WWW.DESIGNWEEK.CO.UK
design/leader: OCCA founder Kate Mooney
Kate Mooney is founder and principal of OCCA, a Glasgow-based studio that works on hotel interiors and branding. Its clients include major hotel groups like Hilton, Marriott and Ramada as well as independent hospitality projects.
Design
What would your monograph be called?
Do what you love, and you’ll never work a day in your life.
From the earliest stages, working in this industry has never felt like work to me – it’s a passion, and a way of thinking that I find intriguing, challenging and compelling.
Of course there can be (very!) long days and very tough times, but when you genuinely love what you do, the energy and drive to do it – and succeed at it – is second nature.
This is a philosophy I share with my team, family and friends frequently – find joy in what you do, and you will be world class at it.
What recent design work made you a bit jealous?
BLINK Design Studio’s Six Senses in Kyoto is a masterclass in serene, contemporary luxury that deeply respects its cultural surroundings. I love the balance of minimalism and warmth – it’s modern but not cold, luxurious but not excessive.
The hotel blends into its surroundings while the design captures the essence of Kyoto’s traditions though natural materials, elegant lighting, and a seamless indoor-outdoor approach. And of course, what’s not to love about the wabi-sabi principles?!
What’s an unusual place you get inspiration from?
The Mackintosh Building, or The Mac, at the Glasgow School of Art was formative for me – not just for its architecture, but for its philosophy. Mackintosh designed with purpose, he effortlessly blended architecture and interior design, creating spaces where structure and decoration were not separate entities but a singular, harmonious vision.
The tragedy of losing it to fire twice, leaving it in rubble, has only made me appreciate its influence more.
Name something that is brilliantly designed, but overlooked.
The lightbulb – not just for its function but for its evolution in design.
From Edison’s first filament bulb to sculptural LED fixtures, it’s a perfect example of how necessity drives innovation, blending engineering, aesthetics, and sustainability into an object we rarely stop to appreciate.
What object in your studio best sums up your taste?
The Vitra LCW Plywood chair designed by Charles & Ray Eames has been a key feature in OCCA studios though the ages – with the black and white cow hide finish.
It is a design icon but took years of effort and experiments by the Eames to develop back in 1945.
It is a perfectly considered and designed chair that conforms to the shape of the human body, even 80 years after it was first designed. I’ve not met anyone that doesn’t find it incredibly comfortable.
The black and white cowhide finish creates a striking and slightly humorous finish and is a great conversation piece. Timelessness right there!
The Vitra LCW Plywood in the OCCA studio
Leadership
What feedback felt brutal at the time, but turned out to be useful?
“If you’re pregnant again you can’t be serious about your job.” The 1990’s were properly brutal!
However, instead of letting it define me, I used it to define the kind of business I wanted to build one day.
It made me think about what a truly supportive, inclusive, and high-performing workplace should look like. One that encourages excellence but doesn’t force people to choose between their careers and their lives.
That statement/experience taught me that great talent thrives in environments that are flexible, trusting, and empowering – not ones built on outdated assumptions.
What’s an underappreciated skill that design leaders need?
Decisiveness. Creativity thrives on curiosity and exploration, but at some point, commitment is necessary.
In hospitality design particularly, indecision kills momentum. A good designer knows when to refine, when to push, and when to make the call.
What keeps you up at night?
Apart from my husband’s snoring?! Now that my children are all adults and figuring things out for themselves, what keeps me up occasionally is focussing on controlling the controllables – in this crazy world that we’re currently living in, that’s a bit of challenge!
But then, I’ll give in to thinking about the evolution of OCCA and the team.
The industry is shifting with AI; sustainability; guest expectations; staying ahead of the next best thing. It is both exciting and relentless. I have a vivid imagination, and it’s always thinking about where we go next.
What trait is non-negotiable in new hires?
Curiosity, because skills can be taught, experience can be gained, but being open minded with the hunger to learn, to challenge, to push boundaries—that’s what makes a designer great.
And collaboration because the ability to work seamlessly with colleagues, clients, and suppliers – listening, contributing, and problem-solving together – is key to delivering the best work. No egos, just great teamwork.
Complete this sentence, “I wish more clients…”
… were as good as our current clients!
Design disciplines in this article
Brands in this article
Recent Jobs