0 Comments
0 Shares
35 Views
Directory
Directory
-
Please log in to like, share and comment!
-
WWW.NEWSCIENTIST.COMCan you use banana peels to fertilise your plants?LifeSocial media is rife with claims that banana skins can have a transformative effect on our houseplants. James Wong unpeels the science behind the trend 8 January 2025 Can banana peel really help your houseplants?Shutterstock/ThamKCBack in the 1990s, the kids in my high school were convinced that banana peels contained a mysterious psychoactive substance that could apparently induce vivid hallucinations when smoked. I suppose its the tragic fate of the elder millennial that, 30 years later, the same people are now positive that the real excitement banana peels have to offer is in caring for their houseplants. With hundreds of social media posts touting the apparently transformative effect banana peels can have on plant growth, I set out to learn if there was any evidence for0 Comments 0 Shares 35 Views
-
WWW.BUSINESSINSIDER.COMA US passport is no longer the golden ticket it once wasA US passport is not as powerful as it once was, according to the annual Henley & Partners Passport Index.The index ranks passports by visa-free access to 227 destinations, and the US is only ninth.Singapore holds the top spot, with access to 195 destinations visa-free.A US passport is not as desirable as it used to be, according to the 2025 Henley Passport Index, which was first published 19 years ago.The index, which ranks 199 passports based on how many out of 227 destinations they offer visa-free access to, has placed the US passport in ninth place, slipping from the top spot in 2014. This year, it allows American travelers to enter 186 countries and territories without a visa, not including Nigeria, India, and Russia.Stemming from data provided by the International Air Transport Authority and updated using internal research and open-source online data, UK-based consulting firm Henley & Partners listed Singapore as the world's most powerful passport for the second year in a row. It has access to a total of 195 destinations.Ranked in second place is the Japanese passport, with a visa-free score of 193. The third space is shared by six countries: Finland, France, Germany, Italy, South Korea, and Spain. The United Arab Emirates is the only Middle Eastern country to make it into the top ten. It has risen 55 places overall in the index since 2010.A strong passport provides more freedom to travel without needing to apply for a visa.Nepal, Somalia, Pakistan, Yemen, Iraq, Syria, and Afghanistan are ranked in the bottom five spaces. Compared to Singapore, which allows visa-free access to 195 countries and territories, holding an Afghan passport only allows visa-free access to 26 countries.0 Comments 0 Shares 7 Views
-
WWW.BUSINESSINSIDER.COMTaylor Kitsch is happy he never became a megastarWhen Taylor Kitsch finally shows up onscreen in his new Netflix show "American Primeval" about 10 minutes into its premiere, one of the first things the audience sees is his bare butt.Those who know Kitsch from his breakout role as Tim Riggins in the mid-2000s NBC series "Friday Night Lights" would be forgiven for assuming this shot is playing into Kitsch's former teen heartthrob status. But in "American Primeval," Kitsch is far more interested in nakedly depicting the roughness of life in the 19th century American West than in providing eye candy to nostalgic millennials.The streamer's gritty miniseries is blood, dirt, and warfare on an epic (and expensive) scale, chronicling the brutal 1857 clashes between the US Army, Native Americans, Mormons, and settlers in Utah Territory, with a cinematic yet deliberately unsentimental eye ("Yellowstone," this is not.)As the troubled Isaac Reed, a white man raised by the Shoshone tribe who begrudgingly agrees to guide Sara Rowell (Betty Gilpin) and her son across treacherous territory, Kitsch is all lumbering physicality and intense stares. So much so that when he's first introduced to Sara while climbing out of a river, he hardly notices or cares about the impropriety of his nude body being exposed to a stranger.With a wardrobe comprised mostly of tattered rags and a scraggly beard obscuring the clean-cut good looks that once landed him in a 2000s-era Abercombie ad, this is not a role one might expect from Taylor Kitsch. That's exactly the way he likes it."I take a lot of pride in taking very, very different roles," Kitsch, 43, told Business Insider, adding that being uncomfortable helps him do his best work."I try and chase fear and things where when you first read it, you're like, 'Oh, fuck. How am I even going to do this?'" Kitsch is virtually unrecognizable in "American Primeval." Matt Kennedy/Netflix 'American Primeval' re-teams Kitsch with the man who helped make his careerKitsch was a struggling model-turned-actor who'd endured periods of homelessness when he first met "American Primeval" director and executive producer Peter Berg while screen-testing for "Friday Night Lights" in 2006.Berg, who developed the football series based on his hit film of the same name, said he knew Kitsch had to be Riggins from the moment he saw him step out of his manager's car on the NBC lot. Though the studio had already shortlisted several hot young stars to play the Panthers' troubled running back, Berg managed to sell the unknown Canadian actor to the show's producers, and the rest is history.The series would mark the start of Kitsch and Berg's fruitful creative partnership, which has endured for almost two decades, as the two have gone on to work together on movies like "Lone Survivor" and "Battleship" and other television shows like "American Primeval" and the 2023 Netflix series "Painkiller."Kitsch said his symbiotic relationship with Berg has allowed him to grow exponentially as an actor."I hope I challenge him as much as he challenges me for authenticity, to keep each other on our toes," Kitsch said. "I think that's why he comes and brings me along these rides. I think he knows that I will try and make him look incredible and make him look right every time he casts me."Berg's buy-in kickstarted Kitsch's career. But six years and five seasons on the "Friday Night Lights" set ironically left him unprepared for the very thing he was expected to chase after next: movie stardom. Kitsch as Tim Riggins in "Friday Night Lights." Paul Drinkwater/NBCU Photo Bank/NBCUniversal via Getty Images "'Friday Night Lights' was no marks, no rehearsal, natural light, a lot of improv, which I love," said Kitsch, who was known for sometimes scrapping Riggins' lines entirely and replacing them with just a look. "[Berg] wants you to take risks, because that's where you're going to uncover something. And I love that."While Kitsch was able to "learn and fail" many times on "FNL," he encountered far more rigidity on the set of his first big-budget blockbuster, 2009's "X-Men Origins: Wolverine.""My first fucking day on 'X-Men' was like, 'Hit the mark, find the light, say your line, and don't say it like that,'" Kitsch recalled. "I've never been told this, and then it's like, 'Whoa, whoa, whoa. You guys are actually using lights and marks and this and that?' So it was a huge switch for me."Kitsch was on the brink of movie stardom after 'Friday Night Lights,' but it all fell apartIt was the first of many obstacles in Kitsch's ill-fated pursuit of a career as a blockbuster leading man.Much has been made of the infamous critical and commercial flop that was "John Carter," the 2012 Disney movie about an American Civil War veteran transported to Mars. But at the time, the decision to star in a movie based on a seminal sci-fi book series with major franchise potential seemed like a no-brainer.Kitsch still stands by his choice: "When Andrew Stanton, who just won a couple Oscars, knocks at your door and he blows your mind in prep" Kitsch left "Friday Night Lights" to star in "John Carter." Frank Connor/Walt Disney Pictures/Courtesy Everett Collection He noted that at the time, the title character was a coveted role. "No one knows the people I beat out, but I can't believe at the time I beat them out.""John Carter," along with "Battleship," a 2012 military sci-fi action flick based on the board game and directed by Berg, became the proving ground for Kitsch's post-"FNL" career. Expectations for both were high: Kitsch's contracts reportedly would have locked him into franchises for both if they performed well at the box office. Magazine profiles of Kitsch at the time anointed him the next big action hero, predicting he was poised to take over Hollywood's new A-list alongside the likes of Ryan Reynolds and Chris Pine.He was on the brink of something major or at least, that's what he was told.'John Carter' was a flop, freeing Kitsch up for more interesting workUltimately, it didn't pan out that way. Both movies underperformed at the box office and garnered largely negative reviews. It changed the course of Kitsch's career, though it may have been kismet.In reality, becoming the next blockbuster action star was never actually what Kitsch wanted for himself; he simply thought it would open doors."It's the clich: one for them, one for you," he recalled. "You're told, 'You do this, you'll be able to do anything you want.'"In an alternate universe where "John Carter" was a box-office smash that led to that slew of sequels, Kitsch may not have had the time to explore the character-driven stories he finds the most fulfilling, like "True Detective" season two, or the biggest challenge of his career: playing cult leader David Koresh in the 2018 limited series "Waco." Kitsch credits the latter with helping him define the kind of actor he wants to be."'Waco' scared the shit out of me," said Kitsch. "I had no idea how I was going to do that." He spent six months intensively preparing to inhabit the role, losing 30 pounds, learning to play guitar, and watching every clip and sermon of Koresh's he could find. Kitsch as the cult leader David Koresh in "Waco." Paramount Network He brought a similar ethos to "American Primeval," losing 20 pounds, learning some Shoshone, and working with a medicine man to prepare to play Isaac. Doing the most is a nonnegotiable for Kitsch, who previously told The New York Times that this kind of prep is "the only thing that eliminates self-doubt."While he had to start from scratch to build out both the charismatic cult leader and the rugged frontiersman, Kitsch already had a personal connection to Glen Kryger, the opioid-addicted car mechanic he played in "Painkiller.""That one was so fucking important to me," Kitsch said. The subject matter hit close to home; his sister has struggled with opioid addiction."She's eight years clean now," he said. "She was my advisor on the show, so it doesn't get more full circle than that, to have her with me, and me ironically playing the addict and her telling me how."Despite the rabid fandom Kitsch inspired on "Friday Night Lights," he said more people have reached out to say they were touched by his performance in "Painkiller" than about any other job he's done."To humanize and hopefully bring up a conversation of that and to normalize it, not put shame towards that, meant the world to me," Kitsch said.Kitsch wants to keep telling stories he cares aboutUp next for Kitsch is a return to one of his most popular roles (no, not that one). He'll be reprising his role as former Navy SEAL Ben Edwards on Amazon's "The Terminal List" prequel "Dark Wolf" opposite Chris Pratt, who plays the lead character in the flagship series.He also wants to prioritize getting his own project off the ground: telling his sister's story."Her story is just, it's insane and very empowering and inspiring," Kitsch said. "I'd love to direct that and keep it at a crazy low budget so I have creative control."Not on the agenda? Stressing over things like viewership numbers or ticket sales."Here's a good story," Kitsch recalled. "I was living in Austin doing 'Friday Night Lights,' and it had just been the opening weekend of 'X-Men Origins: Wolverine.' And it was Monday and I was going to a different movie, and all of a sudden, all these texts came in like, 'Oh, congratulations. Oh my God, the box office. BO is at $70-something million!' and all this," he said."I was with my girlfriend at the time and I was like, 'I have no idea what this means,'" he continued. "All these congrats were coming in. And I'm like, 'What are we celebrating?'"Years later, Kitsch has held onto that desire to ignore outside expectations. He's keeping that in mind when it comes to how his new projects, like "American Primeval," are received.Still, he's hopeful the show will lead to more opportunities to immerse himself so fully in a character that he disappears the work he loves best."We'll see what happens," he said. "I'll just keep swinging regardless."0 Comments 0 Shares 7 Views
-
WWW.BUSINESSINSIDER.COMZelenskyy said Ukraine captured 2 wounded North Korean soldiers in Russia's Kursk region. Here's what we know.Ukrainian President Volodymyr Zelenskyy said Ukraine has captured two North Korean soldiers.Zelenskyy said the two soldiers were wounded and had been taken to Kyiv.South Korea's National Intelligence Service (NIS) has reportedly confirmed their capture.Ukrainian President Volodymyr Zelenskyy said Ukraine has captured two wounded North Korean soldiers.In a statement posted on X on Saturday, Zelenskyy said the soldiers had been captured in Russia's Kursk region and had been taken to Kyiv, where they were now "communicating with the Security Service of Ukraine." He added that they were receiving the "necessary medical assistance."Zelenskyy also shared images of two injured men, but he did not provide evidence that they were North Korean."This was not an easy task: Russian forces and other North Korean military personnel usually execute their wounded to erase any evidence of North Korea's involvement in the war against Ukraine," Zelenskyy said, adding that he had instructed Ukraine's security service to allow journalists access to the captured soldiers.South Korea's National Intelligence Service (NIS) has reportedly confirmed their capture.The NIS told AFP that it had "confirmed that the Ukrainian military captured two North Korean soldiers on January 9 in the Kursk battlefield in Russia".The Security Service of Ukraine (SBU) has also shared some details from their questioning of the pair.The SBU said the North Korean soldiers did not speak Ukrainian, English, or Russian, "so communication with them is carried out through interpreters of Korean," with help from the NIS.The SBU said that one soldier told interrogators that he believed he had been sent for training, not to fight in the war against Ukraine.It added that one of the soldiers was found with a Russian military ID card "issued in the name of another person," while the other had no documentation with him.The soldier with the ID card stated that he was born in 2005 and that he had been serving as a rifleman in the North Korean military since 2021.The other was born in 1999 and had been a scout sniper in the North Korean army since 2016, the SBU said, citing "preliminary information."Pyongyang reportedly began sending troops to Russia in October.White House National Security Communications Advisor John Kirby said last month that Russia was using North Korean troops to carry out "human wave" assaults on Ukrainian positions, resulting in heavy casualties."It is clear that Russian and North Korean military leaders are treating these troops as expendable and ordering them on hopeless assaults against Ukrainian defenses," Kirby said. "These North Korean soldiers appear to be highly indoctrinated, pushing attacks even when it is clear that those attacks are futile."Zelenskyy said last month that preliminary estimates suggested that more than 3,000 of Pyongyang's soldiers had been killed or wounded in Kursk.He previously said that Russian forces had been trying "to literally burn the faces of North Korean soldiers killed in battle" in an effort to "conceal" their losses.In December, a North Korean soldier believed to be the first to be captured by Ukrainian forces died from his injuries, South Korea's National Intelligence Service (NIS) said, per Yonhap news agency.This is a developing story. Check back for updates.0 Comments 0 Shares 7 Views
-
WWW.VOX.COMWhat Megyn Kelly gets right and wrong about ConclaveMegyn Kelly is impressive when you consider that shes been able to create an entire career just from being mad at stuff. She is like the Rumplestiltskin of irritation turning cranky thoughts into gold or a blond Andy Rooney with consequences. From the idea of Santa Claus being Black to fighting with Jane Fonda for the right to ask a woman about her plastic surgery, the archives are stuffed with the things that Kelly does not enjoy. (She did, however, like Real Housewife Luann de Lessepss Diana Ross blackface costume enough to defend it on air.)Conclave, the Golden Globe-winning drama about the election of a new pope, just happens to be the latest thing Kelly hates. Just made the huge mistake of watching the much-celebrated Conclave & it is the most disgusting anti-Catholic film I have seen in a long time. Shame on Ralph Fiennes, Stanley Tucci & John Lithgow for starring in it & shame on director Edward Berger (among others), Kelly wrote on X, formerly known as Twitter, making sure to get the full names of the biggest actors in the movie. Conclave has been one of the bigger indie hits of the holiday season, bringing in $69 million worldwide on a reported $20 million budget, winning best screenplay at the Golden Globes, and featuring prominently in Oscar discussion. But the rollicking thriller which focuses on the machinations of Cardinals gathered in Rome to pick a new pope is stirring up controversy with the group of people most likely to be interested in the inner workings of the church: Catholics, like Kelly. Or, at least, some Catholics. There is a lot to unpack about Conclave. From political infighting among an international coterie of bishops, to nosy clerical gossiping, to Isabella Rossellini as a nun with ulterior motives, to car bombs, the movie based on an airport novel of the same name by Robert Harris is arguably overwrought and overstuffed, if endlessly fun. However, its the twist ending that Kelly seems to have a real issue with (and more on this, with spoilers, in just a moment). And, as Kelly cited, the film is being recognized on the awards circuit and may be one of the Best Picture nominees come Oscar time. Heres Kellys full rant:Spoiler: They make THE POPE INTERSEX! This is the big exciting twist at the end. I wish I had known so I wouldnt have watched it. There are almost no redeeming characters in the movie every cardinal is morally bankrupt/repulsive. The only exception of course is the intersex pope (who - surprise! - has female reproductive parts) & the cardinal who keeps her secret - bc of course that kind of Catholic secret-keeping must be lionized. Im disgusted. What a thing to release to streaming just in time for Christmas. They would never do this to Muslims, but Christians/Catholics are always fair game to mock/belittle/smear.Though Kelly phrases her tweet in tabloid fashion and uses capitalization to drum up the alarm, Conclave is not exactly a traditional trans narrative, although it would be impossible not to read it as political. What Kelly is referring to when she writes that they make THE POPE INTERSEX is the final act of the movie, in which newly confirmed Pope Innocent, formerly known as Cardinal Benitez (Carlos Diehz), reveals to the films protagonist, Fienness Cardinal Lawrence, that he was born intersex, but only discovered his female internal sexual organs as an adult. Benitez had with assistance from the late prior Pope considered a laparoscopic hysterectomy to remove his uterus and ovaries. The reveal is surprising and, ideologically, something of a curveball. In her tweet, Kelly misgenders Benitez, who identifies as male in the movie. Benitez explains that his faith and respect to God helped him decide not to have the surgery that would affirm his masculinity: I am what God made me. And perhaps it is my difference that will make me useful.Carlos Diehz in Conclave. Diehz play Cardinal Benitez, who figures into a major twist at the end of the movie. Courtesy: Focus FeaturesThis is the point thats angered Kelly: The Catholic Church does not allow women to hold higher positions of power, which the final twist reveals to be the ultimate concern of Conclave. Benitezs intersex identity and positioning as one of the films morally good characters not only opens a conversation about tolerance but also questions the rules set in place against women in the Church and the Churchs governing of womens bodies. Being born intersex is no sin, but as Benitez explains, despite his unaltered exterior appearance, my chromosomes would commonly define me as being a woman. Having female anatomy disqualifies him not only from being pope, but from becoming a priest at all. If his fellow cardinals knew his secret, they would be very unlikely to agree that theres value in Benitezs particular difference. And if they were allowed to have social media, perhaps some of the conservative wing would even tweet in the same incensed fashion as Kelly. Lawrence understands this better than anyone. As the dean of cardinals, its his duty to make sure that the next pope will be a good leader, someone who will symbolize the Catholic faith. He knows that if Benitezs secret gets out, it would not only threaten his papacy, but that the resulting fight would likely be a detriment to Catholicism at large. Yet, when he presses Benitez about who else knows and when he hears Benitezs answer about his faith and relationship with God, Lawrence finds peace. Safe in the belief that the new pope was chosen by God, Lawrence confirms Benitezs election. Is Conclave really anti-Catholic?After winning the Golden Globe for Best Screenplay this week, Conclave writer Peter Straughan was asked about Kellys tirade. He explained that he hadnt read her critique in full, but was told that she deemed his movie anti-Catholic and disrespectful.I dont think the film is anti-Catholic. I was brought up Catholic. I was an altar boy, Straughan told Variety.Straughan explained that he wrote a script that showed the struggle between the Catholic faith and the very powerful men in charge of sculpting what said faith is supposed to look like. Their aspirations for goodness, their ambition, and their inevitable fallibility are all parts of their humanity. These stewards are not perfect, but theyve been ordained to spread a divine message. I think the core message of Conclave is about the church always having to re-find its spiritual core, because it deals so much with power, Straughan said. Thats always been a careful, difficult balance. To me, that was a very central Catholic ideal that I was brought up with. I stand by it.Kelly bashed Straughans explanation on her site, writing: I have a very high threshold for offense. It is really hard to offend me. I guess I didnt feel deeply offended by this, but I was unsettled by what I saw. And I was pissed.Believe it or not Stanley Tucci (right) plays a man named Cardinal Bellini. Courtesy: Focus FeaturesKelly isnt the only Catholic whos taken umbrage with the movie and or found its ending salacious. Prior to the movies release, it was already buried by some Catholic critics because of the original book. Given what we know about Conclave from the fawning critics, the novel, and what people associated with the film have said, Conclave is more a piece of anti-Catholic propaganda than it is a work of art, reads a report from a Catholic League critic who did not see the movie. The Catholic League is known for calling out and encouraging the boycott of movies famously Dogma, The Golden Compass, and now Conclave it deems anti-Catholic, as well as studios like Fox and Disney.Yet the clash between Catholic ideals and the messier reality of the humans who make up the church that Straughan gets at isnt a particularly new or novel idea. For the last two decades, a massive sex abuse scandal and the administrative effort to cover it up has been the dominant narrative about the Catholic Church. In Pope Franciss various apologies to survivors (who have criticized him for not taking more accountability), he has spoken about the need to examine the atrocities of those in power and mistakes the Church has made, as well as the Churchs responsibility to its victims. Essentially: In order to move forward, the Church has to acknowledge that, sometimes, the people given the most power by the Church have abused it. While Kelly isnt entirely wrong about Conclaves plot over the course of the voting, various members of the clergy are revealed to be engaged in bribery, smear campaigns, and inappropriate sexual relationships, while others are simply ambitious or politically minded Kellys conflation of depicting fictional cardinals corruption with mocking/smearing/belittling reflects a lack of media comprehension. (Setting aside the fact that there are a number of redeeming characters, including Cardinals Lawrence and Bellini, played by Stanley Tucci, who simply dont share Kellys conservative values.) Depicting a cardinal as corrupt or interested in power isnt automatically a smear. The reality that Catholic leadership is made up of human beings, with all their faults and wants, striving for something higher, is part of what makes it beautiful and, ideally, transcendent. Further, the film shows the conclave explicitly voting against the various morally bankrupt cardinals when theyre made aware of the transgressions a sign that this governing body doesnt stand for corruption. What Kelly seems to want is something resembling a Catholic version of a Marvel superhero flick, or propaganda where priests are unquestionably good. One could make the compelling argument that the latter mentality is part of how clerical sexual abuse became an insidious, systemic problem. Questioning the tenets of the faith is, as the movie demonstrates, the only way to keep that faith strong. Megyn Kelly and Conclave can both be pro-Catholic, even if they disagree The divide between Kelly and Straughan, two people raised in Catholic homes, comes down to opposing views of what Catholicism is supposed to be. Back in March 2024, Kelly wrote about her own relationship with Catholicism, specifically her struggles during the process of annulling her first marriage. In her crisis of faith, she writes, she experimented with going to an Episcopalian mass, but disliked it immensely, stating that shes drawn to rigidity: I realized there is a reason Im generally drawn more to the faith that with which I was raised, where there are these strict rules that sometimes feel weird and intrusive, but they resonate with me.Kelly wants rules and absolutism. Conclave touts the beauty of uncertainty and doubt.As dramatic and campy as Conclave gets at one point, conservative Cardinal Tedesco (Sergio Castellitto) hits his vape with true artistry it always comes back to the idea that Catholicism is a constantly evolving and immensely personal, living thing. Its about all these bishops, with their different backgrounds and ethnicities, different experiences and ideas about their religion, coming together and uniting because of a common faith. Their fidelity to God transcends boundaries that would normally keep everyone apart. Conclave sees the beauty in those differences and how Catholicism persists, as flawed as its stewards may be. Our faith is a living thing precisely because it walks hand-in-hand with doubt, Cardinal Lawrence says in his sermon addressing his fellow cardinals. If there was only certainty, and if there was no doubt, there would be no mystery, and therefore no need for faith.Catholicism, like any religion, is open for interpretation. Four men wrote the gospels, and each one focuses on different aspects of Jesuss life. People reading (usually priests) or listening (usually laypeople) to the gospels walk away with their own interpretations of the symbolism and take it into their own lives. No one Catholic persons idea of spiritual identity is identical to anothers. But each individual idea, especially when aired out on a sizable platform, like Kelly has and as Straughan has with Conclave, may and often tell us more about the person, their priorities, their values, and their hypocrisies more than it ultimately defines Catholicism itself. Youve read 1 article in the last monthHere at Vox, we're unwavering in our commitment to covering the issues that matter most to you threats to democracy, immigration, reproductive rights, the environment, and the rising polarization across this country.Our mission is to provide clear, accessible journalism that empowers you to stay informed and engaged in shaping our world. By becoming a Vox Member, you directly strengthen our ability to deliver in-depth, independent reporting that drives meaningful change.We rely on readers like you join us.Swati SharmaVox Editor-in-ChiefSee More: Culture0 Comments 0 Shares 8 Views
-
WWW.ARCHDAILY.COMJulia von Bodelschwingh Care House / kontektum architekturJulia von Bodelschwingh Care House / kontektum architekturSave this picture! Philipp ObkircherRetirementBerlin, GermanyArchitects: kontektum architekturAreaArea of this architecture projectArea:6715 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Philipp ObkircherManufacturersBrands with products used in this architecture project Manufacturers: HEWI, Agrob BuchtalPlural, LIGNOTREND, Montana Building Systems Ltd. Lead Architects: Andreas Maria Lang More SpecsLess SpecsSave this picture!Text description provided by the architects. The "Julia von Bodelschwingh House," located at Georg-Kolbe-Hain in Berlin-Westend, is a senior residence featuring 72 rooms and 13 barrier-free serviced apartments. Developed for the Gabriele Fink Stiftung and operated by the Hoffnungstaler Stiftung Lobetal, the building was designed by kontektum architektur to meet the needs of both foundations while blending seamlessly into its surroundings. The design focuses on the specific needs of elderly residents and their caregivers, creating a supportive and comfortable environment.Save this picture!Save this picture!Save this picture!Save this picture!The building bridges the height difference between the Malteser Hospital to the south and the residential buildings to the north, integrating harmoniously with the urban fabric. Situated behind the old stone wall along the western property boundary, it preserves the historic entrance from Pillkaller Allee. The structure is nestled into a sloping site, surrounded by pine trees and a newly designed, park-like landscape with a curved pathway.Save this picture!Save this picture!Save this picture!Save this picture!The project consists of three sections. The five-story main building on Pillkaller Allee aligns with the height of the hospital building and includes a spacious two-story entrance hall, the "Foyer am Birkenhain," which serves as a gathering space for residents' meetings and celebrations. The foyer, clad in wooden acoustic panels with shelly limestone flooring, creates an elegant yet intimate atmosphere. Administrative offices are located on the ground floor, with an interior window providing a view into the foyer. The upper floors house 13 barrier-free apartments, each featuring large glazed facades and continuous balconies, overlooking the park and Pillkaller Allee. The top floor includes a communal space and a roof terrace.Save this picture!The senior residence occupies two rear, northwest-oriented transverse sections of the building, each three stories high, in alignment with nearby residential buildings. The wide corridors accommodate residents using walking aids and expand in areas with real wood veneer entrances to the one-room apartments. Each floor contains 12 resident rooms, each with a private, barrier-free bathroom. Large windows ensure that even bedridden residents enjoy views of the outdoors. Connecting the two wings is a central communal living area, which includes large south-facing terraces and open kitchens, where residents gather for meals and activities. Additional amenities at the junction with the main building include a care bath, an in-house hairdresser, and therapy rooms for wellness activities. The basement, embedded in the sloping terrain, houses the building's service rooms and infrastructure, optimizing space for residents on the main floors.Save this picture!The facade features horizontal cornice bands made of precast concrete, visually uniting the building."Open" facade areas include windows, balconies, and loggias, while "closed" sections are finished with a rear-ventilated metal facade. This design reflects elements of the surrounding buildings, enhancing the structure's integration into the environment. The barrier-free apartments in the main building face the park and Georg-Kolbe-Hain, offering residents direct access to the landscape. In the rear sections, communal areas with south-facing terraces provide spaces for residents to gather. A rooftop terrace offers views over the park toward the Corbusierhaus.Save this picture!Project gallerySee allShow lessProject locationAddress:Pillkaller Allee 2 14055 Berlin-Westend, GermanyLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeMaterialSteelMaterials and TagsPublished on January 12, 2025Cite: "Julia von Bodelschwingh Care House / kontektum architektur" 12 Jan 2025. ArchDaily. Accessed . <https://www.archdaily.com/1025482/julia-von-bodelschwingh-haus-kontektum-architektur&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream0 Comments 0 Shares 8 Views
-
WWW.YOUTUBE.COMShooting Projectiles in Unreal Engine 5.5 Niagara TrailerFull Video - https://youtu.be/qIdw1Tpqkf0 Download - https://shorturl.at/DMRLK FAB - https://www.fab.com/sellers/CGHOW Whatsapp - https://bit.ly/3LYvxjK Patreon- https://www.patreon.com/Ashif NFT - https://opensea.io/CGHOW Twitter - https://twitter.com/cghow_ If you Liked it - http://bit.ly/2UZmiZ4 Channel Ashif - http://bit.ly/3aYaniw Support me on - paypal.me/9953280644Shooting Projectiles in Unreal Engine 5.5 Niagara Trailer #cghow #UE5 #UE4Niagara #gamefx #ue5niagara #ue4vfx #niagara #unrealengineniagara #realtimevfxVisit - https://cghow.com/ Unreal Engine Marketplace - https://bit.ly/3aojvAa Artstation Store - https://www.artstation.com/ashif/store Gumroad - https://cghow.gumroad.com/0 Comments 0 Shares 8 Views
-
WWW.YOUTUBE.COMShooting Projectiles in Unreal Engine 5.5 Niagara TrailerDownload - https://shorturl.at/DMRLK FAB - https://www.fab.com/sellers/CGHOW Whatsapp - https://bit.ly/3LYvxjK Patreon- https://www.patreon.com/Ashif NFT - https://opensea.io/CGHOW Twitter - https://twitter.com/cghow_ If you Liked it - http://bit.ly/2UZmiZ4 Channel Ashif - http://bit.ly/3aYaniw Support me on - paypal.me/9953280644Shooting Projectiles in Unreal Engine 5.5 Niagara Trailer #cghow #UE5 #UE4Niagara #gamefx #ue5niagara #ue4vfx #niagara #unrealengineniagara #realtimevfxVisit - https://cghow.com/ Unreal Engine Marketplace - https://bit.ly/3aojvAa Artstation Store - https://www.artstation.com/ashif/store Gumroad - https://cghow.gumroad.com/0 Comments 0 Shares 8 Views
-
WWW.LIVESCIENCE.COMSpace photo of the week: The tilted spiral galaxy that took Hubble 23 years to captureIn this special Hubble image 23 years in the making, the sparkling spiral galaxy UGC 10043 reveals the secrets of its unusually big bulge.0 Comments 0 Shares 8 Views