Dahlia, Genshin Impact, new character, version 5.7, updates, Skirk, gaming community ## Introduction Let’s not beat around the bush: Genshin Impact’s latest character, Dahlia, is a massive letdown. With the hype surrounding version 5.7, players were expecting something revolutionary, something that would shake the foundation of their gameplay. Instead, what do we get? A character that feels more like a poorly scripted NPC than a groundbreaking addition. The gaming community deserves better, an...

¡Atención, amantes de los videojuegos y la comida! ¿Están listos para el lanzamiento de “Dosa Divas”? Porque, al parecer, ahora podemos luchar contra el capitalismo con... ¡comida! Sí, han leído bien. ¿Quién necesita una revolución social cuando puedes lanzar un "dosa" (una especie de crepe india) en la cara de un agente de ICE? ¡Qué idea tan revolucionaria! Outerloop Games se ha propuesto "humanizar" las experiencias de los inmigrantes. Claro, porque nada dice “solidaridad” como un RPG donde los jugadores se visten de chefs y atacan a los capitalistas con un menú de platos picantes. En un mundo donde las injusticias son más abundantes que los “dosa” en un festival de comida, lo que realmente necesitamos es una experiencia de juego colorida que nos permita “luchar” mientras cocinamos. ¡Olé! Imaginen la escena: en lugar de armas y balas, los jugadores empuñan cucharas y sartenes, derritiendo el capitalismo a fuego lento. La jugabilidad se centra en la recolección de ingredientes y la creación de recetas mientras evitan las redadas de ICE. ¡Increíble! Porque, claro, con un poco de curry y un toque de comedia, todo se soluciona. Y no olvidemos el impacto visual. Los gráficos son tan vibrantes que te harán cuestionar si realmente estás jugando o si te has perdido en un mercado de especias. Pero, ¿realmente pensamos que lanzar un “dosa” a un hombre de traje va a cambiar algo? Supongo que en este universo alternativo, el poder de la comida es más fuerte que cualquier ley injusta. ¡Bien por nosotros! Mientras nos preparamos para este juego "picante", es esencial recordar que la lucha real sucede fuera de la pantalla. Pero, hey, al menos podemos disfrutar de un rato de diversión mientras ignoramos las realidades del mundo. Quizás después de jugar, cuando nuestros corazones estén llenos de alegría por haber "luchado" contra el sistema, aún encontraremos tiempo para reflexionar sobre cómo podemos ayudar realmente a los inmigrantes en lugar de lanzarle comida a los capitalistas. Así que, si están buscando una forma de escapar de la dura realidad, “Dosa Divas” podría ser su boleto. Pero no se olviden de salir y hacer algo real: cocinar para los demás, organizarse en sus comunidades o, simplemente, no lanzarse los unos a los otros con comida. La próxima vez que piensen en un juego que "humaniza" la experiencia de los inmigrantes, recuerden que, a veces, la mejor forma de luchar no es con un plato, sino con una acción genuina. #DosaDivas #LuchaContraElCapitalismo #Videojuegos #Inmigración #ComidaConCausa

In a world where digital puppets are more popular than actual puppeteers, *Lies of P* has managed to pull off a neat little trick: it just surpassed 3 million copies sold right after the release of its DLC. One might wonder if the players are buying the game for its engaging storyline or just to prove that they can indeed endure another round of metaphorical whip lashes from a game that has its roots in the somewhat tortured tale of Pinocchio. Isn’t it fascinating how *Lies of P* has become the poster child for what some might call “the From Software Effect”? You know, that magical phenomenon where gamers willingly subject themselves to relentless difficulty while whispering sweet nothings about “immersive gameplay.” Perhaps the secret sauce is simply a sprinkle of existential dread mixed with a dash of “Why am I doing this to myself?” Let’s not forget the timing of this achievement – right after the DLC launch. Could it be that the players were just waiting for an excuse to dive back into that bleak, fantastical world? Or maybe they were hoping for the DLC to come with a side of sanity or at least a guide that says, “It’s okay, you can put the controller down after a while.” But no, why would anyone want a game that respects their time? Of course, with 3 million copies sold, it’s safe to say that the developers have struck gold. And what better way to celebrate than by releasing a DLC that essentially places a cherry on top of the suffering sundae? Because if there’s anything gamers love, it’s being rewarded for their relentless persistence in the face of overwhelming odds. And let’s take a moment to appreciate the irony here. In a world depleted of genuine sincerity, *Lies of P* manages to thrive by embodying the very essence of deceit. Is it a game about lying? Or is it a reflection of the players’ willingness to lie to themselves about how much fun they’re having while getting stomped on by a ridiculously oversized puppet? In the end, while we’re busy celebrating this achievement, perhaps we should also take a moment to reflect on our life choices. Because who doesn’t enjoy a good dose of self-reflection after being metaphorically roasted by a game that thrives on pushing players to their limits? So, here’s to *Lies of P* – the game that reminds us that when life gives you lemons, sometimes it's just a trap set by a puppet master. Cheers to the 3 million players who have chosen to embrace the lie! #LiesOfP #GamingNews #DLC #FromSoftware #GamingCommunity

¡Es increíble cómo la industria de los videojuegos ha caído tan bajo! Hablemos de "Stellar Blade", un juego que, a primera vista, parece una mezcla de acción arcade clásica y un Soulslike moderno, pero que en realidad es un desastre absoluto que nos muestra lo peor de la cultura gamer actual. ¿De verdad necesitamos otro juego donde el protagonismo lo tenga una oficial de defensa con "grandes tetas y un trasero aún más grande"? ¿Qué clase de mensaje le estamos enviando a nuestra sociedad al aplaudir esta representación superficial y sexualizada de las mujeres? Es evidente que los desarrolladores de "Stellar Blade" han decidido priorizar el sex appeal sobre el contenido sustancial. La idea de que una mujer con curvas exageradas sea la heroína de la historia, salvando un mundo post-apocalíptico de aliens, es simplemente ridícula. No solo perpetúa estereotipos dañinos, sino que también desvirtúa lo que debería ser un enfoque realista y poderoso de la narrativa de videojuegos. ¿Es esta la mejor representación que podemos ofrecer? ¿De verdad? Además, los críticos han señalado que la jugabilidad es aburrida y repetitiva, lo cual es otra gran decepción. La promesa de un combate “divertido” en un entorno de ciencia ficción se queda en nada. Las mecánicas son torpes y, a menudo, frustrantes, haciendo que el jugador se pregunte por qué decidió invertir su tiempo y dinero en un producto tan mediocre. ¿Es esta la innovación que esperábamos? ¿La "diversión" que se nos prometió? ¡Por favor! Y no hablemos de las reseñas en Steam. Es triste ver cómo algunos usuarios se dejan llevar por la apariencia y no ven más allá de la superficie. ¿Qué pasa con la crítica constructiva? ¿Dónde quedaron los estándares? Este tipo de productos solo alimenta una cultura de aceptación de lo mediocre, donde lo superficial es lo que cuenta. Si seguimos así, ¿qué futuro le espera a la industria de los videojuegos? La frustración crece cuando vemos que los jugadores verdaderos, aquellos que buscan experiencias significativas, son ignorados en favor de un espectáculo que solo busca atraer a un público que prefiere lo fácil y lo llamativo. "Stellar Blade" es un recordatorio doloroso de que necesitamos elevar nuestras expectativas y exigir más de los desarrolladores. Así que, la próxima vez que pienses en gastar tu dinero en un juego, pregúntate: ¿realmente quieres contribuir a esta cultura de la superficialidad? ¡Es hora de que nos levantemos y digamos basta! No más juegos que solo buscan lo fácil y lo obvio; necesitamos calidad, profundidad y respeto en la narrativa y diseño de personajes. ¡Despertemos! #StellarBlade #Videojuegos #CulturaGamer #JuegosMediocres #RepresentaciónFemenina

Ah, the glorious return of the zine! Because nothing says "I’m hip and in touch with the underground" quite like a DIY pamphlet that screams “I have too much time on my hands.” WIRED has graciously gifted us with a step-by-step guide on how to create your very own zine titled “How to Win a Fight.” Print. Fold. Share. Download. Sounds easy, right? The process is so straightforward that even your grandma could do it—assuming she’s not too busy mastering TikTok dances. But let’s take a moment to appreciate the sheer audacity of needing instructions for something as inherently chaotic as making a zine. It’s like needing a manual to ride a bike… but the bike is on fire, and you’re trying to escape a rabid raccoon. In the age of high-tech everything, where our phones can tell us the weather on Mars and remind us to breathe, we’re now apparently in desperate need of a physical booklet that offers sage advice on how to “win a fight.” Because nothing screams “I’m a mature adult” quite like settling disputes via pamphlet. Maybe instead of standing up for ourselves, we should just hand our opponents a printed foldable and let them peruse our literary genius. And let’s not forget the nostalgia factor here! The last time a majority of us saw a zine was in 1999—back when flip phones were the pinnacle of technology and the biggest fight we faced was over who got control of the TV remote. Now, we’re being whisked back to those simpler times, armed only with a printer and a fierce desire to assert our dominance through paper cuts. But hey, if you’ve never made a zine, or you’ve simply forgotten how to do it since the dawn of the millennium, WIRED’s got your back! They’ve turned this into a social movement, where amateur philosophers can print, fold, and share their thoughts on how to engage in fights. Because why have a conversation when you can battle with paper instead? Let’s be honest: this is all about making “fighting” a trendy topic again. Who needs actual conflict resolution when you can just hand out zines like business cards? Imagine walking into a bar, someone bumps into you, and instead of a punch, you just slide them a zine. “Here’s how to win a fight, buddy. Chapter One: Don’t.” So, if you feel like embracing your inner 90s kid and channeling your angst into a creative outlet, jump on this zine-making bandwagon. Who knows? You might just win a fight—against boredom, at least. #ZineCulture #HowToWinAFight #DIYProject #NostalgiaTrip #WIRED

In a world where animated dreams dance on the silver screen, Jellyfish Pictures has decided it’s time for a long nap. Yes, you read that right! The studio known for masterpieces like "How to Train Your Dragon: Homecoming" has hit the pause button on its activities, but don’t worry, it’s only temporary—because who doesn’t love a good power nap when the going gets tough? Now, one might wonder: what does it mean to “suspend” your work? Is it like putting your favorite series on hold because you just can’t handle the drama? Or perhaps it’s more akin to a toddler’s tantrum—screaming for attention before quietly retreating to a corner? It seems Jellyfish Pictures has taken a page out of the book of procrastination, choosing to hibernate while the world spins on, leaving us all to ponder the fate of animated wonders. Let’s be real here: with the current crisis looming over us like a dark cloud, every studio is feeling the pinch. But to "temporarily" suspend activities? That’s a bold move, friend. It’s almost as if they’re saying, “Hey, we’re too cool for this economy!” And who wouldn’t want to take a break? After all, we all deserve a vacation—even if it’s from our own creativity. Imagine the team at Jellyfish Pictures, lounging on beach chairs with their laptops closed, sipping piña coladas while the world clamors for the next blockbuster. “We’ll be back!” they chant, while the animation industry holds its breath, waiting for their grand return. Or is it a dramatic re-emergence, like a phoenix rising from the ashes of a crisis that they bravely “suspended” themselves from? And let’s not overlook the irony here. A studio that brings fantastical worlds to life has chosen to embrace the tranquility of inactivity. Perhaps they’re taking some time to meditate on the complexities of jellyfish—creatures that float aimlessly through life while people marvel at their beauty. A fitting metaphor, wouldn’t you say? So here’s to Jellyfish Pictures! May your time of “temporary suspension” be filled with inspiration, relaxation, and perhaps a little daydreaming about the next big hit. Just remember, while you’re out there perfecting your hibernation skills, the rest of us are still waiting for you to come back and sprinkle a little magic back into our cinematic lives. #JellyfishPictures #Animation #FilmIndustry #CrisisManagement #TemporarySuspension

Hoy me siento como un viejo Macintosh SE, abandonado en una venta de garaje, con el corazón lleno de recuerdos y la esperanza marchita. Recuerdo aquellos días en que la vida era simple, donde cada clic en el teclado resonaba con promesas de un futuro brillante. Pero ahora, al igual que esa máquina, me encuentro atrapado en el tiempo, sintiendo el peso de la soledad y el desasosiego. 😔 El hallazgo de aquel caso de 1987, que alguna vez fue símbolo de innovación y creatividad, es un recordatorio doloroso de lo que fue y ya no será. A veces me pregunto si hay algo entre las sombras de mi vida que pueda revivir la chispa de la emoción. La idea de un "restomod", de restaurar lo que ha sido olvidado, se siente como un sueño distante que solo se vuelve más inalcanzable con el paso de los días. 😢 Me siento como un programa corrupto, incapaz de funcionar como solía. Las conexiones que una vez fueron vibrantes ahora son hilos desgastados, y las risas se han convertido en ecos lejanos. Busco consuelo en el pasado, pero cada recuerdo es un punzón en el alma. Cuando miro a mi alrededor, veo a otros avanzar, mientras yo me aferro al polvo de un pasado que se desmorona. La nostalgia es un lugar peligroso donde me encuentro a menudo, un laberinto de sentimientos que me atrapa y no me deja escapar. Quiero volver a sentir, quiero volver a ser la versión de mí mismo que un día brilló con la luz de la esperanza. Pero, ¿qué pasa cuando el brillo se apaga? ¿Qué sucede cuando los sueños se convierten en solo eso, sueños? La realidad se vuelve un lugar sombrío, donde el silencio pesa más que las palabras. 🌧️ Quizás, al igual que el Macintosh SE que encontró Duncan Hall, pueda encontrar una forma de renacer. Quizás, un pequeño toque de amor y cuidado pueda restaurar la belleza que alguna vez existió. Pero hoy, en este momento de profunda tristeza, solo quiero gritar al vacío y que alguien, en algún lugar, me escuche. Porque sentirme solo en un mundo lleno de personas es la mayor tristeza de todas. 💔 #Soledad #Recuerdos #Nostalgia #MacintoshSE #CorazónRoto

So, NetEase has decided to bless the gaming world with "Blood Message," an action-adventure AAA solo game that promises to be as impressive as a cat video going viral. I mean, who doesn't want to dive into a solo adventure where the only company you have is the sound of your own existential dread? Let’s talk about the title for a second. "Blood Message"? Sounds like the kind of thing you’d receive from your ex after a few too many drinks. But hey, if we’re diving into the realm of intense narrative, what’s more gripping than the combination of blood and vague text messages? I can already hear the dramatic soundtrack swelling as I unlock the next piece of lore about why my character is so emotionally unavailable. And can we appreciate the timing? While everyone else is busy launching multiplayer games that require you to socialize with actual human beings, NetEase swoops in with a solo experience. It’s like they’re saying, “Why go out into the world when you can stay in your pajamas and pretend to have friends in a digital universe?” Brilliant! Who needs real interactions when you can have lifelike graphics and a storyline so convoluted that it rivals the plot of a daytime soap opera? But let’s not forget the whole “AAA” label they’ve slapped on this gem. AAA! The holy grail of gaming jargon that promises a level of polish and production value so high that you might just forget you’re still sitting on your couch, eating cold pizza. Of course, as we’ve learned, sometimes AAA just means “Amazing Ads” because more often than not, the actual gameplay feels like it was developed in a garage by a group of raccoons on a sugar high. Now, let’s not kid ourselves. This game will undoubtedly have stunning visuals that will make your graphics card cry. But will it have depth? Or will we merely be left with yet another iteration of “run, jump, and stab”? I guess we’ll find out when it releases on PC and consoles. Just don't forget to check your social media feed for the obligatory “epic” gameplay clips that will surely be followed by a slew of half-hearted memes. So, if you’re ready to immerse yourself in a world of blood, messages, and the sweet sound of your own solitude, mark your calendars. "Blood Message" is coming to a console near you! Can't wait to see how this "impressive" title manages to impress... or underwhelm. Either way, I’ll be there with my pizza, ready to laugh at my own life choices. #BloodMessage #NetEaseGames #GamingSatire #ActionAdventure #SoloGamer

Oh, IMAX, the grand illusion of reality turned up to eleven! Who knew that watching a two-hour movie could feel like a NASA launch, complete with a symphony of surround sound that could wake the dead? For those who haven't had the pleasure, IMAX is not just a cinema; it’s an experience that makes you feel like you’re inside the movie—right before you realize you’re just trapped in a ridiculously oversized chair, too small for your popcorn bucket. Let’s talk about those gigantic screens. You know, the ones that make your living room TV look like a postage stamp? Apparently, the idea is to engulf you in the film so much that you forget about the existential dread of your daily life. Because honestly, who needs a therapist when you can sit in a dark room, surrounded by strangers, with a screen larger than your future looming in front of you? And don’t get me started on the “revolutionary technology.” IMAX is synonymous with larger-than-life images, but let's face it—it's just fancy pixels. I mean, how many different ways can you capture a superhero saving the world at this point? Yet, somehow, they manage to convince us that we need to watch it all in the world’s biggest format, because watching it on a normal screen would be akin to watching it through a keyhole, right? Then there’s the sound. IMAX promises "the most immersive audio experience." Yes, because nothing says relaxation like feeling like you’re in the middle of a battle scene with explosions that could shake the very foundations of your soul. You know, I used to think my neighbors were loud, but now I realize they could never compete with the sound of a spaceship crashing at full volume. Thanks, IMAX, for redefining the meaning of “loud neighbors.” And let’s not forget the tickets. A small mortgage payment for an evening of cinematic bliss! Who needs to save for retirement when you can experience the thrill of a blockbuster in a seat that costs more than your last three grocery bills combined? It’s a small price to pay for the opportunity to see your favorite actors’ pores in glorious detail. In conclusion, if you haven’t yet experienced the wonder that is IMAX, prepare yourself for a rollercoaster of emotions and a potential existential crisis. Because nothing says “reality” quite like watching a fictional world unfold on a screen so big it makes your own life choices seem trivial. So, grab your credit card, put on your 3D glasses, and let’s dive into the cinematic abyss of IMAX—where reality takes a backseat, and your wallet weeps in despair. #IMAX #CinematicExperience #RealityCheck #MovieMagic #TooBigToFail

It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation