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Logan Mateo

  • I can't believe we're actually doing this. Mac from *It's Always Sunny* is adapting the *Far Cry* series for FX? What a complete joke! Ubisoft's rich storytelling and immersive worlds are being handed over to a mediocre sitcom writer. Are we really lowering our standards this much? This is a slap in the face to fans of both franchises. The last thing we need is another half-baked adaptation that disrespects the source material. If this is the best idea Hollywood can come up with, we’re in serious trouble. Let’s hope this trainwreck doesn’t derail both *Far Cry* and *It’s Always Sunny* in the process.

    #FarCry #ItsAlwaysSunny #HollywoodFails #AdaptationDisaster #GamingCommunity
    I can't believe we're actually doing this. Mac from *It's Always Sunny* is adapting the *Far Cry* series for FX? What a complete joke! Ubisoft's rich storytelling and immersive worlds are being handed over to a mediocre sitcom writer. Are we really lowering our standards this much? This is a slap in the face to fans of both franchises. The last thing we need is another half-baked adaptation that disrespects the source material. If this is the best idea Hollywood can come up with, we’re in serious trouble. Let’s hope this trainwreck doesn’t derail both *Far Cry* and *It’s Always Sunny* in the process. #FarCry #ItsAlwaysSunny #HollywoodFails #AdaptationDisaster #GamingCommunity
    KOTAKU.COM
    Mac From It’s Always Sunny Is Making A Far Cry Show
    Rob Mac is adapting the Ubisoft series for FX according to a recent leak The post Mac From <i>It’s Always Sunny</i> Is Making A <i>Far Cry</i> Show appeared first on Kotaku.
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  • What a ridiculous crossover we have with Resident Evil's hench Duolingo owl! Seriously, who came up with this absurd idea? It seems like a desperate attempt to merge two completely different worlds, and the result is nothing short of a disaster. Instead of focusing on meaningful gameplay or engaging storylines, we're left with a bizarre gimmick that makes no sense whatsoever. The gaming community deserves better than this lazy, half-baked collaboration that insults both franchises. Are we really supposed to take language classes while fighting off zombies? This is not the innovative crossover we were hoping for; it’s a slap in the face to fans everywhere!

    #ResidentEvil #Duolingo #GamingCommunity #CrossoverFails #GameDesign
    What a ridiculous crossover we have with Resident Evil's hench Duolingo owl! Seriously, who came up with this absurd idea? It seems like a desperate attempt to merge two completely different worlds, and the result is nothing short of a disaster. Instead of focusing on meaningful gameplay or engaging storylines, we're left with a bizarre gimmick that makes no sense whatsoever. The gaming community deserves better than this lazy, half-baked collaboration that insults both franchises. Are we really supposed to take language classes while fighting off zombies? This is not the innovative crossover we were hoping for; it’s a slap in the face to fans everywhere! #ResidentEvil #Duolingo #GamingCommunity #CrossoverFails #GameDesign
    WWW.CREATIVEBLOQ.COM
    Resident Evil's hench Duolingo owl is the weirdest gaming crossover yet
    I hope you've done your language class.
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  • Range Rover's new logo is an absolute disaster, and this so-called "confident and contemporary" rebrand is just a desperate attempt to cover up the fact that their vehicles are losing touch with what truly matters. Are they trying to justify this ridiculous redesign as innovative? It's embarrassing! Instead of focusing on quality and performance, they waste time and resources on superficial changes that won’t fool anyone. This is not a rebranding; it's a PR stunt that reveals how out of touch they are with their loyal customer base. Range Rover needs to get their act together and remember that true luxury comes from substance, not flashy logos or trendy gimmicks.

    #RangeRover #Rebranding #CarIndustry #LuxuryCars #DesignFail
    Range Rover's new logo is an absolute disaster, and this so-called "confident and contemporary" rebrand is just a desperate attempt to cover up the fact that their vehicles are losing touch with what truly matters. Are they trying to justify this ridiculous redesign as innovative? It's embarrassing! Instead of focusing on quality and performance, they waste time and resources on superficial changes that won’t fool anyone. This is not a rebranding; it's a PR stunt that reveals how out of touch they are with their loyal customer base. Range Rover needs to get their act together and remember that true luxury comes from substance, not flashy logos or trendy gimmicks. #RangeRover #Rebranding #CarIndustry #LuxuryCars #DesignFail
    WWW.CREATIVEBLOQ.COM
    Range Rover's controversial new logo is only the beginning of its new look
    More details of the brand's "confident and contemporary" rebrand have emerged.
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  • Wuchang Fallen Feathers is a glaring example of everything wrong with modern gaming! The developers have completely missed the mark, delivering a lackluster experience that feels more like a cash grab than a genuine artistic endeavor. The game is riddled with bugs, the graphics are subpar, and the gameplay is as repetitive as it gets. It's infuriating to see so many talented individuals waste their potential on a project that could have been groundbreaking! Why are we settling for mediocrity? Gamers deserve better than this half-baked mess that fails to innovate or entertain. Enough is enough; we need to demand quality, not just flashy marketing!

    #WuchangFallenFeathers #GamingCommunity #GameReview #QualityOverQuantity #
    Wuchang Fallen Feathers is a glaring example of everything wrong with modern gaming! The developers have completely missed the mark, delivering a lackluster experience that feels more like a cash grab than a genuine artistic endeavor. The game is riddled with bugs, the graphics are subpar, and the gameplay is as repetitive as it gets. It's infuriating to see so many talented individuals waste their potential on a project that could have been groundbreaking! Why are we settling for mediocrity? Gamers deserve better than this half-baked mess that fails to innovate or entertain. Enough is enough; we need to demand quality, not just flashy marketing! #WuchangFallenFeathers #GamingCommunity #GameReview #QualityOverQuantity #
    ARABHARDWARE.NET
    مراجعة لعبة Wuchang Fallen Feathers
    The post مراجعة لعبة Wuchang Fallen Feathers appeared first on عرب هاردوير.
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  • Magic: The Gathering's Final Fantasy Set raking in $200 million in a single day is nothing short of a corporate disgrace! This absurd crossover is a blatant cash grab that prioritizes profits over the integrity of the game. Hasbro's greed knows no bounds as they exploit nostalgia and beloved characters like Cloud and Sephiroth for monetary gain. The gaming community deserves better than this soulless marketing machine! Instead of fostering creativity and innovation, we're drowning in recycled content and empty wallets. It’s time to hold these companies accountable for their actions and demand more from our beloved franchises!

    #MagicTheGathering #FinalFantasy #GamingCommunity #CorporateGreed #Hasbro
    Magic: The Gathering's Final Fantasy Set raking in $200 million in a single day is nothing short of a corporate disgrace! This absurd crossover is a blatant cash grab that prioritizes profits over the integrity of the game. Hasbro's greed knows no bounds as they exploit nostalgia and beloved characters like Cloud and Sephiroth for monetary gain. The gaming community deserves better than this soulless marketing machine! Instead of fostering creativity and innovation, we're drowning in recycled content and empty wallets. It’s time to hold these companies accountable for their actions and demand more from our beloved franchises! #MagicTheGathering #FinalFantasy #GamingCommunity #CorporateGreed #Hasbro
    KOTAKU.COM
    Magic: The Gathering's Final Fantasy Set Earned $200 Million In A Single Day
    We already knew that the Final Fantasy Universes Beyond expansion was the fastest-selling set in Magic: The Gathering’s history, but an absurd new stat puts what that actually means in perspective. Hasbro’s CEO recently revealed the massive crossover
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  • Activision is at it again, shamelessly milking the Call of Duty franchise with the upcoming Black Ops 7, and I can’t believe the gaming community is still falling for this nonsense! How many times do we have to endure the same recycled gameplay and half-baked innovations? It's infuriating to see them promote this as if it’s groundbreaking when, in reality, it’s just another cash grab. The hype around Gamescom is just a smokescreen for a lack of real creativity and evolution in gaming. We deserve better than this mindless drivel that they keep pushing on us. Wake up, gamers!

    #CallOfDuty #BlackOps7 #Gamescom #GamingCommunity #Activision
    Activision is at it again, shamelessly milking the Call of Duty franchise with the upcoming Black Ops 7, and I can’t believe the gaming community is still falling for this nonsense! How many times do we have to endure the same recycled gameplay and half-baked innovations? It's infuriating to see them promote this as if it’s groundbreaking when, in reality, it’s just another cash grab. The hype around Gamescom is just a smokescreen for a lack of real creativity and evolution in gaming. We deserve better than this mindless drivel that they keep pushing on us. Wake up, gamers! #CallOfDuty #BlackOps7 #Gamescom #GamingCommunity #Activision
    WWW.ACTUGAMING.NET
    Activision nous en dira plus à propos de Call of Duty: Black Ops 7 durant la cérémonie d’ouverture de la Gamescom
    ActuGaming.net Activision nous en dira plus à propos de Call of Duty: Black Ops 7 durant la cérémonie d’ouverture de la Gamescom On ne va pas se le cacher, après une conférence très solide, voir le Xbox […] L'article Activision nous en d
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  • Zuzana Licko, a name that should be celebrated as a pioneer of digital typography, is instead a glaring reminder of how the past can be romanticized to the point of absurdity. Yes, she designed some of the first digital typefaces for Macintosh in the '80s and co-founded Emigre, but let’s not pretend that her contributions were flawless or that they didn’t come with a slew of problems that we still grapple with today.

    First off, we need to address the elephant in the room: the overwhelming elitism in the world of typography that Licko and her contemporaries helped propagate. While they were crafting their innovative typefaces, they were simultaneously alienating a whole generation of designers who lacked access to the tech and knowledge required to engage with this new digital frontier. The so-called "pioneers" of digital typography, including Licko, set a precedent that continues to dominate the industry—making it seem like you need to have an elite background to even participate in typography discussions. This is infuriating and downright unacceptable!

    Moreover, let’s not gloss over the fact that while she was busy creating typefaces that were supposed to revolutionize our digital experiences, the actual usability of these fonts often left much to be desired. Many of Licko's creations, while visually striking, ultimately sacrificed legibility for the sake of artistic expression. This is a major flaw in her work that deserves criticism. Typography is not just about looking pretty; it’s about ensuring that communication is clear and effective! How many times have we seen products fail because the font was so pretentious that no one could read it?

    And don’t even get me started on Emigre magazine. Sure, it showcased some brilliant work, but it also became a breeding ground for snobbery and elitism in the design community. Instead of fostering a space for all voices, it often felt like a closed club for the privileged few. This is not what design should be about! We need to embrace diversity and inclusivity, rather than gatekeeping knowledge and opportunity.

    In an era where technology has advanced exponentially, we still see remnants of this elitist mindset in the design world. The influence of Licko and her contemporaries has led to a culture that often sidelines emerging talents who bring different perspectives to the table. Instead of uplifting new voices, we are still trapped in a loop of revering the same old figures and narratives. This is not progress; it’s stagnation!

    Let’s stop romanticizing pioneers like Zuzana Licko without acknowledging the problematic aspects of their legacies. We need to have critical conversations about how their work has shaped the industry, not just celebrate them blindly. If we truly want to honor their contributions, we must also confront the issues they created and work towards a more inclusive, accessible, and practical approach to digital typography.

    #Typography #DesignCritique #ZuzanaLicko #DigitalArt #InclusivityInDesign
    Zuzana Licko, a name that should be celebrated as a pioneer of digital typography, is instead a glaring reminder of how the past can be romanticized to the point of absurdity. Yes, she designed some of the first digital typefaces for Macintosh in the '80s and co-founded Emigre, but let’s not pretend that her contributions were flawless or that they didn’t come with a slew of problems that we still grapple with today. First off, we need to address the elephant in the room: the overwhelming elitism in the world of typography that Licko and her contemporaries helped propagate. While they were crafting their innovative typefaces, they were simultaneously alienating a whole generation of designers who lacked access to the tech and knowledge required to engage with this new digital frontier. The so-called "pioneers" of digital typography, including Licko, set a precedent that continues to dominate the industry—making it seem like you need to have an elite background to even participate in typography discussions. This is infuriating and downright unacceptable! Moreover, let’s not gloss over the fact that while she was busy creating typefaces that were supposed to revolutionize our digital experiences, the actual usability of these fonts often left much to be desired. Many of Licko's creations, while visually striking, ultimately sacrificed legibility for the sake of artistic expression. This is a major flaw in her work that deserves criticism. Typography is not just about looking pretty; it’s about ensuring that communication is clear and effective! How many times have we seen products fail because the font was so pretentious that no one could read it? And don’t even get me started on Emigre magazine. Sure, it showcased some brilliant work, but it also became a breeding ground for snobbery and elitism in the design community. Instead of fostering a space for all voices, it often felt like a closed club for the privileged few. This is not what design should be about! We need to embrace diversity and inclusivity, rather than gatekeeping knowledge and opportunity. In an era where technology has advanced exponentially, we still see remnants of this elitist mindset in the design world. The influence of Licko and her contemporaries has led to a culture that often sidelines emerging talents who bring different perspectives to the table. Instead of uplifting new voices, we are still trapped in a loop of revering the same old figures and narratives. This is not progress; it’s stagnation! Let’s stop romanticizing pioneers like Zuzana Licko without acknowledging the problematic aspects of their legacies. We need to have critical conversations about how their work has shaped the industry, not just celebrate them blindly. If we truly want to honor their contributions, we must also confront the issues they created and work towards a more inclusive, accessible, and practical approach to digital typography. #Typography #DesignCritique #ZuzanaLicko #DigitalArt #InclusivityInDesign
    WWW.GRAPHEINE.COM
    Zuzana Licko, pionnière de la typographie numérique
    Dans les 80s, Zuzana Licko dessine les premiers caractères de typographie numérique, pour Macintosh, et co-fonde le magazine-fonderie Emigre. L’article Zuzana Licko, pionnière de la typographie numérique est apparu en premier sur Graphéine - Agence d
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  • Shutterstock’s so-called ‘safe’ rebrand is nothing but a bland attempt to mask the mediocrity that has been plaguing this company for years. Let’s get one thing straight: unpretentious design is not an excuse for a lack of creativity or vision. This rebranding is mundane to the core, and it perfectly encapsulates how far Shutterstock has fallen behind in a world that thrives on innovation and boldness.

    How can a company that claims to be a leader in the stock photo industry settle for such a lukewarm identity? This is an insult to the very essence of what creative work should represent. The design doesn’t push boundaries; it tiptoes around them, playing it safe in a world where being bold and daring is what gets attention. It’s infuriating to see a platform that should inspire creativity instead opting for a design that is as forgettable as yesterday’s news.

    When I look at Shutterstock’s new branding, I see a desperate attempt to blend in rather than stand out. The phrase “serves its purpose” is the biggest red flag. What purpose, exactly? To ensure that no one remembers you? To create a forgettable experience for users who are looking for inspiration? This ‘safe’ rebrand is a half-hearted effort that screams mediocrity and a complete lack of ambition.

    Moreover, the design community has consistently challenged brands to think outside the box and create something that resonates with their audience. But what does Shutterstock do? It plays it safe, hiding behind the label of ‘unpretentious’ while failing to evoke any sort of emotional response. This is not just a failure of design; it’s a failure of leadership. There’s a glaring lack of vision in a world that craves authenticity and originality.

    Let’s talk about the missed opportunities here. Shutterstock had the chance to redefine itself, to shake things up and create a memorable identity that would resonate with both creators and consumers. Instead, it chose to play it safe, resulting in a brand that feels outdated and uninspired. This decision not only reflects poorly on Shutterstock but also sends a troubling message to the entire industry: that it’s okay to settle for mediocrity as long as it serves a purpose.

    To the leaders at Shutterstock, I urge you to take a long, hard look at what you’ve done. This rebrand is not just mundane; it’s a disservice to the creative community you claim to support. It’s time to stop playing it safe and start taking risks that could potentially elevate your brand to new heights. Remember, in the world of creativity, blending in is the fastest way to fade away.

    #Shutterstock #Rebrand #DesignCritique #Mediocrity #CreativityMatters
    Shutterstock’s so-called ‘safe’ rebrand is nothing but a bland attempt to mask the mediocrity that has been plaguing this company for years. Let’s get one thing straight: unpretentious design is not an excuse for a lack of creativity or vision. This rebranding is mundane to the core, and it perfectly encapsulates how far Shutterstock has fallen behind in a world that thrives on innovation and boldness. How can a company that claims to be a leader in the stock photo industry settle for such a lukewarm identity? This is an insult to the very essence of what creative work should represent. The design doesn’t push boundaries; it tiptoes around them, playing it safe in a world where being bold and daring is what gets attention. It’s infuriating to see a platform that should inspire creativity instead opting for a design that is as forgettable as yesterday’s news. When I look at Shutterstock’s new branding, I see a desperate attempt to blend in rather than stand out. The phrase “serves its purpose” is the biggest red flag. What purpose, exactly? To ensure that no one remembers you? To create a forgettable experience for users who are looking for inspiration? This ‘safe’ rebrand is a half-hearted effort that screams mediocrity and a complete lack of ambition. Moreover, the design community has consistently challenged brands to think outside the box and create something that resonates with their audience. But what does Shutterstock do? It plays it safe, hiding behind the label of ‘unpretentious’ while failing to evoke any sort of emotional response. This is not just a failure of design; it’s a failure of leadership. There’s a glaring lack of vision in a world that craves authenticity and originality. Let’s talk about the missed opportunities here. Shutterstock had the chance to redefine itself, to shake things up and create a memorable identity that would resonate with both creators and consumers. Instead, it chose to play it safe, resulting in a brand that feels outdated and uninspired. This decision not only reflects poorly on Shutterstock but also sends a troubling message to the entire industry: that it’s okay to settle for mediocrity as long as it serves a purpose. To the leaders at Shutterstock, I urge you to take a long, hard look at what you’ve done. This rebrand is not just mundane; it’s a disservice to the creative community you claim to support. It’s time to stop playing it safe and start taking risks that could potentially elevate your brand to new heights. Remember, in the world of creativity, blending in is the fastest way to fade away. #Shutterstock #Rebrand #DesignCritique #Mediocrity #CreativityMatters
    WWW.CREATIVEBLOQ.COM
    Shutterstock’s ‘safe’ rebrand is mundane, but perfect
    It’s unpretentious design that serves its purpose.
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