What the new wave of new AI design and dev tools, — Bolt, V0, Lovable, and Figma Make — mean for the future of software design.Prompt by the author, image generated by Sora.This article builds on reflections I shared last July in The expanded scope and blurring boundaries of AI-powered design, outlining what’s changed in a short time, and what it means for those designing software and leading design teams.Like many others, I’ve been exploring tools like Bolt, Lovable, V0, and most recently Figma Make, looking at how they are changing the way we build software today, and what that means for the future. For those who may not know, these tools are part of a new wave of AI-powered design and development platforms that aim to speed up how we go from prompt to prototype, automating front-end code, generating UI from prompts, and bridging the gap between design and engineering. Bolt is now the second fastest-growing product in history, just behind ChatGPT.While the AI hype hasn’t slowed since ChatGPT’s launch, it’s quickly becoming apparent that these tools represent a step change, one that is rapidly reshaping how we work, and how software gets built.A example of the Bolt.new UI interfaceThis shift didn’t start with AIEven before the recent explosion of AI tooling, design teams have been evolving their approach and expanding their scope of impact. Products like Figma enabled more fluid communication and cross-disciplinary collaboration, while design systems and front-end frameworks like Material, Tailwind, Radix and other libraries helped codify and systematise best practices for visual design, interaction an accessibility.This enabled designers to spend more time thinking about the broader systems, increasing iteration cycles — and less time debating padding. While such tools and frameworks helped to elevate the baseline user experience for many products, in enterprise SaaS in particular, they have had their share of criticism from the resulting sea of sameness that they generated. AI tools are now accelerating and amplifying some of the consequences, both positive and negative. These products represent not just a tooling upgrade, but a shift in what design is, who does it, and how teams are built.Design has evolved from the design of objects, both physical and immaterial, to the design of systems, to the design of complex adaptive systems. The evolution is shifting the role of designers; they are no longer the central planner but rather participants within the systems they exist in. This is a fundamental shift — one that requires a new set of values— Joi Ito, MIT Media Lab (Jan 2016)What AI tools are making possibleThis new wave of AI tools can generate high-quality UIs from a prompt, screenshot, or Figma frame. Work that once required a multidisciplinary team and weeks of effort — from concept to coded prototype — can now happen in a matter of hours. Best practices are baked in. Layouts are responsive by default. Interaction logic is defined in a sentence. Even connecting to real data is no longer a blocker, it’s part of the flow.Lovable, one of the many new AI design and full-stack development tools launched recentlyThese tools differ from popular IDE-based assistants like Cursor, Copilot and Windsurf in both purpose and level of abstraction. UI-based tools like Bolt automate many of the more complex and often intimidating parts of the developer workflows; spinning up environments, scaffolding projects, managing dependencies, and deploying apps. That makes sense, given that many of them were built by hosting platforms such as Vercel and Replit.With this new speed and ease of use, designers don’t need to wait on engineers to see how something feels in practice. They can test ideas with higher fidelity faster, explore more variations, and evolve the experience in tight feedback loops.Figma Make: Start with a design and prompt your way to a functional prototype, fast — all in Figma.This shift has also given rise to what some are calling ‘Vibe coding’, a term coined by Andrej Karpathy, that captures this expressive, real-time way of building software. Instead of following a strict spec or writing code line by line, you start with a vibe or loose concept, and use these tools to sculpt the idea into something functional. You prompt, tweak, adjust components, and refine until it feels right. It’s intuitive, fast, and fluid.There’s a new kind of coding I call “vibe coding”, where you fully give in to the vibes, embrace exponentials, and forget that the code even exists. It’s possible because the LLMs (e.g. Cursor Composer w Sonnet) are getting too good.— Andrej KarpathyIn this new paradigm, the output isn’t just faster, it’s driven by rapid judgement and intuition, not necessarily depth of technical experience. In addition, the barrier to entry for non-designers to explore ideas has lowered too. Now that anyone can create compelling, usable apps with front-end and back-end logic, what does that mean for design?I would love to say that this means more time spent on outcomes and higher-impact work for designers, but it’s more likely to disrupt the foundations of what it means to be a designer. The boundaries between the classic product triad of design, engineering and product management were already blurring but this looks like it will accelerate even more.We are in the middle of a significant industry shift, we’re heading into a period of rapid, unpredictable change.. While testing some of these new AI tools, I have had several ‘oh shit’ moments where I get a sense of how things might evolve…. this is what copywriters and others in similar writing roles must have felt when ChatGPT first came out.The author, while vibe coding (image via Giphy)What this might mean for designAs UI generation becomes commoditized, the value of design shifts upstream. With that, the scope of what is expected from design will shift. Future designs team are likely to be smaller, and more embedded in product strategy. As companies grow, design functions won’t necessarily need bigger design teams, they will need higher-leverage ones.Meanwhile, designers and engineers will work more closely together — not through handoff, but through shared tools and live collaboration. In enterprise environments in particular, much of the engineering work is not so much about zero-to-one implementation but about working within and around established technical constraints. As front-end becomes commoditized, engineers will shift their focus further upstream to establishing strong technical foundations and systems for teams to build from.From years of experience to mindsetSome worry this shift will reduce opportunities for junior designers. It’s true there may be fewer entry-level roles focused on production work. But AI-native designers entering the field now may have an edge over seasoned professionals who are tied to traditional methods.In an AI-driven world, knowing the “right” design process won’t matter as much. Technical skills, domain expertise and a strong craft will still help, but what really counts is getting results — regardless of how you get there.The greatest danger in times of turbulence is not the turbulence, it is to act with yesterday’s logic— Peter DruckerMindset will matter more than experience. Those who adapt fast and use AI to learn new domains quickly will stand out. We are already starting to see this unfold. Tobi Lutke, CEO of Shopify recently stated that AI usage is now a baseline expectation at Shopfiy. He went even further, starting that “Before asking for more headcount and resources, teams must demonstrate why they cannot get what they want done using AI”.This demonstrates that adaptability and AI fluency are becoming core expectations. In this new landscape, titles and years of experience will matter less. Designers who can leverage AI as a force multiplier will outpace and outshine those relying on traditional workflows or rigid processes.Speed isn’t everythingNote that I didn’t use the word taste, which many now describe as critical in the AI era. I cringe a little when I hear it — taste feels vague and subjective, often tied to the ‘I’ll know it when I see it’ mindset the design industry has been trying to shake off for years. While I get the intent, I prefer to describe this as judgment: the ability to make calls informed by experience and grounded in clear intent, shared principles, and a solid grasp of user and technical context — not personal preference or aesthetic instinct. When you can create infinite variations almost instantly, judgment is what helps you identify what’s truly distinct, useful and worth refining.What does this mean for designing within enterprise environmentsI lead the design team at DataRobot, a platform that helps AI builders create and manage agentic, generative and predictive workflows within large enterprises. We’ve been exploring how AI tools can augment design and development across the org.Screens from the DataRobot AI platformWhile these tools are great for initial ideation, this is often only a small part of the work in enterprise environments. Here, the reality is more complex: teams work within deeply established workflows, technical frameworks, and products with large surface areas.This differs from consumer design, where teams often have more freedom to invent patterns and push visual boundaries. Enterprise design is about reliability, scalability, and trust. It means navigating legacy systems, aligning with highly technical stakeholders, and ensuring consistency across a broad suite of tools.For us, one of the clearest use cases for AI tooling has been accelerating early-stage concepting and customer validation. While most of our focus is on providing infrastructure to build and manage AI models, we’ve recently expanded into custom AI apps, tailored for specialized workflows across a broad range of industries and verticals. The number of UI variants we would need to support is simply too vast for traditional design processes to cover.Some examples of DataRobot applications — both production and concept.In the past, this would have meant manually designing multiple static iterations and getting feedback based on static mocks. Now, AI tools let us spin up tailored interfaces, with dynamic UI elements tailored for different industries and customer contexts, while adhering to our design system and following best practices for accessibility. Customers get to try something close to the real output and we get better signal earlier in the cycle, reducing wasted effort and resources.In this context, the strict frameworks used by tools like V0 (like Tailwind) are an advantage. They provide guardrails, meaning you need to go out of your way to create a bad experience. It’s early days, but this is helping non-designers in particular to get early-stage validation with customers and prospects.This means the role of the design team is to provide the framework for others to execute, creating prompt guides that codify our design system and visual language, so that outputs remain on brand. Then we step in deeper after direction is validated. In effect, we’re shifting from execution to enablement. Design is being democratized. That’s a good thing, as long as we set the frame.Beyond the baselineAI has raised the baseline. That helps with speed and early validation, but it won’t help you break new ground. Generative tools are by their nature derivative.When everything trends toward average, we need new ways to raise the ceiling. Leadership in this context means knowing when to push beyond the baseline, shaping a distinct point of view grounded in reality and underpinned by strong principles. That point of view should be shaped through deep cross-functional collaboration, with a clear understanding of strategy, user needs, and the broader market.In a world where AI makes it easier than ever to build software, design is becoming more essential and more powerful. It’s craft, quality, and point of view that makes a product stand out and be loved.— Dylan FieldWhat to focus on nowFor individual contributors or those just starting out, it can feel daunting and difficult to know where to start:Start experimenting: Don’t wait for the perfect course, permission or excuse. Just jump in and run small tests. See how you can replicate previous briefs (or current briefs in parallel) in order to get a feel for where they excel and where they break.Look for leverage: Don’t just use these tools to move faster — use them to think differently. How might you explore more directions, test ideas earlier, or involve others upstream?Contribute to the system: Consider how you might codify what works to improve patterns, prompts, or workflows. This is increasingly where high-impact work will live.If you’re leading a design team:Design the system, not just the UI: Build the tools, patterns, and prompts that others can use to move fast.Codify best practices: Think how you might translate tribal knowledge into actionable context and principles, for both internal teams and AI systems.Exercise (your) judgement: Train your team to recognize good from average in the context of your product. Establish a shared language for what good means in your context, and how you might elevate your baseline.Final thoughtsThe UI layer is becoming automated. That doesn’t make design less important — it makes it more critical. Now everyone can ship something decent, but only a great team can ship something exceptional.AI might handle the pixels, but it’s just a tool. Design’s purpose is clearer than ever: understanding users, shaping systems, and delivering better outcomes. AI tools should amplify our capabilities, not make us complacent. This means that while we integrate them into our workflows, we must continue to sharpen our core skills. What Paul Graham said about writing applies equally to design.When you lose the ability to write, you also lose some of your ability to think— Paul GrahamThis article was written with the assistance of ChatGPT 4o.John Moriarty leads the design team at DataRobot, an enterprise AI platform that helps AI practitioners to build, govern and operate predictive and generative AI models. Before this, he worked in Accenture, HMH and Design Partners.Design in the age of vibes was originally published in UX Collective on Medium, where people are continuing the conversation by highlighting and responding to this story.

Disney has officially begun its year-long celebration of Disneyland’s 70th anniversary and they invited us to preview all of the festivities it has planned throughout Summer 2026, and this guide will provide you with everything you need to know about the entertainment, food and beverages, merch, and more.From the return of Paint the Night to new retro food items to a Disneyland Key that will unlock surprises all across the park, there’s a lot to look forward to when planning a trip to the park. Below, you will find the twelve things you need to know about Disneyland's 70th anniversary, and we'd love to hear what you are most excited about!1. Paint the Night Is Back With Elsa, Anna, and Over One Million LED LightsThe return of Paint the Night, the fan-favorite nighttime parade that first debuted for Disneyland’s 60th anniversary, has perhaps received the most buzz in the lead-up to the celebrations of the park’s 70th. The parade’s initial run ended in 2016 and is now back with over one million LED lights, the return of Frozen’s Anna and Elsa, and more.2. Disneyland is More Affordable Thanks to Limited-Time 70th Anniversary Ticket and Disneyland Hotel Offers For those hoping to make a trip to Disneyland for its 70th anniversary celebrations, Disney is offering a few deals to make the trip a little more manageable. Guests will be able to purchase a multi-day theme park ticket for as low $360 with a special 3-day, 1-park per day ticket. There will also be an option to get a 4-day, 1-park per day ticket for as low as $400. These tickets will be good for May 16 - August 14 and they don’t need to be used on consecutive days.For those looking to stay on property, guests will be able to save up to 20% on select stays at the Disneyland Hotel between May 16 and August 14. This will also give them the chance to check out how the Disneyland Hotel is celebrating its own 70th anniversary as well, as the hotel will have special decorations, themed in-room celebrations, unique beverages, and more.Staying at a Disneyland Resort will also put guests just steps away from Downtown Disney, which is dressed up for the occasion. Alongside 70th anniversary medallions placed around the area with favorite Disney characters that are great photo spots and other decorations, the path to Disneyland and Disney California Adventure will continue to offer all of its many food and shopping experiences.3. World of Color Happiness! - A New Version of the Disney California Adventure Water Show Featuring Inside OutWorld of Color Happiness! is the big new nighttime spectacular for Disney California Adventure, and it is actually the seventh version of World of Color since its debut in 2010. This show is all about celebrating happiness with over one million water fountains and projections, and it takes inspiration from Walt Disney’s words from Disneyland’s opening day park dedication, “To all who come to this happy place… welcome!” Inside Out’s emotions are front-and-center in World of Color Happiness!, with Joy and the other emotions making up parts of the logo. Guests will be able to help alter the story of World of Color Happiness! and can vote on whether Sadness, Anger, Disgust, or Envy are featured in various scenes on the Disneyland app. World of Color Happiness! also features a brand new pre-show with The Muppets, who also happen to be celebrating their 70th anniversary this year. As for the music, highlights include Boyz II Men, who recorded a special rendition of ‘Rainbow Connection,’ and FITZ, who recorded a new original song called ‘Makes Me Wanna Move.’Check out our thoughts on 2023’s World of Color - ONE for Disneyland’s 100th anniversary, another very impressive and emotional show 4. Wondrous Journeys Celebrates Over 60 Walt Disney Animation Studios Films With Fireworks, Projections, and MusicDisneyland’s nighttime spectacular Wondrous Journeys, which first debuted for Disney’s 100th anniversary, is back for Disneyland’s 70th. This show celebrates over 60 films in Walt Disney Animation Studio’s catalog and, as Disney puts it, “illustrates the possibilities, excitement, heartache, and determination we all face when working to make our dreams come true.”Wondrous Journeys is pretty much the same as it was, but it remains a favorite nighttime spectacular for fans of all ages. It’s also a show that is slightly different depending on where you are in Disneyland, as Main Street, U.S.A., Sleeping Beauty Castle, Rivers of America, and the façade of it’s a small world all offer unique experiences and moments.Check out our thoughts on Wondrous Journeys in my Disney 100th Anniversary Guide, but this is a must-see show that is filled with so much heart, emotion, and truly special moments.5. Better Together: A Pixar Pals Celebration! Shines a Spotlight on the Importance of Friendship with Toy Story, Coco, and MoreBetter Together: A Pixar Pals Celebration! is another returning parade that’s getting a new run for Disneyland’s 70th and it features many fan-favorite characters from beloved Pixar films like Toy Story, The Incredibles, Turning Red, Luca, Soul, Coco, Inside Out, Monsters, Inc., and Up.The show is nearly identical to what it was when it debuted during Pixar Fest 2024, and it’s just as fun and still carries the same message. “This parade wants to honor and celebrate the more recent films that Pixar produced where you feel like there are characters who feel lesser than… like they don’t belong,” Susana Tubert, creative director at Disney Live Entertainment, told us. “And through these friendships, they're upheld, they're celebrated, and they're accepted. And that's the message that we want this parade to share with our guests - that it's okay to be you, that you can bring your authentic self to Disneyland, and at the end of the day, we're better together.”6. Tapestry of Happiness Brings a Special Projection Show to it’s a small world that Celebrates Disneyland’s Pastit’s a small world’s Tapestry of Happiness was the big surprise during the entire Disneyland 70th Anniversary Media Preview. For roughly five minutes, this show transforms the façade of it’s a small world with projection effects and music and celebrates the history of Disneyland in such a beautiful way.The whole show is inspired by Disney Legend Mary Blair, who was responsible for the timeless design of it’s a small world, and many of Disneyland’s biggest attractions and shows get their time to shine, including Pirates of the Caribbean, the Main Street Electrical Parade, the Enchanted Tiki Room, Tiana’s Bayou Adventure, and many more. It’s made even more special as the songs from those experiences are woven into The Jonas Brothers’ ‘Celebrate Happy’ Disneyland 70th Anniversary theme song, and it’s really just the best. That's not all for it's a small world after all, as Coco's Miguel and Dante have been added to the attraction just in time for the 70th anniversary. Additionally, a brand-new verse from the late Richard M. Sherman will be added to it's a small world on July 17.7. The Celebrate Happy Cavalcade at Disneyland Stars Duffy and ShellieMayGoing into this 70th Anniversary Media Preview, we were perhaps most excited to take a look at The Celebrate Happy Cavalcade led by Duffy and ShellieMay. For those unfamiliar, Duffy was first designed as the “Disney Bear” in 2002 for Disney World’s Disney Springs, but he proved to not be very popular.However, Tokyo Disney Resort took the idea and gave him a name - Duffy - alongside a story, friends like ShellieMay, and so much more, and it proved to be a great decision. He is very popular overseas, and now he and ShellieMay get a chance to shine stateside along other Disney favorites in a smaller parade that is still so worth a watch.8. Disney Jr. Mickey Mouse Clubhouse Live! Is the Perfect Place to Take Your Kids For Some Dancing and FunDisney Jr. Mickey Mouse Clubhouse Live! is another pleasant surprise aimed at younger guests and encourages them to get up and dance and sing with Mickey and his friends. This time around, Mickey and Minnie are trying to find Goofy, Daisy, and Pluto as they are missing from their party, and we get to visit each of their differently themed houses (two of which come with bubbles and fake snow!) for a fun adventure.The music is fun and upbeat, and it will undoubtedly be a great place to escape the heat for a few moments and let kids get some energy out with some of their favorite characters!9. Disneyland 70th Merch, Led by the Disneyland Key, Is a Celebration of Today and YesterdayAs with any big milestone at a Disney Park, there is a ton of new merch available for guests to celebrate with. For Disneyland’s 70th, the team at Disney wanted to not only celebrate this momentous occasion in 2025, but also honor the past. However, the item that has garnered the most buzz during the preview was the Disneyland Key.This interactive key is now available and allows guests to “unlock magic” in all of the nine lands in Disneyland. There is one lock not-so-hidden in each land and there is a keyhole that fits the key perfectly. Each one does something special when unlocked, including playing music and showing lights and more, and it also adds that land’s icon to your key.When you unlock each one - and don’t worry, you don’t have to do this all on one trip as it will save your progress - you can head to the Mickey Topiary Finale lock by the entrance of the park to unlock the final surprise. After you put the key in the lock and some bubbles fly to the sky in celebration, a secret compartment in the key will unlock with one of nine commemorative trading pins inside. These pins represent the lands of Disneyland and are just a fun way to celebrate you accomplishing your quest. Disneyland 70th Anniversary MerchYou can check all the 70th Anniversary merch offerings in the slideshow above and with the link right here.10. Disneyland Food and Drinks Offer a Window Back in Time With a Delicious TwistOne of the best things to do at a Disney Park is try out all of the new food and drink offerings made available with a festival or big event, and the 70th anniversary is no exception. There are over 70 items to try during this year-long celebration, and they’re a mix of new delights and dishes inspired by Disneyland’s past. What Chef Steven Medina and the team are doing with Disneyland’s 70th is very special, as the team really wanted guests to get a glimpse of what it was like when the gates opened for the first time. For example, there’s a Banana Split and a plate of Apple Pancake Rolls that guests can try that are recreations of actual items that were available on Disneyland’s first day.Disneyland 70th Anniversary Food and DrinksAs for the new offerings, these are new spins on beloved favorite treats like the 70th Celebration Churro. This twist on the park classic matches the purples, and blues, and pinks of the anniversary and features an ube sugar coating, marbled blue raspberry drizzle, and sprinkles.You can check out the 70th anniversary food offerings in the slideshow above and right here!11. Toy Story Midway Mania!, Carthay Circle, Downtown Disney, and Much MoreThere really is a ton of things to do and experience for Disneyland's 70th anniversary, and I wanted to highlight a few others to look out for, including a new glow up for Toy Story Midway Mania! This attraction at Disney California Adventure now features a ton of 70th anniversary stickers that Andy has put up that net you bonus points when you hit them. It's a very fun addition that adds some flair to the well-known attraction.Also in DCA, Celebrate Happy: A Little Bit of Magic Every Night will illuminate the outside of Carthay Circle with lights, projections, and a special visit from Tinker Bell, and Animation Courtyard (which is one of my favorite places in all of Disneyland) now features Encanto, Coco, Soul, The Princess and the Frog, Zootopia, and Moana. For those with MagicBand+, there will be special Disneyland 70th anniversary interaction points that will all do something fun, including those at Jungle Cruise and Frontierland that print out actual tickets that commemmorate this milestone. 12. Walt Disney - A Magical Life and More Experiences to ComeWhile the celebrations for Disneyland’s 70th begin on May 16, the actual anniversary won’t happen until July 17, which is also the same day Walt Disney - A Magical Life will make its big debut. This will be the first time Walt Disney will become an Audio-Animatronic and will welcome guests into his office to hear about his story.We recently had the chance to go to Imagineering to learn more about this project, and you can read all about how Disney is bringing Walt back to life. This experience will open alongside an Evolution of a Dream exhibit that features many items from Walt’s past and another that celebrates the history of Disney’s cast members.For more, check out our story of how a century of Disney Magic began and our list of the 25 best Disney animated movies of all time.Adam Bankhurst is a writer for IGN. You can follow him on X/Twitter @AdamBankhurst,Instagram, and TikTok, and listen to his show, Talking Disney Magic.

Image: Nintendo LifeAssuming the postie doesn't deprive us on launch day, we're less than three weeks away from having a brand new Nintendo console in our hands! This 24th edition of the Nintendo Life Mailbox will be the final spread with the original Switch as Nintendo's flagship console! Yes, we've been rifling through our inbox and publishing select contents in our monthly letters page for a whole two years now, and we'll be back next month with an entirely different console sitting on the desk. And, presumably, a whole pile of Switch 2-related correspondence to sort through. It's a busy time in Nintendo land, so let's crack on. Got something you want to get off your chest? We're ready and waiting to read about your game-related ponderings. Each month we’ll highlight a Star Letter, the writer of which will receive a month’s subscription to our ad-free Supporter scheme. Check out the submission guidelines at the bottom of this page. Let's sit back with a warm beverage and go through our dispatch box... Nintendo Life Mailbox - May 2025 "Smells like...electronic...raspberries." — Image: Zion Grassl / Nintendo Life "for those who want it" (***STAR LETTER***) What are your thoughts on the innovations of Switch 2 in relation to generations past? Nintendo's gimmicks have historically proven to be hit and miss, but I see a shift ever since the Switch launched in 2017. Sure, it still had the IR sensor but hybrid gaming and gyro aiming (which technically already existed, but Switch established it as a mainstay) were legitimate forward progressions, and Switch 2 seems to offer even more legitimate innovation with both gameshare and mouse mode. I foresee both of these features becoming permanent fixtures in future consoles, and much like gyro aiming, changing the way we engage with video games. I truly believe mouse mode is something gamers will never want to give up once they've experienced it's benefits (especially since, unlike innovations of yesteryear, it doesn't replace the traditional experience, it merely enhances it as an option for those who want it). Thoughts? JaxonH More and different ways to play are exciting, especially if they're built into the hardware. For me, Drag x Drive was one of the highlights of the Switch 2 event at the start of April. I'm all for mouse mode options, whether they're cute and complementary or integral to a game, but it's on Nintendo to make it indispensable. The tech is certainly cheap enough to integrate into any Joy-Con-style controller from now on. I'm not convinced it's going to fundamentally change how we approach gaming, though. Will Mouse Mode be comfortable for multiple hours? They work like mice, sure, but ergonomically, that's not their main function. I also remember thinking every pad would have a built-in pointer after the Wiimote. It's affordable, intuitive tech, so why not include that option? And yet we live in a world where the Xbox pad still doesn't have gyro. - Ed. "out of the running" I recently finished Ace Attorney Investigations 2 on Switch, and wow, what a ride! I’m so happy it finally got localized for the West, even if it did take 13 years. Got me thinking about other games that haven’t seen the light of day outside Japan. Yes, there are some obvious frontrunners like Mother 3 and Dragon Quest 10 that I’m sure we all would love to see get localized, but I’m talking more about lesser-known gems. As a big fan of adventure games, that new Tokimeki Memorial remaster caught my eye, but unfortunately I’m no Japanese speaker at this stage, so I guess that puts me out of the running for now. I’m also still waiting for Yo-kai Watch 4, as well as my pipe dream Starfy 1-4 localizations… How about you all? Any Japan-exclusives you’ve been eager to see come West? BandeeOfTheStars I wrote a little feature back in 2020 on the subject, and looking at it now, I'd probably take Marvelous above anything else at this stage. I've never gotten around to playing the fan patch. Team? - Ed. "I'd love to see Square's last Super Famicom game, Treasure of the Rudras, get a rerelease. I've heard so many good things about the creativity of this one, but at this point, given the complicated magic system, this might be an impossible dream." - Alana "I’ll go for Fire Emblem: New Mystery of the Emblem. We’ve missed out on a lot of Fire Emblem games in the West, but this 2010 DS remake not coming our way always stings the most. The series is big enough now that surely Intelligent Systems could get away with releasing a bundle, right?" - Jim Image: Zion Grassl / Nintendo Life Nintendo games that never officially left Japan Forever with you; never with us "special kudos" Is Nintendo Life planning to do full/short reviews to Switch 2 Edition games? It would be great to decide which upgrades are worth it. Congratulations to all on the Switch 2 news coverage with special kudos to Alex, Felix and Zion! Love to watch their discussion videos. RenanKJ Thank you, Renan - I've passed on the message to the video chaps! One sent me a teary-eyed smiling emoji as a reply. Yes, we will be reviewing all the major NS2 Editions, with the upgrades and additions being the main focus (the original Switch reviews will still be there for reference). Whether they'll be full or mini will be a case-by-case thing. - Ed. "mildly disappointed" Hi, I am mildly disappointed in the game chat feature for Switch 2 because I normally play games alone, with friends in person, or on the NintendoLife discord; Plus, it records you. So, I'll probably never use it. But, since they're bringing back Download Play, which is my favorite feature, they should bring back another DS feature PictoChat. OswaldTheLuckyGamer It's a strange one - ever since writing a little thing about GameChat, the idea has been slowly growing on me, despite news that it's hogging system resources and, you know, it's just video chat. We'll see how it works, but I do have plans to conduct NL staff meetings over GameChat. Moderating anatomically exaggerated doodles is something Nintendo never wants to do again, so I don't see Pictochat returning. But StreetPass is the (3)DS feature we really need, Oswald. StreetPass! - Ed. Image: Zion Grassl / Nintendo Life "that big playtest thing" With all the leaks and news of lawsuits coming out I just thought about one thing: Whatever happened to that big playtest thing everyone had to be quiet about or face the Ninty ninja's? I actually never saw footage of it, so I'm guessing it never truly leaked? What do you guys think about it now that we have the new system in our paws soon? What was it made for, did we already see that or is something still in the works? garfreek Testing it on Switch 1 suggests it will be a cross-platform thing, whatever it ends up being. There was nothing in it that suggested the power of Switch 2 was needed to realise its ultimate potential. It'll be coming. Whether anybody's really bothered is the bigger question. - Ed. Bonus Letters "Regarding a potential Switch 2 Lite, Nintendo has not officially announced such a version." - Trinny G This is true. Aside: If you're in the market for a brand-new Switch Lite, now's the time to be looking for a bargain! - Ed. "I think we’re all missing the true potential of the Switch 2 microphone: Odama 2" - Munchlax Pff. It's panpipe time. - Ed. Image: Nintendo Life That's all for this month! Thanks to everyone who wrote in, whether you were featured above or not. Got something you'd like to get off your chest? A burning question you need answered? A correction you can't contain? Follow the instructions below, then, and we look forward to rifling through your missives. Nintendo Life Mailbox submission advice and guidelines Letters, not essays, please - Bear in mind that your letter may appear on the site, and 1000 words ruminating on the Legend of Heroes series and asking Alana for her personal ranking isn't likely to make the cut. Short and sweet is the order of the day. (If you're after a general guide, 100-200 words would be ample for most topics.) Don't go crazy with multiple correspondences - Ideally, just the one letter a month, please! Don't be disheartened if your letter doesn't appear in the monthly article - We anticipate a substantial inbox, and we'll only be able to highlight a handful every month. So if your particular letter isn't chosen for the article, please don't get disheartened! How to send a Letter to the Nintendo Life Mailbox Head to Nintendo Life's Contact page and select the subject "Reader Letters" from the drop-down menu (it's already done for you in the link above). Type your name, email, and beautifully crafted letter into the appropriate box, hit send, and boom — you're done! Advert Free Share:0 1 Gavin first wrote for Nintendo Life in 2018 before joining the site full-time the following year, rising through the ranks to become Editor. He can currently be found squashed beneath a Switch backlog the size of Normandy. Hold on there, you need to login to post a comment...

I’ve tested a lot of gear over the years, from laptops to smart rings to the kind of random tech accessories that get buried in drawers. But out of all of it, there are just a few items I keep reaching for over and over again. There is no method to the madness in terms of the type of accessories, but just know that they work. These are non-Apple tech products I rely on every day. Be sure to check out our hands-on video below! Logitech Anywhere 3S/2S This is my longest-tenured product and the product that sparked this idea. I have tried so many different mice for my Mac and iPad, and I continue to come back to Logitech’s Anywhere mouse. The one I have is the 2S version that I purchased back in 2018. So, I have used this mouse every day for over seven years, and it is still going strong. Since 2018, they have released the 3S version, but the main difference is that the new version charges via USB-C, and it has double the DPI, going from 4000 to 8000 for better accuracy. But I have never been in a situation where my 2S is inaccurate. The Anywhere 2S is still on sale for just under $50, and the 3S is just under $80. Both great options that will last you a decade (if not more). Both can connect to three different devices at once and a charge last up to 6 months. ShiftCam accessories I use my iPhone for video and photography. While the iPhone 16 Pro Max video is great in its own right, I wanted to upgrade the camera a bit without actually getting a new camera. So I got myself a 60mm telephoto lens to help with the natural blur, and man, was I impressed. Go ahead and watch some of our recent videos, and you can see how much better the background is blurred versus me as the subject. They don’t just make lenses; they also make many other videography equipment for your iPhone, from MagSafe light attachments to camera grips to mounting gear and so much more. If you need to level up your iPhone photography, these are the way to go. Nomad is known for making some fantastic high-quality accessories: from their slim charging series, to their Horween leather, to their beloved Apple Watch bands. Earlier this year, they released their universal cable with built-in Apple Watch charging. I’ll be honest, I thought at first it was a bit over the top. But now its something that I never leave the house without when it comes to charging on the go. You get: 100W USB-C PD cable Apple Watch Fast Charger Kevlar reinforcement Electroplated metal connectors 1.5m length Integrated cable tie USB 2.0 data transfer speeds It’s high quality, simple, to the point, and smart charges. So it knows which direction to charge depending on what device needs power from the post. UltraHuman Smart Ring This product deserves its own full review, but I wanted to mention it here briefly. I love gamifying my health and tracking my wellness data. I had always been intrigued by the ring form factor versus a watch, especially for sleep tracking. I love my Apple Watch Ultra, but it is a tad bulky for sleeping. So the UltraHuman ring has really stepped in as my overall wellness tracker. I use it for daily wellness tracking, for sleep, and also for my runs. The best part is that there is no subscription plan. So, a one-time purchase of $349 and you are good to go. The app also has all the data and metrics you would ever want from a sleep score to caffeine intake windows and so much more. Let me know if you would like a more in-depth review of this ring because I cant recommend it enough! Kuxiu X41Q One of my favorite charging accessories brands released a 3 in 1 charger that seems to defy physics. On the surface it might seem like a typical Qi2 3 in 1 charger but this thing is insanely slim and compact. I measures under 4mm at its thinnest point! Qi2 wireless charging to charge at 15W 5W AirPods charging pad Fast charging Apple Watch charger 45W charging brick in the box I just love how thin this charger is and, for the price, it belongs in your everyday carry! SSD storage When it comes to storage, I always seem to go back to two different options. I have a Lexar SL500 and a Samsung T9. Both are fantastic storage options that are relatively the same price, depending on storage sizes. They both go up to 4 TBs and have read and write speeds of 2000 Mbps. I have used these daily for over a year, and they have been the most reliable options for SSD I have ever used. I have lost data by using cheap SSDs in the past, and having that peace of mind is key when using a storage solution. You can get the Samsung T9 for less $130 for the 1TB version and the Lexar SL500 for under $115 for 1TB! Final thoughts None of these products are flashy; they’re just reliable, functional, and built to last. That’s why they’ve earned a spot in my everyday tech setup. Whether you are editing video, charging up on the go, or tracking sleep without subscriptions, these tech items will be perfect to add to anyone’s tech toolkit. If you have a tech essential of your own, I’d love to hear about it. Add 9to5Mac to your Google News feed.  FTC: We use income earning auto affiliate links. More.You’re reading 9to5Mac — experts who break news about Apple and its surrounding ecosystem, day after day. Be sure to check out our homepage for all the latest news, and follow 9to5Mac on Twitter, Facebook, and LinkedIn to stay in the loop. Don’t know where to start? Check out our exclusive stories, reviews, how-tos, and subscribe to our YouTube channel

A famous character of the stage once remarked there are more things in heaven and earth than are dreamt of in your philosophy. It’s a truism which holds for our world, as well as that of Hawkins, Indiana. Sure, Lucas, Dustin, Eleven, and the rest of the gang might have faced the Demogorgon in the Upside-Down, and the Mind Flayer and Vecna too, but there are so many other horrors the writers have dreamed up for this poor town that no single TV show can contain them. These days even Broadway appears to be straining to its technical limit in assisting the effort, as gleaned during the opening prologue of Stranger Things: The First Shadow, a new original play written by Kate Trefry, a veteran of Stranger Things’ writers’ room since season 2 and a co-author of the story for First Shadow alongside series creators Matt and Ross Duffer, and The Cursed Child’s Jack Thorne. Their story, like so much else of Stranger Things, also begins with a mind-bending spectacle: an American battleship during World War II vanishing before a live audience’s eyes and being transported into hell. Into the Upside-Down. “It’s something that we had been floating around in the writers’ room for a long time in Stranger Things,” Trefry admits with a wry smile a few weeks after The First Shadow’s premiere at the Marquis Theatre on Broadway. “The Philadelphia Experiment is like the Montauk Project and MKUltra, one of those touchstones of American conspiracy theory heavy hitters.” First Shadow’s theatrical cold open is indeed informed by the supposed real-life cover up of an American naval ship that is said to have accidentally discovered teleportation, much to the physical and mental horror of its crew. Trefry muses that this old story plays out a little like Charlie and the Chocolate Factory, albeit if Mike Teavee’s atoms were reassembled with his brain stuck between a wall. It’s a concept she and the Duffers always wanted to work into the show, and it became the first thing Trefry wrote down when asked to pen the Stranger Things “They challenged me to write whatever I want, and they’d figure out how to make it into a play,” Trefry recalls. “So I was like, ‘Okay, let me just throw down this gauntlet.’ I was kind of testing to see what the limits of the stage were, because it seemed so impossible what I wanted to do. But they went crazy for it because it was so audacious.” Audacity might be the guiding star for every aspect of The First Shadow. Obviously co-directors Stephen Daldry and Justin Mark immediately warmed to the idea of doing a riff on the Philadelphia Experiment, complete with the familiar silhouette of the Mind Flayer, yet everything about this production is massive, with stars of the production comparing it to doing an Olympic marathon on stage every night. This ranges from the massive ensemble cast of 34 players to a veritable village of costumers, stagehands, techies, and various other crew members always scrambling behind the scenes. “Physically, what this show requires of us, does not feel like a normal play,” says Alison Jaye, who stars in the show as a young Joyce Maldonado (later Byers). “If anything it feels closer to a musical, but even then, like a steroid version of anything you’re seeing on stage.” It is in fact one of the most spectacular theatrical experiences this writer has viewed in terms of stagecraft and visual illusion. As writer Trefry surmises, “The images, if they were strong enough, would catch on like a disease. And once everyone was infected, every department couldn’t help but get obsessed with trying to make it work.” Yet what might be more impressive is that for as much obvious visual panache as a Stranger Things production must sport, there is a similar narrative ambition at work in First Shadow as well. Not only is the play an original story set in 1950s Hawkins—back before Eleven, Max, and Steve the Babysitter—but it is one suffused with as much emotional pathos and dread as the series. It even centers its narrative on the most monstrous creation from Season 4, if not the whole series: young Henry Creel, the boy who would grow up to be Vecna, played on stage by the now Tony-nominated Louis McCartney. “Knowing where the TV show goes, it was fun to conceive a play that is in its heart a tragedy, which is so different tonally from the show,” Trefry says of her Vecna protagonist. It’s a subtle but profound aesthetic detour, and one which invites even the staunchest Stranger Things into the truly unknown. Here the shadows are deep—and perhaps revealing about the still developing season 5. At the beginning of The First Shadow’s second act, a young man and woman share a flirtation and daydream anyone who was ever young might recognize: two kids imagining what it would be like to leave their small town and escape to a better life. Most audience members will understand the yearning to be free, but in the show it comes with the bitterest of bittersweet edges. If you’ve watched Stranger Things the TV series, you know the destinies of this would-be couple, a slouching high school cool guy named Hopper (Burke Swanson) and a boundlessly optimistic go-getter they call Joyce. And that future’s a million miles away from their fantasy life in sunny Mexico. Join our mailing list Get the best of Den of Geek delivered right to your inbox! “That scene feels as serious to me and honest in terms of what their love is as anything you see in season 4,” says Joyce performer Jaye of the moment. “A lot of people can connect to the love of your life; a single person following you through the world, or in your head and in your body, never being able to let go of that person, whether or not you’re able to live the story with them.” It’s a scene that also was developed in tech only days and weeks before Stranger Things: The First Shadow’s earliest bow in New York City. While the play opened last year in London’s West End, Trefry and directors Martin and Daldry have been tinkering with and perfecting the hitherto unknown backstories of Joyce and Hop ever since, as well as other fan favorite characters like Bob Newby (Juan Carlos) and Dr. Brenner (Alex Breaux). “We did about a month of workshops in London in November before we came over to America in January,” explains Trefry, “Almost every page has had some tweak to it. We strengthened storylines; we made things better; we cut 20 minutes; it was actually an amazing opportunity to get another crack at it.” It heightened the inherent opportunity in The First Shadow which always appealed to Trefry: digging into the lives of the many adult characters in Stranger Things, and perhaps tweak our very understanding of who they are—from an innocent like Bob (Sean Astin’s character from season 2 who Trefry half-jokes “we did pretty dirty”) to the play’s central protagonist: Henry Creel. Despite being the seemingly most irredeemably evil character in the TV series (#JusticeForMax), Henry is introduced here as a scared adolescent haunted by horrible images in his head that he cannot control. “His story is very personal to me, being somebody who’s struggled a lot with bad thoughts,” Trefry says. “I have very hardcore OCD, so the life of Henry Creel being inundated with dark imagery is close to my heart.” The playwright admits that when they first developed Vecna for season 4, they imagined him as a “Michael Myers” type. Someone born bad. But she and the Duffers saw the chance to go beyond a bad seed backstory when legendary theater director Daldry first approached about doing a Stranger Things play. Hence the stage’s story of young Henry moving to Hawkins with his ill-fated family, and genuinely hoping to start a better life at a new school. In fact, one of the many complex scenes of the play is how the production uses three rotating turntables to introduce an entire cast of ‘50s high school archetypes in the show. It’s a marvel of stagecraft that Bob actor Juan Carlos reveals is so complex that if audiences applaud or laugh too long, or on an odd beat, it can throw the entire watchlike timing off. This technical feat can also prove illuminating for the whole Stranger Things universe. For example, we discover that Joyce and Bob knew each other in the drama club, which surprise, surprise, Joyce is the president of. “There’s a couple of off the cuff references to Joyce being a communist [in the TV series],” muses Trefrey. “To me [that means] she’s a champion for the underdog. And who other than the theater kids are bigger underdogs?” Her Broadway performer certainly thinks it makes sense. “Oh my God, I feel like she’s such an obvious theater kid!” Jaye enthuses. “I feel like there is a kind of a cool girl, tough exterior that then underneath it all is like, ‘no, no, no. She is as weird as everybody else.’” It also allows Stranger Things the play to tap into some of the same meta joys of Stranger Things the TV series. “I think one of the lovely things about the series is how it pays homage to the movies of the ‘80s,” Carlos acknowledges of the setup. “We’re kind of paying homage to theater in a very similar sense and I think it fits right in.” Whereas the TV show centers on the type of nerd who obsessed over Dungeons & Dragons and Ghostbusters in the ‘80s, it is likely a theatrical audience of young people can relate to a Bob Newby who seems to be at least initially excited about doing Oklahoma! at his school. “We [theater kids] are kind of outcasts,” Carlos says, “especially in high school and middle school when it’s like, ‘Oh there goes the drama geek.’” Or as their writer observes, “A little inside baseball isn’t necessarily a bad thing.” Hence there are quite a few laughs about a play within a play at Hawkins’ high school. Hopper actor Swanson even ruefully concedes he can relate a bit since like Hawkins, his school put on Oklahoma! back in the day where he played Curly and did “a pretty spot on impersonation of Hugh Jackman’s version.” Yet so much of the humor and pleasure of this side of the play is derived from the familiar characters we think we know in suddenly new contexts. “There’s this really beautiful balance that we’re all trying to play in,” Swanson notes. “These characters are so iconic and they’re so beloved by so many that to ignore completely what’s been done before would be, I think, a disservice to the fans and to those who are hoping to see a taste and new version of those people. But at that same exact point, it is a new version… Jaye, for instance, drew as much inspiration from watching Winona Ryder in her 1988 breakout film, Heathers, as Stranger Things, citing the unlikely angst of Ryder’s popular (and arguably murderous) high schooler in that dark comedy as informative. Nonetheless, the actor believes “the way to do justice to that is to tell the story, be truthful, and people will give you endless flowers for that because they believe you.” Ultimately they are trying to get you to believe these characters in a different context that takes on shadings of a ‘50s adventure story, particularly as Hopper, Bob, and Joyce eventually investigate the darker side of the play like a veritable Nancy Drew novel. But no matter the setting, their seemingly innocent adventure still exists in the emotionally mercurial world of Stranger Things. Says Swanson, “This sort of Scooby-Doo element of our story in First Shadow, with Bob, Joyce, and Hopper trying to investigate something that they really don’t fully understand and won’t fully understand for 30-plus years, adds to this level of tragedy that Stranger Things does so well—in the most painful, beautiful sense of the word.” Going into Stranger Things 5 When we catch up over Zoom with Trefry, the writer says she is in her “floating” stage after completion of production on an extremely anticipated season of television. She has just come back from checking in with the Duffers in the edit bay for Stranger Things 5. In one sense, it’s a million miles away from the 1950s setting she and those same brothers settled on for the play. (Mind you, one reason the setting worked in Trefry’s mind is that, like the 1980s, the ‘50s were hotbed for science fiction cinema and literature, plus the cynical paranoia that breeds conspiracy theories.) Nevertheless, the two creative endeavors are interwoven. While the playwright strongly insists First Shadow is intended to stand on its own for newcomers, and is not meant to be a preview of Stranger Things Season 5, overlap becomes inevitable when one realizes it is exploring what Hopper and Joyce might remember of a boy named Henry Creel. “It’s interesting because Joyce and Hopper are sequestered all of season 4 in Russia,” Trefry says. “We did talk about what the implication is. If Henry Creel lived in Hawkins during this time, then ostensibly they would have encountered him. But because they were sequestered, it gave us an opportunity to have the teenagers [of the TV show] discover all of this information and not just have it be told to them by the adults.” It also invites tantalizing possibilities for season 5. For instance, might Hopper and Joyce tell Eleven or Will about that kid they knew in their drama club with a strange shine about him? As signaled by the writer’s tight smile toward the question, no one is going to directly answer the question. However, there would appear to be some intersection. “Knowing some of the gifts that will go on for the audience in season 5, [Trefry] lines it up perfectly,” Jaye teases. Her co-star Swanson would agree. “I really don’t think folks who have come to see the show, and who will see the show, realize how integral and irrevocably linked it is to season 5 and to the show itself,” Swanson says. “We get to plant the seeds that we see starting to sprout and come to fruition within the TV show. And from a sense of season 5, it is my opinion that you will not be able to see season 5 without seeing this show, and I think that when people do see season 5, they’re going to come back to this show in droves because they’re going to realize how laid out it was actually for you.” Still, for the play’s writer who has lived with these characters for nearly a decade, and can relate to all her beloved outsiders, from Eleven to the boy who became Vecna, it is about more than lore and all that visual razzle dazzle. “The spectacle is amazing,” Trefrey considers, “but selfishly from a personal angle I hope that there is emotional resonance. I have put a lot of emotion into the play, and I hope that that reads past all the incredible illusion work. That there’s a real story at the core of it that people can connect to and feel seen by.” Audiences can see for themselves right now at the Marquis Theatre in New York, as well as the Phoenix Theatre in London.

TC500 LUXE is our most gorgeous chair to date - thoughts? 🤤📸: @AnthonyKongphan

After about a hundred hours of being happily hunched over my Moza AB9 FFB Base and MH16 Flightstick, bolting in the Moza MTP Throttle and MTLP Panel felt like quite the level up. All that gear is starting to morph my office space into a serious simpit. Pretty soon I’ll be needing a flight suit, a spare 60K for this helmet, or maybe just intervention from my loved ones before those purchases can happen. When I affixed it to my port side, the MTP Throttle delivered a fighter-jet-inspired grip, 27 programmable switches, an adjustable detent system for afterburner and trim positions, and game-changing vibration feedback that let me feel every gust and buffeting breeze.Perched to starboard (or connected above the MTP, if you’d prefer), the MTLP Take-off and Landing Panel brings 25 Hall-effect-driven switches, a true-to-life parking brake lever, and telemetry-driven lighting straight from an iconic F/A-18 cockpit. And, when paired together, this Master Blaster of a peripheral is a chonk requiring 170 x 430mm worth of real estate. Putting this bundle through its paces, mostly in an A-10 Warthog in Microsoft Flight Simulator 2024 (complete with bunghole-puckering canyon runs), was a blast. I feel I’ve experienced every yaw-trim tweak, afterburner snap, gear-down click, and parking brake yank these peripherals can muster. Before I elaborate more, though, let’s talk about the deep end – prices. Or click here to skip the window shop to my continued thoughts.ContentsCurrent PricesMoza MTP Throttle PanelA$599.00 at JB Hi-FiMoza MTLP PanelA$299.00 at JB Hi-FiMoza MTP ThrottleAfter you take a small age to bind every function to it, the MTP Throttle will competently emulate the full-range control demands of your fave fighter, from idle settings to screaming afterburner engagement and even centre-detent modes for precision yaw or spacecraft simulations. Inspired by carrier-based fighter throttle panels, its aluminium alloy grip felt substantial and reassuring in my clammy hands, far removed from the hollow plastic of my many budget joysticks from the Pentium-II days of yore. Surrounding that dual-split throttle grip are 27 perfectly backlit physical switches, which include rotaries, toggles, and a Hall-effect mini-joystick. Basically,you have everything you need to assign flaps, trim, weapon selection, or camera angling/zooming without reaching for an immersion-breaking keyboard (which, let’s face it, should have little business in your sim-pit).Tack on a 15-bit magnetic encoder for drift-free, ultra-precise throttle position sensing and dual vibration motors that more-than-decently rumble out aerodynamic buffeting or overspeed warnings, and you’ve got an impressive piece of all-in-one thrust control. Everything about this looks premium and feels smooth and crisp to the touch; a product worth an asking price that’s steeper than your average Immelman. Sliding the lever forward in MSFS 2024’s A-10 felt mesmerising; the adjustable damping screw lets you dial in a heavy carrier-style feel or a nearly frictionless slide for rapid thrust chops, perfect for the Warthog’s “your ordnance delivered in 5 minutes or it’s free” strafing runs. Switch presses registered instantly, and the haptic feedback added subtle jolts when breaking the sound barrier in my mental Top Gun montage. After hours of gun runs and canyon drifts, wrist fatigue was minimal, thanks to the throttle’s ergonomic layout and smooth travel path.In the final analysis, anyone craving realistic, customisable thrust control should find the MTP Throttle hard to resist. It commands a decent chunk of desk real estate and demands PC-only drivers, but its build quality, precision, and immersive feedback make it worth the investment. If you want to feel every ounce of power from idle to afterburner, this is a brilliant addition to any simmer’s ongoing flight(s) of fantasy. Back to topMoza MTLP PanelAs veteran eyes would have already spotted, the MTLP Panel is designed to ape the landing controls of an F/A-18, giving you 25 Hall-effect-monitored switches for gear, lights, flaps, and more, all laid out to guide your fingertips instinctively without glancing down. Its signature parking brake lever reproduces the spring-loaded recoil and rotation of real jet brakes, complete with a reassuring click on release that is satisfaction plus.The composite housing and aluminium accents of the MTLP are consistent with the superb build quality of its sister MTP unit (though the hook and gear levers do feel a tad cheaper). Moza has struck a balance between sturdiness and lower weight so it stays firmly in place even during my most enthusiastic brake yanks (to let bogies fly right by–that old Pete Mitchell chestnut). Meanwhile, telemetry-driven LED indicators glow to confirm gear status or landing-light activation, turning your desk into a mini runway light show. When I deployed landing gear during a low-altitude A-10 approach, the brain-muscle memory switch flick felt instantly familiar and satisfying, a vast improvement over fumbling with on-screen menus. The brake lever’s Hall-effect sensor gave crisp, drift-free inputs, and I never once forced a failed gear-up on final. Its compact footprint meant I could palm-reach each switch without looking down like a learner (after)burner or lifting off my stick.Ultimately, the MTLP Panel makes takeoff and landing procedures more immersive and efficient, but at around A$299 (US$150) it’s definitely a nice-to-have rather than a must-have. If you’re piecing together a full fighter-jet cockpit and crave that final touch of realism, just be prepared to clear desk space or mount it securely.Back to topBetter TogetherThere’s something undeniably thrilling about wielding hardware that echoes the heft and detail of real combat aircraft, especially when you’re diving into my test case scenarios (close-air support missions). The MTP Throttle and MTLP Panel aren’t merely flashy desk ornaments; they integrate seamlessly into Moza’s Cockpit Suite for drag-and-drop mapping, telemetric lighting, and vibration tuning, delivering an immersive sim experience. Side note: I also have to say, as a primarily VR-based flight simmer, having so much functionality “where it ough to be” at one’s fingertips, as opposed to blindly faffing about on a keyboard, is next-level handy. Put simply, I cannot go back from here. Whether you’re lining up for a low-and-slow bomb run or wrestling a heavy bomber through crosswinds, these peripherals elevate every cockpit interaction. If you can afford the mid-to-high-end price of admission, I say cue up some Kenny Loggins, engage those detents, retract your gear, and turn ‘n’ burn in an altogether higher tier of tactical. Adam Mathew is our Aussie deals wrangler. He plays practically everything, often on YouTube.

This article contains full spoilers for every Final Destination movie, INCLUDING Bloodlines. For more than a decade, we thought we’d finally made it. It’s been 14 years since the last Final Destination film, the last time Death started killing off those who escaped its plan in exceedingly gruesome fashion. We thought we were free to go to theaters in safety once more. But as the mortician William Bludworth, played by the late great Tony Todd, has taught us, there’s no escaping Death. The franchise is back with one of its best entries: Final Destination Bloodlines, written and directed by newcomers to the franchise Zach Lipovsky and Adam Stein. Bloodlines has a shinier look and a different approach, focusing on a family instead a group of random teens. But it follows the well-established principles of a Final Destination movie, especially in its incredible kills. In celebration of Bloodlines bringing Final Destination back to screens, we’re ranking all of Death’s achievements across the franchise. Because Final Destination movies are ultimately about good, gory fun, we’re ranking them from the most boring to the most enjoyably incredible. Like Death itself, we do have a few rules here. We aren’t counting any deaths in the premonitions that open each movie, nor the mass casualties that occur in the actual events, which means that you won’t see the infamous pile-up from Final Destination 2 or the incredible tower sequence that opens Bloodlines. Also we’re focusing on Death’s kills, so kills done by human beings don’t count. Even with those restrictions, Final Destination gives us plenty of memorable kills, as Death always makes a show of getting even. 40. Alex Browning’s Off-Screen Demise (Final Destination 2) Is it a mark of respect that the first movie’s protagonist Alex Browning (Devon Sawa) doesn’t die on screen? Or is it the ultimate insult that we learn via newspaper clipping in Final Destination 2 that he was knocked in the head with a brick? Interpretations may vary, but no one can disagree that Alex’s death deserves the bottom spot. Played by comedy great David Koechner, paper plant boss Dennis Lapman of Final Destination 5 has one of the gnarliest premonition deaths. Dangling off a collapsing bridge, Dennis almost pulls himself back up when he’s doused with hot tar, burning alive as he lets go and drops to the water. That incredible end makes his actual expiration all the worse, as he goes out when a loose wrench on a shop floor gets hurled into his head, no real setup involved. 38. Wendy Cristensen, Julie Cristensen, and Kevin Fischer Crash Off-Screen (Final Destination 3) With the exception of the original Final Destination, the protagonists end their films thinking they’ve beaten Death only to realize that the Grim Reaper has one more trick up his sleeve, and the movies end with shocking cuts. The worst of them comes in Final Destination 3, one of the weaker entries overall, in which Wendy Cristensen (Mary Elizabeth Winstead), her sister Julie (Amanda Crew), and pal Kevin Fischer (Ryan Merriman) all perish in a train crash. Technically we see them meet their end in impressive carnage, but that all happens in a premonition, which this list rules out. So we have to go with the death that happens onscreen—well, on soundtrack, as the movie cuts to black with the sound of the crash. 37. Janet Cunningham, Lori Milligan, Nick O’Bannon Death By X-Ray Truck (The Final Destination) Easily the worst of the series, the fourth entry The Final Destination also ends with a sudden attack on the protagonists. In this case, Nick O’Bannon (Bobby Campo), his love interest Lori Milligan (Shantel VanSanten), and her friend Janet Cunningham (Haley Webb) meet in a coffee shop to celebrate life, only for a truck to crash into the building. It’s a lot like the third movie’s ending, but at least this movie gives us neat x-rays to look at and imagine what horrible things happened to our heroes. 36. George Lanter and the Very Quiet Ambulance (The Final Destination) Played by the great Mykelti Williamson, George Lantner is the only character who acts like a human being in The Final Destination. So it’s a bit lame that the movie kills him off with a gag when he steps onto the road and gets flattened by an oncoming ambulance. He mentions “deja vu” right before it happens because his end is a callback to a similar one from the first film, which will be talked about shortly. It’s an unimaginative death and a mean joke at the expense of a likable character, which lands it toward the bottom of the list. Join our mailing list Get the best of Den of Geek delivered right to your inbox! 35. Nadia Monroy Makes Nick’s Dream a Reality (The Final Destination) For the most part, this list is ignoring both the premonitions and the mass casualties that occur after a premonition. The one exception comes with Nadia Monroy (Stephanie Honoré) of The Final Destination, who dies in the immediate aftermath of a premonition. After Nick has a vision of a massive Nascar wreck, he panics, which gets a group of people kicked out of the race just as the accident begins. As the survivors try to make sense of what happened, a tire flies out of the stadium and through Nadia’s head, replicating her death from the vision. 34. Perry Malinowski Salutes the Flag (Final Destination 3) Final Destination loves its out-of-nowhere surprise kills. A character thinks they’re safe, they make some ironic statement and, bam, they’re immediately dead. Usually, these kills aren’t nearly as funny or clever as the movies think they are, especially compared to the elaborate sequences that have become the franchise’s calling card. One of the worst comes when Perry Malinowski (Maggie Ma) gets unceremoniously offed when a loose horse breaks of a flagpole that goes through her chest, a forgettable death for a forgettable character. Horse looks cool though. 33. Darlene Campbell Stays at the Cabin (Final Destination Bloodlines) Although not as meta as, say, a Scream movie, the characters in Final Destination: Bloodlines know how Final Destination movies work. To the filmamkers’ credit, the knowledge adds tension to the movie, underscoring how knowledge doesn’t give them power to evade Death. Nowhere is that more clear than at the climax of Bloodlines when Darlene Campbell (Rya Kihlstedt)—a mother who has estranged herself from her children—decides to hide in her own mother’s bunker, thereby stalling Death’s hit list and saving her children. Noble though the sentiment may be, Darlene’s proclamation of love for her children distracts her, and she gets smashed by a falling pole, rendering her heroism moot. 32. Carter Horton Finally Sees the Sign (Final Destination) Played by Kerr Smith, Carter Horton is the onscreen antagonist of the first film, an annoying preppie who bullies Alex and the others and somehow gets to survive. So while we don’t actually see Carter get killed before the screen cuts to closing credits, his demise does rank above those from the third and fourth movies just because we wanted to see this guy get it for so long. 31. Samantha Lane Has Her Eye on a Stone (The Final Destination) The overwhelming majority of Final Destination victims are obnoxious, good-looking teens who mostly deserve to die. Wife and mother Samantha Lane (Krista Lane) certainly isn’t a saint but she doesn’t irritate us like every other jerk in The Final Destination. So we’re a bit annoyed that she gets such a cruel death when a lawn mower kicks up a rock that flies through her eyes while her young kids watch in horror. The kill does get a few extra points, however, for all of the playfulness before it actually happens, as Death sets up a few options to off Sarah before finally picking the rock. 30. Ian McKinley Splits the Fair (Final Destination 3) The franchise has never done great with its human antagonists, the regular guys who get tired of all the dying and take things into their own hands by killing the other characters. Ian McKinley (Kris Lemche) stands out a little bit more than the others. Instead of showing all the things that could off him, the camera simply follows Ian through a crowd while he rants about his immortality. That’s a bit dull, but it pays off when a firework shoots by him, apparently sparing him, only for the explosion to knock over a cherry picker that splits him in half. That extra beat is enough to make his sudden surprise kill a bit more satisfying. 29. Stefani and Charlie Reyes in a Logjam (Final Destination Bloodlines) Although a bit glossier and a bit kinder with its characters, Final Destination Bloodlines follows the beats of most entries in the franchise. In fact, its final moment, in which protagonists Stefani (Kaitlyn Santa Juana) and Charlie Reyes (Teo Briones) realize that they did not, in fact, stop Death and are about to die, feels like a callback to the infamous log premonition in Final Destination 2. However, Bloodlines ups the stakes with a lucky penny leading to a train derailment. The amazing shot of Stefani and Charlie goes bigger than any of the other movies’ shock ending, undone some by the cheap effects when two logs from the train car come loose and flatten our heroes. 28. Sam Lawton and Emma Bell Die in a Callback (Final Destination 5) Final Destination 5 has the best ending of the series, in which protagonists Sam Lawton (Nicholas D’Agosto) and Emma Bell (Molly Harper) survive the ordeal and board a plane to celebrate. It’s only then that we realize that the movie has taken place in 2000 and that they’re boarding Flight 180, the one that explodes at the start of the first movie. Thus we have to watch as the characters who have gone through so much die, but we also get to see the original disaster that started it all. Emily splatters when she gets sucked out of the plane and sliced by the wing, but Sam’s death isn’t that spectacular outside of the fact that he burns up in the same manner as Alex did in his vision. 27. Tod Waggner Hung Out to Dry (Final Destination) The first “real” death of the series, Tod Waggner’s (Chad E. Donella) end feels like a first draft to the spectacular kills to come. When water leaks from a toilet, Todd slips into the tub and gets a laundry cord wrapped around his neck. Todd’s desperate attempts to stand up and save himself, frustrated by the slick tub floor, give the death a level of pathos rarely seen in the series, but outside of that, it’s a fairly rote kill for the overall franchise. 26. Iris Campbell Gets to the Point (Final Destination Bloodlines) Bloodlines gives Tony Todd a glorious final scene as Bloodworth, but it’s the elderly Iris Campbell (Gabrielle Rose) who tells her granddaughter Stefani the rules of Death’s design. Throughout the exposition dump, the camera points to various classic setups, but Iris catches them all. So when Death does finally take her, using a flying fire extinguisher to send a weathervane point through her face, it’s because Iris wants to show Stefani how Death operates. That intentionality makes Iris’ end stand out, even if it isn’t the most elaborate on this list. 25. Rory Peters Goes Fencing (Final Destination 2) Final Destination 2 has the best premonition in the series, an incredible accident and pile-up filled with ghastly incidents. Toward the climax of the movie, that road destruction gets sort of recreated when a series of events launched by a car crash suddenly kill off other characters. It’s mostly fun, and wide shots let us see Death’s composition, but it’s hard to get too excited when stoner Rory Peters (Jonathan Cherry) gets split into thirds by flying fencing. 24. Clear Rivers and Eugene Dix Go Up in Flames (Final Destination 2) It was a nice reveal to show Clear Rivers (Ali Larter) had survived even the post-credit carnage of the first Final Destination to provide information to the victims of the second film. But that surprise was completely undercut by the film then killing Clear in a sudden hospital explosion, taking teacher Eugene (T.C. Carson), one of the more compelling characters in the movie, out along with her. Multi-victim kills always feel like a bit of a cheat, but at least this one had a nice build-up. 23. Carter Daniels’ Hate Crime Backfires (The Final Destination) The Final Destination‘s unlikable cast goes to the extreme when white supremacist Carter (Justin Welborn) singles out George Latner as the cause of his wife’s demise. So it’s especially satisfying when Carter, in the midst of burning a cross on George’s lawn, gets dragged behind his truck and burned alive. Carter may not get the most creative of kills, but rarely do we see such an awful person get their full and just reward like that. 22. Isaac Palmer Meets the Buddha (Final Destination 5) Unlike most entries, Final Destination 5 limited its nastiness to one character, and even then, actor P. J. Byrne knows how to find light notes in his depiction of smarmy exec Isaac Palmer. Byrne sleezes it up as Isaac steals a spa coupon from recently-deceased co-worker, leers at spa workers, and then condescend to the worker who performs upon him. From then on, it’s a classic Final Destination sequence, as a fallen candle ignites spilled oil to send Isaac pin-first onto the ground, crawling away until he inadvertently pulls a Buddha statue on his head, his karma fully earned. 21. Kat Jennings and the Jaws of Death (Final Destination 2) Nervous wreck Kat Jennings (Keegan Connor Tracy) gets one of the better sudden deaths in the series, largely because Death puts all the pieces in place for a symphony of chaos and then sets it off suddenly. Kat initially survives the car crash, avoiding the pointy pipe that ran through her back window and continues to stick out behind her head. When firefighters use the jaws of life to pry open her car door, however, the impact is enough to set off the airbags, slamming Kat’s head into the spike and setting off more carnage. 20. Lewis Romero Loses Weight in the Gym (Final Destination 3) A lot of the kills on this list are preceded by a character declaring their immortality, but few do it with as much apblomb as Final Destination 3‘s aggro jock Lewis Romero (Texas Battle). Like many Lewis responds to Death’s machinations by asserting his own free will… loudly. At the end, he does it while pumping iron in the gym, and his protestations shake the walls, knocking free swords used as part of his team’s decor. The swords cut the bands of his machine as they fall, freeing the weights to smash his head. Given that it was his actions that made the swords drop, Lewis did kind of control his own fate. 19. Nora Carpenter and the Creepy Hook Hand (Final Destination 2) Of all the kills on this list, the death of nervous mom Nora Carpenter (Lynda Boyd) seems the easiest to avoid. Well, at first anyway, when she rushes into an elevator and gets her hair caught on a hook, part of the prosthetic limbs that a creepy guy holds in a box. If Nora just settled down for a moment, or if the creepy guy would put as much effort into untangling her as he does smelling her hair, then she probably could have wrestled free before the elevator decapitated her. All that aside, it’s a pretty amazing and gory kill, one that has enough shock value to overcome any logistical leaps. The Final Destination movies are big on dying, but not so big on suffering, which is a good thing. We don’t want to think of these people as human beings, because that would ruin the fun of watching them go out. Erin Ulmer’s (Alexz Johnson) end in Final Destination 3 veers a bit too much toward suffering, as the camera holds on her as she moans in her last moments. Up until that point, though, the scene has fun with misdirection, making us think that we’re about to see Ian McKinley get crushed by boards until Erin gets knocked into a nail gun, which perforates the back of her head. 17. Jonathan Groves Takes a Bath (The Final Destination) On one hand, Jonathan Groves (Jackson Walker) feels like he was added to The Final Destination late in production because the producers found out the movie’s running a bit too short. Groves does show up in the opening crash scene, but we lose track of him and assume he’s dead until Nick sees him on the news. But we can forgive the shoehorning for the purely absurd way that Groves goes out, with an overfilled bathtub from the hospital floor above crashing down onto his bed. 16. Nathan Sears and Flight 180’s Landing (Final Destination 5) In addition to its fantastic kills Final Destination 5 also has the most well-rounded characters in the series, characters like junior executive Nathan Sears (Arlen Escarpeta). Nathan is fundamentally a nice guy but he gets caught up in a dispute with an older union leader, a dispute that ends when the leader accidentally dies during a fight. Thinking that was Death coming for him, Nathan comes to the leader’s wake to pay respects, secure in the belief that Death has skipped him. That assumption adds some pathos to the moment with gear from Flight 180 falls from the sky and crushes him, taking both good people and bad people. 15. Frankie Cheeks Trapped in the Drive Thru (Final Destination 3) Frankie Cheeks (Sam Easton) is one of the most unlikable characters in the franchise (which is saying something) and we don’t even know that he’s dead until after it happens. So why does it rank relatively high on this list? Because of the way it’s set up, looking very much like protagonists Wendy and Kevin are going to get killed in an unbelievable but well-orchestrated drive-through accident. While our heroes escape in time, a collision still occurs, sending a huge engine fan into the back of Frankie’s head. At first it seems like the duo passed their death onto an innocent bystander until we see a bloody necklace in the shape of a naked lady, and we all breathe a sigh of relief that Frankie Cheeks walks the Earth no more. 14. Tim Carpenter Gets Squished By Glass (Final Destination 2) Tim Carpenter may be the weirdest character in the entire series. The script says he’s 15, and actor James Kirk sometimes plays him as a teen and sometimes as an eight-year-old, which ends up feeling like he’s the MadTV character Stuart. That childlike nature leads to Tim’s end when, like a dumb kid, he just decides to chase after some pigeons because… they were there? The pigeons take flight, knocking a giant pane of glass off of a crane and sending the glass on top of Tim, smooshing the little weirdo. 13. Andy Kewzer Goes Through a Chain Link Fence… in Tiny Pieces (The Final Destination) The biggest problem with The Final Destination is its reliance on CG blood, a scourge of 2000s horror. Still, sometimes the kills are so outrageous that we can forgive the poor effects. Such is the case when mechanic Andy Kewzer (Andrew Fiscella) gets blown into a chain link fence. It looks silly when his body collapses into goopy chunks, but the setup is satisfying, as is the sight of him getting blasted out of his garage into the instrument of his doom. 12. Terry Chaney Hit By a Silent Bus (Final Destination) For the first viewers of Final Destination, Terry Chaney (Amanda Detmer) had the standout death. Freaked out by Alex’s talk of Death coming for them all, Terry tells her friends to drop dead, steps into the street and gets splattered by a bus. It’s a funny moment, as long as you don’t think about it for a second (none of her friends have peripheral vision? The bus driver doesn’t see the gesticulating lady backing into the street?), and it got cheers in the theater. Over time, however, the sudden shock death has become a series trope, dulling the impact (pun intended) of Terry’s end. 11. Howard Campbell Gets a Trim (Final Destination Bloodlines) Patriarch Howard Campbell (Alex Zahara) gets the first classic-style death in Bloodlines, and what a glorious one it is. Occurring after the film has clearly laid out Death’s rules and process, the filmmakers luxuriate in the setup, taking time to highlight all of the things that could kill someone in Campbell’s well-appointed suburban backyard: a rake under a ripping trampoline, a shard of glass in an iced drink, a hose about to explode. After several minutes of anticipation, all of those things come together to set-off something we never saw coming, an electric self-propelled lawnmower, which runs over the face of the prone Howard. Iconic as it may be, Terry’s isn’t the best sudden shock death in the first Final Destination movie. That honor belongs to New York Rangers superfan Billy Hitchcock (Seann William Scott), who also dies without much obvious setup from Death. Billy goes after he and Alex confront the ever-jerky Carter, who decides to defy Death by parking on train tracks. Carter survives, but Billy can’t take it and starts having an angry meltdown, a meltdown cut short when the train kicks up a piece of shrapnel and sends it flying through Billy’s neck. Tod may be the first death in the Final Destination series, but Valerie Lewton (Kristen Cloke) gets the first great death of the franchise. Still shaken up over the explosion of Flight 180, teacher Mrs. Lewton spills some alcohol on the ground while making dinner. When her cooking goes awry, the alcohol ignites, setting her house ablaze. But it’s not the fire that kills her. Rather she dies when she accidentally pulls a knife down from the counter, which embeds itself in her chest. 8. Evan Lewis Slips on Spaghetti (Final Destination 2) Sometimes Death orchestrates events in such an improbable manner that we can almost see a physical hand onscreen, manipulating events. Sometimes dumb people do dumb things and pay for it. It’s the latter event that brings down lottery-winning bro Evan Lewis (David Paetkau) in Final Destination 2, who just tosses a pot of spaghetti out the window. That decision proves disastrous when Death’s meddling leads to a fire in Evan’s apartment. Evan climbs out to make an escape, but he slips on his own spaghetti, which leaves him vulnerable to the falling ladder that pierces his eye. 7. Brian Gibbons BBQ Bomb (Final Destination 2) Although it’s a sudden kill with little setup, the death of Brian Gibbons (Noel Fisher) ranks so high because of how funny it is. At the end of the movie, survivors Kimberly Corman (A.J. Cook) and Thomas Burke (Michael Landes) join the Gibbons family at a BBQ where they all let off a bit of steam. No sooner does Brian joke about his and his father’s near-death experience than the grill he’s using explodes, sending his severed arm flying through the air. The arm lands on his mother’s plate, a darkly funny beat that makes it one step better than the average out-of-nowhere kills in the series. 6. Erik and Bobby Campbell Bond in the Hospital (Final Destination Bloodlines) Erik Campbell (Richard Harmon) is truly a unique character in the Final Destination franchise. First of all, he seems to survive his own elaborate death, a hilarious incident in a tattoo parlor (featured heavily in teasers). Secondly he and his brother Bobby (Owen Patrick Joyner) actually like each other, which makes their end so poignant. Off of Bludworth’s information, Erik decides to send the highly allergic Bobby into anaphylaxis so he can revive him, thus satisfying Death. But Erik gets too cute with his plan, and his action accidentally turns on and revs up an MRI machine in the room where the brothers are working. The intensified magnification first pulls in and crushes Erik, with his piercings in front and a wheelchair in back, and then snags a coil from a vending machine, sending it through Bobby’s head. 5. Olivia Castle’s Laser-Guided Fall (Final Destination 5) Okay, technically Olivia Castle (Jacqueline MacInnes Wood) dies when she falls out of a window. But that’s not the part that sticks out in our mind. Instead we remember everything before that moment when Olivia gets laser eye surgery. As if torn from the worst thoughts of anyone about to get the surgery, we watch as Death shorts out the laser while the tech is out of the room and starts burning out Kimberly’s eye. No sooner does she escape than she slips on her beloved teddy bear and falls through the window, a somehow merciful end to the suffering. 3. Ashley Freund & Ashlyn Halperin’s Tanning Session Gone Wrong (Final Destination 3) As this list shows, great Final Destination deaths fall into one of three categories: memorably mean, patently absurd, or impeccably designed. Ashley Fruend (Chelan Simmons) and Ashlyn Halperin (Crystal Lowe) are the prime examples of the first category. A pair of stock mean mall girls, Ashley and Ashlyn go to their favorite tanning spa, giant-size sodas in hand. Death ups the condensation on the drinks, which creates enough water to short out the beds, which turns up the heat, while a fallen shelf keeps them trapped inside. The sight of them burning alive is nasty enough, but the real kicker is the match cut at the end, which replaces two tanning beds with two coffins. 3. Julia Campbell Takes Out the Trash (Final Destination Bloodlines) Final Destination movies love a good fake-out and Bloodlines has the best one yet. Armed with knowledge from Iris, Stefani walks down a suburban street with a skeptical Erik, Death’s next probable victim. As the two walk, Stefani points out all of the things that could kill him: leaves from a blower, a soccer ball kicked by kids, a trash compactor. But to Erik’s mocking glee, nothing happens. Nothing, that is, until Erik’s sister Julia (Anna Lore) goes for a run. In the background. And out of focus, all of those things come together to knock Julia into a roadside dumpster, which is then emptied into the garbage truck where Julia is compacted while Stefani watches. 2. Hunt Wynorski’s Guts in a Pool Pump (The Final Destination) The best patently absurd kill in the entire franchise occurs to obnoxious bro Hunt Wynorski (Nick Zano). After getting into an altercation with a little kid at a public pool, Hunt sits down to catch some rays when he hears his lucky coin fall into the water. Hunt dives in after it, just as Death starts messing with the equipment, causing the pump to malfunction and raise the pressure. The pump traps Hunt at the bottom and he gestures wildly for help, but no one sees him. Instead of drowning, Hunt gets his guts sucked out through his butt, a kill so wonderful that we don’t even care about the CGI viscera that caps off the scene. 1. Candace Hooper Doesn’t Stick the Landing (Final Destination 5) Easily the most glorious and well-composed kill of the entire franchise occurs early in Final Destination 5, when a standard routine for gymnast Candice Hooper (Ellen Wroe) goes horribly wrong. Director Steven Quale takes the time to show viewers the tools and space in which Death works, highlighting dripping water, a shaking girder, spilled dust, and other elements, before bringing them together as Candice goes through her flips. As a result, we understand every step in the system of catastrophes that leads to a ghastly end, with Candice’s crumpled body shuttering on the gym floor.