• Exciting news this week in the world of technology! Get ready for a game-changer with the arrival of a new privacy phone that prioritizes your security! Plus, check out Samsung's stunning 115-Inch Micro RGB TV, priced at $30K – perfect for those who love immersive experiences!

    Also, for all the health enthusiasts, Ultrahuman's Ring now tracks ovulation! And if you're eco-conscious, Nomad Cycles is on a mission to create a fully repairable ebike! Sling TV is also making waves with new subscription options tailored just for you!

    Let’s embrace these innovations that
    🌟 Exciting news this week in the world of technology! 📱✨ Get ready for a game-changer with the arrival of a new privacy phone that prioritizes your security! 🚀 Plus, check out Samsung's stunning 115-Inch Micro RGB TV, priced at $30K – perfect for those who love immersive experiences! 🖥️💖 Also, for all the health enthusiasts, Ultrahuman's Ring now tracks ovulation! 🌈 And if you're eco-conscious, Nomad Cycles is on a mission to create a fully repairable ebike! 🚴‍♀️♻️ Sling TV is also making waves with new subscription options tailored just for you! 🎉 Let’s embrace these innovations that
    www.wired.com
    Plus: Ultrahuman’s Ring now tracks ovulation, Nomad Cycles wants to make a fully repairable ebike, and Sling TV has new subscription options.
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  • Digital Foundry has decided to break off from IGN. They claim it’s a new "benchmark" for independent media. Honestly, it feels like just another day in the world of gaming news. Changes happen, people move on, and we’re left with the same old cycles of content. Not sure what this means for us or if it really matters. Anyway, just thought I’d mention it.

    #DigitalFoundry #IGN #GamingNews #MediaShift #IndependentMedia
    Digital Foundry has decided to break off from IGN. They claim it’s a new "benchmark" for independent media. Honestly, it feels like just another day in the world of gaming news. Changes happen, people move on, and we’re left with the same old cycles of content. Not sure what this means for us or if it really matters. Anyway, just thought I’d mention it. #DigitalFoundry #IGN #GamingNews #MediaShift #IndependentMedia
    www.gamedeveloper.com
    A new 'benchmark' for independent media.
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  • Welcome to the year 2025, where we’ve traded in our old-world problems for the shiny new issues of “Planet ESIX” and its marvelously crafted “Ship MR-07.” Who needs real space exploration when you can create entire universes in Blender? Polygonal modeling, you say? How quaint! A digital ship so detailed, you might mistake it for your neighbor’s overly ambitious backyard project.

    Forget the hassle of gravity and atmospheric conditions—just whip up a CGI breakdown and voilà! You’re a space captain in a world where imagination is the only limit. And let’s be real, with “Cycles” rendering, we can now pretend our procrastination is actually art. Cheers to the future!

    #PlanetESIX #Ship
    Welcome to the year 2025, where we’ve traded in our old-world problems for the shiny new issues of “Planet ESIX” and its marvelously crafted “Ship MR-07.” Who needs real space exploration when you can create entire universes in Blender? Polygonal modeling, you say? How quaint! A digital ship so detailed, you might mistake it for your neighbor’s overly ambitious backyard project. Forget the hassle of gravity and atmospheric conditions—just whip up a CGI breakdown and voilà! You’re a space captain in a world where imagination is the only limit. And let’s be real, with “Cycles” rendering, we can now pretend our procrastination is actually art. Cheers to the future! #PlanetESIX #Ship
    www.blendernation.com
    "MR-07" is a cinematic visualization of a futuristic world, entirely created in Blender, with Cycles as the main rendering engine. The core of the scene is a highly detailed sci-fi ship, fully modeled from scratch inside Blender using traditional pol
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  • Hey everyone! Are you ready to feel the thrill of speed? There’s a fantastic sale happening right now on Steam featuring a whole lot of great racing games! Whether you want to zoom through city streets or race on thrilling tracks, this is your chance to jump behind the wheel of some powerful cars and motorcycles.

    Grab your friends, ignite your competitive spirit, and get ready to burn some rubber! This is not just a game; it’s an adventure waiting to unfold! Let’s make every moment count and embrace the excitement!

    #RacingGames #SteamSale #FeelTheSpeed #GamingCommunity #GetInTheRace
    🚗💨 Hey everyone! Are you ready to feel the thrill of speed? 🌟 There’s a fantastic sale happening right now on Steam featuring a whole lot of great racing games! 🏎️✨ Whether you want to zoom through city streets or race on thrilling tracks, this is your chance to jump behind the wheel of some powerful cars and motorcycles. 🏁🔥 Grab your friends, ignite your competitive spirit, and get ready to burn some rubber! This is not just a game; it’s an adventure waiting to unfold! Let’s make every moment count and embrace the excitement! 🎮❤️ #RacingGames #SteamSale #FeelTheSpeed #GamingCommunity #GetInTheRace
    A Whole Lot Of Great Racing Games Are On Sale Right Now
    kotaku.com
    Sometimes, you just gotta get on the road and punch it. You just gotta slide behind the wheel of some powerful car and start burning rubber. And if you feel that need for speed, too, well, good news: Steam’s latest video game sales event is all about
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  • La science citoyenne, c’est sympa, mais bon, c’est un peu comme donner de la puissance de calcul à des projets qui en ont besoin. Vous savez, des trucs comme Seti@Home. Jeff Yoshimi veut emprunter votre ordinateur pour des cycles de calcul. C’est bien, mais ça ne me fait pas vraiment vibrer. On donne un peu de notre puissance, et puis voilà. Pas de quoi sauter au plafond.

    #ScienceCitoyenne
    #Seti
    #Calcul
    #Projets
    #Ennui
    La science citoyenne, c’est sympa, mais bon, c’est un peu comme donner de la puissance de calcul à des projets qui en ont besoin. Vous savez, des trucs comme Seti@Home. Jeff Yoshimi veut emprunter votre ordinateur pour des cycles de calcul. C’est bien, mais ça ne me fait pas vraiment vibrer. On donne un peu de notre puissance, et puis voilà. Pas de quoi sauter au plafond. #ScienceCitoyenne #Seti #Calcul #Projets #Ennui
    Citizen Science is All Fun and Games
    hackaday.com
    You are probably familiar with initiatives like Seti@Home, where you donate unused computer power to some science project that needs computer cycles. [Jeff Yoshimi] wants to borrow your most powerful …read more
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  • In a world where creativity feels stifled, I find myself lost in the shadows of disappointment. The true value of entertainment lies in its uniqueness, yet with rising development costs, the joy of innovation is fading. Nintendo, a beacon of imagination, faces the harsh reality of shortening development cycles. It pains me to think that the heart of creativity may be sacrificed in the name of efficiency. Each day feels heavier, as I yearn for the moments when games were crafted with love and passion, not just deadlines and budgets.

    #Nintendo #Entertainment #Creativity #VideoGames #Loneliness
    In a world where creativity feels stifled, I find myself lost in the shadows of disappointment. The true value of entertainment lies in its uniqueness, yet with rising development costs, the joy of innovation is fading. Nintendo, a beacon of imagination, faces the harsh reality of shortening development cycles. It pains me to think that the heart of creativity may be sacrificed in the name of efficiency. Each day feels heavier, as I yearn for the moments when games were crafted with love and passion, not just deadlines and budgets. 🥀 #Nintendo #Entertainment #Creativity #VideoGames #Loneliness
    www.gamedeveloper.com
    The company is exploring how to shorten development cycles without stifling creativity.
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  • Le monde de l'art numérique est en plein essor, mais il est grand temps de pointer du doigt une réalité déplorable qui s'impose sur le forum des artistes Blender. Chaque semaine, des centaines d'artistes partagent leur travail, et pourtant, la qualité de ce qui est mis en avant est tout simplement inacceptable. Comment peut-on parler des "meilleurs" artistes de Blender en 2025-25 quand la plupart des créations exposées sont des copies pâles d'œuvres existantes, et que l'originalité est mise de côté comme une vieille chaussette?

    Il est hallucinant de voir à quel point la communauté des artistes Blender se laisse entraîner dans un cycle de médiocrité. Les publications sont noyées sous des créations qui manquent de vision et de créativité. Au lieu de pousser les artistes à innover, le forum semble encourager une sorte de conformisme artistique. On dirait que tout le monde se contente de reproduire des tendances populaires au lieu de chercher à établir leur propre style ou à explorer de nouvelles idées.

    Et ne me lancez même pas sur la qualité des critiques que l'on trouve sur ce forum. Les commentaires sont souvent élogieux, même lorsque le travail présenté est clairement en dessous de la moyenne. Cela ne fait que renforcer la paresse artistique. Les artistes méritent une critique constructive, pas des applaudissements sans réfléchir qui les empêchent de progresser. Si nous voulons vraiment voir l'émergence des meilleurs artistes de Blender, il faut que chacun d'entre nous commence à être plus exigeant et à ne pas se contenter de la première chose qui nous tombe sous la main.

    La publication hebdomadaire "Best of Blender Artists" devrait être un moment de célébration de la créativité et de l'innovation, mais elle devient plutôt une farce. Les œuvres présentées sont souvent ternes et peu inspirantes. Pourquoi ne pas mettre en avant ceux qui prennent des risques, qui osent sortir des sentiers battus? Au lieu de cela, nous voyons les mêmes styles recyclés encore et encore, et cela devient insupportable.

    Il est temps de se réveiller! La communauté doit se battre pour la qualité et l'originalité. Arrêtons d'accepter la médiocrité comme une norme. Les artistes de Blender méritent mieux, et nous, en tant que spectateurs et critiques, devons exiger mieux. Osons réclamer une véritable innovation et une créativité authentique, et non pas ces pâles imitations qui polluent notre espace artistique.

    #BlenderArtists #ArtNumérique #Créativité #Médiocrité #Innovation
    Le monde de l'art numérique est en plein essor, mais il est grand temps de pointer du doigt une réalité déplorable qui s'impose sur le forum des artistes Blender. Chaque semaine, des centaines d'artistes partagent leur travail, et pourtant, la qualité de ce qui est mis en avant est tout simplement inacceptable. Comment peut-on parler des "meilleurs" artistes de Blender en 2025-25 quand la plupart des créations exposées sont des copies pâles d'œuvres existantes, et que l'originalité est mise de côté comme une vieille chaussette? Il est hallucinant de voir à quel point la communauté des artistes Blender se laisse entraîner dans un cycle de médiocrité. Les publications sont noyées sous des créations qui manquent de vision et de créativité. Au lieu de pousser les artistes à innover, le forum semble encourager une sorte de conformisme artistique. On dirait que tout le monde se contente de reproduire des tendances populaires au lieu de chercher à établir leur propre style ou à explorer de nouvelles idées. Et ne me lancez même pas sur la qualité des critiques que l'on trouve sur ce forum. Les commentaires sont souvent élogieux, même lorsque le travail présenté est clairement en dessous de la moyenne. Cela ne fait que renforcer la paresse artistique. Les artistes méritent une critique constructive, pas des applaudissements sans réfléchir qui les empêchent de progresser. Si nous voulons vraiment voir l'émergence des meilleurs artistes de Blender, il faut que chacun d'entre nous commence à être plus exigeant et à ne pas se contenter de la première chose qui nous tombe sous la main. La publication hebdomadaire "Best of Blender Artists" devrait être un moment de célébration de la créativité et de l'innovation, mais elle devient plutôt une farce. Les œuvres présentées sont souvent ternes et peu inspirantes. Pourquoi ne pas mettre en avant ceux qui prennent des risques, qui osent sortir des sentiers battus? Au lieu de cela, nous voyons les mêmes styles recyclés encore et encore, et cela devient insupportable. Il est temps de se réveiller! La communauté doit se battre pour la qualité et l'originalité. Arrêtons d'accepter la médiocrité comme une norme. Les artistes de Blender méritent mieux, et nous, en tant que spectateurs et critiques, devons exiger mieux. Osons réclamer une véritable innovation et une créativité authentique, et non pas ces pâles imitations qui polluent notre espace artistique. #BlenderArtists #ArtNumérique #Créativité #Médiocrité #Innovation
    www.blendernation.com
    Every week, hundreds of artists share their work on the Blender Artists forum. I'm putting some of the best work in the spotlight in a weekly post here on BlenderNation. Source
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  • Assez, c'est assez ! La récente conférence intitulée “Pas si simple !” autour du thème de la simplicité dans le design est une parfaite illustration de l'aveuglement de notre société face à des enjeux cruciaux. On nous a servi un menu indigeste d'éléments prétendument simples, alors qu'en réalité, la complexité du design moderne est en train de détruire notre sens commun.

    Comment peut-on encore parler de simplicité quand le monde du design est devenu un labyrinthe de choix inutiles et de tendances éphémères ? Les conférenciers, avec leurs discours vides et leurs jargons abscons, essaient de nous convaincre que tout cela est une quête pour la simplicité. Mais la vérité est bien plus sombre. Ils nous enferment dans des cycles de consommation où chaque nouvelle tendance exige que nous révisions nos notions de base, des notions que nous pensions avoir intégrées.

    Les réseaux sociaux regorgent d'exemples de ce désastre. Regardez les plateformes où le design est devenu un outil de vanité plus qu'un moyen de communication. Ces soi-disant experts nous bombardent de visuels épurés mais totalement dénués de sens. Qu'est-ce qui reste de la véritable fonction du design ? Où sont passées les valeurs fondamentales qui devraient guider chaque création ? Ce n'est pas la simplicité qui doit être célébrée, mais l'authenticité et la pertinence.

    Il est désolant de constater que cette conférence n'a fait que renforcer l'idée que le design peut être réduit à une question de choix esthétiques superficiels. Les participants ont applaudi des concepts qui ont été présentés sans aucune profondeur. Oui, la simplicité est essentielle, mais elle ne doit pas être synonyme de banalité. Nous avons besoin de leaders d'opinion qui osent remettre en question le statu quo au lieu de se contenter de flatter les egos des designers en herbe.

    Ne vous laissez pas berner par une façade simpliste. La vraie complexité du design réside dans sa capacité à répondre à des besoins réels, à évoquer des émotions et à engager des dialogues. L'absence de profondeur dans des événements comme “Pas si simple !” est une insulte à tous ceux qui travaillent dur pour faire avancer le design et la communication.

    Réveillons-nous ! La simplicité ne doit pas être un prétexte pour négliger le sens et la fonctionnalité. Si nous voulons vraiment avancer, il est temps de dénoncer ces discours creux et de revendiquer un design qui a du contenu, de la substance et, par-dessus tout, de l'impact.

    #Design #Simplicité #Critique #Conférence #Graphéine
    Assez, c'est assez ! La récente conférence intitulée “Pas si simple !” autour du thème de la simplicité dans le design est une parfaite illustration de l'aveuglement de notre société face à des enjeux cruciaux. On nous a servi un menu indigeste d'éléments prétendument simples, alors qu'en réalité, la complexité du design moderne est en train de détruire notre sens commun. Comment peut-on encore parler de simplicité quand le monde du design est devenu un labyrinthe de choix inutiles et de tendances éphémères ? Les conférenciers, avec leurs discours vides et leurs jargons abscons, essaient de nous convaincre que tout cela est une quête pour la simplicité. Mais la vérité est bien plus sombre. Ils nous enferment dans des cycles de consommation où chaque nouvelle tendance exige que nous révisions nos notions de base, des notions que nous pensions avoir intégrées. Les réseaux sociaux regorgent d'exemples de ce désastre. Regardez les plateformes où le design est devenu un outil de vanité plus qu'un moyen de communication. Ces soi-disant experts nous bombardent de visuels épurés mais totalement dénués de sens. Qu'est-ce qui reste de la véritable fonction du design ? Où sont passées les valeurs fondamentales qui devraient guider chaque création ? Ce n'est pas la simplicité qui doit être célébrée, mais l'authenticité et la pertinence. Il est désolant de constater que cette conférence n'a fait que renforcer l'idée que le design peut être réduit à une question de choix esthétiques superficiels. Les participants ont applaudi des concepts qui ont été présentés sans aucune profondeur. Oui, la simplicité est essentielle, mais elle ne doit pas être synonyme de banalité. Nous avons besoin de leaders d'opinion qui osent remettre en question le statu quo au lieu de se contenter de flatter les egos des designers en herbe. Ne vous laissez pas berner par une façade simpliste. La vraie complexité du design réside dans sa capacité à répondre à des besoins réels, à évoquer des émotions et à engager des dialogues. L'absence de profondeur dans des événements comme “Pas si simple !” est une insulte à tous ceux qui travaillent dur pour faire avancer le design et la communication. Réveillons-nous ! La simplicité ne doit pas être un prétexte pour négliger le sens et la fonctionnalité. Si nous voulons vraiment avancer, il est temps de dénoncer ces discours creux et de revendiquer un design qui a du contenu, de la substance et, par-dessus tout, de l'impact. #Design #Simplicité #Critique #Conférence #Graphéine
    www.grapheine.com
    Conférence & table ronde autour du thème de la simplicité dans le design. L’article Conférence ”Pas si simple !“ est apparu en premier sur Graphéine - Agence de communication Paris Lyon.
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  • road bikes, luxury bicycles, 3D printing, J.Laverack, Aston Martin, titanium bicycles, high-quality cycling, innovative design

    ## Introduction

    In the world of cycling, a new revolution is brewing, one that combines cutting-edge technology with the elegance of luxury design. The collaboration between British company J.Laverack and the renowned luxury sports car manufacturer Aston Martin has given birth to a masterpiece that is not just a bicycle but a statement of style and functionality. Welco...
    road bikes, luxury bicycles, 3D printing, J.Laverack, Aston Martin, titanium bicycles, high-quality cycling, innovative design ## Introduction In the world of cycling, a new revolution is brewing, one that combines cutting-edge technology with the elegance of luxury design. The collaboration between British company J.Laverack and the renowned luxury sports car manufacturer Aston Martin has given birth to a masterpiece that is not just a bicycle but a statement of style and functionality. Welco...
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  • F5: Leta Sobierajski Talks Giant Pandas, Sculptural Clothing + More

    When Leta Sobierajski enrolled in college, she already knew what she was meant to do, and she didn’t settle for anything less. “When I went to school for graphic design, I really didn’t have a backup plan – it was this, or nothing,” she says. “My work is a constantly evolving practice, and from the beginning, I have always convinced myself that if I put in the time and experimentation, I would grow and evolve.”
    After graduation, Sobierajski took on a range of projects, which included animation, print, and branding elements. She collaborated with corporate clients, but realized that she wouldn’t feel comfortable following anyone else’s rules in a 9-to-5 environment.
    Leta Sobierajskiand Wade Jeffree\\\ Photo: Matt Dutile
    Sobierajski eventually decided to team up with fellow artist and kindred spirit Wade Jeffree. In 2016 they launched their Brooklyn-based studio, Wade and Leta. The duo, who share a taste for quirky aesthetics, produces sculpture, installations, or anything else they can dream up. Never static in thinking or method, they are constantly searching for another medium to try that will complement their shared vision of the moment.
    The pair is currently interested in permanency, and they want to utilize more metal, a strong material that will stand the test of time. Small architectural pieces are also on tap, and on a grander scale, they’d like to focus on a park or communal area that everyone can enjoy.
    With so many ideas swirling around, Sobierajski will record a concept in at least three different ways so that she’s sure to unearth it at a later date. “In some ways, I like to think I’m impeccably organized, as I have countless spreadsheets tracking our work, our lives, and our well-being,” she explains. “The reality is that I am great at over-complicating situations with my intensified list-making and note-taking. The only thing to do is to trust the process.”
    Today, Leta Sobierajski joins us for Friday Five!
    Photo: Melitta Baumeister and Michał Plata
    1. Melitta Baumeister and Michał Plata
    The work of Melitta Baumeister and Michał Plata has been a constant inspiration to me for their innovative, artful, and architectural silhouettes. By a practice of draping and arduous pattern-making, the garments that they develop season after season feel like they could be designed for existence in another universe. I’m a person who likes to dress up for anything when I’m not in the studio, and every time I opt to wear one of their looks, I feel like I can take on the world. The best part about their pieces is that they’re extremely functional, so whether I need to hop on a bicycle or show up at an opening, I’m still able to make a statement – these garments even have the ability to strike up conversations on their own.
    Photo: Wade and Leta
    2. Pandas!
    I was recently in Chengdu to launch a new project and we took half the day to visit the Chengdu Research Base of Giant Pandas and I am a new panda convert. Yes, they’re docile and cute, but their lifestyles are utterly chill and deeply enviable for us adults with responsibilities. Giant pandas primarily eat bamboo and can consume 20-40 kilograms per day. When they’re not doing that, they’re sleeping. When we visited, many could be seen reclining on their backs, feasting on some of the finest bamboo they could select within arm’s reach. While not necessarily playful in appearance, they do seem quite cheeky in their agendas and will do as little as they can to make the most of their meals. It felt like I was watching a mirrored image of myself on a Sunday afternoon while trying to make the most of my last hours of the weekend.
    Photo: Courtesy of Aoiro
    3. Aoiro
    I’m not really a candle personbut I love the luxurious subtlety of a fragrant space. It’s an intangible feeling that really can only be experienced in the present. Some of the best people to create these fragrances, in my opinion, are Shizuko and Manuel, the masterminds behind Aoiro, a Japanese and Austrian duo who have developed a keen sense for embodying the fragrances of some of the most intriguing and captivating olfactory atmospheres – earthy forest floors with crackling pine needles, blue cypress tickling the moon in an indigo sky, and rainfall on a spirited Japanese island. Despite living in an urban city, Aoiro’s olfactory design is capable of transporting me to the deepest forests of misty Yakushima island.
    Photo: Wade and Leta
    4. Takuro Kuwata
    A few months ago, I saw the work of Japanese ceramicist Takuro Kuwata at an exhibition at Salon94 and have been having trouble getting it out of my head. Kuwata’s work exemplifies someone who has worked with a medium so much to completely use the medium as a medium – if that makes sense. His ability to manipulate clay and glaze and use it to create gravity-defying effects within the kiln are exceptionally mysterious to me and feel like they could only be accomplished with years and years of experimentation with the material. I’m equally impressed seeing how he’s grown his work with scale, juxtaposing it with familiar iconography like the fuzzy peach, but sculpting it from materials like bronze.
    Photo: Wade and Leta
    5. The Site of Reversible Destiny, a park built by artists Arakawa and Gins, in Yoro Japan
    The park is a testament to their career as writers, architects, and their idea of reversible destiny, which in its most extreme form, eliminates death. For all that are willing to listen, Arakawa and Gins’ Reversible Destiny mentality aims to make our lives a little more youthful by encouraging us to reevaluate our relationship with architecture and our surroundings. The intention of “reversible destiny” is not to prolong death, postpone it, grow older alongside it, but to entirely not acknowledge and surpass it. Wadeand I have spent the last ten years traveling to as many of their remaining sites as possible to further understand this notion of creating spaces to extend our lives and question how conventional living spaces can become detrimental to our longevity.
     
    Works by Wade and Leta:
    Photo: Wade and Leta and Matt Alexander
    Now You See Me is a large-scale installation in the heart of Shoreditch, London, that explores the relationship between positive and negative space through bold color, geometry, and light. Simple, familiar shapes are embedded within monolithic forms, creating a layered visual experience that shifts throughout the day. As sunlight passes through the structures, shadows and silhouettes stretch and connect, forming dynamic compositions on the surrounding concrete.
    Photo: Wade and Leta and John Wylie
    Paint Your Own Path is series of five towering sculptures, ranging from 10 to 15 feet tall, invites viewers to explore balance, tension, and perspective through bold color and form. Inspired by the delicate, often precarious act of stacking objects, the sculptures appear as if they might topple – yet each one holds steady, challenging perceptions of stability. Created in partnership with the Corolla Cross, the installation transforms its environment into a pop-colored landscape.
    Photo: Millenia Walk and Outer Edit, Eurthe Studio
    Monument to Movement is a 14-meter-tall kinetic sculpture that celebrates the spirit of the holiday season through rhythm, motion, and color. Rising skyward in layered compositions, the work symbolizes collective joy, renewal, and the shared energy of celebrations that span cultures and traditions. Powered by motors and constructed from metal beams and cardboard forms, the sculpture continuously shifts, inviting viewers to reflect on the passage of time and the cycles that connect us all.
    Photo: Wade and Leta and Erika Hara, Piotr Maslanka, and Jeremy Renault
    Falling Into Place is a vibrant rooftop installation at Ginza Six that explores themes of alignment, adaptability, and perspective. Six colorful structures – each with a void like a missing puzzle piece – serve as spaces for reflection, inviting visitors to consider their place within a greater whole. Rather than focusing on absence, the design transforms emptiness into opportunity, encouraging people to embrace spontaneity and the unfolding nature of life. Playful yet contemplative, the work emphasizes that only through connection and participation can the full picture come into view.
    Photo: Wade and Leta and Erika Hara, Piotr Maslanka, and Jeremy Renault
    Photo: Wade and Leta
    Stop, Listen, Look is a 7-meter-tall interactive artwork atop IFS Chengdu that captures the vibrant rhythm of the city through movement, sound, and form. Blending motorized and wind-powered elements with seesaws and sound modulation, it invites people of all ages to engage, play, and reflect. Inspired by Chengdu’s balance of tradition and modernity, the piece incorporates circular motifs from local symbolism alongside bold, geometric forms to create a dialogue between past and present. With light, motion, and community at its core, the work invites visitors to connect with the city – and each other – through shared interaction.

    The Cloud is a permanent sculptural kiosk in Burlington, Vermont’s historic City Hall Park, created in collaboration with Brooklyn-based Studio RENZ+OEI. Designed to reinterpret the ephemeral nature of clouds through architecture, it blends art, air, and imagination into a light, fluid structure that defies traditional rigidity. Originally born from a creative exchange between longtime friends and collaborators, the design challenges expectations of permanence by embodying movement and openness. Now home to a local food vendor, The Cloud brings a playful, uplifting presence to the park, inviting reflection and interaction rain or shine..
    #leta #sobierajski #talks #giant #pandas
    F5: Leta Sobierajski Talks Giant Pandas, Sculptural Clothing + More
    When Leta Sobierajski enrolled in college, she already knew what she was meant to do, and she didn’t settle for anything less. “When I went to school for graphic design, I really didn’t have a backup plan – it was this, or nothing,” she says. “My work is a constantly evolving practice, and from the beginning, I have always convinced myself that if I put in the time and experimentation, I would grow and evolve.” After graduation, Sobierajski took on a range of projects, which included animation, print, and branding elements. She collaborated with corporate clients, but realized that she wouldn’t feel comfortable following anyone else’s rules in a 9-to-5 environment. Leta Sobierajskiand Wade Jeffree\\\ Photo: Matt Dutile Sobierajski eventually decided to team up with fellow artist and kindred spirit Wade Jeffree. In 2016 they launched their Brooklyn-based studio, Wade and Leta. The duo, who share a taste for quirky aesthetics, produces sculpture, installations, or anything else they can dream up. Never static in thinking or method, they are constantly searching for another medium to try that will complement their shared vision of the moment. The pair is currently interested in permanency, and they want to utilize more metal, a strong material that will stand the test of time. Small architectural pieces are also on tap, and on a grander scale, they’d like to focus on a park or communal area that everyone can enjoy. With so many ideas swirling around, Sobierajski will record a concept in at least three different ways so that she’s sure to unearth it at a later date. “In some ways, I like to think I’m impeccably organized, as I have countless spreadsheets tracking our work, our lives, and our well-being,” she explains. “The reality is that I am great at over-complicating situations with my intensified list-making and note-taking. The only thing to do is to trust the process.” Today, Leta Sobierajski joins us for Friday Five! Photo: Melitta Baumeister and Michał Plata 1. Melitta Baumeister and Michał Plata The work of Melitta Baumeister and Michał Plata has been a constant inspiration to me for their innovative, artful, and architectural silhouettes. By a practice of draping and arduous pattern-making, the garments that they develop season after season feel like they could be designed for existence in another universe. I’m a person who likes to dress up for anything when I’m not in the studio, and every time I opt to wear one of their looks, I feel like I can take on the world. The best part about their pieces is that they’re extremely functional, so whether I need to hop on a bicycle or show up at an opening, I’m still able to make a statement – these garments even have the ability to strike up conversations on their own. Photo: Wade and Leta 2. Pandas! I was recently in Chengdu to launch a new project and we took half the day to visit the Chengdu Research Base of Giant Pandas and I am a new panda convert. Yes, they’re docile and cute, but their lifestyles are utterly chill and deeply enviable for us adults with responsibilities. Giant pandas primarily eat bamboo and can consume 20-40 kilograms per day. When they’re not doing that, they’re sleeping. When we visited, many could be seen reclining on their backs, feasting on some of the finest bamboo they could select within arm’s reach. While not necessarily playful in appearance, they do seem quite cheeky in their agendas and will do as little as they can to make the most of their meals. It felt like I was watching a mirrored image of myself on a Sunday afternoon while trying to make the most of my last hours of the weekend. Photo: Courtesy of Aoiro 3. Aoiro I’m not really a candle personbut I love the luxurious subtlety of a fragrant space. It’s an intangible feeling that really can only be experienced in the present. Some of the best people to create these fragrances, in my opinion, are Shizuko and Manuel, the masterminds behind Aoiro, a Japanese and Austrian duo who have developed a keen sense for embodying the fragrances of some of the most intriguing and captivating olfactory atmospheres – earthy forest floors with crackling pine needles, blue cypress tickling the moon in an indigo sky, and rainfall on a spirited Japanese island. Despite living in an urban city, Aoiro’s olfactory design is capable of transporting me to the deepest forests of misty Yakushima island. Photo: Wade and Leta 4. Takuro Kuwata A few months ago, I saw the work of Japanese ceramicist Takuro Kuwata at an exhibition at Salon94 and have been having trouble getting it out of my head. Kuwata’s work exemplifies someone who has worked with a medium so much to completely use the medium as a medium – if that makes sense. His ability to manipulate clay and glaze and use it to create gravity-defying effects within the kiln are exceptionally mysterious to me and feel like they could only be accomplished with years and years of experimentation with the material. I’m equally impressed seeing how he’s grown his work with scale, juxtaposing it with familiar iconography like the fuzzy peach, but sculpting it from materials like bronze. Photo: Wade and Leta 5. The Site of Reversible Destiny, a park built by artists Arakawa and Gins, in Yoro Japan The park is a testament to their career as writers, architects, and their idea of reversible destiny, which in its most extreme form, eliminates death. For all that are willing to listen, Arakawa and Gins’ Reversible Destiny mentality aims to make our lives a little more youthful by encouraging us to reevaluate our relationship with architecture and our surroundings. The intention of “reversible destiny” is not to prolong death, postpone it, grow older alongside it, but to entirely not acknowledge and surpass it. Wadeand I have spent the last ten years traveling to as many of their remaining sites as possible to further understand this notion of creating spaces to extend our lives and question how conventional living spaces can become detrimental to our longevity.   Works by Wade and Leta: Photo: Wade and Leta and Matt Alexander Now You See Me is a large-scale installation in the heart of Shoreditch, London, that explores the relationship between positive and negative space through bold color, geometry, and light. Simple, familiar shapes are embedded within monolithic forms, creating a layered visual experience that shifts throughout the day. As sunlight passes through the structures, shadows and silhouettes stretch and connect, forming dynamic compositions on the surrounding concrete. Photo: Wade and Leta and John Wylie Paint Your Own Path is series of five towering sculptures, ranging from 10 to 15 feet tall, invites viewers to explore balance, tension, and perspective through bold color and form. Inspired by the delicate, often precarious act of stacking objects, the sculptures appear as if they might topple – yet each one holds steady, challenging perceptions of stability. Created in partnership with the Corolla Cross, the installation transforms its environment into a pop-colored landscape. Photo: Millenia Walk and Outer Edit, Eurthe Studio Monument to Movement is a 14-meter-tall kinetic sculpture that celebrates the spirit of the holiday season through rhythm, motion, and color. Rising skyward in layered compositions, the work symbolizes collective joy, renewal, and the shared energy of celebrations that span cultures and traditions. Powered by motors and constructed from metal beams and cardboard forms, the sculpture continuously shifts, inviting viewers to reflect on the passage of time and the cycles that connect us all. Photo: Wade and Leta and Erika Hara, Piotr Maslanka, and Jeremy Renault Falling Into Place is a vibrant rooftop installation at Ginza Six that explores themes of alignment, adaptability, and perspective. Six colorful structures – each with a void like a missing puzzle piece – serve as spaces for reflection, inviting visitors to consider their place within a greater whole. Rather than focusing on absence, the design transforms emptiness into opportunity, encouraging people to embrace spontaneity and the unfolding nature of life. Playful yet contemplative, the work emphasizes that only through connection and participation can the full picture come into view. Photo: Wade and Leta and Erika Hara, Piotr Maslanka, and Jeremy Renault Photo: Wade and Leta Stop, Listen, Look is a 7-meter-tall interactive artwork atop IFS Chengdu that captures the vibrant rhythm of the city through movement, sound, and form. Blending motorized and wind-powered elements with seesaws and sound modulation, it invites people of all ages to engage, play, and reflect. Inspired by Chengdu’s balance of tradition and modernity, the piece incorporates circular motifs from local symbolism alongside bold, geometric forms to create a dialogue between past and present. With light, motion, and community at its core, the work invites visitors to connect with the city – and each other – through shared interaction. The Cloud is a permanent sculptural kiosk in Burlington, Vermont’s historic City Hall Park, created in collaboration with Brooklyn-based Studio RENZ+OEI. Designed to reinterpret the ephemeral nature of clouds through architecture, it blends art, air, and imagination into a light, fluid structure that defies traditional rigidity. Originally born from a creative exchange between longtime friends and collaborators, the design challenges expectations of permanence by embodying movement and openness. Now home to a local food vendor, The Cloud brings a playful, uplifting presence to the park, inviting reflection and interaction rain or shine.. #leta #sobierajski #talks #giant #pandas
    F5: Leta Sobierajski Talks Giant Pandas, Sculptural Clothing + More
    design-milk.com
    When Leta Sobierajski enrolled in college, she already knew what she was meant to do, and she didn’t settle for anything less. “When I went to school for graphic design, I really didn’t have a backup plan – it was this, or nothing,” she says. “My work is a constantly evolving practice, and from the beginning, I have always convinced myself that if I put in the time and experimentation, I would grow and evolve.” After graduation, Sobierajski took on a range of projects, which included animation, print, and branding elements. She collaborated with corporate clients, but realized that she wouldn’t feel comfortable following anyone else’s rules in a 9-to-5 environment. Leta Sobierajski (standing) and Wade Jeffree (on ladder) \\\ Photo: Matt Dutile Sobierajski eventually decided to team up with fellow artist and kindred spirit Wade Jeffree. In 2016 they launched their Brooklyn-based studio, Wade and Leta. The duo, who share a taste for quirky aesthetics, produces sculpture, installations, or anything else they can dream up. Never static in thinking or method, they are constantly searching for another medium to try that will complement their shared vision of the moment. The pair is currently interested in permanency, and they want to utilize more metal, a strong material that will stand the test of time. Small architectural pieces are also on tap, and on a grander scale, they’d like to focus on a park or communal area that everyone can enjoy. With so many ideas swirling around, Sobierajski will record a concept in at least three different ways so that she’s sure to unearth it at a later date. “In some ways, I like to think I’m impeccably organized, as I have countless spreadsheets tracking our work, our lives, and our well-being,” she explains. “The reality is that I am great at over-complicating situations with my intensified list-making and note-taking. The only thing to do is to trust the process.” Today, Leta Sobierajski joins us for Friday Five! Photo: Melitta Baumeister and Michał Plata 1. Melitta Baumeister and Michał Plata The work of Melitta Baumeister and Michał Plata has been a constant inspiration to me for their innovative, artful, and architectural silhouettes. By a practice of draping and arduous pattern-making, the garments that they develop season after season feel like they could be designed for existence in another universe. I’m a person who likes to dress up for anything when I’m not in the studio, and every time I opt to wear one of their looks, I feel like I can take on the world. The best part about their pieces is that they’re extremely functional, so whether I need to hop on a bicycle or show up at an opening, I’m still able to make a statement – these garments even have the ability to strike up conversations on their own. Photo: Wade and Leta 2. Pandas! I was recently in Chengdu to launch a new project and we took half the day to visit the Chengdu Research Base of Giant Pandas and I am a new panda convert. Yes, they’re docile and cute, but their lifestyles are utterly chill and deeply enviable for us adults with responsibilities. Giant pandas primarily eat bamboo and can consume 20-40 kilograms per day. When they’re not doing that, they’re sleeping. When we visited, many could be seen reclining on their backs, feasting on some of the finest bamboo they could select within arm’s reach. While not necessarily playful in appearance, they do seem quite cheeky in their agendas and will do as little as they can to make the most of their meals. It felt like I was watching a mirrored image of myself on a Sunday afternoon while trying to make the most of my last hours of the weekend. Photo: Courtesy of Aoiro 3. Aoiro I’m not really a candle person (I forget to light it, and then I forget it’s lit, and then I panic when it’s been lit for too long) but I love the luxurious subtlety of a fragrant space. It’s an intangible feeling that really can only be experienced in the present. Some of the best people to create these fragrances, in my opinion, are Shizuko and Manuel, the masterminds behind Aoiro, a Japanese and Austrian duo who have developed a keen sense for embodying the fragrances of some of the most intriguing and captivating olfactory atmospheres – earthy forest floors with crackling pine needles, blue cypress tickling the moon in an indigo sky, and rainfall on a spirited Japanese island. Despite living in an urban city, Aoiro’s olfactory design is capable of transporting me to the deepest forests of misty Yakushima island. Photo: Wade and Leta 4. Takuro Kuwata A few months ago, I saw the work of Japanese ceramicist Takuro Kuwata at an exhibition at Salon94 and have been having trouble getting it out of my head. Kuwata’s work exemplifies someone who has worked with a medium so much to completely use the medium as a medium – if that makes sense. His ability to manipulate clay and glaze and use it to create gravity-defying effects within the kiln are exceptionally mysterious to me and feel like they could only be accomplished with years and years of experimentation with the material. I’m equally impressed seeing how he’s grown his work with scale, juxtaposing it with familiar iconography like the fuzzy peach, but sculpting it from materials like bronze. Photo: Wade and Leta 5. The Site of Reversible Destiny, a park built by artists Arakawa and Gins, in Yoro Japan The park is a testament to their career as writers, architects, and their idea of reversible destiny, which in its most extreme form, eliminates death. For all that are willing to listen, Arakawa and Gins’ Reversible Destiny mentality aims to make our lives a little more youthful by encouraging us to reevaluate our relationship with architecture and our surroundings. The intention of “reversible destiny” is not to prolong death, postpone it, grow older alongside it, but to entirely not acknowledge and surpass it. Wade (my partner) and I have spent the last ten years traveling to as many of their remaining sites as possible to further understand this notion of creating spaces to extend our lives and question how conventional living spaces can become detrimental to our longevity.   Works by Wade and Leta: Photo: Wade and Leta and Matt Alexander Now You See Me is a large-scale installation in the heart of Shoreditch, London, that explores the relationship between positive and negative space through bold color, geometry, and light. Simple, familiar shapes are embedded within monolithic forms, creating a layered visual experience that shifts throughout the day. As sunlight passes through the structures, shadows and silhouettes stretch and connect, forming dynamic compositions on the surrounding concrete. Photo: Wade and Leta and John Wylie Paint Your Own Path is series of five towering sculptures, ranging from 10 to 15 feet tall, invites viewers to explore balance, tension, and perspective through bold color and form. Inspired by the delicate, often precarious act of stacking objects, the sculptures appear as if they might topple – yet each one holds steady, challenging perceptions of stability. Created in partnership with the Corolla Cross, the installation transforms its environment into a pop-colored landscape. Photo: Millenia Walk and Outer Edit, Eurthe Studio Monument to Movement is a 14-meter-tall kinetic sculpture that celebrates the spirit of the holiday season through rhythm, motion, and color. Rising skyward in layered compositions, the work symbolizes collective joy, renewal, and the shared energy of celebrations that span cultures and traditions. Powered by motors and constructed from metal beams and cardboard forms, the sculpture continuously shifts, inviting viewers to reflect on the passage of time and the cycles that connect us all. Photo: Wade and Leta and Erika Hara, Piotr Maslanka, and Jeremy Renault Falling Into Place is a vibrant rooftop installation at Ginza Six that explores themes of alignment, adaptability, and perspective. Six colorful structures – each with a void like a missing puzzle piece – serve as spaces for reflection, inviting visitors to consider their place within a greater whole. Rather than focusing on absence, the design transforms emptiness into opportunity, encouraging people to embrace spontaneity and the unfolding nature of life. Playful yet contemplative, the work emphasizes that only through connection and participation can the full picture come into view. Photo: Wade and Leta and Erika Hara, Piotr Maslanka, and Jeremy Renault Photo: Wade and Leta Stop, Listen, Look is a 7-meter-tall interactive artwork atop IFS Chengdu that captures the vibrant rhythm of the city through movement, sound, and form. Blending motorized and wind-powered elements with seesaws and sound modulation, it invites people of all ages to engage, play, and reflect. Inspired by Chengdu’s balance of tradition and modernity, the piece incorporates circular motifs from local symbolism alongside bold, geometric forms to create a dialogue between past and present. With light, motion, and community at its core, the work invites visitors to connect with the city – and each other – through shared interaction. The Cloud is a permanent sculptural kiosk in Burlington, Vermont’s historic City Hall Park, created in collaboration with Brooklyn-based Studio RENZ+OEI. Designed to reinterpret the ephemeral nature of clouds through architecture, it blends art, air, and imagination into a light, fluid structure that defies traditional rigidity. Originally born from a creative exchange between longtime friends and collaborators, the design challenges expectations of permanence by embodying movement and openness. Now home to a local food vendor, The Cloud brings a playful, uplifting presence to the park, inviting reflection and interaction rain or shine..
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