Shutterstock 2025-05-24T10:44:01Z Save Saved Read in app This story is available exclusively to Business Insider subscribers. Become an Insider and start reading now. Have an account? This post originally appeared in the BI Today newsletter. You can sign up for Business Insider's daily newsletter here. Welcome back to our Saturday edition! Are you headed to the movie theater this weekend to see Tom Cruise's next big flick, "Mission: Impossible — The Final Reckoning"? Find out why he's had such staying power. Hint: It rhymes with punts.On the agenda:Living in the forest for four years shaved a decade off a researcher's biological age.Rich Americans are booking fancy vacations. Everyone else is cutting back.Morgan Wallen is the man of the moment because of his controversies, not in spite of them.A week on Mexico's "Happy Coast," the hidden getaway of the wealthy.But first: It's cookout time.If this was forwarded to you, sign up here. Download Business Insider's app here.This week's dispatchIt's time to sizzle and serve gorodenkoff/Getty Images Summer, is that you? :squints:With Memorial Day on Monday serving as the unofficial kick-off for summer, it's my favorite time of the year — grilling season. Get out the burgers. Get out the hot dogs. And if you'd rather not eat meat, get out the vegetables.Luckily for you, BI's Lifestyle team has been speaking with various chefs for tips on how to ensure people will be coming back to your grill asking for more.Chef Alissa Fitzgerald tells BI that a good burger starts with the kind of beef you buy. Try to aim for beef with "80% meat and 20% fat," allow them to thaw completely, and don't season them too early."Right before placing it on the grill, take a large pinch of kosher salt and gently cover the outside of the patty with a thin layer," she suggests. "Add the burger salt-side down on the grill and sprinkle some on the other side."If you're putting other types of meat on the grill, however, like steaks, you'll want to season them "a few hours before you plan on cooking it and let it sit in the fridge," Chef Marcus Jacobs tells BI.Meanwhile, when grilling chicken, Jacobs suggests creating a "blend of salt, white and black pepper, paprika, coriander, and several different types of chilies."No matter how you season or what you're throwing on the grill, check out the chefs' other tips to make sure you're not the talk of the neighborhood for the wrong reason.Touching grass David Furman When David Furman discovered his body was prematurely aging because of stress, he and his family moved to a one-room cabin in the woods to reset. Furman changed what they ate and how he exercised, and scaled back use of electronics.To his delight, the experiment worked: It dramatically improved his longevity and energy. He continues to reap the benefits now, even after leaving the forest.Travel is for the rich now Slim Aarons/Getty Images Almost half of summer travelers this year make over $100,000, according to a Deloitte survey. The wealth gap is growing, and middle-income vacationers are either staying home or opting for more budget-friendly trips.Even as demand wavers, luxury travel is booming. New accommodations are under construction, and "luxury" short-term rentals are increasing in price faster than other listings.Morgan Wallen's country John Shearer/Getty Images There's nothing sonically special about Morgan Wallen's music, and he has a habit of attracting controversy. Still, in the wake of scandals involving slurs and disorderly conduct, Wallen is more popular than ever.That's because Wallen's messiness is a key part of his brand, writes BI's Callie Ahlgrim. Fans see his scandals as proof of his authenticity, and he embodies an idea of freedom.A Happy Coast hideaway Monica Humphries/Business Insider A 155-mile stretch of Mexico's Pacific coast is a quiet vacation hot spot for the ultrawealthy. Costalegre, Spanish for "Happy Coast," is practically impossible to reach — for those without a private jet, at least.BI's Monica Humphries spent a week resort-hopping in Costalegre. Each had a different appeal, from the neighborhood feel and star-studded history at Careyes to the ATVs and private beaches at Las Alamandas.What we're watching this weekend Netflix; Chelsea Jia Feng/BI "Sirens": Julianne Moore, "The White Lotus" actor Meghann Fahy, and "House of the Dragon" standout Milly Alcock all star in Netflix's new dark comedy set in a beachside town."The Last of Us": Season two of HBO's TV show adaptation of the popular video game series ends this weekend."Nine Perfect Strangers": Nicole Kidman returns as a wellness guru in season two of the Hulu series, this time set in the Austrian Alps.See the full list iStock; Rebecca Zisser/BI Deals we loveMemorial Day savings: Mattresses are almost always on sale, but our deal experts know that Memorial Day is when we see the steepest discounts. Here are the best mattress deals for the holiday weekend.Business (Insider) casual: Our men's style editors are here to help you look sharp at the office without feeling stiff. Check out our brand-new guide to the best men's business casual clothes for work.Le Creuset vs. Staub: Our kitchen experts hate to break it to you, but there's a reason the more expensive option is better. Here's why we recommend Le Creuset.More of this week's top reads:I stayed at a luxurious resort in Barbados with my young daughter. From the private pool to the stunning beach, our stay was nearly perfect.Keke Palmer said she didn't feel adequately paid in Hollywood until Jordan Peele's 'Nope' — two decades into her career.Four sandal trends that are in this summer and four that are out, according to stylists and designers.The patent behind a $182 cult-favorite skincare product recently expired. So where are all the dupes?I visited the most expensive city in Utah and spotted five signs of over-the-top wealth and luxury.Beyoncé and Sabrina Carpenter's choreographer shares how she gets her clients so fit they can sing and dance — in just 12 weeks.Five style mistakes a menswear designer wishes you would stop making.A 56-year-old personal trainer on how to build muscle after 40 — with rucking, body weight exercises, and short workouts.I visited Universal's new theme park, Epic Universe. I see why some people wouldn't like it, but I'd happily go back.The BI Today team: Dan DeFrancesco, deputy editor and anchor, in New York City. Grace Lett, editor, in New York. Lisa Ryan, executive editor, in New York. Amanda Yen, associate editor, in New York. Elizabeth Casolo, fellow, in Chicago.

Warning: contains spoilers for Doctor Who series 15 episode 7 “Wish World” Well, why not? Doctor Who’s previous series finale “Empire of Death” brought back a creepy mask-wearing villain from the classic era, so where’s the harm in making it two on the trot? In the final moments of series 15’s penultimate episode “Wish World”, villainous Time Lady The Rani shared her master plan with the Doctor. First in the form of Anita Dobson’s Mrs Flood and now bi-generated to include Archie Panjabi’s leather-clad baddie, The Rani has been following the Doctor around so that she could trap him in a fantasy world and then use the power of his doubt to tear that world apart, look under the universe’s carpet, and free somebody trapped in “the Underverse”.     Which somebody? Omega, who, according to Conrad Clark’s potted bio is “The first Time Lord. The creator of the Time Lords. The greatest and most terrifying Time Lord of all.” Well, that depends how great and terrifying you find pointy gold masks bearing the face of Grumpy Cat, H.R. Geiger-style tubey guys with skeletal chicken sidekicks, or Peter Davison’s face covered in green pork scratchings. Omega has previously appeared in the form of all three in Doctor Who, first in 10th anniversary special “The Three Doctors”, then a decade later in Fifth Doctor serial “Arc of Infinity”. (There’s also a blink-and-you’ll-miss-him uncredited and dialogue-free appearance in the Gallifreyan flashback around 28 minutes in to “The Timeless Children” but we only know about that one from a stage direction on the script.) So, who is Omega and what is his deal? He’s a Gallifreyan who, ages ago, harnessed the power of an exploding supernova to give his people the power to travel through time, hence “The first Time Lord. The Creator of the Time Lords.” Only, the experiment went south when some gubbins involving a black hole caused him to become trapped in an anti-matter universe, after which the Time Lords mistook him for dead. In TV show continuity, we first met Omega in multi-Doctor story “The Three Doctors” when he tried to take his revenge on the Time Lords for having, as he saw it, abandoned him. Using some 1970s special FX and red bubble wrap monsters, Omega created a trap to send the Third Doctor from Earth through space to his anti-matter universe, where he intended to swap places with him and escape. It almost worked, but it turned out that all that time living in the irradiated anti-matter universe had destroyed Omega’s physical form, leaving only his will inside his imposing metallic armour. Then some gubbins about the second Doctor’s recorder (yes, keep up) destroyed the anti-matter universe, the Doctor(s) escaped, and Omega was once again thought dead. But, surprise! In season 20 serial “Arc of Infinity”, it turns out that Omega had survived and was colluding with a member of the Gallifreyan High Council to biologically bond what was left of him to the Fifth Doctor so that he could regain corporeality. And it worked! For a bit, anyway, allowing Omega in the form of Peter Davison to do some sightseeing in Amsterdam, until some gubbins about the failed bio-bond meant that he turned green and bumpy. The Doctor then used an antimatter converter on him to send him back to his old universe, where, on TV at least, he’s been ever since. Until now. In “Wish World”, we heard a disembodied voice (that may or may not have been a recording of original but now-departed Omega actor Stephen Thorne) declaring: “Long live Omega! Omega shall be free!” That’s The Rani’s plan anyway. She’s organising a kind of Time Lord/Lady reunion for herself, the Doctor and Omega, which will presumably play out in series 15 finale “The Reality War.” Will Omega be matter or anti-matter, corporeal or empty suit of armour, and will he still hold a grudge against the Doctor for all that Amsterdam business? More importantly, does anybody have a recorder handy? Join our mailing list Get the best of Den of Geek delivered right to your inbox! Doctor Who series 15 concludes with “The Reality War” on Saturday May 31 on BBC One in the UK and on Disney+ around the world.

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Warning: contains spoilers for Doctor Who episode “Wish World”. In the penultimate episode of this season, John Smith and his loving wife Belinda live a picture-perfect life in suburbia with their very real daughter Poppy. Conrad Clark promises beautiful weather and tells light-hearted, very not-portentous stories on the TV, giant bone creatures stride across London, and everything is very normal. But Ruby Sunday is having doubts… How many ideas are too many? It’s a question that has nagged while watching this season of Doctor Who. While it’s arguably indecorous to snipe at previous eras of the show, it did sometimes feel like the Chibnall administration struggled to rustle up one killer idea per episode. That’s not been the problem with the second Russell T Davies epoch – quite the opposite, in fact. Granted, complaining about Doctor Who taking big swings is kind of like complaining about water being wet, but I’m not sure you can build a TV show on big swings alone. There are tons of ideas at play, and energy to spare (something the Chibnall era also often lacked), but the connective tissue isn’t always there to tie it all together. “Wish World”so much going on in this episode – we have to get to grips with an entirely new alternate reality, and our familiar characters’ new roles within it. We have the two Ranis, another new member of the Pantheon (a “terrifying” mystical baby with the power to grant wishes), Shirley’s ragtag crew of dispossessed freedom fighters, shots at reactionary conservatism, ableism, homophobia and tradwife aesthetics. The Seal of Rassilon is there. And then the climactic revelation that all this is merely a means to an end, as the Rani’s (Ranis’?) true objective becomes clear – to burrow beneath the surface of reality and find Omega, an all-powerful figure from ancient Time Lord history. It would be overstating it to say that the episode falls apart round about the time that Rani Prime (Archie Panjabi, having great fun chewing the appropriate quantity of scenery) starts monologuing to a confused Doctor about her dastardly scheme, but it’s where the cracks really start to show. It’s not the most elegant exposition that Davies has ever written, even if he does hang a cheeky lampshade on it by having the Rani explicitly refer to it as such, and making it part of her scheme. Steven Moffat tended to excel at these sorts of whirling expository scenes where everything falls into place, whereas here it very much feels like a rushed info dump connecting a bunch of disparate elements that haven’t all been adequately set up. It’s also here that the structure of ‘lots of ideas carried along with manic energy and high production values’ really creaks. Spending time in the wish world is great fun, with all the joys of mirror universe style stories, seeing everybody forced into perversely inappropriate roles and trying to work out exactly how this world works – or doesn’t work, as the case may be. There are lots of little grace notes, like Colonel Ibrahim’s horrified reaction when the Doctor unthinkingly reassures him that he’s “a beautiful man”, or the fascinating scene between Conrad and Mrs Flood, showing us the strain that keeping the wish alive is having on Conrad, and his uneasy relationship with the creepily chuckling god baby. But then the Rani starts monologuing, and it’s revealed that all of this – two years of Mrs Flood hints, the Pantheon, Conrad, the vindicators, the destruction of Earth, the wish world – is in service of reaching back into the dim and distant past of Gallifrey and finding an ancient Time Lord. A character who, if memory serves, hasn’t appeared on TV since the 1980s, apart from a blink-and-you-miss-it cameo in 2020’s “The Timeless Children”. It’s impossible to properly judge this reveal until we’ve seen next week’s “The Reality War”, but based on first impressions, it’s hard to feel terribly excited about the return of Omega. For an episode that’s generally so weird and spiky, and full of wonderfully unsettling imagery (like the baby’s mother gently collapsing into a pile of flowers), finding out that it’s all building towards the reveal of a figure who really belongs in the Wilderness Years does feel a tad anticlimactic. More than that, it feels fundamentally backwards-looking, which is a bizarre thing to be saying in a review of an episode that features a giggling god baby who grants wishes. Terrifying god babies that grant wishes are not something we’ve explored much in Doctor Who, whereas ancient Time Lord history really feels like it’s been done to death. Of course, it could all be a feint. Perhaps the twist will be that it was about the terrifying god baby all along, and Omega will remain in the dustbin of history. But, as with last season’s reveal of Sutekh, it almost feels as though Russell T Davies – who was so careful with how he rationed out classic series characters and references during his first run – is making up for lost time by playing with as much Doctor Who lore as he can get his hands on while he has the budget to visualise it, whether it’s the most dramatically compelling choice or not. And it contributes to the uneasy feeling that, while there are plenty of new ideas being introduced in this era, the inexorable gravity of Doctor Who’s mythos is always going to overpower them, so even something as bananas as a wish-granting god baby ultimately plays second fiddle. Admittedly, fans do like to see stuff they recognise. I am a fan. I like to see stuff I recognise. But we should not be indulged! Join our mailing list Get the best of Den of Geek delivered right to your inbox! As underwhelming as the Omega reveal is, it doesn’t scupper the episode, which is full of great little moments. Belinda rushing off into the countryside to scream is chilling – Varada Sethu is brilliant throughout, convincingly embodying a different character while still being recognisable, and her gradual horrified realisations are very well played. Ncuti Gatwa is arguably the version of the Doctor who looks the most ill at ease wearing a boring suit and doing normal domestic stuff, so that’s all compellingly off-kilter – even if it would be nice if he woke up from the illusion a bit earlier. Conrad’s sneering and the Rani’s monologuing don’t have quite the same dramatic impact when triumphantly directed at a guy who barely knows who or where he is. The dynamic between Mrs Flood and Rani Prime is also a lot of fun, and the design of Wish World is brilliant, from the Tim Burton-esque identikit suburbia, the bone creatures and the weird cyber-bondage drone things, down to Connor’s sharp white suit. As ever, in terms of production design and visuals, the show is firing on all cylinders. And while Davies is far from subtle when writing about social issues (did we really need two instances of Ruby being clumsily steered into making ableist microaggressions just so the others could chastise her for them?), the idea of the ignored and dispossessed rising up to save a society that has forsaken them is the kind of radical undercurrent that feels appropriately Doctor Who. But will they stick the landing? Will the Doctor escape the mother of all cliffhangers? Will we find out what’s going on with Poppy? Will we see more of Rogue? Where is Susan? And will Conrad get to finish his sandwich? Reservations aside, I’m excited to find out. Doctor Who series 15 concludes with “The Reality War” on Saturday May 31 on BBC One in the UK and Disney+ around the world.

This review contains spoilers for season 2, episode 7 of Doctor Who, “Wish World.”For long-time Doctor Who fans, the return of a villain like The Rani might sound like an event. It certainly felt like one last week, when she turned up with theatrical flair in the mid-credits sting of “The Interstellar Song Contest” – a neat surprise, powered by Archie Panjabi’s steely presence and a dash of proper mystery. But in this week’s “Wish World”? That spark dies on arrival. Her comeback is just another awkward throwback in an episode that doesn’t know how to handle its past, let alone make the present feel like it matters.“Wish World” represents the worst instincts of Doctor Who’s Disney era dialled up: glossy, confused, and screaming for attention. It’s a limp cocktail of shameless lore dumping, shallow storytelling, and a truly baffling sense of self-satisfaction. It spends a tiresome 45 minutes of build-up to just point at old names like a magician revealing a bent spoon, hoping the gesture alone is enough to amaze. The Rani’s return should feel seismic. It’s been 38 years since the evil Time Lord made her last onscreen appearance – 32 if you count her face-off against all the then-living Doctors and the cast of EastEnders in a charity special. That’s a long time, and in theory, this ought to carry the same weight as The Master crashing back into things in 2007’s “Utopia”. That twist didn’t just rely on nostalgia; it weaponised it, using it to amplify character and raise the stakes. Instead, now, we get a Rani written like a stock villain with a backstory cribbed from a half-read wiki page. There’s no sense of danger, no theatrical flair, no mystique. Just a few arch lines, a plot that barely scans, and a breadcrumb trail to yet another dusty Time Lord pulled from the show’s attic: Omega. It’s a name that’ll light up a handful of Reddit threads, sure, but it lands with a shrug for the vast majority who haven’t been revisiting “The Three Doctors” on BritBox. Which is, to be clear, mostly everyone.What’s baffling isn’t just the lack of payoff, it’s how proudly this outing squanders every opportunity to deliver one. “Wish World” relies entirely on prior recognition, but never lifts a finger to earn that investment in the here and now. It’s obsessed with nods, references, and several meandering mystery boxes, but utterly uninterested in what any of it means. This is fan service at its most vacant, a frustrating mess that treats characters like mere collectibles that get pulled from a shelf when you’re having a fancy dinner party. It’s not quite the sludgy CG necromancy of The Flash, but it’s cut from the same cloth: a hollow echo chamber of reveals with no buildup, and a premise that promises tension but fizzles into a joyless trudge through stiff dialogue and characters who feel barely sketched in. Conrad pops up again with all the charisma of a queue at the post office, Ruby is inexplicably present but does almost nothing, and even Belinda, usually a bright spot, is reduced to exposition and reaction shots. The whole plot moves like it's dragging a piano through quicksand, slowly collapsing under the weight of its pointless name-dropping bore fest of script."Wish World" has the promise of tension but fizzles into a joyless trudge through stiff dialogue and characters who feel barely sketched in.“With only one episode left, the finale now has to perform miracles: justify this mess, tie the threads together, and inject meaning where there's currently none. Doctor Who used to remix its past into something alive, urgent, and new; here, it just gawks at its own reflection, hoping a few barely recognisable names will do all the heavy lifting. Once upon a time, Russell T Davies brought heart and clarity to a show left for dead, reviving it with enough energy and emotional force to make it essential playground currency across Britain. Now, it feels like he’s coasting. This isn’t Doctor Who with something to say, it’s a desperate exposition dump, stitched together from scraps of nostalgia and noise. Worst of all, it expects that to be enough.

Start SlideshowStart SlideshowDisney has enchanted us for decades with its resplendent animation and fantastical stories of princesses, wicked witches, and fire-breathing dragons, but music has always been its most indelible sprinkle of pixie dust. There are songs that move us, make us dance, and help us understand the characters that have already been so lovingly drawn. With over 350 songs in the Disney canon, it’s nearly impossible to narrow them down, but we’ve chosen the 23 in honor of the year 1923, when Walt Disney founded the company. These songs are the most magical and remind us why Disney has endured for over a century.Previous SlideNext Slide2 / 25List slides23. “Whistle While You Work” from Snow White and the Seven DwarfsList slides23. “Whistle While You Work” from Snow White and the Seven DwarfsWhistle While You Work - Snow White and the Seven Dwarfs Larry Morey and Frank Churchill’s merry tune about finding the joy in the most mundane of chores is quite simple, with only nine lines, yet incredibly catchy. Adriana Caselotti’s warbling, baby voice is fitting for this old-fashioned, operetta-style number and the entire sequence that features the big-eyed, adorable forest creatures helping her out. The squirrels sweep the dust with their tails, and the raccoons wash dirty clothes in a nearby watering hole to every sprightly beat. It’s difficult not to be beguiled by this little ditty, and you’ll find yourself humming it the next time you do your spring cleaning. Previous SlideNext Slide3 / 25List slides22. “The Family Madrigal” from EncantoList slides22. “The Family Madrigal” from EncantoStephanie Beatriz, Olga Merediz, Encanto - Cast - The Family Madrigal (From “Encanto”) Lin-Manuel Miranda’s fingerprints are all over modern Disney soundtracks. He is a master at crafting clever, fast-paced, and genre-blending earworms. The biggest ones to emerge from Encanto are “We Don’t Talk About Bruno” and “Surface Pressure,” where he blends classic Broadway stylings with punchier salsa and reggaeton genres. “The Family Madrigal” may not have reached the same level of pop culture infamy as the other songs in this film, but it’s a clever and economical way to introduce the Madrigal family and their powers. Stephanie Beatriz’s bubbly voice as Mirabel suits the song’s bouncy rhythm perfectly, while the Colombian folk instruments such as an accordion, caja vallenata, and guacharaca match the colorful energy of the magical town the Madrigals call home. Previous SlideNext Slide4 / 25List slides21.“Dig a Little Deeper” from Princess and the FrogList slides21.“Dig a Little Deeper” from Princess and the FrogDig a Little Deeper (From “The Princess and the Frog”/Sing-Along) Randy Newman’s toe-tapping blend of big-band swing and gospel choir refrains perfectly captures the vibrant soul of the New Orleans setting. The feisty Jennifer Lewis leads “Dig a Little Deeper” as Mama Odie, backed by the rousing Pinnacle Gospel Choir. The song’s brassy rhythms help Tiana let loose and Naveen to realize that he’s in love with her. The lessons Mama Odie imparts through the lyrics are wise and grounded: it doesn’t matter what you have or where you come from—that doesn’t define who you are. True fulfillment doesn’t come from material wealth, status, or outward appearances—it comes from understanding what you really want on the inside. The song crescendos with Anika Noni Rose’s powerful belt and the soulful shouts of Mama Odie’s bright flamingo chorus. Previous SlideNext Slide5 / 25List slides20. “I See the Light” from TangledList slides20. “I See the Light” from Tangled“I SEE THE LIGHT” | Tangled | Disney Animated HD The dreamy melody of “I See the Light” begins with a soft guitar. Glenn Slater and Alan Menken’s composition is fairly simple, allowing the glittering visuals to take center stage. The song takes place during the lighting ceremony that Rapunzel has yearned to visit after observing it from her tower for 18 years. Flynn and Rapunzel float on a gondola, surrounded by over 45,000 glowing lanterns floating in the air, dotting the sky and reflecting off the water that surrounds them. The characters sing the verses separately in their heads before their emotions burst, then they harmonize the chorus loudly, compelled by their realization that they’re in love. It’s a unique and touching way of framing a Disney love song. Previous SlideNext Slide6 / 25List slides19. “Friend Like Me” from AladdinList slides19. “Friend Like Me” from AladdinAladdin - Friend Like Me (HD 1080p) Howard Ashman’s playful lyrics and Alan Menken’s up-tempo, syncopated, vaudevillian song was the perfect musical playground for Robin Williams to fill with the zany impressions and quirky voices he was renowned for. A trumpet warbles in between one of the clever lyrics, sights and sounds so jam-packed with hilarity that you can barely stop to catch your breath. Robin Williams was so adept at improvisation that he had nearly an entire day’s worth of material. The animation is just as bonkers as his vocal performance, where Genie morphs into countless creatures—from a train whistle to a maître d’, a boxing trainer, a bunny, and a dragon. The Broadway-style showstopper culminates with a kick line under bright spotlights with monkeys, elephants, and dancing girls in crop tops and harem pants. “Friend Like Me” is a shining showcase for one of our finest comedic talents, the great Robin Williams. Previous SlideNext Slide7 / 25List slides18. “Baby Mine” from DumboList slides18. “Baby Mine” from DumboDisney’s “Dumbo” - Baby MineSongwriters Frank Churchill and Ned Washington are responsible for childhood traumas everywhere with “Baby Mine,” which takes place when Dumbo’s mother has been jailed as a “mad elephant” for fiercely protecting her son against his bullies. She reaches her trunk through the bars to cradle Dumbo to the soft, slumbering melody accompanied by haunting strings. Betty Noyes’ has that rich, rounded tone found in vintage singing, and it conveys Mrs. Jumbo’s maternal strength. The images of all the animals—zebras, tigers, monkeys, and even the underwater hippos—nestled in the love of their mothers, except for poor Dumbo, set against the song’s soothing orchestra, is absolutely heart wrenching. “Baby Mine” is the kind of song that inspires dreams of being comforted and cared for by a loving parental figure.Previous SlideNext Slide8 / 25List slides17. ”Once Upon a Dream” from Sleeping BeautyList slides17. ”Once Upon a Dream” from Sleeping BeautyOnce Upon A Dream | Sleeping Beauty Lyric Video | DISNEY SING-ALONGS Jack Lawrence and Sammy Fain craft a solo-turned-duet with a woozy, mysterious quality that perfectly complements the story of Sleeping Beauty. Mary Costa has such an elegant and operatic voice, with rich tones that make her sound far more mature than a 16-year-old girl. She’s soon joined by the strong, handsome voice of Prince Phillip, who appears unexpectedly in the forest. Their romance unfolds quickly, twirling together in the woods, surrounded by beautiful medieval-inspired, Gothic-Renaissance style visuals. The lilting orchestration and the grand choral ensemble add to the old-world mystique. The lyrics—of knowing someone before you truly know them, of seeing them in your dreams—add a tinge of mysterious excitement and mystical fate to their romance. Previous SlideNext Slide9 / 25List slides16. “Hellfire” from The Hunchback of Notre DameList slides16. “Hellfire” from The Hunchback of Notre DameHellfire - The Hunchback of Notre Dame (1996) Alan Menken and Stephen Schwartz crafted one of Disney’s darkest songs. It’s hard to imagine Disney taking this type of creative risk again. “Hellfire” is sung by a corrupt priest consumed by lust for the Romani woman Esmeralda. The deep-voiced Tony Jay plays the dishonorable Frollo, who paints himself as a virtuous man—even though he killed Quasimodo’s mother and nearly killed Quasimodo. A true Catholic would have helped them. Today, Disney would never dare to show that authority figures—especially religious ones—can often be wrong and hypocritical, if not outright evil. This is one of the most provocative villain songs, in which Frollo essentially confesses his horniness. He sings of being enraptured by Esmeralda’s smoldering eyes and raven hair—a desire that burns and threatens to turn him to sin. “Hellfire” also has a spooky quality in its use of Latin and the intense religious choir that looms over Frollo in judgment, cloaked in red with faces like empty black holes. It’s a haunting song of operatic grandeur, with notes that flare and fade like the flames dancing in front of him. Previous SlideNext Slide10 / 25List slides15. “A Dream is a Wish Your Heart Makes” from CinderellaList slides15. “A Dream is a Wish Your Heart Makes” from CinderellaA Dream Is a Wish Your Heart Makes (from Cinderella) Sung with silky warmth and a shimmering, ethereal vibrato by Ilene Woods as Cinderella, “A Dream is a Wish Your Heart Makes” is soft and soothing, yet carries an undercurrent of quiet determination. She sings to her loyal companions—adorable flocks of birds and mice—who wear the tiny outfits she’s lovingly made for them. They join in during a break of the song that is more playful and buoyant while she prepares for another grueling day of chores, yet she stays positive by believing her dreams will come true. “A Dream is a Wish Your Heart Makes” has become a marketing anthem for the studio—used in various ads to evoke nostalgia, magic, and the promise that dreams really do come true, with Disney theme parks as the place where that magic can happen. Previous SlideNext Slide11 / 25List slides14. Hawaiian Roller Coaster Ride from Lilo & StitchList slides14. Hawaiian Roller Coaster Ride from Lilo & StitchHawaiian Roller Coaster Ride (From “Lilo & Stitch”) The rich voice of Mark Kealiʻi Hoʻomalu and the cheerful Kamehameha Schools Children’s Chorus come together for a song that is as sweet and breezy as a summer’s day. “Hawaiian Roller Coaster Ride” takes place during a touching moment of family bonding as Lilo, Nani, and David go surfing, gliding through the waves with ease. Stitch has been naughty, so he feels a little shy about enjoying the day with them, but he slowly begins to warm up to what it feels like to have a family. We see the adorable progression as the little thrill-seeker ends up riding the waves too. The song’s instrumentation—featuring ukulele, traditional Hawaiian fingerstyle guitar, and steel guitar—evokes the ocean waves and open skies, giving it that relaxed, beachy vibe. Both the animation and the song itself honors the film’s beautiful Hawaiian setting. Previous SlideNext Slide12 / 25List slides13. “I’ll Make a Man Out of You” from MulanList slides13. “I’ll Make a Man Out of You” from MulanMulan | I’ll Make a Man Out of You | Disney Junior UK “Let’s get down to business, to defeat the Huns” Donny Osmond sings in his perfectly crisp voice. The rousing number “I’ll Make a Man Out of You” by Matthew Wilder and David Zippel is the pump-up song for a training montage. It starts out comical as we see Mulan and her clumsy friends attempt to become the ideal Chinese soldier. The catchy chorus uses evocative nature metaphors for the type of strength and calm that Mulan needs to find, and the deep-voiced punctuation “Be a man!” at the end of each line adds to the hype. When Donny Osmond belts “Time is racing towards us, ‘till the Huns arrive,” you feel a thrilling rush of urgency and swell with courage. The final chorus plays against no instrumentation, the manly voices of the soldiers booming, allowing you to focus on Mulan and her friends now kicking ass. Previous SlideNext Slide13 / 25List slides12. “A Whole New World” from AladdinList slides12. “A Whole New World” from AladdinAladdin - A Whole New World (HD 1080p) Brad Kane’s voice carries an excited, breathy quality that draws you in as he whisks Jasmine away on a magic carpet ride. He sounds bright and earnest as he describes the shining, shimmering, and splendid world that Jasmine has never seen and he’s eager to show her. Lea Salonga, who is a Broadway legend in her own right, has an angelic innocence as Jasmine. Their voices come together in perfect harmony for this sweeping duet. “A Whole New World” is one of Disney’s most romantic love songs, with a melody that flutters and glides like the magic carpet itself. Written by Alan Menken and Tim Rice, the orchestration has lush strings that propel the adventurous animated sequence where they soar through the clouds, pass the Sphinx, and touch down near a group of horses. Previous SlideNext Slide14 / 25List slides11. “Strangers Like Me” from TarzanList slides11. “Strangers Like Me” from TarzanStrangers Like Me (1080p Full HD) - Tarzan (1999)Opening with a pulsing drum track, Strangers Like Me evokes the spinning wheels in Tarzan’s mind as he learns more about what lies beyond the jungle. The montage is gorgeously animated, featuring old-fashioned ink illustrations that Tarzan looks at through a magic lantern. He sees the city of London, a giant castle, the Sphinx, and even outer space for the first time. This flood of information drives the song’s urgent pace.The filmmakers craft the entire animated sequence as a response to the lyrics, as Tarzan watches Jane (“Every gesture, every move that she makes / Makes me feel like never before”) or shows off a pocket of the rainforest filled with parrots (“Come with me now to see my world / Where there’s beauty beyond your dreams”). Phil Collins’ bright voice captures Tarzan’s wonderment, especially in the soaring chorus, where Tarzan expresses his desire to learn more about strangers like him. You feel his hunger for the great, wide world in the song’s pounding, tribal drumbeats. Previous SlideNext Slide15 / 25List slides10. “I Won’t Say I’m in Love” from HerculesList slides10. “I Won’t Say I’m in Love” from HerculesHercules (1997) │ I Won’t Say (I’m In Love) [DPU HD 4K] The story of the ancient Greek hero Hercules has such a unique musical style, with lyricist David Zippel and composer Alan Menken blending doo-wop, Motown, and gospel soul. The muses serve as a literal Greek chorus, commenting on the action with their sassy perspective. In “I Won’t Say I’m in Love,” Megara’s velvet-voiced, sarcastic Susan Egan stands apart from other Disney heroines, who often sing fluttering arias about dreaming of a prince. Instead, Megara resists her feelings because she’s been burned too many times before, creating a comical juxtaposition with the Muses, who cheekily insist that she’s in love. They tease her with “Check the grin, you’re in love.” It’s a playful and flirtatious song that celebrates an unconventional Disney princess and musical choices. Previous SlideNext Slide16 / 25List slides9. “How Far I’ll Go” from MoanaList slides9. “How Far I’ll Go” from MoanaAuli’i Cravalho - How Far I’ll Go (from Moana/Official Video) Ever since their introduction in The Little Mermaid, Broadway-style “I Want” songs have become a hallmark of Disney princess films. They are passionate solos that reveal what each heroine desires most in the world. Whatever her heart longs for becomes the emotional engine driving the story forward. In “How Far I’ll Go,” composed by Lin-Manuel Miranda, Moana is torn between her dream of exploring what’s beyond her remote island and her duty to her family. She’s genuinely torn, even wondering if she’s wrong to yearn for what lies beyond the horizon. Auli’i Cravalho’s pure, heartfelt voice captures all the wistfulness and uncertainty of growing up. The melody swells and crashes gently like ocean tides, mirroring the push and pull of Moana’s inner conflict. Previous SlideNext Slide17 / 25List slides8. “Be Our Guest” from Beauty and the BeastList slides8. “Be Our Guest” from Beauty and the BeastBeauty and the Beast - Be Our Guest (HD) Music Video Broadway royalty Jerry Orbach helms this showstopper with music by Alan Menken and lyrics by Howard Ashman. The suave candlestick Lumière uses the number to lure Belle out of her bedroom, and show that the enchanted castle is more friendly and exciting than spooky and depressing. “Be Our Guest” has clever, fast-paced lyrics sung in a classic “patter song” style which then explodes in a lively, French can-can finale. The living castle objects just want to serve and make someone happy again, offering Belle elaborate meals and dazzling entertainment. Everything is on the plate for Belle, from soup du jour, hot hors d’oeuvres, beef ragout, cheese soufflé, and of course, the grey stuff. What’s just as exciting about the number as its giddy music is the animation, with spoons swimming in punch bowls like a Busby Berkeley number, prismatic spotlights, sumptuous, brightly-colored cakes, a glowing chandelier, and dancing flatware. Previous SlideNext Slide18 / 25List slides7. “You’ll Be in My Heart” from TarzanList slides7. “You’ll Be in My Heart” from TarzanPhil Collins - You’ll Be in My Heart /Tarzan(ターザン)Phil Collins knocked it out of the park with the entire Tarzan soundtrack. Somehow his earthy voice, drum-infused instrumentals, and heartfelt lyrics were the perfect mix for this jungle story. Rather than a traditional Disney musical, Phil Collins acts as an omnipresent narrator, commenting on the action or voicing the character’s thoughts. “You’ll Be In My Heart” rightfully earned the Academy Award for Best Original Song. Originally written as a lullaby for his own daughter, the song starts off tender, with Phil Collins almost gently whispering against soft marimbas. Its lyrics of true love and devotion are moving, especially in the scene where Kala sings it to a baby Tarzan, who, despite being a different species, experiences a bond where love and care know no bounds. The song eventually crashes into driving drums, moving toward a bridge that sees the child fly free on their own: “When destiny calls you / You must be strong / I may not be with you / But you’ve got to hold on.” This song is touching for anyone who has ever loved someone and watched them grow, no matter what type of relationship. Previous SlideNext Slide19 / 25List slides6. “Under the Sea” from The Little MermaidList slides6. “Under the Sea” from The Little MermaidThe Little Mermaid - Under the Sea (from The Little Mermaid) (Official Video) Those solo calypso opening notes of “Under the Sea” immediately get you excited, and Samuel E. Wright delivers a rollicking underwater bash. His booming voice and vivacious energy are perfect for the overdramatic crustacean and his mission to convince Ariel that living under the sea “is the bubbles” with no troubles. “Under the Sea’ buoys the rainbow-colored montage of marine life that fills Ariel’s world—fish, dolphins, and coral reefs. The scene cleverly ties the instruments to various creatures and animation — harps echo the swirling school of fish, shells mimic steel pans, and a pair of octopuses intertwine their legs like bass lines. With its infectious Caribbean beat, Howard Ashman and Alan Menken’s song is a true banger and impossible not to love, which is why it won the 1990 Oscar for Best Original Song. Previous SlideNext Slide20 / 25List slides5. “Colors of the Wind” from PocahontasList slides5. “Colors of the Wind” from PocahontasPocahontas - Colors of the Wind (Blu-ray 1080p HD) “You think the only people who are people / Are the people who look and think like you / But if you walk the footsteps of a stranger / You’ll learn things you never knew, you never knew.” In this increasingly polarized world, that message has never been more relevant. Pocahontas is not immediately smitten with John Smith; instead, she condemns his entire culture, which prioritizes gold and hatred over acceptance and the beauty of nature. Stephen Schwartz’s lyrics paint gorgeous pictures of the American wilderness, questioning why the white men who have invaded these lands cannot appreciate the world around them — from the grinning bobcats to the sweet berries to the trees that stretch toward the sky, if only we let them grow. Alan Menken’s surrounding score is rapturous, carried by Judy Kuhn’s passionate vocals. More than just the profound lyrics, it’s the visuals that make this musical number so unforgettable — particularly John Smith and Pocahontas dancing in a pastel-colored wind. It’s no surprise that “Colors of the Wind” won an Academy Award for Best Original Song. Previous SlideNext Slide21 / 25List slides4. “When You Wish Upon a Star” from PinnochioList slides4. “When You Wish Upon a Star” from PinnochioPocahontas - Colors of the Wind (Blu-ray 1080p HD)Written by Leigh Harline and Ned Washington, “When You Wish Upon a Star” has come to define Disney itself, typically playing over the castle logo that opens every movie. The ethereal ballad is sung by Cliff Edwards as Jiminy Cricket, whose resonant yet quirky voice feels like someone sharing a story by a crackling fire. “When you wish upon a star / Makes no difference who you are / Anything your heart desires / Will come to you,” he tenderly sings over the opening credits. The gentle melody wraps you in a warm embrace of possibility. People often make fun of Disney adults, but perhaps one reason we hold on to Disney films long after growing up is that they offer hope in an increasingly grim world. This aspirational song reminds us there is more to life than the ordinary—if we just dare to imagine.Previous SlideNext Slide22 / 25List slides3. “Beauty and the Beast” from Beauty and the BeastList slides3. “Beauty and the Beast” from Beauty and the BeastBeauty and the Beast Tale As Old As Time HD As Mrs. Potts, Angela Lansbury’s warm, cheery English voice adds a rosiness to this powerful love ballad, backed by an orchestra of sumptuous strings. The lyrics aren’t the pure romanticism of past Disney love stories; there is no love at first sight here. Instead, Mrs. Potts gently reflects on how true love can take time to blossom, and how relationships sometimes require change, admitting your faults and working hard to set aside your vices and worst qualities. It’s a surprisingly mature outlook for a Disney love song. The accompanying animation is one of the most exquisite sequences in Disney history: Belle’s golden dress glides delicately across the floor as she and the Beast dance in the grand ballroom, the camera swirling to reveal the sparkling chandelier and Michelangelo-esque ceiling of painted cherubs above them. That Howard Ashman wrote this song while dying from complications of AIDS makes it all the more poignant. Previous SlideNext Slide23 / 25List slides2. “Part of Your World” from The Little MermaidList slides2. “Part of Your World” from The Little MermaidJodi Benson - Part of Your World (From “The Little Mermaid”)Before The Little Mermaid kicked off the Disney Renaissance (a period of more sophisticated storytelling and box office success) princess songs were mostly focused on their prince charmings. They had very few aspirations outside of dreaming about their prince or wishing for their prince. But the introduction of the songwriting team Alan Menken and Howard Ashman, who had worked on the off-Broadway show Little Shop of Horrors, helped develop a Disney princess that had greater ambitions. Ariel wanted to see the human world, and she would express that within a Broadway-style solo called the “I Want” song, where the protagonist sings about, well, what they want. “Part of Your World” has a flowing melody and a sweet yearning in Jodi Benson’s voice (and given a more soulful power in the live-action version from Halle Bailey). We see her comical misunderstanding of what her treasures are, all whozits and whatzits galore. “Wouldn’t I love to explore that shore up above?” her voice soars while reaching out through the top of her grotto towards the sun. In that moment, with her big eyes and aching voice, you completely understand how much the human world means to her.Previous SlideNext Slide24 / 25List slides1. “Circle of Life” from The Lion KingList slides1. “Circle of Life” from The Lion KingCarmen Twillie, Lebo M. - Circle of Life (From “The Lion King”) No Disney song is quite as epic as Elton John’s “Circle of Life.” The image of the rising sun, paired with the opening lines sung passionately in Zulu by Lebo M., without any instrumentals, immediately hooks you into this sweeping story of the African savannah. The title, “Circle of Life,” is fitting for this tale of birth, death, and everything in between. The lyrics somehow encompass everything about our big, beautiful world — how finite life is, and the experiences, both good and bad, that give us balance. There’s despair and there’s hope. There’s faith and there’s love. The lyrics are poetic and make you think about the wonder and mystery of existence. The song reaches a powerful peak at the end when the chorus rises together. It’s impossible not to get full-body chills on that final soaring note, “It’s the circle, the circle of life,” punctuated by the thunderous drumbeat, where the sight of Rafiki lifting Simba on Pride Rock cuts to black. “Circle of Life” is a beautiful song with a grand vision, especially for a film geared towards children.

Pokémon Go is having a Machop Community Day event on Saturday, May 24, from 2-5 p.m. in your local time. As expected with a Community Day event, Machop will spawn in huge numbers with a high chance for it to appear shiny in Pokémon Go. There are also several other bonuses and perks, which we’ve listed out below. How do I catch a shiny Machop in Pokémon Go? As per old research by the now-defunct website The Silph Road (via Wayback Machine), Shiny rates on Community Days are about 1 in 24, which means that if you keep playing throughout the three-hour window, you should find quite a few shiny Pokémon. If you’re short on time or Poké Balls, you can pop an Incense, then quickly tap each Machop to check for shiny ones, running from any that aren’t shiny. Notably, any Machop you’ve already tapped will face where your player is standing, so that should help identify which ones you may have already checked. This is a great time to practice your quick catch, too, to max out your Machop Candy gains. What Community Day move does Machop’s evolution learn? If you evolve Machoke into Machamp from May 25 at 2 p.m. until May 31 at 10 p.m. in your local time, it will learn the charged move Payback. If you miss out on evolving it during this period, you will likely be able to evolve it during a Community Day weekend event in December to get Payback. If you don’t want to wait, you can use an Elite TM to get the move. How does Machamp do in the meta? Whew, okay! Let’s talk about it. In short, Machamp is a powerhouse when it comes to PvE content. While yes, it does get outclassed by Legendaries, shadows, and Megas, it remains a really solid pick, ranking only below Lucario and Conkeldurr when you factor out those aforementioned categories. I personally love using my powered-up Machamp to help me take out the Team Rocket leaders and Giovanni. While veteran players might shrug at the thought of a Machamp (who needs that when you can just run a Mega Lucario or powered-up Terrakion?), this event is a great one for newer players who might not have that stuff yet. This is all compounded with the fact that Machamp is getting its Gigantamax debut on May 25, literally the day after this Community Day event. That said, Gigantamax Machamp is the definitive fighting-type pick in Max Battles. So if you may want to hold off on powering up any of the Machamp you get on the Community Day and instead opt to power up the Gigantamax Machamp you can get the next day (if you’re into Max Battles). That Gigantamax Machamp will be able to be used as a regular attacker in the various types of game content, so we recommend just powering up a Gigantamax one if you only have enough candy for one. (That being said, you should get out there and try to grab as much Machop Candy as you can during this event.) Machamp’s best PvE moveset is Counter and Dynamic Punch, so you don’t have to worry about evolving it during the Community Day period or anything like that. Specifically, you’ll likely want your Gigantamax Machamp to use Low Kick instead of Counter, since it’s a shorter attack and thus grants more max energy. For PvP, shadow Machamp actually isn’t a horrible choice, but you’ll want to set it up with Karate Chop, Cross Chop, and Stone Edge (according to PvPoke). How do I make the most of Machoke Community Day? The following bonuses will be active during Machoke Community Day: Tripled Stardust for catching Pokémon Incense lasts three hours Lure Modules lasts three hours Machop special photobombs when taking snapshots That said, you should definitely pop a Star Piece and an Incense and try to nab some powerful Machop. If you can Mega Evolve Heracross, Blaziken, Medicham, Lopunny, Lucario, or Gallade, you’ll score additional Machop Candy per catch. As a reminder, you can trade your Machop or Machoke before evolving it to completely negate the candy cost to turn it into a Machamp. (Usually it’ll cost 100 Machop Candy, but if you trade it ahead of time, it’ll cost none! Yay!) There will also be “Community Day Continued” Timed Research until May 31 that will reward more Machop, including ones with special themed backgrounds. This research will keep the increased shiny rate for Machop, even after the three-hour event is over, so make sure you complete them for extra chances to get a shiny.

After eight seasons and over 200 guest stars, the adult animated franchise "Big Mouth" premiered its final season on Friday.Though it never reached the viewership numbers of behemoths like "Bridgerton" or "Stranger Things," it's one of the streamer's longest running original scripted shows.Across eight years, the series has won five Emmys and inspired the 2022 spin-off, "Human Resources." Season eight concludes the series, which was created by Nick Kroll, his childhood best friend Andrew Goldberg, Jennifer Flackett, and Mark Levin.The season follows a group of teens entering Bridgeton High School and having to rediscover their identities in the new school.As with previous seasons, the teens' hormones, feelings, and mental illnesses are personified through various creatures that appear to help guide the teens through the ups and downs of puberty. Nick Kroll plays Nick and Maury. Nick Kroll plays numerous characters in "Big Mouth." Courtesy of Netflix / Charley Gallay / Getty Images for Netflix Kroll played several human characters, including Nick Birch, the series' lead character, who was inspired by Kroll's childhood.Kroll also played Lola Skumpy and Coach Steve, Andrew's hormone monster, Maury, and Nick's hormone monster, Rick.Kroll is known for starring in the FX comedy "The League," creating and starring in his own sketch series "Kroll Show," and creating the "Big Mouth" spinoff series "Human Resources." John Mulaney plays Andrew Glouberman. John Mulaney plays Andrew, who is inspired by series co-creator Andrew Goldberg. Courtesy of Netflix Andrew Glouberman, a boy obsessed with masturbation, is Nick Birch's best friend who joins him on his adventure through puberty.John Mulaney, a comedian and former "Saturday Night Live" writer, plays the character. Mulaney has starred in other animated movies, including "Puss in Boots: The Last Wish" and "Spider-Man: Into the Spider-Verse." Jessi Klein plays Jessi Glaser. Jessi Klein is a producer and writer. Charley Gallay / Getty Images for Netflix / Courtesy of Netflix Jessi Klein plays Jessi Glaser, a close friend of Nick and Andrew's who explores her sexuality and struggles with depression and her parents' divorce.Klein is best known for her writing and producing work, having previously produced "Inside Amy Schumer," "Transparent," and "Dead to Me." Maya Rudolph plays Connie LaCienega and Diane Birch. Maya Rudolph has won four Emmys for her performance as Connie. Will Heath / NBC via Getty Images / Courtesy of Netflix Maya Rudolph plays two characters in the series — Connie LaCienega, the hormone monster for Jessi, and Diane Birch, Nick's mother.Rudolph, who rose to fame as a cast member on "Saturday Night Live," has won four primetime Emmy Awards for her performance in "Big Mouth" and has starred in numerous movies and TV shows, including "Bridesmaids," "The Good Place," and "The Lego Movie 2." Ayo Edebiri plays Missy Foreman-Greenwald. Ayo Edebiri played Missy from seasons five to eight. Charley Gallay / Getty Images for Netflix / Courtesy of Netflix Missy is a nerdy biracial classmate of Andrew, Jessi, and Nick's.In the first four seasons, Jenny Slate voiced the character, but she stepped down from the role in 2020, announcing on Instagram that black people should play black characters.Slate was replaced with Ayo Edebiri as Missy began to explore her Black identity in the show.Edebiri is best known for her breakout roles in the 2020s in "Bottoms" and "The Bear." Thandiwe Newton plays Mona. Thandiwe Newton plays a British hormone monster. Rodin Eckenroth / Film Magic / Getty / Courtesy of Netflix Thandiwe Newton played Missy's British hormone monster, Mona.Newton is known for starring in "Westworld," "Mission: Impossible II," and "Solo: A Star Wars Story." Jason Mantzoukas plays Jay Bilzerian. Jason Mantzoukas is known for playing chaotic characters like Jay. Charley Gallay / Getty Images for Netflix / Courtesy of Netflix Jay Bilzerian, a sex-obsessed bisexual boy, is another friend of Andrew, Nick, and Jessi's.Mantzoukas is a comedian who has previously played equally wacky characters in "Brooklyn Nine-Nine," "The Good Place," and "The League." Andrew Rannells plays Matthew MacDell. Andrew Rannells is the voice behind Matthew. Charley Gallay / Getty Images for Netflix Matthew MacDell, a gossipy gay student, was initially a secondary character in the first few seasons but became one of the main characters after season 3, developing relationships with Jay and Jessi.Broadway and screen actor Andrew Rannells has starred in "The Prom" and "Girls" and has a vibrant voice-acting career, appearing on shows like "Sonic X," "Pokémon," and "Invincible." David Thewlis plays The Shame Wizard. David Thewlis plays a spectre known as The Shame Wizard. Lisa Maree Williams / Getty Images / Courtesy of Netflix David Thewlis joined the cast in season two as the Shame Wizard, who will mock and bully the children to amplify their shame around their mistakes.Thewlis previously starred in multiple "Harry Potter" movies, "Wonder Woman," and "The Theory of Everything." Jean Smart plays Depression Kitty. Jean Smart played Depression Kitty since season two. Frazer Harrison / Getty Images / Courtesy of Netflix Depression Kitty first shows up in season two after Jessi starts to develop strong negative emotions amid her parents' divorce. Since then, Depression Kitty has made a few appearances across the show.Jean Smart, an Emmy-winning actor who stars in "Hacks," played Depression Kitty. Maria Bamford plays Tito the Anxiety Mosquito. Tito (Maria Bamford) has had recurring appearances since season four. Dia Dipasupil / Getty Images / Courtesy of Netflix. Tito the Anxiety Mosquito embodies the children's anxiety, first appearing in season four. Comedian Maria Bamford is known for her comedy specials as well as her Netflix show "Lady Dynamite." Zazie Beetz plays Danni. Zazie Beetz only starred in season 7. Amy Sussman / Getty Images / Netflix Danni is a student Nick meets in season seven when considering attending a private school.Zazie Beetz is known for her roles in "Atlanta," "Deadpool 2," "Joker," and "Bullet Train." Megan Thee Stallion plays Megan. Megan Thee Stallion made a cameo in "Big Mouth" season 7 as Megan the hormone monstress. David Crotty / Patrick McMullan via Getty Images / Netflix In season seven, Megan Thee Stallion guest stars as Megan, a hormone monster for Danni.Megan Thee Stallion is better known for her rapping career, though she has also starred in Disney+'s "She-Hulk: Attorney At Law" and the 2023 movie "Dicks: The Musical." Jordan Peele plays the ghost of Duke Ellington. The ghost of Duke Ellington (Jordan Peele) was a major supporting character in the first few seasons. Unique Nicole / WireImage / Netflix One of Nick's friends is the ghost of jazz pianist Duke Ellington, who lives in the teen's attic.Jordan Peele is the voice behind the ghost. He also played Missy's father, Cyrus Foreman-Greenwald.Peele is an Oscar-winning horror director and comedy actor best known for directing "Get Out," "Nope," and "Us" and starring in "Key and Peele." Brian Tyree Henry plays Elijah. Brian Tyree Henry joined the cast in season six. Jamie McCarthy / Getty Images / Netflix Elijah, an asexual Christian student, appears in seasons six and seven, building a relationship with Missy. They broke up after graduating from middle school.Brian Tyree Henry, known for his roles in "Atlanta," "Bullet Train," and Marvel's "Eternals," plays Elijah. Henry has voice acting experience from starring in the "Spider-Verse" movies as Miles Morales' father, Jefferson. Natasha Lyonne plays Ms. Dunn. Natasha Lyonne stars as a sex-ed teacher in "Big Mouth" season eight. The Hapa Blonde / GC Images / Getty Images / Courtesy of Netflix Natasha Lyonne guest stars in the final season as sex-ed teacher Ms. Dunn. Lyonne has also made cameos in previous seasons playing Suzette Saint James, Jay's pillow girlfriend, and Nadia Vulvokov, the character Lyonne plays in Netflix's "Russian Doll."Lyonne is best known for starring in "American Pie," "Orange is the New Black," and "Poker Face." Ali Wong plays Ali. Ali Wong joined the cast in season three, playing a transfer student. Jeff Kravitz / FilmMagic via Getty Images Ali Wong joined "Big Mouth" in season three, playing the pansexual transfer student Ali.Wong is a comedian who has previously starred in other Netflix originals like "Beef" and "Always Be My Maybe." Keke Palmer plays Rochelle. Keke Palmer is the voice actor behind the "Big Mouth" character Rochelle. Emma McIntyre / WireImage / Courtesy of Netflix "Big Mouth" season five introduced the concept of Hateworms and Lovebugs, who strengthen the children's emotions. Rochelle, played by Keke Palmer, was Missy's Hateworm but later transformed into her Lovebug.Palmer is best known for starring in "True Jackson, VP," "One of Them Days," and "Nope."

Each week on Polygon, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home. This week, Mickey 17, the science fiction comedy from Oscar-winning Parasite writer-director Bong Joon Ho, starring Robert Pattinson as an expendable clone, gets copied onto HBO Max following its March theatrical debut. Netflix has a full slate of releases, with the Academy Award-winning Brazilian drama I’m Still Here and Fear Street: Prom Queen, the fourth horror flick in the franchise based on the R.L. Stein books. Guy Ritchie fans can check out his adventure film Fountain of Youth on Apple TV Plus, and you can rent Wolfs to watch George Clooney and Brad Pitt team up again. Here’s everything new that’s available to watch this weekend. New on Netflix Air Force Elite: Thunderbirds Genre: DocumentaryRun time: 1h 31mDirector: Matt Wilcox The documentary takes viewers inside the cockpit of the U.S. Air Force’s demonstration squadron, which has been touring the country since 1953 to perform feats of aerial acrobatics and family-friendly military propaganda. The Netflix original, produced by Barack and Michelle Obama, features interviews with the daredevil pilots, explaining how they train to show off the capabilities of the F-16 Fighting Falcon fighter jets with complex synchronized maneuvers. Fear Street: Prom Queen Genre: HorrorRun time: 1h 30mDirector: Matt PalmerCast: India Fowler, Suzanna Son, Fina Strazza There’s just two days to go until senior prom 1988, and the most popular girls at Shadyside High are fighting over the title of prom queen. But the race gets shaken up as candidates start disappearing. Expect a lot of gory kills. Matt Palmer (Calibre) co-writes and directs the slasher film, which is the fourth in a series based on R.L. Stein’s Fear Street books. I’m Still Here Genre: Political dramaRun time: 2h 15m Director: Walter SallesCast: Fernanda Torres, Selton Mello, Fernanda Montenegro As a military dictatorship takes over Brazil, congressman and father of five Rubens Paiva (Selton Mello) is arrested and disappears. His wife, Eunice (Fernanda Torres) spends decades searching for answers and justice. I’m Still Here won the Oscar for Best International Feature Film, and Torres won a Golden Globe and an Academy Award nomination for her performance. New on Apple TV Plus Fountain of Youth Genre: Action adventureRun time: 2h 5mDirector: Guy RitchieCast: John Krasinski, Natalie Portman, Stanley Tucci Guy Ritchie puts his spin on Indiana Jones in this Apple original, where estranged siblings Luke (John Krasinski) and Charlotte Purdue (Natalie Portman) go on a globe-trotting adventure to chase the legendary source of eternal life. The film was shot on location in London, Cairo, Vienna, and Bangkok, and is packed with chase scenes, gunfights, and puzzles. From our review: If Fountain of Youth kept up the simple fun of its first few scenes, it could have been a solid tribute to the adventure genre. But James Vanderbilt and Guy Ritchie’s attempt to find some profound meaning in the search for lost treasure never really works, because their characters are too thin to make their emotional catharsis meaningful. New on Hulu The Last Showgirl Genre: DramaRun time: 1h 25mDirector: Gia CoppolaCast: Pamela Anderson, Jamie Lee Curtis, Dave Bautista After three decades of donning a sparkly costume and feathered crown to perform in Le Razzle Dazzle on the Las Vegas strip, Shelly Gardner (Pamela Anderson) learns the show will be closing in two weeks, pushing her to reassess her life and try to figure out her future. Anderson was nominated for a Golden Globe for her role in the melancholy film. New on HBO Max Mickey 17 Genre: Science fictionRun time: 2h 17mDirector: Bong Joon HoCast: Robert Pattinson, Naomie Ackie, Mark Ruffalo Desperate to get off Earth, Mickey Barnes (Robert Pattinson) volunteers to become an expendable, a crew member who is cloned over and over again to assist with space exploration in the latest science fiction film/vicious critique of capitalism from Oscar-winner Bong Joon Ho. Mark Ruffalo plays the buffoonish leader of a planned colony, whose ambitions come into conflict with the creatures living on the frozen planet. New on Shudder The Surrender Genre: HorrorRun time: 1h 35mDirector: Julia MaxCast: Colby Minifie, Kate Burton, Chelsea Alden The Surrender starts as a family drama with Megan (Colby Minifie of The Boys) returning home to help her mother Barbara (Kate Burton) care for her terminally ill father and deal with the issues that drove them apart. But when Robert (Vaughn Armstrong) finally dies, Barbara plans a resurrection ritual instead of a funeral, and the horror really begins. New to digital The Legend of Ochi Genre: Fantasy adventureRun time: 1h 36mDirector: Isaiah SaxonCast: Helena Zengel, Finn Wolfhard, Emily Watson, Willem Dafoe A24’s family-friendly movie used complex puppetry to bring its titular adorable monkey-like creature to life. Set in a remote area of the Carpathian mountains, the film follows lonely 12-year-old Dasha (Emily Watson), who goes on a quest to return a baby ochi to its family, defying her father Maxim (Willem Dafoe), who thinks the mythological creatures are vicious beasts that should be hunted down. The Trouble with Jessica Genre: Dark comedyRun time: 1h 29mDirector: Matt WinnCast: Shirley Henderson, Alan Tudyk, Rufus Sewell Cash-strapped Sarah (Shirley Henderson) and Tom (Alan Tudyk) are having one last dinner party for their old friends before selling their London home, but one of those friends, Jessica (Indira Varma) almost ruins everything when she hangs herself in the garden. Two couples band together to try to cover up the death and avoid spooking the buyer as things get increasingly out of hand. Until Dawn Genre: HorrorRun time: 1h 43mDirector: David F. SandbergCast: Ella Rubin, Michael Cimino, Odessa A’zion A teen investigating her sister’s disappearance leads a group of her friends to a mysterious mansion in an abandoned mining town, and they get stuck in a time loop where they’re brutally murdered in a different way each night. Reminiscent of The Cabin in the Woods, David F. Sandberg’s love letter to the horror genre (and only very lose adaptation of the 2015 video game Until Dawn) builds tension as the group puzzles together how to survive the night. The film is only available for digital purchase as of May 23, with no date set yet for digital rental. From our review: There’s way too much going on in Until Dawn. Director David F. Sandberg tried to make a faithful-ish adaptation of the popular 2015 video game, a Groundhog Day-style repeating-day movie, a comedy, a drama with something to say about trauma, and a love letter to every horror subgenre ever, all at the same time. But the byproduct of all this ambition is a movie that never quite finds an identity, and winds up feeling more generic than inspired. Wolfs Genre: Action comedyRun time: 1h 48mDirector: Jon WattsCast: Brad Pitt, George Clooney, Amy Ryan Spider-Man: No Way Home director Jon Watts reunites George Clooney and Brad Pitt as a pair of lone-wolf fixers who both get called in to dispose of the same body. But when the job gets messier than expected, they’re forced to grudgingly work together to survive the night.