Extra-sensory perception The nine-armed octopus and the oddities of the cephalopod nervous system A mix of autonomous and top-down control manage the octopus's limbs. Kenna Hughes-Castleberry – Jun 7, 2025 8:00 am | 19 Credit: Nikos Stavrinidis / 500px Credit: Nikos Stavrinidis / 500px Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more With their quick-change camouflage and high level of intelligence, it’s not surprising that the public and scientific experts alike are fascinated by octopuses. Their abilities to recognize faces, solve puzzles, and learn behaviors from other octopuses make these animals a captivating study. To perform these processes and others, like crawling or exploring, octopuses rely on their complex nervous system, one that has become a focus for neuroscientists. With about 500 million neurons—around the same number as dogs—octopuses’ nervous systems are the most complex of any invertebrate. But, unlike vertebrate organisms, the octopus’s nervous system is also decentralized, with around 350 million neurons, or 66 percent of it, located in its eight arms. “This means each arm is capable of independently processing sensory input, initiating movement, and even executing complex behaviors—without direct instructions from the brain,” explains Galit Pelled, a professor of Mechanical Engineering, Radiology, and Neuroscience at Michigan State University who studies octopus neuroscience. “In essence, the arms have their own ‘mini-brains.’” A decentralized nervous system is one factor that helps octopuses adapt to changes, such as injury or predation, as seen in the case of an Octopus vulgaris, or common octopus, that was observed with nine arms by researchers at the ECOBAR lab at the Institute of Marine Research in Spain between 2021 and 2022. By studying outliers like this cephalopod, researchers can gain insight into how the animal’s detailed scaffolding of nerves changes and regrows over time, uncovering more about how octopuses have evolved over millennia in our oceans. Brains, brains, and more brains Because each arm of an octopus contains its own bundle of neurons, the limbs can operate semi-independently from the central brain, enabling faster responses since signals don’t always need to travel back and forth between the brain and the arms. In fact, Pelled and her team recently discovered that “neural signals recorded in the octopus arm can predict movement type within 100 milliseconds of stimulation, without central brain involvement.” She notes that “that level of localized autonomy is unprecedented in vertebrate systems.” Though each limb moves on its own, the movements of the octopus’s body are smooth and conducted with a coordinated elegance that allows the animal to exhibit some of the broadest range of behaviors, adapting on the fly to changes in its surroundings. “That means the octopus can react quickly to its environment, especially when exploring, hunting, or defending itself,” Pelled says. “For example, one arm can grab food while another is feeling around a rock, without needing permission from the brain. This setup also makes the octopus more resilient. If one arm is injured, the others still work just fine. And because so much decision-making happens at the arms, the central brain is freed up to focus on the bigger picture—like navigating or learning new tasks.” As if each limb weren’t already buzzing with neural activity, things get even more intricate when researchers zoom in further—to the nerves within each individual sucker, a ring of muscular tissue, which octopuses use to sense and taste their surroundings. “There is a sucker ganglion, or nerve center, located in the stalk of every sucker. For some species of octopuses, that’s over a thousand ganglia,” says Cassady Olson, a graduate student at the University of Chicago who works with Cliff Ragsdale, a leading expert in octopus neuroscience. Given that each sucker has its own nerve centers—connected by a long axial nerve cord running down the limb—and each arm has hundreds of suckers, things get complicated very quickly, as researchers have historically struggled to study this peripheral nervous system, as it’s called, within the octopus’s body. “The large size of the brain makes it both really exciting to study and really challenging,” says Z. Yan Wang, an assistant professor of biology and psychology at the University of Washington. “Many of the tools available for neuroscience have to be adjusted or customized specifically for octopuses and other cephalopods because of their unique body plans.” While each limb acts independently, signals are transmitted back to the octopus’s central nervous system. The octopus’ brain sits between its eyes at the front of its mantle, or head, couched between its two optic lobes, large bean-shaped neural organs that help octopuses see the world around them. These optic lobes are just two of the over 30 lobes experts study within the animal’s centralized brain, as each lobe helps the octopus process its environment. This elaborate neural architecture is critical given the octopus’s dual role in the ecosystem as both predator and prey. Without natural defenses like a hard shell, octopuses have evolved a highly adaptable nervous system that allows them to rapidly process information and adjust as needed, helping their chances of survival. Some similarities remain While the octopus’s decentralized nervous system makes it a unique evolutionary example, it does have some structures similar to or analogous to the human nervous system. “The octopus has a central brain mass located between its eyes, and an axial nerve cord running down each arm (similar to a spinal cord),” says Wang. “The octopus has many sensory systems that we are familiar with, such as vision, touch (somatosensation), chemosensation, and gravity sensing.” Neuroscientists have homed in on these similarities to understand how these structures may have evolved across the different branches in the tree of life. As the most recent common ancestor for humans and octopuses lived around 750 million years ago, experts believe that many similarities, from similar camera-like eyes to maps of neural activities, evolved separately in a process known as convergent evolution. While these similarities shed light on evolution's independent paths, they also offer valuable insights for fields like soft robotics and regenerative medicine. Occasionally, unique individuals—like an octopus with an unexpected number of limbs—can provide even deeper clues into how this remarkable nervous system functions and adapts. Nine arms, no problem In 2021, researchers from the Institute of Marine Research in Spain used an underwater camera to follow a male Octopus vulgaris, or common octopus. On its left side, three arms were intact, while the others were reduced to uneven, stumpy lengths, sharply bitten off at varying points. Although the researchers didn’t witness the injury itself, they observed that the front right arm—known as R1—was regenerating unusually, splitting into two separate limbs and giving the octopus a total of nine arms. “In this individual, we believe this condition was a result of abnormal regeneration [a genetic mutation] after an encounter with a predator,” explains Sam Soule, one of the researchers and the first author on the corresponding paper recently published in Animals. The researchers named the octopus Salvador due to its bifurcated arm coiling up on itself like the two upturned ends of Salvador Dali’s moustache. For two years, the team studied the cephalopod’s behavior and found that it used its bifurcated arm less when doing “riskier” movements such as exploring or grabbing food, which would force the animal to stretch its arm out and expose it to further injury. “One of the conclusions of our research is that the octopus likely retains a long-term memory of the original injury, as it tends to use the bifurcated arms for less risky tasks compared to the others,” elaborates Jorge Hernández Urcera, a lead author of the study. “This idea of lasting memory brought to mind Dalí’s famous painting The Persistence of Memory, which ultimately became the title of the paper we published on monitoring this particular octopus.” While the octopus acted more protective of its extra limb, its nervous system had adapted to using the extra appendage, as the octopus was observed, after some time recovering from its injuries, using its ninth arm for probing its environment. “That nine-armed octopus is a perfect example of just how adaptable these animals are,” Pelled adds. “Most animals would struggle with an unusual body part, but not the octopus. In this case, the octopus had a bifurcated (split) arm and still used it effectively, just like any other arm. That tells us the nervous system didn’t treat it as a mistake—it figured out how to make it work.” Kenna Hughes-Castleberry is the science communicator at JILA (a joint physics research institute between the National Institute of Standards and Technology and the University of Colorado Boulder) and a freelance science journalist. Her main writing focuses are quantum physics, quantum technology, deep technology, social media, and the diversity of people in these fields, particularly women and people from minority ethnic and racial groups. Follow her on LinkedIn or visit her website. 19 Comments

The murder of John Forde was the culmination to years of political, social, and criminal intrigue.   Get the Popular Science daily newsletter💡 Breakthroughs, discoveries, and DIY tips sent every weekday. Researchers have uncovered handwritten letters, court documents, and a coroner’s report related to the nearly 700-year-old cold case murder of a medieval priest. Published on June 5 in the journal Criminal Law Forum, the investigation draws on direct archival evidence from Cambridge University that is helping fill in the gaps to a high-profile true crime scandal that would make headlines even today. But despite a mountain of firsthand accounts, the murder’s masterminds never saw justice. The ‘planned and cold-blooded’ crime On Friday, May 3, 1337, Anglican priest John Forde began a walk along downtown London’s Cheapside street after vespers (evening prayers) shortly before sunset. At one point, a clergyman familiar to Forde by the name of Hasculph Neville approached him to begin a “pleasant conversation.” As the pair neared St. Paul’s Cathedral, four men ambushed the priest. One of the attackers then proceeded to slit Forde’s throat using a 12-inch dagger as two other assailants stabbed him in the stomach in front of onlookers. The vicious crime wasn’t a brazen robbery or politically motivated attack. It was likely a premeditated murder orchestrated by Ela Fitzpayne, a noblewoman, London crime syndicate leader—and potentially Forde’s lover. “We are looking at a murder commissioned by a leading figure of the English aristocracy. It is planned and cold-blooded, with a family member and close associates carrying it out, all of which suggests a revenge motive,” Cambridge University criminology professor Manuel Eisner explained in a statement. The location of the murder of John Forde on May 3, 1337. Credit: Medieval Murder Maps / University of Cambridge’s Institute of Criminology / Historic Towns Trust. A longstanding feud To understand how such a brutal killing could take place in daylight on a busy London street, it’s necessary to backtrack at least five years. In January 1332, the Archbishop of Canterbury sent a letter to the Bishop of Winchester that included a number of reputation-ruining claims surrounding Fitzpayne. In particular, Archbishop Simon Mepham described sexual relationships involving “knights and others, single and married, and even with clerics in holy orders.” The wide-ranging punishments for such sinful behavior could include a prohibition on wearing gold and other precious jewelry, as well as large tithes to monastic orders and the poor. But the most humiliating atonement often came in the form of a public walk of shame. The act of contrition involved walking barefoot across Salisbury Cathedral—England’s longest nave—in order to deliver a handcarried, four-pound wax candle to the church altar. What’s more, Archbishop Mepham commanded that Fitzpayne must repeat this penance every autumn for seven years. Fitzpayne was having none of it. According to Mepham’s message, the noblewoman chose to continue listening to a “spirit of pride” (and the devil), and refused to abide by the judgment. A second letter sent by the Archbishop that April also alleged that she had since absconded from her husband, Sir Robert Fitzpayne, and was hiding in London’s Rotherhithe district along the Thames River. Due to this, Archbishop Mepham reported that Ela Fitzpayne had been excommunicated from the church. Image of the Archbishop of Canterbury’s letters to the Bishop of Winchester on the subject of Ela Fitzpayne, from the register of John de Stratford. Credit: Hampshire Archives and Hampshire County Council. Raids and rats But who tipped the clergy off to her indiscretions? According to Eisner’s review of original documents as part of the Cambridge University Institute of Criminology’s Medieval Murder Maps project, it was almost certainly her ex-lover, the soon-to-be-murdered John Forde. He was the only alleged lover named in Archbishop Mepham’s letters, and served as a church rector in a village located on the Fitzpayne family’s estate at the time of the suspected affair.  “The archbishop imposed heavy, shameful public penance on Ela, which she seems not to have complied with, but may have sparked a thirst for vengeance,” Eisner said. “Not least as John Forde appears to have escaped punishment by the church.” But Forde’s relationship with the Fitzpaynes seems to have extended even more illicit activities. In another record reviewed by Eisner, both Ela Fitzpayne and John Forde had been indicted by a Royal Commission in 1322. The crime–assisting in the raid of a Benedictine priory alongside Sir Fitzpayne. They and others reportedly assaulted the priory a year earlier, making off with around 18 oxen, 30 pigs, and 200 sheep. The monastery coincidentally served as a French abbey’s outpost amid increasing tensions between France and England in the years leading up to the Hundred Years’ War. Archbishop Mepham was almost certainly displeased after hearing about the indictment of one of his own clergy. A strict administrator himself, Mepham “was keen to enforce moral discipline among the gentry and nobility,” added Eisner. He theorizes that Forde copped to the affair after getting leaned on by superiors, which subsequently led to the campaign to shame Ela Fitzpayne as a means to reassert the Church’s authority over English nobility. Forde, unfortunately, was caught between the two sides. “John Forde may have had split loyalties,” argued Eisner. “One to the Fitzpayne family, who were likely patrons of his church and granted him the position. And the other to the bishops who had authority over him as a clergy member.” Archbishop Mepham ultimately wouldn’t live to see the scandal’s full consequences. Fitzpayne never accepted her walk of shame, and the church elder died a year after sending the incriminating letters. Eisner believes the Fitzpaynes greenlit their hit job on Forde only after the dust had seemingly settled. It doesn’t help their case three bystanders said the man who slit the rector’s throat was none other than Ela Fitzpayne’s own brother, Hugh Lovell. They also named two family servants as Forde’s other assailants. Archbishop Mepham died four years before Forde’s murder. Credit: ampshire Archives and Hampshire County Council Turning a blind eye Anyone waiting for justice in this medieval saga will likely be disappointed. “Despite naming the killers and clear knowledge of the instigator, when it comes to pursuing the perpetrators, the jury turn[ed] a blind eye,” Eisner said. Eisner explained the circumstances surrounding an initial lack of convictions were simply “implausible.” No one supposedly could locate the accused to bring to trial, despite the men belonging to one of England’s highest nobility houses. Meanwhile, the court claimed Hugh Lovell had no belongings available to confiscate. “This was typical of the class-based justice of the day,” said Eisner. In the end, the only charge that ever stuck in the murder case was an indictment against one of the family’s former servants. Five years after the first trial in 1342, Hugh Colne was convicted of being one of the men to stab Forde in the stomach and sentenced to the notorious Newgate Prison. As dark and sordid as the multiyear medieval drama was, it apparently didn’t change much between Ela Fitzpayne and her husband, Sir Robert. She and the baron remained married until his death in 1354—when she subsequently inherited all his property. “Where rule of law is weak, we see killings committed by the highest ranks in society, who will take power into their own hands, whether it’s today or seven centuries ago,” said Eisner. That said, the criminology professor couldn’t help but concede that Ela Fitzpayne was an “extraordinary” individual, regardless of the era. “A woman in 14th century England who raided priories, openly defied the Archbishop of Canterbury, and planned the assassination of a priest,” he said. “Ela Fitzpayne appears to have been many things.”

The joy of going camping is usually found in going off-grid for a few days and reconnecting with nature. However, having creature comforts like light and warmth, and even access to medical devices like a CPAP machine, make it worthwhile taking a portable power solution with you. That's where portable power stations come in. Think power banks, only bigger. Power stations come in a variety of power capacities and sizes, and that means that you can find a portable power station for every type of camping, no matter whether you're a backpacker, a car camper, or an RVer.  What is the best portable power station for camping right now?  We've tested dozens of portable power stations in a lab setting and have also done hands-on testing during camping trips and road trips. Based on both experiences, our pick for the best portable power station for camping overall is the Jackery Explorer 2000 Plus, thanks to its versatility and the amount of power it provides. As an avid camper myself, I've also included other portable power stations from brands like EcoFlow and Bluetti so you can improve your next camping experience. Sort by All The best portable power stations for camping in 2025 Show less View now at Amazon Jackery is a well-known brand in the power station space, and for good reason. Its versatile power stations consistently rank among our best products, thanks to the enormous power these devices provide and their flexibility in setup, especially in a camping scenario.Steve Conaway, the director of CNET Test Labs, at our sister site, has tested dozens of power stations and said the Jackery is one of his top picks. "The versatility of modularity is what makes this power station so impressive," Conaway said. "You can choose to take just the one unit for regular camping, but if you wanted a bigger setup to power a cabin, you could easily add on more units."Review: This portable battery station can power your home for 2 weeksAnd the great thing about this unit is that if you need more power storage capacity, you can add on the PackPlus E2000 Plus battery pack for an additional 2042.8Wh of electrical storage capacity to the system.Jackery has a long track record of building quality, durable, and long-lasting power stations -- which is exactly what you need if you are spending the big bucks on a power station.Remember that the more additions you add to this setup, the heavier it will be. On its own, it weighs 41.9 pounds but can reach well over 100 pounds with more units. Despite the weight, Reddit users note that the solar additions, in particular, have been useful in camping and outdoor situations.Jackery Explorer 2000 Plus specs: Watts/hr: 2042.8W | Continuous watts: 3000W | Surge watts: 6000W | Solar input (W): 1400 | Ports: 2 USB-A, 2 USB-C, 4 AC | Weight: 61.5 pounds Pros Clean, easy-to-read LCD display Expansion battery modules Solar panels are durable and highly efficient Wheels make moving it a lot easier Cons Expensive Jackery is a well-known brand in the power station space, and for good reason. Its versatile power stations consistently rank among our best products, thanks to the enormous power these devices provide and their flexibility in setup, especially in a camping scenario.Steve Conaway, the director of CNET Test Labs, at our sister site, has tested dozens of power stations and said the Jackery is one of his top picks. "The versatility of modularity is what makes this power station so impressive," Conaway said. "You can choose to take just the one unit for regular camping, but if you wanted a bigger setup to power a cabin, you could easily add on more units."Review: This portable battery station can power your home for 2 weeksAnd the great thing about this unit is that if you need more power storage capacity, you can add on the PackPlus E2000 Plus battery pack for an additional 2042.8Wh of electrical storage capacity to the system.Jackery has a long track record of building quality, durable, and long-lasting power stations -- which is exactly what you need if you are spending the big bucks on a power station.Remember that the more additions you add to this setup, the heavier it will be. On its own, it weighs 41.9 pounds but can reach well over 100 pounds with more units. Despite the weight, Reddit users note that the solar additions, in particular, have been useful in camping and outdoor situations.Jackery Explorer 2000 Plus specs: Watts/hr: 2042.8W | Continuous watts: 3000W | Surge watts: 6000W | Solar input (W): 1400 | Ports: 2 USB-A, 2 USB-C, 4 AC | Weight: 61.5 pounds Read More Show Expert Take Show less Show less Camping takes all sorts of forms, and there's a power station to suit everyone. For those who head outdoors in an RV or to a remote cabin, the EcoFlow Delta Pro Ultra (DPU) is a powerful option. EcoFlow debuted the Delta Pro Ultra at CES this year, and compared to the EcoFlow Delta Pro model, the Ultra has double the power and charges, a dedicated 4G LTE modem port to access the app in remote areas with weak Wi-Fi signals, and a 32-minute faster recharge time.ZDNET editor Maria Diaz went hands-on with this unit and called it the "Swiss Army Knife of home backup systems," and its impressive specs back that claim up. The single unit has a 6kWh capacity, 7200W output, and 5.6kW solar input, allowing it to run an entire RV or cabin, especially when stacked with other units for increased capacity.This great power packs a lot of weight,186.4 pounds, to be exact. However, it can be divided into two pieces: the inverter, the top portion, is 70 pounds, and the battery, the bottom portion, is 116 pounds. Diaz noted that her family experienced a power outage recently, and her husband was able to transport the battery part much more easily by separating the pieces.EcoFlow Delta Pro Ultra specs: Watts/hr. 7200W | Continuous watts: 6kWh | Surge watts: 10.8 kW | Solar input (W): 5.6kW | Ports: 2×USB-A, 2×USB-C (100W), 6×AC Output, 1×DC output | Weight: 186.4 pounds AC outputs 9 Total capacity 10 Expansion ready 10 USB ports 9 Max output 10 Pros Expandable to up to 90kWh Consumption insights in EcoFlow app Modular design Cons Expensive Heavy EcoFlow Delta Pro Ultra Best portable power station for RV camping 4.8 / 5 Score Camping takes all sorts of forms, and there's a power station to suit everyone. For those who head outdoors in an RV or to a remote cabin, the EcoFlow Delta Pro Ultra (DPU) is a powerful option. EcoFlow debuted the Delta Pro Ultra at CES this year, and compared to the EcoFlow Delta Pro model, the Ultra has double the power and charges, a dedicated 4G LTE modem port to access the app in remote areas with weak Wi-Fi signals, and a 32-minute faster recharge time.ZDNET editor Maria Diaz went hands-on with this unit and called it the "Swiss Army Knife of home backup systems," and its impressive specs back that claim up. The single unit has a 6kWh capacity, 7200W output, and 5.6kW solar input, allowing it to run an entire RV or cabin, especially when stacked with other units for increased capacity.This great power packs a lot of weight,186.4 pounds, to be exact. However, it can be divided into two pieces: the inverter, the top portion, is 70 pounds, and the battery, the bottom portion, is 116 pounds. Diaz noted that her family experienced a power outage recently, and her husband was able to transport the battery part much more easily by separating the pieces.EcoFlow Delta Pro Ultra specs: Watts/hr. 7200W | Continuous watts: 6kWh | Surge watts: 10.8 kW | Solar input (W): 5.6kW | Ports: 2×USB-A, 2×USB-C (100W), 6×AC Output, 1×DC output | Weight: 186.4 pounds Read More Show Expert Take Show less Show less Looking for something more compact for overnight camping or hiking? The EcoFlow River 2 Max 500 weighs just 13.1 pounds but has a battery capacity of 500Wh. In addition, you can recharge the unit using one of four methods: AC, solar, 12V in-car, or USB-C. If you choose AC, the unit can go from zero to 100% in an hour, which means you can leave charging to the last minute while camping.The company claims that one full charge of the River 2 Max can charge an iPhone 41 times, a drone 10 times, and an electric blanket eight times.ZDNET's Adrian Kingsley-Hughes tested this unit and called it "compact enough to be portable, big enough to be practical." "If you want to go totally off-grid, EcoFlow offers a 160W solar panel that can recharge the River 2 Max in about four hours," he wrote. "The panel is durable and waterproof to IP68, so it's the perfect adventure companion for the River 2 Max 500."Verified Amazon customers note that this compact unit has been helpful for everything from camping festivals to powering a CPAP machine in primitive areas.EcoFlow River 2 Max specs: Watts/hr: 500W | Continuous watts: 500W | Surge watts: 1000W | Solar input (W): 220W | Ports: 3 USB-A, 1 USB-C, 4 AC | Weight: 13.14 pounds Pros Compact and lightweight Durable build Inexpensive Cons More limited ports and power Looking for something more compact for overnight camping or hiking? The EcoFlow River 2 Max 500 weighs just 13.1 pounds but has a battery capacity of 500Wh. In addition, you can recharge the unit using one of four methods: AC, solar, 12V in-car, or USB-C. If you choose AC, the unit can go from zero to 100% in an hour, which means you can leave charging to the last minute while camping.The company claims that one full charge of the River 2 Max can charge an iPhone 41 times, a drone 10 times, and an electric blanket eight times.ZDNET's Adrian Kingsley-Hughes tested this unit and called it "compact enough to be portable, big enough to be practical." "If you want to go totally off-grid, EcoFlow offers a 160W solar panel that can recharge the River 2 Max in about four hours," he wrote. "The panel is durable and waterproof to IP68, so it's the perfect adventure companion for the River 2 Max 500."Verified Amazon customers note that this compact unit has been helpful for everything from camping festivals to powering a CPAP machine in primitive areas.EcoFlow River 2 Max specs: Watts/hr: 500W | Continuous watts: 500W | Surge watts: 1000W | Solar input (W): 220W | Ports: 3 USB-A, 1 USB-C, 4 AC | Weight: 13.14 pounds Read More Show Expert Take Show less Show less View now at Amazon Portable power stations can get pretty pricey, but this one from Bluetti currently retails at only $359 for Amazon Prime members, making it a great budget pick. Plus, it charges quickly, especially when utilizing its turbocharging feature. Kingsley-Hughes also tested this model and praised it for delivering enough power to energy-intensive devices during a road trip. "It has enough capacity to meet the needs of a small group for several days," he wrote, adding, "I've relied on the power station to charge my smartphone, cameras, drones, and laptops efficiently."In his testing, he also found that charging the station from a car's 12V outlet is particularly efficient for keeping the unit charged, as long as the battery is not drained too much.Verified customers praised the AC70 on Bluetti's website, with most of the reviewers saying they bought it for camping and were pleased with the experience of using it for this purpose. Bluetti AC70 specs: Watts/hr: 768W | Continuous watts: 1000W | Surge watts: 2000W | Solar input (W): 500W | Ports: 2 USB-A, 2 USB-C, 2 AC | Weight: 22.5 pounds Pros Turbocharge feature Affordable price Cons Some of the better features are only available by using the app Portable power stations can get pretty pricey, but this one from Bluetti currently retails at only $359 for Amazon Prime members, making it a great budget pick. Plus, it charges quickly, especially when utilizing its turbocharging feature. Kingsley-Hughes also tested this model and praised it for delivering enough power to energy-intensive devices during a road trip. "It has enough capacity to meet the needs of a small group for several days," he wrote, adding, "I've relied on the power station to charge my smartphone, cameras, drones, and laptops efficiently."In his testing, he also found that charging the station from a car's 12V outlet is particularly efficient for keeping the unit charged, as long as the battery is not drained too much.Verified customers praised the AC70 on Bluetti's website, with most of the reviewers saying they bought it for camping and were pleased with the experience of using it for this purpose. Bluetti AC70 specs: Watts/hr: 768W | Continuous watts: 1000W | Surge watts: 2000W | Solar input (W): 500W | Ports: 2 USB-A, 2 USB-C, 2 AC | Weight: 22.5 pounds Read More Show Expert Take Show less Show less What makes this portable power station so versatile for camping is the amount of power and port options. There's a 100W and 60W USB-C port on the front, along with four USB-A ports, so all your devices are covered. There is also a 12V car socket capable of outputting 120W of power and six AC outputs, each capable of 1500W or 2400W in a power surge.Kingsley-Hughes tested this unit and said in his review that the Anker 757 Powerhouse is "well thought out, not overly complicated, built with ergonomics in mind, and packs quite a lot of power." Review: Anker 757 PowerhouseAnker is a company that has been in the portable power market for many years, starting out with chargers and power banks, and then later making the leap to power stations. That long heritage is obvious when looking at the overall build quality of the Anker 757.Customer reviews note that adding portable solar panels allows for greater battery charge retention, especially while camping. Kingsley-Hughes said that while he wouldn't carry this 43.9- pound unit too far, the ergonomic handles distribute the weight well, so it's well built for moving from the garage to a truck or RV.Anker 757 Powerhouse specs: Watts/hr: 1229W | Continuous watts: 1500 | Surge watts: 2400 | Solar input (W): 600W | Ports: 4 USB-A, 2 USB-C, 6 AC | Weight: 43.9 pounds Pros Ergonomic design Lots of ports Large display Cons Solar charging could be better What makes this portable power station so versatile for camping is the amount of power and port options. There's a 100W and 60W USB-C port on the front, along with four USB-A ports, so all your devices are covered. There is also a 12V car socket capable of outputting 120W of power and six AC outputs, each capable of 1500W or 2400W in a power surge.Kingsley-Hughes tested this unit and said in his review that the Anker 757 Powerhouse is "well thought out, not overly complicated, built with ergonomics in mind, and packs quite a lot of power." Review: Anker 757 PowerhouseAnker is a company that has been in the portable power market for many years, starting out with chargers and power banks, and then later making the leap to power stations. That long heritage is obvious when looking at the overall build quality of the Anker 757.Customer reviews note that adding portable solar panels allows for greater battery charge retention, especially while camping. Kingsley-Hughes said that while he wouldn't carry this 43.9- pound unit too far, the ergonomic handles distribute the weight well, so it's well built for moving from the garage to a truck or RV.Anker 757 Powerhouse specs: Watts/hr: 1229W | Continuous watts: 1500 | Surge watts: 2400 | Solar input (W): 600W | Ports: 4 USB-A, 2 USB-C, 6 AC | Weight: 43.9 pounds Read More Show Expert Take Show less What is the best portable power station for camping? Based on our hands-on experience and in-lab testing, the Jackery Explorer 2000 Plus is the best portable power station for camping. Its modularity makes it a versatile option for all types of camping. Show more Which portable power station for camping is right for you? It depends on the type of camping you prefer before you choose which portable power station will fit your needs. Consider what devices you want to bring with you and keep powered and whether you will be staying in an RV or cabin vs. a tent. Choose this portable power station for camping... If you want... Jackery Explorer 2000 Plus The best overall option. It packs a lot of power at 3000 continuous watts, and its modularity makes it versatile for camping. EcoFlow Delta Pro Ultra A powerful portable power station best for RV camping. It can run an entire RV or cabin, especially when stacked with other units for increased capacity. EcoFlow River 2 Max 500A compact portable power station for camping. It weighs just 13.4 pounds and features 60 minute fast charging. Bluetti AC70 A budget-friendly portable power station for camping. This unit also has 2,000W surge capability and a turbocharging feature, which allows for super fast charging that can take it from flat to 80% in 45 minutes. Anker 757 Powerhouse  A versatile portable power station for camping with lots of ports. It also has an ergonomic build, making it easier to carry despite its weight. Show more Factors to consider when choosing the best portable power station for camping: Power stations are a significant investment, but they can ultimately upgrade your camping experience to allow for power off-grid. Before making our top picks, we considered several factors.Weight: Bigger isn't always better, especially when it comes to camping. Will the portable power station be wheeled down a paved trail, or will you be moving it from your vehicle to your camp? Do you want something you could carry in a backpack for a day? Battery capacity: If you plan to power an RV or bigger devices from your power station, you want as much battery capacity as you can afford, but for off-grid adventures, it's important to bear in mind that there's a penalty here in the form of weight.Cost: Some units cost several thousand dollars, while others cost a couple hundred. Plus, add-ons like battery packs and solar panels also increase the price.Charging: How do you plan on charging your power station? Are you mostly going to use AC power from an outlet, or do you want the independence of solar?Battery Chemistry: Lithium-ion (Li-ion) is the traditional battery technology, but the newer lithium iron phosphate batteries (LiFePO4) are safer and have a much longer lifespan. Show more How did we test these portable power stations for camping? Over the past few years, we've tested well over 100 different portable power stations to find out which are the best of the best. To do this efficiently, because it takes days to do properly, we've developed a comprehensive testing structure. This not only ensures that manufacturers aren't playing fast and loose with their spec sheet data but also checks whether the units are safe and reliable. Here's an overview of how we test portable power stations.Unboxing and visual inspectionCapacity testsLoad testingUPS capability testingThermal testsSafety testsReal-world usageFor more detailed information on how these tests are carried out, check out this post, where we explore the process more thoroughly.  Show more FAQs on portable power stations How long will a power station last while camping based on its watts? To figure this out, you're going to need to get a pencil and do some back of the envelope calculations.  You're going to need a couple of bits of information.First, you need to know what devices you are going to power. List them all, because forgetting that coffee pot or heated blanket could make the difference between the power station lasting all day, or giving up the ghost on you before the day is over.Specifically, you want to know how much power, in watts, each device draws. This information is usually found on a label on the device. For example, a heater might draw 1,000W, while a CPAP machine might draw 60W. This figure represents the maximum power consumption, and you will find that the power consumption of some devices, such as CPAP machines, fluctuates greatly, while for other devices, like the heater, the power consumption remains quite stable.Next, you need to know how long you plan on running your devices during a day, or between recharges of your power station. Your heater might run for two hours, while the CPAP machine could run for eight hours.Power station capacities are measured in watt-hours (Wh). A device drawing 1,000W running for one hour uses 1,000Wh. Therefore, the same device running for two hours will need 2,000Wh. Heaters are some of the most power-hungry devices that people find themselves needing to run.Similarly, a CPAP machine that uses 60W will consume 60Wh per hour, so running it for eight hours would consume 480Wh.Your total energy usage over 24 hours would then be 2,480Wh.Based on this, you might think that a 2,500Wh capacity power station would be sufficient. However, in reality, nothing is perfect, and there are energy losses in the system. The rule of thumb is to add 20% to your total and then round up to the next highest capacity available. So, you'd be looking at a power station with a capacity of around 3,000Wh to ensure you have enough stored power for the day. Show more How can I make my power station run longer? Simple: Find your biggest power draws and replace them with more energy efficient alternatives. For example, you might find that you can replace that 1,000W heater with a heated throw that only takes 100W to power. That quilt would run for 10 hours on the power that the heater would use in an hour!Another big power hog is incandescent lights. Swapping these out for LEDs will result in huge power savings and dramatically boost your power station's runtime.   Show more What is the difference between a power station and a power bank? The main difference between portable power stations and portable power banks is the amount of power and what they can charge. Power stations have AC outlets and allow you to charge more and bigger devices, including life-saving ones like a CPAP machine, a cooler, or a floodlight for the campsite while going off-grid.Power banks are much smaller and are best for charging devices like phones, headphones, and smartwatches.  Show more Other portable power stations we've tested Further ZDNET Tech Coverage Smartphones Smartwatches Tablets Laptops TVs Other Tech Resources ZDNET Recommends

Game reveals, release date confirmations, and new looks at titles coming to PlayStation in the near future: today’s State of Play packed a lot into its runtime. Whether you missed the show, want to rewatch it, or dig down into the individual announcements, this article has you covered.  Firstly, you can rewatch the full show below. Underneath that we highlight each of the games featured in the show with recaps of their announcement as well as their full trailers. We also have further details and insight by the game creators in a selection of dedicated PS Blog articles.  Play Video View and download image Download the image close Close Download this image Astro Bot  New levels are coming to Astro Bot this summer! Get ready for the challenge of five new Vicious Void Galaxy levels. They’ll require every bit of skill together to complete! And of course, these new levels will introduce their own Special Bots! And that’s not all: an updated smiley version of the Astro Bot Limited Edition DualSense wireless controller is set to launch later this year. Preview both the upcoming DualSense controller and the new PS5 levels in a PS Blog post from Team Asobi Studio Head Nicolas Doucet. Play Video Baby Steps The wonderfully weird walking sim has a release date as Baby Steps toddles onto PS5 September 8. Today’s new gameplay trailer further highlights the game’s unique traversal mechanics, as well as challenges its onesie-wearing protagonist Nate faces as he attempts to answer the call of nature.  Play Video Bloodstained: The Scarlet Engagement  The 2.5D side-scrolling action RPG returns with a new dark chapter. Explore the massive Ethereal Castle as two new heroes – Leo and Alex – join forces to tackle its fearsome inhabitants. You’ll be able to switch between the duo at the press of a button, leveraging each adventurer’s distinct abilities in order to survive.  505 Games dives further into the sequel’s gameplay mechanics and details what you can expect when you enter the castle’s halls when it launches on PS5 next year in a PS Blog post.  Play Video Cairn Climb like never before in survival-climber Cairn, which ascends onto PS5 November 5. Consider your path and climb anywhere on the mountain, managing your endurance and resources to survive. You’ll be able to hone your skills and test palm strength early, as a demo launches onto PlayStation Store today.  Cairn creator The Game Bakers breaks down its interactive take on alpinism in a tie-in PS Blog post.  Play Video Digimon Story: Time Stranger After being announced in the last State of Play this past February, Digimon Story: Time Stranger returns with a new trailer that digs into its story, reveals more of its vibrant characters and highlights the variety of Digimon growth and customization you can expect when the game launches October 3.  View and download image Download the image close Close Download this image Everybody’s Golf Hot Shots  Teeing off on PS5 this September 5 is the return of the classic golfing series. Everybody’s Golf Hot Shots debuted a new gameplay trailer that revealed a surprise guest star: Pac-Man! The gaming icon will be available as an early unlockable character when you pre-order the game.  Play Video Final Fantasy Tactics – The Ivalice Chronicles Originally released in 1997 for PlayStation, Final Fantasy Tactics is known for its rich story and deep, strategic gameplay. This September 30 you can enjoy both when the strategy RPG returns on PS5 and PS4 in the form of Final Fantasy Tactics – The Ivalice Chronicles. This enhanced version adds fully voiced dialogue, optimized and updated UI, graphical improvements, and a number of other quality of life features Square Enix details what to expect, including the more accessible “Squire” difficulty setting, in a PS Blog post.  Play Video Ghost of Yōtei Today’s show announced a special State of Play episode dedicated to Ghost of Yōtei, coming your way soon.  Sucker Punch will guide you through an extended look at new and evolved gameplay mechanics, including exploration, combat, and much more. Mark your calendar: the episode airs this July.  Play Video Hirogami Hirogami is an origami-inspired 3D action platformer coming to PS5 on September 3. Explore a beautiful but fragile origami world as Hiro, a master of the art of ‘folding’, and take on animal forms to traverse the landscape, solve puzzles, overcome enemies, and save the realm from a deadly digital threat. Play Video 007 First Light IO Interactive’s third-person action-adventure game 007 First Light third-person action-adventure game unveils a new James Bond origin story. Discover the events that lead a young maverick to become the best MI6 agent and the world’s most iconic spy when the game launches on PS5 next year. IO Interactive shares first details on the game, including its story and Bond’s background in a new PS Blog post.  Play Video Lumines Arise A brand-new, built from the ground up entry into the iconic puzzle series launches later this year on PS5 and features optional PS VR2 compatibility. Lumines Arise includes 30 flow state-inducing stages, including lush jungles, oceans, to more electronic frontiers like the bustling streets of Tokyo and the endless expanse of outer space. A new Burst mechanic amps up the timeless gameplay.  Enhance discusses the debut of its new title, talks Avatars and teases an upcoming demo in a new PS Blog post.  Play Video MARVEL Tōkon: Fighting Souls  PlayStation Studios, Arc System Works (Arc), and Marvel Games have joined forces to realize the latest in tag team fighters, MARVEL Tōkon: Fighting Souls! Experience the Marvel Universe like never before with reimagined characters and stages, a heart-pounding soundtrack, intuitive gameplay mechanics, and jaw-dropping visuals that will keep you on the edge of your seat. Whether this is your first fighting game or you are a veteran of the genre, Arc has incorporated gameplay controls and mechanics that are easy to pick up and play, and yet still offer the depth and versatility for high level competition.  Find out more in this PS Blog post.  Play Video Metal Gear Solid Delta: Snake Eater  Today’s trailer offered a closer look at how this remake has approached the fearsome adversaries that Naked Snake will face on his mission: The Cobra Unit. The new footage doesn’t just linger on the high stakes action you’ll face during the story campaign though. Konami also shares gameplay of Snake vs Monkey, which is also making its return when the game launches on PS5 this August 28.  Play Video Mortal Kombat Kollection Digital Eclipse partners with Warner Bros. Interactive Entertainment to bring Mortal Kombat: Legacy Kollection to PlayStation 4 and PlayStation 5 later this year. With multiple playable games from the early days of this groundbreaking fighting game series as well as interactive documentaries, Mortal Kombat: Legacy Kollection promises to be the most comprehensive, detailed look at the franchise’s history ever assembled. In a supporting PS Blog post, Digital Eclipse outlines the games included in the collection, and shares more information on the documentaries that’ll include Mortal Kombat co-creators Ed Boon and John Tobia, developers, actors and more.  Play Video Ninja Gaiden: Ragebound Ninja Gaiden: Ragebound, the new spectacular side-scrolling entry to the acclaimed series, releases on July 31 on PS5 and PS4. Honoring the franchise’s legacy, Ragebound modernises the unforgiving action-platforming formula with the fast-paced and exhilarating action The Game Kitchen (Blasphemous I & II) is known for. Play Video Nioh 3  Koei Tecmo and developer Team Ninja announced Nioh 3 for PS5. In this dark fantasy action RPG, players can fight using two distinct combat styles: Samurai and Ninja. The Samurai style provides a gameplay experience similar to previous Nioh titles, while Ninja style excels in quick movements like dodging and aerial actions. Players will be able to switch between battle styles instantly at any time. Intrigued to know how they’ll work? You can find out today with a limited time demo that’ll be launching on PlayStation Store.  Keoi Tecmo shares more story and gameplay details about the game in an accompanying PS Blog post.  View and download image Download the image close Close Download this image PlayStation Plus  Along with Sword of the Sea coming August 19 as part of the Game Catalog lineup (more on that further down), there were new titles announced coming to PlayStation Plus. The PS2 version of immersive sci-fi sim Deus Ex joins Game Catalog June 17, Twisted Metal 3 and Twisted Metal 4 come to the PlayStation Plus Premium’s Classics range July 15. Later this summer, the original PlayStation versions of Resident Evil 2 and Resident Evil 3: Nemesis also come to  PlayStation Plus Premium’s Classics range. Play Video Pragmata Pragmata, Capcom’s new science fiction adventure, received a new gameplay trailer during today’s State of Play. This early peak of the game’s gameplay shows its unique twist of action and strategy, as in Pragmata, players must control its two protagonists, Hugh and Diana, at the same time to overcome the many obstacles you’ll face. Capcom shares more details of its latest IP, out 2026 on PS5, in an accompanying PS Blog post.  Play Video Project Defiant  Today State of Play saw the reveal of the first wireless fight stick custom designed by PlayStation. Codenamed Project Defiant, this new controller allows wireless play through PlayStation Link, or wired connection on PS5 or PC, and is set to launch next year.  Get your first full details on the fight stick in this PS Blog post.  Play Video Romeo is a Dead Man Romeo Stargazer is a man stuck between life and death who chases space-time’s most wanted fugitives as FBI special agent Dead Man. This newly revealed action title, created by Grasshopper Manufacture, launches on PS5 next year, and sees you use guns, swords and even enemies’ own powers against them to battle evil hordes.  How does a time paradox shattering the space-time continuum turn someone into an FBI special agent? Grasshopper Manufacture explains (kinda) in a new PS Blog post.   Play Video Sea of Remnants Meet a world of puppetfolk exploring the open sea and its secrets in oceanic action RPG Sea of Remnants, which sets sail for PS5. Form a specialised crew to answer any challenge that lies beyond the horizon, upgrade your ship to ride out any storm and return home with your spoils to Orbtopia, a pirate city that’ll evolve based on your swashbuckling decisions.   Joker Studio expands on the game’s punk aesthetic art style and delves deeper into its gameplay in an accompanying PS Blog post.  Play Video Silent Hill f Silent Hill f launches September 25 on PS5, and today’s State of Play trailer shows Shimizu Hinako’s perilous journey as the high schooler’s hometown is engulfed in fog, and the dangers within will have her fighting for her life. As a standalone spinoff, the game serves as an excellent introduction to the series.  “Find beauty in terror” – Konami explains the mission statement that shaped the game’s development in this PS Blog post.  Play Video Sword of the Sea Giant Squid is bringing its exhilarating, mythic surfing adventure Sword of the Sea to PS5 on August 19, with the game releasing as part of that month’s PlayStation Plus Game Catalog lineup.  In an accompanying PS Blog post, the studio outlines the game’s inspirations and merging those with its signature environmental design and atmospheric narrative style has resulted in a mythic surfing adventure unlike anything else. Play Video Thief VR: Legacy of Shadow  The legendary Thief franchise is reimagined for PlayStation VR2 in Thief VR: Legacy of Shadow, launching later this year. Play as Magpie, a cunning thief orphaned by Northcrest’s brutality and shaped by the streets and use PS VR2 mechanics to steal, evade, and outsmart the forces controlling The City. Move between shadows, and extinguish light sources with water arrows, hands or even a well-aimed breath to remain undetected.   Vertigo Games details how the franchise’s mechanics have been adapted to PS VR2 in this PS Blog post.  Play Video Tides of Tomorrow Road 96 creator DigixArt returns with an intriguing asynchronous multiplayer, oceanic adventure, coming to PS5 February 24, 2026. Tides of Tomorrow’s vibrant post-apocalyptic world interweaves your choices and a previous player’s decisions for a truly unique experience. You’ll see echoes of that player’s choices and actions, that will help you avoid traps, solve puzzles, investigate what happened before, or simply adapt based on the other player’s actions. Road 96 creator DigixArt introduces the oceanic nomads the Tidewalkers and breaks down the game’s unique mechanic in a new PS Blog post written by the studio. 

By JENNIFER CHAMPAGNE House of the Dragon expands its dragon-filled world in its second season, offering more large-scale battles and heightened aerial warfare. (Image courtesy of HBO) The 2025 Emmy race for outstanding visual effects is shaping up to be one of the most competitive in years with major genre heavyweights breaking new ground on what’s possible on television. As prestige fantasy and sci-fi continue to dominate, the battle for the category will likely come down to sheer scale, technical innovation and how seamlessly effects are integrated into storytelling. Returning titans like House of the Dragon and The Lord of the Rings: The Rings of Power have proven their ability to deliver breathtaking visuals. At the same time, Dune: Prophecy enters the conversation as a visually stunning newcomer. The Boys remains the category’s wildcard, bringing its own brand of hyper-realistic, shock-value effects to the race. With its subtle yet immersive world-building, The Penguin stands apart from the spectacle-driven contenders, using “invisible” VFX to transform Gotham into a post-flooded, decaying metropolis. Each series offers a distinct approach to digital effects, making for an intriguing showdown between blockbuster-scale world-building and more nuanced, atmospheric craftsmanship. Sharing the arena with marquee pacesetters HBO’s The Last of Us, Disney+’s Andor and Netflix’s Squid Game, these series lead the charge in ensuring that the 2025 Emmy race isn’t just about visual spectacle; it’s about which shows will set the next benchmark for visual effects on television. The following insights and highlights from VFX supervisors of likely Emmy contenders illustrate why their award-worthy shows have caught the attention of TV watchers and VFX Emmy voters. The Penguin, with its subtle yet immersive world-building, stands apart from the spectacle-driven contenders, using “invisible” VFX to transform Gotham into a post-flooded, decaying metropolis.  (Image courtesy of HBO) For The Lord of the Rings: The Rings of Power VFX Supervisor Jason Smith, the second season presented some of the Amazon series’ most ambitious visual effects challenges. From the epic Battle of Eregion to the painstaking design of the Entwives, Smith and his team at Wētā FX sought to advance digital world-building while staying true to J.R.R. Tolkien’s vision. “The Battle of Eregion was amazing to work on – and challenging too, because it’s a pivotal moment in Tolkien’s story,” Smith states. Unlike typical large-scale clashes, this battle begins as a siege culminating in an explosive cavalry charge. “We looked for every way we could to heighten the action during the siege by keeping the armies interacting, even at a distance,” Smith explains. His team introduced projectiles and siege weaponry to create dynamic action, ensuring the prolonged standoff felt kinetic. The environment work for Eregion posed another challenge. The city was initially constructed as a massive digital asset in Season 1, showcasing the collaborative brilliance of the Elves and Dwarves. In Season 2, that grandeur had to be systematically razed to the ground. “The progression of destruction had to be planned extremely carefully,” Smith notes. His team devised seven distinct levels of damage, mapping out in granular detail which areas would be smoldering, reduced to rubble or utterly consumed by fire. “Our goal was to have the audience feel the loss that the Elves feel as this beautiful symbol of the height of Elvendom is utterly razed.” The SSVFX team helped shape a world for Lady in the Lake that felt rich, lived-in and historically precise. (Image courtesy of Apple TV+) One of most ambitious effects for Season 4 of The Boys was Splinter, who has the ability to duplicate himself. The sequence required eight hours of rehearsal, six hours of filming, for one shot. The final effect was a mix of prosthetic cover-up pieces and VFX face replacement. (Image courtesy of Prime Video) The Penguin, HBO Max’s spinoff series of The Batman, centers on Oswald ‘Oz’ Cobb’s ruthless rise to power, and relies on meticulous environmental effects, smoothly integrating CG elements to enhance Gotham’s noir aesthetic without ever calling attention to the work itself. “The most rewarding part of our work was crafting VFX that don’t feel like VFX,” says VFX Supervisor Johnny Han. Across the series’ 3,100 VFX shots, every collapsing freeway, skyline extension and flicker of light from a muzzle flash had to feel utterly real – woven so naturally into the world of Gotham that viewers never stopped to question its authenticity. Zimia spaceport, an enormous hub of interstellar commerce in Dune: Prophecy. The production team built a vast practical set to provide a strong scale foundation, but its full grandeur came to life in post by extending this environment with CG.(Images courtesy of HBO) The second season of The Lord of the Rings: The Rings of Power refined its environments, which elevate Middle-earth’s realism. (Image courtesy of Prime Video) Some of the series’ most striking visual moments were also its most understated. The shift of Gotham’s seasons – transforming sunlit summer shoots into autumn’s muted chill – helped shape the show’s somber tone, reinforcing the bleak, crime-ridden undercurrent. The city’s bridges and skyscrapers were meticulously augmented, stretching Gotham beyond the limits of practical sets while preserving its grounded, brutalist aesthetic. Even the scars and wounds on Sofia Falcone were enhanced through digital artistry, ensuring that her past traumas remained ever-present, etched into her skin. The series wasn’t without its large-scale effects – far from it. Han and his team orchestrated massive sequences of urban devastation. “The floodwaters were one of our biggest challenges,” Han notes, referring to the ongoing impact of the catastrophic deluge that left Gotham in ruins. One particularly harrowing sequence required simulating a tsunami tearing through the streets – not as an action set piece, but as a deeply personal moment of loss. “Telling Victor’s story of how he lost his entire family in the bombing and floods of Gotham was heartbreaking,” Han says. “Normally, you create an event like that for excitement, for tension. But for us, it was about capturing emotional devastation.” Perhaps the most technically intricate sequences were the shootouts, hallmarks of Gotham’s criminal underbelly. “We programmed millisecond-accurate synced flash guns to mimic dramatic gunfire light,” Han explains, ensuring that the interplay of practical and digital elements remained imperceptible. Every muzzle flash, every ricochet was meticulously planned and rendered. The ultimate achievement for Han and his team wasn’t crafting the biggest explosion or the most elaborate digital sequence – it was making Gotham itself feel inescapably real. He says, “Nothing was more important to us than for you to forget that there are 3,100 VFX shots in this series.” The challenge for The Residence was making one of the most recognizable buildings in the world feel both immersive and narratively engaging. (Photo: Erin Simkin. Courtesy of Netflix) Bringing the universe of Dune to life on TV for HBO’s Dune: Prophecy requires a delicate balance of realism and imagination, grounded in natural physics, yet awe-inspiring in scale. Dune: Prophecy looks to challenge traditional fantasy dominance with its stunning, desert-bound landscapes and intricate space-faring visuals, uniting the grandeur of Denis Villeneuve’s films with the demands of episodic storytelling. Set thousands of years before the events of the films, the series explores the early days of the Bene Gesserit, a secretive order wielding extraordinary abilities. Translating that power into a visual language required technical innovation. “Kudos to Important Looking Pirates for the space folding and [Lila’s] Agony work,” says VFX Supervisor Mike Enriquez. No Dune project would be complete without its most iconic inhabitant, the sandworm. VFX Producer Terron Pratt says. “We’re incredibly proud of what the team at Image Engine created. Precise animation conveyed this creature’s weight and massive scale, while incredibly detailed sand simulations integrated it into the environment.” Every grain of sand had to move believably in response to the worm’s colossal presence to ensure the physics of Arrakis remained authentic. Floodwaters play a significant part in the destruction of Gotham in The Penguin. One particularly harrowing sequence required simulating a tsunami tearing through the streets. (Image courtesy of HBO) American Primeval integrated visual effects with practical techniques in creative, unconventional ways. The massacre sequence showcases technical mastery and pulls the audience into the brutal reality of the American frontier. (Photo: Justin Lubin. Courtesy of Netflix) For the Zimia spaceport, an enormous hub of interstellar commerce, the Dune: Prophecy production team built a vast practical set to provide a strong scale foundation. However, its full grandeur came to life in post. “By extending this environment with CG, we amplified the scope of our world, making it feel expansive and deeply impactful,” Pratt explains. The result was a sprawling, futuristic cityscape that retained a tangible weight with impeccably amalgamated practical and digital elements. Wētā FX sought to advance digital world-building for Season 2 of The Lord of the Rings: The Rings of Power while staying true to J.R.R. Tolkien’s vision. (Image courtesy of Prime Video) Visual effects extended beyond character work for Lady in the Lake, playing a key role in the show’s immersive world-building. (Image courtesy of Apple TV+) For House of the Dragon VFX Supervisor Daði Einarsson, Season 2 presented some of the HBO show’s most complex and ambitious visual effects work. The Battle at Rook’s Rest in Episode 4 was a milestone for the series, marking the first full-scale dragon-on-dragon aerial battle. “We were tasked with pitting three dragons against each other in an all-out aerial war above a castle siege,” Einarsson says. Capturing the actors’ performances mid-flight required a combination of motion-controlled cameras, preprogrammed motion bases with saddles and LED volume lighting – all mapped directly from fully animated previsualized sequences approved by director Alan Taylor and Showrunner Ryan J. Condal. On the ground, the battlefield required digital crowd replication, extensive environment extensions, and pyrotechnic enhancements to create a war zone that felt both vast and intimately chaotic. “In the air, we created a fully CG version of the environment to have full control over the camera work,” Einarsson explains. Under the supervision of Sven Martin, the Pixomondo team stitched together breathtaking aerial combat, ensuring the dragons moved with the weight and raw power befitting their legendary status. Blood, weapon effects and period-accurate muzzle flashes heightened the intensity of the brutal fight sequences in American Primeval. The natural elements and violence reflected the harsh realities of the American west in 1857. (Image courtesy of Netflix) The Residence brings a refined, detailed approach to environmental augmentation, using visual effects to take the audience on a journey through the White House in this political murder mystery. (Photo: Jessica Brooks. Courtesy of Netflix) Episode 7 introduced Hugh Hammer’s claim of Vermithor, Westeros’ second-largest dragon. Rather than breaking the sequence into multiple shots, Einarsson and director Loni Peristere saw an opportunity to craft something exceptional: a single, uninterrupted long take reminiscent of Children of Men and Gravity. “It took a lot of planning to design a series of beats that cohesively flowed from one into the next, with Hugh leading the camera by action and reaction,” Einarsson says. The sequence, which involved Hugh dodging Vermithor’s flames and ultimately claiming the beast through sheer bravery, was technically demanding. To achieve this, the team stitched together five separate takes of Hugh’s performance, shot over two separate days weeks apart, due to the set needing to be struck and rebuilt in different configurations. VFX Supervisor Wayne Stables and the team at Wētā ensured the transitions were imperceptible, uniting practical and digital elements into a continuous, immersive moment. “The Dragonmont Cavern environment was a beautiful, raised gantry and cave designed by [Production Designer] Jim Clay and expanded by Wētā,” Einarsson says. Then Rowley Imran’s stunt team and Mike Dawson’s SFX team engulfed the set in practical flames so every element, from fire to dust to movement, contributed to the illusion of real-time danger. For Einarsson, the most significant challenge wasn’t just in making these sequences visually spectacular – it was ensuring they belonged within the same world as the quiet, dialogue-driven moments in King’s Landing. “The aim is for incredibly complex and spectacular visual effects scenes to feel like they belong in the same world as two people talking in a council chamber,” he states. Every dragon, flame and gust of wind had to feel as lived-in as the politics playing out beneath them. Season 4 of The Boys delivered the fully CG octopus character, Ambrosius. A challenge was crafting a believable yet expressive sea creature and keeping it grounded while still embracing the show’s signature absurdity. (Image courtesy of Prime Video) In The Penguin, Gotham isn’t just a city; it’s a living, breathing entity shaped by destruction, decay and the quiet menace lurking beneath its streets. (Images courtesy of HBO) The Boys continues to defy genre norms, delivering audacious, technically complex effects that lean into its hyperviolent, satirical take on superheroes. For The Boys VFX Supervisor Stephan Fleet, Season 4 delivered some of the Amazon Prime show’s most dramatic effects yet, from the self-replicating Splinter to the fully CG octopus character, Ambrosius. Splinter, who has the ability to duplicate himself, presented a unique challenge. Fleet says, “His introduction on the podium was a complex motion control sequence. Eight hours of rehearsal, six hours of filming – for one shot.” Splinter’s design came with an added layer of difficulty. “We had to figure out how to make a nude male clone,” Fleet says. “Normally, you can hide doubles’ bodies in clothes – not this time!” The final effect required a mix of prosthetic cover-up pieces and VFX face replacement, requiring multiple iterations to make it work. Ambrosius became one of The Boys’ most unexpected breakout characters. “It’s fun making a full-on character in the show that’s an octopus,” Fleet reveals in a nod to the show’s absurd side. “As much as possible, we aim for a grounded approach and try to attain a level of thought and detail you don’t often find on TV.” While the battle for outstanding visual effects will likely be dominated by large-scale fantasy and sci-fi productions, several standout series are also making waves with their innovative and immersive visual storytelling. Netflix’s The Residence, led by VFX Supervisor Seth Hill, brings a refined, detailed approach to environmental augmentation, enhancing the grandeur of the White House setting in this political murder mystery. “Using visual effects to take the audience on a journey through an iconic location like the White House was really fun,” Hill says. “It’s a cool and unique use of visual effects.” One of the most ambitious sequences involved what the team called the Doll House, a digital rendering of the White House with its south façade removed, exposing the interior like a cross-section of a dollhouse. Hill explains. “Going back and forth from filmed footage to full CGI – that jump from grounded realism to abstract yet still real – was quite tricky,” he says, adding, “VFX is best when it is in service of the storytelling, and The Residence presented a unique opportunity to do just that. It was a big challenge and a tough nut to crack, but those creative and technical hurdles are a good part of what makes it so rewarding.” “We were tasked with pitting three dragons against each other in an all-out aerial war above a castle siege. In the air, we created a fully CG version of the environment to have full control over the camera work.”—Daði Einarsson, VFX Supervisor, House of the Dragon The Battle at Rook’s Rest in Episode 4 of House of the Dragon Season 2 was a major milestone for the series, marking the first full-scale dragon-on-dragon aerial battle. (Image courtesy of HBO) Season 2 of House of the Dragon presented some of the most complex and ambitious visual effects work for the show to date. (Photo: Theo Whiteman. Courtesy of HBO) For Jay Worth, VFX Supervisor on Apple TV+’s Lady in the Lake, the challenge was two-fold: create seamless effects and preserve the raw emotional truth of a performance. One of the most significant technical achievements was de-aging Natalie Portman. “It seems so easy on paper, but the reality was far more challenging,” Worth admits. Worth had tackled de-aging before, but never with the same level of success. “For me, it is simply because of her performance.” Portman delivered a nuanced, youthful portrayal that felt entirely authentic to the time period. “It made our job both so much easier and set the bar so high for us. Sometimes, you can hide in a scene like this – you pull the camera back, cut away before the most expressive parts of the dialogue, or the illusion breaks,” Worth explains. In Lady in the Lake, there was nowhere to hide. “I think that is what I am most proud of with these shots. It felt like the longer you stayed on them, the more you believed them. That is a real feat with this sort of work.” Skully VFX handled the de-aging. “They nailed the look early on and delivered throughout the project on this difficult task.” Working alongside Production Designer Jc Molina, the VFX team helped shape a world that felt rich, lived-in and historically precise. “We were entrusted with the most important part of this show – do we believe this performance from this character in this part of her journey? – and we feel like we were able to deliver on this challenge.” On the other end of the spectrum, Netflix’s American Primeval, under the guidance of VFX Supervisor Andrew Ceperley, delivers rugged, visceral realism in its portrayal of the untamed American frontier. With brutal battle sequences, sprawling landscapes and historical re-creations that interweave practical and digital effects, the series stands as a testament to how VFX can enhance grounded, historical storytelling. Ceperley says, “The standout is definitely the nearly three-minute single-shot massacre sequence in the forest episode.” Designed to immerse the audience in the raw, chaotic violence of the frontier, the scene captures every brutal detail with unrelenting intensity. The challenge was crafting invisible visual effects, enhancing practical stunts and destruction without breaking the immersive, handheld camera style. “The sequence was designed to be one shot made up of 10 individual takes, shot over seven days, seamlessly stitched together, all while using a handheld camera on an extremely wide-angle lens.” One of the most complex moments involved a bull smashing through a wagon while the characters hid underneath. Rather than relying on CGI, the team took a practical approach, placing a 360-degree camera under the wagon while the special effects team rigged it to explode in a way that simulated an impact. “A real bull was then guided to run toward the 360 camera and leap over it,” Ceperley says. The footage was blended with live-action shots of the actors with minimal CGI enhancements – just dust and debris – to complete the effect. Adding to the difficulty, the scene was set at sunset, giving the team an extremely limited window to capture each day’s footage. The massacre sequence was a prime example of integrating visual effects with practical techniques in creative, unconventional ways, blending old-school in-camera effects with modern stitching techniques to create a visceral cinematic moment that stayed true to the show’s raw, historical aesthetic. “Using old techniques in new, even strange ways and seeing it pay off and deliver on the original vision was the most rewarding part.”

We may earn a commission from links on this page.Like shopping on Amazon itself, Prime Video can sometimes feel like a jumble sale: a proliferation of TV and movies from every era, none of it terribly well-curated. There’s a lot to sort through, and the choices can be a little overwhelming. Presentation issues aside, there are some real gems to be found, as long as you’re willing to dig a bit—the streamer offers more than a few impressive exclusives, though they sometimes get lost amid the noise. Here are 20 of the best TV series Prime Video has to offer, including both ongoing and concluded shows.Overcompensating (2025 – ) Comedian Benito Skinner plays himself, sort of, in this buzzy comedy that sees a former high school jock facing his freshman year in college, desperately trying to convince himself and everyone else that he's as straight as they come (relatable, except for the jock part). Much of the show's appeal is in its deft blending of tones: It's a frequently raunchy college comedy, but it's simultaneously a sweet coming-of-age story about accepting yourself without worrying about what everyone else thinks. The impressive cast includes Adam DiMarco (The White Lotus) and Rish Shah (Ms. Marvel) You can stream Overcompensating here. Étoile (2025 –, renewed for season two) Amy Sherman-Palladino and David Palladino (Gilmore Girls, The Marvelous Mrs. Maisel) are back on TV and back in the dance world (following Bunheads) with this series about two world-renowned ballet companies (one in NYC and one in Paris) that decide to spice things up by swapping their most talented dancers. Each company is on the brink of financial disaster, and so Jack McMillan (Luke Kirby), director of the Metropolitan Ballet, and Geneviève Lavigne (Charlotte Gainsbourg), director of of Le Ballet National, come up with the plan, and recruit an eccentric billionaire (Simon Callow) to pay for it. Much of the comedy comes from the mismatched natures of their swapped dancers, and there's a tangible love of ballet that keeps things light, despite the fancy title. You can stream Étoile here.Fallout (2024 – , renewed for second and third seasons) A shockingly effective video game adaptation, Fallout does post-apocalyptic TV with a lot more color and vibrancy than can typically be ascribed to the genre (in the world of Fallout, the aesthetic of the 1950s hung on for a lot longer than it did in ours). The setup is a little complicated, but not belabored in the show itself: It's 2296 on an Earth devastated two centuries earlier by a nuclear war between the United States and China, exacerbated by conflicts between capitalists and so-called communists. Lucy MacLean (Ella Purnell) emerges from the underground Vault where she's lived her whole life protected from the presumed ravages of the world above, hoping to find her missing father, who was kidnapped by raiders. The aboveground wasteland is dominated by various factions, each of which considers the others dangerous cults, and believes that they alone know mankind's way forward. It's also overrun by Ghouls, Gulpers, and other wild radiation monsters. Through all of this, Lucy remains just about the only human with any belief in humanity, or any desire to make things better. You can stream Fallout here.Deadloch (2023 –, renewed for a second season) Both an excellent crime procedural and an effective satire of the genre, this Australian import does about as well as setting up its central mystery as Broadchurch and its many (many) imitators. Kate Box stars as Dulcie Collins, fastidious senior sergeant of the police force in the fictional town of the title. When a body turns up dead on the beach, Dulcie is joined by Madeleine Sami's Eddie Redcliffe, a crude and generally obnoxious detective brought in to help solve the case. Unraveling the web of secrets and mysteries in the tiny Tasmanian town is appropriately addictive, with the added bonus of cop thriller tropes getting mercilessly mocked all the way. You can stream Deadlock here.The Lord of the Rings: The Rings of Power (2022 – , third season coming) All the talk around The Rings of Power in the lead-up to the series had to do with the cost of the planned five seasons expected to be somewhere in the billion dollar range. At that price point, it’s tempting to expect a debacle—but the resulting series is actually quite good, blending epic conflict with more grounded characters in a manner that evokes both Tolkien, and Peter Jackson’s Lord of the Rings films. Set thousands of years before those tales, the series follows an ensemble cast lead by Morfydd Clark as Elven outcast Galadriel and, at the other end of the spectrum, Markella Kavenagh as Nori, a Harfoot (the people we’ll much later know as Hobbits) with a yearning for adventure who finds herself caught up in the larger struggles of a world about to see the rise of the Dark Lord Sauron, the fall of the idyllic island kingdom of Númenor, and the the last alliance of Elves and humans. You can stream The Rings of Power here.Reacher (2022 – , fourth season coming) Getting high marks for his portrayal of the Lee Childs’ character (from both book and TV fans) is Alan Ritchson (Titans), playing Reacher with an appropriately commanding physical presence. The first season finds the former U.S. Army military policeman visiting the rural town of Margrave, Georgia...where he’s quickly arrested for murder. His attempts to clear his name find him caught up in a complex conspiracy involving the town’s very corrupt police force, as well as shady local businessmen and politicians. Subsequent seasons find our ripped drifter reconnecting with members of his old army special-investigations unit, including Frances Neagley (Maria Stan), who's getting her own spin-off. You can stream Reacher here. The Bondsman (2025, one season) It's tempting not to include The Bondsman among Prime's best, given that it's representative of an increasingly obnoxious trend: shows that get cancelled before they ever really got a chance. This Kevin Bacon-led action horror thriller did well with critics and on the streaming charts, and it's had a consistent spot among Prime's top ten streaming shows, but it got the pink slip anyway. Nevertheless, what we did get is a lot of fun: Bacon plays Hub Halloran, a bounty hunter who dies on the job only to discover that he's been resurrected by the literal devil, for whom he now works. It comes to a moderately satisfying conclusion, despite the cancellation. You can stream The Bondsman here. The Lord of the Rings: The Rings of Power (2022 – , third season coming) All the talk around The Rings of Power in the lead-up to the series had to do with the cost of the planned five seasons expected to be somewhere in the billion dollar range. At that price point, it’s tempting to expect a debacle—but the resulting series is actually quite good, blending epic conflict with more grounded characters in a manner that evokes both Tolkien, and Peter Jackson’s Lord of the Rings films. Set thousands of years before those tales, the series follows an ensemble cast lead by Morfydd Clark as Elven outcast Galadriel and, at the other end of the spectrum, Markella Kavenagh as Nori, a Harfoot (the people we’ll much later know as Hobbits) with a yearning for adventure who finds herself caught up in the larger struggles of a world about to see the rise of the Dark Lord Sauron, the fall of the idyllic island kingdom of Númenor, and the the last alliance of Elves and humans. You can stream The Rings of Power here.The Expanse (2015 – 2022, six seasons) A pick-up from the SyFy channel after that network all but got out of the original series business, The Expanse started good and only got better with each succeeding season. Starring Steven Strait, Shohreh Aghdashloo, and Dominique Tipper among a sizable ensemble, the show takes place in a near-ish future in which we’ve spread out into the solar system, while largely taking all of the usual political bullshit and conflicts with us. A salvage crew comes upon an alien microorganism with the potential to upend pretty much everything, if humanity can stop fighting over scraps long enough to make it matter. The show brings a sense of gritty realism to TV sci-fi, without entirely sacrificing optimism—or, at least, the idea that well-intentioned individuals can make a difference. You can stream The Expanse here. Mr. & Mrs. Smith (2024 – , renewed for a second season) One-upping the Brad Pitt/Angelina Jolie movie on which it's based, Mr. & Mrs. Smith stars Donald Glover and Maya Erskine as a couple of spies tasked to pose as a married couple while coordinating (and sometimes competing against one another) on missions. Smartly, each episode takes on a standalone mission in a different location, while complicating the relationship between the two and gradually upping the stakes until the season finale, which sees them pitted against each other. The show is returning for season two, though it's unclear if Glover and Erskine will be returning, or if we'll be getting a new Mr. & Mrs. You can stream Mr. & Mrs. Smith here. Good Omens (2019– , conclusion coming) Michael Sheen and David Tennant are delightful as, respectively, the hopelessly naive angel Aziraphale and the demon Crowley, wandering the Earth for millennia and determined not to let the perpetual conflict between their two sides get in the way of their mismatched friendship. In the show’s world, from the 1990 novel by Neil Gaiman and Terry Pratchett, heaven and hell are are less representative of good and evil than hidebound bureaucracies, more interested in scoring points on each other than in doing anything useful for anyone down here. It’s got a sly, quirky, sometimes goofy sense of humor, even while it asks some big questions about who should get to decide what’s right and what’s wrong. Following some depressingly gross revelations about writer and showrunner Gaiman, it was announced that he'd be off the production and the third season would be reduced to a movie-length conclusion, date tbd. You can stream Good Omens here. The Marvelous Mrs. Maisel (2017 – 2023, five seasons) Mrs. Maisel was one of Prime’s first and buzziest original series, a comedy-drama from Amy Sherman-Palladino (Gilmore Girls) about the title’s Midge Maisel (Rachel Brosnahan), a New York housewife of the late 1950s who discovers a talent for stand-up comedy. Inspired by the real-life careers of comedians like Totie Fields and Joan Rivers, the show is both warm and funny, with great performances and dialogue; it also achieves something rare in being a show about comedy that’s actually funny. You can stream Mrs. Maisel here. The Boys (2019 – , fifth and final season coming) There’s a lot of superhero stuff out there, no question, but, as there was no series quite like the Garth Ennis and Darick Robertson comic book on which this show is based, there’s nothing else quite like The Boys. The very dark satire imagines a world in which superheroes are big with the public, but whose powers don’t make them any better than the average jerk. When his girlfriend is gruesomely killed by a superhero who couldn’t really care less (collateral damage, ya know), Wee Hughie (Jack Quaid) is recruited by the title agency. Led by Billy Butcher (Karl Urban), the Boys watch over the world’s superpowered individuals, putting them down when necessary and possible. A concluding fifth season is on the way, as is a second season of the live-action spin-off (Gen V). An animated miniseries (Diabolical) came out in 2022. The Man in the High Castle (2015–2019, four seasons) From a novel by Philip K. Dick (whose work has been the basis for Blade Runner, Total Recall, Minority Report, A Scanner Darkly, among many others), The Man in the High Castle takes place in an alternate history in which the Axis powers won World War II, and in which the United States is split down the middle; Japan governing the west and Germany the east. The title’s man in the high castle offers an alternate view, though, one in which the Allies actually won, with the potential to rally opposition to the Axis rulers. As the show progresses through its four seasons, the parallels to our increasingly authoritarian-friendly world, making it one of the more relevant shows of recent years. You can stream The Man in the High Castle here. The Wheel of Time (2021 – 2025, three seasons) An effective bit of fantasy storytelling, The Wheel of Time sees five people taken from a secluded village by Moiraine Damodred (Rosamund Pike), a powerful magic user who believes that one of them is the reborn Dragon: a being who will either heal the world, or destroy it entirely. The show has an epic sweep while smartly focusing on the very unworldly villagers, experiencing much of this at the same time as the audience. This is another mixed recommendation in that, while the show itself is quite good, it has just been cancelled following a third season that saw it really getting into its groove. The show goes through the fourth and fifth books of Robert Jordan's fantasy series, so, I suppose, you can always jump into the novels to finish the story. You can stream Wheel of Time here. The Devil’s Hour (2022 – , renewed for a third season) Jessica Raine (Call the Midwife) joins Peter Capaldi (The Thick of It, Doctor Who) for a slightly convoluted but haunting series that throws in just about every horror trope that you can think of while still managing to ground things in the two lead performances. Raine plays a social worker whose life is coming apart on almost every level: She’s caring for her aging mother, her marriage is ending, her son is withdrawn, and she wakes up at 3:33 am every morning exactly. She’s as convincing in the role as Capaldi is absolutely terrifying as a criminal linked to at least one killing who knows a lot more than he makes clear. You can stream The Devil's Hour here. Batman: Caped Crusader (2024 – , second season coming) I know, there's a lot of Batman out there. But this one's got real style, harkening back to Batman: The Animated Series from the 1990s (no surprise, given that Bruce Timm developed this one too). With a 1940s-esque setting, the show dodges some of the more outlandish superhero tropes to instead focus on a Gotham City rife with crime, corrupt cops, and gang warfare. There's just enough serialization across the first season to keep things addictive. You can stream Caped Crusader here. Secret Level (2024 – , renewed for a second season) This is pretty fun: an anthology of animated shorts from various creative teams that tell stories set within the worlds of various (15 so far) video games, including Unreal, Warhammer, Sifu, Mega Man, and Honor of Kings. It's hard to find consistent threads given the variety of source material, but that's kinda the point: There's a little something for everyone, and most shorts don't demand any extensive knowledge of game lore—though, naturally, they're a bit more fun for the initiated. The voice cast includes the likes of Arnold Schwarzenegger, his son Patrick Schwarzenegger, Keanu Reeves, Gabriel Luna, Ariana Greenblatt, and Adewale Akinnuoye-Agbaje. You can stream Secret Level here. Cross (2024 – , renewed for a second season) James Patterson's Alex Cross novels have been adapted three times before, all with mixed results: Morgan Freeman played the character twice, and Tyler Perry took on the role in 2012. Here, the forensic psychologist/police detective of a few dozen novels is played by Aldis Hodge (Leverage, One Night in Miami...), and it feels like he's finally nailed it. There are plenty of cop-drama tropes at work here, but the series is fast-paced and intense, and Hodge is instantly compelling in the iconic lead role. You can stream Cross here. Fleabag (2016–2019, two seasons) Fleabag isn’t a Prime original per se, nor even a co-production, but Amazon is the show’s American distributor and still brands it as such, so we’re going to count it. There’s no quick synopsis here, but stars Phoebe Waller-Bridge as the title character (only ever known as Fleabag) in the comedy drama about a free-spirited, but also deeply angry single woman in living in London. Waller-Bridge won separate Emmys as the star, creator, and writer of the series (all in the same year), and co-stars Sian Clifford, Olivia Coleman, Fiona Shaw, and Kristin Scott Thomas all received well-deserved nominations. You can stream Fleabag here.

Rocky Mountain region interior designers, architects, builders, and landscape architects have a bounty of inspiration right outside their doors. Accordingly, their work reflects the beauty of the natural world. The region’s design and construction talents have the ability to bring the surrounding landscape into projects of all types, from modern mountain homes to urban apartments and town houses. If you’re ready to start a project, these AD-approved Rocky Mountain region interior designers, architects, builders, and landscape architects should be your first call.On the listInterior DesignersAshley Scheidel Design StudioAshley Scheidel Design Studio let the natural beauty of the materials take center stage in a Denver home’s tranquil bedroom. Photo by Jess Blackwell PhotographySustainability is a driving force in interiors by Ashley Scheidel Design Studio. The Denver-based interior architecture and design firm specializes in new construction and renovations. Whether they are helping clients reimagine their existing spaces or building new ones from scratch, Scheidel and her team focus on creating timeless environments that balance livability and easygoing elegance. The client’s personal style also drives the design, but natural materials such as warm woods and rugged stone feature prominently in the firm’s portfolio.Beaumier InteriorsIn a renovated midcentury brick ranch home in Denver, Beaumier Interiors balanced warmth and restraint through the use of soft textures, sculptural forms, and quiet tones. The resulting space feels both grounded and welcoming. Photo by Jess BlackwellAfter earning her stripes working for several leading firms in Chicago, designer Ashley Beaumier brought her signature organic modern style to the Denver area, where she founded her eponymous firm. Beaumier Interiors crafts polished interiors, which are layered with natural materials, including striking stone, pale linens, and warm woods. The full-service firm works with clients on projects of all sizes, including large renovations and new constructions, and guides each project from start to finish, ensuring a cohesive look throughout the entire home.Elizabeth Stanley DesignCurated vintage furnishings and lighting by Elizabeth Stanley Design softens the concrete architectural rigor of this austere Austin home. Photo by Shade DeggesFor nearly 20 years, contemporary and minimalist houses have been transformed into welcoming, character-filled homes at the hands of designer Elizabeth Stanley and her eponymous firm. The Aspen, Colorado–based studio focuses on bringing its clients’ personal style to the fore as it guides them through the design process. The resulting tranquil spaces balance functionality and aesthetics and incorporate statement furnishings, natural materials, graphic art, and rich textures.Donna Mondi Interior DesignIn a Michigan living room by Donna Mondi Interior Design, sculptural seating and a floating concrete fireplace strike a confident balance between softness and strength. Cascading fiber art adds an unexpected edge. Photo by Dustin Halleck; Styled by Darwin FitzKnown for her ability to mix traditional and modern design into soulful spaces, designer Donna Mondi has been transforming everything from city penthouses to country estates to desert retreats for almost 25 years. With offices in Denver and Chicago, Donna Mondi Interior Design works on high-end projects across the country, including renovations, new construction, and furnishings. The firm specializes in crafting architecturally driven designs that expertly balance luxury and comfort.Dream Homes Inc.In a Denver home, Dream Homes Inc. moved and redesigned the fireplace with a chevron-patterned Italian granite surround. Photo by David Patterson PhotographySpecializing in large-scale renovations, Denver-based Dream Homes Inc. has been transforming homes in the Rocky Mountain region and nationwide since 1999. Led by founder Joyce Clegg, the interior architecture and design firm is known for its expertly planned and personality-filled residences. Dream Homes oversees every aspect of the construction process, and also works on kitchen and bath remodels. Notably, accessibility and aging is at the forefront of its place design.Duet Design GroupIn a historic Denver neighborhood, Duet Design created a cozy family home in a 1937 Tudor. The original architecture’s charm is elevated with inherited art, classic and modern pieces, and vintage finds. Photo by David PattersonWhether designing an updated log cabin, a historic Tudor home, or a contemporary Mexican beach retreat, Denver-based Duet Design Group has an uncanny ability to bring the beauty of a home’s natural surroundings indoors. Led by founder and principal Devon Tobin, the firm works with clients on residential projects, including renovations and new construction, as well as commercial spaces. While the firm is known for its collaborative process, clients can also expect every logistical detail to be taken care of for a stress-free experience.Jede InteriorsBeauty and functionality meet in this polished Orem, Utah, kitchen designed by Jede Interiors. Photo by Camilia LundNeutral hues and natural materials contribute to the calming, timeless homes created by Orem, Utah–based Jede Interiors. Led by principal designer Jen Dean, the firm is known for its fresh take on traditional style, combining comfortable furnishings with vintage pieces that add patina and history. Jede Interiors works to make every space feel authentic to the clients who live in it—it services those based locally and across the country.Bowen Design StudioThe Red Rocks of Southern Utah were the inspiration for the dining area’s cabinet color, adding a playful yet sophisticated design element. Photo by Lacey Alexander PhotographyBuilding a new home can bring a daunting number of decisions, which is where Bowen Design Studio comes in. Led by designer Hailey Brodale, the Saint George, Utah–based firm specializes in helping clients make their custom homes feel truly personal. Whether it’s devising an organic desert retreat or a dramatic mountain home, Bowen Design Studio takes a hands-on approach throughout the construction process, making sure that the end result is exactly what the client envisioned.Lund Haus StudioFor a mountain home, Lund Haus Studio incorporated thoughtful organization solutions to enhance functionality and ease of living, as well as textures and materials inspired by the raw beauty of nature. Photo by Rebekah WestoverSalt Lake City, Utah–based Lund Haus Studio designs joyful homes that truly work. The firm focuses on functionality, adding creative storage solutions and crafting layouts optimized for family life. Principal designer and professional organizer Sam Lund draws on her background in psychology as she works with clients, helping them express their needs and visions for their homes, and the team boasts extensive experience with construction, allowing the firm to expertly manage projects from start to finish.Eider InteriorsA book-matched stone fireplace is a focal point in the living area of an Eider Interiors–designed contemporary home overlooking the Salt Lake City Valley. Photo by Christina Zolotaia PhotographyA clients’ story is at the heart of every space that Bluffdale, Utah–based Eider Interiors creates. Led by founder and principal designer Mallory Bouchard, the residential and commercial design studio is known for its contemporary interiors that balance modern details with elements of warmth and texture. Eider Interiors works on a wide range of projects, from a modern Miami apartment to a nature-inspired desert escape to a luxurious RV.The FlairhunterHigh on the ski runs of Park City, this custom bunk room was designed by The Flairhunter to comfortably accommodate adults and/or kids. Crafted from reclaimed barn wood, it features pops of color in the bedding and accessories to add an element of freshness and fun. Photo by Doug Burke; Styling by Jen PaulInterior design firm The Flairhunter isn’t afraid to make a statement, incorporating bold colors, unique elements, and eye-catching artwork. Founder Stephanie Hunt leads a team of ten across the firm’s outposts in Salt Lake City and Southern California, and the firm works on projects throughout the United States and globally. The Flairhunter balances custom furnishings with vintage pieces and adds energy and personality by mixing colors, patterns, and materials.DwellifyCheckered floors, butcher block countertops, and vintage finishes revived the kitchen of this 100-year-old home updated by Dwellify. Photo by Katie Griffith PhotographyDwellify streamlines the remodeling process, letting homeowners easily choose a design that fits their personal aesthetic and budget constraints. The company’s technology helps clients visualize their future spaces, and the process also includes virtual meetings with designers and Design Boxes of physical samples. The Salt Lake City–based company works remotely with clients across the country, pairing them with a remodel coordinator and a network of carefully vetted pros to help get the job done.Studio EckströmStudio Eckström revives the living room of a 1927 Spanish Colonial Revival in Omaha. Photo by Daniel Johnson PhotographyDesigners Mark and Mikal Eckstrom bring a sense of whimsy and fun to the interiors they create with their Omaha, Nebraska–based firm, Studio Eckström. Unique details abound in the firm’s projects, from fanciful ironwork to bold wall treatments to unexpected color palettes, and the team isn’t afraid to push clients out of their comfort zones. Studio Eckström relies on a trusted roster of artisans, gallerists, and dealers to help them make each home one of a kind.Trove HomesDrawing inspiration from the breathtaking lake views, Trove Home’s design for a Lake Quivira kitchen features a custom curved island leg—an homage to the natural, flowing beauty of the water. Photo by Nate Sheets PhotographyWith a portfolio full of dramatic before and afters, it’s obvious that Kansas City, Kansas–based firm Trove Homes knows how to completely reinvent a home to fit its clients’ personal styles. Co-owners Jessica and Nate White lead clients through every decision, ensuring that the finished space balances livability and sophistication. Whether tackling a renovation or starting from the ground up with a new build, the firm works in an array of aesthetics, from traditional to coastal.Emily Tucker DesignEmily Tucker Design updated a historic Denver Tudor for a young family, maintaining the history of the home while giving the furnishings a more youthful feel. Photo by David LauerBased in Boulder, Colorado, Emily Tucker Design is a full-service firm helping clients across the country create personalized and highly curated residences. Tucker and her team work in a variety of styles, from modern mountain homes to historical residences, adding unexpected touches, including bold color palettes, playful patterns, and dazzling art. The firm prides itself on designing livable spaces, so it’s no wonder it has become a go-to for families looking for stylish yet durable interiors. Emily Tucker Design works on projects of a variety of scopes, including gut renovations, full home design, and new construction.Nadia Watts Interior DesignNadia Watts Interior Design created a bold dining room in a Denver home. Katie Ridder’s Pagoda wallpaper inspired the room’s unexpected color palette. Photo by Emily Minton RedfieldDesigner Nadia Watts founded her eponymous Denver design firm in 2009, and since then she’s become known for her artful—and often colorful—approach to interiors. The great, great granddaughter of Louis Comfort Tiffany and a former assistant to a curator at The Metropolitan Museum of Art, Watts has a special appreciation for the decorative arts and is able to give her client’s collections of art and furnishings the showcase they deserve. In addition to working with clients across the country, Watts recently launched a fabric collection with Kravet and designed a jewel-inspired space for the 2024 Kips Bay Palm Beach Showhouse.Inside StoriesA custom fireplace with walnut panels is the focal point of an Aspen home by Inside Stories. A piece by artist Trevor Kiernander is on display alongside swivel chairs by A. Rudin and a leather ottoman by Lee Industries. Photo by Eric LuceroDenver’s Inside Stories combines the capabilities of a large design firm with the hands-on approach of a smaller studio, giving clients the best of both worlds. Led by designer Miranda Cullen, the company tackles projects of all scopes, from paint consultations to complete redesigns, as well as commercial and hospitality designs. For clients looking for white-glove service, Inside Stories has a Residential X team that handles luxury projects like new builds and full-home renovations. Cullen and her team aren’t afraid of making bold moves in their designs, which showcase a mix of styles from midcentury-modern to rustic.Kristin Dittmar DesignKristin Dittmar Design devised a warm and moody primary bathroom for a home in Aspen. Herringbone marble tile lines the floor, while the vanity showcases warm walnut accents. Photo courtesy of Kristin Dittmar DesignEarthy elements and streamlined details blend beautifully in the work of Aspen’s Kristin Dittmar Design. The firm brings its signature mountain modern style to homes across the country, showcasing the natural beauty of each location with rugged stonework, warm wood accents, and perfectly framed views. Whether they’re designing a retreat in the Rockies or modernizing a 19th-century Victorian, Dittmar and her team are hands-on during each phase of a project, making sure that every space shows exacting attention to detail.Susannah Holmberg StudiosFor the foyer of a Chicago carriage house, Susannah Holmberg Studios used wallpaper, art, and color to create a layered entryway. Ryan McDonald. Stylist: Kimberly SwedeliusWhether it’s in a desert retreat or a storied Tudor house, Salt Lake City’s Susannah Holmberg Studios knows how to set a mood. The firm’s stylish spaces balance beauty and livability, and showcase the client’s personality with unique color palettes, curated art, and iconic design pieces. While they specialize in full-home renovations and new construction, Holmerg and her team work on residential and commercial projects across the country, tailoring the designs to each client, as well as the geographic and architectural settings.Margarita BravoFor a whole-home project in Denver’s LoHi district, Bravo drew inspiration from her client’s adventurous spirit and love of unique design, incorporating a mix of colors, patterns, and textures to create a sophisticated and dynamic space. Photo courtesy of Margarita BravoDesigner Margarita Bravo’s projects are as far-flung as her inspirations. Her eponymous firm is headquartered in Denver and has outposts in Miami, Montecito, Aspen, and Barcelona. Bringing in influences from European and Latin American design, Bravo masterfully mixes natural elements, streamlined furnishings, metallic accents, and delightful patterns in her projects, which range from mountain homes to beachfront condos. The designer is also behind Sorella Furniture, which she created with her sister Maria, and MB Home Collection.Ashley Campbell Interior DesignAshley Campbell Interior Design turned the lower level of a new build in Denver into a party-ready space with a wet bar and a custom concrete coffee table. Photo by Meagan Larsen PhotographyDenver designer Ashley Campbell puts a contemporary twist on mountain style, contrasting natural elements with streamlined furnishings, a crisp black-and-white palette, and minimalist lighting and fireplaces. These sophisticated spaces serve as striking backdrops for her clients’ collections of art and artifacts, and Campbell balances contemporary elements with plenty of texture to bring in a sense of warmth. The firm uses the latest technology to realize its designs, giving clients the full picture of the team’s creative vision.ArchitectsCharles Cunniffe Architects & InteriorsIn the great room of an Aspen, Colorado, home, Charles Cunniffe Architects perfectly framed the mountain views in a seating area. Photo by Aaron LeitzScenic views are treated like works of art in the homes designed by Charles Cunniffe Architects & Interiors. The Aspen, Colorado–based firm has been creating residential, commercial, and institutional structures for over 40 years. They bring a dedication to sustainability and innovation to each project, incorporating innovative materials and energy-efficient systems for spaces that enhance their occupant’s well-being. A project’s context is a driving force in the creative process, and CCA expertly incorporates nature into the design.CLB ArchitectsSituated in the heart of Moonlight Basin in Big Sky, Montana, CLB Architects’ Basecamp residence rises into the dense fir and pine trees, offering a close connection to the natural environment. Photo by Kevin ScottNature isn’t just an inspiration for the work of CLB Architects, it’s an integral part of each design. The cross-disciplinary design studio, which has offices in Jackson, Wyoming, and Bozeman, Montana, takes a site-specific approach and lets the surroundings inform each detail. The firm works on projects across the country and internationally, each rooted in context, whether it’s a ski-in, ski-out mountain retreat or an Upper East Side apartment.Forum Phi Architecture and Interior DesignBlending seamlessly with its surroundings, this home by Forum Phi Architecture + Interior Design pairs rustic textures with modern lines—capturing the spirit of the landscape through thoughtful design. Photo by Dallas & Harris PhotographyForum Phi Architecture and Interior Design brings architecture, interior design, and land planning together under one roof, allowing the team to work collaboratively with clients on all aspects of a project. The resulting structures showcase the beauty of the natural world. With offices in Aspen, Denver, and Carbondale, the team works on residential, commercial, and institutional projects in a wide range of locations and styles, from rustic ranches to historic renovations to modern mountain retreats.CCY ArchitectsClad in stone, wood, steel, and glass, a home by CCY Architects nestles quietly within the natural surroundings of Aspen, Colorado, creating a rugged and durable contemporary interpretation of alpine architecture. Photo by Draper WhiteThe American West and its striking landscapes inspire CCY Architects’ regional modernism. The Colorado architecture and design firm seeks to develop a deep connection to nature and community through its work—whether its residential, commercial, or institutional—and makes sustainability a priority. Cross-disciplinary collaboration is at the heart of the firm’s process, and the team immerses itself in the site, ensuring that the final design is rooted in place.Vera Iconica ArchitectureVera Iconica Architecture was inspired by the Japanese concept of ma, or “the space between,” when designing this Shooting Star sanctuary at the base of the Jackson Hole Resort. A series of small view courtyards are carved out of the massing, giving moments for pause and reflection offset with views of woods, streams, and the majestic Tetons. Photo by Blok StudiosFor Vera Iconica Architecture, architecture and wellness go hand in hand. The firm’s evidence-based approach prioritizes the health and well-being of a client, resulting in spaces that feel restorative and connected to nature. The team finds inspiration in the landscape of the West, incorporating natural materials and sustainable building practices. With offices in Jackson, Wyoming; Denver, Colorado; and Park City, Utah, Vera Iconica Architecture designs globally, working on residential and hospitality projects from Hong Kong to South Dakota to Peru.Landscape ArchitectsStudio CampoStudio Campo devised a three-acre farm and homestead in Portland, Oregon, with stylist Emily Henderson. The property is complete with a seating area, plunge pool, raised beds, and a greenhouse workout facility. Photo by Kaitlin GreenLandscape architecture firm Studio Campo creates outdoor spaces that enhance the ecosystem and the lives of those who enjoy them. Led by founding principal Cali Pfaff, the firm has a naturalistic style and a focus on both placemaking and biodiversity, highlighting native species in its work. Based in Denver and Oregon’s Willamette Valley, Studio Campo works on a wide range of landscape projects, including gardens, public spaces, farms, and habitats.BuildersVitruvius BuiltVitruvius Built collaborated with designer Barclay Butera on a sophisticated Deer Valley mountain retreat that blends rustic charm with modern elegance. Photo by Cristina ZolotaiaFounded by Charles Ochello, Park City, Utah–based Vitruvius Built specializes in luxury construction, realizing even the most ambitious designs. The homes, located across the country, feature the highest quality materials and amenities such speakeasy-style golf suites, entertainment floors, and cozy bunk rooms. From a contemporary A-frame style residence to a mountain retreat made for entertaining, the homes in the firm’s portfolio showcase its ability to harness the latest technology to craft personal sanctuaries.Cadre General ContractorsEast Coast meets Colorado in this home constructed by Cadre General Contractors that blends traditional sophistication with a rich, Western aesthetic. Photo courtesy of Cadre General ContractorsCadre General Contractors has been building custom homes in Colorado for nearly 30 years and its decades of experience shows in its extensive portfolio. The contracting firm works in a wide range of styles from traditional to contemporary, collaborating closely with architects and designers to bring the overall vision to life. Cadre prides itself on its ability to execute ambitious designs while maintaining an exacting attention to detail and quality.The Jackson Home CompanyWithin a newly constructed home by The Jackson Home Company, the expansive great room, with its vaulted ceilings, exposed steel beams, and grand stone fireplace, is framed by floor-to-ceiling windows showcasing breathtaking views of the Teton Range. Photo by David AgnelloThe Jackson Home Company channels the rugged beauty of Jackson Hole, Wyoming, into striking mountain homes. In 2019, Brooklyn Home Company founders Bill Caleo, Lyndsay Caleo Karol, and Fitzhugh Karol expanded west to Wyoming, and since then the division has designed and built over 20 luxury single-family homes, including a 6,414-square-foot ski-in/ski-out home in Teton Village and an artful retreat nestled beside an Aspen grove. The firm prioritizes sustainability in its homes, incorporating elements like green roofs and locally sourced materials.APPLY NOWGrow your business with the AD PRO DirectoryArrowAre you looking for an interior decorator or designer to hire for your next project? Wherever you are, visit the AD PRO Directory to browse our list of AD-approved designers and find your match for a design consultation.

There are few industries these days that are not touched by artificial intelligence (AI). Networking is very much one that is touched. It is barely conceivable that any network of any reasonable size – from an office local area network or home router to a global telecoms infrastructure – could not “just” be improved by AI. Just take the words of Swisscom’s chief technical officer, Mark Düsener, about his company’s partnership with Cisco-owned Outshift to deploy agentic AI – of which more later – through his organisation. “The goal of getting into an agentic AI world, operating networks and connectivity is all about reducing the impact of service changes, reducing the risk of downtime and costs – therefore levelling up our customer experience.”  In other words, the implementation of AI results in operational efficiencies, increased reliability and user benefits. Seems simple, yes? But as we know, nothing in life is simple, and to guarantee such gains, AI can’t be “just” switched on. And perhaps most importantly, the benefits of AI in networking can’t be realised fully without considering networking for AI. It seems logical that any investigation of AI and networking – or indeed, AI and anything – should start with Nvidia, a company that has played a pivotal role in developing the AI tech ecosystem, and is set to do so further. Speaking in 2024 at a tech conference about how AI has established itself as an intrinsic part of business, Nvidia founder and CEO Jensen Huang observed that the era of generative AI (GenAI) is here and that enterprises must engage with “the single most consequential technology in history”. He told the audience that what was happening was the greatest fundamental computing platform transformation in 60 years, encompassing general-purpose computing to accelerated computing.  “We’re sitting on a mountain of data. All of us. We’ve been collecting it in our businesses for a long time. But until now, we haven’t had the ability to refine that, then discover insight and codify it automatically into our company’s natural experience, our digital intelligence. Every company is going to be an intelligence manufacturer. Every company is built on domain-specific intelligence. For the very first time, we can now digitise that intelligence and turn it into our AI – the corporate AI,” he said. “AI is a lifecycle that lives forever. What we are looking to do is turn our corporate intelligence into digital intelligence. Once we do that, we connect our data and our AI flywheel so that we collect more data, harvest more insight and create better intelligence. This allows us to provide better services or to be more productive, run faster, be more efficient and do things at a larger scale.”  Concluding his keynote, Huang stressed that enterprises must now engage with the “single most consequential technology in history” to translate and condense a company’s intelligence into digital intelligence. This is precisely what Swisscom is aiming to achieve. The company is Switzerland’s largest telecoms provider with more than six million mobile customers and 10,000 mobile antenna sites that have to be managed effectively. When its network engineers make changes to the infrastructure, they face a common challenge: how to update systems that serve millions of customers without disrupting the service. The solution was partnering with Outshift to develop practical applications of AI agents in network operations to “redefine” customer experiences. That is, using Outshift’s Internet of Agents to deliver meaningful results for the telco, while also meeting customer needs through AI innovation. But these advantages are not the preserve of large enterprises such as telcos. Indeed, from a networking perspective, AI can enable small- and medium-sized businesses to gain access to enterprise-level technology that can allow them to focus on growth and eliminate the costs and infrastructure challenges that arise when managing complex IT infrastructures.  From a broader perspective, Swisscom and Outshift have also shown that making AI work effectively requires something new: an infrastructure that lets businesses communicate and work together securely. And this is where the two sides of AI and networking come into play. At the event where Nvidia’s Huang outlined his vision, David Hughes, chief product officer of HPE Aruba Networking, said there were pressing issues about the use of AI in enterprise networks, in particular around harnessing the benefits that GenAI can offer. Regarding “AI for networking” and “networking for AI”, Hughes suggested there are subtle but fundamental differences between the two.  “AI for networking is where we spend time from an engineering and data science point of view. It’s really about [questioning] how we use AI technology to turn IT admins into super-admins so that they can handle their escalating workloads independent of GenAI, which is kind of a load on top of everything else, such as escalating cyber threats and concerns about privacy. The business is asking IT to do new things, deploy new apps all the time, but they’re [asking this of] the same number of people,” he observed.  What we are starting to see, and expect more of, is AI computing increasingly taking place at the edge to eliminate the distance between the prompt and the process Bastien Aerni, GTT “Networking for AI is about building out, first and foremost, the kind of switching infrastructure that’s needed to interconnect GPU [graphics processing unit] clusters. And then a little bit beyond that, thinking about the impact of collecting telemetry on a network and the changes in the way people might want to build out their network.”  And impact there is. A lot of firms currently investigating AI within their businesses find themselves asking how to manage the mass adoption of AI in relation to networking and data flows, such as the kind of bandwidth and capacity required to facilitate AI-generated output such as text, image and video content. This, says Bastien Aerni, vice-president of strategy and technology adoption at global networking and security-as-a-service firm GTT, is causing companies to rethink the speed and scale of their networking needs.  “To achieve the return on investment of AI initiatives, they have to be able to secure and process large amounts of data quickly, and to this end, their network architecture must be configured to support this kind of workload. Utilising a platform embedded in a Tier 1 IP [internet protocol] backbone here ensures low latency, high bandwidth and direct internet access globally,” he remarks.   “What we are starting to see, and expect more of, is AI computing increasingly taking place at the edge to eliminate the distance between the prompt and the process. Leveraging software-defined wide area network [SD-WAN] services built in the right platform to efficiently route AI data traffic can reduce latency and security risk, and provide more control over data.”  At the end of 2023, BT revealed that its networks had come under huge strain after the simultaneous online broadcast of six Premier League football matches and downloads of popular games, with the update of Call of Duty Modern Warfare particularly cited. AI promises to add to this headache.  Speaking at Mobile World Congress 2025, BT Business chief technology officer (CTO) Colin Bannon said that in the new, reshaped world of work, a robust and reliable network is a fundamental prerequisite for AI to work, and that it requires effort to stay relevant to meet ongoing challenges faced by the customers BT serves, mainly international business, governments and multinationals. The bottom line is that network performance to support the AI-enabled world is crucial in a world where “slow is the new down”.  Bannon added that Global Fabric, BT’s network-as-a-service product, was constructed before AI “blew up” and that BT was thinking of how to deal with a hyper-distributed set of workloads on a network and to be able to make it fully programmable. Looking at the challenges ahead and how the new network will resolve them, he said: “[AI] just makes distributed and more complex workflows even bigger, which makes the need for a fabric-type network even more important. You need a network that can [handle data] burst, and that is programmable, and that you can [control] bandwidth on demand as well. All of this programmability [is something businesses] have never had before. I would argue that the network is the computer, and the network is a prerequisite for AI to work.”  The result would be constructing enterprise networks that can cope with the massive strain placed on utilisation from AI, especially in terms of what is needed for training models. Bannon said there were three key network challenges and conditions to deal with AI: training requirements, inference requirements and general requirements.   He stated that the dynamic nature of AI workloads means networks need to be scalable and agile, with visibility tools that offer real-time monitoring, issue detection and troubleshooting. As regards specific training requirements, dealing with AI necessitates the movement of large datasets across the network, thus demanding high-bandwidth networks. He also described “elephant” flows of data – that is, continuous transmission over time and training over days. He warned that network inconsistencies could affect the accuracy and training time of AI models, and that tail latency could impact job completion time significantly. This means robust congestion management is needed to detect potential congestion and redistribute network traffic.  But AI training models generally spell network trouble. And now the conversation is turning from the use of generic large language models (see Preparing networks for Industry 5.0 box) to application/industry-dedicated small language models. Read more articles about AI for networking How network engineers can prepare for the future with AI: The rapid rise of AI has left some professionals feeling unprepared. GenAI is beneficial to networks, but engineers must have the proper tools to adapt to this new change. Cisco Live EMEA – network supplier tightens AI embrace: At its annual EMEA show, Cisco tech leaders unveiled a raft of new products, services and features designed to help customers do more with artificial intelligence. NTT Data has created and deployed a small language model called Tsuzumi, described as an ultra-lightweight model designed to reduce learning and inference costs. According to NTT’s UK and Ireland CTO, Tom Winstanley, the reason for developing this model has principally been to support edge use cases. “[That is] literally deployment at the edge of the network to avoid flooding of the network, also addressing privacy concerns, also addressing sustainability concerns around some of these very large language models being very specific in creating domain context,” he says.   “Examples of that can be used in video analytics, media analytics, and in capturing conversations in real time, but locally, and not deploying it out to flood the network. That said, the flip side of this was there was immense power sitting in some of these central hyper-scale models and capacities, and you also therefore need to find out more [about] what’s the right network background, and what’s the right balance of your network infrastructure. For example, if you want to do real-time media streaming from a [sports stadium] and do all of the edits on-site, or remotely so not to have to deploy [facilities] to every single location, then you need a different backbone, too.”  Winstanley notes that his company is part of a wider group that in media use cases could offer hyper-directional sound systems supported by AI. “This is looking like a really interesting area of technology that is relevant for supporter experience in a stadium – dampening, sound targeting. And then we’re back to the connection to the edge of the AI story. And that’s exciting for us. That is the frontier.”  But coming back from the frontier of technology to bread-and-butter business operations, even if the IT and comms community is confident that it can address any technological issues that arise regarding AI and networking, businesses themselves may not be so sure.  Research published by managed network-as-a-service provider Expereo in April 2025 revealed that despite 88% of UK business leaders regarding AI as becoming important to fulfilling business priorities in the next 12 months, there are a number of major roadblocks to AI plans by UK businesses. These include from employees and unreasonable demands, as well as poor existing infrastructure.   Worryingly, among the key findings of Expereo’s Enterprise horizons 2025 study was the general feeling from a lot of UK technology leaders that expectations within their organisation of what AI can do are growing faster than their ability to meet them. While 47% of UK organisations noted that their network/connectivity infrastructure was not ready to support new technology initiatives, such as AI, in general, a further 49% reported that their network performance was preventing or limiting their ability to support large data and AI projects.  Assessing the key trends revealed in the study, Expereo CEO Ben Elms says that as global businesses embrace AI to transform employee and customer experience, setting realistic goals and aligning expectations will be critical to ensuring that AI delivers long-term value, rather than being viewed as a quick fix. “While the potential of AI is immense, its successful integration requires careful planning. Technology leaders must recognise the need for robust networks and connectivity infrastructure to support AI at scale, while also ensuring consistent performance across these networks,” he says.  Summing up the state of the industry, Elms states that business is currently at a pivotal moment where strategic investments in technology and IT infrastructure are necessary to meet both current and future demands. In short, reflecting Düsener’s point about Swisscom’s aim to reduce the impact of service changes, reduce the risk of downtime and costs, and improve customer services. Just switching on any AI system and believing that any answer is “out there” just won’t do. Your network could very well tell you otherwise.  Through its core Catia platform and its SolidWorks subsidiary, engineering software company Dassault Systèmes sees artificial intelligence (AI) as now fundamental to its design and manufacturing work in virtually all production industries. Speaking to Computer Weekly in February 2025, the company’s senior vice-president, Gian Paolo Bassi, said the conversation of its sector has evolved from Industry 4.0, which was focused on automation, productivity and innovation without taking into account the effect of technological changes in society.   “The industry has decided that it’s time for an evolution,” he said. “It’s called Industry 5.0. At the intersection of the experience economy, there is a new, compelling necessity to be sustainable, to create a circular economy. So then, at the intersection, [we have] the generative [AI] economy.” Yet in aiming to generate gains in sustainability through Industry 5.0, there is a danger that the increased use of AI could potentially see increased power usage, as well as the need to invest in much more robust and responsive connected network infrastructure to support the rise in AI-based workloads.  Dassault first revealed it was working with generative AI design principles in 2024. As the practice has evolved, Bassi said it now captures two fundamental concepts. The first is the ability of AI to create new and original content based on language models that comprise details of processes, business models, designs of parts assemblies, specifications and manufacturing practices. These models, he stressed, would not be traditional, generic, compute-intensive models such as ChatGPT. Instead, they would be vertical, industry-specific, and trained on engineering content and technical documentation.  “We can now build large models of everything, which is a virtual twin, and we can get to a level of sophistication where new ideas can come in, be tested, and much more knowledge can be put into the innovation process. This is a tipping point,” he remarked. “It’s not a technological change. It’s a technological expansion – a very important one – because we are going to improve, to increase our portfolio with AI agents, with virtual companions and also content, because generative AI can generate content, and can generate, more importantly, know-how and knowledge that can be put to use by our customers immediately.” This tipping point means the software provider can bring knowledge and know-how to a new level because, in Bassi’s belief, this is what AI is best at: exploiting the large models of industrial practices. And with the most important benefit of addressing customer needs as the capabilities of AI are translated into the industrial world, offering a pathway for engineers to save precious time in research and spend more time on being creative in design, without massive, network-intensive models. “Right now, there is this rush to create larger and more comprehensive models. However, it may [just] be a temporary limitation of the technology,” Bassi suggested. “In fact, it is indeed possible that you don’t need the huge models to do specific tasks.” 

Slather on that SPF, slip into that bathing suit, and pack your beverage of choice in that insulated Yeti of yours. We're going to the beach! While I'd argue that the beach is best when you leave your tech behind, or, as Lorde did, throw your cellular device in the water, there are a few gadgets you can pack along to elevate the relaxing experience. As you head to the beach for memorial Day to soak up some sun and relax, I encourage you to bring along a few of my favorite gadgets. From a portable, waterproof Bluetooth speaker for listening to your beachy playlist to a handy electric fan for when it gets too hot, I rounded up a few gadgets I'm bringing to the beach this summer -- and I highly recommend that you follow suit. Keep reading for more.  Sony Ult Field 1 portable speaker Nina Raemont/ZDNET Let's talk tunes: This speaker from Sony is my favorite one to listen to at the beach, in the park, or at home in my bedroom. I've used the speaker to play music during dinner parties, and even amid a group of 15 friends all sat around the table, the sound was clear and strong. It gets plenty loud and offers crystal-clear sound. It's also waterproof, dustproof, and rustproof, so you can splash water on it or kick sand onto it without a problem. The speaker comes with a handy little carrying strap for maximum portability and a 12-hour battery life that should last you an entire day of tomfoolery by the water. What I also love about this speaker is how much quality Sony packs into a fairly affordable Bluetooth speaker with great sound. You're getting a high-quality speaker that punches well above its price point. For summer beach days, I can't recommend the Ult Field 1 enough and am looking forward to blasting my favorite songs on it as I hang in the sand this season. Right now, select colorways of the speaker are discounted by $40, bringing the price of this speaker down to $88.  Show more View now at Amazon Handheld mini fan and portable charger Nina Raemont/ZDNET If the ocean breeze isn't cutting it and you're needing some additional cool air on your face, this handheld mini fan is about to be your best friend. My friend who brought this to the beach last summer to cool herself off told me that she still carries the fan everywhere, thanks to its compact size and easy portability. Even better: Not only is this a fan, but it's also a flashlight and a power bank, so you can plug a charger into it to give your phone some extra juice at the end of the day. The mini fan has over 50,000 ratings on Amazon, and customers compliment its sweet design and functionality. It's great for any breeze-less and sweltering summer day, whether on the beach, at a packed outdoor concert venue, queueing up in lines at an amusement park, or braving the sweaty subway.  Show more View now at Amazon Kindle Paperwhite Nina Raemont/ZDNET If you don't have any more space for a book in that beach bag of yours, might I suggest a Kindle instead? I know that an e-reader is not the same as a paperback, but there are some instances when an e-reader, like the Kindle Paperwhite, simply works better than a physical book. The beach is one of those instances for a few reasons: the first is that the Kindle is waterproof and will survive splashes and sand, unlike a soggy paperback book. The second is its slim build and portability -- you don't have to choose between titles with a Kindle; bring them all to the beach instead and have space in your beach bag to spare. The Paperwhite offers an adjustable warm light and a glare-free display, so you can read e-books in direct sunlight without a problem. If you've got a laundry list of books to read this summer and are planning on knocking a few of those titles off while lounging on the beach, this Kindle could keep your reading goals on track.  Show more View now at Amazon Hanging on the beach all day is bound to drain your various devices' batteries. Bring a portable charger along, like this Anker PowerCore, to boost them back up. This PowerCore charger is lightweight, small enough to throw in a bag, and boasts a USB-A and USB-C port. ZDNET's Adrian Kingsley Hughes says he uses these constantly to power up his action cameras and devices on the go. While the chargers aren't disposable, Kingsley-Hughes says he likes that its affordable price makes it easy to replace if it gets lost. "If they get damaged, lost (or, as one did, fall off a cliff), I'm not out that much money," he writes.  Show more View now at Amazon Why should you trust me? While thinking about the best gadgets to bring to the beach, I kept in mind two essential things: usefulness and portability. I tried to choose tech gadgets that a regular person would actually use and reap the benefits of while they're passing the day by the water. If you're anything like me, and your closest beach is a 50-minute subway ride away, you know that that beach bag you're lugging around gets heavy, quickly. I tried to choose products that lighten the heavy load of your beach bag or relieve you from the hot weather. I test and report on tech products for a living, so I chose products that my colleagues and I can vouch for, many of which we have reviewed ourselves.  Show more Why does my phone's battery drain quickly in the sun? Hot temperatures can drain a phone's battery, fast. That's because heat speeds up chemical reactions in the battery. To keep my phone battery strong while I'm on the beach, I like to wrap it in a towel and hide it from direct sunlight. I also will only try to use it when necessary.  Show more What other beach essentials should I bring? There are the classic beach bag essentials, like a beach towel (I like to bring one towel for sitting on and one for drying myself off), sunscreen, sunglasses, a water bottle, and a cooler with drinks and snacks in it. I also love bringing earbuds with me, so as to not bother my friends while I listen to my favorite tunes on the water.  Show more Other beach-friendly tech 

May belongs to Vince Vaughn and the grandmothers. Nonnas, which premiered on May 9, has become a hit on Netflix and remains in the top 10 most popular movies list. From the kitchen to the football field, Untold: The Fall of Favre is a fascinating look into two notorious scandals involving Hall of Fame quarterback Brett Favre. Nonnas and The Fall of Favre will remain on the streamer when the calendar changes from May to June. Unfortunately, these five movies are departing the service. One of them is Batman Begins, the first movie in the spectacular Dark Knight trilogy. Check out the rest of the picks below. Recommended Videos We also have guides to the best new movies to stream, the best movies on Netflix, the best movies on Hulu, the best movies on Amazon Prime Video, the best movies on Max, and the best movies on Disney+. Batman Begins (2005) Warner Bros. Pictures In 2025, Christopher Nolan is the top filmmaker in Hollywood concerning power, notoriety, and recognition. 20 years ago, Nolan did not have the same juice he has now. However, Batman Begins is arguably the movie that changed his career. The previous Batman movies treated Bruce Wayne like a comic book character. Nolan crafted a more grounded and nuanced version of the character, starting with a gritty origin story in Batman Begins. After years of training and traveling globally, Bruce Wayne (Christian Bale) returns to Gotham City and becomes Batman, the masked vigilante intent on ridding the city of crime. Batman’s foes include his former mentor, Henri Ducard (Liam Neeson), and Scarecrow (Cillian Murphy), two men who believe Gotham isn’t worth saving. After watching Batman Begins, stream The Dark Knight and Batman Begins, which also leave at the end of the month. Stream Batman Begins on Netflix. Den of Thieves (2018) STXfilms What a comeback year it’s been for Den of Thieves. The cult classic’s popularity led to a sequel, Den of Thieves 2: Pantera, which premiered in January. Plus, a third movie is now in the works. However, these sequels would not have been possible without the original from 2018. Written and directed by Christian Gudegast, Den of Thieves is a heist film set in Los Angeles that pits the cops against the robbers. The lines are blurred as neither side is good nor evil. The police are led by Big Nick O’Brien (Gerard Butler), a renegade cop who frequently breaks the law to apprehend the enemy. The outlaws’ leader is Ray Merrimen (Pablo Schreiber), a former Marine and mastermind of a heist crew. Merrimen’s group plans to hit the Federal Reserve Bank, and Big Nick plans to stop it. It’s going to get loud, violent, and chaotic once these two sides battle. Stream Den of Thieves on Netflix. Pride & Prejudice (2005) Universal Pictures “You have bewitched me, body and soul, and I love you.” Jane Austen fans will recognize that iconic line from Joe Wright’s terrific adaptation of Pride & Prejudice. In the English countryside live the five Bennet sisters: Jane (Rosamund Pike), Elizabeth (Kiera Knightley), Mary (Talulah Riley), Kitty (Carey Mulligan), and Lydia (Jena Malone). The girls have been pressured by their father to find a suitable husband, particularly a wealthy one. The free-spirited Elizabeth has no plans to marry for money and will hold out for love. Could that man be Mr. Darcy (Matthew Macfadyen)? Good luck not falling in love with the will-they-won’t-they dilemma between Elizabeth and Darcy. Stream Pride & Prejudice on Netflix. GoodFellas (1990) Warner Bros. Pictures Martin Scorsese’s greatest movie is about to leave Netflix, which is a crime against humanity. The late Ray Liotta plays Henry Hill, a Brooklyn teenager who advances within the ranks of the Mafia to become one of its top lieutenants. While working for the mafia, Henry becomes closely associated with Jimmy Conway (Robert De Niro), an Irish-American gangster, and Tommy DeVito (Joe Pesci), a fiery criminal. The trio reaps the rewards of being in the mafia — money, drugs, and power. These items also lead to their demise. The brilliance of Goodfellas is how Scorsese divides the story into two halves. The first half glamorizes the mafia lifestyle, while the second half explores the dark consequences of being a gangster. Describing Goodfellas as a masterpiece does not do it justice. Stream Goodfellas on Netflix. Two Weeks Notice (2002) Warner Bros. Pictures Sandra Bullock and Hugh Grant starring in Two Weeks Notice is equivalent to Captain America and Iron Man joining the Avengers. Bullock and Grant became two of the ’90s biggest names, especially in rom-coms. The stars aligned in Two Weeks Notice, Marc Lawrence’s take on the opposites attract trope. Lawyer Lucy Kelson (Sandra Bullock) will do whatever it takes to protect the environment. Billionaire George Wade (Hugh Grant) only cares about himself and his money. Lucy works for George after he promises to save a community center. At first, oil and water are a better mix than Lucy and George. Over time, the duo come to appreciate one another’s company and gain feelings. Even with a predictable ending, Two Weeks Notice will satisfy anyone who loves on-screen chemistry between the leads. Stream Two Weeks Notice on Netflix.