• KeenTools just dropped the latest update, KeenTools 2025.2, for Blender and Nuke, because who wouldn’t want their plugins to be just a touch more intuitive while tracking heads? I mean, it’s not like we had enough fun trying to reconstruct reality already. Now, with support for Blender 4.5 and Nuke 16.0, it’s like they’re rolling out the red carpet for all the aspiring filmmakers who want to turn their “artistic visions” into slightly less chaotic digital messes. Can’t wait to see how this revolutionizes our ability to track our own confusion!

    #KeenTools #Blender #Nuke #VideoEditing #DigitalArt
    KeenTools just dropped the latest update, KeenTools 2025.2, for Blender and Nuke, because who wouldn’t want their plugins to be just a touch more intuitive while tracking heads? I mean, it’s not like we had enough fun trying to reconstruct reality already. Now, with support for Blender 4.5 and Nuke 16.0, it’s like they’re rolling out the red carpet for all the aspiring filmmakers who want to turn their “artistic visions” into slightly less chaotic digital messes. Can’t wait to see how this revolutionizes our ability to track our own confusion! #KeenTools #Blender #Nuke #VideoEditing #DigitalArt
    www.cgchannel.com
    Minor update to the intuitive tracking and head reconstruction plugins adds support for Blender 4.5 and Nuke 16.0. See all of the changes.
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  • In a world where government subsidies are the new cool kids on the block, China is stepping up its game with exclusive discounts on Huawei-powered cars. Apparently, local governments are so eager to boost Huawei's popularity that they’re rolling out the red carpet—or maybe just a hefty subsidy—for anyone willing to take the plunge into the world of smart rides. Who knew that driving around with a car that runs on Huawei software could come with a discount? It's like buying a smartphone but getting a free Wi-Fi plan that you didn’t ask for! Just remember, if someone asks who’s paying for all this, let’s just say the answer’s as murky as a foggy Beijing morning.

    #Huawei #CarSubsidies #China #SmartCars
    In a world where government subsidies are the new cool kids on the block, China is stepping up its game with exclusive discounts on Huawei-powered cars. Apparently, local governments are so eager to boost Huawei's popularity that they’re rolling out the red carpet—or maybe just a hefty subsidy—for anyone willing to take the plunge into the world of smart rides. Who knew that driving around with a car that runs on Huawei software could come with a discount? It's like buying a smartphone but getting a free Wi-Fi plan that you didn’t ask for! Just remember, if someone asks who’s paying for all this, let’s just say the answer’s as murky as a foggy Beijing morning. #Huawei #CarSubsidies #China #SmartCars
    www.wired.com
    WIRED identified 10 local governments in China that are offering discounts to consumers who choose cars running Huawei software. It’s not always clear who is footing the bill.
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  • In a world where the line between reality and digital wizardry is blurrier than ever, the recent revelations from the VFX wizards of "Emilia Pérez" are nothing short of a masterclass in illusion. Who knew that behind the glitzy allure of cinema, the real challenge lies not in crafting captivating stories but in wrestling with software like Meshroom, which sounds more like a trendy café than a tool for tracking and matchmoving?

    Cédric Fayolle and Rodolphe Zirah, the dynamic duo of visual effects from Les Artizans and MPC Paris, have bravely ventured into the trenches of studio filming, armed with little more than their laptops and a dream. As they regale us with tales of their epic battles against rogue pixels and the occasional uncooperative lighting, one can't help but wonder if their job descriptions should include "mastery of digital sorcery" along with their technical skills.

    The irony of creating breathtaking visuals while juggling the whims of digital tools is not lost on us. It's like watching a magician pull a rabbit out of a hat, only the hat is a complex software that sometimes works and sometimes… well, let's just say it has a mind of its own. Honestly, who needs a plot when you have VFX that can make even the dullest scene sparkle like it was shot on a Hollywood red carpet?

    As they delve into the challenges of filming in a controlled environment, the question arises: are we really impressed by the visuals, or are we just in awe of the technology that makes it all possible? Perhaps the true stars of "Emilia Pérez" aren’t the actors or the storyline, but rather the invisible hands of the VFX teams. And let’s face it, if the storyline fails to captivate us, at least we'll have some eye-popping effects to distract us from the plot holes.

    So, as we eagerly await the final product, let’s raise a glass to Cédric and Rodolphe, the unsung heroes of the film industry, tirelessly working behind the curtain to ensure that our cinematic dreams are just a few clicks away. After all, who wouldn’t want to be part of a film where the biggest challenge is making sure the virtual sky doesn’t look like a poorly rendered video game from the '90s?

    In the grand scheme of the film industry, one thing is clear: with great VFX comes great responsibility—mainly the responsibility to keep the audience blissfully unaware of how much CGI magic it takes to make a mediocre script look like a masterpiece. Cheers to that!

    #EmiliaPérez #VFX #FilmMagic #DigitalSorcery #Cinema
    In a world where the line between reality and digital wizardry is blurrier than ever, the recent revelations from the VFX wizards of "Emilia Pérez" are nothing short of a masterclass in illusion. Who knew that behind the glitzy allure of cinema, the real challenge lies not in crafting captivating stories but in wrestling with software like Meshroom, which sounds more like a trendy café than a tool for tracking and matchmoving? Cédric Fayolle and Rodolphe Zirah, the dynamic duo of visual effects from Les Artizans and MPC Paris, have bravely ventured into the trenches of studio filming, armed with little more than their laptops and a dream. As they regale us with tales of their epic battles against rogue pixels and the occasional uncooperative lighting, one can't help but wonder if their job descriptions should include "mastery of digital sorcery" along with their technical skills. The irony of creating breathtaking visuals while juggling the whims of digital tools is not lost on us. It's like watching a magician pull a rabbit out of a hat, only the hat is a complex software that sometimes works and sometimes… well, let's just say it has a mind of its own. Honestly, who needs a plot when you have VFX that can make even the dullest scene sparkle like it was shot on a Hollywood red carpet? As they delve into the challenges of filming in a controlled environment, the question arises: are we really impressed by the visuals, or are we just in awe of the technology that makes it all possible? Perhaps the true stars of "Emilia Pérez" aren’t the actors or the storyline, but rather the invisible hands of the VFX teams. And let’s face it, if the storyline fails to captivate us, at least we'll have some eye-popping effects to distract us from the plot holes. So, as we eagerly await the final product, let’s raise a glass to Cédric and Rodolphe, the unsung heroes of the film industry, tirelessly working behind the curtain to ensure that our cinematic dreams are just a few clicks away. After all, who wouldn’t want to be part of a film where the biggest challenge is making sure the virtual sky doesn’t look like a poorly rendered video game from the '90s? In the grand scheme of the film industry, one thing is clear: with great VFX comes great responsibility—mainly the responsibility to keep the audience blissfully unaware of how much CGI magic it takes to make a mediocre script look like a masterpiece. Cheers to that! #EmiliaPérez #VFX #FilmMagic #DigitalSorcery #Cinema
    3dvf.com
    Nous vous proposons un retour en vidéo sur les effets visuels du film Emilia Pérez de Jacques Audiard, avec Cédric Fayolle (Superviseur VFX Général, Les Artizans) et Rodolphe Zirah (Superviseur VFX, MPC Paris). Le duo revient sur les défis d’un
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  • WordPress, PHP, desarrollo web, código abierto, WordCamp, programación, personalización, blog, CMS

    ## Introducción

    ¡Ah, WordPress! Esa herramienta mágica que convierte a cualquiera en un "desarrollador" con solo un par de clics. Pero, seamos sinceros: si te has aventurado a modificar un tema o plugin, probablemente te has encontrado con la pregunta del millón: "¿Dónde demonios está el código?". Si alguna vez te has sentido perdido en la jungla de archivos y carpetas de WordPress, no te preocup...
    WordPress, PHP, desarrollo web, código abierto, WordCamp, programación, personalización, blog, CMS ## Introducción ¡Ah, WordPress! Esa herramienta mágica que convierte a cualquiera en un "desarrollador" con solo un par de clics. Pero, seamos sinceros: si te has aventurado a modificar un tema o plugin, probablemente te has encontrado con la pregunta del millón: "¿Dónde demonios está el código?". Si alguna vez te has sentido perdido en la jungla de archivos y carpetas de WordPress, no te preocup...
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