from PCMag for its incredibly accurate heart rate measurement, detailed sleep monitoring data tracking, AI health insights, and overall smooth user experience. You get a Super AMOLED screen of 44 mm or 40mm, the latter running for $259.99 (originally $349.99) right now. This LTE version means you're not dependent on wifi to use the internet and can receive calls or listen to music without depending on your phone. The main downside you'll see with this smartwatch (and most Galaxy watches) is the short battery life. It lasts about 22 hours, depending on use, according to PCMag's tests (it can last up to 28 hours if you don't use the GPS). This means you'll likely need to charge it overnight or during the day, making the sleep tracking hard to use. However, the watch does charge pretty quickly, reaching max battery in 88 minutes.If you care about fitness and sleep tracking, it's hard to beat the Wear OS, especially at its current price. You can have metrics from its Heart Rate Monitor, Blood Oxygen Monitor, Pedometer, Barometer, Temperature Sensor, Gyroscope, and others, and they're accurate. However, if you can't get over the short battery, consider the ONEPLUS Watch 2 for $245.34.

Tesla is facing a proposed class action suit over allegations that it has been speeding up odometers so its vehicles will fall out of warranty faster, according to a report by Reuters. This would make it easier for the company to get out of paying for repairs. Nyree Hinton, the plaintiff in the case, alleges that Tesla odometer readers are designed to change with energy consumption, driver behavior and mysterious predictive algorithms, and not actual mileage driven. He said that the odometer on the 2020 Model Y he bought in December 2022 had 36,772 miles on the clock at the time of purchase. Hinton alleges that the odometer went up by 72 miles each day, when he only drove around 20. He made comparisons to his other vehicles and concluded that the odometer ran, at the minimum, 15 percent fast. This caused his 50,000-mile basic warranty to expire ahead of schedule, which forced him to pay a $10,000 suspension repair bill out of pocket. "By tying warranty limits and lease mileage caps to inflated 'odometer' readings, Tesla increases repair revenue, reduces warranty obligations, and compels consumers to purchase extended warranties prematurely," the complaint said. Hinton is seeking compensatory damage for himself, but also punitive damages for all Tesla drivers in California. This encompasses over one million vehicles, according to court papers. Tesla has denied all allegations in the lawsuit. EV forums and related subreddits, however, are filled with odometer complaints involving the company. Tesla owners are seeing inflated odometer readings 20-30% higher than driving the same route with a different vehicle or compared to Google Maps trip distance.Hey @NHTSAgov you up? pic.twitter.com/Gb2LiBfZge— Mike Rundle (@flyosity) April 22, 2024 Of course, this isn’t the first time Tesla has been charged with fibbing about mileage data. The automaker has faced litigation that accused it of inflating vehicle driving ranges. It has also been accused of forming a secret “Diversion Team” that would cancel range-related service appointments.This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/tesla-accused-of-messing-with-odometers-to-get-out-of-repair-bills-165625372.html?src=rss

TDK unveils a photo-spintronic breakthrough that promises to remove a major AI bottleneck.

If you thought you’d heard the last of the viral “Apple” dance, think again. The TikToker behind it is now suing Roblox over its unauthorized use. Last year, during the height of Brat summer, Roblox partnered with singer Charli XCX to feature her music and likeness in an in-game concert within “Dress to Impress,” a fashion game on the platform. In a lawsuit filed last week in Los Angeles, Kelley Heyer—the creator of the dance set to Charli XCX’s hit song—alleges that Roblox used her choreography in the update before finalizing negotiations to officially license the dance, as first reported by Polygon. Heyer first posted the “Apple” dance on June 15, 2024, and submitted a copyright application on August 30. That was after Roblox reached out to her about licensing the dance as an emote for players to purchase. Roblox added the dance emote, an in-game action used to express a character’s personality, in mid-August to coincide with the update. According to the lawsuit, Heyer expressed her willingness to license the dance on August 12, but alleges that Roblox has “refused to finalize a license agreement” and that she has received no compensation for the use of her choreography. Roblox removed the emote from the game in November 2024—but not before it was sold over 60,000 times, earning an estimated $123,000 from the copyrighted work, per the lawsuit. Heyer hasn’t seen any of that revenue, and since the dance is entirely separate from the Charli XCX song, she’s suing to claim her share (Charli XCX is not named in the lawsuit). “Roblox moved forward using Kelley’s IP without a signed agreement,” attorney Miki Anzai said in a statement to Polygon. “Kelley is an independent creator who should be compensated fairly for her work and we saw no other option than to file suit to prove that. We remain willing and open to settle and hope to come to a peaceful agreement.” Roblox has since responded. A spokesperson told Polygon: “As a platform powered by a community of creators, Roblox takes the protection of intellectual property very seriously and is committed to protecting intellectual property rights of independent developers and creators to brands and artists both on and off the platform.” They continued: “Roblox is confident in its position and the propriety of its dealings in this matter and looks forward to responding in court.”

"For all of the designers out there, or people who have been privy to a true design program, you will know that the most successful solutions are not born from a linear process," writes industrial design consultancy Whipsaw. "Ideas evolve as new insights emerge, and even the most structured methodologies rely on iteration, feedback, and adaptation. But in practice, time and resource constraints often force teams to formalize ideas early—locking into wireframes or flows before they've had a chance to explore the full range of possibilities."We are now experiencing a paradigm shift, catalyzed by a new generation of AI-powered tools. These platforms make it possible to generate interactive prototypes from simple prompts, helping teams test rough ideas before they're polished and engage stakeholders earlier in the process. Call it what you will…vibe coding, rapid prototyping, whatever new term will inevitably be coined for this process.To explore the potential of these emerging AI design tools, we challenged ourselves to build a fully functional app for Foamcore, our in-house café and community lab. The goal: create a simple digital experience where team members could order coffee, browse company swag, and send Slack notifications for orders in real-time—all wrapped in a brand-forward UI. The twist? We gave ourselves just three days to go from idea to working prototype, relying on AI to accelerate the build without cutting corners.As part of this sprint,we put six leading AI-powered prototyping tools to the test:Replit, Lovable, Anima, Builder.io, Cursor, and V0.dev.Here's what we found:A Glimpse at the Tools: Where They ShineReplit: Developer-Focused, Designer-FrustratingBest for: Developers who want to co-pilot with AI in building functional apps fast.Replit works like an AI-powered Integrated development environment (IDE). You can describe a product idea and watch the tool generate a working React-based app complete with screens, forms, and logic. We loved the speed and the live preview—but hit limits when we tried to integrate Figma assets or enforce consistent styling.Pros:Fast MVP creation via prompt-based generationHandles logic-heavy use cases with easeBuilt-in deploy features for sharing live prototypesCons:Figma integration didn't work consistentlyLimited visual design fidelityLovable: Potential with Polish, But Slower Than the PackBest for: Small speculative prototypes with a polished visual look.Lovable sits in the conversational AI category that emphasizes visual quality. Its results were some of the more aesthetically refined we saw—clean layouts, modern design components, and responsive elements. It also supports Figma imports through Builder.io but with some setup friction.Pros:Visually impressive default designsBuilder.io integration shows promiseCons:Slower than other tools to generate outputsAnima: From Figma to Code, But That's ItBest for: Designers handing off visual mockups to engineers.Anima is laser-focused on one task: turning Figma screens into code. If your designs are ready to go, Anima generates HTML, React, or Vue components for quick front-end development. But it doesn't support co-creation or conversational AI functionality—so it's not helpful in the ideation or exploration phase.Pros:Excellent Figma-to-code conversionClean code output in common frameworksGood fit for late-stage production workflowsCons:No interactivity or logic-buildingNot useful for early prototyping or co-creationDoesn't support generative explorationBuilder.io: Best-in-Class Figma ImporterBest for: Designers who want responsive layouts built from their Figma designs.Builder.io impressed us with its Figma plugin—one of the best we tested. It translated screens into responsive, editable layouts quickly and with high fidelity. However, the integration with other tools (like Lovable) is still a bit clunky, and it's unclear how scalable it is for larger projects.Pros:Responsive design generation directly from FigmaClean layout and CSS handlingA useful companion to tools like LovableCons:Not a standalone prototyping environmentRequires multiple tools to get full interactivityCursor: The Power Tool for CodersBest for: Engineers who want to rapidly scaffold apps using natural language.Cursor is an AI-enhanced code editor that supports multiple languages, including Swift and Python. It's particularly useful when you're working with platform-specific APIs (like Apple's ARKit), and its conversational interface makes it easy to scaffold complex functionality. But it's not for the faint of heart—this is a tool built for people who already know how to code.Pros:Supports any language or frameworkIdeal for integrating platform-specific features (like 3D scanning APIs)Fast code generation with clear logicCons:No visual editor or previewsNo Figma or design system supportRequires external IDEs for compiling and testingV0.dev: The Clear Frontrunner for Real-Time PrototypingBest for: Conversational UX, Figma integration, code editing, and speedV0 balances flexibility, usability, and fidelity. It combines conversational prompts with a visual editor and live code preview, making it approachable for designers but powerful enough for technical collaborators. For these reasons it became our main build environment.Over three days, we built and iterated a fully functional coffee-ordering app with Slack integration, a branded UI, even a dynamic "swag shop" with rotating 3D sticker galleries. V0 handled complex back-and-forths like bug fixing, API connections, styling issues, and UI tweaks—albeit with some limitations (more on that below).Pros:Strong Figma integration: It extracted typography, layout, and branding cues directly from our design files.Code-level access: Helpful when AI couldn't quite get things right—we could step in manually.Deployable: It allowed us to generate real links for testing on mobile devices.Fast iteration: We moved from idea to user-tested version in three days.Cons:Visual precision is frustrating: Simple things like button styling took dozens of prompts and still weren't consistent.Bug accumulation: As features stacked, some legacy bugs introduced friction in the build.Style system support is limited: Enforcing a robust design system proved clunky and inefficient.?Why V0 Was Right for Us—For NowOf all the tools we tested, V0.dev hit the sweet spot for our specific needs: building a real, working prototype for a digital experience that reflected brand, logic, and UX nuance—all on a tight timeline.V0 gave us:Speed, by generating functional scaffolds in secondsFlexibility, through code access and Figma supportIterative power, with version control and conversation historyIt wasn't perfect. Visual precision remains a pain point, and the back-and-forth to fix bugs and styling was time-consuming. But when in a generative phase—sketching with code instead of a pencil—V0 allowed us to build, test, and evolve ideas in ways that traditional workflows can't match.A New Mindset for Design Research and PrototypingWhat stood out most wasn't just the tools—it was the shift in mindset they invited.Instead of treating prototyping as a late-stage validation artifact, we used it as a participatory research method— rapidly co-creating with users, showing interactive ideas instead of static mockups, and gathering feedback rooted in real interactions. We didn't need to perfect every pixel to start the conversation. And that, in itself, made our design process more human. So in full, the promise is real: with the right tools and approach, we can move faster, explore broader, and design with more imagination—starting from the very first prompt.The pace of change is dizzying, and the question on everyone's mind is: what's next? What happens to the designer, the PM, the engineer? We won't pretend to know the future—but here's what we do know: deciding what to build, why it matters, and whether it's any good is still a deeply human act. No matter how powerful AI gets, it can't replace human instinct, taste, or judgment. Insight doesn't come from scraping data—it comes from generative unexpected connections. The future belongs to those who don't just analyze patterns, but who dream beyond them—connecting the dots in ways no algorithm can predict.You can read more of Whipsaw's insights here.

Deborah and Greg Lapp were floating down the Kings River when they saw it: a For Sale sign half-hidden behind the brush, perched right on the water. Still soaked from kayaking, they pulled ashore and made an offer that afternoon. The site—tucked into nearly nine acres of foothill terrain—spoke louder than any brochure. They already knew who to call: architect Arthur Dyson. Some homes are built. This one was uncovered. Now listed at $2,300,000, the Lapp RiverHouse at 26210 Elwood Road is on the market—architect-designed, site-shaped, and available now. It won’t last. Designer: Arthur Dyson This was a return engagement. Dyson had designed Deborah’s first home decades earlier, a residence known as the Hobbit House. That project earned international recognition for its curving forms and rooted presence. With this new property, the Lapps brought fresh intentions to familiar hands. The result is the Lapp RiverHouse—a residence shaped by slope, light, and long memory. Exterior Architecture: Where Mass Meets Movement From the first glimpse, the house appears to emerge from the site rather than sit on it. The curved roofline rises from the ground, clad in standing-seam metal that catches shifts in daylight. Oversized steel beams extend beyond the envelope, forming horizontal elements that provide shading and structural support. These dark fins modulate sunlight and punctuate the visual rhythm of the roof. Primary materials include stucco, cedar, and steel. Their combined tonality matches the site’s muted palette. The exterior reads with quiet weight. Curved forms soften transitions between vertical and horizontal surfaces. There’s no abrupt shift between structure and land. A rounded pool traces the home’s outer arc. Water reflects the sky and forms in tandem with it. Concrete slabs form the patio and seating areas, wide enough for function, spare enough to let the landscape remain the focal point. There are no fences or hard enclosures along the edge—only topography and natural grade. The landscaping features drought-tolerant California natives, including grasses, succulents, and strategically placed boulders that complement the terrain. These choices reinforce the home’s responsiveness to its environmental setting. Interior Volumes: High Glass, Low Ego The entry opens into a long, lifting volume. Light moves without obstruction. The roof continues its arc indoors, uninterrupted by dropped soffits or excessive framing. Glass walls dominate the southern face. Floor-to-ceiling panels run the length of the common areas. Corners meet cleanly, supported by slender frames. Natural views anchor the space. Mullions are minimized to create a floating effect. Above, clerestory windows distribute ambient light throughout the day. Built-in benches stretch along the base of the windows. These aren’t afterthoughts; they serve as transitions between the interior floor and the exterior view. In the living room, neutral-toned furniture keeps visual emphasis on the outside. Upholstery and finishes remain within a consistent palette: rust, clay, pale ash, and natural oak. The ceiling geometry slopes asymmetrically, creating a directional pull that balances acoustic performance and spatial drama. Wood soffits appear to absorb sound and soften visual echo. Kitchen and Dining: Function Drawn in Curve The kitchen is designed to follow the house’s geometry. Cabinetry curves along the outer wall. There are no breaks in the circulation path. The island holds center with a round footprint. Materials include matte-finish stone and integrated fixtures. There are no high-gloss finishes or heavy ornamentation. Overhead, clerestory windows and mirrored backsplash reflect ambient light across the preparation area. Storage remains concealed behind flat-panel fronts. The adjacent dining nook includes a built-in banquette. This continuity reinforces the spatial intent—rooms are drawn, not inserted. Fixtures and appliances are embedded into the cabinetry, preserving uninterrupted surfaces. No visible handles or external panels distract from the form. Private Quarters and the Quiet Details Bedrooms follow the slope of the roof, continuing the home’s rhythm. Ceiling fans trace a low arc above. One wall features full-height shelving. Lighting is indirect, with accent fixtures placed for function. Bathrooms use large-format slate tile. A full-height window in the primary bath looks out at filtered trees. Clerestories allow additional light without compromising enclosure. Fixtures are matte and functional. The room opens wide without theatrical gestures. The laundry room includes full-height glazing and generous counter space. Every functional zone offers access to daylight and views. Utility isn’t confined; it’s integrated. Flooring across private and shared spaces appears to be polished concrete or limestone, chosen for thermal mass and minimal reflectivity. Thresholds are flush, and transitions are seamless. Wine Room: Sculpture in a Shipping Container A separate structure behind the home contains a wine cellar, built into a converted shipping container. One wall is surfaced in cork, arranged into a sweeping relief pattern. The visual texture mimics the appearance of erosion or windblown sediment. Shelving is made of raw wood and steel brackets. A narrow bar anchors the space, with two chairs set for quiet tasting. No artificial lighting schemes or ostentatious displays. The materiality carries the mood. The space is thermally contained with minimal glazing, relying on insulation and passive airflow to regulate temperature. Site, Performance, and Purpose Cross ventilation is achieved by placing operable windows along prevailing wind paths. Roof overhangs block high summer sun while admitting low winter light. These strategies are part of the structure itself. There are no overlays or aftermarket additions. The roof system reflects solar load while maintaining a low visual profile. No dormers interrupt the massing. Drive access follows the site’s natural contours, leading through oaks and native vegetation. The lighting strategy avoids the use of spotlights or pendants. Most fixtures are recessed or integrated into reveals. LED strips provide ambient glow rather than directional glare. This house invites a pause without performance. Each room opens toward calm. Every surface respects its place. There are no declarations. Just presence, and the kind of design that reveals itself slowly, over seasons, through shadows, and in silence. Inquire now to experience the Lapp RiverHouse at 26210 Elwood Road, listed at $2,300,000—before it’s gone.The post The Lapp RiverHouse: Arthur Dyson’s Organic Masterwork Carved by River and Ridge first appeared on Yanko Design.

Character art lead Adam Hogseth says this clever hack made all the difference.

DOGE has tapped into some of the most sensitive and valuable data in the world. Now it’s starting to put it to work.