• Wikipedia picture of the day for June 7

    Mount Rundle is a mountain in Banff National Park that overlooks the towns of Banff and Canmore in the Canadian province of Alberta. Geologically, it consists of limestones, dolomitic limestones, dolomites and shales of Paleozoic age. In ascending order, they belong to the Palliser, Exshaw and Banff Formations, topped by the Rundle Group, which was named after the mountain. Mount Rundle could be considered a small mountain range as the mountain extends for more than 12 kilometreson the south side of the Trans-Canada Highway eastward from Banff to Canmore, and has seven distinct peaks. The southeasternmost of these peaks is the East End of Rundle, pictured here from the trail to Ha Ling Peak, with Whitemans Pond in the foreground.

    Photograph credit: The Cosmonaut

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    Wikipedia picture of the day for June 7
    Mount Rundle is a mountain in Banff National Park that overlooks the towns of Banff and Canmore in the Canadian province of Alberta. Geologically, it consists of limestones, dolomitic limestones, dolomites and shales of Paleozoic age. In ascending order, they belong to the Palliser, Exshaw and Banff Formations, topped by the Rundle Group, which was named after the mountain. Mount Rundle could be considered a small mountain range as the mountain extends for more than 12 kilometreson the south side of the Trans-Canada Highway eastward from Banff to Canmore, and has seven distinct peaks. The southeasternmost of these peaks is the East End of Rundle, pictured here from the trail to Ha Ling Peak, with Whitemans Pond in the foreground. Photograph credit: The Cosmonaut Recently featured: Bearded vulture London King's Cross railway station Daft Punk Archive More featured pictures #wikipedia #picture #day #june
    Wikipedia picture of the day for June 7
    en.wikipedia.org
    Mount Rundle is a mountain in Banff National Park that overlooks the towns of Banff and Canmore in the Canadian province of Alberta. Geologically, it consists of limestones, dolomitic limestones, dolomites and shales of Paleozoic age. In ascending order, they belong to the Palliser, Exshaw and Banff Formations, topped by the Rundle Group, which was named after the mountain. Mount Rundle could be considered a small mountain range as the mountain extends for more than 12 kilometres (7.5 miles) on the south side of the Trans-Canada Highway eastward from Banff to Canmore, and has seven distinct peaks. The southeasternmost of these peaks is the East End of Rundle, pictured here from the trail to Ha Ling Peak, with Whitemans Pond in the foreground. Photograph credit: The Cosmonaut Recently featured: Bearded vulture London King's Cross railway station Daft Punk Archive More featured pictures
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  • 18 of the Best Shows You Can Watch for Free on Tubi

    Unlike the other big streamers, Tubi only has a handful of original shows, most of them imports. That's not to say it's a wasteland for TV addicts: The streamer might actually have too many shows, a vast and sometimes wild catalog that spans decades. As the likes of Netflix and HBO Max have slimmed down their catalogues, Tubi is growing, offering a mix of established hits, underrated gems, and more obscure offerings. For the sheer breadth of material on offer, it has become the first place I look for anything outside the current zeitgeist—like the following 18 shows, an entirely non-comprehensive sampling of what Tubi has to offer, crossing genres and decades.Gossip GirlOccasionally referred to as the greatest teen drama of all time, Gossip Girl was a buzzy ratings champ for the CW back in the day, with its juicy, often scandalous storylines that veered so often into intentional satire that it was hard to ever get mad at the ridiculousness of any of it. Set among a group of well-heeled students on Manhattan's Upper East Side, its characters find their private lives being chronicled by the title’s mysterious master of gossip—so think of it as a proto-Bridgerton. You can stream Gossip Girl here.Babylon 5J. Michael Straczynski’s wildly ambitious sci-fi epic was way ahead of its time, with a plannedfive season story arc set on the titular space station. Babylon 5 is a remote outpost that becomes the last best hope for peace in the face of conflicting human and alien agendas—even more so after an ancient threat is awakened. With increasingly complex storylines that expanded over its run, this was a stab at prestige TV before that was a thing, and it still holds upHip hop mogul and Empire Entertainment CEO Lucious Lyonis dying, having been diagnosed with ALS at a young age. He wasn't planning to have to hand off his company so early, but nevertheless finds himself preparing his three very different sonsto take the keys to the kingdom—by pitting them against one other. Into this already Shakespearean setup steps Lucious' ex-wife Cookie, just released from prison and harboring her own plans for Lucious's empire. You can stream Empire here. Mr. RobotSocial anxiety disorder, clinical depression, and dissociative identity disorder make up the potent blend of neurodivergences challenging Elliot Alderson, a genius senior cybersecurity engineer at Allsafe Cybersecurity. In season one, he's recruited by an anarchist who goes by the moniker Mr. Robotto encrypt all the financial data of a global mega-conglomerate, thereby erasing massive amounts of debt. The show starts strong and gets better across its increasingly labyrinthian four seasons—utterly preposterous while also feeling realistic in its technical detail. You can stream Mr. Robot here. BoardersThis British import feels a bit like a latter-day Skins, with a talented cast of young stars-in-waitingand a scholastic setting. At theprestigious boarding school St. Gilbert’s, five Black teens are newly attending, having earned scholarships, but their integration into the existing cliques is less than smooth. The blend of coming-of-age drama with a willingness to take the piss when it comes to the whole rich private school thing makes this Tubi original a good time. You can stream Boarders here.Big MoodAnother UK import and Tubi original, Big Mood stars Nicola Coughlanand Lydia Westas a couple of besties in East London, living their best millennial thirtysomething lives. Well, kind of: Maggie's dealing with bipolar disorder, and unclear on whether she wants to continue with her medication as she sets out to write a play, while Lydia is doing her very best running a tanking dive bar inherited from her father. It's both a cute dramedy and an impressively frank exploration of the challenges of living with mental illness. You can stream Big Mood here. ViciousThe old-school sitcom formula has never been executed quite this bitchily, with the inspired pairing of Ian McKellen and Derek Jacobi as Freddie Thornhill and Stuart Bixby, a couple of nearly 50 years who’ve developed a love-hate relationship. This cast, which includes Frances de la Tour and Game of Thrones’ Ian Rheon, is unbeatable, and the one-liners are hilariously nasty. You can stream Vicious here.The Haves and the Have NotsTyler Perry's old-school primetime soap was the show that practically built OWN; it was the then-new network's first scripted show, and an immediate breakout. It follows three families: The wealthy Harringtons and the Cryers are wealthy movers in Atlanta, Georgia, while the Young family is overseen by single mom Hanna, who's both a maid for the Cryers and confidante to the family matriarch. There's juicy tension galore between the three families, in no small part because of class differences, but also because they're all equally screwed. You can stream The Haves and the Have Nots here. SpartacusDoing Ridley Scott’s Gladiator one better in terms of both narrative complexity and in hot shirtless gay arena action, Spartacus starts off as pure spectacle and grows into a juicy, high-gloss soap opera by series' end. Buoyed by performances from leads Andy Whitfield, Manu Bennett, John Hannah, and Lucy Lawless, it’s sword-and-sandals done right. A follow-up series is in development over at Starz, so it's a good time to catch up. You can stream Spartacus here. BroadchurchCreator Chris Chibnall's dark crime drama didn't invent its particular sub-genre, but it did popularize it to the point that we've been inundated with countless imitators of wide-ranging quality. With the great pairing of Olivia Colman and David Tennant, Broadchurch still stands alongside the best of its kind. You can stream Broadchurch here.Doctor WhoSpeaking of Doctor Who, even if you're current with the modern incarnation, you've got a lot of timey-wimey adventures to enjoy. Tubi has the entirity of the surviving 26-season original run, going all the way back to 1963 and the story of a mysterious old man living in a junkyard with his granddaughter. Seven doctors is enough to keep anyone busy for a while. Tubi has the show broken out by Doctor, but, if you want to start from the beginning you can stream The First Doctor here. HavenTubi is a haven for small gems like this, a five-season Stephen King adaptation originally produced by SyFy. Emily Rose stars as Audrey Parker, and FBI Special Agent sent to the small town of Haven, Maine on a routine case who gets drawn into “The Troubles," a series of harmful supernatural events that have recurred throughout the town’s history. A supernatural-case-of-the-week format gives way to a bigger mystery when Audrey comes to learn that this isn’t her first time in Haven, nor the first time she’s encountered the Troubles. You can stream Haven here.ScandalShonda Rhimes was already a powerhouse producer and screenwriter with several successful seasons of Grey's Anatomy under her belt when Scandal debuted, but its blend of political thrills and sexy, soapy drama is what solidified her brand, and her spot atop of the modern TV landscape. Kerry Washington stars as Olivia Pope, head of the DC-based crisis management firm Olivia Pope & Associates, who is the person to call when you've got a PR disaster to fix. If you want to get a sense of the stakes involved, consider that Tony Goldwyn costars as Fitzgerald Grant III, president of the United States, and also Olivia's lover. You can stream Scandal here. Buffy the Vampire SlayerWith word that Sarah Michelle Gellarare returning to the wreckage of Sunnydale for a Hulu reboot, it’s probably not a bad time to visitthis seven-season teen vampire hunter saga. While the pacing might feel a little slow, and the effects a little janky, its blend of high schoolangst, kick-ass monster fights, and genuinely laugh-out-loud comedy holds up. You can stream Buffy here.HeartlandIf there’s a stereotype that middle-American viewers won’t watch foreign fare, this show puts the lie to it—at least when it comes to imports from Alberta. Based on a popular book series from Linda Chapman and Beth Chambers, the show follows the lives of a family of horse ranchers in western Canada, led by sisters Amy and Lou. Tubi currently has only the first 15 seasons of the drama, which has recently been renewed for a 19th. That’s Law & Order-level longevity, people. You can stream Heartland here.HighlanderAn classic of '90s-era syndicated action/adventure, Highlander stars Adrian Paul as the title hero, taking over from Christopher Lambert in the film series. Duncan MacLeod is an immortal warrior living in the modernday, hunted by others of his own kind, whose goal is singular: to chop off Duncan's head in order to steal his power. Episodes typically involve some sort of flashback to an earlier era in Duncan's life where we first encounter the threat he'll face in the modern day. There's at least one good sword fight in every episode, and I can't imagine what more you'd want out of a series. Bonus: It carries over the films' kick-ass Queen theme song. You can stream Highlander here. Z NationThe Walking Dead made prestige television out of the zombie apocalypse, but this SyFy channel original is all about zombies as a campy, gory good time.  Things kick off with a soldier who’s been tasked with transporting a package across country. The package in question is actually a human being, the survivor of a zombie bite who might be able to help create a vaccine. This one comes from the schlock-masters at The Asylum, purveyors of infamous B-movies like Sharknado, which should tell you all you need to know about the tone. You can stream Z Nation here.ColumboPeter Falk's sublimely rumpled detective practically invented the style that Peacock's Poker Face has recently revived: a crimeis committed, the viewers know whodunnit, and Columbo has to solve it. Early on in any given episode, we get to watch the crime being committed, though we don't always know the motive. The challenge isn't to figure out the culprit, but to discover exactly how TV's greatest detective is going to solve the case. You can stream Columbo here.
    #best #shows #you #can #watch
    18 of the Best Shows You Can Watch for Free on Tubi
    Unlike the other big streamers, Tubi only has a handful of original shows, most of them imports. That's not to say it's a wasteland for TV addicts: The streamer might actually have too many shows, a vast and sometimes wild catalog that spans decades. As the likes of Netflix and HBO Max have slimmed down their catalogues, Tubi is growing, offering a mix of established hits, underrated gems, and more obscure offerings. For the sheer breadth of material on offer, it has become the first place I look for anything outside the current zeitgeist—like the following 18 shows, an entirely non-comprehensive sampling of what Tubi has to offer, crossing genres and decades.Gossip GirlOccasionally referred to as the greatest teen drama of all time, Gossip Girl was a buzzy ratings champ for the CW back in the day, with its juicy, often scandalous storylines that veered so often into intentional satire that it was hard to ever get mad at the ridiculousness of any of it. Set among a group of well-heeled students on Manhattan's Upper East Side, its characters find their private lives being chronicled by the title’s mysterious master of gossip—so think of it as a proto-Bridgerton. You can stream Gossip Girl here.Babylon 5J. Michael Straczynski’s wildly ambitious sci-fi epic was way ahead of its time, with a plannedfive season story arc set on the titular space station. Babylon 5 is a remote outpost that becomes the last best hope for peace in the face of conflicting human and alien agendas—even more so after an ancient threat is awakened. With increasingly complex storylines that expanded over its run, this was a stab at prestige TV before that was a thing, and it still holds upHip hop mogul and Empire Entertainment CEO Lucious Lyonis dying, having been diagnosed with ALS at a young age. He wasn't planning to have to hand off his company so early, but nevertheless finds himself preparing his three very different sonsto take the keys to the kingdom—by pitting them against one other. Into this already Shakespearean setup steps Lucious' ex-wife Cookie, just released from prison and harboring her own plans for Lucious's empire. You can stream Empire here. Mr. RobotSocial anxiety disorder, clinical depression, and dissociative identity disorder make up the potent blend of neurodivergences challenging Elliot Alderson, a genius senior cybersecurity engineer at Allsafe Cybersecurity. In season one, he's recruited by an anarchist who goes by the moniker Mr. Robotto encrypt all the financial data of a global mega-conglomerate, thereby erasing massive amounts of debt. The show starts strong and gets better across its increasingly labyrinthian four seasons—utterly preposterous while also feeling realistic in its technical detail. You can stream Mr. Robot here. BoardersThis British import feels a bit like a latter-day Skins, with a talented cast of young stars-in-waitingand a scholastic setting. At theprestigious boarding school St. Gilbert’s, five Black teens are newly attending, having earned scholarships, but their integration into the existing cliques is less than smooth. The blend of coming-of-age drama with a willingness to take the piss when it comes to the whole rich private school thing makes this Tubi original a good time. You can stream Boarders here.Big MoodAnother UK import and Tubi original, Big Mood stars Nicola Coughlanand Lydia Westas a couple of besties in East London, living their best millennial thirtysomething lives. Well, kind of: Maggie's dealing with bipolar disorder, and unclear on whether she wants to continue with her medication as she sets out to write a play, while Lydia is doing her very best running a tanking dive bar inherited from her father. It's both a cute dramedy and an impressively frank exploration of the challenges of living with mental illness. You can stream Big Mood here. ViciousThe old-school sitcom formula has never been executed quite this bitchily, with the inspired pairing of Ian McKellen and Derek Jacobi as Freddie Thornhill and Stuart Bixby, a couple of nearly 50 years who’ve developed a love-hate relationship. This cast, which includes Frances de la Tour and Game of Thrones’ Ian Rheon, is unbeatable, and the one-liners are hilariously nasty. You can stream Vicious here.The Haves and the Have NotsTyler Perry's old-school primetime soap was the show that practically built OWN; it was the then-new network's first scripted show, and an immediate breakout. It follows three families: The wealthy Harringtons and the Cryers are wealthy movers in Atlanta, Georgia, while the Young family is overseen by single mom Hanna, who's both a maid for the Cryers and confidante to the family matriarch. There's juicy tension galore between the three families, in no small part because of class differences, but also because they're all equally screwed. You can stream The Haves and the Have Nots here. SpartacusDoing Ridley Scott’s Gladiator one better in terms of both narrative complexity and in hot shirtless gay arena action, Spartacus starts off as pure spectacle and grows into a juicy, high-gloss soap opera by series' end. Buoyed by performances from leads Andy Whitfield, Manu Bennett, John Hannah, and Lucy Lawless, it’s sword-and-sandals done right. A follow-up series is in development over at Starz, so it's a good time to catch up. You can stream Spartacus here. BroadchurchCreator Chris Chibnall's dark crime drama didn't invent its particular sub-genre, but it did popularize it to the point that we've been inundated with countless imitators of wide-ranging quality. With the great pairing of Olivia Colman and David Tennant, Broadchurch still stands alongside the best of its kind. You can stream Broadchurch here.Doctor WhoSpeaking of Doctor Who, even if you're current with the modern incarnation, you've got a lot of timey-wimey adventures to enjoy. Tubi has the entirity of the surviving 26-season original run, going all the way back to 1963 and the story of a mysterious old man living in a junkyard with his granddaughter. Seven doctors is enough to keep anyone busy for a while. Tubi has the show broken out by Doctor, but, if you want to start from the beginning you can stream The First Doctor here. HavenTubi is a haven for small gems like this, a five-season Stephen King adaptation originally produced by SyFy. Emily Rose stars as Audrey Parker, and FBI Special Agent sent to the small town of Haven, Maine on a routine case who gets drawn into “The Troubles," a series of harmful supernatural events that have recurred throughout the town’s history. A supernatural-case-of-the-week format gives way to a bigger mystery when Audrey comes to learn that this isn’t her first time in Haven, nor the first time she’s encountered the Troubles. You can stream Haven here.ScandalShonda Rhimes was already a powerhouse producer and screenwriter with several successful seasons of Grey's Anatomy under her belt when Scandal debuted, but its blend of political thrills and sexy, soapy drama is what solidified her brand, and her spot atop of the modern TV landscape. Kerry Washington stars as Olivia Pope, head of the DC-based crisis management firm Olivia Pope & Associates, who is the person to call when you've got a PR disaster to fix. If you want to get a sense of the stakes involved, consider that Tony Goldwyn costars as Fitzgerald Grant III, president of the United States, and also Olivia's lover. You can stream Scandal here. Buffy the Vampire SlayerWith word that Sarah Michelle Gellarare returning to the wreckage of Sunnydale for a Hulu reboot, it’s probably not a bad time to visitthis seven-season teen vampire hunter saga. While the pacing might feel a little slow, and the effects a little janky, its blend of high schoolangst, kick-ass monster fights, and genuinely laugh-out-loud comedy holds up. You can stream Buffy here.HeartlandIf there’s a stereotype that middle-American viewers won’t watch foreign fare, this show puts the lie to it—at least when it comes to imports from Alberta. Based on a popular book series from Linda Chapman and Beth Chambers, the show follows the lives of a family of horse ranchers in western Canada, led by sisters Amy and Lou. Tubi currently has only the first 15 seasons of the drama, which has recently been renewed for a 19th. That’s Law & Order-level longevity, people. You can stream Heartland here.HighlanderAn classic of '90s-era syndicated action/adventure, Highlander stars Adrian Paul as the title hero, taking over from Christopher Lambert in the film series. Duncan MacLeod is an immortal warrior living in the modernday, hunted by others of his own kind, whose goal is singular: to chop off Duncan's head in order to steal his power. Episodes typically involve some sort of flashback to an earlier era in Duncan's life where we first encounter the threat he'll face in the modern day. There's at least one good sword fight in every episode, and I can't imagine what more you'd want out of a series. Bonus: It carries over the films' kick-ass Queen theme song. You can stream Highlander here. Z NationThe Walking Dead made prestige television out of the zombie apocalypse, but this SyFy channel original is all about zombies as a campy, gory good time.  Things kick off with a soldier who’s been tasked with transporting a package across country. The package in question is actually a human being, the survivor of a zombie bite who might be able to help create a vaccine. This one comes from the schlock-masters at The Asylum, purveyors of infamous B-movies like Sharknado, which should tell you all you need to know about the tone. You can stream Z Nation here.ColumboPeter Falk's sublimely rumpled detective practically invented the style that Peacock's Poker Face has recently revived: a crimeis committed, the viewers know whodunnit, and Columbo has to solve it. Early on in any given episode, we get to watch the crime being committed, though we don't always know the motive. The challenge isn't to figure out the culprit, but to discover exactly how TV's greatest detective is going to solve the case. You can stream Columbo here. #best #shows #you #can #watch
    18 of the Best Shows You Can Watch for Free on Tubi
    lifehacker.com
    Unlike the other big streamers, Tubi only has a handful of original shows, most of them imports (their original movie selection is much larger). That's not to say it's a wasteland for TV addicts: The streamer might actually have too many shows, a vast and sometimes wild catalog that spans decades. As the likes of Netflix and HBO Max have slimmed down their catalogues, Tubi is growing, offering a mix of established hits, underrated gems, and more obscure offerings. For the sheer breadth of material on offer, it has become the first place I look for anything outside the current zeitgeist—like the following 18 shows, an entirely non-comprehensive sampling of what Tubi has to offer, crossing genres and decades.Gossip Girl (2007 – 2012) Occasionally referred to as the greatest teen drama of all time (certainly this side of 90210), Gossip Girl was a buzzy ratings champ for the CW back in the day, with its juicy, often scandalous storylines that veered so often into intentional satire that it was hard to ever get mad at the ridiculousness of any of it. Set among a group of well-heeled students on Manhattan's Upper East Side, its characters find their private lives being chronicled by the title’s mysterious master of gossip—so think of it as a proto-Bridgerton. You can stream Gossip Girl here.Babylon 5 (1993 – 1998, five seasons) J. Michael Straczynski’s wildly ambitious sci-fi epic was way ahead of its time, with a planned (more or less) five season story arc set on the titular space station. Babylon 5 is a remote outpost that becomes the last best hope for peace in the face of conflicting human and alien agendas—even more so after an ancient threat is awakened. With increasingly complex storylines that expanded over its run, this was a stab at prestige TV before that was a thing, and it still holds up (dated CGI effects notwithstanding. You can stream Babylon 5 here.Empire (2015 – 2020) Hip hop mogul and Empire Entertainment CEO Lucious Lyon (Terrence Howard) is dying, having been diagnosed with ALS at a young age. He wasn't planning to have to hand off his company so early, but nevertheless finds himself preparing his three very different sons (Trai Byers, Jussie Smollett, and Bryshere Y. Gray) to take the keys to the kingdom—by pitting them against one other. Into this already Shakespearean setup steps Lucious' ex-wife Cookie (Taraji P. Henson), just released from prison and harboring her own plans for Lucious's empire. You can stream Empire here. Mr. Robot (2015 – 2019) Social anxiety disorder, clinical depression, and dissociative identity disorder make up the potent blend of neurodivergences challenging Elliot Alderson (Rami Malek), a genius senior cybersecurity engineer at Allsafe Cybersecurity. In season one, he's recruited by an anarchist who goes by the moniker Mr. Robot (Christian Slater) to encrypt all the financial data of a global mega-conglomerate, thereby erasing massive amounts of debt (hey, real-life hackers, maybe take some notes?). The show starts strong and gets better across its increasingly labyrinthian four seasons—utterly preposterous while also feeling realistic in its technical detail. You can stream Mr. Robot here. Boarders (2024 - , two seasons) This British import feels a bit like a latter-day Skins, with a talented cast of young stars-in-waiting (including leads Josh Tedeku and Jodie Campbell) and a scholastic setting. At the (fictional) prestigious boarding school St. Gilbert’s, five Black teens are newly attending, having earned scholarships, but their integration into the existing cliques is less than smooth. The blend of coming-of-age drama with a willingness to take the piss when it comes to the whole rich private school thing makes this Tubi original a good time. You can stream Boarders here.Big Mood (2024 – , renewed for a second season) Another UK import and Tubi original (at least stateside), Big Mood stars Nicola Coughlan (Bridgerton) and Lydia West (It's a Sin) as a couple of besties in East London, living their best millennial thirtysomething lives. Well, kind of: Maggie's dealing with bipolar disorder, and unclear on whether she wants to continue with her medication as she sets out to write a play, while Lydia is doing her very best running a tanking dive bar inherited from her father. It's both a cute dramedy and an impressively frank exploration of the challenges of living with mental illness. You can stream Big Mood here. Vicious (2013 – 2016, two seasons) The old-school sitcom formula has never been executed quite this bitchily, with the inspired pairing of Ian McKellen and Derek Jacobi as Freddie Thornhill and Stuart Bixby, a couple of nearly 50 years who’ve developed a love-hate relationship. This cast, which includes Frances de la Tour and Game of Thrones’ Ian Rheon, is unbeatable, and the one-liners are hilariously nasty. You can stream Vicious here.The Haves and the Have Nots (2013 – 2021, eight seasons) Tyler Perry's old-school primetime soap was the show that practically built OWN; it was the then-new network's first scripted show, and an immediate breakout. It follows three families: The wealthy Harringtons and the Cryers are wealthy movers in Atlanta, Georgia, while the Young family is overseen by single mom Hanna, who's both a maid for the Cryers and confidante to the family matriarch. There's juicy tension galore between the three families, in no small part because of class differences, but also because they're all equally screwed. You can stream The Haves and the Have Nots here. Spartacus (2010 – 2013) Doing Ridley Scott’s Gladiator one better in terms of both narrative complexity and in hot shirtless gay arena action, Spartacus starts off as pure spectacle and grows into a juicy, high-gloss soap opera by series' end. Buoyed by performances from leads Andy Whitfield (who tragically passed away during the series' original run), Manu Bennett, John Hannah, and Lucy Lawless, it’s sword-and-sandals done right. A follow-up series is in development over at Starz, so it's a good time to catch up. You can stream Spartacus here. Broadchurch (2013 – 2017) Creator Chris Chibnall's dark crime drama didn't invent its particular sub-genre (whatever you call the one where two troubled homicide detectives butt heads in a gloomy town), but it did popularize it to the point that we've been inundated with countless imitators of wide-ranging quality. With the great pairing of Olivia Colman and David Tennant (joined by yet another Doctor Who Doctor, Jodie Whittaker), Broadchurch still stands alongside the best of its kind. You can stream Broadchurch here.Doctor Who (1963 – 1989, 26 seasons) Speaking of Doctor Who, even if you're current with the modern incarnation (if I can use "modern" for a show that started airing in 2005), you've got a lot of timey-wimey adventures to enjoy. Tubi has the entirity of the surviving 26-season original run, going all the way back to 1963 and the story of a mysterious old man living in a junkyard with his granddaughter. Seven doctors is enough to keep anyone busy for a while. Tubi has the show broken out by Doctor, but, if you want to start from the beginning you can stream The First Doctor here. Haven (2010 – 2015) Tubi is a haven for small gems like this, a five-season Stephen King adaptation originally produced by SyFy. Emily Rose stars as Audrey Parker, and FBI Special Agent sent to the small town of Haven, Maine on a routine case who gets drawn into “The Troubles," a series of harmful supernatural events that have recurred throughout the town’s history. A supernatural-case-of-the-week format gives way to a bigger mystery when Audrey comes to learn that this isn’t her first time in Haven, nor the first time she’s encountered the Troubles. You can stream Haven here.Scandal (2012 – 2018, seven seasons) Shonda Rhimes was already a powerhouse producer and screenwriter with several successful seasons of Grey's Anatomy under her belt when Scandal debuted, but its blend of political thrills and sexy, soapy drama is what solidified her brand, and her spot atop of the modern TV landscape. Kerry Washington stars as Olivia Pope, head of the DC-based crisis management firm Olivia Pope & Associates (OPA), who is the person to call when you've got a PR disaster to fix. If you want to get a sense of the stakes involved, consider that Tony Goldwyn costars as Fitzgerald Grant III, president of the United States, and also Olivia's lover. You can stream Scandal here. Buffy the Vampire Slayer (1997 – 2003) With word that Sarah Michelle Gellar (and company?) are returning to the wreckage of Sunnydale for a Hulu reboot, it’s probably not a bad time to visit (or revisit, or re-revisit) this seven-season teen vampire hunter saga. While the pacing might feel a little slow, and the effects a little janky, its blend of high school (and then college) angst, kick-ass monster fights, and genuinely laugh-out-loud comedy holds up. You can stream Buffy here.Heartland (2007 – , 18 seasons) If there’s a stereotype that middle-American viewers won’t watch foreign fare, this show puts the lie to it—at least when it comes to imports from Alberta (tariff-free!). Based on a popular book series from Linda Chapman and Beth Chambers (writing under the name Lauren Brooke), the show follows the lives of a family of horse ranchers in western Canada, led by sisters Amy and Lou (Amber Marshall and Michelle Morgan). Tubi currently has only the first 15 seasons of the drama, which has recently been renewed for a 19th. That’s Law & Order-level longevity, people. You can stream Heartland here.Highlander (1992 – 1998, six seasons) An classic of '90s-era syndicated action/adventure, Highlander stars Adrian Paul as the title hero, taking over from Christopher Lambert in the film series. Duncan MacLeod is an immortal warrior living in the modern(-ish) day, hunted by others of his own kind, whose goal is singular: to chop off Duncan's head in order to steal his power. Episodes typically involve some sort of flashback to an earlier era in Duncan's life where we first encounter the threat he'll face in the modern day. There's at least one good sword fight in every episode, and I can't imagine what more you'd want out of a series. Bonus: It carries over the films' kick-ass Queen theme song. You can stream Highlander here. Z Nation (2014 - 2019) The Walking Dead made prestige television out of the zombie apocalypse, but this SyFy channel original is all about zombies as a campy, gory good time.  Things kick off with a soldier who’s been tasked with transporting a package across country. The package in question is actually a human being, the survivor of a zombie bite who might be able to help create a vaccine (take note, The Last of Us fans). This one comes from the schlock-masters at The Asylum, purveyors of infamous B-movies like Sharknado, which should tell you all you need to know about the tone. You can stream Z Nation here.Columbo (1968 – 2003, 16 seasons) Peter Falk's sublimely rumpled detective practically invented the style that Peacock's Poker Face has recently revived: a crime (usually a murder) is committed, the viewers know whodunnit, and Columbo has to solve it. Early on in any given episode, we get to watch the crime being committed, though we don't always know the motive. The challenge isn't to figure out the culprit, but to discover exactly how TV's greatest detective is going to solve the case. You can stream Columbo here.
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  • A housing design catalogue for the 21st century

    The housing catalogue includes 50 low-rise home designs, including for garden suites, duplexes, four-plexes and six-plexes. Each design was developed by local architecture and engineering teams with the intent of aligning with regional building codes, planning rules, climate zones, construction methods and materials.

    TEXT John Lorinc
    RENDERINGS Office In Search Of
    During the spring election, the Liberals leaned into messaging that evoked a historic moment from the late 1940s, when Ottawa succeeded in confronting a severe housing crisis. 
    “We used to build things in this country,” begins Prime Minister Mark Carney in a nostalgic ad filled with archival images of streets lined with brand new post-World War II “strawberry box” bungalows, built for returning Canadian soldiers and their young families. 

    The video also includes montages from the now-iconic design “catalogues,” published by Canada Mortgage and Housing Corporation. These supplied floor plans and unlocked cheap mortgages for tens of thousands of simple suburban houses found in communities across the country. “The government built prefabricated homes that were easy to assemble and inexpensive,” Carney said in the voice-over. “And those homes are still here.” 
    Over the past year, CMHC has initiated a 21st century re-do of that design catalogue, and the first tranche of 50 plans—for garden suites, duplexes, four-plexes and six-plexes—went live in early March. A second tranche, with plans for small apartments, is under development. 
    Unlike the postwar versions, these focus on infill sites, not green fields. One of CMHC’s goals is to promote so-called gentle density to residential properties with easily constructed plans that reflect regional variations, local zoning and building-code regulations, accessibility features and low-carbon design. As with those postwar catalogues, CMHC’s other goal was to tamp down on soft costs for homeowners or small builders looking to develop these kinds of housing by providing no-cost designs that were effectively permit sets.
    The early reviews are generally positive. “I find the design really very compelling in a kind of understated way,” says SvN principal Sam Dufaux. By making available vetted plans that can be either pre-approved or approved as of right, CMHC will remove some of the friction that impedes this scale of housing. “One of the elements of the housing crisis has to do with how do we approve these kinds of projects,” Dufaux adds. “I’m hoping it is a bit of a new beginning.”
    Yet other observers offer cautions about the extent to which the CMHC program can blunt the housing crisis. “It’s a small piece and a positive one,” says missing middle advocate and economist Mike Moffatt, who is executive in residence at the Smart Prosperity Institute and an assistant professor at Western’s Ivey Business School. “Butone that probably captures a disproportionate amount of attention because it’s something people can visualize in a way that they can’t with an apartment tax credit.”
    This kind of new-build infill is unlikely to provide much in the way of affordable or deeply affordable housing, adds Carolyn Whitzman, housing and social policy researcher, and author of Home Truths: Fixing Canada’s Housing Crisis. She estimates Canada needs about three million new dwellings that can be rented for per month or less. The policies that will enable new housing at that scale, she says, involve financing subsidies, publicly owned land, and construction innovation, e.g., prefabricated or factory-built components, as well as “consistent and permissive zoning and consistent and permissive building codes.” 
    Indeed, the make-or-break question hovering over CMHC’s design catalogue is whether municipalities will green-light these plans or simply find new ways to hold up approvals.
     
    An axonometric of a rowhouse development from the Housing Catalogue, designed for Alberta.
    A team effort
    Janna Levitt, partner at LGA Architectural Partners, says that when CMHC issued an RFP for the design catalogue, her firm decided to pitch a team of architects and peer reviewers from across Canada, with LGA serving as project manager. After they were selected, Levitt says they had to quickly clarify a key detail, which was the assumption that the program could deliver pre-approved, permit-ready plans absent a piece of property to build on. “Even in 1947,” she says, “it wasn’t a permit set until you had a site.”
    LGA’s team and CMHC agreed to expand the scope of the assignment so that the finished product wasn’t just a catalogue of plans but also included details about local regulations and typical lot sizes. Re-Housing co-founder Michael Piper, an associate professor at U of T’s John H. Daniels Faculty of Architecture, Landscape, and Design, came on board to carry out research on similar programs, and found initiatives in places like Georgia, Indiana and Texas. “I have not found any that moved forward,” he says. “Canada’s national design catalogue is pretty novel in that regard, which is exciting.” The noteworthy exceptions are California, which has made significant advances in recent years in pre-approving ADUs across the state, and British Columbia, which last fall released its own standardized design catalogue. 
    He also carried out a scan of land use and zoning rules in Ontario for 15 to 20 municipalities. “We looked to seetheir zoning permitted and what the rules were, and as you might expect, they’re all over the place,” he says. “Hence the challenge with the standardized design.”
    At present, high-level overviews for the 50 designs are available, including basic floor plans, 3D axonometrics, and building dimensions. Full architectural design packages are expected to be released later this year.
    Levitt says the architects on the team set out to come up with designs that used wood frame construction, had no basements, and drew on vernacular architectural styles. They researched representative lot sizes in the various regions, and configured designs to suit small, medium and large properties. Some versions have accessibility features—CMHC’s remit included both accessible units and aging-in-place as objectives—or can be adapted later on. 
    As for climate and energy efficiency considerations, the recommended materials include low-carbon components and cladding. The designs do reflect geographical variations, but Levitt says there’s only so much her team could do in terms of energy modelling. “How do you do heat energy calculations when you don’t have a site? You don’t have north, south, east, westand you don’t have what zone are you in. In B.C. and Ontario, there are seven climatic regions. There was a lot of working through those kinds of very practical requirements, which were very complicated and actually fed into the design work quite significantly.” As Levitt adds, “in 1947, there were no heat loss models because the world wasn’t like that.”
    LGA provided the architects on the team with templates for interior elements, such as bathrooms, as well as standards for features such as bedroom sizes, dining areas, storage sufficient to hold strollers, and access to outdoor space, either at grade or via a balcony. “We gathered together these ideas about the quality of life that we wanted baked into each of the designs, so thatexpressed a really good quality of life—modest but good quality,” she says. “It’s not about the finishes. People had to be able to live there and live there well.”
    “This isn’t a boutique home solution,” Whitzman says. “This is a cheap and mass-produced solution. And compared to other cheap and mass-produced solutions, whether they be condos or suburban subdivisions,look fine to my untrained eye.”
    A selection of Housing Catalogue designs for the Atlantic region.
    Will it succeed? 
    With the plans now public, the other important variables, besides their conformity with local bylaws, have to do with cost and visibility to potential users, including homeowners, contractors and developers specializing in smaller-scale projects. 
    On the costing side, N. Barry Lyons Consultantshas been retained by CMHC to develop models to accompany the design catalogue, but those figures have yet to be released. While pricing is inevitably dynamic, the calculus behind the entire exercise turns on whether the savings on design outlays and the use of prefabricated components will make such small-scale projects pencil, particularly at a time when there are live concerns about tariffs, skilled labour shortages, and supply chain interruptions on building materials. 
    Finally, there’s the horse-to-water problem. While the design catalogue has received a reasonable amount of media attention since it launched, does CMHC need to find ways to market it more aggressively? “From my experience,” says Levitt, “they are extremely proactive, and have assembled a kind of dream team with a huge range of experience and expertise. They are doing very concerted and deep work with municipalities across the country.”
    Proper promotion, observes Moffatt, “is going to be important in particular, just for political reasons. The prime minister has made a lot of bold promises about500,000 homes.” Carney’s pledge to get Canada back into building will take time to ramp up, he adds. “I do think the federal government needs to visibly show progress, and if they can’t point to abuilding across the road, they could at least, `We’ve got this design catalogue. Here’s how it works. We’ve already got so many builders and developers looking at this.’” 
    While it’s far too soon to draw conclusions about the success of this ambitious program, Levitt is well aware of the long and rich legacy of the predecessor CMHC catalogues from the late 40s and the 1950s, all of which gave many young Canadian architects their earliest commissions and then left an enduring aesthetic on countless communities across Canada.  
    She hopes the updated 21st-century catalogue—fitted out as it is for 21st-century concerns about carbon, resilience and urban density—will acquire a similar cachet. 
    “These are architecturally designed houses for a group of people across the country who will have never lived in an architecturally designed house,” she muses. “I would love it if, 80 years from now, the consistent feedbackwas that they were able to live generously and well in those houses, and that everything was where it should be.”
    ARCHITECTURE FIRM COLLABORATORS Michael Green Architecture, Dub Architects, 5468796 Architecture Inc, Oxbow Architecture, LGA Architectural Partners, KANVA Architecture, Abbott Brown Architects, Taylor Architecture Group

     As appeared in the June 2025 issue of Canadian Architect magazine 

    The post A housing design catalogue for the 21st century appeared first on Canadian Architect.
    #housing #design #catalogue #21st #century
    A housing design catalogue for the 21st century
    The housing catalogue includes 50 low-rise home designs, including for garden suites, duplexes, four-plexes and six-plexes. Each design was developed by local architecture and engineering teams with the intent of aligning with regional building codes, planning rules, climate zones, construction methods and materials. TEXT John Lorinc RENDERINGS Office In Search Of During the spring election, the Liberals leaned into messaging that evoked a historic moment from the late 1940s, when Ottawa succeeded in confronting a severe housing crisis.  “We used to build things in this country,” begins Prime Minister Mark Carney in a nostalgic ad filled with archival images of streets lined with brand new post-World War II “strawberry box” bungalows, built for returning Canadian soldiers and their young families.  The video also includes montages from the now-iconic design “catalogues,” published by Canada Mortgage and Housing Corporation. These supplied floor plans and unlocked cheap mortgages for tens of thousands of simple suburban houses found in communities across the country. “The government built prefabricated homes that were easy to assemble and inexpensive,” Carney said in the voice-over. “And those homes are still here.”  Over the past year, CMHC has initiated a 21st century re-do of that design catalogue, and the first tranche of 50 plans—for garden suites, duplexes, four-plexes and six-plexes—went live in early March. A second tranche, with plans for small apartments, is under development.  Unlike the postwar versions, these focus on infill sites, not green fields. One of CMHC’s goals is to promote so-called gentle density to residential properties with easily constructed plans that reflect regional variations, local zoning and building-code regulations, accessibility features and low-carbon design. As with those postwar catalogues, CMHC’s other goal was to tamp down on soft costs for homeowners or small builders looking to develop these kinds of housing by providing no-cost designs that were effectively permit sets. The early reviews are generally positive. “I find the design really very compelling in a kind of understated way,” says SvN principal Sam Dufaux. By making available vetted plans that can be either pre-approved or approved as of right, CMHC will remove some of the friction that impedes this scale of housing. “One of the elements of the housing crisis has to do with how do we approve these kinds of projects,” Dufaux adds. “I’m hoping it is a bit of a new beginning.” Yet other observers offer cautions about the extent to which the CMHC program can blunt the housing crisis. “It’s a small piece and a positive one,” says missing middle advocate and economist Mike Moffatt, who is executive in residence at the Smart Prosperity Institute and an assistant professor at Western’s Ivey Business School. “Butone that probably captures a disproportionate amount of attention because it’s something people can visualize in a way that they can’t with an apartment tax credit.” This kind of new-build infill is unlikely to provide much in the way of affordable or deeply affordable housing, adds Carolyn Whitzman, housing and social policy researcher, and author of Home Truths: Fixing Canada’s Housing Crisis. She estimates Canada needs about three million new dwellings that can be rented for per month or less. The policies that will enable new housing at that scale, she says, involve financing subsidies, publicly owned land, and construction innovation, e.g., prefabricated or factory-built components, as well as “consistent and permissive zoning and consistent and permissive building codes.”  Indeed, the make-or-break question hovering over CMHC’s design catalogue is whether municipalities will green-light these plans or simply find new ways to hold up approvals.   An axonometric of a rowhouse development from the Housing Catalogue, designed for Alberta. A team effort Janna Levitt, partner at LGA Architectural Partners, says that when CMHC issued an RFP for the design catalogue, her firm decided to pitch a team of architects and peer reviewers from across Canada, with LGA serving as project manager. After they were selected, Levitt says they had to quickly clarify a key detail, which was the assumption that the program could deliver pre-approved, permit-ready plans absent a piece of property to build on. “Even in 1947,” she says, “it wasn’t a permit set until you had a site.” LGA’s team and CMHC agreed to expand the scope of the assignment so that the finished product wasn’t just a catalogue of plans but also included details about local regulations and typical lot sizes. Re-Housing co-founder Michael Piper, an associate professor at U of T’s John H. Daniels Faculty of Architecture, Landscape, and Design, came on board to carry out research on similar programs, and found initiatives in places like Georgia, Indiana and Texas. “I have not found any that moved forward,” he says. “Canada’s national design catalogue is pretty novel in that regard, which is exciting.” The noteworthy exceptions are California, which has made significant advances in recent years in pre-approving ADUs across the state, and British Columbia, which last fall released its own standardized design catalogue.  He also carried out a scan of land use and zoning rules in Ontario for 15 to 20 municipalities. “We looked to seetheir zoning permitted and what the rules were, and as you might expect, they’re all over the place,” he says. “Hence the challenge with the standardized design.” At present, high-level overviews for the 50 designs are available, including basic floor plans, 3D axonometrics, and building dimensions. Full architectural design packages are expected to be released later this year. Levitt says the architects on the team set out to come up with designs that used wood frame construction, had no basements, and drew on vernacular architectural styles. They researched representative lot sizes in the various regions, and configured designs to suit small, medium and large properties. Some versions have accessibility features—CMHC’s remit included both accessible units and aging-in-place as objectives—or can be adapted later on.  As for climate and energy efficiency considerations, the recommended materials include low-carbon components and cladding. The designs do reflect geographical variations, but Levitt says there’s only so much her team could do in terms of energy modelling. “How do you do heat energy calculations when you don’t have a site? You don’t have north, south, east, westand you don’t have what zone are you in. In B.C. and Ontario, there are seven climatic regions. There was a lot of working through those kinds of very practical requirements, which were very complicated and actually fed into the design work quite significantly.” As Levitt adds, “in 1947, there were no heat loss models because the world wasn’t like that.” LGA provided the architects on the team with templates for interior elements, such as bathrooms, as well as standards for features such as bedroom sizes, dining areas, storage sufficient to hold strollers, and access to outdoor space, either at grade or via a balcony. “We gathered together these ideas about the quality of life that we wanted baked into each of the designs, so thatexpressed a really good quality of life—modest but good quality,” she says. “It’s not about the finishes. People had to be able to live there and live there well.” “This isn’t a boutique home solution,” Whitzman says. “This is a cheap and mass-produced solution. And compared to other cheap and mass-produced solutions, whether they be condos or suburban subdivisions,look fine to my untrained eye.” A selection of Housing Catalogue designs for the Atlantic region. Will it succeed?  With the plans now public, the other important variables, besides their conformity with local bylaws, have to do with cost and visibility to potential users, including homeowners, contractors and developers specializing in smaller-scale projects.  On the costing side, N. Barry Lyons Consultantshas been retained by CMHC to develop models to accompany the design catalogue, but those figures have yet to be released. While pricing is inevitably dynamic, the calculus behind the entire exercise turns on whether the savings on design outlays and the use of prefabricated components will make such small-scale projects pencil, particularly at a time when there are live concerns about tariffs, skilled labour shortages, and supply chain interruptions on building materials.  Finally, there’s the horse-to-water problem. While the design catalogue has received a reasonable amount of media attention since it launched, does CMHC need to find ways to market it more aggressively? “From my experience,” says Levitt, “they are extremely proactive, and have assembled a kind of dream team with a huge range of experience and expertise. They are doing very concerted and deep work with municipalities across the country.” Proper promotion, observes Moffatt, “is going to be important in particular, just for political reasons. The prime minister has made a lot of bold promises about500,000 homes.” Carney’s pledge to get Canada back into building will take time to ramp up, he adds. “I do think the federal government needs to visibly show progress, and if they can’t point to abuilding across the road, they could at least, `We’ve got this design catalogue. Here’s how it works. We’ve already got so many builders and developers looking at this.’”  While it’s far too soon to draw conclusions about the success of this ambitious program, Levitt is well aware of the long and rich legacy of the predecessor CMHC catalogues from the late 40s and the 1950s, all of which gave many young Canadian architects their earliest commissions and then left an enduring aesthetic on countless communities across Canada.   She hopes the updated 21st-century catalogue—fitted out as it is for 21st-century concerns about carbon, resilience and urban density—will acquire a similar cachet.  “These are architecturally designed houses for a group of people across the country who will have never lived in an architecturally designed house,” she muses. “I would love it if, 80 years from now, the consistent feedbackwas that they were able to live generously and well in those houses, and that everything was where it should be.” ARCHITECTURE FIRM COLLABORATORS Michael Green Architecture, Dub Architects, 5468796 Architecture Inc, Oxbow Architecture, LGA Architectural Partners, KANVA Architecture, Abbott Brown Architects, Taylor Architecture Group  As appeared in the June 2025 issue of Canadian Architect magazine  The post A housing design catalogue for the 21st century appeared first on Canadian Architect. #housing #design #catalogue #21st #century
    A housing design catalogue for the 21st century
    www.canadianarchitect.com
    The housing catalogue includes 50 low-rise home designs, including for garden suites, duplexes, four-plexes and six-plexes. Each design was developed by local architecture and engineering teams with the intent of aligning with regional building codes, planning rules, climate zones, construction methods and materials. TEXT John Lorinc RENDERINGS Office In Search Of During the spring election, the Liberals leaned into messaging that evoked a historic moment from the late 1940s, when Ottawa succeeded in confronting a severe housing crisis.  “We used to build things in this country,” begins Prime Minister Mark Carney in a nostalgic ad filled with archival images of streets lined with brand new post-World War II “strawberry box” bungalows, built for returning Canadian soldiers and their young families.  The video also includes montages from the now-iconic design “catalogues,” published by Canada Mortgage and Housing Corporation (CMHC). These supplied floor plans and unlocked cheap mortgages for tens of thousands of simple suburban houses found in communities across the country. “The government built prefabricated homes that were easy to assemble and inexpensive,” Carney said in the voice-over. “And those homes are still here.”  Over the past year, CMHC has initiated a 21st century re-do of that design catalogue, and the first tranche of 50 plans—for garden suites, duplexes, four-plexes and six-plexes—went live in early March. A second tranche, with plans for small apartments, is under development.  Unlike the postwar versions, these focus on infill sites, not green fields. One of CMHC’s goals is to promote so-called gentle density to residential properties with easily constructed plans that reflect regional variations, local zoning and building-code regulations, accessibility features and low-carbon design. As with those postwar catalogues, CMHC’s other goal was to tamp down on soft costs for homeowners or small builders looking to develop these kinds of housing by providing no-cost designs that were effectively permit sets. The early reviews are generally positive. “I find the design really very compelling in a kind of understated way,” says SvN principal Sam Dufaux. By making available vetted plans that can be either pre-approved or approved as of right, CMHC will remove some of the friction that impedes this scale of housing. “One of the elements of the housing crisis has to do with how do we approve these kinds of projects,” Dufaux adds. “I’m hoping it is a bit of a new beginning.” Yet other observers offer cautions about the extent to which the CMHC program can blunt the housing crisis. “It’s a small piece and a positive one,” says missing middle advocate and economist Mike Moffatt, who is executive in residence at the Smart Prosperity Institute and an assistant professor at Western’s Ivey Business School. “But [it’s] one that probably captures a disproportionate amount of attention because it’s something people can visualize in a way that they can’t with an apartment tax credit.” This kind of new-build infill is unlikely to provide much in the way of affordable or deeply affordable housing, adds Carolyn Whitzman, housing and social policy researcher, and author of Home Truths: Fixing Canada’s Housing Crisis (UBC Press, 2024). She estimates Canada needs about three million new dwellings that can be rented for $1,000 per month or less. The policies that will enable new housing at that scale, she says, involve financing subsidies, publicly owned land, and construction innovation, e.g., prefabricated or factory-built components, as well as “consistent and permissive zoning and consistent and permissive building codes.”  Indeed, the make-or-break question hovering over CMHC’s design catalogue is whether municipalities will green-light these plans or simply find new ways to hold up approvals.   An axonometric of a rowhouse development from the Housing Catalogue, designed for Alberta. A team effort Janna Levitt, partner at LGA Architectural Partners, says that when CMHC issued an RFP for the design catalogue, her firm decided to pitch a team of architects and peer reviewers from across Canada, with LGA serving as project manager. After they were selected, Levitt says they had to quickly clarify a key detail, which was the assumption that the program could deliver pre-approved, permit-ready plans absent a piece of property to build on. “Even in 1947,” she says, “it wasn’t a permit set until you had a site.” LGA’s team and CMHC agreed to expand the scope of the assignment so that the finished product wasn’t just a catalogue of plans but also included details about local regulations and typical lot sizes. Re-Housing co-founder Michael Piper, an associate professor at U of T’s John H. Daniels Faculty of Architecture, Landscape, and Design, came on board to carry out research on similar programs, and found initiatives in places like Georgia, Indiana and Texas. “I have not found any that moved forward,” he says. “Canada’s national design catalogue is pretty novel in that regard, which is exciting.” The noteworthy exceptions are California, which has made significant advances in recent years in pre-approving ADUs across the state, and British Columbia, which last fall released its own standardized design catalogue.  He also carried out a scan of land use and zoning rules in Ontario for 15 to 20 municipalities. “We looked to see [what] their zoning permitted and what the rules were, and as you might expect, they’re all over the place,” he says. “Hence the challenge with the standardized design.” At present, high-level overviews for the 50 designs are available, including basic floor plans, 3D axonometrics, and building dimensions. Full architectural design packages are expected to be released later this year. Levitt says the architects on the team set out to come up with designs that used wood frame construction, had no basements (to save on cost and reduce embodied carbon), and drew on vernacular architectural styles. They researched representative lot sizes in the various regions, and configured designs to suit small, medium and large properties. Some versions have accessibility features—CMHC’s remit included both accessible units and aging-in-place as objectives—or can be adapted later on.  As for climate and energy efficiency considerations, the recommended materials include low-carbon components and cladding. The designs do reflect geographical variations, but Levitt says there’s only so much her team could do in terms of energy modelling. “How do you do heat energy calculations when you don’t have a site? You don’t have north, south, east, west [orientations] and you don’t have what zone are you in. In B.C. and Ontario, there are seven climatic regions. There was a lot of working through those kinds of very practical requirements, which were very complicated and actually fed into the design work quite significantly.” As Levitt adds, “in 1947, there were no heat loss models because the world wasn’t like that.” LGA provided the architects on the team with templates for interior elements, such as bathrooms, as well as standards for features such as bedroom sizes, dining areas, storage sufficient to hold strollers, and access to outdoor space, either at grade or via a balcony. “We gathered together these ideas about the quality of life that we wanted baked into each of the designs, so that [they] expressed a really good quality of life—modest but good quality,” she says. “It’s not about the finishes. People had to be able to live there and live there well.” “This isn’t a boutique home solution,” Whitzman says. “This is a cheap and mass-produced solution. And compared to other cheap and mass-produced solutions, whether they be condos or suburban subdivisions, [the catalogue designs] look fine to my untrained eye.” A selection of Housing Catalogue designs for the Atlantic region. Will it succeed?  With the plans now public, the other important variables, besides their conformity with local bylaws, have to do with cost and visibility to potential users, including homeowners, contractors and developers specializing in smaller-scale projects.  On the costing side, N. Barry Lyons Consultants (NBLC) has been retained by CMHC to develop models to accompany the design catalogue, but those figures have yet to be released. While pricing is inevitably dynamic, the calculus behind the entire exercise turns on whether the savings on design outlays and the use of prefabricated components will make such small-scale projects pencil, particularly at a time when there are live concerns about tariffs, skilled labour shortages, and supply chain interruptions on building materials.  Finally, there’s the horse-to-water problem. While the design catalogue has received a reasonable amount of media attention since it launched, does CMHC need to find ways to market it more aggressively? “From my experience,” says Levitt, “they are extremely proactive, and have assembled a kind of dream team with a huge range of experience and expertise. They are doing very concerted and deep work with municipalities across the country.” Proper promotion, observes Moffatt, “is going to be important in particular, just for political reasons. The prime minister has made a lot of bold promises about [adding] 500,000 homes.” Carney’s pledge to get Canada back into building will take time to ramp up, he adds. “I do think the federal government needs to visibly show progress, and if they can’t point to a [new] building across the road, they could at least [say], `We’ve got this design catalogue. Here’s how it works. We’ve already got so many builders and developers looking at this.’”  While it’s far too soon to draw conclusions about the success of this ambitious program, Levitt is well aware of the long and rich legacy of the predecessor CMHC catalogues from the late 40s and the 1950s, all of which gave many young Canadian architects their earliest commissions and then left an enduring aesthetic on countless communities across Canada.   She hopes the updated 21st-century catalogue—fitted out as it is for 21st-century concerns about carbon, resilience and urban density—will acquire a similar cachet.  “These are architecturally designed houses for a group of people across the country who will have never lived in an architecturally designed house,” she muses. “I would love it if, 80 years from now, the consistent feedback [from occupants] was that they were able to live generously and well in those houses, and that everything was where it should be.” ARCHITECTURE FIRM COLLABORATORS Michael Green Architecture, Dub Architects, 5468796 Architecture Inc, Oxbow Architecture, LGA Architectural Partners, KANVA Architecture, Abbott Brown Architects, Taylor Architecture Group  As appeared in the June 2025 issue of Canadian Architect magazine  The post A housing design catalogue for the 21st century appeared first on Canadian Architect.
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  • Canada moves to regain AI leadership mantle

    Other nations can learn much from Canada when it comes to artificial intelligence advances. For one thing, “the focus and nurturing of AI needs ongoing attention and investments; otherwise, that leadership in AI can be lost,” an industry analyst said Wednesday.

    Bill Wong, research fellow at Info-Tech Research Group, was responding to the recent appointment of MP Evan Solomon, a former journalist, as Canada’s first Minister of Artificial Intelligence and Digital Innovation in the federal cabinet of Prime Minister Mark Carney.

    In the past, he said, “Canada has been viewed as an AI leader around the world with respect to AI research, especially with thought leaders like Geoffrey Hinton, Yoshua Bengio, and Richard Sutton.”

    However, he noted, “despite the recognition, critics would cite thathas fallen behind and challenged when it comes to monetizing  AI investments. As part of the government’s election platform, the government promised to move fast on building data centers, introduce a tax credit to incentivize AI adoption by small and medium-sized businesses, and push to expand programs at Canada’s artificial intelligence institutes to drive AI commercialization.”

    In a commentary on the appointment, the Macdonald-Laurier Institute, a policy think tank based in Ottawa, Ontario, stated that it “signals a consolidation of federal focus on a field that has historically been spread across numerous portfolios … Solomon’s challenge will be to distinguish between productivity enhancing AI and ‘so-so’ automation — harnessing the benefits of AI, while ensuring adequate regulation to mitigate associated risks.”

    AI is a ‘geopolitical force’

    Canada, the organization stated, “must close the gap between AI innovation and adoption by pursuing policies that encourage productivity-boosting AI — applications that augment workers and make them more efficient, rather than simply replace them. The answer is a multi-level policy framework that accelerates the uptake of AI in ways that enhance output, job quality, and workforce participation.”

    Wong noted, “Canada was the first country to deliver its national AI strategy; the appointment of the country’s first AI minister can be viewed as a natural evolution of Canada’s adoption of AI at a national level.”

    The appointment of Solomon, he said, “demonstrates just how important AI is to the future of Canada and its people. While AI is considered a technology disruptor, its impact is far-reaching, and it will impact every industry and the national economy.”

    And while having a government ministry of AI is not the norm for most countries today, he said, “the importance of this role to the country’s economy and national security is growing. Internationally, AI has become a geopolitical force; an example of this would be the US imposing export controls on high-end AI chip technology to China.”

    The upcoming  G7 meeting in Kananaskis, Alberta, from June 15 to 17,  said Wong, “provides an opportunity for Canada to demonstrate its AI leadership on an international stage. While it’s a short runway to that event, Canada should promote its best practices for deploying AI in the public sector, its plans to democratize the benefits of AI to its people, and demonstrate its thought leadership by sharing research and data.”

    The Carney government, he said, also has a “mandate to improve its use of AI to improve productivity as well as increase the adoption of AI by private industry. A recent Deloitte study cited that only 26% of Canadian organizations have implemented AI, compared with 34% globally.”

    AI compute fabric in the works

    In the private sector, Bell Canada on Wednesday announced Bell AI Fabric, an investment, it said, “that will create the country’s largest AI compute project.”

    The telco plans to create a national network that will start with a “data center supercluster in British Columbia that will aim to provide upwards of 500 MW of hydro-electric powered AI compute capacity across six facilities.”

    The first facility, a release stated, will come online this month in partnership with AI chip provider Groq, with additional facilities being operational by the end of 2026, including two at Thompson Rivers Universityin Kamloops, BC.

    Bell said that the data centers at TRU “will be designed to host AI training and inference, providing students and faculty with access to cutting-edge compute capabilities, both at TRU and nationally through integration with the BCNET network. The data centre is also being integrated into the district energy system, with waste heat being repurposed to provide energy to TRU’s buildings.”

    Further reading:

    AI and economic pressures reshape tech jobs amid layoffs

    Microsoft cements its AI lead with one hosting service to rule them all

    Real-world use cases for agentic AI

    AI vs. copyright

    How to train an AI-enabled workforce — and why you need to

    >

    >
    #canada #moves #regain #leadership #mantle
    Canada moves to regain AI leadership mantle
    Other nations can learn much from Canada when it comes to artificial intelligence advances. For one thing, “the focus and nurturing of AI needs ongoing attention and investments; otherwise, that leadership in AI can be lost,” an industry analyst said Wednesday. Bill Wong, research fellow at Info-Tech Research Group, was responding to the recent appointment of MP Evan Solomon, a former journalist, as Canada’s first Minister of Artificial Intelligence and Digital Innovation in the federal cabinet of Prime Minister Mark Carney. In the past, he said, “Canada has been viewed as an AI leader around the world with respect to AI research, especially with thought leaders like Geoffrey Hinton, Yoshua Bengio, and Richard Sutton.” However, he noted, “despite the recognition, critics would cite thathas fallen behind and challenged when it comes to monetizing  AI investments. As part of the government’s election platform, the government promised to move fast on building data centers, introduce a tax credit to incentivize AI adoption by small and medium-sized businesses, and push to expand programs at Canada’s artificial intelligence institutes to drive AI commercialization.” In a commentary on the appointment, the Macdonald-Laurier Institute, a policy think tank based in Ottawa, Ontario, stated that it “signals a consolidation of federal focus on a field that has historically been spread across numerous portfolios … Solomon’s challenge will be to distinguish between productivity enhancing AI and ‘so-so’ automation — harnessing the benefits of AI, while ensuring adequate regulation to mitigate associated risks.” AI is a ‘geopolitical force’ Canada, the organization stated, “must close the gap between AI innovation and adoption by pursuing policies that encourage productivity-boosting AI — applications that augment workers and make them more efficient, rather than simply replace them. The answer is a multi-level policy framework that accelerates the uptake of AI in ways that enhance output, job quality, and workforce participation.” Wong noted, “Canada was the first country to deliver its national AI strategy; the appointment of the country’s first AI minister can be viewed as a natural evolution of Canada’s adoption of AI at a national level.” The appointment of Solomon, he said, “demonstrates just how important AI is to the future of Canada and its people. While AI is considered a technology disruptor, its impact is far-reaching, and it will impact every industry and the national economy.” And while having a government ministry of AI is not the norm for most countries today, he said, “the importance of this role to the country’s economy and national security is growing. Internationally, AI has become a geopolitical force; an example of this would be the US imposing export controls on high-end AI chip technology to China.” The upcoming  G7 meeting in Kananaskis, Alberta, from June 15 to 17,  said Wong, “provides an opportunity for Canada to demonstrate its AI leadership on an international stage. While it’s a short runway to that event, Canada should promote its best practices for deploying AI in the public sector, its plans to democratize the benefits of AI to its people, and demonstrate its thought leadership by sharing research and data.” The Carney government, he said, also has a “mandate to improve its use of AI to improve productivity as well as increase the adoption of AI by private industry. A recent Deloitte study cited that only 26% of Canadian organizations have implemented AI, compared with 34% globally.” AI compute fabric in the works In the private sector, Bell Canada on Wednesday announced Bell AI Fabric, an investment, it said, “that will create the country’s largest AI compute project.” The telco plans to create a national network that will start with a “data center supercluster in British Columbia that will aim to provide upwards of 500 MW of hydro-electric powered AI compute capacity across six facilities.” The first facility, a release stated, will come online this month in partnership with AI chip provider Groq, with additional facilities being operational by the end of 2026, including two at Thompson Rivers Universityin Kamloops, BC. Bell said that the data centers at TRU “will be designed to host AI training and inference, providing students and faculty with access to cutting-edge compute capabilities, both at TRU and nationally through integration with the BCNET network. The data centre is also being integrated into the district energy system, with waste heat being repurposed to provide energy to TRU’s buildings.” Further reading: AI and economic pressures reshape tech jobs amid layoffs Microsoft cements its AI lead with one hosting service to rule them all Real-world use cases for agentic AI AI vs. copyright How to train an AI-enabled workforce — and why you need to > > #canada #moves #regain #leadership #mantle
    Canada moves to regain AI leadership mantle
    www.computerworld.com
    Other nations can learn much from Canada when it comes to artificial intelligence advances. For one thing, “the focus and nurturing of AI needs ongoing attention and investments; otherwise, that leadership in AI can be lost,” an industry analyst said Wednesday. Bill Wong, research fellow at Info-Tech Research Group, was responding to the recent appointment of MP Evan Solomon, a former journalist, as Canada’s first Minister of Artificial Intelligence and Digital Innovation in the federal cabinet of Prime Minister Mark Carney. In the past, he said, “Canada has been viewed as an AI leader around the world with respect to AI research, especially with thought leaders like Geoffrey Hinton, Yoshua Bengio, and Richard Sutton.” However, he noted, “despite the recognition, critics would cite that [it] has fallen behind and challenged when it comes to monetizing  AI investments. As part of the government’s election platform, the government promised to move fast on building data centers, introduce a tax credit to incentivize AI adoption by small and medium-sized businesses, and push to expand programs at Canada’s artificial intelligence institutes to drive AI commercialization.” In a commentary on the appointment, the Macdonald-Laurier Institute, a policy think tank based in Ottawa, Ontario, stated that it “signals a consolidation of federal focus on a field that has historically been spread across numerous portfolios … Solomon’s challenge will be to distinguish between productivity enhancing AI and ‘so-so’ automation — harnessing the benefits of AI, while ensuring adequate regulation to mitigate associated risks.” AI is a ‘geopolitical force’ Canada, the organization stated, “must close the gap between AI innovation and adoption by pursuing policies that encourage productivity-boosting AI — applications that augment workers and make them more efficient, rather than simply replace them. The answer is a multi-level policy framework that accelerates the uptake of AI in ways that enhance output, job quality, and workforce participation.” Wong noted, “Canada was the first country to deliver its national AI strategy; the appointment of the country’s first AI minister can be viewed as a natural evolution of Canada’s adoption of AI at a national level.” The appointment of Solomon, he said, “demonstrates just how important AI is to the future of Canada and its people. While AI is considered a technology disruptor, its impact is far-reaching, and it will impact every industry and the national economy.” And while having a government ministry of AI is not the norm for most countries today, he said, “the importance of this role to the country’s economy and national security is growing. Internationally, AI has become a geopolitical force; an example of this would be the US imposing export controls on high-end AI chip technology to China.” The upcoming  G7 meeting in Kananaskis, Alberta, from June 15 to 17,  said Wong, “provides an opportunity for Canada to demonstrate its AI leadership on an international stage. While it’s a short runway to that event, Canada should promote its best practices for deploying AI in the public sector, its plans to democratize the benefits of AI to its people, and demonstrate its thought leadership by sharing research and data.” The Carney government, he said, also has a “mandate to improve its use of AI to improve productivity as well as increase the adoption of AI by private industry. A recent Deloitte study cited that only 26% of Canadian organizations have implemented AI, compared with 34% globally.” AI compute fabric in the works In the private sector, Bell Canada on Wednesday announced Bell AI Fabric, an investment, it said, “that will create the country’s largest AI compute project.” The telco plans to create a national network that will start with a “data center supercluster in British Columbia that will aim to provide upwards of 500 MW of hydro-electric powered AI compute capacity across six facilities.” The first facility, a release stated, will come online this month in partnership with AI chip provider Groq, with additional facilities being operational by the end of 2026, including two at Thompson Rivers University (TRU) in Kamloops, BC. Bell said that the data centers at TRU “will be designed to host AI training and inference, providing students and faculty with access to cutting-edge compute capabilities, both at TRU and nationally through integration with the BCNET network. The data centre is also being integrated into the district energy system, with waste heat being repurposed to provide energy to TRU’s buildings.” Further reading: AI and economic pressures reshape tech jobs amid layoffs Microsoft cements its AI lead with one hosting service to rule them all Real-world use cases for agentic AI AI vs. copyright How to train an AI-enabled workforce — and why you need to > >
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  • 10 modern home designs we enjoyed this week

    In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles.
    Today's top imagesare from the board Houses.
    Tip: Use the handy FOLLOW feature to easily keep up-to-date with all your favorite Archinect profiles.
    ↑ San Angel House in Querétaro, Mexico by Miguel Concha Arquitectura
    ↑ Sylvan Lake House in Alberta, Canada by Actual Architecture Co.; Photo: Bruce Damonte
    ↑ Trancas House 2.0 in Malibu, CA by Lorcan O'Herlihy Architects; Photo: Paul Vu
    ↑ Poplar Grove in Washington, DC by BLDUS; Photo: Ty Cole
    ↑ Black Fox Ranch in Jackson, WY by CLB Architects; Photo: Matthew Millman, Kevin Scott
    ↑ Casa Patios in Mexico City, Mexico by Ricardo Yslas Gámez Arquitectos; Photo: Jaime Navarro
    ↑ Anna Maria House in Anna Maria, FL by Halflants + Pichette; Photo: Bill Speer Photography
    ↑ Jardim do Sol House in Porto Alegre, Brazil by Hype St...
    #modern #home #designs #enjoyed #this
    10 modern home designs we enjoyed this week
    In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles. Today's top imagesare from the board Houses. Tip: Use the handy FOLLOW feature to easily keep up-to-date with all your favorite Archinect profiles. ↑ San Angel House in Querétaro, Mexico by Miguel Concha Arquitectura ↑ Sylvan Lake House in Alberta, Canada by Actual Architecture Co.; Photo: Bruce Damonte ↑ Trancas House 2.0 in Malibu, CA by Lorcan O'Herlihy Architects; Photo: Paul Vu ↑ Poplar Grove in Washington, DC by BLDUS; Photo: Ty Cole ↑ Black Fox Ranch in Jackson, WY by CLB Architects; Photo: Matthew Millman, Kevin Scott ↑ Casa Patios in Mexico City, Mexico by Ricardo Yslas Gámez Arquitectos; Photo: Jaime Navarro ↑ Anna Maria House in Anna Maria, FL by Halflants + Pichette; Photo: Bill Speer Photography ↑ Jardim do Sol House in Porto Alegre, Brazil by Hype St... #modern #home #designs #enjoyed #this
    10 modern home designs we enjoyed this week
    archinect.com
    In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles. Today's top images (in no particular order) are from the board Houses. Tip: Use the handy FOLLOW feature to easily keep up-to-date with all your favorite Archinect profiles. ↑ San Angel House in Querétaro, Mexico by Miguel Concha Arquitectura ↑ Sylvan Lake House in Alberta, Canada by Actual Architecture Co.; Photo: Bruce Damonte ↑ Trancas House 2.0 in Malibu, CA by Lorcan O'Herlihy Architects [LOHA]; Photo: Paul Vu ↑ Poplar Grove in Washington, DC by BLDUS; Photo: Ty Cole ↑ Black Fox Ranch in Jackson, WY by CLB Architects; Photo: Matthew Millman, Kevin Scott ↑ Casa Patios in Mexico City, Mexico by Ricardo Yslas Gámez Arquitectos; Photo: Jaime Navarro ↑ Anna Maria House in Anna Maria, FL by Halflants + Pichette; Photo: Bill Speer Photography ↑ Jardim do Sol House in Porto Alegre, Brazil by Hype St...
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  • Announcing the Higher Ed XR Innovation Grant recipients

    The demand for extended realitytalent is increasing rapidly, opening countless new doors for the next generation of metaverse creators. To adequately prepare tomorrow’s real-time 3D workforce, educators and schools need to be teaching these desirable skill sets to their students today. In pursuit of this goal, Unity Social Impact and Meta Immersive Learning have partnered to increase access to AR/VR hardware, high-quality educational content, and other resources that will help educators create or enhance innovative XR programs.The Higher Ed XR Innovation Grant is one of the core components of this partnership, providing over million in awards to higher-education institutions leveraging real-time 3D and immersive technology to make advances in teaching and learning, XR creation, and workforce development.Grantees were selected based on their proposals’ attention to inclusion, impact, viability, and innovation. Special consideration was given to institutions and programs that cater to or design innovative educational content for underserved learners.Today, we’re thrilled to introduce the eight recipients of the Higher Ed XR Innovation Grant. A team of over 60 judges from Unity and Meta selected the winners from among 276 submissions.“Now, more than ever, we have a responsibility to equip young people with the skills necessary for future jobs – providing them with learning that translates to earning,” says Jessica Lindl, vice president of social impact at Unity. “I’m thrilled with the winners of the Higher Ed XR Innovation Grant and am confident that these institutions will continue to provide equitable access to education and workforce opportunities.”Read on to learn how these forward-thinking projects are increasing access to quality real-time 3D education.Arizona State University’s Center for Narrative and Emerging Mediain Los Angeles will open as a best-in-class teaching and research facility, focused on diversifying who can create and distribute narratives using emerging media technologies in the areas of arts, culture, and nonfiction.NEM will train and support storytellers, artists, journalists, entrepreneurs, and engineers who will build the stories, technologies, and policies of the future. This fall, ASU launched their flagship MA Narrative and Emerging Media program, a collaborative effort between the Herberger Institute for Design and the Arts and the Walter Cronkite School of Journalism and Mass Communication centered around the development of a creative practice and critical understanding of emerging storytelling and immersive content creation. Funding from the Higher Ed XR Innovation Grant will support student production, virtual production, staff training, and research.Country: United States of AmericaThe vision of California Community Colleges is to ensure students from all backgrounds succeed in reaching their education and career goals, with emphasis on improving families’ incomes and communities’ workforces. To achieve this, California Community Colleges aim to provide educational programs that highlight inclusivity, diversity, and equity while minimizing logistical and financial barriers to success.Cañada College will partner with various employers and California Community College districts to enhance XR apprenticeship programs, K–14 curriculum development, and XR job training programs designed for dislocated workers, workforce board clients, and underemployed individuals. Funds from the Higher Ed XR Innovation Grant will aid Cañada College in designing and sharing workforce readiness models for county education offices, community colleges and universities, and workforce training entities in California and throughout the U.S.Country: United States of AmericaThe Clarkson University Psychology Department plans to use their grant funding to develop a novel instructional tool that leverages both VR for accurate neuroanatomical renderings and modern pedagogical principlesto build an innovative and engaging neuroscience learning experience.By using this tool to enhance their psychology program’s neuroscience instruction and open-sourcing the tool for use at other institutions, Clarkson University hopes to positively impact psychology students – especially those from underrepresented backgrounds. And, since student training is integrated throughout the project, the development process will involve students from multiple departments, providing them with opportunities to work in VR, engage in usability testing, and learn about neuroscience.Country: United States of AmericaThe LEDat the Federal University of CearáDepartment of Architecture, Urbanism and Designaims to be a place for students and professors to explore new digital technologies and develop innovative solutions for real-world problems.The LED plans to use their Higher Ed XR Innovation Grant funding to outfit eight digital studios with hardware for running prototyping experiments in virtual environments. They’ll also acquire peripherals for interacting with AR and MR experiences, including projectors for SAR, Kinect sensors, and motion trackers, with the goal of exploring ways that XR technology can improve design education and project solutions. Finally, their team will drive development of LEDed, a free platform for sharing educational content and experiences in XR within the department’s community and beyond.Country: BrazilNorQuest College is Alberta’s largest community college, serving more than 21,000 students annually. Housed within the Research Office at NorQuest College, Autism CanTech!’s vision is to remove barriers that hinder meaningful and sustainable employment within the digital economy for individuals on the Autism spectrum.Through job-specific training in technical skills, employability skills, career coaching, and Work Integrated Learningopportunities, ACT! works to fill industry gaps. ACT! also offers participants additional support through new assistive technology which allows users, career coaches, and supervisors to manage tasks, schedule work-related activities, and live chat. Funds from the Higher Ed XR Innovation Grant will support the development of a road map and team to adapt educator resources and XR courses for a neurodiverse audience.Country: CanadaEthọ́s Lab is a Black-led, nonprofit innovation academy for teens based in Vancouver, British Columbia, and accessible from anywhere in the world. To build toward a more inclusive future, Ethọ́s Lab takes a holistic, community-based approach to teaching S.T.E.A.M. that is partnered and has a long-term vision. The organization provides pathways to applied learning, mentorship, and access to emerging tech through weekly collaborative workshops, creative projects, and events. As participants, youth develop core skills for post-secondary admissions, future careers, and being the leaders of innovation.Centre for Digital Mediawas established in 2007 through a ground-breaking partnership between the University of British Columbia, Simon Fraser University, British Columbia Institute of Technology, and Emily Carr University of Art + Design. Anchored by the flagship, multidisciplinary Master of Digital Media program, CDM is a mixed-use campus, home to Canada’s first Metastage studio as well as game studios and innovative startups in the healthcare and cloud-computing sectors.With the support of the Higher Ed XR Innovation Grant, Ethọ́s Lab and CDM aim to increase the representation of Black youth and girls in XR-based digital futures through development of an XR Media Lab program. The funding will enable the program to serve 300+ underrepresented youth and 190+ high school educators over five years.Country: CanadaUniversidad de los Andes was founded in 1948 as an autonomous and innovative institution pursuing pluralism, tolerance, and respect. It strives to raise consciousness about students’ social and civic responsibilities as well as their relationship to and stewardship of the environment.The XR Incubator Programis a two-year program focused on both workforce development and education innovation in XR. With Higher Ed XR Innovation Grant funding, Universidad de los Andes will launch three Massive, Open Online Coursesin Spanish to promote learning throughout Ibero-America. Funds will also help implement a week-long XR Camp offering Colombian educators access to a variety of XR technologies, and an XR Mobile Lab that will allow those educators to show XR technologies to the public at their own institutions.Country: ColombiaThe University of Johannesburgand the Swiss Distance University of Applied Sciencesaspire to design an innovative, immersive tool that addresses challenges faced by teachers in underrepresented communities. With Higher Ed XR Innovation Grant funding, their multinational team will develop and test a VR prototype for pre-service teachersin South Africa.The tool will allow future teachers to have authentic teaching experiences in a safe environment, aided by learning analytics that provide opportunities to reflect on their lesson delivery and prepare them for actual teaching. The University also intends the tool to help mitigate language barriers for students whose first language is not English. Broadly, the project will empower pre-service teachers to be agents in transforming science teaching, leveraging the potential of immersive technologies and preparing students from marginalized communities with 21st-century digital skills.Country: South AfricaOn behalf of Unity Social Impact and Meta Immersive Learning, congratulations to all of our grant recipients and thank you to everyone who applied for the Higher Ed XR Innovation Grant. Learn more about educator resources and tools for propelling real-time 3D in the classroom and Meta’s million investment to transform the way we learn through Meta Immersive Learning.
    #announcing #higher #innovation #grant #recipients
    Announcing the Higher Ed XR Innovation Grant recipients
    The demand for extended realitytalent is increasing rapidly, opening countless new doors for the next generation of metaverse creators. To adequately prepare tomorrow’s real-time 3D workforce, educators and schools need to be teaching these desirable skill sets to their students today. In pursuit of this goal, Unity Social Impact and Meta Immersive Learning have partnered to increase access to AR/VR hardware, high-quality educational content, and other resources that will help educators create or enhance innovative XR programs.The Higher Ed XR Innovation Grant is one of the core components of this partnership, providing over million in awards to higher-education institutions leveraging real-time 3D and immersive technology to make advances in teaching and learning, XR creation, and workforce development.Grantees were selected based on their proposals’ attention to inclusion, impact, viability, and innovation. Special consideration was given to institutions and programs that cater to or design innovative educational content for underserved learners.Today, we’re thrilled to introduce the eight recipients of the Higher Ed XR Innovation Grant. A team of over 60 judges from Unity and Meta selected the winners from among 276 submissions.“Now, more than ever, we have a responsibility to equip young people with the skills necessary for future jobs – providing them with learning that translates to earning,” says Jessica Lindl, vice president of social impact at Unity. “I’m thrilled with the winners of the Higher Ed XR Innovation Grant and am confident that these institutions will continue to provide equitable access to education and workforce opportunities.”Read on to learn how these forward-thinking projects are increasing access to quality real-time 3D education.Arizona State University’s Center for Narrative and Emerging Mediain Los Angeles will open as a best-in-class teaching and research facility, focused on diversifying who can create and distribute narratives using emerging media technologies in the areas of arts, culture, and nonfiction.NEM will train and support storytellers, artists, journalists, entrepreneurs, and engineers who will build the stories, technologies, and policies of the future. This fall, ASU launched their flagship MA Narrative and Emerging Media program, a collaborative effort between the Herberger Institute for Design and the Arts and the Walter Cronkite School of Journalism and Mass Communication centered around the development of a creative practice and critical understanding of emerging storytelling and immersive content creation. Funding from the Higher Ed XR Innovation Grant will support student production, virtual production, staff training, and research.Country: United States of AmericaThe vision of California Community Colleges is to ensure students from all backgrounds succeed in reaching their education and career goals, with emphasis on improving families’ incomes and communities’ workforces. To achieve this, California Community Colleges aim to provide educational programs that highlight inclusivity, diversity, and equity while minimizing logistical and financial barriers to success.Cañada College will partner with various employers and California Community College districts to enhance XR apprenticeship programs, K–14 curriculum development, and XR job training programs designed for dislocated workers, workforce board clients, and underemployed individuals. Funds from the Higher Ed XR Innovation Grant will aid Cañada College in designing and sharing workforce readiness models for county education offices, community colleges and universities, and workforce training entities in California and throughout the U.S.Country: United States of AmericaThe Clarkson University Psychology Department plans to use their grant funding to develop a novel instructional tool that leverages both VR for accurate neuroanatomical renderings and modern pedagogical principlesto build an innovative and engaging neuroscience learning experience.By using this tool to enhance their psychology program’s neuroscience instruction and open-sourcing the tool for use at other institutions, Clarkson University hopes to positively impact psychology students – especially those from underrepresented backgrounds. And, since student training is integrated throughout the project, the development process will involve students from multiple departments, providing them with opportunities to work in VR, engage in usability testing, and learn about neuroscience.Country: United States of AmericaThe LEDat the Federal University of CearáDepartment of Architecture, Urbanism and Designaims to be a place for students and professors to explore new digital technologies and develop innovative solutions for real-world problems.The LED plans to use their Higher Ed XR Innovation Grant funding to outfit eight digital studios with hardware for running prototyping experiments in virtual environments. They’ll also acquire peripherals for interacting with AR and MR experiences, including projectors for SAR, Kinect sensors, and motion trackers, with the goal of exploring ways that XR technology can improve design education and project solutions. Finally, their team will drive development of LEDed, a free platform for sharing educational content and experiences in XR within the department’s community and beyond.Country: BrazilNorQuest College is Alberta’s largest community college, serving more than 21,000 students annually. Housed within the Research Office at NorQuest College, Autism CanTech!’s vision is to remove barriers that hinder meaningful and sustainable employment within the digital economy for individuals on the Autism spectrum.Through job-specific training in technical skills, employability skills, career coaching, and Work Integrated Learningopportunities, ACT! works to fill industry gaps. ACT! also offers participants additional support through new assistive technology which allows users, career coaches, and supervisors to manage tasks, schedule work-related activities, and live chat. Funds from the Higher Ed XR Innovation Grant will support the development of a road map and team to adapt educator resources and XR courses for a neurodiverse audience.Country: CanadaEthọ́s Lab is a Black-led, nonprofit innovation academy for teens based in Vancouver, British Columbia, and accessible from anywhere in the world. To build toward a more inclusive future, Ethọ́s Lab takes a holistic, community-based approach to teaching S.T.E.A.M. that is partnered and has a long-term vision. The organization provides pathways to applied learning, mentorship, and access to emerging tech through weekly collaborative workshops, creative projects, and events. As participants, youth develop core skills for post-secondary admissions, future careers, and being the leaders of innovation.Centre for Digital Mediawas established in 2007 through a ground-breaking partnership between the University of British Columbia, Simon Fraser University, British Columbia Institute of Technology, and Emily Carr University of Art + Design. Anchored by the flagship, multidisciplinary Master of Digital Media program, CDM is a mixed-use campus, home to Canada’s first Metastage studio as well as game studios and innovative startups in the healthcare and cloud-computing sectors.With the support of the Higher Ed XR Innovation Grant, Ethọ́s Lab and CDM aim to increase the representation of Black youth and girls in XR-based digital futures through development of an XR Media Lab program. The funding will enable the program to serve 300+ underrepresented youth and 190+ high school educators over five years.Country: CanadaUniversidad de los Andes was founded in 1948 as an autonomous and innovative institution pursuing pluralism, tolerance, and respect. It strives to raise consciousness about students’ social and civic responsibilities as well as their relationship to and stewardship of the environment.The XR Incubator Programis a two-year program focused on both workforce development and education innovation in XR. With Higher Ed XR Innovation Grant funding, Universidad de los Andes will launch three Massive, Open Online Coursesin Spanish to promote learning throughout Ibero-America. Funds will also help implement a week-long XR Camp offering Colombian educators access to a variety of XR technologies, and an XR Mobile Lab that will allow those educators to show XR technologies to the public at their own institutions.Country: ColombiaThe University of Johannesburgand the Swiss Distance University of Applied Sciencesaspire to design an innovative, immersive tool that addresses challenges faced by teachers in underrepresented communities. With Higher Ed XR Innovation Grant funding, their multinational team will develop and test a VR prototype for pre-service teachersin South Africa.The tool will allow future teachers to have authentic teaching experiences in a safe environment, aided by learning analytics that provide opportunities to reflect on their lesson delivery and prepare them for actual teaching. The University also intends the tool to help mitigate language barriers for students whose first language is not English. Broadly, the project will empower pre-service teachers to be agents in transforming science teaching, leveraging the potential of immersive technologies and preparing students from marginalized communities with 21st-century digital skills.Country: South AfricaOn behalf of Unity Social Impact and Meta Immersive Learning, congratulations to all of our grant recipients and thank you to everyone who applied for the Higher Ed XR Innovation Grant. Learn more about educator resources and tools for propelling real-time 3D in the classroom and Meta’s million investment to transform the way we learn through Meta Immersive Learning. #announcing #higher #innovation #grant #recipients
    Announcing the Higher Ed XR Innovation Grant recipients
    unity.com
    The demand for extended reality (XR) talent is increasing rapidly, opening countless new doors for the next generation of metaverse creators. To adequately prepare tomorrow’s real-time 3D workforce, educators and schools need to be teaching these desirable skill sets to their students today. In pursuit of this goal, Unity Social Impact and Meta Immersive Learning have partnered to increase access to AR/VR hardware, high-quality educational content, and other resources that will help educators create or enhance innovative XR programs.The Higher Ed XR Innovation Grant is one of the core components of this partnership, providing over $1 million in awards to higher-education institutions leveraging real-time 3D and immersive technology to make advances in teaching and learning, XR creation, and workforce development.Grantees were selected based on their proposals’ attention to inclusion, impact, viability, and innovation. Special consideration was given to institutions and programs that cater to or design innovative educational content for underserved learners.Today, we’re thrilled to introduce the eight recipients of the Higher Ed XR Innovation Grant. A team of over 60 judges from Unity and Meta selected the winners from among 276 submissions.“Now, more than ever, we have a responsibility to equip young people with the skills necessary for future jobs – providing them with learning that translates to earning,” says Jessica Lindl, vice president of social impact at Unity. “I’m thrilled with the winners of the Higher Ed XR Innovation Grant and am confident that these institutions will continue to provide equitable access to education and workforce opportunities.”Read on to learn how these forward-thinking projects are increasing access to quality real-time 3D education.Arizona State University’s Center for Narrative and Emerging Media (NEM) in Los Angeles will open as a best-in-class teaching and research facility, focused on diversifying who can create and distribute narratives using emerging media technologies in the areas of arts, culture, and nonfiction.NEM will train and support storytellers, artists, journalists, entrepreneurs, and engineers who will build the stories, technologies, and policies of the future. This fall, ASU launched their flagship MA Narrative and Emerging Media program, a collaborative effort between the Herberger Institute for Design and the Arts and the Walter Cronkite School of Journalism and Mass Communication centered around the development of a creative practice and critical understanding of emerging storytelling and immersive content creation. Funding from the Higher Ed XR Innovation Grant will support student production, virtual production, staff training, and research.Country: United States of AmericaThe vision of California Community Colleges is to ensure students from all backgrounds succeed in reaching their education and career goals, with emphasis on improving families’ incomes and communities’ workforces. To achieve this, California Community Colleges aim to provide educational programs that highlight inclusivity, diversity, and equity while minimizing logistical and financial barriers to success.Cañada College will partner with various employers and California Community College districts to enhance XR apprenticeship programs, K–14 curriculum development, and XR job training programs designed for dislocated workers, workforce board clients, and underemployed individuals. Funds from the Higher Ed XR Innovation Grant will aid Cañada College in designing and sharing workforce readiness models for county education offices, community colleges and universities, and workforce training entities in California and throughout the U.S.Country: United States of AmericaThe Clarkson University Psychology Department plans to use their grant funding to develop a novel instructional tool that leverages both VR for accurate neuroanatomical renderings and modern pedagogical principles (such as social interaction and embodiment) to build an innovative and engaging neuroscience learning experience.By using this tool to enhance their psychology program’s neuroscience instruction and open-sourcing the tool for use at other institutions, Clarkson University hopes to positively impact psychology students – especially those from underrepresented backgrounds. And, since student training is integrated throughout the project, the development process will involve students from multiple departments, providing them with opportunities to work in VR, engage in usability testing, and learn about neuroscience.Country: United States of AmericaThe LED (Digital Experience Lab) at the Federal University of Ceará (UFC) Department of Architecture, Urbanism and Design (DAUD) aims to be a place for students and professors to explore new digital technologies and develop innovative solutions for real-world problems.The LED plans to use their Higher Ed XR Innovation Grant funding to outfit eight digital studios with hardware for running prototyping experiments in virtual environments. They’ll also acquire peripherals for interacting with AR and MR experiences, including projectors for SAR (spatial AR), Kinect sensors, and motion trackers, with the goal of exploring ways that XR technology can improve design education and project solutions. Finally, their team will drive development of LEDed, a free platform for sharing educational content and experiences in XR within the department’s community and beyond.Country: BrazilNorQuest College is Alberta’s largest community college, serving more than 21,000 students annually. Housed within the Research Office at NorQuest College, Autism CanTech! (ACT!)’s vision is to remove barriers that hinder meaningful and sustainable employment within the digital economy for individuals on the Autism spectrum.Through job-specific training in technical skills, employability skills, career coaching, and Work Integrated Learning (WIL) opportunities, ACT! works to fill industry gaps. ACT! also offers participants additional support through new assistive technology which allows users, career coaches, and supervisors to manage tasks, schedule work-related activities, and live chat. Funds from the Higher Ed XR Innovation Grant will support the development of a road map and team to adapt educator resources and XR courses for a neurodiverse audience.Country: CanadaEthọ́s Lab is a Black-led, nonprofit innovation academy for teens based in Vancouver, British Columbia, and accessible from anywhere in the world. To build toward a more inclusive future, Ethọ́s Lab takes a holistic, community-based approach to teaching S.T.E.A.M. that is partnered and has a long-term vision. The organization provides pathways to applied learning, mentorship, and access to emerging tech through weekly collaborative workshops, creative projects, and events. As participants, youth develop core skills for post-secondary admissions, future careers, and being the leaders of innovation.Centre for Digital Media (CDM) was established in 2007 through a ground-breaking partnership between the University of British Columbia, Simon Fraser University, British Columbia Institute of Technology, and Emily Carr University of Art + Design. Anchored by the flagship, multidisciplinary Master of Digital Media program, CDM is a mixed-use campus, home to Canada’s first Metastage studio as well as game studios and innovative startups in the healthcare and cloud-computing sectors.With the support of the Higher Ed XR Innovation Grant, Ethọ́s Lab and CDM aim to increase the representation of Black youth and girls in XR-based digital futures through development of an XR Media Lab program. The funding will enable the program to serve 300+ underrepresented youth and 190+ high school educators over five years.Country: CanadaUniversidad de los Andes was founded in 1948 as an autonomous and innovative institution pursuing pluralism, tolerance, and respect. It strives to raise consciousness about students’ social and civic responsibilities as well as their relationship to and stewardship of the environment.The XR Incubator Program (named “Vivero Virtual” in Spanish) is a two-year program focused on both workforce development and education innovation in XR. With Higher Ed XR Innovation Grant funding, Universidad de los Andes will launch three Massive, Open Online Courses (MOOCs) in Spanish to promote learning throughout Ibero-America. Funds will also help implement a week-long XR Camp offering Colombian educators access to a variety of XR technologies, and an XR Mobile Lab that will allow those educators to show XR technologies to the public at their own institutions.Country: ColombiaThe University of Johannesburg (UJ) and the Swiss Distance University of Applied Sciences (FFHS) aspire to design an innovative, immersive tool that addresses challenges faced by teachers in underrepresented communities. With Higher Ed XR Innovation Grant funding, their multinational team will develop and test a VR prototype for pre-service teachers (student teachers working towards their teacher certification) in South Africa.The tool will allow future teachers to have authentic teaching experiences in a safe environment, aided by learning analytics that provide opportunities to reflect on their lesson delivery and prepare them for actual teaching. The University also intends the tool to help mitigate language barriers for students whose first language is not English. Broadly, the project will empower pre-service teachers to be agents in transforming science teaching, leveraging the potential of immersive technologies and preparing students from marginalized communities with 21st-century digital skills.Country: South AfricaOn behalf of Unity Social Impact and Meta Immersive Learning, congratulations to all of our grant recipients and thank you to everyone who applied for the Higher Ed XR Innovation Grant. Learn more about educator resources and tools for propelling real-time 3D in the classroom and Meta’s $150 million investment to transform the way we learn through Meta Immersive Learning.
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  • The best and worst celebrity outfits at the 2025 Cannes Film Festival so far

    The stars are out at the 2025 Cannes Film Festival.This year's event kicked off on May 13 with an opening ceremony and the premiere of the French film "Leave One Day." The festival will continue until May 24, providing nearly two weeks of French street style and red-carpet fashion.So far, some celebrities have turned heads in bold ensembles, while others have missed the mark with their looks.From Bella Hadid to Halle Berry, here are the best and worst looks we've seen.

    Elle Fanning's strapless gown was simple, but effective.

    Elle Fanning at the Cannes Film Festival.

    Reuters

    She walked the "Affeksjonsverdi" red carpet on Wednesday in a strapless Giorgio Armani design that looked pretty and chic.It was fitted to her body, decorated with pink rose appliqués, and completed with a plunging sweetheart neckline.

    Alex Consani wore a two-piece set that was almost perfect.

    Alex Consani at the 2025 Cannes Film Festival.

    Scott A Garfitt/Invision/AP

    She arrived for "The Phoenician Scheme" screening on Sunday in a uniquely shaped Schiaparelli set.The model's structured top had a beaded, off-the-shoulder neckpiece that covered her chest and a high-low peplum waistband. Her pants, on the other hand, were oversize and wide.Though her statement blouse had potential, Consani's pants were a little too big and needed tailoring. A form-fitting skirt might have looked better with the top piece.

    Alexander Skarsgard faced a similar issue.

    Alexander Skarsgard at the 2025 Cannes Film Festival.

    Scott A Garfitt/Invision/AP

    The actor could have looked classic with a traditional tuxedo for the red-carpet event, or he could have attempted a more daring style.Instead, he tried to do both at the same time.He wore a sharp Saint Laurent tux with his trousers tucked into thigh-high leather boots — a style the fashion house first revealed in its January runway show.The shoes were distracting and felt out of place with his otherwise basic look.

    Mariska Hargitay had a glamorous pink moment on Saturday.

    Mariska Hargitay at the 2025 Cannes Film Festival.

    Joel C Ryan/Invision/AP

    For the "Die, My Love" screening, Hargitay chose an off-the-shoulder gown crafted with black satin and sparkling hot-pink fabric.The color combination was sharp, the gown's straight silhouette fit the actor perfectly, and her elbow-length gloves made the outfit even more elegant.

    For the "Eddington" red carpet on Friday, Jeremy Strong should have picked a different suit.

    Jeremy Strong at the 2025 Cannes Film Festival.

    Michael Buckner/Getty Images

    His brown ensemble included a button-up shirt, a wrap blazer, straight-leg trousers, and a bow tie, all cut with raw hems.While the rough style might have worked for a different event, it looked too casual at Cannes. His black loafers were also too harsh against the lighter outfit.

    Natalie Portman showed the best of Dior.

    Natalie Portman at the 2025 Cannes Film Festival.

    Joel C Ryan/Invision/AP

    She walked the "Eddington" red carpet in a strapless, sparkling creation from the French fashion house.Its silver top was covered in sparkles and wrapped with a black bow, while its floor-length skirt had Dior's classic Junon petals.Portman accessorized the look perfectly with a bun hairstyle and a thick diamond necklace.

    Angelina Jolie's gown would have worked better in a different color.

    Angelina Jolie at the 2025 Cannes Film Festival.

    Joel C Ryan/Invision/AP

    Also on the "Eddington" red carpet, Jolie wore a strapless Brunello Cucinelli design. It had a thick floor-length skirt, a fitted bodice, and all-over sparkles that highlighted its rope texture.Though the actor looked pretty, her gown's ivory color matched her skin tone too closely and washed her out. The same dress in a pink or lilac shade could have worked better.

    Elaine Zhong stunned in a cream-colored ball gown.

    Elaine Zhong at the 2025 Cannes Film Festival.

    Gisela Schober/Getty Images

    The Chinese actor wore the strapless dress on the "Dossier 137" red carpet. Its structured bodice was decorated with beaded appliques, and its cups were shaped with flower petals.To accessorize the glamorous look, she added a sparkling diamond choker, matching earrings, a thick bracelet, and vibrant red lipstick.

    Zoe Saldaña's all-black ensemble didn't stand out.

    Zoe Saldaña at the 2025 Cannes Film Festival.

    Scott A Garfitt/Invision/AP

    She attended the "Mission: Impossible - The Final Reckoning" red carpet in a black Saint Laurent gown.Though her sleeveless dress was classic, it was also overly simple. Statement jewels could have easily enhanced the look.She also draped a dark leather jacket around her arms, which was much more casual than the rest of her outfit.

    Araya Alberta Hargate sparkled down the same red carpet.

    Araya Hargate at the 2025 Cannes Film Festival.

    Benoit Tessier/Reuters

    She wore a crystal-covered dress that looked like it was molded to her body with its form-fitting design.Its strapless, snake-print bodice was corseted with a deep plunge down the middle, and its floor-length skirt was pink and embellished with countless sparkles.The Thai actor completed her look with a large diamond necklace crafted in the shape of leaves.

    Heidi Klum had a pearlescent moment, but it wasn't her best.

    Heidi Klum at the 2025 Cannes Film Festival.

    Joel C Ryan/Invision/AP

    Elie Saab designed the model's off-the-shoulder gown. It had a deep V-neckline, see-through stripes, and all-over sparkles in blue and purple.Some of those details might have worked on their own. But together, especially with the gown's mermaid shape, its accents made it look more theatrical than glamorous.

    Tom Cruise looked sharp in maroon.

    Tom Cruise at the 2025 Cannes Film Festival.

    Joel C Ryan/Invision/AP

    Cruise attended a promotional event for "Mission: Impossible - The Final Reckoning" at Cannes.In doing so, he became one of the best-dressed men at the festival so far this year.He wore a fitted, textured knit polo and matching trousers with sharp pleats. The outfit was understated and vibrant on its own, while his brown dress shoes and dark sunglasses gave it an edge.

    Halle Berry made a last-minute fashion change, but her new outfit didn't work for her.

    Halle Berry at the 2025 Cannes Film Festival.

    Reuters

    When Berry walked onto the Cannes red carpet, she wore a shapeless Jacquemus gown with a black-and-white stripe print.She later told reporters that she'd originally planned to wear an "amazing dress" from Gaurav Gupta, but had to find a new look when Cannes announced a new dress code that prohibits voluminous gowns with long trains the day before the festival began.Unfortunately for Berry, the bold dress she chose was so flowy and oversize that it seemed to wear her, when it should have been the other way around.

    Isabeli Fontana could have been mistaken for a princess in a metallic gown.

    Isabeli Fontana at the 2025 Cannes Film Festival.

    Joel C Ryan/Invision/AP

    Nicolas Jebran designed her halter gown. The form-fitting piece had knotted fabric at the hip, a floor-length skirt with a short train, and a hip-high slit that revealed her sparkling pumps.The gown was also adorned with a sparkling silver piece that covered one shoulder and was embedded with turquoise stones.The ensemble was elegant and fit Fontana perfectly.

    Bella Hadid is always one of the best-dressed stars at Cannes, but her outfit choice for the 2025 opening ceremony was underwhelming.

    Bella Hadid at the 2025 Cannes Film Festival.

    Scott A Garfitt/Invision/AP

    Saint Laurent designed her sleeveless black dress with some interesting details. Its straps crisscrossed across her back to create cutouts and a deep plunge on the side of her chest.However, the front of the gown was overly simple. It had an asymmetrical neckline that looked mishapen, and a thigh-high slit that was cut too far to the side.Even her massive emerald earrings from Chopard weren't enough to make the ensemble memorable.

    Eva Longoria sparkled down the red carpet in a stunning gown.

    Eva Longoria at the 2025 Cannes Film Festival.

    Scott A Garfitt/Invision/AP

    Her Tamara Ralph gown was strapless and covered in square metallic pieces that sparkled in the light as she walked.It also had velvet panels at the waist that gave the dress some shape and matched its glamorous train.Not only was the dress tailored perfectly to Longoria, but the actor also accessorized strongly. She wore a statement necklace, rings, and earrings from Pasquale Bruni.

    Irina Shayk wore a fun gown, but a different hairstyle could have elevated the whole look.

    Irina Shayk at the 2025 Cannes Film Festival.

    Joel C Ryan/Invision/AP

    The model arrived wearing a black Armani Privé gown with all-over white polka dots. It had a strapless neckline, off-the-shoulder puffed sleeves, and a full skirt.On its own, the dress was fun, frilly, and perfect for Cannes.But Shayk wore her hair styled in a dramatic shape — a bun atop a strip of pin-straight hair — that distracted from her outfit.
    #best #worst #celebrity #outfits #cannes
    The best and worst celebrity outfits at the 2025 Cannes Film Festival so far
    The stars are out at the 2025 Cannes Film Festival.This year's event kicked off on May 13 with an opening ceremony and the premiere of the French film "Leave One Day." The festival will continue until May 24, providing nearly two weeks of French street style and red-carpet fashion.So far, some celebrities have turned heads in bold ensembles, while others have missed the mark with their looks.From Bella Hadid to Halle Berry, here are the best and worst looks we've seen. Elle Fanning's strapless gown was simple, but effective. Elle Fanning at the Cannes Film Festival. Reuters She walked the "Affeksjonsverdi" red carpet on Wednesday in a strapless Giorgio Armani design that looked pretty and chic.It was fitted to her body, decorated with pink rose appliqués, and completed with a plunging sweetheart neckline. Alex Consani wore a two-piece set that was almost perfect. Alex Consani at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP She arrived for "The Phoenician Scheme" screening on Sunday in a uniquely shaped Schiaparelli set.The model's structured top had a beaded, off-the-shoulder neckpiece that covered her chest and a high-low peplum waistband. Her pants, on the other hand, were oversize and wide.Though her statement blouse had potential, Consani's pants were a little too big and needed tailoring. A form-fitting skirt might have looked better with the top piece. Alexander Skarsgard faced a similar issue. Alexander Skarsgard at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP The actor could have looked classic with a traditional tuxedo for the red-carpet event, or he could have attempted a more daring style.Instead, he tried to do both at the same time.He wore a sharp Saint Laurent tux with his trousers tucked into thigh-high leather boots — a style the fashion house first revealed in its January runway show.The shoes were distracting and felt out of place with his otherwise basic look. Mariska Hargitay had a glamorous pink moment on Saturday. Mariska Hargitay at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP For the "Die, My Love" screening, Hargitay chose an off-the-shoulder gown crafted with black satin and sparkling hot-pink fabric.The color combination was sharp, the gown's straight silhouette fit the actor perfectly, and her elbow-length gloves made the outfit even more elegant. For the "Eddington" red carpet on Friday, Jeremy Strong should have picked a different suit. Jeremy Strong at the 2025 Cannes Film Festival. Michael Buckner/Getty Images His brown ensemble included a button-up shirt, a wrap blazer, straight-leg trousers, and a bow tie, all cut with raw hems.While the rough style might have worked for a different event, it looked too casual at Cannes. His black loafers were also too harsh against the lighter outfit. Natalie Portman showed the best of Dior. Natalie Portman at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP She walked the "Eddington" red carpet in a strapless, sparkling creation from the French fashion house.Its silver top was covered in sparkles and wrapped with a black bow, while its floor-length skirt had Dior's classic Junon petals.Portman accessorized the look perfectly with a bun hairstyle and a thick diamond necklace. Angelina Jolie's gown would have worked better in a different color. Angelina Jolie at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Also on the "Eddington" red carpet, Jolie wore a strapless Brunello Cucinelli design. It had a thick floor-length skirt, a fitted bodice, and all-over sparkles that highlighted its rope texture.Though the actor looked pretty, her gown's ivory color matched her skin tone too closely and washed her out. The same dress in a pink or lilac shade could have worked better. Elaine Zhong stunned in a cream-colored ball gown. Elaine Zhong at the 2025 Cannes Film Festival. Gisela Schober/Getty Images The Chinese actor wore the strapless dress on the "Dossier 137" red carpet. Its structured bodice was decorated with beaded appliques, and its cups were shaped with flower petals.To accessorize the glamorous look, she added a sparkling diamond choker, matching earrings, a thick bracelet, and vibrant red lipstick. Zoe Saldaña's all-black ensemble didn't stand out. Zoe Saldaña at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP She attended the "Mission: Impossible - The Final Reckoning" red carpet in a black Saint Laurent gown.Though her sleeveless dress was classic, it was also overly simple. Statement jewels could have easily enhanced the look.She also draped a dark leather jacket around her arms, which was much more casual than the rest of her outfit. Araya Alberta Hargate sparkled down the same red carpet. Araya Hargate at the 2025 Cannes Film Festival. Benoit Tessier/Reuters She wore a crystal-covered dress that looked like it was molded to her body with its form-fitting design.Its strapless, snake-print bodice was corseted with a deep plunge down the middle, and its floor-length skirt was pink and embellished with countless sparkles.The Thai actor completed her look with a large diamond necklace crafted in the shape of leaves. Heidi Klum had a pearlescent moment, but it wasn't her best. Heidi Klum at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Elie Saab designed the model's off-the-shoulder gown. It had a deep V-neckline, see-through stripes, and all-over sparkles in blue and purple.Some of those details might have worked on their own. But together, especially with the gown's mermaid shape, its accents made it look more theatrical than glamorous. Tom Cruise looked sharp in maroon. Tom Cruise at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Cruise attended a promotional event for "Mission: Impossible - The Final Reckoning" at Cannes.In doing so, he became one of the best-dressed men at the festival so far this year.He wore a fitted, textured knit polo and matching trousers with sharp pleats. The outfit was understated and vibrant on its own, while his brown dress shoes and dark sunglasses gave it an edge. Halle Berry made a last-minute fashion change, but her new outfit didn't work for her. Halle Berry at the 2025 Cannes Film Festival. Reuters When Berry walked onto the Cannes red carpet, she wore a shapeless Jacquemus gown with a black-and-white stripe print.She later told reporters that she'd originally planned to wear an "amazing dress" from Gaurav Gupta, but had to find a new look when Cannes announced a new dress code that prohibits voluminous gowns with long trains the day before the festival began.Unfortunately for Berry, the bold dress she chose was so flowy and oversize that it seemed to wear her, when it should have been the other way around. Isabeli Fontana could have been mistaken for a princess in a metallic gown. Isabeli Fontana at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Nicolas Jebran designed her halter gown. The form-fitting piece had knotted fabric at the hip, a floor-length skirt with a short train, and a hip-high slit that revealed her sparkling pumps.The gown was also adorned with a sparkling silver piece that covered one shoulder and was embedded with turquoise stones.The ensemble was elegant and fit Fontana perfectly. Bella Hadid is always one of the best-dressed stars at Cannes, but her outfit choice for the 2025 opening ceremony was underwhelming. Bella Hadid at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP Saint Laurent designed her sleeveless black dress with some interesting details. Its straps crisscrossed across her back to create cutouts and a deep plunge on the side of her chest.However, the front of the gown was overly simple. It had an asymmetrical neckline that looked mishapen, and a thigh-high slit that was cut too far to the side.Even her massive emerald earrings from Chopard weren't enough to make the ensemble memorable. Eva Longoria sparkled down the red carpet in a stunning gown. Eva Longoria at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP Her Tamara Ralph gown was strapless and covered in square metallic pieces that sparkled in the light as she walked.It also had velvet panels at the waist that gave the dress some shape and matched its glamorous train.Not only was the dress tailored perfectly to Longoria, but the actor also accessorized strongly. She wore a statement necklace, rings, and earrings from Pasquale Bruni. Irina Shayk wore a fun gown, but a different hairstyle could have elevated the whole look. Irina Shayk at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP The model arrived wearing a black Armani Privé gown with all-over white polka dots. It had a strapless neckline, off-the-shoulder puffed sleeves, and a full skirt.On its own, the dress was fun, frilly, and perfect for Cannes.But Shayk wore her hair styled in a dramatic shape — a bun atop a strip of pin-straight hair — that distracted from her outfit. #best #worst #celebrity #outfits #cannes
    The best and worst celebrity outfits at the 2025 Cannes Film Festival so far
    www.businessinsider.com
    The stars are out at the 2025 Cannes Film Festival.This year's event kicked off on May 13 with an opening ceremony and the premiere of the French film "Leave One Day." The festival will continue until May 24, providing nearly two weeks of French street style and red-carpet fashion.So far, some celebrities have turned heads in bold ensembles, while others have missed the mark with their looks.From Bella Hadid to Halle Berry, here are the best and worst looks we've seen. Elle Fanning's strapless gown was simple, but effective. Elle Fanning at the Cannes Film Festival. Reuters She walked the "Affeksjonsverdi" red carpet on Wednesday in a strapless Giorgio Armani design that looked pretty and chic.It was fitted to her body, decorated with pink rose appliqués, and completed with a plunging sweetheart neckline. Alex Consani wore a two-piece set that was almost perfect. Alex Consani at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP She arrived for "The Phoenician Scheme" screening on Sunday in a uniquely shaped Schiaparelli set.The model's structured top had a beaded, off-the-shoulder neckpiece that covered her chest and a high-low peplum waistband. Her pants, on the other hand, were oversize and wide.Though her statement blouse had potential, Consani's pants were a little too big and needed tailoring. A form-fitting skirt might have looked better with the top piece. Alexander Skarsgard faced a similar issue. Alexander Skarsgard at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP The actor could have looked classic with a traditional tuxedo for the red-carpet event, or he could have attempted a more daring style.Instead, he tried to do both at the same time.He wore a sharp Saint Laurent tux with his trousers tucked into thigh-high leather boots — a style the fashion house first revealed in its January runway show.The shoes were distracting and felt out of place with his otherwise basic look. Mariska Hargitay had a glamorous pink moment on Saturday. Mariska Hargitay at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP For the "Die, My Love" screening, Hargitay chose an off-the-shoulder gown crafted with black satin and sparkling hot-pink fabric.The color combination was sharp, the gown's straight silhouette fit the actor perfectly, and her elbow-length gloves made the outfit even more elegant. For the "Eddington" red carpet on Friday, Jeremy Strong should have picked a different suit. Jeremy Strong at the 2025 Cannes Film Festival. Michael Buckner/Getty Images His brown ensemble included a button-up shirt, a wrap blazer, straight-leg trousers, and a bow tie, all cut with raw hems.While the rough style might have worked for a different event, it looked too casual at Cannes. His black loafers were also too harsh against the lighter outfit. Natalie Portman showed the best of Dior. Natalie Portman at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP She walked the "Eddington" red carpet in a strapless, sparkling creation from the French fashion house.Its silver top was covered in sparkles and wrapped with a black bow, while its floor-length skirt had Dior's classic Junon petals.Portman accessorized the look perfectly with a bun hairstyle and a thick diamond necklace. Angelina Jolie's gown would have worked better in a different color. Angelina Jolie at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Also on the "Eddington" red carpet, Jolie wore a strapless Brunello Cucinelli design. It had a thick floor-length skirt, a fitted bodice, and all-over sparkles that highlighted its rope texture.Though the actor looked pretty, her gown's ivory color matched her skin tone too closely and washed her out. The same dress in a pink or lilac shade could have worked better. Elaine Zhong stunned in a cream-colored ball gown. Elaine Zhong at the 2025 Cannes Film Festival. Gisela Schober/Getty Images The Chinese actor wore the strapless dress on the "Dossier 137" red carpet. Its structured bodice was decorated with beaded appliques, and its cups were shaped with flower petals.To accessorize the glamorous look, she added a sparkling diamond choker, matching earrings, a thick bracelet, and vibrant red lipstick. Zoe Saldaña's all-black ensemble didn't stand out. Zoe Saldaña at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP She attended the "Mission: Impossible - The Final Reckoning" red carpet in a black Saint Laurent gown.Though her sleeveless dress was classic, it was also overly simple. Statement jewels could have easily enhanced the look.She also draped a dark leather jacket around her arms, which was much more casual than the rest of her outfit. Araya Alberta Hargate sparkled down the same red carpet. Araya Hargate at the 2025 Cannes Film Festival. Benoit Tessier/Reuters She wore a crystal-covered dress that looked like it was molded to her body with its form-fitting design.Its strapless, snake-print bodice was corseted with a deep plunge down the middle, and its floor-length skirt was pink and embellished with countless sparkles.The Thai actor completed her look with a large diamond necklace crafted in the shape of leaves. Heidi Klum had a pearlescent moment, but it wasn't her best. Heidi Klum at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Elie Saab designed the model's off-the-shoulder gown. It had a deep V-neckline, see-through stripes, and all-over sparkles in blue and purple.Some of those details might have worked on their own. But together, especially with the gown's mermaid shape, its accents made it look more theatrical than glamorous. Tom Cruise looked sharp in maroon. Tom Cruise at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Cruise attended a promotional event for "Mission: Impossible - The Final Reckoning" at Cannes.In doing so, he became one of the best-dressed men at the festival so far this year.He wore a fitted, textured knit polo and matching trousers with sharp pleats. The outfit was understated and vibrant on its own, while his brown dress shoes and dark sunglasses gave it an edge. Halle Berry made a last-minute fashion change, but her new outfit didn't work for her. Halle Berry at the 2025 Cannes Film Festival. Reuters When Berry walked onto the Cannes red carpet, she wore a shapeless Jacquemus gown with a black-and-white stripe print.She later told reporters that she'd originally planned to wear an "amazing dress" from Gaurav Gupta, but had to find a new look when Cannes announced a new dress code that prohibits voluminous gowns with long trains the day before the festival began.Unfortunately for Berry, the bold dress she chose was so flowy and oversize that it seemed to wear her, when it should have been the other way around. Isabeli Fontana could have been mistaken for a princess in a metallic gown. Isabeli Fontana at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Nicolas Jebran designed her halter gown. The form-fitting piece had knotted fabric at the hip, a floor-length skirt with a short train, and a hip-high slit that revealed her sparkling pumps.The gown was also adorned with a sparkling silver piece that covered one shoulder and was embedded with turquoise stones.The ensemble was elegant and fit Fontana perfectly. Bella Hadid is always one of the best-dressed stars at Cannes, but her outfit choice for the 2025 opening ceremony was underwhelming. Bella Hadid at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP Saint Laurent designed her sleeveless black dress with some interesting details. Its straps crisscrossed across her back to create cutouts and a deep plunge on the side of her chest.However, the front of the gown was overly simple. It had an asymmetrical neckline that looked mishapen, and a thigh-high slit that was cut too far to the side.Even her massive emerald earrings from Chopard weren't enough to make the ensemble memorable. Eva Longoria sparkled down the red carpet in a stunning gown. Eva Longoria at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP Her Tamara Ralph gown was strapless and covered in square metallic pieces that sparkled in the light as she walked.It also had velvet panels at the waist that gave the dress some shape and matched its glamorous train.Not only was the dress tailored perfectly to Longoria, but the actor also accessorized strongly. She wore a statement necklace, rings, and earrings from Pasquale Bruni. Irina Shayk wore a fun gown, but a different hairstyle could have elevated the whole look. Irina Shayk at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP The model arrived wearing a black Armani Privé gown with all-over white polka dots. It had a strapless neckline, off-the-shoulder puffed sleeves, and a full skirt.On its own, the dress was fun, frilly, and perfect for Cannes.But Shayk wore her hair styled in a dramatic shape — a bun atop a strip of pin-straight hair — that distracted from her outfit.
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  • In Alberta, DIALOG caps highway with a wildlife overpass

    High in the Canadian Rockies, and southeast of Banff—Alberta’s premier ski town—a provincial highway spur has been capped with a landscaped overpass that allows local wildlife to pass safely above the treacherous road. The intervention, known as the Bow Valley Gap Wildlife Overpass, was designed by DIALOG, a practice based in Canada and the U.S.

    Consisting of two large concrete arches topped by soil and plantings, the overpass is essentially a land bridge that spans each side of the roadway. To prevent animals from crossing elsewhere along the highway, DIALOG installed over 7 miles of fencing in the area surrounding the crossing. The fenced-in area also includes “jump-outs,” segments of lowered fencing allowing animals that unknowingly entered the roadway a chance to escape.
    The crossing and surrounding roadway are fenced in to prevent animal-vehicle collisions.The Bow Valley Gap Overpass is the first such overpass located outside of Banff National Park, where Parks Canada has been installing animal crossing infrastructure since 1978. The park maintains 24 crossings. These bridges curb animal-vehicle strikes, which occur regularly around Banff, and also reconnect habitat interrupted by the highway.

    Wildlife overpasses were first introduced in Europe in the 1950s during the heyday of highway construction. Canada has been a leader in wildlife overpass construction, and similar projects have been built in the western United States.
    Trail cameras have already captured animals using the overpass.DIALOG reports that wildlife cameras have already captured images of animals using the bridge. Ultimately, Parks Canada’s campaign in Banff has eliminated 80 percent of wildlife-vehicle collisions, and similar metrics are targeted by this new campaign led by Alberta Transportation and Economic Corridors, a provincial agency that has an additional three animal crossings in development.

    The project’s completion marks DIALOG’s seventh wildlife overpass. The Bow Valley Gap Overpass was also awarded the Minister’s Award for Transportation by the Consulting Engineers of Alberta and the Environmental Achievement Award by the Transportation Association of Canada.
    “At DIALOG, we’re proud to partner with Alberta Transportation and Economic Corridors on initiatives that enhance both driver safety and the protection of Alberta’s wildlife,” said Neil Robson, a project manager and design lead at the firm. “Our focus remains on designing innovative infrastructure solutions that balance the needs of people and the environment, ensuring long-term benefits for all,” he added.
    #alberta #dialog #caps #highway #with
    In Alberta, DIALOG caps highway with a wildlife overpass
    High in the Canadian Rockies, and southeast of Banff—Alberta’s premier ski town—a provincial highway spur has been capped with a landscaped overpass that allows local wildlife to pass safely above the treacherous road. The intervention, known as the Bow Valley Gap Wildlife Overpass, was designed by DIALOG, a practice based in Canada and the U.S. Consisting of two large concrete arches topped by soil and plantings, the overpass is essentially a land bridge that spans each side of the roadway. To prevent animals from crossing elsewhere along the highway, DIALOG installed over 7 miles of fencing in the area surrounding the crossing. The fenced-in area also includes “jump-outs,” segments of lowered fencing allowing animals that unknowingly entered the roadway a chance to escape. The crossing and surrounding roadway are fenced in to prevent animal-vehicle collisions.The Bow Valley Gap Overpass is the first such overpass located outside of Banff National Park, where Parks Canada has been installing animal crossing infrastructure since 1978. The park maintains 24 crossings. These bridges curb animal-vehicle strikes, which occur regularly around Banff, and also reconnect habitat interrupted by the highway. Wildlife overpasses were first introduced in Europe in the 1950s during the heyday of highway construction. Canada has been a leader in wildlife overpass construction, and similar projects have been built in the western United States. Trail cameras have already captured animals using the overpass.DIALOG reports that wildlife cameras have already captured images of animals using the bridge. Ultimately, Parks Canada’s campaign in Banff has eliminated 80 percent of wildlife-vehicle collisions, and similar metrics are targeted by this new campaign led by Alberta Transportation and Economic Corridors, a provincial agency that has an additional three animal crossings in development. The project’s completion marks DIALOG’s seventh wildlife overpass. The Bow Valley Gap Overpass was also awarded the Minister’s Award for Transportation by the Consulting Engineers of Alberta and the Environmental Achievement Award by the Transportation Association of Canada. “At DIALOG, we’re proud to partner with Alberta Transportation and Economic Corridors on initiatives that enhance both driver safety and the protection of Alberta’s wildlife,” said Neil Robson, a project manager and design lead at the firm. “Our focus remains on designing innovative infrastructure solutions that balance the needs of people and the environment, ensuring long-term benefits for all,” he added. #alberta #dialog #caps #highway #with
    In Alberta, DIALOG caps highway with a wildlife overpass
    www.archpaper.com
    High in the Canadian Rockies, and southeast of Banff—Alberta’s premier ski town—a provincial highway spur has been capped with a landscaped overpass that allows local wildlife to pass safely above the treacherous road. The intervention, known as the Bow Valley Gap Wildlife Overpass, was designed by DIALOG, a practice based in Canada and the U.S. Consisting of two large concrete arches topped by soil and plantings, the overpass is essentially a land bridge that spans each side of the roadway. To prevent animals from crossing elsewhere along the highway, DIALOG installed over 7 miles of fencing in the area surrounding the crossing. The fenced-in area also includes “jump-outs,” segments of lowered fencing allowing animals that unknowingly entered the roadway a chance to escape. The crossing and surrounding roadway are fenced in to prevent animal-vehicle collisions. (Neil Zeller) The Bow Valley Gap Overpass is the first such overpass located outside of Banff National Park, where Parks Canada has been installing animal crossing infrastructure since 1978. The park maintains 24 crossings. These bridges curb animal-vehicle strikes, which occur regularly around Banff, and also reconnect habitat interrupted by the highway. Wildlife overpasses were first introduced in Europe in the 1950s during the heyday of highway construction. Canada has been a leader in wildlife overpass construction, and similar projects have been built in the western United States. Trail cameras have already captured animals using the overpass. (Courtesy Alberta Transportation and Economic Corridors) DIALOG reports that wildlife cameras have already captured images of animals using the bridge. Ultimately, Parks Canada’s campaign in Banff has eliminated 80 percent of wildlife-vehicle collisions, and similar metrics are targeted by this new campaign led by Alberta Transportation and Economic Corridors, a provincial agency that has an additional three animal crossings in development. The project’s completion marks DIALOG’s seventh wildlife overpass. The Bow Valley Gap Overpass was also awarded the Minister’s Award for Transportation by the Consulting Engineers of Alberta and the Environmental Achievement Award by the Transportation Association of Canada. “At DIALOG, we’re proud to partner with Alberta Transportation and Economic Corridors on initiatives that enhance both driver safety and the protection of Alberta’s wildlife,” said Neil Robson, a project manager and design lead at the firm. “Our focus remains on designing innovative infrastructure solutions that balance the needs of people and the environment, ensuring long-term benefits for all,” he added.
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  • Blue Light Exposure Can Impact Sleep, Skin, and Eyes — Here's How to Shield Against It

    In today’s ever more connected world, it’s fair to say that some of us receive nearly as much screen time as we do actual sunlight — if not more, depending on your job and the time of year.A growing body of research shows that the blue light that these screens emit might have effects on human health, whether it’s our vision, skin, or our sleep.“Blue light has an effect on skin health and even the retina in the eyes,” says Kseniya Kobets, an assistant professor of medicine at Albert Einstein College of Medicine and the director of cosmetic dermatology at Montefiore Einstein Advanced Care.Blue Light ExposureBlue light sits in the light spectrum between ultraviolet, high-energy light, and other types of visible light that aren’t blue light and emit lower energy such as green, orange, and red light. About one third of all visible light falls into the blue light category, which is also called high-energy light.Most blue light we are exposed to comes directly from the sun. But LED lights and screens, whether it’s your television, computer, tablet, or smart phone, also emit blue light. While the amount screens emit is minimal compared to that from the sun, they are becoming increasingly ubiquitous in our lives, at all hours of the day. And some doctors are concerned that the way many hold their phones so close to their faces could also increase a negative effect.Read More: Does Blue Light Damage Skin?Is All Blue Light Bad for You?Blue light isn’t all bad. Some research has shown that low amounts of HEV can help decrease acne, for example, while other studies showed that limited exposure to the light may help some symptoms related to psoriasis and eczema, according to a review study.In fact, the U.S. Food and Drug Administration approved a wearable blue light device for the treatment of mild psoriasis.Some research has also found that blue light therapy might actually help treat certain types of skin cancer in a controlled treatment. But the relationship between blue light and cancer isn’t all beneficial.The Impact of Blue Light on Your SkinStudies on mice have shown that long-term exposure to blue light can also cause some of the conditions that lead to cancer, though the authors stated that more research is needed to confirm this.“Many of the effects of blue light on living organisms are unknown, and further research is required, including on methods of protection,” the authors stated. Blue light could cause some lesser skin problems as well, though. Kobets says that blue light can cause oxidative stress on the skin, which could cause premature skin aging and hyperpigmentation — a condition in which some skin patches become darker than others.“Most people want to avoid hyperpigmentation and uneven skin tone,” Kobets says.Other Effects of Blue LightIt’s possible that our exposure to too much blue light — especially outside of daylight hours — can suppress our production of melatonin, the hormone our body uses to help set its inner clock, or circadian rhythm. This essentially means that too much blue light at night could affect healthy sleep, Kobets says.All light can affect melatonin production, but blue light suppresses it more effectively, according to Harvard Health Publishing.Our eyes also aren’t very good at filtering out blue light. As a result, it reaches our retina, where it may damage cells. Serious exposure could also contribute to conditions like cataracts and vision loss from age-related macular degeneration. Kids are more at risk since their eyes absorb more blue light than adults.Blue Light ProtectionsThe best way to limit blue light exposure is to lower your screen time — especially at night. But Kobets also says that people can take other steps to limit the potential damage of blue light. Sunscreen can help — even in the winter or indoors.“The oxidative stress from visible blue light and its effect on DNA damage and hyperpigmentation of the skin is one of the main reasons I recommend usingdaily,” she says.Even makeup might help, if it has the right components. “The best makeup is the one that offers tint cover-up which contains iron oxide plus has mineralto add to the protection,” Kobets says.Other steps to help reduce damage include face masks or glasses made to shield blue light, or just simply lowering the brightness of your phone. You can also use a shield on your phone or computer screen that decreases the amount of blue light displayed. This article is not offering medical advice and should be used for informational purposes only.Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Journal of Cosmetic Dermatology. Blue light protection, part II—Ingredients and performance testing methodsAmerican Academy of Dermatology Association. Can a wearable blue-light device clear psoriasis?Iowa Healthcare. Blue-light therapy warding off skin cancerHarvard Health. Blue light has a dark sideJoshua Rapp Learn is an award-winning D.C.-based science writer. An expat Albertan, he contributes to a number of science publications like National Geographic, The New York Times, The Guardian, New Scientist, Hakai, and others.
    #blue #light #exposure #can #impact
    Blue Light Exposure Can Impact Sleep, Skin, and Eyes — Here's How to Shield Against It
    In today’s ever more connected world, it’s fair to say that some of us receive nearly as much screen time as we do actual sunlight — if not more, depending on your job and the time of year.A growing body of research shows that the blue light that these screens emit might have effects on human health, whether it’s our vision, skin, or our sleep.“Blue light has an effect on skin health and even the retina in the eyes,” says Kseniya Kobets, an assistant professor of medicine at Albert Einstein College of Medicine and the director of cosmetic dermatology at Montefiore Einstein Advanced Care.Blue Light ExposureBlue light sits in the light spectrum between ultraviolet, high-energy light, and other types of visible light that aren’t blue light and emit lower energy such as green, orange, and red light. About one third of all visible light falls into the blue light category, which is also called high-energy light.Most blue light we are exposed to comes directly from the sun. But LED lights and screens, whether it’s your television, computer, tablet, or smart phone, also emit blue light. While the amount screens emit is minimal compared to that from the sun, they are becoming increasingly ubiquitous in our lives, at all hours of the day. And some doctors are concerned that the way many hold their phones so close to their faces could also increase a negative effect.Read More: Does Blue Light Damage Skin?Is All Blue Light Bad for You?Blue light isn’t all bad. Some research has shown that low amounts of HEV can help decrease acne, for example, while other studies showed that limited exposure to the light may help some symptoms related to psoriasis and eczema, according to a review study.In fact, the U.S. Food and Drug Administration approved a wearable blue light device for the treatment of mild psoriasis.Some research has also found that blue light therapy might actually help treat certain types of skin cancer in a controlled treatment. But the relationship between blue light and cancer isn’t all beneficial.The Impact of Blue Light on Your SkinStudies on mice have shown that long-term exposure to blue light can also cause some of the conditions that lead to cancer, though the authors stated that more research is needed to confirm this.“Many of the effects of blue light on living organisms are unknown, and further research is required, including on methods of protection,” the authors stated. Blue light could cause some lesser skin problems as well, though. Kobets says that blue light can cause oxidative stress on the skin, which could cause premature skin aging and hyperpigmentation — a condition in which some skin patches become darker than others.“Most people want to avoid hyperpigmentation and uneven skin tone,” Kobets says.Other Effects of Blue LightIt’s possible that our exposure to too much blue light — especially outside of daylight hours — can suppress our production of melatonin, the hormone our body uses to help set its inner clock, or circadian rhythm. This essentially means that too much blue light at night could affect healthy sleep, Kobets says.All light can affect melatonin production, but blue light suppresses it more effectively, according to Harvard Health Publishing.Our eyes also aren’t very good at filtering out blue light. As a result, it reaches our retina, where it may damage cells. Serious exposure could also contribute to conditions like cataracts and vision loss from age-related macular degeneration. Kids are more at risk since their eyes absorb more blue light than adults.Blue Light ProtectionsThe best way to limit blue light exposure is to lower your screen time — especially at night. But Kobets also says that people can take other steps to limit the potential damage of blue light. Sunscreen can help — even in the winter or indoors.“The oxidative stress from visible blue light and its effect on DNA damage and hyperpigmentation of the skin is one of the main reasons I recommend usingdaily,” she says.Even makeup might help, if it has the right components. “The best makeup is the one that offers tint cover-up which contains iron oxide plus has mineralto add to the protection,” Kobets says.Other steps to help reduce damage include face masks or glasses made to shield blue light, or just simply lowering the brightness of your phone. You can also use a shield on your phone or computer screen that decreases the amount of blue light displayed. This article is not offering medical advice and should be used for informational purposes only.Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Journal of Cosmetic Dermatology. Blue light protection, part II—Ingredients and performance testing methodsAmerican Academy of Dermatology Association. Can a wearable blue-light device clear psoriasis?Iowa Healthcare. Blue-light therapy warding off skin cancerHarvard Health. Blue light has a dark sideJoshua Rapp Learn is an award-winning D.C.-based science writer. An expat Albertan, he contributes to a number of science publications like National Geographic, The New York Times, The Guardian, New Scientist, Hakai, and others. #blue #light #exposure #can #impact
    Blue Light Exposure Can Impact Sleep, Skin, and Eyes — Here's How to Shield Against It
    www.discovermagazine.com
    In today’s ever more connected world, it’s fair to say that some of us receive nearly as much screen time as we do actual sunlight — if not more, depending on your job and the time of year.A growing body of research shows that the blue light that these screens emit might have effects on human health, whether it’s our vision, skin, or our sleep.“Blue light has an effect on skin health and even the retina in the eyes,” says Kseniya Kobets, an assistant professor of medicine at Albert Einstein College of Medicine and the director of cosmetic dermatology at Montefiore Einstein Advanced Care.Blue Light ExposureBlue light sits in the light spectrum between ultraviolet, high-energy light, and other types of visible light that aren’t blue light and emit lower energy such as green, orange, and red light. About one third of all visible light falls into the blue light category, which is also called high-energy light (HEV).Most blue light we are exposed to comes directly from the sun. But LED lights and screens, whether it’s your television, computer, tablet, or smart phone, also emit blue light. While the amount screens emit is minimal compared to that from the sun, they are becoming increasingly ubiquitous in our lives, at all hours of the day. And some doctors are concerned that the way many hold their phones so close to their faces could also increase a negative effect.Read More: Does Blue Light Damage Skin?Is All Blue Light Bad for You?Blue light isn’t all bad. Some research has shown that low amounts of HEV can help decrease acne, for example, while other studies showed that limited exposure to the light may help some symptoms related to psoriasis and eczema, according to a review study.In fact, the U.S. Food and Drug Administration approved a wearable blue light device for the treatment of mild psoriasis.Some research has also found that blue light therapy might actually help treat certain types of skin cancer in a controlled treatment. But the relationship between blue light and cancer isn’t all beneficial.The Impact of Blue Light on Your SkinStudies on mice have shown that long-term exposure to blue light can also cause some of the conditions that lead to cancer, though the authors stated that more research is needed to confirm this.“Many of the effects of blue light on living organisms are unknown, and further research is required, including on methods of protection,” the authors stated. Blue light could cause some lesser skin problems as well, though. Kobets says that blue light can cause oxidative stress on the skin, which could cause premature skin aging and hyperpigmentation — a condition in which some skin patches become darker than others.“Most people want to avoid hyperpigmentation and uneven skin tone,” Kobets says.Other Effects of Blue LightIt’s possible that our exposure to too much blue light — especially outside of daylight hours — can suppress our production of melatonin, the hormone our body uses to help set its inner clock, or circadian rhythm. This essentially means that too much blue light at night could affect healthy sleep, Kobets says.All light can affect melatonin production, but blue light suppresses it more effectively, according to Harvard Health Publishing.Our eyes also aren’t very good at filtering out blue light. As a result, it reaches our retina, where it may damage cells. Serious exposure could also contribute to conditions like cataracts and vision loss from age-related macular degeneration. Kids are more at risk since their eyes absorb more blue light than adults.Blue Light ProtectionsThe best way to limit blue light exposure is to lower your screen time — especially at night. But Kobets also says that people can take other steps to limit the potential damage of blue light. Sunscreen can help — even in the winter or indoors.“The oxidative stress from visible blue light and its effect on DNA damage and hyperpigmentation of the skin is one of the main reasons I recommend using [sun protection factor] daily,” she says.Even makeup might help, if it has the right components. “The best makeup is the one that offers tint cover-up which contains iron oxide plus has mineral [sun protection factor] to add to the protection,” Kobets says.Other steps to help reduce damage include face masks or glasses made to shield blue light, or just simply lowering the brightness of your phone. You can also use a shield on your phone or computer screen that decreases the amount of blue light displayed. This article is not offering medical advice and should be used for informational purposes only.Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Journal of Cosmetic Dermatology. Blue light protection, part II—Ingredients and performance testing methodsAmerican Academy of Dermatology Association. Can a wearable blue-light device clear psoriasis?Iowa Healthcare. Blue-light therapy warding off skin cancerHarvard Health. Blue light has a dark sideJoshua Rapp Learn is an award-winning D.C.-based science writer. An expat Albertan, he contributes to a number of science publications like National Geographic, The New York Times, The Guardian, New Scientist, Hakai, and others.
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