GTA 6's next trailer could drop next week, according to a fresh theory from Rockstar Games fans who have been playing detective yet again in the hunt for fresh informationTech09:29, 22 Jan 2025GTA 6 could hit its 2025 date, or it could be delayedGTA 6 fans still think we're getting a second trailer this month, and a new 'number theory' has fans turning detective (again) to put a date on the game's next reveal.The game which some have suggested could 'save' the video game industry (if returning president Donald Trump doesn't change that) still doesn't have a release date, but fans think we could hear a lot more next week.Here's why the GTA 6 community is circling a date on the calendar.As shared by GTA 6+ on X (formerly Twitter), the reveal of a fresh car in GTA Online has a series of numbers on the side in a column, written on a shipping container.Content cannot be displayed without consentWith Rockstar's parent company Take-Two holding its earnings call at the start of February fans have been looking for a pattern in those numbers.All of them added together make 30, and the number 2 is in a larger font, meaning some fans are expecting the trailer on January 30.That's not all, though. As GTA 6+ points out, Rockstar revealed both GTA 5 and Red Dead Redemption 2's release dates on Thursdays, and wouldn't you know it, January 30 is a Thursday.Given the earnings call on February 6 is likely to reveal something whether Rockstar wants to say anything or not, it'll be interesting to see if this fan theory is proven correct.Other theories in recent months have included plotting the phases of the moon in GTA Online, as well as a PlayStation event that didn't materialise, analysing social media posts and a mystery YouTube playlist.Article continues belowFor the latest breaking news and stories from across the globe from the Daily Star, sign up for our newsletters.RECOMMENDED

Activision is taking a different approach with Call of Duty Warzone's next season, with the studio focusing more on fixing the community's issues than adding contentTech09:26, 22 Jan 2025Warzone is one of the most popular battle royales around(Image: Activision)Call of Duty Warzone players have continued to complain about cheaters and a whole host of bugs, and it's clear Activision has heard complaints loud and clear.In a Community Update blog post for the month, the team has promised a focus on fixes instead of additional new content for the battle royale shooter in Season 2.Still, one of the community's biggest issues at the moment appears to be the current Urzikstan map.After acknowledging issues with Caldera and Al Mazrah from Warzone 1 and 2 respectively, the post above says: "Urzikstan has just been so dull from the start. And aside from the superstore update, there hasnt been any significant changes.""Its the most uninspired map Ive ever seen. I also hate how the water divides the map up. Theres zero flow to it and every poi is a cluster of buildings. Buildings are so confusing and frustrating when trying to find a contract. Colors are washed and dull," they added.Others aren't so sure, with some complaining about Caldera and its central volcano, while others preferred it thanks to its more "scenic" qualities.Many agreed that Urzikstan is lacking in style and memorable areas to explore, but there's good news on the horizon.Reports earlier this month suggested that Verdansk (the original Warzone map), is expected to return with Season 3 of Warzone.We're some time away from that, but given the poster of the Reddit discussion noted it's their favourite map, that's reason to be cheerful.Season 2 of Black Ops 6 (and Warzone) is expected on January 28 as a free update for all players. In case you missed it, players weren't best pleased about the most recent patch notes.Article continues belowFor the latest breaking news and stories from across the globe from the Daily Star, sign up for our newsletters.RECOMMENDED

MVRDV "Carbon Confessions" Exhibition in Germany Reveals the Realities of Sustainable ConstructionSave this picture!MVRDV Carbon Confessions. Image MVRDVAs the global climate crisis intensifies, the construction industry faces increasing pressure to reduce carbon emissions, prompting a fundamental reassessment of building practices. Dutch architecture firm MVRDV, known for its commitment to sustainability, presents an honest exploration of this challenge in "Carbon Confessions," an exhibition at Munich's Architekturgalerie. The exhibition provides insight into the firm's ongoing efforts, highlighting both its achievements and the obstacles encountered in the pursuit of carbon reduction.Housed within the Blumenstrae high-rise bunker, originally constructed in 1941 and home to the Architekturgalerie Mnchen since 2021, the exhibition spans three floors. Each level offers a unique perspective on MVRDV's approach to sustainable architecture. The central floor serves as the exhibition's core, featuring a 22-chapter storyline that chronicles the firm's sustainability journey. This narrative touches on various aspects, from MVRDV's early advocacy for urban density and mobility to internal initiatives such as vegetarian lunches and the establishment of The Green Dream Foundation to offset travel emissions. The exhibition also candidly addresses the firm's challenges, including an over-reliance on sustainability consultants, and showcases the role of MVRDV NEXT, a dedicated unit integrating climate-conscious strategies with technological advancements.Save this picture! If you think architects create buildings of concrete, wood, steel, and glass, it's time to think again. Carbon is the raw material that underpins them all. With this exhibition, we hope to convince people of that fundamental reality, while also being honest that it can take some time to fully understand all the implications of this paradigm shift. The sooner the construction industry starts thinking in this way, the sooner we will reach an optimistic, sustainable future. -- MVRDV founding partner Jacob van Rijs Related Article Water is Coming: DAC Opens Exhibition on Adapting to a Changing World A standout feature on this floor is a "carousel" of rotating panels, offering 22 real-world anecdotes that illustrate the complexities of achieving low-carbon design. These range from insights into systemic challenges within the industry to success stories, such as a German builder's unexpected enthusiasm for rammed earth walls. Complementing these narratives are twelve detailed "carbon cases," which provide embodied carbon calculations for various MVRDV projects using the firm's proprietary CarbonScape software. This tool, soon to be publicly available, allows for greater transparency and actionable insights into reducing the environmental impact of architectural projects.Save this picture!The second floor focuses on adaptive reuse, presenting a series of transformation projects that underscore the importance of repurposing existing buildings to minimize carbon emissions. The exhibition includes a selection of MVRDV's past and ongoing projects, alongside student work from the "Anti-Monument" course at TU Berlin. This floor also features a collection of low-carbon material samples, some of which were specifically developed for MVRDV projects. A repurposed curtain from MVRDV's Dutch Pavilion at the Taipei International Book Exhibition delineates the space, turning it into a dynamic venue for events and discussions.Save this picture!On the ground floor, MVRDV showcases its suite of digital tools designed to facilitate low-carbon design solutions. Software such as RoofScape and CarbonScape are displayed in an engaging "video campfire" setup, encouraging visitors to gather and discuss the firm's initiatives. This interactive component reflects the exhibition's broader goal: fostering dialogue among architects, industry professionals, and the public about the role of construction in addressing climate change.Save this picture!MVRDV continues to explore new approaches to sustainability, actively engaging in research and analysis to explore architectural possibilities. In other related news, the firm has recently transformed shipping containers into sports and community hubs for refugees, demonstrating its commitment to adaptable, low-carbon solutions. Additionally, MVRDV has unveiled a master plan for the redevelopment of Faneuil Gardens public housing in Boston, emphasizing community-centric design. In Germany, their latest design for a colorful office building clad in Pretty Plastic shingles showcases their approach to material innovation and environmental responsibility.Image gallerySee allShow lessAbout this authorNour FakharanyAuthorCite: Nour Fakharany. "MVRDV "Carbon Confessions" Exhibition in Germany Reveals the Realities of Sustainable Construction" 22 Jan 2025. ArchDaily. Accessed . <https://www.archdaily.com/1026050/mvrdv-carbon-confessions-exhibition-reveals-the-realities-of-sustainable-construction&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

The Case for Local Modernism in Cairo: Egypt's Architectural Transformation During the 1950sSave this picture!Architects at the office of Mahmoud Riad looking over a maquette of the League of Arab States Building. Image Cairo Since 1900In the heart of Cairo, amid its historic landmarks and evolving urban fabric, a distinct modernist architectural movement took shape in the 1950s and 60s. It reflected the city's response to rapid political, economic, and social changes. When it arrived, modernism in Cairo was not just an imported style but a "pragmatic response to the needs of a growing city." Architects focused on functionality, efficiency, and adapting designs to the local climate and cultural context. Following the 1952 revolution, Egypt underwent significant transformations under President Gamal Abdel Nasser's leadership. In fact, the government sought to build a new national identity that reflected progress and the nation's self-sufficiency. Architecture played a crucial role in this effort, with a strong focus on modernization and development. The state invested in large-scale projects to accommodate the needs of a rapidly growing population and expanding industries. This period marked a shift from colonial-era influences toward a search for a distinct architectural identity that aligned with the political and social aspirations of the time.Unlike other cities in the Middle East, where modernist architecture was often introduced by foreign experts, Cairo's modernist landscape was shaped by local architects and engineers. According to Mohamed El Shahed's book, Cairo Since 1900, the city's modernism was based on homegrown expertise. It reflected a practical engagement with the built environment rather than a direct imitation of Western trends. From the late 1930s onward, "architects moved away from revivalist styles and began to focus more on functionality, simplicity, and the expressive use of materials such as concrete and brick." This essay explores how key modernist projects such as the Misr Insurance Buildings, Merryland Apartments, and Zamalek Tower demonstrate Cairo's approach to modern architecture. These buildings highlight how local architects adapted international modernist ideas to create structures that were both innovative and suited to the city's social and environmental conditions. These buildings demonstrate an approach that balanced functionality with cultural relevance, resulting in an architectural language that was both contemporary and rooted in local realities.Balancing Modernity and Climate Related Article The Legacy of Modernist Architecture in Tanzania: Anthony Almeida and Beda Amuli Misr Insurance Buildings (1950 and 1952, Mahmoud Riad and Sayed Karim)Save this picture!The Misr Insurance Buildings, designed by architects Mahmoud Riad and Sayed Karim in 1950 and 1952 respectively, showcase how modernist design principles were applied to meet both commercial and environmental needs. The buildings introduced a restrained and functional aesthetic, moving away from decorative revivalist styles of the past. Their faades feature brise-soleil elements, which provide shade and reduce heat gain, making them well-suited to Cairo's climate. The design also prioritizes efficiency and flexibility, with modular office spaces that could be easily adapted over time. The use of concrete and glass emphasizes the modernist ideal of structural clarity and honesty. Despite their modern appearance, the buildings remain sensitive to their surroundings, fitting within the existing urban fabric while projecting a forward-looking image. These buildings reflect the broader trend in Cairo's modernism, where functionality and climate responsiveness were key considerations in shaping the built environment. They also symbolize Egypt's post-revolution ambition to establish itself as a leader in finance and industry, with architecture serving as a visible expression of that goal.Modern Housing for a Changing SocietyMerryland Apartments (1958, Sayed Karim)Save this picture!The Merryland Apartments, completed in 1958 by modernist architect Sayed Karim, demonstrate how modernist residential architecture was adapted to address the needs of Cairo's growing middle class. The design of the complex embraces modernist principles of modularity and efficiency, with a focus on maximizing living space within a dense urban setting. The apartments feature repetitive geometric balconies, which provide shade and create a dynamic visual rhythm across the faade. Additionally, the inclusion of open spaces and landscaped areas within the development reflects an understanding of the social function of architecture. The architects aimed to provide a sense of community within the growing city, offering residents access to shared outdoor spaces and amenities. The layout also incorporates cross-ventilation strategies, ensuring that natural airflow reduces reliance on mechanical cooling systems. The Merryland Apartments represent a shift in residential architecture, where comfort and functionality were prioritized over ornamentation.Adapting Modernism to Urban DensityZamalek Tower (1958, Sayed Karim)Save this picture!Save this picture!The Zamalek Tower, designed by Sayed Karim in 1958, is an example of how modernist design was used to address the challenges of urban density. As Cairo's population grew, the need for vertical living solutions became increasingly widespread. The tower's design incorporates staggered balconies that provide both privacy and shade, while also allowing for natural ventilation. The use of reinforced concrete in the structure allowed for greater flexibility in floor planning, accommodating both residential and commercial spaces within a single high-rise building. The tower's rooftop terraces provided additional outdoor space, an important feature in a densely populated city. As a solution to Cairo's housing needs, the project demonstrates how architects of the time embraced high-rise construction.Modernism and Cultural IdentitySaint Catherine's Church (1950, Naoum Shebib)Save this picture!While modernist architecture in Cairo was often associated with commercial and residential projects, it also extended to religious buildings. The Saint Catherine's Church, completed in 1950 by Naoum Shebib, highlights how modernist design principles were also applied to places of worship. The building features sweeping concrete forms that reinterpret traditional religious architecture in a contemporary way. The design incorporates minimalist detailing and simple geometric shapes, emphasizing the structural qualities of concrete while maintaining a sense of spiritual tranquility. The church's interior is designed to maximize natural light, creating an atmosphere of quiet reflection. During the era of modernism in Cairo, architects were seeking to reinterpret cultural heritage through new materials and forms under functional principles.Church of Collge De La Salle School (1955, Seddiq Shehab El-Din, Antoine Selim Nahas, and D. Komides)Save this picture!The Church of Collge De La Salle School, completed in 1955, is a distinctive example of how modernist architecture was applied to religious and educational institutions in Cairo. Designed by Seddiq Shehab El-Din, Antoine Selim Nahas, and D. Komides, the church embodies the principles of modernism while respecting the spiritual and functional needs of a school environment. Its design blends geometric simplicity and material honesty, reflecting a shift away from traditional church architecture towards a more restrained and functional aesthetic. A defining feature of the church is its angular roof structure and minimalistic faade, which utilize reinforced concrete to create sweeping, sculptural forms. The interior emphasizes openness and natural light, with strategically placed windows that allow soft illumination to enhance the spiritual atmosphere. The building's design maintains a balance between monumentality and simplicity, ensuring it remains an integral yet understated part of the school's campus.Institutions as State SymbolsThe Chamber of Commerce (1955, Sayed Karim)Save this picture!The Chamber of Commerce Building, completed in 1955 by architect Sayed Karim, is a notable example of how modernist architecture was employed to serve Cairo's growing administrative and economic needs. Designed to house the offices of Cairo's commercial sector, the building reflects the modernist emphasis on functionality and efficiency, with an aesthetic that aligns with Egypt's aspirations for modernization in the post-1952 era. The structure incorporates vertical brise-soleil elements, which provide shading and reduce heat gain, a critical adaptation to Cairo's hot climate. The building's layout prioritizes flexibility and ease of movement, accommodating a range of administrative functions within a streamlined and minimalist design. Karim's approach focuses on clear structural articulation, using reinforced concrete and glass to create a balance between openness and solidity. As a government-backed project, the Chamber of Commerce Building stands as a testament to the role of modernist architecture in shaping public institutions and reflects the broader ambitions of state-driven development during the 1950s.AUC Science Building (1966, Medhat Hassan Shaheen)Save this picture!The AUC Science Building, completed in 1966 and designed by architect Medhat Hassan Shaheen, was a prominent example of Cairo's modernist approach to educational architecture. Built as part of the American University in Cairo's (AUC) Tahrir Square campus expansion, the building reflected the growing demand for specialized academic facilities in a rapidly modernizing city. Its design embraced modernist principles of functionality, flexibility, and material efficiency, providing adaptable spaces for teaching and research. Characterized by its clean lines, grid-like faade, and large uninterrupted glass windows, the building prioritized natural light and ventilation, ensuring a comfortable learning environment suited to Cairo's climate. The restrained use of ornamentation and reliance on reinforced concrete and glass underscored the modernist ideal of structural honesty and simplicity. The building's design also allowed for future expansions and modifications, reflecting a forward-thinking approach to academic infrastructure. Despite its architectural and historical significance, the AUC Science Building was demolished in 2015, highlighting the ongoing challenge of preserving Cairo's modernist heritageCorporate Modernism and EfficiencyMobil Building (1959, Abu Bakr Khairat)Save this picture!The Mobil Building, designed by Abu Bakr Khairat in 1959, reflects the growing influence of modernist architecture in Cairo's commercial sector. The building's design prioritizes efficiency and functionality, with a clear separation of spaces for different corporate functions. The faade features a combination of glass curtain walls and shading elements, allowing for natural light while minimizing heat gain. The structure's vertical emphasis and sleek lines align with modernist ideals of simplicity and order. Its strategic location in the city underscores the role of architecture in shaping Cairo's emerging corporate identity during this period. The Mobil Building exemplifies how modernism was used to project an image of progress and modernization, supporting Egypt's broader economic aspirations in the mid-20th century.The modernist movement in Cairo during the 1950s and 60s was shaped by a desire to balance functionality, climate adaptation, and cultural continuity. Through key projects such as the Misr Insurance Buildings, Merryland Apartments, Zamalek Tower, and others, local architects demonstrated their ability to adapt global architectural trends to meet Cairo's unique needs. These buildings reflect an era when modernism was seen as a practical response to urban challenges rather than a purely aesthetic pursuit. Their designs prioritized efficiency, environmental considerations, and social needs, creating a built environment that was both forward-looking and rooted in local conditions. However, despite their historical and architectural significance, many of these modernist landmarks have been neglected, altered, or demolished in recent years. The demolition of structures serves as a reminder of how commonly this chapter of Cairo's architectural history has been lost. As Cairo continues to evolve, the legacy of its modernist architecture remains an important reminder of the city's dynamic approach to growth and development. Preserving and studying these buildings offers valuable insights into how architecture can respond to the complexities of a rapidly changing urban landscape. Recognizing their importance is crucial in ensuring that this unique period of Cairo's architectural heritage is not forgotten.This article is part of an ArchDaily series called "Rediscovering Modernism in Africa." Many buildings from the Modern Movement in Africa are of high architectural quality. Despite being several decades old and historically important, they have only recently gained attention in international discussions. This series explores this rich history. As always, at ArchDaily, we greatly appreciate our readers' contributions. If you have a project you think should be featured, please submit your suggestions.This article is part of the ArchDaily Topics: 100 Years of Modernism. Every month we explore a topic in-depth through articles, interviews, news, and architecture projects. We invite you to learn more about our ArchDaily Topics. And, as always, at ArchDaily we welcome the contributions of our readers; if you want to submit an article or project, contact us.Image gallerySee allShow lessAbout this authorNour FakharanyAuthorCite: Nour Fakharany. "The Case for Local Modernism in Cairo: Egypt's Architectural Transformation During the 1950s" 22 Jan 2025. ArchDaily. Accessed . <https://www.archdaily.com/1025920/the-case-for-local-modernism-in-cairo-egypts-architectural-transformation-during-the-1950s&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Nature, Published online: 22 January 2025; doi:10.1038/d41586-025-00069-4Researchers are exploring how to prolong ovarian life and revisiting hormone replacement therapy a once routine treatment that has fallen out of favour.

Nature, Published online: 22 January 2025; doi:10.1038/d41586-025-00150-yNature asked the worlds largest health-research funders what they are doing to study a life stage experienced by half of humanity. Here is what some of them told us.

"As yet, nobody has managed to understand what gives rise to this strange phenomenon, and explaining dark energy remains one of the most formidable challenges of modern science."

RocksteadyThere are suggestions that Rocksteady might be developing a new title. According to the experience description of one of the studios employees, it might be creating a new project. Transitioned to DevOps /SDET towards the end of Suicide Squad: Kill the Justice League and work on an unannounced title, reads the resume. As of now, it is not clear what the new title will be.Before, there were rumors that the studio was developing a new Batman game, as Xbox Eras Shpeshal Nick shared when replying to a tweet by The Game Awards, asking fans to name a studio for the next Batman game. However, there was no official announcement or confirmation.RocksteadyThe Batman games were critically and commercially acclaimed, while the recently released Suicide Squad: Kill the Justice League underperformed and caused publisher Warner Bros. to suffer a loss of $200 million. Last year, reportedly, the developer laid off its staff members, with the QA department decreasing from 33 to 15 and some of the employees being let go at the end of 2024. Recently, the studio announced that Suicide Squad: Kill the Justice League would stop getting updated in 2025.Dont forget to join our 80 Level Talent platform and our new Discord server, follow us on Instagram, Twitter, LinkedIn, Telegram, TikTok, and Threads, where we share breakdowns, the latest news, awesome artworks, and more.Source link The post Suicide Squad & Batman Dev Rocksteady Might Be Working on a New Title appeared first on CG SHARES.

There is never a shortage of adventures to embark on in Infinity Nikki, which is one of the game's many aspects that its devoted player community has appreciated since its spectacularly successful launch in December 2024. While fashion is one of Nikki's biggest priorities during her journey across Miraland, there are other types of quests that test other skills as well, such as photography with Forced Perspective quests.

While Easter eggs are fairly common in gaming, Hideo Kojima is one of those developers fans can expect plenty of Easter eggs from in just about any game, regardless of its genre, tone, or relevance. The same goes for one of his most recent games, Death Stranding, which included a subtle reference to P.T., a legendary interactive demo intended as a teaser for a new installment in the Silent Hill franchise, Silent Hills. The project was ultimately canceled, but P.T.'s influence can still be felt in Death Stranding, and the same could eventually be said of its sequel, Death Stranding 2: On the Beach.