Montreal City Hall – Beaupré Michaud and Associates, Architects in collaboration with MU Architecture, Montreal. Photo credit: Raphaël Thibodeau The Ordre des architectes du Québec (OAQ) has revealed the winners of its 2025 Awards of Excellence in Architecture. A total of eleven projects were recognized at a gala hosted by Jean-René Dufort at Espace St-Denis in Montreal. The Grand Prix d’excellence en architecture was awarded to the restoration of Montreal City Hall , a major project led by Beaupré Michaud et Associés, architects, and MU Architecture. This complex project successfully preserves the building’s historical qualities while transforming it into an exemplary place in terms of energy and ecology.  Guided by plans from the 1920s, the architects revived this building by equipping it with contemporary, efficient, more open, and more accessible features for residents. In addition to the heritage restoration, the team also reconciled old and contemporary technologies, energy efficiency, universal accessibility, and the reappropriation of spaces that had become dilapidated. The People’s Choice Award was presented to the Coop Milieu de l’île, designed by Pivot: Coopérative d’architecture. Located in Outremont, this 91-unit intergenerational housing cooperative was born from the initiative of a group of committed citizens looking to address the housing crisis by creating affordable, off-market housing. In the context of the housing crisis, the jury emphasized that this project, which is also the recipient of an Award of Excellence, designed by and for its residents, acts as a “breath of fresh air in Outremont.” Coop Milieu de l’île. Pivot: Architecture Cooperative, Montreal. Photo credit: Annie Fafard “The projects we evaluated this year were truly remarkable in their richness and diversity. The jury found in them everything that makes Quebec architecture so strong and unique: rigor, attention to detail, and respect for the context and built heritage. We saw emblematic projects, but also discreet gestures, almost invisible in the landscape. Some projects rehabilitated forgotten places, transformed historic buildings, or even imagined new spaces for collective living. All, in their own way, highlighted the powerful impact of built quality on our living environments,” said Gabrielle Nadeau, chair of the OAQ Awards of Excellence Jury. The jury for the 2025 Awards of Excellence in Architecture was chaired by Gabrielle Nadeau, principal design architect, COBE in Copenhagen. It also included architects Marianne Charbonneau of Agence Spatiale, Maxime-Alexis Frappier of ACDF, and Guillaume Martel-Trudel of Provencher-Roy. Élène Levasseur, director of research and education at Architecture sans frontières Québec, acted as the public representative. Through the Awards of Excellence in Architecture, presented annually, the Order aims to raise awareness among Quebecers of the multiple dimensions of architectural quality, in addition to promoting the role of the architects in the design of inspiring, sustainable and thoughtful senior living environments. The full list of winners include the following. Habitat Sélénite by _naturehumaine Habitat Sélénite – _naturehumaine, Eastman (Estrie). Photo: Raphaël Thibodeau École secondaire du Bosquet by ABCP | Menkès Shooner Dagenais LeTourneux | Bilodeau Baril Leeming Architectes École secondaire du Bosquet – ABCP | Menkès Shooner Dagenais LeTourneux | Bilodeau Baril Leeming Architectes, Drummondville (Centre-du-Québec). Photo: Stéphane Brügger Bibliothèque Gabrielle-Roy by Saucier + Perrotte Architectes et GLCRM Architectes Bibliothèque Gabrielle-Roy – Saucier + Perrotte Architectes et GLCRM Architectes, Québec (Capitale-Nationale). Photo: Olivier Blouin Maison A by Atelier Pierre Thibault Maison A – Atelier Pierre Thibault, Saint-Nicolas (Chaudière-Appalaches). Photo: Maxime Brouillet Nouvel Hôtel de Ville de La Pêche by BGLA Architecture et Design Urbain Nouvel Hôtel de Ville de La Pêche – BGLA Architecture et Design Urbain, La Pêche (Outaouais). Photo: Stéphane Brügger / Dominique Laroche École du Zénith by Pelletier de Fontenay + Leclerc École du Zénith – Pelletier de Fontenay + Leclerc, Shefford (Estrie). Photo: James Brittain / David Boyer Le Paquebot by _naturehumaine Le Paquebot – _naturehumaine, Montréal (Montréal). Photo: Ronan Mézière Coopérative funéraire la Seigneurie by ultralocal architectes Coopérative funéraire la Seigneurie – ultralocal architectes, Québec (Capitale-Nationale). Photo credit: Paul Dussault Site d’observation des bélugas Putep’t-awt by atelier5 + mainstudio Site d’observation des bélugas Putep’t-awt – atelier5 + mainstudio, Cacouna (Bas-Saint-Laurent). Photo: Stéphane Groleau The post OAQ Awards of Excellence winners announced appeared first on Canadian Architect.

As a Canadian who has spent the last two and a half years working as an intern architect in Helsinki, these questions have been on my mind. In my current role, I have had the opportunity to participate in numerous architectural competitions arranged by Finnish municipalities and public institutions. It has been my observation that the Finnish system of open, anonymous architectural competitions consistently produces elegant and highly functional public buildings at reasonable cost and at great benefit to the lives of the everyday people for whom the projects are intended to serve. Could Canada benefit from the adoption of a similar model? ‘Public project’ has never been a clearly defined term and may bring to mind the image of a bustling library for some while conjuring the image of a municipal power substation for others. In the context of this discussion, I will use the term to refer to projects that are explicitly in-service of the broader public such as community centres, museums, and other cultural venues. Finland’s architectural competition system Frequented by nearly 2 million visitors per year, the Oodi Central Library in Helsinki, Finland, has become a thriving cultural hub and an internationally recognized symbol of Finnish design innovation. Designed by ALA Architects, the project was procured through a 2-stage, open, international architectural competition. Photo by Ninara (flickr, CC BY 2.0) In Finland, most notable public projects begin with an architectural competition. Some are limited to invited participants only, but the majority of these competitions are open to international submissions. Importantly, the authors of any given proposal remain anonymous with regards to the jury. This ensures that all proposals are evaluated purely on quality without bias towards established firms over lesser known competitors. The project budget is known in advance to the competition entrants and cost feasibility is an important factor weighed by the jury. However, the cost for the design services to be procured from the winning entry is fixed ahead of time, preventing companies from lowballing offers in the hopes of securing an interesting commission despite the inevitable compromises in quality that come with under-resourced design work. The result: inspired, functional public spaces are the norm, not the exception. Contrasted against the sea of forgettable public architecture to be found in cities large and small across Canada, the Finnish model paints a utopic picture. Several award-winning projects in my current place of employment in Helsinki have been the result of successes in open architectural competitions. The origin of the firm itself stemmed from a winning competition entry for a church in a small village submitted by the firm’s founder while he was still completing his architectural studies.  At that time, many architecture firms in Finland were founded in this manner with the publicity of a competition win serving as a career launching off point for young architects. While less common today, many students and recent graduates still participate in these design competitions. On the occasion that a young practitioner wins a competition, they are required to assemble a team with the necessary expertise and qualifications to satisfy the requirements of the jury. I believe there is a direct link between the high architectural quality outcomes of these competitions and the fact that they are conducted anonymously. The opening of these competitions to submissions from companies outside of Finland further enhances the diversity of entries and fosters international interest in the goings-on of Finland’s architectural scene. Nonetheless, it is worth acknowledging that exemplary projects have also resulted from invited and privately organized competitions. Ultimately, the mindset of the client, the selection of an appropriate jury, and the existence of sufficient incentives for architects to invest significant time in their proposals play a more critical role in shaping the quality of the final outcome. Tikkurila Church and Housing in Vantaa, Finland, hosts a diverse range of functions including a café, community event spaces and student housing. Designed by OOPEAA in collaboration with a local builder, the project was realized as the result of a competition organized by local Finnish and Swedish parishes. Photo by Marc Goodwin Finland’s competition system, administered by the Finnish Association of Architects (SAFA), is not limited to major public projects such as museums, libraries and city halls. A significant number of idea competitions are organized seeking compelling visions for urban masterplans. The quality of this system has received international recognition. To quote a research paper from a Swedish university on the structure, criteria and judgement process of Finnish architectural competitions, “The Finnish (competition) experience can provide a rich information source for scholars and students studying the structure and process of competition system and architectural judgement, as well as those concerned with commissioning and financing of competitions due to innovative solutions found in the realms of urban revitalization, poverty elimination, environmental pollution, cultural and socio-spatial renewals, and democratization of design and planning process.” This has not gone entirely under the radar in Canada. According to the website of the Royal Architectural Institute of Canada (RAIC), “Competitions are common in countries such as Finland, Ireland, the United Kingdom, Australia, and New Zealand. These competitions have resulted in a high quality of design as well as creating public interest in the role of architecture in national and community life.” Canada’s architectural competition system In Canada, the RAIC sets general competition guidelines while provincial and territorial architect associations are typically responsible for the oversight of any endorsed architectural competition. Although the idea of implementing European architectural competition models has been gaining traction in recent years, competitions remain relatively rare even for significant public projects. While Canada is yet to fully embrace competition systems as a powerful tool for ensuring higher quality public spaces, success stories from various corners of the country have opened up constructive conversations. In Edmonton, unconventional, competitive procurement efforts spearheaded by city architect Carol Belanger have produced some remarkable public buildings. This has not gone unnoticed in other parts of the country where consistent banality is the norm for public projects. Jasper Place Branch Library designed by HCMA and Dub Architects is one of several striking projects in Edmonton built under reimagined commissioning processes which broaden the pool of design practices eligible to participate and give greater weight to design quality as an evaluation criterion. Photo by Hubert Kang The wider applicability of competition systems as a positive mechanism for securing better public architecture has also started to receive broader discussion. In my hometown of Ottawa, this system has been used to procure several powerful monuments and, more recently, to select a design for the redevelopment of a key city block across from Parliament Hill. The volume and quality of entries, including from internationally renowned architectural practices, attests to the strengths of the open competition format. Render of the winning entry for the Block 2 Redevelopment in Ottawa. This 2-stage competition was overseen directly by the RAIC. Design and render by Zeidler Architecture Inc. in cooperation with David Chipperfield Architects. Despite these successes, there is significant room for improvement. A key barrier to wider adoption of competition practices according to the RAIC is “…that potential sponsors are not familiar with competitions or may consider the competition process to be complicated, expensive, and time consuming.” This is understandable for private actors, but an unsatisfactory answer in the case of public, tax-payer funded projects. Finland’s success has come through the normalization of competitions for public project procurement. We should endeavour to do the same. Maintaining design contribution anonymity prior to jury decision has thus far been the exception, not the norm in Canada. This reduces the credibility of the jury without improving the result. Additionally, the financing of such competitions has been piece-meal and inconsistent. For example, several world-class schools have been realized in Quebec as the result of competitions funded by a provincial investment.  With the depletion of that fund, it is no longer clear if any further schools will be commissioned in Quebec under a similar model. While high quality documentation has been produced, there is a risk that developed expertise will be lost if the team of professionals responsible for overseeing the process is not retained. École du Zénith in Shefford, Quebec, designed by Pelletier de Fontenay + Leclerc Architectes is one of six elegant and functional schools commission by the province through an anonymous competition process. Photo by James Brittain A path forward Now more than ever, it is essential that our public projects instill in us a sense of pride and reflect our uniquely Canadian values. This will continue to be a rare occurrence until more ambitious measures are taken to ensure the consistent realization of beautiful, innovative and functional public spaces that connect us with one another. In service of this objective, Canada should incentivize architectural competitions by normalizing their use for major public projects such as national museums, libraries and cultural centres. A dedicated Competitions Fund could be established to support provinces, territories and cities who demonstrate initiative in the pursuit of more ambitious, inspiring and equitable public projects. A National Competitions Expert could be appointed to ensure retention and dissemination of expertise. Maintaining the anonymity of competition entrants should be established as the norm. At a moment when talk of removing inter-provincial trade barriers has re-entered public discourse, why not consider striking down red tape that prevents out-of-province firms from participating in architectural competitions? Alas, one can dream. Competitions are no silver bullet. However, recent trials within our borders should give us confidence that architectural competitions are a relatively low-risk, high-reward proposition. To this end, Finland’s open, anonymous competition system offers a compelling case study from which we would be well served to take inspiration. Isaac Edmonds is a Canadian working for OOPEAA – Office for Peripheral Architecture in Helsinki, Finland. My observations of the Finnish competition system’s ability to consistently produce functional, beautiful buildings inform my interest in procurement methods that elevate the quality of our shared public realm. The post Op-Ed: Could Canada benefit from adopting Finland’s architectural competition system? appeared first on Canadian Architect.

Perched quietly in the mountains north of Kyoto, Le Picabier is a micro tea room that redefines the notion of solitude and ritual in architecture. Designed by Studio 2m26 in collaboration with French practice Onomiau, this diminutive pavilion—intended for a single guest—offers an exquisite blend of tradition, material honesty, and site-specific design. Commissioned by Villa Kujoyama, the project stands as a poetic response to its environment, inviting reflection on both nature and the act of tea itself. The structure’s distinctive chimney-like silhouette, clad in charred cedar shingles, instantly sets it apart from conventional tea houses. The use of yakisugi, the Japanese technique of burning wood for preservation, not only gives Le Picabier its striking black exterior but also grounds the building firmly in the local tradition of craftsmanship. This method enhances both the texture and longevity of the pavilion, while the deep, tactile surfaces evoke the beauty found in imperfection and transience—core themes of Japanese aesthetics. Designer: 2m26 x Onomiau Inside, Le Picabier is a study in mindful minimalism. Natural light filters through the narrow space, shifting throughout the day to create an ever-changing play of shadow and texture. A single lantern suspended above the guest casts flickering candlelight, marking the subtle passage of time and further heightening the sense of introspection. The black tatami mat flooring, crafted by Mitsuru Yokoyama, and sparse furnishings encourage a meditative focus on the ritual at hand, with every detail supporting an atmosphere of quiet contemplation. The tea room’s vertical emphasis is both visual and experiential. The tall chimney serves as the pavilion’s focal point, drawing the gaze upward and reinforcing a sense of aspiration and spiritual retreat. The integrated fire pit, essential for boiling water, becomes the heart of the space—its warmth and glow connecting the guest to elemental forces. This combination of verticality and warmth transforms the small structure into a sanctuary, where silence and simplicity become luxuries in themselves. Le Picabier’s design is deeply informed by the legacy of Sen no Rikyū, the 16th-century tea master who revolutionized the Japanese tea ceremony by embracing shadow, silence, and the beauty of imperfection. Yet, the project is unmistakably contemporary, merging traditional Japanese elements with a European sensibility brought by Onomiau. Its compact footprint and careful use of materials make it an exemplary case of micro-architecture, where constraints become sources of creativity and meaning. In a world increasingly dominated by noise and distraction, Le Picabier offers a rare kind of architectural experience—one that prioritizes solitude, sensory awareness, and connection to place. By distilling the tea house to its essence, Studio 2m26 and Onomiau have crafted more than a shelter; they have created a space for personal ritual and reflection. It’s a timely reminder that even the smallest buildings can inspire profound encounters between people, objects, and the natural world. The post Kyoto’s Solo Tea Room Blends Japanese Tradition With Contemporary Micro-Architecture first appeared on Yanko Design.

WANTED, the International Contemporary Furniture Fair’s (ICFF) show-within-a-show, has grown almost exponentially since its first iteration as WantedDesign circa 2011, evolving so much so that the platform – with its iconic yellow walls nestled into the Javits Center – has become one of America’s go-to platforms to find emerging talent, tap into an intimate creative network, and discover trends ahead of the commercial industry. The 2025 showcase provided a wealth of inspiring design, we had to share a roundup all its own… Mockinbird Studio Epic in proportion, masterfully constructed, and officially record-making. The Farsala-based Mockinbird Studio showcased their most ambitious project to date: a monumental space divider. It is the largest – and arguably most beguiling – piece of contemporary marquetry artwork in existence, entirely designed and handcrafted in their Greece studio using traditional techniques. The object blends functionality with a narrative-driven, highly-aesthetic composition for the perfect piece of collectible design. Cuff Studio Cuff Studio presented their first solo exhibition, entitled “Within,” and unveiled select pieces from their Spring 2025 furniture collection of the same name. The C Back Lounge Chair – a trade exclusive – distills some of their favorite design gestures into an elegant, barely-their structural frame then paired with a sculptural waterfall seat and back cushion. Of note are the protruding curves that seemingly reach out for a handshake and the textural, pink upholstery seen here, which echoes triangular forms used across their broader portfolio. Mary Ratcliffe Studio + Anony Presenting together for their fourth ICFF, Mary Ratcliffe Studio (MRS) and Anony collaborated on a booth filled with sleek and sculptural, architecturally-inspired design objects. Their work is elementally complementary, which lent themselves to a more honest, fulsome showcase. MRS’s monumental furniture pieces are inspired by the physicality of material play, while Anony’s lighting takes inspiration from architectural gestures. Ready To Hang Mirrored surfaces are hard to resist, especially when their design makes you feel seen – figuratively speaking. Ready To Hang’s fashionable, ready-to-wear-inspired furnishings feel like fun accessories and an extension of personal style as they approach home decor through concepts found in styling for apparel. This year marked their ICFF debut with a highly curated showcase mixing classic pieces with a few concepts yet to come. UWU Studios Typically driven by a human-centered design ethos, multidisciplinary UWU Studios has expanded their scope to include the feline experience. Their UNU Cat Dreams product is equal parts pet play and collectible design, sure to please all parties. Even aesthetes without a furry friend can still appreciate its composition, blending surfaces, textures, colors, and forms for quite unique sculptural compositions. It’s an exemplary approach that elevates everyday objects to the venerable. Estudio PM Racking up multiple awards during the show – and rightfully so – Estudio PM demonstrated how fabric waste and unwanted textiles can be recontextualized within the realms of art and home furnishings. The duo behind the initiative created totems and garment-inspired side tables with the careful layering of reclaimed cloth. Noiro Studio Hand-blown glass lamps stood on various podiums in a curious display of artisanal lighting comprising colorful bases dotted with glass and stone orbs. Each globe’s curvature represented the fabric of spacetime, with precious objects are suspended within the glass shades – a steady reminder of our weight, and also insignificance, of our existence in the world. Noiro Studio plays with themes of heft and weightlessness, continuing to keep things relative. Ridezign Ridezign offers an ode to New York City. The Tesser Collection resembles skyscrapers in miniature blocks constructing cantilevered forms in multiple configurations and colors. These lamps leverage additive manufacturing making every piece made-to-order, reducing overstock, and ultimately eliminating the need for storage. The warm diffusion of the subsequent layers of material create lovely channels of light, adding to the spectacle of the city. Koba Furniture Koba Furniture is proud to create all elements for Series 02 within their Baltimore studio – except for the drawer pulls, shares designer Sam Acuff – a testament to the respect for craft that is clearly shown here. Jauntily stocky feet meet tiny tube legs, with a nicely balanced drawer set on top. Extra points for the elevated milk crate; it adds such a nice feel to the booth. 9 & 19 9 & 19 is back this year with organic shapes and cheeky details. Who doesn’t love an easter egg in design? From inlaid squiggles to handmade tiling, this collection offers a unique blend of customization and utility while remaining approachable and fun. Hannah Via Hannah Via brings some highly welcome fiber arts representation to WANTED, her tufted lamps bringing a sense of whimsy and possibility to the show. Sporting pops of scarlet, cobalt, and bronze, a light peach background acts as a pendant for a singular Edison bulb, which cases a cozy glow in an elegant connection to the warmth of the yarn it rests upon. Sawyer Made Lovingly crafted in Woodbury, Vermont, Sawyer Made is a second-generation family of woodworkers honoring the classic stance and build of a Windsor chair, but with a few modern updates. As the arm meets the back, the angle rotates 90 degrees offering a beautiful detail absent from most traditional Windsors. Like ballet, a combination of experienced craft and innate knowledge makes the hardest work look easy. Ora House Cobalt is back in a big way with Ora House, as evidenced by their removable upholstery panels that can be switched out to reflect any style or change in local decor. Playful, soft, and sturdy, the ottoman, bench, and hutch offer a fun way to sit, stay, and store. Daniel Gruetter Daniel Gruetter is a woodworker based in Toronto, Canada. Showing an elegant credenza created entirely out of the discarded offcuts from his practice, he upends what is considered valuable on a platform that inherently places value on everything. Employing wooden hinges takes the project to another level, letting a singular material do the talking through expert craftsmanship. Reces NYC With a nod to the cobalt we spotted around the show, Reces NYC wraps up our top picks for WANTED this year with a gestural upholstered piece. Elements extend in a satisfyingly solid manner to create an interesting and distinctly luxurious look users could get lost in. Check out out the rest of Design Milk’s NYCxDESIGN coverage here!

The In-Side Collection of outdoor furniture by Thomas Heatherwick resembles an impossible shell, formed to protect a creature not from this world. The shapes warp naturally around themselves, for a surprising finish at the end: a burst of bright multicolored spots made of recycled plastic, growing in great numbers across the surface. A beautiful example of rotational molding, this collection produced for Magis brings innovative technology and imaginative design together in harmony. Following several months of testing the rotational moulding technique using a blend of two types of recycled polyethylene, Magis observed that while the exterior of the material seemed fairly standard, slicing it open exposed an unexpected, unevenly speckled interior. “The idea behind this new collection is to use waste materials and reveal their inner beauty in an unexpected way,” says Heatherwick. The thought and experimentation that went into the In-Side Collection is exemplary of Heatherwick’s style – rigorous research goes into materiality, production methods, and detailing. This collection features rippled molding on the outside, a clever use of the capabilities of rotational molding. Coupled with the colored flecks on the interior, the material is a blend of post-consumer and post-industrial recycled polyethylene, part of extensive research into the impact recycling can have on our collective waste streams. Discarded bottles can now become luxury furniture through imagination and work. Flecks gain traction on the inside of the chair, adding pops of confetti-like color in contrast to the soft, muted exterior color palette of Sage, White, and Terracotta. The collection features an armchair, sofa, and low table, all rated for outdoor use. Organic form reigns supreme, not staking any claim on the natural environment but instead blending in, adding interest and elegance to any landscape. Thomas Heatherwick is a British designer focused on the human experience. He explores architecture, urban planning, product design and interiors projects, centering the axis of his studio around originality, inventiveness, and identity. Since 1994 when his studio was established, he has challenged convention, sustainability, and a strong sense of materiality at the forefront of his work. As our world becomes more globalized, his ideals of democratic design and cleverness of craft remain evocative of another time, while his aesthetic decisions stay cutting-edge. Since 1976, Magis has been pushing the boundaries of design, striving to incorporate the values of respect, honesty, and loyalty to their work. Based in the Veneto, a region of Italy known for it’s high-quality craftsmanship and level of finish within design, they strive to employ Italian craftspeople from as close to the locale as possible. This ensures that they can maintain close relationships with suppliers, and produce as much local commerce as they can. In their Code of Ethics, rare for a furniture brand, they detail their commitment to their employees, customers, and suppliers in that order, establishing where their commitments lie overall – to their people, ensuring Magis products will be made well by respected artisans for decades to come. To learn more about the In-Side Collection by Thomas Heatherwick for Magis, head to magisdesign.com. Photography courtesy of Magis.

As part of its Memorial Day Sale, Adorama is offering an outstanding deal on a very highly rated pair of noise cancelling headphones. Right now you can get a pair of Sony WH-1000XM4 noise cancelling wireless headphones for just $175 with free shipping after you apply $55 off coupon code "MEMO0523" during checkout. Note that only the Silver/White model is eligible for this code, NOT the Black model. This is the best noise cancelling headphones you'll find for under $200.50% Off Sony WH-1000XM4 Noise Cancelling HeadphonesSony WH-1000XM4 Noise Cancelling Wireless HeadphonesThe Sony WH-1000XM4 isn't the newest model in its series - the WH-1000XM5 was released in 2022 and the WH-1000XM6 just came out on May 15 - but headphone technology moves at a snail's pace. Even 5 years after its original launch, the WH-1000XM4 is still an excellent headphone that performs admirably. It offers great sound quality, effective active noise cancellation, and comfortable ergonomics (arguably more comfortable than the WH-1000XM5). It features USB Type-C charging with up to 30 hours of battery life, Bluetooth Multipoint for simultaneous pairing with up to two devices, and a compact profile thanks to its foldable, swiveling design.Can't find the promo code field?Adorama's promo code field isn't in the most visible spot, so it's easy to overlook it. You'll find it during Step 4 of Checkout under "Payment". At the very top of this section you'll see a little gift box icon with clickable text that reads "Do you have a gift card or promo code?" Click on that to reveal the coupon code box.The Sony WH-1000XM6 was released a few weeks agoNew 2025 ModelSony WH-1000XM6 Noise Cancelling Wireless Headphones$448.00 at AmazonIt is a truth universally acknowledged that Sony’s XM-series headphones are the best in class for most people. They’re just exemplary wireless, Bluetooth, noise-canceling, over-ear headphones. At $450, they’re not cheap, but this is a case where you get what you pay for. The latest model, the XM6, is now available to purchase at all the usual retailers.More Memorial Day sales are already liveSeveral retailers including Amazon, Best Buy, Walmart, Dell, and Wayfair have launched their sale early. We've rounded up all of the biggest retailers that have pushed their Memorial Day sales live with deals worth checking out.The Biggest SaleAmazon Memorial Day SaleSee it at AmazonTech and AppliancesBest Buy Memorial Day SaleSee it at Best BuyRetailer SaleWalmart Memorial Day SaleSee it at WalmartFurnitureWayfair Memorial Day saleSee it at WayfairPC and LaptopsHP Memorial Day SaleSee it at HPAppliances and FurnitureHome Depot Memorial Day SaleSee it at Home DepotClothing and Outdoor GearREI Anniversary SaleSee it at REIRetailer SaleTarget Memorial Day SaleSee it at TargetAppliances and FurnitureLowes Memorial Day SaleSee it at LowesSelect DealseBay Memorial Day SaleSee it at eBayRetailer SaleCostco Memorial Day SaleSee it at CostcoMattressesCasper Memorial Day SaleSee it at CasperMattressesDreamCloud Mattress SaleSee it at DreamCloudPC and LaptopsDell Memorial Day SaleSee it at DellPC and LaptopsLenovo Memorial Day SaleSee it at LenovoGaming chairs and desksSecretlab Memorial Day SaleSee it at SecretlabShoes and SportswearAdidas Memorial Day SaleSee it at AdidasFurniture and KitchenwareCrate&Barrel Memorial Day SaleSee it at Crate&BarrelKitchenwareWilliams Sonoma Memorial Day SaleSee it at Williams SonomaTuft & Needle Memorial Day SaleSee it at Tuft & NeedleMattressesSleep Number Memorial Day SaleSee it at Sleep NumberAppliancesLG Memorial Day SaleSee it at LGClothingMacy's Memorial Day SaleSee it at Macy'sSportswear and Outdoor GearDick's Sporting Goods Memorial Day SaleSee it at Dick'sOffice FurnitureFlexiSpot Memorial Day SaleSee it at FlexiSpotGaming ChairsAndaSeat Memorial Day SaleSee it at AndaSeatWhy Should You Trust IGN's Deals Team?IGN's deals team has a combined 30+ years of experience finding the best discounts in gaming, tech, and just about every other category. We don't try to trick our readers into buying things they don't need at prices that aren't worth buying something at. Our ultimate goal is to surface the best possible deals from brands we trust and our editorial team has personal experience with. You can check out our deals standards here for more information on our process, or keep up with the latest deals we find on IGN's Deals account on Twitter.Eric Song is the IGN commerce manager in charge of finding the best gaming and tech deals every day. When Eric isn't hunting for deals for other people at work, he's hunting for deals for himself during his free time.

“Metamorphosis of Consciousness” (2025), mixed media, dimensions variable. All images courtesy of Red Brick Art Museum Through Fairy Lights and Butterflies, Chiharu Shiota Tethers Presence and Absence May 22, 2025 Art Grace Ebert In one of the foundational texts of Taoism, Chinese philosopher Zhuang Zhou recalls a dream in which he was a butterfly, soaring through the sky with no recollection of his human form. Upon waking, though, he finds himself firmly in a bipedal body, prompting an important question: is he a butterfly dreaming he’s Zhuang Zhou or a man dreaming he’s a butterfly? This ancient story of transformation and the thin line between states of mind informs a dazzling new installation by Chiharu Shiota (previously). “Metamorphosis of Consciousness” suspends glimmering lights and faint butterfly wings above an iron-framed twin bed topped with a white blanket and pillow. Rejecting the strict separation between body and mind, Shiota references her belief in the spirit’s ability to endure long after one’s final breath. “While each time we slip into sleep, it is a rehearsal for death—a journey beyond the body,” she says. “Metamorphosis of Consciousness” (2025), mixed media, dimensions variable Exemplary of the artist’s interest in memory and knowledge, “Metamorphosis of Consciousness” is just one of the immersive works in the monumental exhibition Silent Emptiness at Red Brick Art Museum in Beijing. On view through August 31, the show revolves around Shiota’s ongoing explorations into the “presence in absence,” this time extending such inquiries into ideas of emptiness as it relates to Eastern philosophy and enlightenment. Included in the exhibtion is an antique Tibetan Buddhist doorway that anchors “Gateway to Silence,” an explosive installation that entwines the elaborately carved wood structure in a dense, criss-crossing labyrinth of string. Red thread, one of the artist’s favored materials, symbolizes relationships. And in this case, it’s an invitation to introspection and finding an awareness of the present moment. Metaphorically interlacing art, memory, and faith, Shiota very literally visualizes the intextricable web in which we’re all bound, regardless of geography or era. Pieces like “Echoes of Time” and “Rooted Memories” incorporate materials like soil and large stones, presenting the passage of time as cyclical and the past as always shaping the present. Detail of “Gateway to Silence” (2025), antique porch and red wool, dimensions variable Born in Osaka, the artist has lived in Berlin for much of her life, and Silent Emptiness also tethers her roots to more global experiences. Shiota likened her understanding of herself to the way salt molecules appear as crystals only after water evaporates. “I was not visible as an individual in Japan,” she says. “Whereas I did not know who I was, what I wanted to do, and what was necessary in the water, I feel that I became an individual and crystal, and understood those things for the first time by coming to Germany.” Another example of finding presence in absence, Shiota’s migration and experience of discovery provides an important touchstone for her thinking and practice. She adds, “Absence does not signify disappearance but rather an integration into a vaster universe, re-entering the flow of time and forming new connections with all things.” (via designboom) “Gateway to Silence” (2025, antique porch and red wool, dimensions variable Detail of “Gateway to Silence” (2025, antique porch and red wool, dimensions variable Detail of “Metamorphosis of Consciousness” (2025), mixed media, dimensions variable “Rooted Memories” (2025), red rope, boat, and earth, dimensions variable “Rooted Memories” (2025), red rope, boat, and earth, dimensions variable Detail of “Rooted Memories” (2025), red rope, boat, and earth, dimensions variable “Multiple Realities” (2025), mixed media, dimensions variable “Echoes of Time” (2025), black yarn and rock, dimensions variable “Echoes of Time” (2025), black yarn and rock, dimensions variable Next article

It is a truth universally acknowledged that Sony’s XM-series headphones are the best in class for most people. They’re just exemplary wireless, Bluetooth, noise-canceling, over-ear headphones. At $450, they’re not cheap, but this is a case where you get what you pay for. The latest model, the XM6, is now available to purchase at all the usual retailers (see them at Amazon). If you don’t want to spend that much money, however, you can save on a bundle of previous models as well. Let’s take a look.Where to Buy Sony WH-1000XM6 HeadphonesSony WH-1000XM6 Wireless Noise-Canceling Headphones$448.00 at AmazonGet at Amazon - $448Get at Best Buy - $449.99Get at Sony - $449.99The headphones come in three color options: Black, Midnight Blue, and Platinum Silver. They feature a new foldable design that makes them more compact the previous XM5 model. They also come with a travel case so you can toss them in a bag without worrying about them bending, breaking, or getting scratched.So what makes the Sony XM6 headphones so much better than the competition? It’s a lot of little things, honed over many years and models. They have brand-new processors and 12 adaptive microphones built in to provide excellent noise cancellation. That makes them great for blocking out whatever sound is going on around you, so you can focus on your music, podcast, phone call, video conference, or whatever else you do with headphones on. Speaking of calls, Sony says the M6s have, and I quote, “a 6-microphone AI beamforming system” that helps isolate your voice from the noise around you.As for battery life, Sony says you can get up to 30 hours on a single charge. They also feature fast-charging technology that gets you up to three hours of playback with just three(!) minutes of charge time – however, you’ll need an optional USB-PD compatible AC adapter to make that happen. The headband has some bend, so you don’t have to worry about snapping it in half. It’s adorned with a synthetic leather that’s supposed to be super comfortable for long listening sessions. Older Sony XM-Series Headphones Are on SaleSony WH-1000XM5 HeadphonesSony WH-1000XM4 HeadphonesIf you can’t justify the cost of the new XM6 model, consider picking up one of the older models. They’re cheaper to start with, and Amazon also has them on sale for a limited time. They’re nearly as good (though the WH-1000XM5 doesn’t fold at all, a design decision Sony was right to correct with the XM6 model). Even so, the XM5 has been our pick for the best wireless headphones since it came out in 2022. Chris Reed is a commerce editor and deals expert for IGN. He also runs IGN's board game and LEGO coverage. You can follow him on Bluesky.

Architects are encouraged to enter the prize, which recognises global excellence in responsible timber construction The Built by Nature Prize 2025 celebrates real-world applications of the Principles for Responsible Timber Construction. This global award recognises excellence in new buildings and renovations that demonstrate leadership in responsible timber construction and the integration of other bio-based materials. Any project stakeholder may submit up to three entries per organisation. Eligible projects must be completed, occupied and primarily constructed from timber. Entries close on 31 May 2025. The Prize supports Built by Nature’s mission to lead a global transformation of the built environment by accelerating the responsible use of timber and bio-based materials. It aims to highlight exemplary projects that help shift the construction industry towards a more regenerative, climate-resilient future. A panel of international experts from across the construction value chain will judge submissions based on their alignment with the Principles for Responsible Timber Construction. Applications will undergo an initial assessment from our technical assessment team, with shortlisted projects examined by the international expert judging panel. The 2025 Judges are: Ana Belizário, Commercial Head, Urbem Joelle Chen, Head of Sustainability, Asia Pacific, LaSalle Investment Management Mae-Ling Lokko, Assistant Professor, Yale School of Architecture Gert-Jan Nabuurs, Professor of European Forest Resources, Wageningen University Manuel Pulgar-Vidal, Global Leader of Climate and Energy, WWF, and Interim Chair, IUCN Climate Crisis Commission Maureen Wheelan, Manager of Multilateral Affairs, Canadian Forest Service Benefits for winners and shortlisted projects Shortlisted applications will gain international recognition at Woodrise 2025 in September, with the winners to be announced at the Built by Nature Summit in London in October 2025. Winners will be profiled in a global media campaign and featured in a documentary film to premiere at COP30 in Belém, Brazil. By spotlighting real-world leadership, the Prize supports greater visibility and policy engagement for timber and bio-based buildings. It provides a platform to connect pioneering projects with key influencers and decision-makers in the construction and climate sectors. For full submission guidelines and FAQs, click here. Enquiries to: prize@builtbn.org About Built by Nature Built by Nature (BbN) is a not-for-profit organisation with a mission to lead a global transformation of the built environment by accelerating the responsible use of timber and bio-based materials. BbN connects demand-side construction industry leaders across Europe – from city officials and developers to architects and investors – fostering collaboration and knowledge-sharing to drive systemic change. Its funding enables innovative cross-sector initiatives that overcome challenges and amplify the role of bio-based materials in decarbonising construction for the benefit of climate, nature and people. To enter and for more information, click here 2025-05-20 Mary Douglas comment and share

Rome wasn’t built in a day (Ubisoft) The fan favourite city-building series takes a welcome step back in time to second century Rome, as Anno 117 puts you in control of ancient Britain. Ubisoft’s Anno series, of historical city building sims, has quietly become one of the games industry’s hardiest perennials. Since 1998, it has mostly occupied a time period between the 15th and 19th centuries, albeit with two excursions into the future. Now, with Anno 117 (the eighth mainline instalment of the franchise), it is poised to take a large step back in time, to when the Roman Empire was in full swing and enjoying a period of extended peace. This is important because, as Anno players will be aware, the series is all about building, not fighting. We were given the chance to spend roughly three hours playing the new game, via Ubisoft’s streaming service on PC. Coming from the frenetic action of Doom: The Dark Ages, it felt like an oasis of tranquillity, with its considered gameplay requiring lots of thought and plenty of planning, along with a certain amount of waiting around for essential materials to be manufactured. As with all previous Anno games, it is very much a game for builders rather than destroyers. Given the technological sophistication of the Roman Empire – particularly by the time it had reached the second century AD – it’s surprising that the Anno franchise hadn’t previously explored the time period, but it’s obvious from the start that it’s a good fit. In the full game you’ll be given a choice between two areas of the Roman Empire, in which to establish your colony: Latium (an uncharted Mediterranean area which looks to be off the coast of Italy) or Albion – that is, what is now known as Britain. Much as we would have liked to have amazed the backwards natives by building a shiny Roman city on British shores, the constraints of the preview dictated that we would instead build in Latium. As such, our ship pitched up at a pristine, procedurally generated Mediterranean island, complete with a beach which could be developed into a port, flat land for farming, plenty of forests, a prominent river, and some mountains which could be mined. The first task – since we were taking on the position of governor of the new city – was to build a governor’s villa to accompany the trading post that had already been built on the beach. Once that was done, the from-scratch city-building started in earnest. Raw materials are obviously key, so a woodcutting operation was needed in the nearest forest, which has to be connected up to the trading post by road. As ever in a city-building game, close control over the network of roads is essential. Anno 117’s road-building system is exemplary – intelligent enough to let you curve roads to your satisfaction and snap them easily to form the connections they need to make. With a woodcutter and a sawmill constructed, and wood therefore in plentiful supply, we could then start building a number of homes for the workers who form the lifeblood of the city. Build those homes and you’re able to establish a workforce. In its early stages, Anno 117’s tutorial makes its objectives clear: you need to build 10 houses to establish that workforce. Unfulfilled criteria are clearly marked with little warning flags; Anno 117, mercifully, isn’t one of those strategy games which seems happy to leave you confused. After completing the tutorial, we were never at a loss as to what to do and the tutorial itself felt logical rather than manufactured. With our first residential area constructed and hooked up via a road network, we could start turning our attention to the needs of our burgeoning populace. Food, obviously, was required, so we built a fishery and established a wheat farm, along with a bakery and a porridge kitchen. We then began to have little interactions, as governor, with our inhabitants. We unlocked the ability to build a market and a tavern in the residential quarter, which bring helpful area effects. Pleasingly, what was now transforming from a village into a town began to exhibit some bustle, with carts of timber moving around and residents going about their daily work and heading to the tavern afterwards. Ancient Albion on the fringes of the Empire (Ubisoft) Our next task was to attract some more sophisticated, educated residents, by fulfilling a number of criteria in order to upgrade the basic housing. This brought considerations like fashion into the mix, by establishing a hemp farm and setting up a cloth-spinner. More sophisticated building materials such as tiles were also required, so we built a charcoal kiln and, on one of the river slots highlighted in the game’s geography, cleared a clay heap As that extended the city limits somewhat, it was necessary to build another warehouse. And we had to keep an eye on the mix of our population, between the basic Liberti and the more sophisticated Plebeians, by building more houses and upgrading some of them. Now that our town was really starting to take shape a level of exploration and interaction with other nearby enclaves came into play, with governors of nearby provinces appearing – giving us opportunities to indulge in diplomacy. Other residents then started asking to be ferried around the world map in the starting ship, which had previously remained moored as we established the basic structure of our town. More Trending During the tutorial period, we had concentrated on establishing a basic settlement rather than engaging in trade, so had been forced at one point to accept a loan from our superior in Rome. As the game progresses, trading becomes an increasingly important mechanism in the push to build a more sophisticated city. At this point you are given the ability to not only establish trade routes but also set religious criteria, by picking a preferred god to worship from the Roman pantheon. Even three hours in, we were quite happy with the progress we had made towards imposing a decent level of civilisation upon previously uninhabited territory. Those initial three hours with Anno 117: Pax Romana proved very satisfying and enjoyable. Although the series predates the phrase cosy game, it’s definitely that, while also being reminiscent of even older franchises like The Settlers (now also owned by Ubisoft). For a city builder, Anno 117 fells pretty exemplary in terms of its interface, which is clear and logical. It looks great and, with the local interactions and the trade route engine, offers more gameplay variety than most similar games. At the moment, it hasn’t been given a specific release date, but Ubisoft has said that it will come out this year on both consoles and PC. Formats: Xbox Series X/S, PlayStation 5, and PCPublisher: UbisoftDeveloper: Ubisoft MainzRelease Date: 2025 Ocean trading is an important gameplay element (Ubisoft) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. 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