Gold prospecting in Venezuela has led to a malaria resurgence, but researchers have developed AI to take a bite out of the problem. In Venezuela’s Bolivar state, deforestation for gold mining in waters has disturbed mosquito populations, which are biting miners and infecting them with the deadly parasite. Venezuela was certified as malaria-free in 1961 by the World Health Organization. It’s estimated that worldwide there were 263 million cases of malaria and 597,000 deaths in 2023, according to the WHO. In the Venezuelan outbreak, the area affected is rural and has limited access to medical clinics, so detection with microscopy by trained professionals is lacking. But researchers at the intersection of medicine and technology have tapped AI and NVIDIA GPUs to come up with a solution. They recently published a paper in Nature, describing the development of a convolutional neural network (CNN) for automatically detecting malaria parasites in blood samples. “At some point in Venezuela, malaria was almost eradicated,” said 25-year-old Diego Ramos-Briceño, who has a bachelor’s in engineering that he earned while also pursuing a doctorate in medicine. “I believe it was around 135,000 cases last year.” Identifying Malaria Parasites in Blood Samples The researchers — Ramos-Briceño, Alessandro Flammia-D’Aleo, Gerardo Fernández-López, Fhabián Carrión-Nessi and David Forero-Peña — used the CNN to identify Plasmodium falciparum and Plasmodium vivax in thick blood smears, achieving 99.51% accuracy. To develop the model, the team acquired a dataset of 5,941 labeled thick blood smear microscope images from the Chittagong Medical College Hospital, in Bangladesh. They processed this dataset to create nearly 190,000 labeled images. “What we wanted for the neural network to learn is the morphology of the parasite, so from out of the nearly 6,000 microscope level images, we extracted every single parasite, and from all that data augmentation and segmentation, we ended up having almost 190,000 images for model training,” said Ramos-Briceño. The model comes as traditional microscopy methods are also challenged by limitations in accuracy and consistency, according to the research paper. Harnessing Gaming GPUs and CUDA for Model Training, Inference To run model training, the malaria paper’s team tapped into an RTX 3060 GPU from a computer science teacher mentoring their research. “We used PyTorch Lightning with NVIDIA CUDA acceleration that enabled us to do efficient parallel computation that significantly sped up the matrix operations and the preparations of the neural network compared with what a CPU would have done,” said Ramos-Briceño. For inference, malaria determinations from blood samples can be made within several seconds, he said, using such GPUs. Clinics lacking trained microscopists could use the model and introduce their own data for transfer learning so that the model performs optimally with the types of images they submit, handling the lighting conditions and other factors, he said. “For communities that are far away from the urban setting, where there’s more access to resources, this could be a way to approach the malaria problem,” said Ramos-Briceño.

During a Playdate Update livestream Thursday, Panic announced plans for a second season of games for its stylish black and white portable console with a crank — and those include a new game from Subset Games, the team behind FTL: Faster than Light and Into the Breach. Fulcrum Defender is a single-screen defense game where you use the crank to protect yourself from incoming attacks, inspired by games like Vampire Survivors. “I wanted to make a replayable experience that starts out slow and relaxing, but gradually ramps up until it becomes frantic chaos,” said Subset Games’ Jay Ma in the livestream. “Originally I didn’t plan on finishing this game. I was making it as a form of self-therapy. I have been struggling with long COVID the past few years and I wanted to prove to myself that I can still make games in my current state.” Playdate Season 2 begins on May 29, with two games releasing every week over the course of six weeks, for $39. The season will also include platformer Taria & Como, adventure game Shadowgate PD, and digging game Dig Dig Dino!, along with “a must see surprise for all those who want something….a little different,” according to a press release. Playdate’s first season launched free with the console in 2022, though due to the slow rollout of hardware players didn’t all get to download each game together each week as originally planned. The season consisted of 24 games including Crankin’s Time Travel Adventure from Katamari Damacy creator Keita Takahashi and Whitewater Wipeout from Chuhai Labs. Panic also announced earlier this week that it has sold more than 289,000 games through its Playdate Catalog store, totaling more than a million dollars paid to developers. And in late 2024, it posted a fascinating podcast about how it hired a private detective to track down a bunch of stolen consoles.

While the marriage of Japanese and Scandinavian design principles continues to allure us, we seldom see it materialize in a fashion-centric ideation like this. The HidaHida Chair, a collaboration between celebrated architect Kengo Kama and Swedish furniture brand Gärsnäs, reimagines this cross-cultural dialogue with a refined balance of craftsmanship, materiality, and form. More than a piece of furniture, HidaHida wears its influences quite literally. It’s draped upholstery, inspired by the Japanese word hida (which means to drape), cascades like a tailored garment, effortlessly blending structure and softness. The pronounced stitching and flowing fabric evoke the artistry of couture – not on the runway, but in the quiet elegance of everyday life. The journey to HidaHida began at home with a quiet admiration. Kuma, renowned for his contemporary architecture rooted in materiality and tradition, has long been drawn to the work of Åke Axelsson, Swedish interior architect, furniture maker, and joint owner of Gärsnäs. In Kuma’s own home, a Nomad table designed by Axelsson has stood for a decade, a testament to his appreciation for its lightness, ingenuity, and craftsmanship. “The lightness of Åke Axelsson’s furniture is what I most admire, but also there is a certain approach to living, a devotion to life itself,” shares Kuma. The inspiration from the table alone was enough for him to reach out to Gärsnäs, a family-owned company based in the village of Gärsnäs, Österlen, where Axelsson, alongside his daughter Anna Klockby and her husband Dag, has nurtured a legacy of fine woodworking. United by a deep respect for materials and artisanal techniques, Kuma and Gärsnäs embarked on a collaboration to merge Japanese and Scandinavian sensibilities into a singularly elegant expression. The HidaHida Chair is defined by its unique and precise draping and its comfortable embrace of the sitter. “With HidaHida, I wanted to capture the softness of the human body’s form,” says Kuma. “Often the backs of chairs are hard, but here the felt is light and comfortable. The chair embraces you. A hanging skirt at the back elevates the chair’s conviviality and associates it with elegance and fashion. That’s what I wanted to express with HidaHida.” At the core of the chair is a steam-bent wooden bow that unifies the entire design. This gently curved frame supports the seat, made from recycled felt and upholstered in fabric or leather. The material’s soft drape is reminiscent of a jacket casually slung over the back of a chair or the skirt of the user, just barely grazing the floor. This expressive detail brings an unexpected sense of movement to an otherwise static object and enhances the chair’s silhouette. Marrying traditional wood craftsmanship with upholstery techniques, HidaHida is an example of wine woodworking and a study in tactile comfort. Kengo Kuma To learn more about the HidaHida chair by Kengo Kuma for Gärsnäs, visit garsnas.se. Photography courtesy of Gärsnäs and Kengo Kuma.

We may earn a commission from links on this page.As Lifehacker's resident marathon runner and senior finance writer, there is one perfect point where my worlds intersect: buying sneakers. When it comes to investing in—and maybe even splurging on—running gear, nothing affects your running experience more than your shoes. Finding the perfect running shoes is about much more than style or brand preference. Proper footwear can be the difference between achieving your running goals and suffering through preventable injuries. Why proper shoe fit mattersMany runners unknowingly wear the wrong shoes for years. According to Jessica Lyons-Quirk, director of footwear merchandising at Road Runner Sports, "Not only do most people not know what true foot size they are, they also might not know if they are a neutral or stability runner, so they are setting themselves up for years of injury and being uncomfortable."If your gear is fitting improperly, "you're probably feeling prone to pain and injury," Lyons-Quirk says. "You might have pain in your feet, but also pain in your knees or hips when you walk or run."This mismatch between foot needs and shoe type can significantly impact your running experience and long-term foot health. "The biggest thing about injuries and foot health is that you need to be in the right shoe for your foot. Every foot is different—you're going to constantly be injury-prone if you aren't in the right shoe, which means you're never going to hit your training goals if you're constantly resting off an injury," Lyons-Quirk says.Understanding your running styleBefore selecting shoes, it's important to understand your running mechanics. Broadly speaking, there are two main categories of runners:Neutral runners have a natural foot motion forward with even weight distribution when pushing off. Your feet effectively absorb impact and don't roll excessively inward or outward.Stability runners overpronate, meaning the arch collapses during landing and the foot rolls too far inward. This can create alignment issues while you run.For both types of runners, you'll see shoes directly advertised for your specific style. Neutral runners have a more natural foot motion forward and effectively absorb the impact of the ground, while evenly distributing weight on the toe-off. Lyons-Quirk says you'll want to look for the HOKA Clifton or Saucony Ride.To find the best stability shoes, look out for extra guidance and support to control the excessive movement. Lyons-Quirk recommends the Brooks Adrenaline or the ASICS GEL-Kayano. Brooks Women’s Adrenaline GTS 23 Supportive Running Shoe at Amazon Shop Now Shop Now at Amazon Saucony Men's Ride 18 Sneaker $139.95 at Amazon Shop Now Shop Now $139.95 at Amazon Signs your running shoes do fitBefore blaming all your running woes on your shoes (which will lead to wasting time and money on finding the right pair), here are some of the positive signs that your shoes are in fact the right fit:Thumb's width of space: A common tip is there should be roughly a thumb's width of space between your longest toe and the front of the shoe.No pinching or rubbing: The shoes shouldn't feel tight across the widest part of your foot.Secure heel: Your heel should feel snug but not tight, with minimal slippage when walking.Room for toe splay: Your toes should be able to spread naturally when your foot lands.Comfortable arch support: The arch support should contact your arch without feeling intrusive.Red flags of a poor fitWatch for these warning signs that your shoes aren't right for you:Blisters, hot spots, or calluses developing after runsNumbness or tingling in the toesPain in your feet, ankles, knees, or hips during or after runningBlack toenails from toes hitting the front of the shoeFeeling unstable during your runsWhen to get fittedThe best approach is to visit a specialty running store to get in-person guidance. Running stores often have a treadmill in-store so you can try your shoes at a jogging pace without leaving the building. You’ll want to lean on the stores and companies with a good return policy so that you can road-test your new shoes. Here are some times you when you should consider getting professionally fitted:When you're new to runningAfter significant weight changesIf you're experiencing unexplained painEvery 1-2 years, as feet can change over timeWhen returning from injuryTips for sneaker shoppingThis might sound unconventional, but my hot tip is to shop for sneakers later in the day. Just like how I never buy jeans before I've eaten breakfast, I find my feet naturally swell throughout the day, and I want to make sure my sneakers can handle all my feet fluctuations. Another hack: Bring your old shoes to the store. The wear pattern provides valuable information about your running style for the seller helping you. Similarly, wear your running socks when you try on a new pair, since the thickness of your socks affects fit.And most importantly, make sure you can take your shoes on a test run before committing to anything. Many specialty shops allow you to jog around the store or even take a short run outside.Finding the right running shoes is a personalized process that directly impacts your performance and injury risk. As Lyons-Quirk emphasizes, each foot is different, and matching your specific needs to the right shoe is the number one key to running at your best.

There are several meteor showers we can count on seeing every year as Earth passes through the debris trails of known comets and asteroids orbiting the sun, and two of them are about to be in full swing. The Lyrids, which come from comet C/1861 G1 Thatcher, will be visible from April 17 to 26, most prominently in the skies over the Northern Hemisphere. And just a couple days later, the bright streaks of the Eta Aquarids — stemming from the famous Halley’s Comet — will make their first appearance around April 20 before peaking in early May. In both cases, you won’t need any equipment to enjoy the show. How to see the Lyrids While the Lyrid meteor shower isn’t the most fruitful astronomical event of the year, we can still expect to see an average of 15 meteors per hour during its peak on the night of April 21 going into April 22, if the conditions are right. In the days before and after that, they’ll come at a rate of about five per hour. The Lyrids’ radiant, or the point from which they appear to emerge, will be in the northeast near the constellation Lyra and well above the horizon by around midnight. You’ll want to set up in a spot with a wide view of the sky and as little light pollution as possible, and look up toward the east. “The best time to watch is late evening on April 21 until the moon rises a few hours before dawn on April 22,” EarthSky recommends. “Then, after the moon rises, place yourself in the moon’s shadow.” You’ll have the best shot at seeing the Lyrids if you’re in the Northern Hemisphere (and if the weather is clear), but viewers south of the equator may be able to catch some too. Every so often, the Lyrid meteor shower produces an unusual abundance of meteors in events known as outbursts, but when they’ll occur is unpredictable. In 1982, viewers in Florida spotted as many as 75 meteors per hour, according to NASA. While that’s by no means the norm, it’s not out of the question that you might catch an outburst one of these days. More likely than that, though, is the chance of seeing a fireball, or an exceptionally bright meteor that NASA says is occasionally a feature of the Lyrids. The relatively short meteor shower will come and go in a little over a week, but the Eta Aquarids right after will offer a whole month of potential “shooting star” sightings.  How to see the Eta Aquarids The Eta Aquarid meteor shower (also spelled Aquariid) is one of two annual meteor showers originating from comet 1P/Halley, or Halley’s Comet. “This comet is in a retrograde orbit around the sun,” EarthSky explains. “That means it runs around the sun in the opposite direction from Earth and all the other planets. As a result, we pass near its path twice,” giving us the Eta Aquarids on the outbound leg of the trip and the Orionids in late October during the inbound. The Eta Aquarids are more plentiful than the Lyrids, and you can start looking out for them around April 20, according to NASA. The shower will be active until May 21, but the best time to spot meteors will be overnight from May 5 into May 6, when it peaks, in the pre-dawn hours. During that time, as many as 50 meteors per hour could be visible, versus about 10 per hour in the non-peak windows. The Eta Aquarids’ radiant is in the constellation Aquarius. These meteors are best seen from the Southern Hemisphere, where they’ll pop up at a higher rate, but that doesn’t mean you won’t be able to see any if you’re in the north. Observers in the Northern Hemisphere may just see fewer, and they’re more likely to see those dubbed ‘Earthgrazers,’ or “long meteors that appear to skim the surface of the Earth at the horizon,” NASA notes. The Eta Aquarids in general move fast, at about 40.7 miles per second, according to the space agency, and they’ll often leave incandescent “trains” lingering in the sky after they’ve zipped by. While the debris from Halley’s Comet graces our skies twice a year, the comet itself (which I can’t think about without also remembering that episode of Hey Arnold!) only swings past Earth about every 76 years, which last happened in 1986. It’ll make its next appearance in 2061. After the Eta Aquarids wrap up, we’ll still have a few more meteor showers to look forward to through the summer, so there will be plenty of chances to view some shooting stars if you missed out this time around or just want to catch as many as possible. That includes the Arietids in early June, the Delta Aquarids starting in mid-July and perhaps the best known meteor shower, the Perseids, in mid-August.This article originally appeared on Engadget at https://www.engadget.com/science/space/the-first-meteor-shower-of-spring-peaks-soon-and-another-is-close-on-its-heels-174458501.html?src=rss

Your fermions need to hear about my bosons

Global Payments is acquiring Worldpay for $24 billion and selling its Issuer Solutions business to FIS for $13.5 billion.

Google has acted illegally to maintain a dominant position in online advertising, a federal judge ruled on Thursday. The tech giant’s “exclusionary conduct substantially harmed Google’s publisher customers, the competitive process, and, ultimately, consumers of information on the open web,” Judge Leonie Brinkema wrote in her 115-page ruling, which followed another federal judge’s ruling last year that Google had monopolized the search market. Google was found “liable under Sections 1 and 2 of the Sherman Act” for actions in the ad exchange and tool sectors, but not that it operated a monopoly on ad networks. Google told Fast Company it disagreed with the court’s decision, and would appeal it. “We won half of this case and we will appeal the other half,” said Lee-Anne Mulholland, vice president, regulatory affairs, in a statement.  The latest decision is a big hit to the company, and acts as a prelude to further crackdowns in other jurisdictions, which some suggest could impact its operations. “This is a very big deal,” says Stacy Mitchell, co-director at the Institute for Local Self-Reliance. “The chokehold that Google​ has over the flow of information​ and ideas online, and its power to pocket the ad dollars, has been killing off local news outlets and undermining a key foundation of democracy.”  Jason Kint, CEO of the trade association Digital Content Next, says the ruling “underscores the global harm caused by Google’s practices, which have deprived premium publishers worldwide of critical revenue, undermining their ability to sustain high-quality journalism and entertainment.” Kint believes the decision “is a significant step toward restoring competition and accountability in the digital advertising ecosystem.” Yet for all the headlines the decision will generate, there’s still uncertainty about how much it’ll change Google’s practices—and the wider web. While there’s a recognition that the decisions will likely change how Google works, what impact that will have is uncertain. “Frankly, the ad exchange market is so complicated that it’s hard to know what the impact of any changes to Google’s operations in that area might mean for internet users,” says Anupam Chander, a law professor at Georgetown University.  Chander believes any changes compelled by this decision may not immediately be obvious to rank-and-file users. “If Google is forced to spin out its ad exchange market or forced to open it up to more competitors, it’s not clear that the results will be visible to users,” he says. The ruling could also present a Catch-22: While it may open up the ad market and benefit online publishers, it could also lead to increased data collection of users (since a raft of third parties would compete to gather more data on users to supplant Google’s current single supply).  Still, the decision, whatever it means for end users, is another drumbeat in a wider shift in power between big tech giants and the governments trying to regulate them. And while attention is on the U.S. right now, it’s decisionmaking elsewhere that could have the more longer-lasting impact on the web. The U.S. court’s decision will likely energize European regulators, who are conducting their own investigation into Google’s ad tech practices. A decision there is expected imminently—and could carry more weight. “After years of imposing fines that Google has shrugged off as a mere cost of doing business, the European Commission has the chance to break free from this cycle of whack-a-mole enforcement,” says Stephen Kinsella, an independent legal expert with 30 years of experience in antitrust regulation. European regulators may be prepared to go further than their American counterparts, potentially reshaping the digital ecosystem by compelling the breakup of Google’s intertwined businesses. “By taking decisive action and mandating a structural break-up, the EU can go beyond slapping big tech companies on the wrist,” says Kinsella. “It can restore a thriving, competitive and fair digital economy that works for its citizens, not entrenched monopolies. This is a moment that Europe cannot afford to let pass.”

In this age of disposable furniture, you know you've got a winning design when people are still talking about it a decade after its debut. Veteran industrial designer Todd Bracher created this timeless Trea chair in collaboration with Humanscale in the mid-2010s. The elegant, lobster-exoskelton-inspired form has been popular enough to warrant multiple spin-offs; the original Four Star four-legged office chair on casters has been joined by a taller High Task verison, a caster-less Four Leg version and a Cantilever model. Now the entire Trea series, which won a Red Dot Award upon its debut in 2015, has snagged a 2025 iF Design Award, besting thousands of entrants in the Office category. "Merging simplicity with sophistication, Trea delivers intuitive ergonomic support to any workspace. Designed in collaboration with renowned designer Todd Bracher, Trea's innovative solid-state recline mechanism provides seamless, natural movement without manual adjustments. Its contoured shell is thoughtfully crafted to support the body's curves, enhancing lower back support and mimicking the hips' natural rotation. With a minimalist aesthetic and versatile design, Trea is ideal for professional, home, and 'third place' environments, offering both comfort and style." "Inspired by nature, Todd Bracher collaborated with Humanscale to create the Trea Task Lite and Stool. Adaptable to both office and home environments, Trea's four-star, cantilever, stool, or four-leg bases are interchangeable, allowing it to be customised for different settings while maintaining visual consistency. True to Humanscale's belief in achieving more with less, Trea is crafted with fewer parts than a standard task chair, reducing its environmental impact while maximising efficiency." The Trea series is Living Product Certified, meaning it is climate, water, and energy positive. Congratulations to Bracher and Humanscale!

When a new camera lands on my desk, I typically approach it with measured expectations. Yet sometimes, a piece of gear comes along that defies convention so boldly it demands an entirely fresh perspective. The Sigma BF is precisely that kind of device. Having spent a very short time with this striking mirrorless marvel, I can say this is one of the most thoughtfully designed and satisfying cameras I’ve ever held. That impression aligns with Sigma’s broader direction in 2025. Designer: SIGMA Announced in Tokyo, Sigma’s revitalized visual identity brings its design philosophy into sharp focus. The updated branding isn’t a surface-level refresh—it mirrors the same commitment to clarity, reduction, and form that defines the BF. Alongside new products and lenses, it signals a deeper investment in creativity, one grounded in simplicity and purpose-built engineering. A Refined Look: The Evolution of Sigma’s Identity Sigma’s updated visual identity reflects its core philosophy. The brand’s new wordmark and symbol retain the Greek letter Σ, honoring Sigma’s heritage while introducing a refined design. This update will gradually appear on packaging, digital platforms, and marketing materials. The change highlights the company’s focus on craftsmanship and the extensive expertise behind each product, reinforcing Sigma’s longstanding commitment to its roots in Aizu, Japan. This shift arrives alongside the debut of Sigma’s Art Projects Initiative. Collaborations with artists like Sølve Sundsbø and Julia Hetta mark a renewed focus on supporting the creative process, not only through tools but through inspiration. The Sigma BF doesn’t follow trends. It ignores them entirely. This full-frame mirrorless camera strips away excess and focuses on essentials. In hand, it’s not like any other photographic tool. With a 24.6MP back-illuminated CMOS sensor, 230GB of internal storage, hybrid autofocus, and a solid aluminum chassis milled from a single block, the BF is engineered with precision and intent. Design and Ergonomics The BF’s shape is striking—sharp lines, geometric intent, and zero unnecessary ornamentation. It’s a trapezoidal block, sculpted and balanced with care. The unibody aluminum build delivers a monolithic feel. There are no visible seams, no break in continuity—only surface transitions executed with near-microscopic precision. This isn’t a camera that disappears in your hand. It transforms in your grip. The textured metal pattern on the grip section creates friction without discomfort. It doesn’t attract lint or degrade with sweat. Despite the stark visual language, the camera rests securely and naturally. Palm and thumb rests are integrated into the form itself, not bolted on as afterthoughts. Both the black and silver finishes are handled with restraint. The matte black absorbs light softly, ideal for low-profile shooting, while the silver variant—the one Sigma shipped per our request—creates a sculptural feel paired with I Series lenses. The aluminum body warms to the touch quickly, encouraging a connection rather than distancing the user from the tool. At around 650g with battery, the BF lands in that sweet spot of heft and carryability. Whether walking the streets or working on longer handheld shoots, it holds its position without needing constant adjustment. Simplified Interface with a Focused Layout The BF features just five physical buttons. No mode dial. No clutter. Power, shutter release, playback, menu, and a center button on the haptic directional pad. Each one is pressure-sensitive and offers responsive feedback without clicky overstatement. The shutter release delivers a perfect half-press tension and a quiet, yet reassuring, release. The layout supports your muscle memory—power under your thumb, playback just above the natural rest line, and control functions centered. After just a few minutes of shooting, it becomes second nature. A slim status monitor located near the rear screen displays current adjustments in real-time, without disrupting your composition. When framing, the rear screen stays intentionally clean. Only the essentials show—no histogram clutter, no redundant overlays. The idea is simple: keep your eyes on the shot, not the settings. Instead of switching through PASM modes, the BF grants direct control over shutter speed, aperture, ISO, exposure compensation, and color mode. Each is available instantly. You’re not drilling through layers—you’re adjusting the fundamentals of photography. This approach clearly speaks to photographers who want a machine that supports their decisions, not menus. Real-World Handling and Lens Pairing With Sigma’s compact I Series primes, like the 50mm F2 DG—our review unit—the BF feels cohesive. The silver-on-silver pairing makes a design statement without being overly loud. The body’s balance remains stable, and the tripod mount aligns with the lens’s optical axis, which is key for accurate panorama stitching and long-lens setups. While I’ve only had the unit for minutes, I anticipate that even after hours of shooting, hand fatigue won’t be an issue. The grip’s tactile pattern doesn’t irritate, and the chamfered edges prevent pressure points during extended sessions. The BF isn’t trying to vanish. It stays present but never gets in your way. There’s no EVF, and Sigma makes no apologies for it. The BF asks you to look at the world differently—literally through a screen. It’s a decision that won’t work for everyone, but for street shooters and those composing at waist level or at low angles, it feels natural and refreshingly direct. Thermals, Power, Storage—and What’s Next The aluminum body is said to dissipate heat efficiently—something I’ll need to test out over the next week. So far, during brief use, it has remained stable to the touch. The internal 230GB storage eliminates the need for SD cards and supports over 14,000 JPEG images or approximately two hours of 6K video. USB-C handles fast transfers and charging. It’s an ecosystem with less friction, which is the real story behind the BF—less friction, more shooting. I have a very short two-week period to put this camera to the test, and I plan to make the most of every minute to do so. The Sigma BF doesn’t compete on feature checklists. It doesn’t chase trends. It sets its own agenda—tactile, minimal, intentional. You don’t pick it up for specs. You use it because it makes you feel connected to the process again. It’s not for everyone. And that’s the point. Sigma created a camera for those who care about how a camera feels, looks, and interacts with the creative process. Once you experience it, returning to plastic shells and bloated menus feels like trading down. The BF offers a different kind of freedom—the kind that reminds you why you picked up a camera in the first place. Stay tuned for my full review.The post Hands-On with the Sigma BF Camera: A Beautiful Union of Minimalist Design and Purposeful Function first appeared on Yanko Design.