• We spent $320 on a boat tour at an oyster farm. The fresh seafood and bay views were incredible.
    www.businessinsider.com
    We arrived for the oyster farm tour at 4:30 p.m. on a Friday.I noticed tons of boats in the surrounding bay when we arrived at the farm. Alex Tzelnic The farm began harvesting oysters full-time in the early 2000s, and today, it supplies seafood for high-end restaurants around the country. The property we visited offers a raw bar and tours of the oyster farm.When my wife and I arrived, the outdoor patio was bustling, with patrons enjoying seafood and sipping drinks.I noticed Duxbury Bay, the surrounding body of water, was dotted with floating shellfish-processing shacks and boats.After we checked in for our 5 p.m. tour, a staff member invited us to get drinks at the bar and sit at one of the picnic tables reserved for tours while we waited for other members of our party.We started our tour at the farm's oyster hatchery.The oyster hatchery reminded me of a brewery. Alex Tzelnic At around 5 p.m., our tour guide led our group, which consisted of about a dozen guests, into the hatchery, a warehouse with various rooms for the different oyster growth stages.The giant tanks and industrial feel reminded me of being in a brewery. Our tour guide explained how free-swimming oyster larvae grow from the size of a speck of dust into the version of shellfish we can consume.She also said that throughout the different stages of development, the oysters progress to various locations outside the hatchery until they're ready to transition to the farm out in the bay.Next, we went upstairs, where we observed colorful tubes containing different varieties of algae. I felt like I was in Willy Wonka's chocolate factory (if he was obsessed with algae instead of candy).Next, we boarded the boat to learn about oyster shucking and enjoy the views.We cruised the bay area and enjoyed the beautiful water views. Alex Tzelnic For the second part of our visit, we went to the dock, where we were passed off to a boat captain and a different tour guide.We boarded a boat with two benches along the side of an open hull meaning the top of the boat wasn't covered by a roof and a wooden platform that served as a table.We spent the rest of the tour eating and drinking while shucking oysters.Staff members taught us how to shuck oysters. Alex Tzelnic This part of the tour is BYOB, and we came prepared, uncorking a few celebratory beverages as the sky to the west began to turn orange.As part of our tour, we were also presented with a buffet of fresh oysters to eat as we drank.Our captain and tour guide instructed us on how to shuck the oysters and told stories about farming shellfish as we dined.Cruising in the Duxbury Bay was my favorite part of the tour.We could see floating shellfish-processing stations from our boat. Alex Tzelnic As we shucked and chatted, the boat cruised through "oyster village," where the shellfish-processing shacks houses where everything is sorted, washed, counted, and bagged float atop the water.From the boat, we could see Clark's Island, a land mass in the bay named after John Clark, the first mate of the historic Mayflower. We could also see houses along the shore backlit by the setting sun.After about an hourlong boat ride, we were dropped back off on land.We had a great time, and I'd recommend the tour to any oyster enthusiasts on the East Coast.I think the experience was worth the money. Alex Tzelnic Ultimately, I think our visit to Island Creek Oysters was worth the $320.The hatchery was interesting, but the boat ride was the icing on the cake. It definitely served as a unique setting for eating oysters and drinking with our friends.Overall, it was an idyllic evening filled with tasty seafood and great vibes.
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  • TikTok's top music exec is leaving after helping turn a lip-syncing app into a music industry force
    www.businessinsider.com
    TikTok's top music executive, Ole Obermann, is leaving the company next month.Obermann helped transform TikTok into a force in the music industry.The exec's departure comes at a challenging moment for TikTok as it faces a US ban.Ole Obermann, the top music executive at TikTok, is leaving the company in March, a person familiar with the departure told Business Insider.Since joining the company in 2019, Obermann has helped TikTok expand from its roots as a lip-syncing app into a music industry power player.Obermann is the global head of music business development at TikTok and its owner, ByteDance. He oversees the company's long-term strategy for music, including rights negotiations. Obermann's team works on relationships with labels and independent artists, hosting live sessions with creators and working on licensing contracts. The news of Obermann's departure was first reported by Music Business Worldwide.Over the past few years, as TikTok has grown into a social media titan, the company has also left its mark on the music business, transforming music marketingand helping a wave of new artists get discovered.During Obermann's tenure, the company launched a variety of products and programs around music, including a dedicated music streaming app, an artist distribution platform called SoundOn, a SiriusXM channel, and a live music concert, TikTok in the Mix.Last year, Obermann also guided TikTok through a contract dispute with the major label Universal Music Group.The music exec previously servedHis departure comes at a tenuous moment for TikTok. The company has until April 5 to find a new owner for its US assets to comply with a law that requires its parent company, ByteDance, to divest or effectively cease operating in the country.Obermann did not immediately
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  • The Trump administration told a judge Elon Musk does not head DOGE. Huh?
    www.vox.com
    As Elon Musk has rampaged around the federal government for four weeks, canceling contracts and dismantling whole departments, hes claimed all the actions of his Department of Government Efficiency (DOGE) were maximally transparent.Yet theres been nothing transparent about the details of Musks actual job in the administration, which has been a murky mystery thats only deepened of late.For some time after Trump was sworn in, it was unclear whether Musk even was officially working for the government. Two weeks in, the administration confirmed he was indeed a special government employee, but declined to give further details.Late Monday, White House aide Joshua Fisher finally provided an answer of sorts. As part of court proceedings in a lawsuit, Fisher made a declaration about Musks role under penalty of perjury though that answer was rather curious.Fisher revealed that Musk is a White House senior adviser to the president with no greater authority than other senior White House advisers. That means, he continued, that Musk has no actual or formal authority to make government decisions himself. Musk can only advise the President and communicate the Presidents directives.But what about DOGE, which Trump established in the executive branch as the US DOGE Service? Well, Fisher said, Musk is not the head of the US DOGE Service, or even an employee of it. As for who does run it: the administration hasnt said.All this is, uh, strange. Trump announced in November that Musk would lead DOGE, and both Trump and Musk have certainly been presenting Musk as in charge of DOGE. But the administration is now claiming that, legally, on paper, he is not even though he obviously is.The pay no attention to that billionaire behind the curtain caginess likely is part of an effort to shield Musk from ethics and court scrutiny. It also serves to put his actions on firmer legal footing by claiming they fundamentally just amount to the president running the executive branch through Musk, his instrument. A defensible claim and a dubious oneIn the declaration, Fisher made two claims about Musks role one thats defensible, and one that seems far more dubious.The first claim is that Musk is a White House adviser accountable to the president and acting with his authority. This is the defensible claim.Every recent administration has had powerful White House aides who advise on policy and tell agencies what to do to some extent. Stephen Miller became informally known as the president of immigration in Trumps first term, because he told all the immigration-related agencies what to do. Other White House aides, like the national security adviser, play roles that involve both coordination of various agencies and direct setting of policy. And the chief of staff effectively helps manage the executive branch as a whole. Musk is essentially a very powerful White House adviser like these. He serves at the pleasure of the president and can be dismissed at any time. The reason hes been so effective at getting various agencies to do what he wants is because people perceive him correctly as acting with Trumps approval. (Elon cant do and wont do anything without our approval, Trump said two weeks ago. And well give him the approval where appropriate; where its not appropriate, we wont.)As Ive written, many of the policies advanced by DOGE are likely illegal, and there are questions about whether Musks appointment complies with ethics laws. But it seems extremely unlikely that the courts will declare it illegal for a president to have a very powerful White House adviser or to delegate substantial policymaking influence to such an adviser.DOGEs structure tries to make informal loyalty to Musk supersede loyalty to agenciesFishers second claim the much more questionable one is that Musk does not head DOGE or even work for it. This seems like a claim that is true on paper but quite misleading in practice.To understand how it can be true on paper, its worth understanding how DOGE works. Theres the US DOGE Service a rebranding of the previous US Digital Service in the Executive Office of the President. But there are also mini-DOGE teams being established inside every agency to go through their data, evaluate their personnel, and so on.According to the executive order that set up this structure, those mini-DOGE teams must coordinate with the main DOGE, but theyre actually employees of their respective agencies, meaning they formally report upward in those agencies.Informally, though, the mini-DOGE teams are being staffed with Musk allies who will want to work with him and do what he wants even if he is not technically their boss. The traditional saying about government is that where you stand depends on where you sit meaning, once someone works for an agency, they tend to see the world through the eyes of that agency, and start representing its interests. The mini-DOGE team setup is essentially an attempt to make appointees informal loyalty to the richest man in the world supersede any institutional considerations.So that is how Musk can run DOGE without actually officially heading DOGE. Technically, hes just advising them. Practically, his advice is not really optional. But ultimately, his authority stems from the president, and can be revoked by him.And yet theres something rather brazen about suggesting to a judge that Musk does not head an operation he is obviously heading. Judge Tanya Chutkan, who is overseeing the lawsuit in question, has not sounded eager to rein in DOGE just yet. But presented with a declaration so seemingly incomplete and evasive, she may well have some more questions.RelatedSee More: Politics
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  • 'Magic The Gathering x Final Fantasy set finally revealed and there goes my money'
    www.dailystar.co.uk
    Final Fantasy and Magic The Gathering's crossover set has finally been revealed, and as a fan of both properties it's perhaps better than I could ever have imaginedTech18:23, 18 Feb 2025Cloud helms the FF7 deck, but will Sephiroth be in there too?(Image: Wizards of the Coast/Square Enix)Magic The Gathering feels like it's been growing since that big Lord of the Rings set a couple of Summers back, but its next 'Universes Beyond' set might be its most ambitious in a while.We've had crossovers from sister franchise Dungeons and Dragons, Warhammer 40,000, Transformers, Doctor Who and more, with gaming crossovers including Assassin's Creed, Fallout, and even Fortnite.Next up, it's Final Fantasy, and it feels like Wizards of the Coast is really going for it here a "Limit Break" if you will. Here's all we know about the set, including those all-important Commander Decks and set mechanics.I'm curious to see how Wizards works in MMO-like mechanics to the FF14 deck(Image: Wizards of the Coast/Square Enix)We knew the set was coming, sure, but a lot of it has been under wraps. Now, Wizards of the Coast and Square Enix have finally pulled back the curtain.Firstly, the set will launch on June 13, with every single mainline Final Fantasy entry represented. That means from the first game in 1987, through the seminal trifecta of PS1 entries, all the way to the modern day with the MMO Final Fantasy 14 and the PS5 and PC epic Final Fantasy 16, you can expect to see protagonists, villains, Summons, and more.Speaking of Summons, they'll be represented with a new card type called Saga Creatures. Here's what Wizards of the Coast had to say via a press release:"Call the summons for aid in battle, and they enter with a single lore counter, granting you an immediate effect. But work to end the game quickly, because they only stay around for a few turns!"Double-Faced Cards return, too, and are intended to convey the moment a boss battle evolves into a second phase and your opponent transforms. There are more mechanics planned, but we'll have to wait until May for those.Prepare to proliferate a lot of counters(Image: Wizards of the Coast/Square Enix)As a big fan of Commander, I'm particularly excited about the four preconstructed decks coming. I've not told my wife I'm looking to order the whole set yet, but hey, it's better to ask for forgiveness rather than permission (maybe).As a huge Final Fantasy 7 fan, Limit Break looked great. It stars Cloud, Ex-SOLDIER, and focuses on equipping weapons to buff character power, in Naya colours (Red, Green, White).Final Fantasy 14's Commander Deck, Scions & Spellcraft, is all about casting non-creature spells to do big damage. It's in Esper colours (White, Blue, Black), and is helmed by Y'shtola, Night's Blessed.Final Fantasy 6 is regarded by some as the best in the long-running series(Image: Wizards of the Coast/Square Enix)Revival Trance is the Final Fantasy 6 deck, and it utilises the Trance mechanic to give its Commander Terra, Herald of Hope, the Flying keyword and then return things from the graveyard. It's in Mardu colours (Red, White, Black).Finally, Blitzball star Tidus, Yuna's Guardian is here for the Final Fantasy 10 deck, which is all about creating counters and passing them around like a Blitzball. It's in Bant colours (Green, White, Blue).If you miss out on the Commander decks, many of the characters within will have alternative cards in the main set, too.Article continues belowPreorders are live now, but given how popular the set is likely to be, you'll want to move quickly.For more on Magic The Gathering, be sure to check out our preview of latest set, Aetherdrift, where we said "Aetherdrift is Magic The Gathering meets Mario Kart and I can't wait to play".For the latest breaking news and stories from across the globe from the Daily Star, sign up for our newsletters.
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  • Odds of Asteroid Hitting Earth in 2032 Climb Again as Impact Probability Hits New Peak
    gizmodo.com
    By Isaac Schultz Published February 18, 2025 | Comments (0) | 2024 YR4 as seen by the European Southern Observatory's Very Large Telescope. Image: ESO/O. Hainaut et al. 2024 YR4 first caught astronomers eyes on December 27, 2024, and was marked as an asteroid that may hit Earth in eight years time. Now, the asteroids impact odds have reached their highest likelihood yet. The asteroid has a 1-in-32 chance of hitting Earth in 2032, according to the latest (and constantly updated) odds from NASAs Center for Near-Earth Object Studies Sentry tool. That translates to a 3.1% chance of Earth impactwhich of course also means a 96.9% chance that the rock misses our planet altogether. That number means both a lot and very little at the same time. It means a lot because the asteroid tops CNEOS impact probability chart, meaning the rocks cumulative likelihood of impact with Earth is the greatest compared to other closely watched asteroids. NASA is constantly remodeling the asteroids impact likelihoodas well as that of many other Potentially Hazardous Asteroids, or PHAs, flying through space. On January 28, 2024 YRs impact odds were 1-in-83, or 1.2%. That number charted up and, by early February, the rock had a 1-in-63 (1.58%) chance of hitting our world. On February 10, the odds jumped yet again, this time to a 1-in-45 chance, or a 2.2% chance of striking Earth. In response, NASA has scheduled some observation time with the Webb Space Telescope to further study the suddenly concerning asteroid. Its important to remember that, based on prior precedent, the odds of an asteroid impact often rise before they fall. We hope thats whats happening here. As Bruce Betts, The Planetary Societys chief scientist, explained to Gizmodo, more observations and modeling of the asteroid decrease uncertainty in its projected path. If Earth remains in that corridor of uncertainty, the odds of an impact rise. Only when the asteroids path can be predicted with such precision that Earth falls outside of the range will the odds plummet to zero after incrementally rising.As it stands, theres a nonzero chance that 2024 YR4 will hit Earth in seven years. Should that happen, the impact would be devastating on a local scale. The asteroids width is anywhere between 131 feet (40 meters) and 295 feet (90 m), so the destruction it could cause is similarly variable. Assuming the lower side of that range, an impacting asteroid would still cause devastation; NASA indicated the impact would produce about 8 megatons of energy, comparable to the Tunguska blast of 1908. According to the International Asteroid Warning Network, the impact risk corridor for the asteroid extends across the eastern Pacific Ocean, northern South America, the Atlantic Ocean, Africa, the Arabian Sea, and South Asia.A graphic showing the damage caused by asteroids of different sizes. Graphic: NASA 2024 YR4 is currently a 3 on the Torino Impact Hazard Scale, meaning it has 1% or greater chance of collision capable of localized destruction, CNEOS says, though Most likely, new telescopic observations will lead to re-assignment to Level 0. Despite the slim odds, its better to be prepared than not, and to have Earths telescopes continually monitor the object. The asteroid is currently heading away from Earth and wont swing by again until 2028 (note: there is no chance of impact in 2028). By April, the asteroid will likely be too faint for even the largest telescopes to observe, so time is of the essence. Astronomers are collecting as much data on the potentially hazardous rock as they can before that moment, knowing that once its out of sight, they wont have a chance to get more information for a few years. Astronomers need to gather refined estimates of 2024 YR4s precise orbital elements, velocity, spin, size, shape, rotation, and density, along with other key factors like its composition, surface properties, and how non-gravitational forcessuch as the Yarkovsky effectmight alter its trajectory.Several years ago, NASAs DART mission proved that scientists could change the trajectory of an asteroid. But theres no guarantee that such a trick can be repeatedand frankly, no one wants to be in a position where were forced to find out. Rest assured, scientists are working to determine the exact path of 2024 YR4. Once thats establishedand we (hopefully) confirm that Earth is almost certainly not at riskthen scientists can discuss next steps.Daily NewsletterYou May Also Like By Isaac Schultz Published February 17, 2025 By Isaac Schultz Published February 17, 2025 By Passant Rabie Published February 12, 2025 By Passant Rabie Published February 11, 2025 By Passant Rabie Published February 10, 2025 By Passant Rabie Published February 10, 2025
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  • Magic: The Gathering Lifts the Lid on Its Epic Final Fantasy Crossover
    gizmodo.com
    Magic: The Gathering has certainly become known for its crossoversa way to excite new fans while re-energizing existing ones, part of a popularity-assuring strategy that also includes an in-the-works Magic movie. With Lord of the Rings and Marvel collaborations hitting shelves in recent months (to name just a few; that Doctor Who one wasnt that long ago, either!), Magics latest is tapping into a fan base just as rabid as the rest: Final Fantasy. After a small tease last fall, were finally getting the full reveal of what to expect from Magic: The Gathering Final Fantasy when it arrives June 13. Heres a video shared today by Wizards of the Coast trumpeting the drop: A Wizards of the Coast press release underlined that the set features the largest collection of Final Fantasy artwork ever in a single game, drawing from across the franchise. Magic artists have brought moments from Final Fantasy to life in their own unique style while classic Final Fantasy art pieces make appearances on these epic cards. Fans will see their favorite stories, characters and moments from Final Fantasy depicted across Magic cards, with these icons of the series captured on over 100 legendary creature cards across the entire release.And if youre wondering if there are special features included with the release, well of course there are. According to Wizards, fans can look forward to Saga Creaturesplayers will be able to call the summons for aid in battle, as well as double-faced cards, spotlighting iconic Final Fantasy characters, minigames, story moments, and more. Wizards also teases more to come, including Secret Lair drops as well as a special holiday release. Magic: The Gathering Final Fantasy arrives June 13, and is now available for pre-order in stores and online. Heres a few more looks at just some of the cards that are part of the new crossover. Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Wizards of the Coast Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, whats next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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  • La Sal Pavilion / CHS+R arquitectos (Jos Rodrguez, Antonio Herrero y Juan Surez) + Carlos Montes
    www.archdaily.com
    La Sal Pavilion / CHS+R arquitectos (Jos Rodrguez, Antonio Herrero y Juan Surez) + Carlos MontesSave this picture! Fernando AldaAreaArea of this architecture projectArea:400 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:More SpecsLess SpecsSave this picture!Text description provided by the architects. The Baha de Cdiz Natural Park is one of the main coastal wetlands in Europe. The urban core of San Fernando is located within it. Unique for the diversity of its ecosystem, it contains a true labyrinth of dunes, channels, and marshes. Its coastline and landscape constitute one of the natural enclaves with the greatest heritage, architectural, and identity interest.Save this picture!As a catalyst, we propose a pavilion that aims to activate one of the most abundant and sustainable natural resources available in the park: salt. Its traditional uses coexist with multiple applications that can provide economic and social impetus. Based on the combination of new technologies and vernacular processes, they express the most interesting aspects of ancestral knowledge and the potential of digital tools.Save this picture!We use three materials: salt, wood, and steel. The accumulated salt forms the base. The wood serves as an interior delimiter and exterior continuity. The emerging element references the ancient metal structures used in the salt trade.Save this picture!This pavilion is a tool for social transformation in public space, linking what happens in the center with what occurs in its immediate surroundings.Save this picture!An upright element, a tower that allows us to glimpse the adjacent areas, the periphery, and connect with it. An emerging device, akin to the Tower of Hercules, a typology for understanding, discovering, and connecting with the environment. Revealing the salt pans, the system that structures them, channels, and estuaries, forming spaces that were and are opportunities for growth and development for their inhabitants, from a strictly sustainable perspective. Intervening with only water, sun, and wind.Save this picture!From the urban center, we emerge outward, toward the environment and its resources, addressing social and climatic issues transversely. Elevating vernacular values, traditional ways of life that are highly sustainable, alongside economic and social development. The interior of the pavilion becomes a knowledge space, and in its surroundings, multiple gatherings are organized.Save this picture!We have explored the natural crystallization process by developing salt panels that cover the tower. We use a base element, 100% recycled cast acrylic. Its surface is covered to enhance adhesion with a layer of bio-resin, applied manually, on which the salt, grown in the crystallizer of the salt pan, is poured, resulting in the most translucent crystal.Save this picture!Save this picture!The salt used to form the salt panels is collected manually by immersing fine fiberglass nets in the Crystallizer or Tajera (salt pan), where a crust of salt forms made up of crystals adhered to each other, creating a sort of ephemeral geode or perhaps not so ephemeral.Save this picture!From the extraction process, the nets used are also reused; after the salt is extracted, they are transformed into textiles with thousands of embedded crystals, creating a unique texture capable of covering any surface.Save this picture!Project gallerySee allShow lessAbout this officeCarlos MontesOfficePublished on February 18, 2025Cite: "La Sal Pavilion / CHS+R arquitectos (Jos Rodrguez, Antonio Herrero y Juan Surez) + Carlos Montes" [Pabelln La Sal / CHS+R arquitectos (Jos Rodrguez, Antonio Herrero y Juan Surez) + Carlos Montes] 18 Feb 2025. ArchDaily. Accessed . <https://www.archdaily.com/1027034/la-sal-pavilion-chs-plus-r-arquitectos-jose-rodriguez-antonio-herrero-y-juan-suarez-plus-carlos-montes&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream
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  • The evolution of sunglasses from science to style (and back again)
    www.popsci.com
    Model Muriel Maxwell in white sunglasses putting on lipstick in 1930 issue of Vogue.Image: Horst P. Horst/Conde Nast via Getty Images ShareYou throw them in your bag or keep them in your car. You buy them in bulk because theyre incredibly losable. You drive with them, walk with them, and play sports with them. And, of course, youve never thought about their origin story: Why would you? Theyre just an old, beat-up pair of aviators, classicRay-Bans, or maybe a glamorous cat eye. Theyre your sunglasses.But this everyday, ubiquitous piece of tech has a long history. Its taken centuries for this humble accessory to morph from Inuit snow goggles to medieval Chinese quartz lenses to 18th-century tinted glasses to todays sunnies. Innovations like UV protection and polarization helped drive their popularity, especially in the 20th century, as sunglasses became an essential tool for pilots, athletes, and anyone working outdoors. Hollywood elites also embraced shades, cementing them as the ultimate accouterment of effortless cool.Design historian Vanessa Brown, a senior lecturer at Nottingham Trent University and author of Cool Shades: The History and Meaning of Sunglasses, says its difficult to point to the origin of sunglasses without first defining what sunglasses are. Are they something that you put in front of your eyes to shield you from the sun? Or are they something made of glass, something that stays on you, and something which is only designed to shield your eyes from the sun as opposed to [enhancing] problematic vision?The earliest known eyewear designed to protect against the sun likely originated in the ancient Arctic. For thousands of years, Inuit and Yupik people wore goggles made of bone, driftwood, and walrus ivory with tiny eye slits to prevent snow blindness.Inuit snow goggles. Credit: Julian IdroboCC BY-SA 2.0 Another early example of sunglasses can be traced to 12th-century China, where medieval judges wore smoky quartz lenses to conceal facial expressions during hearings. These mineral lenses were also used as vision aids, beginning a long history of tinted lenses being used to improve visual perception. [The early history of sunglasses comes out of the history of corrective lenses, says Jessica Glasscock, a fashion historian at Parsons School of Design and author of Making a Spectacle: A Fashionable History of Glasses.Some of the earliest European corrective lenses can be traced to 13th-century Venice, Italy Europes glass-making capital. The first spectacles generally had tinted glass in them, says Brown. People often think that theyre sunglasses, but actually theyre corrective glasses.It wasnt until around 1750 that tinted eyewear specifically designed to block the sun was created. Developed in Venice, these green-tinted glass lenses were set in tortoiseshell frames and widely used by gondoliers. Playwright and librettist Carlo Goldoni famously wore them, and the glasses became known as Goldoni glasses.Whats surprising about Goldoni glasses, says Brown, is that they arrived at a style that was really so modern, down to the still-ubiquitous tortoiseshell frames.Around this time, interest in glasses began to soar, says Glasscock: They became high-tech accessories in the 18th century. There were eye preservers, glasses with blue-tinted lenses thought to relax the wearer. There was the polemoscope, or jealousy glass, that let 18th-century aristocrats spy on people beyond their eye line.Eye Preservers. Image: SSPL/Getty Images Science & Society Picture LibrarThe industrial revolution spurred the development of other useful eyewear, such as railroad glasses. The metal-framed glass lenses came in shades of gray, green, blue, and amber, and helped protect eyes from wind, dust, and light.Railroad glasses. This pair of eyeglasses date from about 1850. Image: National Museum of American History Hugh TalmanBy the early 20th century, sunglasses really started catching on. Early examples were initially developed for driving, flying these aggressive, hyper-masculine, industrial sports of the early 20th century, says Glasscock. This association with sports and innovation helped distinguish sunglasses from corrective lenses, which had long been linked to visual impairment and, by extension, physical weakness. As Glasscock succinctly puts it, You have to have good eyes to fly. The connection between sunglasses and athleticism gave shades a new cultural cachet: Sunglasses started becoming cool.The 20th century also saw several key innovations in sunglasses. In the early 1900s, Rodenstock, a German eyewear manufacturer, developed tinted lenses that shielded eyes from harmful UV light. A few decades later, in the 1930s, American inventor Edwin Land created polarized lenses, which helped reduce glare. Polarization quickly became a selling point for the eyewear as it started to be mass-produced, says Glasscock.Over the next few decades, sunglasses were everywhere. By the late 1920s, sunglasses were already being sold in large quantities, says Brown. A decade later, a story published in a 1939 issue of Popular Science proclaimed that a craze for gaily colored sunglasses swept the country last year and is booming again. By 1948, The Optical Practitioner reported that most people owned a pair of sunglasses.Part of the reason sunglasses took off so quickly was their association with flying and heroism. In the 1930s, the U.S. military developed specialized polarized sunglasses known as aviators. The now-iconic sunglass style was modeled off of early, teardrop-shaped pilot goggles. During the interwar period, [aviators] were associated with just flying. But with World War II, they take on this heroic image, says Glasscock. When they began hitting department store shelves, suddenly everyone could feel like a hero in their own aviators.F.W. Hunter, Army Test Pilot, Douglas Aircraft Company, Long Beach, California, USA, Alfred T. Palmer for Office of War Information, October 1942. Image: GHI/Universal Images Group via Getty Images Circa ImagesIn the early 20th century, sunglasses also became a necessary accessory for Hollywood elites. Here were all these glamorous people who were in the desert sun or under literal hot white [film] lights, says Glasscock, and they could use sunglasses. As photos of film stars began to proliferate in movie fan magazines like Photoplay, everyday people took note of their shades and wanted a pair. Sunglasses became a way for everyday people to embody an easy Hollywood cool factor.Bette Davis, sitting in a directors chair in the desert, holds a cigarette and plays in the sand with her foot during a break in 1941. Image: Gene Lester/Getty Images Gene LesterThe allure of sunglasses hasnt ebbed since, and today they remain a wardrobe staple. The fact that sunglasses have retained their cool factor through the decades is not normal, says Brown. It goes beyond the fact that theyre a useful tool. It rains a lot, but umbrellas arent always cool, jokes Brown.In a world that so often demands us to be on display and prove our worth, sunglasses offer a rare escapethey invite us to step outside, soak up the sun, and just be. No explanation needed. Just by putting them on, were cool.
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  • Gruesome bear fights once entertained Elizabethan England
    www.popsci.com
    Londons Globe Theatre, first built in 1599, served as the Elizabethan eras artistic and cultural hub. But for every play written by William Shakespeare for the stage, the citys surrounding Bankside region often hosted grislier events known as animal-baiting matches. Although banned today, the blood sport that pit dogs against other speciesmost notably bearsremained an immensely popular form of entertainment for over a century.Contextualizing the practice can help historians better understand important facets of British life during Shakespeares time. But bears werent only used for baiting, so its not as simple as looking for skeletal remains underneath the city. Researchers recently analyzed nine Elizabethan era archeological sites across Londons Bankside entertainment district to document a new way to locate, study, and identify bear-baiting evidence.Their new interdisciplinary model is detailed in the journal Antiquity. Researchers undertook the work as part of an ongoing, government-funded project called Box Office Bears: Animal Baiting in Early Modern England. Relying on historical archives, stable isotopic analysis of bones, and other zooarcheological evidence, the team could confidently determine where and when handlers housed bears for baiting near so-called bear gardens.Its a hugely unpleasant topic, but understanding baiting is critical to understanding performance in Shakespeares England, Hannah ORegan, a study co-author and professor of archeology and paleoecology at the University of Nottingham, said in a statement on February 17.Unlike at dramatic playhouses such as the Globe, bear gardens also featured archeological assemblages dominated by dog and [horse] remains. The dogs typically ranged between 2-3 years in age, and generally fell within a limited size range. That said, they were much larger than the eras hunting dogs, and stood as high as 31.5 inches at the shouldercomparable to a modern Great Dane.This size of dog was uncommon across England at the time, suggesting these big dogs known as mastiffs were particularly used for baiting, added Lizzie Wright, a study co-author and a professor in the University of Yorks archeology department. Get the Popular Science newsletter By signing up you agree to our Terms of Service and Privacy Policy.These dogs often displayed signs of survivable trauma, including fractures to the cranium and ribs. The horses, meanwhile, were generally older animals whose gnawed bones indicated they were used as food for both the dogs and bears.As for the bears, age also served as a telltale sign for their use. None of the bears surveyed by researchers were under four years old. But since the animals were generally captured while cubs, that left a lot of time before they began fighting.According to researchers, it likely came down to money. Despite the deadly baiting matches, bears werent necessarily expendablehandlers paid large sums to import the animals from overseas, and trained them for multiple entertainment roles throughout their lives. Its possible that during the first few years of their lives, these bears were used in plays or in popular dancing performances.The ethical and artistic implications of a Shakespearean stage play versus a bear-baiting match may seem stark today, but ORegan cautioned that Elizabethan audiences saw little distinction at the time.The people who went to watch King Lear and Hamlet, would also have popped into the arenas to see a baiting, she said. They saw no difference between the practices, and indeed baiting terminology, and even the bears themselves are threaded throughout early modern plays.Whats more, social stigma against animal fighting events didnt develop until comparatively recently. Although Londons formal arena baiting matches mainly took place between 1540-1682, the practice was not officially banned in England until 1835.
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  • A human gene makes mice squeak differently did it contribute to language?
    www.nature.com
    Nature, Published online: 18 February 2025; doi:10.1038/d41586-025-00518-0A gene variant present in most people might have contributed to cognitive differences between humans and their closest relatives.
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